{"title":"Blue vinyl","description":"","products":[{"product_id":"alice-cooper-the-last-temptation","title":"Alice Cooper - The Last Temptation (Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eVocals – Alice Cooper\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/alice-cooper\" title=\"vinyl featuring Alice Cooper\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/alice-cooper\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Alice Cooper]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Brett Hudson, Craig Copeland, Lou Merlino, Mark Hudson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass, Backing Vocals – Greg Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – David Uosikkinen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Backing Vocals – Stef Burns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards [Additional] – John Purdell (A5, B3, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards, Backing Vocals – Derek Sherinian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold sleeve\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1, B1, B2, B5 r\u003c\/strong\u003e\u003cstrong\u003eecorded by Andy Wallace a\u003cspan data-mce-fragment=\"1\"\u003et Music Grinder Studios, Hollywood, CA and Sony Recording Studios, Santa Monica, CA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA5, B3, B4 \u003c\/strong\u003e\u003cstrong\u003erecorded by Duane Baron a\u003cspan data-mce-fragment=\"1\"\u003et Devonshire Studios, N. Hollywood, CA and Music Grinder Studios, Hollywood, CA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA2 to A4 recorded by\u003cspan\u003e \u003c\/span\u003eJohn Agnello\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eat Record One Studios, Sherman Oaks, CA and Sony Recording Studios, Santa Monica, CA.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Steve Escallie and Andy Wallace\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Andy Wallace (A1, B1, B2, B5), Don Fleming (A2 to A4), Duane Baron \u0026amp;, John Purdell (A5, B3, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Friday Music's Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1994\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\u003cp\u003e            1-Sideshow\u003c\/p\u003e\n\u003cp\u003e            2-Nothing’s Free\u003c\/p\u003e\n\u003cp\u003e            3-Lost In America\u003c\/p\u003e\n\u003cp\u003e            4-Bad Place Alone\u003c\/p\u003e\n\u003cp\u003e            5-You’re My Temptation\u003c\/p\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSIDE B\u003c\/p\u003e\n\u003cp\u003e            1-Stolen Prayer\u003c\/p\u003e\n\u003cp\u003e            2-Unholy War\u003c\/p\u003e\n\u003cp\u003e            3-Lullaby\u003c\/p\u003e\n\u003cp\u003e            4-It’s Me\u003c\/p\u003e\n\u003cp\u003e            5-Cleansed By Fire\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e\"Though Alice Cooper's 1989 comeback gave him his first hit album in over a decade, the Trash record left some diehard fans disappointed, as did 1991's Hey Stoopid. Many listeners felt that Cooper had sold himself short, now completely focusing on sleazy sexual anthems, making him just another face in the heavy metal crowd. By the time The Last Temptation was released in 1994, the hair band fad that had fueled Cooper's return was dead, and Cooper was obviously aware of its downfall -- the album sounds almost nothing like its two predecessors. Instead of relating to such albums as Motley Crue's Dr. Feelgood, Last Temptation seems more similar to Ozzy Osbourne's No More Tears. Thematically, the record returns to mostly conceptual songs, such as \"Nothing's Free,\" \"You're My Temptation,\" and \"Cleansed by Fire.\" Though the album still has a few goofy interruptions, such anthems as \"Lost in America\" nonetheless boast more originality than anything off of Hey Stoopid or Trash. Far surpassing anything Cooper recorded in almost 20 years, The Last Temptation is unquestionably some of his best work.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Barry Weber\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,06 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40792916590743,"sku":"FRM-52771","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/alice-cooper-the-last-temptation-blue-vinyl-audiosoundmusic-1.jpg?v=1719852631"},{"product_id":"alice-cooper-classicks-the-best-of-alice-cooper","title":"Alice Cooper - Classicks (Black \u0026 Blue Swirl vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal - Alice Cooper \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/alice-cooper\" title=\"vinyl featuring Alice Cooper\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/alice-cooper\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Alice Cooper]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Hugh McDonald (A1, A2, A4, B8), T-Bone Caradonna (B2 to B7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Jonathan Mover (B2 to B7), Mickey Curry (A2 to A4, B8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Al Pitrelli (B2 to B7), Pete Freezin' (B2 to B7), Stef Burns (A2 to A5, A7, B1, B8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Derek Sherinian (A5, A7 to B7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Tri-Fold sleeve, \u003cspan data-mce-fragment=\"1\"\u003e24\"x24\" album front cover poster\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue \u0026amp; Black Swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive \u0026amp; Studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompiled by Frankie Larocka, Brian Lima \u0026amp; Tom (Smitty) Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1995\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in February 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePoison\u003c\/li\u003e\n\u003cli\u003eHey Stoopid\u003c\/li\u003e\n\u003cli\u003eFeed My Frankenstein\u003c\/li\u003e\n\u003cli\u003eLove's A Loaded Gun\u003c\/li\u003e\n\u003cli\u003eStolen Prayer\u003c\/li\u003e\n\u003cli\u003eHouse Of Fire\u003c\/li\u003e\n\u003cli\u003eIt's Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUnder My Wheels (Live)\u003c\/li\u003e\n\u003cli\u003eBillion Dollar Babies (Live)\u003c\/li\u003e\n\u003cli\u003eI'm Eighteen (Live)\u003c\/li\u003e\n\u003cli\u003eNo More Mr. Nice Guy (Live)\u003c\/li\u003e\n\u003cli\u003eOnly Women Bleed (Live)\u003c\/li\u003e\n\u003cli\u003eSchool's Out (Live)\u003c\/li\u003e\n\u003cli\u003eLost In America\u003c\/li\u003e\n\u003cli\u003eFire\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e“1995's Classicks is another in a long line of Alice Cooper best-of compilations, and it includes both live and studio material. Featured are such late-'80s and early-'90s favorites as \"Poison,\" \"Hey Stoopid,\" \"House of Fire,\" and a great duet with Soundgarden's Chris Cornell, \"Stolen Prayer,\" among others. While the live material is advertised as being issued officially for the first time on CD, it turns out that it comprises nothing more than the exact versions lifted from Alice's 1989 home video Alice Cooper Trashes the World. Still, you can never go wrong with any version of such early-'70s anthems as \"Under My Wheels,\" \"Billion Dollar Babies,\" \"I'm Eighteen,\" \"No More Mr. Nice Guy,\" \"School's Out,\" and the ballad \"Only Women Bleed.\" While the album's title may be a bit misleading (only six of the 14 tracks are true classics), and while it isn't in the same league as 1974's Greatest Hits, hardcore Cooper fans will find a decent collection in Classicks.” AllMusic Review by Greg Prato\u003c\/p\u003e\n\u003cp\u003eAfter an Amazing Run Of Top-Charting Smash Hit Albums and Singles, Epic Records Honored Rock Hall of Famer And Superstar Alice Cooper With a New Greatest Hits Album In 1995 “Classicks”, Which Features The Biggest Songs From His Arena Rock\/ Heavy Metal Albums “Trash” “Hey Stoopid” and “The Last Temptation.” Plus as a Bonus, Superlative Live Classic Hit Tracks are also on board From His “Trashes The World” Concert Video.\u003c\/p\u003e\n\u003cp\u003eAlong with Ace Producers Like Desmond Child, Peter Collins and Andy Wallace, Alice Cooper Truly delivered some of The Finest Hard Rock Ever For This Stellar Collection. Featuring Classic Rock Smashes Like “Posion” “Feed My Frankenstein” “Lost in America” and “House Of Fire”, The “Classicks” Collection Is Truly A Crowd Pleaser.\u003c\/p\u003e\n\u003cp\u003eAs A Bonus, You Also Will Hear Stunning Live Performances Of Smash Hits Like “School’s Out,” “I’m Eighteen,” “Only Women Bleed” “Under My Wheels” As Well As An Album Only Version Of Jimi Hendrix’s “Fire.” In Total, Making Alice Cooper’s “Classicks” One Of The Most Enduring Rock And Roll Best Of Collections In Recent Classic Rock History.\u003c\/p\u003e\n\u003cp\u003eAs Cd’s Were The Medium Of Choice In The Mid 90’s, The Album Was Never Released On Vinyl In North America …That Is Until Now. Friday Music Is Very Proud To Offer Another Exciting Installment In Our Alice Cooper 180 Gram Audiophile Vinyl Series With The Classic 1995 Smash Album \"Classicks.\"\u003c\/p\u003e\n\u003cp\u003eImpeccably Mastered By Joe Reagoso (Alice Cooper\/David Bowie\/Deep Purple) And Pressed By R.T.I. On Super Limited Translucent Red \u0026amp; Black Swirl Audiophile Vinyl, This 25th Anniversary Limited Edition First Time 180 Gram Lp Is Also Presented In A First Time Highly Collectible Deluxe Tri-Fold Cover With The Original Artwork Now Detailed In The Album Format.\u003c\/p\u003e\n\u003cp\u003eAs Another Bonus For This First Run, We Are Also Including A Very Limited Huge 24” X 24” Front Cover Poster To Enhance Your Alice Cooper Listening Experience.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2.5 \/ 5 , Discogs : 4,15 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40792953389207,"sku":"FRM-67219 Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/alice-cooper-classicks-black-and-blue-swirl-vinyl-audiosoundmusic-1.jpg?v=1719852630"},{"product_id":"blood-sweat-tears-4","title":"Blood Sweat Tears 4 (Blue vinyl)","description":"\u003ch2\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/blood-sweat-tears\" title=\"Blood, Sweat and Tears vinyl\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/blood-sweat-tears\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eClick here to see Blood, Sweat \u0026amp; Tears' vinyl\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals – David Clayton-Thomas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar, Guitar, Harmonica, Mandolin – Steve Katz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Percussion – Bobsby Colomby*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Bass – Jim Fielder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan, Trombone, Piano, Flute – Dick Halligan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano, Organ, Clarinet, Alto Saxophone – Fred Lipsius\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone, Tuba, Horns – Dave Bargeron\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet, Flugelhorn – Chuck Winfield, Lewis Soloff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Dick Halligan (A2, A4, A5, B1, B4), Fred Lipsius (A1, A3, A6, B2, B3, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, tri-fold sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Roy Halee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Roy Halee, Bobby Colomby, Don Heckman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGo Down Gamblin'\u003c\/li\u003e\n\u003cli\u003eCowboys And Indians\u003c\/li\u003e\n\u003cli\u003eJohn The Baptist (Holy John)\u003c\/li\u003e\n\u003cli\u003eRedemption\u003c\/li\u003e\n\u003cli\u003eLisa, Listen To Me\u003c\/li\u003e\n\u003cli\u003eA Look To My Heart (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHigh On A Mountain\u003c\/li\u003e\n\u003cli\u003eValentine's Day\u003c\/li\u003e\n\u003cli\u003eTake Me In Your Arms (Rock Me A Little While)\u003c\/li\u003e\n\u003cli\u003eFor My Lady\u003c\/li\u003e\n\u003cli\u003eMama Gets High\u003c\/li\u003e\n\u003cli\u003eA Look To My Heart (Duet)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Having relied largely on outside songwriting for its last two wildly successful albums, Blood, Sweat \u0026amp; Tears decided (as many groups had before) to bring some of that song publishing income into the family by writing their own material. Singer David Clayton-Thomas contributed the Top 40 hit \"Go Down Gamblin',\" and he and keyboard player Dick Halligan collaborated on another chart entry, \"Lisa, Listen to Me.\" Ex-bandleader Al Kooper even contributed a track, \"John the Baptist (Holy John).\" But Side two was given over largely to songs by guitarist Steve Katz that were substandard, and the band's cohesion seemed to be disintegrating. Although the album scraped the Top Ten briefly and went gold, it marked the end of BS\u0026amp;T's period of wide commercial success on records. By the next outing, Clayton-Thomas had quit and the band's heyday was behind it.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2 \/ 5 , Discogs : 3,82 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40793629163671,"sku":"FRM-30590","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/blood-sweat-tears-4-blue-vinyl-audiosoundmusic-1.jpg?v=1719852662"},{"product_id":"brian-wilson-brian-wilson-blue-vinyl","title":"Brian Wilson - Brian Wilson (Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eVocal Arrangement, Lead Vocals, Bells, Electronics [Emulator], Glockenspiel, Organ, Wind Chimes – Brian Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccordion – Frank Morocco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar [Steel String], Banjo, Mandolin – The Baystate Bluegrass Band\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar, Backing Vocals, Electric Guitar, Harmonica – Andy Paley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBaritone Saxophone – Jay Migliori\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Andy Paley, Jeff Lynne, The Baystate Bluegrass Band\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass [Six-string] – Jeff Lynne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBells [Jingle Bells] – Andrew Dean\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello, Drums [Emu Tympani], Guitar [Synth Guitar] – Rob Mounsey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCymbal, Performer [Hi-hat] – Tris Imboden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrum Programming, Shaker – Jimmy Bralower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Andy Paley, Michael Bernard, Tris Imboden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlute – Hymen Katz, Michael Andreas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Dean Parks, Elliot Easton, Jeff Lynne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHorns, Saxophone [Saxophone Solo] – Larry Williams\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Andrew Dean, Andy Paley, Brian Wilson, Jeff Bova, Jeff Lynne, Michael Bernard, Philippe Saisse, \u003c\/strong\u003e\u003cstrong\u003eLarry Williams, Robbie Condor, Steve Lindsey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards [Fairlight] – Todd Herreman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Andrew Dean, Andy Paley, Brian Wilson, Carol Steele, Michael Bernard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Brian Wilson, Rob Mounsey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiccolo Flute – Hymen Katz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaw, Violin – Tony Salvage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone – Michael Andreas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Harry Kim, Lance Buller, Stuart Blumberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVibraphone [Vibes] – Andrew Dean, Brian Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Alexandra Morgan (A2, A6 to B1), Andy Paley (B1, B3, B4), Brian Wilson, Eugene E. Landy (A1 to A3, A7, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Sire\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by : Josh Abbey (pistes : A2 to B4), Mark Linett (pistes : A2 to B4)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Brian Wilson, Russ Titelman (pistes : A1, A3 to A5, A7, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Friday Music's Joe Reagoso and Ron McMaster from original Sire Records tapes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1988\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove and Mercy\u003c\/li\u003e\n\u003cli\u003eWalkin' the Line\u003c\/li\u003e\n\u003cli\u003eMelt Away\u003c\/li\u003e\n\u003cli\u003eBaby Let Your Hair Grow Long\u003c\/li\u003e\n\u003cli\u003eLittle Children\u003c\/li\u003e\n\u003cli\u003eOne for the Boys\u003c\/li\u003e\n\u003cli\u003eThere's So Many\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight Time\u003c\/li\u003e\n\u003cli\u003eLet It Shine\u003c\/li\u003e\n\u003cli\u003eMeet Me in My Dreams Tonight\u003c\/li\u003e\n\u003cli\u003eRio Grande\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Brian Wilson's first solo album created a good share of media hoopla upon its release. This was not necessarily because of the music, but simply because his very existence -- or, at least, proof of his existence via his first fully engaged recording project in about a decade -- was greeted as a cause for celebration. Although it did not shift tons of units, it did spark a landslide of ecstatic-to-charitable reviews, largely because so many critics were eager to latch on to any evidence that Wilson's musical genius was still intact. Viewed more coldly after the hype faded, this self-titled release is an odd, flawed creation, certainly leagues above the Beach Boys' post-'70s output, yet certainly leagues below Wilson's best work with that group in the '60s. While he retained his gift for catchy melodies and dense, symphonic production, there was a forced stiffness to both the songwriting and execution. Much of the blame for the album's mixed success can be laid upon its sterile, synthesizer-laden arrangements and echoing percussion, which epitomized some of the less attractive aspects of late-'80s production. However, the songs were not among Wilson's best, either, their hooks pleasant but easily fading from memory, the lyrics full of ambiguous romantic optimism completely belied by the nervous, mannered vocals. The concluding eight-minute suite, \"Rio Grande,\" was a self-conscious and, again, only partially successful attempt to match the grandeur of the miniature conceptual pieces Wilson was penning in the Smile era. For all that, it remains the best album of Wilson's solo career, principally because he has recorded so little material since then, and written even less.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Richie Unterberger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3,94 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40795461288087,"sku":"FRM-25669","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/brian-wilson-brian-wilson-blue-vinyl-audiosoundmusic-1.jpg?v=1719852676"},{"product_id":"hot-tuna-burgers-blue-vinyl","title":"Hot Tuna - Burgers (Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eJorma Kaukonen – guitars, lead vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJack Casady – bass, vocals, eyebrow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePapa John Creach – violin, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSammy Piazza – drums, tympani, other percussion, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNick Buck – organ, piano on \"True Religion\" and \"Keep On Truckin'\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichmond Talbott – vocals, slide guitar on \"99 Year Blues\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Crosby – vocals on \"Highway Song\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, \u003c\/strong\u003e\u003cstrong\u003eGatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rhino Entertainment Company\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Grunt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eNovember - December 1971 at Wally Heider Studios, San Francisco \u003c\/strong\u003e\u003cstrong\u003eby \u003cspan data-mce-fragment=\"1\"\u003eJoe Lopes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Betty Cantor, The Masked Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Jorma Kaukonen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 True Religion\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Highway Song\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 99 Year Blues\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Sea Child\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Keep On Truckin'\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Water Song\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Ode For Billy Dean\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Let Us Get Together Right Down Here\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5 Sunny Day Strut\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Burgers, Hot Tuna's third album, marked a crucial transition for the group. Until now, Hot Tuna had been viewed as a busman's holiday for Jefferson Airplane lead guitarist Jorma Kaukonen and bassist Jack Casady. Their first album was an acoustic set of folk-blues standards recorded in a coffeehouse, their second an electric version of the same that added violinist Papa John Creach (who also joined the Airplane) and drummer Sammy Piazza. Then the Airplane launched Grunt, its own vanity label, which encouraged all bandmembers to increase their participation in side projects. Burgers, originally released as the fourth Grunt album, sounded more like a full-fledged work than a satellite effort. It was Hot Tuna's first studio album, and Kaukonen wrote the bulk of the material, not all of it in the folk-blues style that had been the group's métier. \"Sea Child,\" for example, employed his familiar acid rock sound and would have fit seamlessly onto an Airplane album. And \"Water Song,\" one of his most accomplished instrumentals, had a crystalline acoustic guitar part that really suggested the sound of rippling water. On the material that did recall the earlier albums, Hot Tuna split the difference between its acoustic and electric selves, sometimes, as on \"True Religion,\" beginning in folky fingerpicking style only to add a rock band sound after the introduction. The result was more restrained than the second album, but not as free as the first, with the drums imposing steady rhythms that often kept Casady from soloing as much, though Creach's violin made for plenty of improvisation within the basic blues structures. All of which is to say that, not surprisingly, on its third album in as many years, Hot Tuna had evolved its own sound and music, and seemed less a diversion than its members' new top priority.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 3,97 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40840416198807,"sku":"FRM-51004 Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/hot-tuna-burgers-blue-vinyl-audiosoundmusic-1.jpg?v=1719852895"},{"product_id":"copy-of-kansas-monolith-translucent-blue-gold-swirl-vinyl","title":"Kansas - Monolith (Translucent Blue \u0026 Gold Swirl vinyl)","description":"\u003cp\u003e\u003cstrong\u003eSteve Walsh – keyboards, lead and backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKerry Livgren – guitars, keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRich Williams – guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobby Steinhardt – violin, backing vocals, lead vocals on \"Angels Have Fallen,\" \"How My Soul Cries Out for You,\" and \"Stay Out of Trouble,\" anvil\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Hope – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhil Ehart – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe O. K. Chorale – background vocals on \"Angels Have Fallen\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover \u0026amp; Poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color :\u003c\/strong\u003e \u003cstrong\u003eRed \u0026amp; Orange Swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Kirshner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Axis Sound Studio, Atlanta, january - April 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Brad Aaron, Davy Moire\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Kansas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOn The Other Side\u003c\/li\u003e\n\u003cli\u003ePeople Of The South Wind\u003c\/li\u003e\n\u003cli\u003eAngels Have Fallen\u003c\/li\u003e\n\u003cli\u003eHow My Soul Cries Out For You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Glimpse Of Home\u003c\/li\u003e\n\u003cli\u003eAway From You\u003c\/li\u003e\n\u003cli\u003eStay Out Of Trouble\u003c\/li\u003e\n\u003cli\u003eReason To Be\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"By this release, Kansas had pretty much exhausted every aspect of their musical style. There is some fine playing here, but the band's success seemed to be having an effect on their integrity and judgment, given the penchant for pop songs and juvenile lyrics. The concept of the album, futuristic Indians with space helmets, doesn't help. Even though the chorus to \"People of the South Wind\" is catchy, the ridiculous keyboard melody that starts the song is shamefully aimed at FM radio. This release lacks effort and direction and is best left unexplored.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Robert Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2 \/ 5 , Discogs : 3,8 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40843097833623,"sku":"FRM 36008 Translucent Blue \u0026 Gold Swirl","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/kansas-monolith-translucent-blue-and-gold-swirl-vinyl-audiosoundmusic-1.jpg?v=1719852941"},{"product_id":"moody-blues-the-other-side-of-life-blue-vinyl","title":"The Moody Blues - The Other Side of Life (Blue vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cstrong data-mce-fragment=\"1\"\u003eThe Moody Blues\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring the moody blues\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-moody-blues\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-moody-blues\"\u003e[click here to see more vinyl featuring The Moody Blues]\u003c\/a\u003e\u003c\/span\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJustin Hayward – vocals, guitar\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Lodge – vocals, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Thomas – tambourine, backing vocals, flute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatrick Moraz – keyboards, synthesizers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGraeme Edge – drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Polydor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Good Earth Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Andy Llewellyn, Gordon Futter, Sam Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Tony Visconti\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYour Wildest Dreams\u003c\/li\u003e\n\u003cli\u003eTalkin' Talkin'\u003c\/li\u003e\n\u003cli\u003eRock 'n' Roll Over You\u003c\/li\u003e\n\u003cli\u003eI Just Don't Care\u003c\/li\u003e\n\u003cli\u003eRunning Out of Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003eThe Other Side of Life\u003c\/li\u003e\n\u003cli\u003eThe Spirit\u003c\/li\u003e\n\u003cli\u003eSlings and Arrows\u003c\/li\u003e\n\u003cli\u003eIt May Be A Fire\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"The Moody Blues' best album in five years benefited mostly from the presence of the Top Ten single \"Your Wildest Dreams,\" authored by Justin Hayward, which turned their status as survivors from the '60s psychedelic era into a plus, with a great beat to boot; it also debuted with a very entertaining video featuring young British psychedelic rockers the Mood Six playing the young Moody Blues to promote the song on the newly dominant MTV and rival video outlets. Unfortunately, nothing else that Hayward or anyone else turned in for this album was remotely as catchy, and, in fact, much of the rest of the album -- apart from the closer, John Lodge's \"It May Be a Fire,\" which recalls his and Hayward's collaboration on the Blue Jays album -- shows signs of a group running on empty creatively. Ray Thomas is totally absent as a songwriter, and Graeme Edge and Patrick Moraz between them offer one lackluster song. Lodge and Hayward together furnish a pair of serviceable if not dazzling rockers, \"Talkin' Talkin'\" and \"Slings and Arrows,\" the latter benefiting from a great beat, chorus, and vocal arrangement more than anything in the lyrics, but their \"Running Out of Love\" is a terrible song with a great chorus; and Lodge's \"Rock 'n' Roll Over You\" ultimately runs about a minute too long for its own good, and mostly succeeds in recalling older (and better) hard rock numbers by him, such as \"Gemini Dream\" and \"Stepping in a Slide Zone.\" And Hayward's title track is more lugubrious than lyrical. The album, thanks to the video and the single, was good enough to tour off of, and help pull in the group's most enthusiastic audiences in a half-decade, but this would end up being much more the high-water mark commercially for their post-'70s work than a fresh start.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3,71 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40850819219607,"sku":"FMLP323 Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-moody-blues-the-other-side-of-life-blue-vinyl-audiosoundmusic-1.jpg?v=1719852976"},{"product_id":"survivor-the-best-of-survivor-greatest-hits-blue-and-black-swirl-vinyl","title":"Survivor - The Best of Survivor - Greatest Hits (2LP, Blue and Black Swirl vinyl)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cspan style=\"color: #ff2a00;\"\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eA1, B2, C1-C2 from \"Eye Of The Tiger\" (1982)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2-3 and B1 from \"Vital Signs\" (1984)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 from \"Premonition\" (1981)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 from \"ROCKY IV - Soundtrack\" (1985)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 and D1 from \"When Seconds Count\" (1986)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC3 from \"Caught In The Game\" (1983)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC4 from \"The Karate Kid - Soundtrack\" (1984)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD2 from \"Too Hot To Sleep\" (1988)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Gatefold Cover \u0026amp; poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color :\u003c\/strong\u003e \u003cstrong\u003eBlue and Black Swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Volcano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 1981 - 1988\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by \u003c\/strong\u003e\u003cstrong\u003eJoe Gastwirt and \u003c\/strong\u003e\u003cstrong\u003eDavid Mitson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in February 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEye Of The Tiger\u003c\/li\u003e\n\u003cli\u003eI Can't Hold Back\u003c\/li\u003e\n\u003cli\u003eHigh On You\u003c\/li\u003e\n\u003cli\u003ePoor Man's Son\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Search Is Over\u003c\/li\u003e\n\u003cli\u003eAmerican Heartbeat\u003c\/li\u003e\n\u003cli\u003eBurning Heart\u003c\/li\u003e\n\u003cli\u003eIs This Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide C\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEver Since The World Began\u003c\/li\u003e\n\u003cli\u003eThe One That Really Matters\u003c\/li\u003e\n\u003cli\u003eCaught In The Game\u003c\/li\u003e\n\u003cli\u003eThe Moment Of Truth\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide D\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRebel Son\u003c\/li\u003e\n\u003cli\u003eDidn't Know It Was Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“Two years after 2004's excellent Ultimate Survivor anthology, The Best of Survivor doesn't necessarily come close to besting its predecessor, but it does a good job of trimming away the fat and delivering only their biggest chart hits. Both of their contributions from the excellent series of Rocky movies -- \"Eye of the Tiger\" and the lesser-known but equally rousing \"Burning Heart\" -- are here, as well as their adult contemporary power ballads \"High on You,\" \"The Search Is Over,\" and \"Is This Love.\" This may not be the definitive survey of the band's career, but those looking for just the hits will be spoiled by the delights found in this compilation.” AllMusic Review by Rob Theakston\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,42 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40852603928727,"sku":"FRM-81598 Blue and Black Swirl","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/survivor-the-best-of-survivor-greatest-hits-2lp-blue-and-black-swirl-vinyl-audiosoundmusic-1.jpg?v=1719853037"},{"product_id":"the-allman-brothers-band-where-it-all-begins-translucent-blue-black-swirl-vinyl","title":"The Allman Brothers Band - Where It All Begins (2LP, Translucent Blue \u0026 Black Swirl vinyl)","description":"\u003cp\u003e\u003cstrong\u003eGregg Allman – organ, lead vocals  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/gregg-allman\" title=\"vinyl featuring Gregg AllMan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/gregg-allman\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Gregg Allman]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDickey Betts – lead guitar, lead vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarren Haynes – lead guitar, lead vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAllen Woody – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJaimoe – drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eButch Trucks – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarc Quiñones – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color :\u003c\/strong\u003e \u003cstrong\u003eTranslucent Blue \u0026amp; Black Swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January 1994 at BR Ranch Studios, Jupiter, Florida\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by David Hewitt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Tom Dowd\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1994\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll Night Train\u003c\/li\u003e\n\u003cli\u003eSailin' 'Cross The Devil's Sea\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBack Where It All Begins\u003c\/li\u003e\n\u003cli\u003eSoulshine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNo One To Run With\u003c\/li\u003e\n\u003cli\u003eChange My Way Of Living\u003c\/li\u003e\n\u003cli\u003eMean Woman Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEverybody's Got A Mountain To Climb\u003c\/li\u003e\n\u003cli\u003eWhat's Done Is Done\u003c\/li\u003e\n\u003cli\u003eTemptation Is A Gun\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"After a year of personal and personnel problems, the Allman Brothers Band got back together to record the surprisingly consistent live-in-the-studio venture Where It All Begins. It lacks the ambition and stretch of Seven Turns or Shades of Two Worlds, along with their peaks, but it is still a solidly consistent album, driven by some of the virtues of live spontaneity. Highlights include Gregg Allman's frank drug song \"All Night Train,\" the Bo Diddley-beat-driven \"No One to Run With,\" and the glorious dual-guitar workout \"Back Where It All Begins.\"\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,14 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40858954301591,"sku":"RM-32942 Translucent Blue \u0026 Black Swirl","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-allman-brothers-band-where-it-all-begins-2lp-translucent-blue-and-black-swirl-vinyl-audiosoundmusic-1.jpg?v=1719853064"},{"product_id":"the-kinks-misfits-blue-vinyl","title":"The Kinks - Misfits (Blue vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-kinks\" title=\"vinyl featuring The Kinks\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e[click here to see more vinyl featuring The Kinks]\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Davies - vocals, guitar, piano, synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Davies - lead guitar, vocals (lead vocals on \"Trust Your Heart\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMick Avory - drums, percussion (except as noted)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Gosling - piano, organ, synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndy Pyle - bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNick Trevisik - drums on \"Trust Your Heart\", \"A Rock \u0026amp; Roll Fantasy\" and \"Get Up\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Dalton - bass guitar on “In A Foreign Land”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRon Lawrence - bass guitar on “Live Life,” “Rock and Roll Fantasy,” and “Get Up”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eZaine Griff - bass guitar overdubs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClem Cattini - drum overdubs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Beecham - trombone on \"Black Messiah\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNick Newall - clarinet on \"Black Messiah\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMike Cotton - trumpet on \"Black Messiah\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Arista\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded July 1977 - January 1978 at Konk Studios London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Steve Waldman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ray Davies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1978\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in January 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Misfits\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Hay Fever\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Live Life\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Rock 'N' Roll Fantasy\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5 In A Foreign Land\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Permanent Waves\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Black Messiah\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Out Of The Wardrobe\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Trust Your Heart\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5 Get Up\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"The Kinks became arena rockers with Sleepwalker, and its follow-up, Misfits, follows in the same vein, but it's a considerable improvement on its predecessor. Ray Davies has learned how to write within the confines of the arena rock formula, and Misfits is one of rock \u0026amp; roll's great mid-life crisis albums, finding Davies considering whether he should even go on performing. \"Misfits,\" a classic outsider rallying cry, and \"Rock and Roll Fantasy\" provide the two touchstones for the album -- Davies admits that he and the Kinks will never be embraced by the rock \u0026amp; roll mainstream, but after Elvis' death, he's not even sure if rock \u0026amp; roll is something for mature adults to do. Over the course of Misfits, he finds answers to the question, both in his lyrics and through the band's muscular music. Eventually, he discovers that it is worth his time, but the search itself is superbly affecting -- even songs like the musichall shuffle \"Hay Fever,\" which appear as filler at first, have an idiosyncratic quirk that make them cut deeper. Although Ray would return to camp on their next album, Misfits is a moving record that manages to convey deep emotions while rocking hard. The Kinks hadn't made a record this good since Muswell Hillbillies.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 3,95 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40860267610263,"sku":"FRM-8069 Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-kinks-misfits-blue-vinyl-audiosoundmusic-1.jpg?v=1719853096"},{"product_id":"the-monkees-pool-it-blue-vinyl","title":"The Monkees - Pool It! (Blue vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThe monkeys \u003ca title=\"audiophile vinyl featuring The Monkees\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-monkees\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring The Monkees]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavy Jones – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicky Dolenz – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Tork – vocals, guitar (\"Gettin' In\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurly Smith – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMark Christian – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge Hawkins – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavey Faragher – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMike Egizi – keyboards, programming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCraig Ostbo – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoger Bechirian – percussion, synthesizer (\"Gettin' In\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndy Cahan – piano (\"(I'll) Love You Forever\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLou Natkin – guitar (\"Every Step of the Way\", \"(I'll) Love You Forever\", \"She's Movin' in With Rico\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDan Sawyer – acoustic guitar (\"Counting on You\", \"(I'll) Love You Forever\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Sutton – bass (\"She's Movin' in With Rico\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim Thompson – sax (\"Secret Heart\", \"Every Step of the Way\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMatt Harris – background vocals (\"Heart and Soul\", \"Every Step of the Way\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMike Egizi – string arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rhino Entertainment Company\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Rhino Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eMay–July 1987 in Cherokee Studios, Hollywood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Cliff Kane, Scott Gordon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Roger Bechirian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1987\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cp\u003e            1 Heart and Soul\u003c\/p\u003e\n\u003cp\u003e            2 (I'd Go The) Whole Wide World\u003c\/p\u003e\n\u003cp\u003e            3 Long Way Home\u003c\/p\u003e\n\u003cp\u003e            4 Secret Heart\u003c\/p\u003e\n\u003cp\u003e            5 Gettin' In\u003c\/p\u003e\n\u003cp\u003e            6 (I'll) Love You Forever\u003c\/p\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cp\u003e            1 Every Step of the Way\u003c\/p\u003e\n\u003cp\u003e            2 Don't Bring Me Down\u003c\/p\u003e\n\u003cp\u003e            3 Midnight\u003c\/p\u003e\n\u003cp\u003e            4 She's Movin' in With Rico\u003c\/p\u003e\n\u003cp\u003e            5 Since You Went Away\u003c\/p\u003e\n\u003cp\u003e            6 Counting on You\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Given the context of the MTV revivalism of their show, a reunion performance on the MTV music awards, a stellar best-of compilation, a top video on Dial MTV with \"That Was Then...This is Now,\" and a new series based on the original (the New Monkees? Anyone?), one would think that 1986 was the year that the Monkees could do no wrong. For the most part, this was true; but then they dropped Pool It! and it was a bit like watching a prized race horse's legs give midway through a race. Unquestionably their worst output of all time, Pool It! was an obvious attempt to cash in on the revitalized success of the group, which falls flat within 30 seconds of the album's solitary notable song \"Heart and Soul.\" This is normally the part of a review where the reviewer would advise this release for die-hard fans only, but I can't even suggest that, as no one should be subjected to such poor quality unless they're a collector or completist -- and even then it's best to keep Pool It! in its original packing, if anything to increase the resale value.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Rob Theakston\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 1,5 \/ 5 , Discogs : 3,77 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40866767405207,"sku":"FRM 70707 Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-monkees-pool-it-blue-vinyl-audiosoundmusic-1.jpg?v=1719853122"},{"product_id":"the-tubes-the-completion-backward-principle-blue-vinyl","title":"The Tubes - The Completion Backward Principle (Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eBill Spooner - Analysis, Guitar, Vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Cotten - Trend, Synthesizers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFee Waybill - Motivation, Frontman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoger Steen - Development, Guitar, Vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePrairie Prince - Systems, Drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVince Welnick - Accounts, Keyboards, Vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Anderson - Policy, Bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Lukather - Guitars on \"Talk to Ya Later\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStanley Paterson - Sampled vocals on \"Talk to Ya Later\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Colomby - Backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Champlin - Backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Capitol Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded August 1980\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Humberto Gatica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by David Foster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1981\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTalk To Ya Later\u003c\/li\u003e\n\u003cli\u003eSushi Girl\u003c\/li\u003e\n\u003cli\u003eAmnesia\u003c\/li\u003e\n\u003cli\u003eMr. Hate\u003c\/li\u003e\n\u003cli\u003eAttack Of The Fifty Foot Woman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003eThink About Me\u003c\/li\u003e\n\u003cli\u003eA Matter Of Pride\u003c\/li\u003e\n\u003cli\u003eDon't Want To Wait Anymore\u003c\/li\u003e\n\u003cli\u003ePower Tools\u003c\/li\u003e\n\u003cli\u003eLet's Make Some Noise\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"The Completion Backward Principle was the first release on EMI\/Capitol by San Francisco-based the Tubes. It found the outrageous septet working with producer David Foster, who gives the record a high-gloss sheen. It's a pairing that, while possibly surprising to fans of the band's earlier releases, actually works quite nicely. The ballads (the Top 40 hit \"Don't Want to Wait Anymore\" and the Toto-esque \"Amnesia\") don't suit the band, but most everything else does. There's a pair of catchy new wavish rockers in \"Talk to Ya Later\" and \"Think About Me,\" the wacky \"Sushi Girl,\" and the R\u0026amp;B-flavored \"A Matter of Pride.\" The Completion Backward Principle rightfully earned the Tubes new fans and set the table for their commercial breakthrough, Outside\/Inside, two years later.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Tom Demalon\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 3,84 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40873006629015,"sku":"FRM-12151 Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-tubes-the-completion-backward-principle-blue-vinyl-audiosoundmusic-1.jpg?v=1719853150"},{"product_id":"wurm-exhumed-blue-vinyl","title":"Würm - Exhumed (2LP, Blue vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Simon Smallwood (A1 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Backing Vocals – Ed Danky (A1 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Lead Vocals – Ed Danky (C1 to C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Guitar, Vocals – Ed Danky (C4 to D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass, Backing Vocals – Chuck Dukowski\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlues Harp – Dez Cadena (A1 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Backing Vocals – \"Loud\" Lou Hinzo (A1 to C3, C5 to D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Chuck Dukowski (A1 to B6), Dez Cadena (A1 to B6), Ed Danky (A1 to B6), \"Loud\" Lou Hinzo (A1 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSynthesizer – Ethan James (A1 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 1,500 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  ORG Music \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1 to B6 recorded in 1983-84 at Radio Tokyo in Venice Beach. Tracks A1 to B5 originally appeared on the \"Feast\" album on SST Records in 1985. B6 originally appeared on \"The Blasting Concept Vol. 2\" compilation on SST Records in 1986.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eC1 to C3 recorded in 1982 at Music Lab studios in Silverlake, CA. Mixed at Hit City West in LA. Originally released as a 7\" EP on SST Records in 1982.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eC4 recorded in 1983 at Radio Tokyo Studio, Venice Beach California. Originally appeared on the Ear Movie Records compilation \"Radio Tokyo Tapes\".\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eC5 recorded at Mystic Recording, Hollywood California. Originally appeared on the Mystic Records compilation \"Destroy LA\".\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eD1 to D5 were recorded in the summer of 1977 at the Wurmhole in Hermosa Beach\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Ethan James (A1 to B6, C4), Glen Feit: C1 to C3), Würm (D1 to D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Chuck Dukowski (A1 to C5), Ed Danky (C1 to C5), Glen Feit (C1 to C3), Würm (D1 to D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Dave Gardner \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Feast\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Should We Be Proud\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. 98 Da\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Bad Habits\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSide B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Padded Cell\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Where Will We Run\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Nailed To The Wall\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Song For Jimmy\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Robin Doggin\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. Death Ride\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSide C:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. I’m Dead\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. We’re Off\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Time Has Come\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Modern Man\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Black Swan\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSide D:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Sewer Rock\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Daily Dose\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Guitar\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Depth Charge\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. I’ve Heard It Before\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWürm was a sludge metal band started in 1973 by bass player Chuck Dukowski, who would later join Black Flag. Without Würm, the genres of punk rock and hardcore would never have been the same. The band’s practice space, the Würmhole – a hangout for musicians in Hermosa Beach during the mid-late 70’s – is where Keith Morris and Greg Ginn met Dukowski and ultimately formed the original Black Flag line-up. The band’s only album, Feast, was released in 1985 after the band’s demise. With the help of Chuck Dukowski, the long-out-of-print LP is being “exhumed” and reissued, along with a second LP featuring unreleased tracks, demos, and more. The package comes complete with retrospective liner notes from Dukowski himself, plus never-before-seen photos from the early days. Previously released on limited edition blue color vinyl for Black Friday 2019, this double LP release is now widely available on black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.47 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40903738884247,"sku":"WURMEXHUBU-LP00","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/wurm-exhumed-2lp-blue-vinyl-audiosoundmusic-1.jpg?v=1719853343"},{"product_id":"germs-what-we-do-is-secret-blue-vinyl","title":"Germs - What We Do Is Secret (Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePat Smear, guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLorna Doom, bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Bolles, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDarby Crash, lead vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDottie Danger, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Bonebrake, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNickey Beat, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo \u0026amp; Live\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Slash\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003e1977-1980\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Pat Burnette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Chris Ashford, Geza X and Joan Jett \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Dave Gardner at Infrasonic Mastering \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1981\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRound And Round\u003c\/li\u003e\n\u003cli\u003eLexicon Devil\u003c\/li\u003e\n\u003cli\u003eCircle One\u003c\/li\u003e\n\u003cli\u003eCaught In My Eye\u003c\/li\u003e\n\u003cli\u003eNo God\u003c\/li\u003e\n\u003cli\u003eThe Other Newest One (Live)\u003c\/li\u003e\n\u003cli\u003eMy Tunnel (Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThrow It Away\u003c\/li\u003e\n\u003cli\u003eNot All Right\u003c\/li\u003e\n\u003cli\u003eNow I Hear The Laughter\u003c\/li\u003e\n\u003cli\u003eMy Tunnel\u003c\/li\u003e\n\u003cli\u003eGoing Down\u003c\/li\u003e\n\u003cli\u003eLion's Share\u003c\/li\u003e\n\u003cli\u003eForming 2\u003c\/li\u003e\n\u003cli\u003eManimal (Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 430\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Originally released as a 12\" mini-album, What We Do Is Secret did much to propagate the myth of Darby Crash and the Germs on release in 1981 (especially in Europe). It's a companion volume to the (superior) (GI), featuring a version of Chuck Berry's \"Round and Round\" recorded in 1977, live tracks recorded through 1980 and a (GI) out-take. Everything the Germs did was messy, and this collection is no different. But that's half the appeal of the band, and fans will makes allowances for it.\" AllMusic Review by Alex Ogg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 2,5\/5   ,   Discogs 4.59 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40909613531287,"sku":"GRMSWWDSBU-LP00 Blue","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/germs-what-we-do-is-secret-blue-vinyl-audiosoundmusic-1.jpg?v=1719853396"},{"product_id":"weezer-weezer-1lp-ultra-analog-33-rpm-blue-vinyl","title":"Weezer - Blue Album (1LP, Ultra Analog, Half-speed Mastering, 33 RPM, Blue vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eRivers Cuomo – lead vocals, lead and rhythm guitar, keyboards, harmonica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatrick Wilson – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrian Bell – rhythm guitar, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMatt Sharp – bass, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMykel Allan – spoken intermission on \"Undone – The Sweater Song\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKarl Koch – dialogue, piano outro on \"Undone – The Sweater Song\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJason Cropper – guitar, backing vocals on \"Jamie\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Cropper (A1), Wilson (A1, A3, B1), Cuomo (A1, A3, B1), Rivers Cuomo (A2, A4, A5, B2 to B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eNumbered limited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : DGC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eAugust–September 1993 \u003c\/span\u003eat Electric Lady Studios, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Chris Shaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ric Ocasek\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1994\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Name Is Jonas\u003c\/li\u003e\n\u003cli\u003eNo One Else\u003c\/li\u003e\n\u003cli\u003eThe World Has Turned And Left Me Here\u003c\/li\u003e\n\u003cli\u003eBuddy Holly\u003c\/li\u003e\n\u003cli\u003eUndone - The Sweater Song\u003c\/li\u003e\n\u003cli\u003eSurf Wax America\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e Side B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSay It Ain't So\u003c\/li\u003e\n\u003cli\u003eIn The Garage\u003c\/li\u003e\n\u003cli\u003eHoliday\u003c\/li\u003e\n\u003cli\u003eOnly In Dreams\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eRolling Stone 500 Greatest Albums of All Time - Ranked 299\/500!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eRolling Stone 500 Greatest Songs of All Time - \"Buddy Holly\" - Rated 499\/500!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Even if you lived through it, it's hard to fathom exactly why Weezer were disliked, even loathed, when they released their debut album in the spring of 1994. If you grew up in the years after the heyday of grunge, it may even seem absurd that the band were considered poseurs, hair metal refugees passing themselves off as alt-rock by adapting a few tricks from the Pixies and Nirvana songbooks and sold to MTV with stylish videos. Nevertheless, during alt-rock's heyday of 1994, Weezer was second only to Stone Temple Pilots as an object of scorn, bashed by the rock critics and hipsters alike. Time has a way of healing, even erasing, all wounds, and time has been nothing but kind to Weezer's eponymous debut album (which would later be dubbed The Blue Album, due to the blue background of the cover art). At the time of its release, the group's influences were discussed endlessly -- the dynamics of the Pixies, the polished production reminiscent of Nevermind, the willful outsider vibe borrowed from indie rock -- but few noted how the group, under the direction of singer\/songwriter Rivers Cuomo, synthesized alt-rock with a strong '70s trash-rock predilection and an unwitting gift for power pop, resulting in something quite distinctive. Although the group wears its influences on its sleeve, Weezer pulls it together in a strikingly original fashion, thanks to Cuomo's urgent melodicism, a fondness for heavy, heavy guitars, a sly sense of humor, and damaged vulnerability, all driven home at a maximum volume. While contemporaries like Pavement were willfully, even gleefully obscure, and skewed toward a more selective audience, Weezer's insecurities were laid bare, and the band's pop culture obsessions tended to be universal, not exclusive. Plus, Cuomo wrote killer hooks and had a band that rocked hard -- albeit in an uptight, nerdy fashion -- winding up with direct, immediate music that connects on more than one level. It's both clever and vulnerable, but those sensibilities are hidden beneath the loud guitars and catchy hooks. That's why the band had hits with this album -- and not just hits, but era-defining singles like the deliberate dissonant crawl of \"Undone - The Sweater Song,\" the postironic love song of \"Buddy Holly,\" the surging \"Say It Ain't So\" -- but could still seem like a cult band to the dedicated fans; it sounded like the group was speaking to an in-crowd, not the mass audience it wound up with. If, as Howard Hawks said, a good movie consists of three great scenes and no bad ones, it could be extrapolated that a good record contains three great songs and no bad ones -- in that case, Weezer is a record with at least six or seven great songs and no bad ones. That makes for a great record, but more than that, it's a great record emblematic of its time, standing as one of the defining albums of the '90s.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllMusic : 5 \/ 5 , Discogs : 4,56 \/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41069576487063,"sku":"MFSL1-480","price":129.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/weezer-blue-album-1lp-ultra-analog-half-speed-mastering-33-rpm-blue-vinyl-audiosoundmusic-1.jpg?v=1719854189"},{"product_id":"oscar-peterson-motions-emotions","title":"Oscar Peterson - Motions \u0026 Emotions (Blue vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Peterson - piano \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Durham - drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSam Jones - bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBucky Pizzarelli - guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eNumbered edition limited to 2,000 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : optimal media GmbH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at A\u0026amp;R Studios, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Dave Green\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Christoph Stickel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Claus Ogerman, Matthias Kunnecke\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1969\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSally's Tomato\u003c\/li\u003e\n\u003cli\u003eSunny\u003c\/li\u003e\n\u003cli\u003eBy The Time I Get To Phoenix\u003c\/li\u003e\n\u003cli\u003eWandering\u003c\/li\u003e\n\u003cli\u003eThis Guy's In Love With You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWave\u003c\/li\u003e\n\u003cli\u003eDreamsville\u003c\/li\u003e\n\u003cli\u003eYesterday\u003c\/li\u003e\n\u003cli\u003eEleanor Rigby\u003c\/li\u003e\n\u003cli\u003eOde To Billy Joe\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“The double whammy for Peterson on this recording from his MPS era is the combination of material and Ogerman’s sugary-sinister orchestral arrangements. From the start, Oscar sounds constrained by the shortness of the pop material, reduced to little more than picking out the simple melodies with his right hand before Ogerman’s pedestrian orchestral interventions.\u003c\/p\u003e\n\u003cp\u003eOnly Jobim’s “Wave” – running at six minutes, allows any scope for Peterson’s more characteristic flurries and technique to come through. Count Basie trashed the Beatles’ music with a whole album of tasteless interpretations; Peterson and Ogerman manage this in just two tracks.  “Yesterday” and “Eleanor Rigby” get the breezy bossa-nova treatment here, showing complete contempt for the sentiment of the original songs. By this stage, Peterson seems determined to break free of the Ogerman straitjacket, ramming both songs full of twiddles and runs that are laughably inappropriate for the mood and content of the original material.\u003c\/p\u003e\n\u003cp\u003eBut the biggest chuckle is saved for the end – a raucous, blowsy version of Bobby Gentry’s “Ode to Billy Joe”, which manages to sound like a Lalo Schifrin television theme. Overall, Motions \u0026amp; Emotions is a fascinating example of that period in the late 60s when jazz tried to get down with the kids, and failed horribly.” Jazz Journal Review by John Adcock -10 March 2019\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,2 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42137180635386,"sku":"AMPS 216397 Blue","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/oscar-peterson-motions-and-emotions-blue-vinyl-audiosoundmusic-1.jpg?v=1719856496"},{"product_id":"ringo-starr-bad-boy-blue-vinyl","title":"Ringo Starr - Bad Boy (Blue Vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eRingo Starr – lead vocals, drums \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ringo-starr\" title=\"vinyl featuring Ringo Starr\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ringo-starr\"\u003e[click here to see more vinyl featuring Ringo Starr]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLon Van Eaton – lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Webb – rhythm guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDr. John – keyboards \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/dr-john\" title=\"vinyl featuring Dr. John\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/dr-john\"\u003e[click here to see more vinyl featuring Dr. John]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDee Murray – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVini Poncia – backing vocals, arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHamisch Bissonnette - synthesizers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoug Riley - string arrangements, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTom Scott - horn arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeaturing Vini Poncia's Peaking Duck Orchestra and Chorus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Polydor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded November 1977 at Elite, Bahamas ; Can-Base, Vancouver ; Soundstage, Toronto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Bob Schaper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Vini Poncia at Battery Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1978\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho Needs A Heart\u003c\/li\u003e\n\u003cli\u003eBad Boy\u003c\/li\u003e\n\u003cli\u003eLipstrick Traces\u003c\/li\u003e\n\u003cli\u003eHeart On My Sleeve\u003c\/li\u003e\n\u003cli\u003eWhere Did Our Love Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHard Times\u003c\/li\u003e\n\u003cli\u003eTonight\u003c\/li\u003e\n\u003cli\u003eMonkey See-Monkey Do\u003c\/li\u003e\n\u003cli\u003eOld Time Relovin'\u003c\/li\u003e\n\u003cli\u003eA Man Like Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Leaving Atlantic Records after the sales disaster of Ringo the 4th, Ringo Starr signed to CBS's Portrait label and returned to the record racks after only seven months with Bad Boy. Working again with Vini Poncia and a largely pseudonymous band (lead guitar by \"Push-alone\" and bass by \"Diesel\"), Starr turned out a competent effort with a few interesting song choices, notably the old Benny Spellman tune \"Lipstick Traces (On a Cigarette)\" (bet it was a favorite back in Liverpool) and Gallagher \u0026amp; Lyle's \"Heart on My Sleeve,\" along with some that were beyond him, such as the Supremes' \"Where Did Our Love Go.\" But Starr needed more than competence to reverse his career decline, and Bad Boy sold only to the same hardcore Beatles collectors who had pushed Ringo the 4th into the lower reaches of the charts for half-a-dozen weeks.” AllMusic Review by William Ruhlmann\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2 \/ 5 , Discogs : 3,71 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42344379777274,"sku":"FRM35377","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ringo-starr-bad-boy-blue-vinyl-audiosoundmusic-1.jpg?v=1719857912"},{"product_id":"bonnie-tyler-faster-than-the-speed-of-night","title":"Bonnie Tyler - Faster Than The Speed Of Night (Translucent Blue and Black Swirl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eBonnie Tyler – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Bittan – piano, organ (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Fast – synthesizers (except B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Derringer – guitars (except B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Buslowe – bass (except B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMax Weinberg – drums (except B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Maelen – percussion (except B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEric Troyer – backing vocals (except B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRory Dodd – backing vocals, vocal (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Shaffer – organ (B1, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHiram Bullock – guitars (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWill Lee – bass (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Jordan – drums (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Maelen – percussion (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave LeBolt – additional synthesizer (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Margoshes – keyboards (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHolly Sherwood – backing vocals \u0026amp; wailing (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMartin Briley – additional guitars (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStephanie Black, Erika Katz, Brian Pew, Edward Skylar, Tristine Skylar, David Varga – children's chorus (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrankie Miller – male vocal (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Jim Steinman, Roy Bittan (A1, A3-B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket with 24\" x 24\" poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue and Black Swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : CBS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1982 in New York City at The Power Station, Greene Street Studio, and Right Track Studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Rod Hui\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Jim Steinman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso at Battery Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHave You Ever Seen The Rain?\u003c\/li\u003e\n\u003cli\u003eFaster Than The Speed Of Night\u003c\/li\u003e\n\u003cli\u003eGetting So Excited\u003c\/li\u003e\n\u003cli\u003eTotal Eclipse Of The Heart\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt’s A Jungle Out There\u003c\/li\u003e\n\u003cli\u003eGoing Through The Motions\u003c\/li\u003e\n\u003cli\u003eTears\u003c\/li\u003e\n\u003cli\u003eTake Me Back\u003c\/li\u003e\n\u003cli\u003eStraight From The Heart\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Although she had earned worldwide fame in 1978 with \"It's a Heartache,\" Bonnie Tyler had trouble building on that success looked as if she were doomed to one-hit wonder status by the early 1980s. However, she returned to prominence in 1983 with Faster Than Speed of the Night, a bombastic opus that took her gift for heartbroken balladry to epic heights. The key to the this album's success is the production and writing chops of Jim Steinman. He applies the same gothic operatic touch that made his work with Meat Loaf so captivating (and successful), wrapping the songs in atmospheric, all-stops-out arrangements that blend drama and power chords in equal measure. The combination of Steinman's cinematic production style with Tyler's smoky vocals made Faster Than the Speed of Night her most successful album. It also spawned a huge hit single in \"Total Eclipse of the Heart,\" an epic ballad about longing for a lost love that starts as a quiet piano-led piece and builds into a gargantuan production built on an equal balance of power chords and thick choral vocals. The title track, a romantic rocker that blends lighting-fast piano runs with metallic guitar soloing from Rick Derringer, also got a decent amount of radio play. The remainder of the album has Tyler turning her attention to cover versions, including a Phil Spector-styled remake of Bryan Adams' \"Straight From the Heart\" and a radically rearranged version of \"Have You Ever Seen the Rain?\" that transforms the song into an arena rock tune built on a complex, classical-styled piano riff from Roy Bittan. The standout among the cover versions is \"Tears,\" a heart-tugging power ballad that Tyler performs as a duet with its author, Frankie Miller. Since Miller's gruff voice is close in style to Tyler's, their duet has a special chemistry and they milk the song for every drop of drama it has to offer. This combination of bombast and melodrama could have worn thin quickly, but Steinman keeps things moving smoothly by carefully pacing all the songs and throwing in odd, ear-catching elements to keep things interesting (example: the chanting children's chorus that introduces \"Goin' Through the Motions\"). All in all, Faster Than Speed of the Night remains Bonnie Tyler's finest and most consistent achievement on record. It's a must for anyone interested in her work and a worthwhile purchase for anyone who enjoys rock at its most melodramatic.” AllMusic Review by Donald A. Guarisco\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 3,78 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42349089489146,"sku":"FRM38710","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bonnie-tyler-faster-than-the-speed-of-night-translucent-blue-and-black-swirl-audiosoundmusic-1.jpg?v=1719857945"},{"product_id":"willie-nelson-always-on-my-mind-blue-vinyl","title":"Willie Nelson – Always on my Mind (Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eWillie Nelson – guitar, vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/willie-nelson\" title=\"vinyl featuring Willie Nelson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/willie-nelson\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Willie Nelson]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGene Chrisman – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Christopher – guitar, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Emmons – keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMike Leech – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Marett – saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGrady Martin – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChips Moman – guitar, backing vocals, producer, engineer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMickey Raphael – harmonica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGary Talley – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eToni Wine – keyboards, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Wood – keyboards, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReggie Young – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWaylon Jennings – vocal (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by David Cherry, Larry Greenhill\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Chips Moman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Joe Reagoso at Friday Music Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1982\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDo Right Woman, Do Right Man\u003c\/li\u003e\n\u003cli\u003eAlways On My Mind\u003c\/li\u003e\n\u003cli\u003eA Whiter Shade of Pale\u003c\/li\u003e\n\u003cli\u003eLet It Be Me\u003c\/li\u003e\n\u003cli\u003eEach Other Down\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBridge Over troubled Water\u003c\/li\u003e\n\u003cli\u003eOld Fords and A Natural Stone\u003c\/li\u003e\n\u003cli\u003ePermanently Lonely\u003c\/li\u003e\n\u003cli\u003eLast Thing I Needed First Thing This Morning\u003c\/li\u003e\n\u003cli\u003eThe Party's Over\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Whether intentionally or not, the first album after a greatest-hits collection always raises the curtain on a new era, and in Willie Nelson's case, the difference between the era recapped on 1981's Greatest Hits (\u0026amp; Some That Will Be) and the one started with 1982's Always on My Mind is startling. Throughout the late '70s, Nelson's freewheeling, organically eclectic music was not just the biggest thing in country, it was also some of its best, most adventurous music. Sometimes, it could fall a little flat, particularly when he kept replicating Stardust, but that was part of the charm of Nelson's unpredictability. With Always on My Mind, he teams with producer Chips Moman and embarks on a period of pernicious predictability, giving himself completely over to Moman, who moves him toward rock covers and adult contemporary pop with this record. At the time, it was a huge, huge hit -- his biggest ever, actually, spending 22 weeks at the top of the country charts, selling over four million copies, launching a platinum single with the title track (which reached number five on the pop charts), and winning the CMA's Album of the Year award. Listening to it now, all that success seems undeserved since the album not only plays as the country-pop record Willie avoided making all these years, but by consisting primarily of familiar rock covers, it also plays as pandering to the mass audience he's achieved. This is uniformly pleasant, but it's also rather straight-jacketed, hemmed in by Moman's sterile, synth-heavy productions. With \"Always on My Mind\" and, to a lesser extent, \"Let It Be Me,\" it works because his production style suits the songs and Nelson sings well, but \"Do Right Woman, Do Right Man,\" \"A Whiter Shade of Pale\" (complete with vocals from Waylon Jennings), and \"Bridge Over Troubled Water\" are all flat readings, never showing the spark in either delivery or arrangement that marks Nelson as one of popular music's great interpretive singers. Here, he sounds as he's sleepwalking and turning out product for the first time in his career (at least the early Liberty recordings were a hungry attempt at hits). It may have been a hit, but years later, it clearly sounds like one of his worst records.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2 \/ 5 ; Discogs : 3.89 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42361235767546,"sku":"FRM-37951Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/willie-nelson-always-on-my-mind-blue-vinyl-audiosoundmusic-1.jpg?v=1719857994"},{"product_id":"mr-big-lean-into-it-5-lp-7-vinyl","title":"Mr. Big – Lean Into It - The singles (5 x 7'' individually colored vinyl, 45RPM, Box set)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring Mr. Big\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/mr-big\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/mr-big\"\u003e[click here to see more vinyl featuring Mr. Big]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEric Martin – lead vocals, handclaps\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Gilbert – electric guitar, acoustic guitar, handclaps, backing vocals, electric drill\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Sheehan – bass, handclaps, backing vocals, electric drill\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePat Torpey – drums, percussion, handclaps, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5 vinyl, Box set, including a guitar pick and a poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition to 2,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : White, Red, Blue, Green\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 7'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive (D1, F1) \u0026amp; Studio (A1, B1, C1, E1, G1, H1, I1, J1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eunspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Evosound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 1990–91 at Rumbo Studio (Los Angeles), Cherokee Studio (Hollywood), Fantasy Studio (Berkeley) except D1 \u0026amp; F1 r\u003c\/strong\u003e\u003cstrong\u003eecorded Live \u003cspan data-mce-fragment=\"1\"\u003eat NHK Hall, Tokyo on September 26, 1991\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered and mixed by Kevin Elson, Tom Size\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Kevin Elson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bob Ludwig\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull album originally released in 1991\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in July 2021 (first time as a Box set)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003eSide A : The Drill Song (Daddy, Brother, Lover, Little Boy)\u003c\/p\u003e\n\u003cp\u003eSide B: Road to Ruin\u003c\/p\u003e\n\u003cp\u003eSide C: To Be With You (single version)\u003c\/p\u003e\n\u003cp\u003eSide D: Baba O' Riley (Live at NHK Hall, Tokyo, Japan, September 26, 1991)\u003c\/p\u003e\n\u003cp\u003eSide E: Just Take My Heart (edit)\u003c\/p\u003e\n\u003cp\u003eSide F: To Be With You (Live at NHK Hall, Tokyo, Japan, September 26, 1991)\u003c\/p\u003e\n\u003cp\u003eSide G: Green-Tinted Sixties Mind\u003c\/p\u003e\n\u003cp\u003eSide H: Just Take My Heart (acoustic)\u003c\/p\u003e\n\u003cp\u003eSide I: Strike Like Lightning\u003c\/p\u003e\n\u003cp\u003eSide J: Shadows\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eThe full album was ranked No. 49 on \u003ci\u003eRolling Stone'\u003c\/i\u003es list of the 50 Greatest Hair Metal Albums of All Time\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Mr. Big abandons the virtuoso guitar and bass of Paul Gilbert and Billy Sheehan for the majority of Lean Into It, and the result is a big, shiny mainstream rock album. It also translated into chart success with the hit campfire-singalong ballad \"To Be With You.\" Elsewhere, Mr. Big provides some tracks to satisfy the new fans, along with plenty of head-spinning solos from Gilbert and Sheehan to satisfy their old audience.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003eFirst released in 1991, Lean into It, was the second studio album by the American rock supergroup of Paul Gilbert, Eric Martin, Billy Sheehan and Pat Torpey - Mr. Big. The band's breakthrough release - Lean into It peaked at number 15 on the Billboard album chart, while the single ‘To Be With You’ became the band's first and only song to hit number 1 on the Billboard Hot 100. The follow-up single, ‘Just Take My Heart’, was a Top-20 hit, peaking at number 16 on the Billboard Hot 100.\u003c\/p\u003e\n\u003cp\u003eThe million-selling album, also containing the popular tracks ‘Daddy, Brother, Lover, Little Boy’, ‘Alive and Kickin' and ‘Green Tinted Sixties Mind.’ Lean Into It shows that Mr. Big could also strip away all the flash, 7-minute solos and simply create well-written songs with rhythm, groove and good melodies, making the band one of the iconic new wave of progressive ‘musician’s bands’ who could play mind-blowing complicated riffs on their instruments at lightning speeds.\u003c\/p\u003e\n\u003cp\u003eThis is one of the evergreen albums of 80’s style hair band rock that transcends the years and 2021 is the 30th anniversary of the release. evoXS is releasing Lean into It - The Singles 7” box set, which includes four 7” coloured vinyl singles with their European picture sleeves: ‘Just Take My Heart (edit)’, ‘Daddy, Brother, Lover, Little Boy (The Electric Drill Song)’, ‘To Be With You’, ‘Green Tinted Sixties Mind’, plus the bonus single ‘Strike Like Lightning’ from the movie Navy Seals, which has never previously been released on 7\" vinyl. The B sides include the original hard to find tracks To Be With You (live at NHK Hall Tokyo 1991), Just Take My Heart (acoustic). This box set will also include a guitar pick and poster. This product is produced as a limited numbered edition of 2,000 copies and is released on the US Record Store Day.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 ; Discogs : 4.6 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42503243727098,"sku":"EVO7035BOX","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/mr-big-lean-into-it-the-singles-5-x-7-individually-colored-vinyl-45rpm-box-set-audiosoundmusic-1.jpg?v=1719858370"},{"product_id":"fourplay-30th-anniversary-edition-2lp-blue-vinyl","title":"Fourplay - 30th Anniversary Edition (2LP, Blue vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/fourplay\" title=\"vinyl featuring Fourplay\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFourplay \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/fourplay\" title=\"vinyl featuring Fourplay\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Fourplay]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eBob James\u003cspan\u003e (Keyboards) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-james\" title=\"Vinyl featuring Bob James\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Bob James]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLee Ritenour\u003cspan\u003e (guitar)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNathan East\u003cspan\u003e (bass)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHarvey Mason\u003cspan\u003e (drums)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEl DeBarge – Vocal (B3, D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDarryl DeBarge, Patti LaBelle, Philip Bailey – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Bob James (A1, B1, C1, D2), Lee Ritenour (A1, A3, C3, D1), Marcel East (A2), Nathan East (A2), Harvey Mason (B2, C2), Mike Lang (B2), Marvin Gaye (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 1,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eunspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Evosound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 1990-1991 at Ocean Way Recording (Hollywood), Sunset Sound (Hollywood), Pyramid Studios (Los Angeles), Starlight Studios (Malibu)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered and mixed by Don Murray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Fourplay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Steve Vavagiakis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in September 1991\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in February 2022 (Anniversary Edition)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBali Run\u003c\/li\u003e\n\u003cli\u003e101Eastbound\u003c\/li\u003e\n\u003cli\u003eForeplay\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMoonjogger\u003c\/li\u003e\n\u003cli\u003eMax-O-Man\u003c\/li\u003e\n\u003cli\u003eAfter The Dance (Lead Vocal: El DeBarge)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eQuadrille\u003c\/li\u003e\n\u003cli\u003eMidnight Stroll\u003c\/li\u003e\n\u003cli\u003eOctober Morning\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWish You Were Here\u003c\/li\u003e\n\u003cli\u003eRain Forest\u003c\/li\u003e\n\u003cli\u003eAfter The Dance (Long Version)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"There was no great cunning master plan that brought noted jazz instrumentalists Bob James (keyboards), Lee Ritenour (guitar), Nathan East (bass) and Harvey Mason (drums) together to form a supergroup.\u003c\/p\u003e\n\u003cp\u003eReleased in October 1991, Fourplay – aided by the success of the smash single ‘After The Dance‘ – peaked at No. 1 in America’s Contemporary Jazz charts for 33 weeks and sold over a million copies. It rose to No. 16 in the R\u0026amp;B  rankings and No. 97 in America’s list of top pop records, The Billboard 200. Bob James‘ ‘Moonjogger‘ is a more ethereal-sounding instrumental and episodic in structure, going through different changes of gear and mood.\u003c\/p\u003e\n\u003cp\u003eLee Ritenour plays some tasteful guitar lines in a deft call-and-response exchange with James. Drummer Harvey Mason is responsible for ‘Max-O-Man,’ which opens with an intro spotlighting  James’ crystalline piano melodies before mutating into a brisk uptempo groove seasoned with Ritenour’s tasteful guitar lines. ‘After The Dance‘ reconfigures Marvin Gaye’s 1976 Motown hit into a silky slow jam featuring the vocals of Detroit singer, El DeBarge, who was also signed to Warner Bros at the time. “El DeBarge was a perfect complement to the record and brought his R\u0026amp;B audience along with his beautiful voice and musicality,” remembers Nathan East.  The Bob James‘ tune, ‘Quadrille‘ – named after a 19th-century country dance – is an elegant mid-tempo piece defined by subtle shifts in mood and instrumental colour. James plays a deft acoustic piano solo over a funk-infused section. Ritenour demonstrates his fingerboard prowess with a fleet-of-finger solo that blurs the line between jazz and rock vocabularies. The next tune, the Harvey Mason-written ‘Midnight Stroll,’  has the distinction of being the first song that the band recorded together and its easy-going, subtle elegance sets the tone for the album as a whole.\u003c\/p\u003e\n\u003cp\u003eEvosound has remastered using hi-resolution digital transfers from the original analogue master tapes and manufactured in the format of MQA-CD, hybrid SACD, 2 x 180g Vinyl LP, and Hi-Res digital. The hybrid SACD plays on both SACD and regular CD players, as a multi-channel hybrid SACD including a 5.1 surround mix. A previously unreleased long version of ‘After The Dance’ is included as a bonus track (only available in stereo). The remastering of the album was undertaken using the high-resolution digital transfers from the original analogue master tapes. The hybrid multi-channel SACD plays on both SACD and regular CD players. A previously unreleased long version of ‘After The Dance’ is included as a bonus track in the MQA-CD. The remastering of the album was undertaken using the high-resolution digital transfers from the original analogue master tapes. The MQA-CD plays on all CD players. When a conventional CD player is connected to a MQA-enabled device, the CD will reveal the original master quality. The 180g 2LP will be available in Limited Numbered Blue Vinyl and non-limited black Vinyl versions.\" Bass Musician Magazine, November 2021\u003c\/p\u003e\n\u003cp\u003e“This CD was the debut for Fourplay, a popular quartet comprised of keyboardist Bob James, guitarist Lee Ritenour, bassist Nathan East, and drummer Harvey Mason. The music sounds more or less like a Bob James small-group date with Ritenour as a major soloist. The style is between jazz, R\u0026amp;B, and pop with an emphasis on lightweight originals, soulful and moderately funky rhythms, and predictable radio-friendly music. Nothing unexpected occurs, but fans of James and Ritenour should enjoy both this CD and Fourplay in general.” AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.67 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42505202696442,"sku":"EVLP025Blue","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/fourplay-30th-anniversary-edition-2lp-blue-vinyl-audiosoundmusic-1.jpg?v=1719858370"},{"product_id":"big-blue-2lp-45rpm-blue-vinyl","title":"Peter Gabriel and Various Artists - Big Blue Ball (2LP, 45RPM, Blue vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"color: rgb(255, 42, 0);\"\u003eRARITY – Sealed\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Gabriel - Vocals (A1, B3, C2), Bass (B3), Drone (D1), Keyboards (A1, B3, C2, D3) \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Peter Gabriel\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/peter-gabriel\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Peter Gabriel]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals - Natacha Atlas (A2), Papa Wemba (B1), Iaria O Lionaird (B2), Joseph Arthur (B2), Joseph Arthur (B3), Sinéad O'Connor (C1), Hukwe Zawose (C3), Márta Sebestyén (D1), Rossy (D2), Karl Wallinger (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Andy White (A1), Tim Finn (A1), Reddy Amisi (B1), Justin Adams (B3), Karl Wallinger (B3), Sevara Nazarkhan (C1), Jules Shear (C2), Karl Wallinger (C2), The Holmes Brothers (C2),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards –  Stephen Hague (A2), Tchad Blake (B2), Eric Mouquet (B2), Michel Sanchez (B2), Rupert Hine (C1), Karl Wallinger (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSequenced by Chuck Norman (A1-2, B2-3, C2-3, D3), Stephen Hague (C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar Synth – Vernon Reid (B2, D1), Tchad Blake (C2),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarmonium – Tchad Blake (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Eric Mouquet (B2), Michel Sanchez (B2), Angie Pollack (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan – Tchad Blake (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Alexis Faku (A1), Noel Ekwabi (B2), Tchad Blake (B3), Jah Wobble (C2), Wendy Melvoin (C2), Karl Wallinger (D1), Jah Wobble (D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble Bass [Acoustic] – Karl Wallinger (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlute – Francis Bebey (A1), Guo Yue (C1), Márta Sebestyén (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Karl Wallinger (A1), Paul Allen (A1), Juan Manuel Cañizares (B1), Karl Wallinger (B3), Joseph Arthur (B3), Richard Evans (C1), David Rhodes (C2), Justin Adams (C2), Vernon Reid (C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTom Tom [Toms] – Tchad Blake (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBaglama – Tim Whelan (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums –\u003cspan\u003e Manu Katche (D3) \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Manu Katché\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/manu-katche\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Manu Katché]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Hossam Ramzy (A2), Neil Sparkes (A2), Tchad Blake (B1), Ged Lynch (C1), Joji Hirota (C1), Billy Cobham (C2), Tchad Blake (C2), Tchad Blake (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrings – The Hossam Ramzy Egyptian Ensemble (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBongos – Laurent Coatelen (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Papa Wemba (B1), Joji Hirota (C1), Arona N'Diaye (C3, D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBagpipes [Uilleann] – Ronan Browne (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCongas – The Papa Wemba Band (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhistling – James McNally (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShaker, Tambourine – Tchad Blake (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMandolin– Richard Evans (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDjembe – Arona N'Diaye (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDuduk [Doudouk] – Levon Minassian (C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccordion – Stephen Hague (D1, D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Classic Records (now part of Analogue Productions)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Classic Records (now part of Analogue Productions)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Karl Wallinger, Peter Gabriel, Stephen Hague\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in May 2008 (first edition)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhole Thing\u003c\/li\u003e\n\u003cli\u003eHabibe\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShadow\u003c\/li\u003e\n\u003cli\u003ealtus silva\u003c\/li\u003e\n\u003cli\u003eExit Through You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEverything Comes From You\u003c\/li\u003e\n\u003cli\u003eBurn You Up, Burn You Down\u003c\/li\u003e\n\u003cli\u003eForest\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRivers\u003c\/li\u003e\n\u003cli\u003eJijy\u003c\/li\u003e\n\u003cli\u003eBig Blue Ball\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Big Blue Ball is more of a collective than a band, with the final project being completed well over a decade after the majority of the sessions. Back in the '90s (1991, 1992, and 1995 to be exact), Peter Gabriel and Karl Wallinger invited friends and musicians from around the world to participate in weeklong collaborative writing and recording sessions at Real World Studios. The results were then crafted into this album. Overall, the album crosses the globe-trotting multiculturalism of Music and Rhythm (the first WOMAD compilation) with the slick production of Gabriel's Us (released about the same time these sessions took place). Couple the fact that Gabriel's solo work has been increasingly infused with world music beginning with Security and the fact that he's got one of the more recognizable voices in music, and Big Blue Ball almost plays like a lost Peter Gabriel album. This is not meant to diminish the strong contributions of others. Hossam Ramzy and Natacha Atlas take the lead on \"Habibe\" and Márta Sebestyén, Sinéad O'Connor, Rossy, and Papa Wemba all turn in great vocal performances. Joseph Arthur and Iarla Ó Lionáird's \"Altus Silva\" actually sounds a bit like Gabriel, and when Arthur joins Gabriel on \"Exit Through You,\" the result could easily be a So outtake. The sound changes a bit at the end of the album, moving from the Peter Gabriel '90s sound to something a bit more 21st century with the Malagasy rap of \"Jijy\" and the sampled horns of the title track. It's a bit odd that Big Blue Ball was so long in coming, but Peter Gabriel fans will find it was worth the wait.” AllMusic Review by Sean Westergaard\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; Discogs : 4 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42700392169722,"sku":"USLPRW150","price":139.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/peter-gabriel-and-various-artists-big-blue-ball-2lp-45rpm-blue-vinyl-audiosoundmusic-1.jpg?v=1719858840"},{"product_id":"judy-collins-spellbound-2lp-blue-vinyl","title":"Judy Collins - Spellbound (2LP, Blue vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals, Guitar– Judy Collins \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/judy-collins\" title=\"vinyl featuring Judy Collins\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/judy-collins\"\u003e[click here to see more vinyl featuring Judy Collins]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12-String Acoustic Guitar – Judy Collins (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Judy Collins (A1-3, A5, B2, B4, C2-3, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Vocals – Dave Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMandolin, Vocals – John Teer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass, Vocals – Greg Readling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Jonas Fjeld\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano, Keyboards – Russell Walden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Bill Berg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBanjo – Chandler Holt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar – Ari Hest (A1-4, B1, B2, B4, C1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar, Electric Guitar, Pedal Steel Guitar, Baritone Guitar – Thad DeBrock (A1-4, B1-2, B4, C1-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello – Dave Egger (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Percussion – Doug Yowell (A1-C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Bass – Tony Levin (A1, C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Bass, Electric Upright Bass – Zev Katz (A2-C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Guitar – Gerry Leonard (A5, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Russell Walden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals arranges by Ari Hest (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrings arranged by Dave Egger (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Judy Collins\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g \u003cspan data-mce-fragment=\"1\"\u003eVirgin Vinyl\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eunspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003c\/strong\u003e\u003cstrong\u003eCleopatra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Cleopatra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 2016–2022 at Echo Mountain Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Dowell Gandy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJudy Collins' Vocals recorded, produced and mixed by Alan Silverman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Mike Tierney, Paul Rolnick at Arf! Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Judy Collins, Alan Silverman, Russell Walden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered at Arf! Mastering\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in February 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in August 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSpellbound\u003c\/li\u003e\n\u003cli\u003eGrand Canyon\u003c\/li\u003e\n\u003cli\u003eSo Alive\u003c\/li\u003e\n\u003cli\u003eHell on Wheels\u003c\/li\u003e\n\u003cli\u003eShipwrecked Mariner\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen I Was a Girl in Colorado\u003c\/li\u003e\n\u003cli\u003eThomas Merton\u003c\/li\u003e\n\u003cli\u003eWild with Mist\u003c\/li\u003e\n\u003cli\u003eGilded Rooms\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrairie Dream\u003c\/li\u003e\n\u003cli\u003eCity of Awakening\u003c\/li\u003e\n\u003cli\u003eArizona\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Blizzard\u003c\/li\u003e\n\u003cli\u003eSlow Burn\u003c\/li\u003e\n\u003cli\u003eIn the Twilight\u003c\/li\u003e\n\u003cli\u003eMountain Girl\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eJudy Collins turns 83 this May but still has that same pure crystal mountain stream quality to her voice that she did when she recorded things like Amazing Grace and Farewell To Tarwathie back in 1970.  Making her debut in 1961, in the past 60 years, she’s released over 40 albums, but, astonishingly, while she’s recorded self-penned numbers before, Spellbound is the first to feature exclusively her own material, written over the course of the last two or three years, some inspired by the pandemic enforced silences between concerts, pretty much all of them couched in memories of her younger days.\u003c\/p\u003e\n\u003cp\u003eDedicated to early influences Pete Seeger and Woody Guthrie who, she says “sang me alive”, it features Collins behind the piano, Zev Katz on bass, multi-instrumentalist Thad DeBrock, drummer Doug Yowell and Ari Hest on guitar and harmonies. The album opens with the drone and fluttering piano notes of the title track Spellbound, written on a  windy day in Honolulu in 2020 as she stared out of the hotel window and, lost in the reverie of an old love, recalls “Dark dreams, haunted sunlit days\/While I drank down rum and hope\/Burning dreams and crimson lovers”.\u003c\/p\u003e\n\u003cp\u003eVoice soaring on her distinctive wings, she’s found staring out of a different window at a different view on Grand Canyon (“Outside my window lies the canyon\/Red and turquoise, orange and blue\/Wandering through the painted desert\/Like some bewildered drunken fool”), a recollection of the years spent in Colorado between the ages of nine to twenty-one, working on mountain ranches, riding horses, hanging out with cowboys and hiking in the Rocky Mountain National Park. The specific inspiration was Dick Barker, who ran float trips down the Snake River in Wyoming (“He was hard about his work\/Soft about the columbines\/Spoke about Apache friends\/Missed the years of silver mines”) and sang the first cowboy folk songs she ever heard, pondering “Is he still alive and smiling\/Through a hazy waterfall\/Sometimes I think it was madness\/To have left his lonesome call\/To sail beyond the canyon wall”.\u003c\/p\u003e\n\u003cp\u003eHer immersion in the  1960s folk explosion of Greenwich Village is the touchstone for So Alive, what sounds like cascading harp notes behind the piano runs as she recalls “Singing at The Bitter End under all those lights\/Making love in single beds, you always left by dawn\/Climbing on the Greyhound bus, where you would be alone\/ Singing in MacArthur Park, singing in Cheyenne\/Singing in the wilderness where the truth began\/We were gypsies in the wind, yearning just to fly\/Making music, making love as the years went by”. It’s a reminder that, in her youth, Collins was actually a bit of a bohemian wildcat (“I found my peace in whiskey and the poets of the past”), singing folk songs and dreaming of rock and roll.  It’s that seventeen-year-old that stalks Hell on Wheels which, in relative terms, is the album’s rock out track with its driving uptempo rhythm, recalling how she drove from Grand Lake to the Devil’s Thumb Ranch in the little valley town of Tabernash (“in my cowboy boots and my Levi’s\/Hair hanging down my back\/Drivin that ‘53 Chevy\/Rolling down that mountain track”) to see a friend and ending up driving drunk and crashing (“Saw two little children sitting in the dirt\/Missed them by a mere few feet\/Their arms reaching out for daddy\/That nightmare still plays in my sleep”), the song carrying a sobering message that “You always think you’re in control\/Someday you realize\/You’re hell on wheels\/And you know you have to go slow”.\u003c\/p\u003e\n\u003cp\u003eShe returns to a more sedate feel for the ethereal folk and watery piano notes of Shipwrecked Mariner, a ‘love on the rocks’ number drawn from several personal experiences (“when the storms came down upon our dream\/You said I’d got it wrong and we would drown\/I should have seen the shipwreck in your eyes”), but also about how these also “gave me all the strength I need to stay alive”.\u003c\/p\u003e\n\u003cp\u003eIt’s back to her youth for the steady strummed folksy rhythm of When I Was A Girl in Colorado, a song about her deep connection to its landscape, the symbiosis of yearning and creativity and the sense of freedom and completeness it inspires (“I could conquer anything\/I could fly with wings of silver\/I could whisper, I could sing”).\u003c\/p\u003e\n\u003cp\u003ePeople, as well as places, provide the springboard, the traditional folk hues of Thomas Merton a tribute to the author, a Trappist monk who spent most of his adult life in a monastery in Gesthemani on the outskirts of Louisville and was a vocal campaigner against the Vietnam war (“He saw all wars were evil\/And the devil was the dancer”), the song concerning speculation that his death in Thailand (“the story was that he had died\/Stepping from the bath\/Shocked by the electricity\/That lay there in his path”) may have been murder (“Upon his death concealed\/The evidence of bullet holes\/Finally was revealed”).\u003c\/p\u003e\n\u003cp\u003eCloser to home, Prairie Dream draws on her father’s roots with the Nez Perce Reservation in Idaho where he was born and, while Irish-English rather than American Indian, he took to heart the cause of the tribe and Chief Joseph and passed down to his daughter the desire for justice for their treatment and that of the Sioux, Comanches, Cherokee and Arapahoe by the American government (“Starving in their trails of blood and sorrow\/Ancient creatures innocent of crime\/Manifest in destiny they flounder\/Like the wandering footsteps of the blind”).\u003c\/p\u003e\n\u003cp\u003eArt too serves as inspiration, Wild With Mist stemming from a visit to the Tate Gallery with her husband to see the Turner collection and being caught up in the worlds he captured,  to “wander through the softly spreading sunlight\/Into another, and then another world\/Seeing the heads of whales\/Seeing the ships of night\/Sighting places where Turner went to paint\/Slipping into deep waters, to worlds much travelled” as well as mention that “in his fine black hat and unclouded eye” he “had a lover in a little sea-swept town near London”.\u003c\/p\u003e\n\u003cp\u003eShe returns to 1962 for Arizona, the year she recorded her second album, Golden Apples of the Sun, but her marriage was falling apart, she was drinking too much and, after her set at a club in Tucson, was taken to hospital where she was diagnosed with tuberculosis. The song isn’t about that; instead, it’s an evocative portrait of the desert state “of starlight and tumbleweed\/Where antelope climb the ravine” and which “healed all the wounds that were hidden” and of her emerging back into the lights (“My dark years are gone and the old dreams move on…That none of the magic is done\/That everything sings and moves on\/And all that’s forgiven is gone”.\u003c\/p\u003e\n\u003cp\u003eThe (official) remaining two songs are both love letters to the city. Tinted with minstrel colours, Gilded Rooms harks back to hanging out in the folk singer-songwriter scenes of late 60s London, New York and Newport,  of who will “ride off on the shining horse and who will stay the course”, and though it’s open to teasing speculation as to who she is referring to in lines like “She learned to sing and paint in her own blood\/As it dripped upon the strings of her guitar\/She found a blade of steel in the silver flood\/And tore her friends and fingernails apart” and “They met when he was thirty years of age\/Already at his peak and at a loss\/Joan of Arc had crossed his path so early\/And he had borne the dagger and the cross”, it’s tempting to find allusions to Baez, Dylan and Cohen.\u003c\/p\u003e\n\u003cp\u003eCaressed by cello, the dreamy lullaby City of Awakening is also about New York, a love letter to her home for nearly sixty tears, “The village with its scrambled streets and lovers’ lanes the long lost rooms on Perry Street where love was slain” and a faith in its ability to emerge from the pandemic (“Stripped of roaming figures, you are still alive\/You will blossom, you will win, you will survive”), bringing the album to a luminous close as her voice soars to the skies.\u003c\/p\u003e\n\u003cp\u003eWell, not quite; there’s also a bonus track, The Blizzard, a shimmering number specifically written to sing at a brace of Christmas concerts in 1989 in Aspen with Kris Kristofferson and a television special featuring her entire family. Not having a song about Colorado, she wrote this while stuck in a snowstorm in Connecticut in November. The lyric talks about taking refuge in a diner and getting into a conversation with a stranger and opening up about the lover from Spellbound who had broken up with her (“I’m a private sort of person, but a blizzard is a blizzard\/And somehow I found myself saying you’d left me\/Tellin’ him everything I wanted to say to you”) and he responding  “You must know, you’re too good for him… Here have a little whiskey, pretend you don’t give a damn”. A song about the compassion of strangers and how, “There’s a light in the window and a place called home\/At the end of the storm”, it ends with the sun rising over her heart as she sings “Then I knew that I would get over you, knew you could leave me, but you’d never break me”.\u003c\/p\u003e\n\u003cp\u003eInvested with reflections and memories, it’s quite literally an album of a  lifetime that, spurred by a pandemic that put life on hold, has equally taken almost a lifetime to find its purpose in coming into existence. There have been very few upsides to lockdown. This late career-high is indisputably one of them. It will indeed hold you spellbound.” Mike Davies, Folk Radio, February, 2022\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.75 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":43166025580794,"sku":"ACLP 2961","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/judy-collins-spellbound-2lp-blue-vinyl-audiosoundmusic-1.jpg?v=1719860075"},{"product_id":"bob-james-jazz-hands-blue-vinyl","title":"Bob James – Jazz Hands (Blue vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards - Bob James \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-james\" title=\"Vinyl featuring Bob James\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-james\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Bob James]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndrey Chmut - Saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCarlos Camilo Perez - Drum Programming, Synthesizer Bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCory Mo - Drum Programming, Synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Marchione - Guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDwight Sills - Guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Adkins - Drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJay Williams - Drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Mahon - Drums, Percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenny Castro - Percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Palazzolo - Bass (Acoustic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNathan Phillips - Bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRamon Yslas - Percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRicky Peterson - Hammond B3, Organ, Synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTom Braxton - Saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWill Patrick - Guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Bob James, Cee-Lo (A3), Dave Koz (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 1,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eunspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Evosound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Evosound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered and mixed by David Marchione\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bob James, David Marchione, Sonny Abelardo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAshley Whitfield - Executive Producer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in September 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMambalicious\u003c\/li\u003e\n\u003cli\u003eThe Otherside\u003c\/li\u003e\n\u003cli\u003eJazz Hands (feat. CeeLo Green)\u003c\/li\u003e\n\u003cli\u003eCome into My Dream (feat. Dave Koz)\u003c\/li\u003e\n\u003cli\u003eBeerbohm\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Alchemist\u003c\/li\u003e\n\u003cli\u003eMophead\u003c\/li\u003e\n\u003cli\u003eThe Secret Drawer\u003c\/li\u003e\n\u003cli\u003eSea Goddess\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eNominated at 2024 Grammy Award for Best Contemporary Instrumental Album\u003c\/p\u003e\n\u003cp\u003eJazz Hands is Bob James' third outing for Evosound, following in the wake of 2018's Espresso and 2022's Feel Like Makin' LIVE. Produced by the pianist with his manager Sonny Abelardo, the ten-track album was mostly recorded during the months of the Covid pandemic and featured James in a number of different musical settings. It also features a stellar cameo from the ex-Gnarls Barkley singer CeeLo Green on the sensuous title track and includes production input from the legendary hip-hop turntablist DJ Jazzy Jeff, who rose to fame as half of the hit-making '80s\/'90s rap duo DJ Jazzy Jeff and the Fresh Prince, early samplers of James' music. Blending cool jazz tropes with funky dancefloor grooves, blues-tinged ballads, cinematic mood pieces, and sensuous slow jams, Jazz Hands is the Missouri pianist's most eclectic album of his long career. Simultaneously classic and contemporary, it's Bob James at his majestic, groundbreaking, and timeless best.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs: 4.6 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47976123040079,"sku":"EVLP051SB","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/bob-james-jazz-hands-blue-vinyl-audiosoundmusic-1.jpg?v=1719862747"},{"product_id":"nancy-sinatra-keep-walkin-singles-demos-rarities-1965-1978-2lp-zodiac-blue-vinyl","title":"Nancy Sinatra - Keep Walkin' Singles, Demos \u0026 Rarities 1965-1978 (2LP, Zodiac Blue Vinyl)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eIncludes 3 Previously Unreleased Tracks\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals – Nancy Sinatra \u003ca title=\"vinyl featuring Nancy Sinatra\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/nancy-sinatra\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Nancy Sinatra]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP, \u003c\/strong\u003e\u003cstrong\u003egatefold jacket with a \u003c\/strong\u003e\u003cstrong\u003e24-Page Deep Booklet with Q\u0026amp;As with Nancy \u0026amp; Don Randi Conducted by Hunter Lea \u0026amp; Never-Before-Seen Photos from Nancy Sinatra's Personal Archive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Zodiac Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003c\/strong\u003e\u003cstrong\u003eLight in The Attic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Light in The Attic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Eddie Brackett\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Lee Hazlewood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by John Baldwin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in September \u003c\/strong\u003e\u003cstrong\u003e2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in October 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe City Never Sleeps At Night\u003c\/li\u003e\n\u003cli\u003eThe Last Of The Secret Agents?\u003c\/li\u003e\n\u003cli\u003eBaby Cried All Night Long\u003c\/li\u003e\n\u003cli\u003eShades\u003c\/li\u003e\n\u003cli\u003eIn Our Time\u003c\/li\u003e\n\u003cli\u003eLove Eyes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRockin' Rock and Roll\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThis Town\u003c\/li\u003e\n\u003cli\u003eTony Rome\u003c\/li\u003e\n\u003cli\u003e100 Years\u003c\/li\u003e\n\u003cli\u003eSee The Little Children\u003c\/li\u003e\n\u003cli\u003eSomething Pretty\u003c\/li\u003e\n\u003cli\u003eDo I Hear a Waltz\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDrummer Man\u003c\/li\u003e\n\u003cli\u003eZodiac Blues\u003c\/li\u003e\n\u003cli\u003eHighway Song\u003c\/li\u003e\n\u003cli\u003eAre You Growing Tired Of My Love\u003c\/li\u003e\n\u003cli\u003eFlowers In The Rain\u003c\/li\u003e\n\u003cli\u003eGlory Road\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAin't No Sunshine\u003c\/li\u003e\n\u003cli\u003eEasy Evil\u003c\/li\u003e\n\u003cli\u003eSugar Me\u003c\/li\u003e\n\u003cli\u003eKinky Love\u003c\/li\u003e\n\u003cli\u003eDolly and Hawkeye\u003c\/li\u003e\n\u003cli\u003eI Just Can't Help Believing\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“The Nancy Sinatra collection Keep Walkin': Singles, Demos \u0026amp; Rarities 1965-1978 serves as the flip side of the Start Walkin' 1965-1976 release that gathered up her hits and iconic songs in one pretty package. This time, it's a look at a batch of equally fun and frolicsome tracks from the singer, only instead of the songs that made her famous, it's B-sides, lost tracks, interesting covers, and a couple of unreleased songs. It's a fine mix of quasi-novelty songs like \"The Last of the Secret Agents\" that are perfectly suited to Sinatra's deadpan delivery, big dramatic ballads, and groovy folk-rock numbers, along with some surprising covers. It's fun to hear her tackle songs that seemed way out of her range and do something interesting with them. She manages to convey some of the bitter pain of \"Ain't No Sunshine\" by underselling it, romps through the Move's \"Flowers in the Rain\" so perfectly that it's hard not to wish one could turn back the hands of time and set her up with an album's worth of this kind of bouncy British psych to sing, and does Neil Diamond proud on a slick version of his \"Glory Road.\" Also included is \"I Just Can’t Help Believing,\" a fine 1978 duet with Lee Hazlewood, the super-weird seduction ballad \"Kinky Love,\" and the 1973 single \"Sugar Me,\" which is also awfully weird. One of the best things about this collection is that it helps illustrate just how unique Sinatra's vocal style was and how her collaborators let their gentle freak flags fly when working with her. By all means, pick up a collection of Nancy Sinatra hits first, and once these are fully absorbed, take a walk over to the weird side and check out this collection for a glimpse of just how far out the mainstream could get during the '60s and '70s.” AllMusic Review by Tim Sendra\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.76 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48057450922319,"sku":"LIALP208BL UE","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/nancy-sinatra-keep-walkin-singles-demos-and-rarities-1965-1978-2lp-zodiac-blue-vinyl-audiosoundmusic-1.jpg?v=1719862892"},{"product_id":"dexter-gordon-walk-the-blues","title":"Dexter Gordon – Walk The Blues (Blue vinyl)","description":"\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Dexter Gordon \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[c\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/dexter-gordon\" title=\"Vinyl featuring Dexter Gordon\" data-mce-fragment=\"1\"\u003elick here to see more vinyl featuring Dexter Gordon\u003c\/a\u003e]\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Niels Henning Ørsted Pedersen \u003ca title=\"vinyl featuring Niels Henning Orsted Pederson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/niels-henning-orsted-pederson\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Niels Henning Orsted Pedersen]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Albert ''Tootie'' Heath \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/albert-tootie-heath\" title=\"vinyl featuring Albert Tootie Heath\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Albert Tootie Heath]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Kenny Drew \u003cspan size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/kenny-drew\" title=\"vinyl featuring Kenny Drew\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Kenny Drew]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Lou Donaldson (A1), Sammy Cahn \u0026amp; Jule Styne (A2), Cole Porter (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003ePallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Black Lion Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded Live at Jazzhus Montmatre, Copenhagen July 21, 1967\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Birger Svan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Alan Bates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtwork by Alex Tenta\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by David Redfern\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in July 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues Walk\u003c\/li\u003e\n\u003cli\u003eI Guess I'll Have to Hang My Tears Out to Dry\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove for Sale\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDuring a two-day period in July of 1967, tenor-saxophonist Dexter Gordon and his quartet recorded multiple albums worth of material at one of Gordon's favorite venues, the legendary Jazzhus Montmartre in Copenhagen. This record, Walk The Blues, is pulled from the second night, and finds Dexter in an expansive, relaxed mood in front of an appreciative audience. These brilliant recordings are finally widely available on transparent blue vinyl with this audiophile-grade pressing from Pallas Group in Germany.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.57 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48109871006031,"sku":"ORGM-2087","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/dexter-gordon-walk-the-blues-blue-vinyl-audiosoundmusic-1.jpg?v=1719863033"},{"product_id":"u2-achtung-baby-2lp","title":"U2 - Achtung Baby (2LP, Red \u0026 Blue vinyl, slipcase)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\" lang=\"EN-US\"\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e30th Anniversary Special Edition Double LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eU2 \u003ca title=\"other vinyl featuring U2\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/u2\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see other vinyl featuring U2]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eVocals, Guitar – Bono\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGuitar, Keyboards, Vocals – The Edge\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBass Guitar – Adam Clayton\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrums, Percussion – Larry Mullen\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Brian Eno (A3-4, C3, D3)  \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/brian-eno\" title=\"vinyl featuring Brian Eno\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/brian-eno\"\u003e[click here to see more vinyl featuring Brian Eno]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Daniel Lanois (A1, C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Daniel Lanois (B1, C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin, Viola – The Duchess Nell Catchpole (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eString arranged by Brian Eno (B3), The Edge (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by U2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, slipcase jacket with Lyric Booklet \u0026amp; Poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Red \u0026amp; Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal Media (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Island Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : \u003c\/strong\u003e\u003cstrong\u003eIsland Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded October 1990 – September 1991 at Hansa (Berlin), Elsinore (Dalkey), STS (Dublin),  Windmill Lane (Dublin)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Flood (A1, A3-4, B1, B3, C1-3, D1-3), Paul Barrett (A2), Robbie Adams (A2, B2, C1-3, D1-2),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Flood (A1, A3-4, B1, B3, C1-2, D1-2), Robbie Adams (A2, B1-2, C3), Steve Lillywhite (A2, B2, C1, C3), Daniel Lanois (B1, C1-2, D2-3), Brian Eno (B3), The Edge (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Daniel Lanois (A1-4, B1-3, C1-3, D1-3), Steve Lillywhite (A2), Brian Eno (A2, B1-2, C2-3, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Design by Shaughn McGrath, Steve Averill\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in November 1991\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan size=\"2\"\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in November 2021\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\" lang=\"EN-US\"\u003eTracks :\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eZoo Station\u003c\/li\u003e\n\u003cli\u003eEven Better than the Real Thing\u003c\/li\u003e\n\u003cli\u003eOne\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUntil the End of the World\u003c\/li\u003e\n\u003cli\u003eWho's Gonna Ride Your WIld Horses\u003c\/li\u003e\n\u003cli\u003eSo Cruel\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Fly\u003c\/li\u003e\n\u003cli\u003eMysterious Ways\u003c\/li\u003e\n\u003cli\u003eTryin' to Throw Your Arms Around the World\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUltra Violet (Light My Way)\u003c\/li\u003e\n\u003cli\u003eAcrobat\u003c\/li\u003e\n\u003cli\u003eLove Is Blindness\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards;\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Ranked 124\/500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e35th Annual Grammy Awards:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eaward for Best Rock Performance by a Duo or Group with Vocal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eaward for Producer of the Year\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eIncluded in Time's list of \"The All-Time 100 Albums\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eIncluded in the book 1001 Albums You Must Hear Before You Die\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“Reinventions rarely come as thorough and effective as Achtung Baby, an album that completely changed U2's sound and style. The crashing, unrecognizable distorted guitars that open \"Zoo Station\" are a clear signal that U2 have traded their Americana pretensions for postmodern, contemporary European music. Drawing equally from Bowie's electronic, avant-garde explorations of the late '70s and the neo-psychedelic sounds of the thriving rave and Madchester club scenes of early-'90s England, Achtung Baby sounds vibrant and endlessly inventive. Unlike their inspirations, U2 rarely experiment with song structures over the course of the album. Instead, they use the thick dance beats, swirling guitars, layers of effects, and found sounds to break traditional songs out of their constraints, revealing the tortured emotional core of their songs with the hyper-loaded arrangements. In such a dense musical setting, it isn't surprising that U2 have abandoned the political for the personal on Achtung Baby, since the music, even with its inviting rhythms, is more introspective than anthemic. Bono has never been as emotionally naked as he is on Achtung Baby, creating a feverish nightmare of broken hearts and desperate loneliness; unlike other U2 albums, it's filled with sexual imagery, much of it quite disturbing, and it ends on a disquieting note. Few bands as far into their career as U2 have recorded an album as adventurous or fulfilled their ambitions quite as successfully as they do on Achtung Baby, and the result is arguably their best album.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5  , Discogs : 4.42 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48270698021199,"sku":"U28AB30","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/u2-achtung-baby-2lp-red-and-blue-vinyl-slipcase-audiosoundmusic-1.jpg?v=1719863426"},{"product_id":"seals-crofts-greatest-hits-blue-vinyl","title":"Seals \u0026 Crofts - Greatest Hits (Blue vinyl)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim Seals – guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDash Crofts – mandolin, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Louie Shelton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen I Meet Them\u003c\/li\u003e\n\u003cli\u003eDiamond Girl\u003c\/li\u003e\n\u003cli\u003eHummingbird\u003c\/li\u003e\n\u003cli\u003eCastles in the Sand\u003c\/li\u003e\n\u003cli\u003eEast of Ginger Trees\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI’ll Play for You\u003c\/li\u003e\n\u003cli\u003eRuby Jean and Billie Lee\u003c\/li\u003e\n\u003cli\u003eKing of Nothing\u003c\/li\u003e\n\u003cli\u003eSummer Breeze\u003c\/li\u003e\n\u003cli\u003eWe May Never Pass This Way (Again)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“One of the most successful soft rock acts of the 1970s, the duo of Jim Seals and Dash Crofts met while playing with singer Dean Beard in 1958. That year, Beard was invited to join the Champs (of \"Tequila\" fame), and Seals and Crofts tagged along, remaining with the group until 1965. The two then bounced from the Mushrooms to the Dawnbreakers before deciding to strike out on their own as a duo in 1969. Seals played guitar, saxophone, and fiddle, while Crofts handled drums, mandolin, keyboards, and guitar. From 1972 to 1976, the duo had a string of five gold albums for Warner Bros., with an additional greatest-hits compilation certified double platinum. Their hit singles from this period include \"Summer Breeze,\" \"Diamond Girl,\" \"We May Never Pass This Way (Again),\" and \"Get Closer\"; all except the third mentioned reached number six on the Billboard charts. Seals \u0026amp; Crofts became embroiled in controversy in 1974 due to the title track of their Unborn Child album, an anti-abortion song written from the fetus' point of view; the album was a critical failure, while the single flopped and outraged abortion advocates, who held demonstrations at many of the duo's shows.\u003c\/p\u003e\n\u003cp\u003eBy 1976, Seals \u0026amp; Crofts' appeal began to decline; their albums failed to sell as well, and they scored their last Top 40 hit in 1978 with \"You're the Love.\" Warner dropped them shortly after their 1980 LP, The Longest Road, but by this time both Seals and Crofts were more interested in devoting themselves fully to the Baha'i religion they had converted to back in 1969. The two have reunited occasionally at Baha'i gatherings and for a short 1991-1992 tour; Crofts has lived in several different countries, while Seals moved to a Costa Rican coffee farm in 1980. However, the pair did get together in 2004 to record their first album in over two decades, Traces, featuring re-recordings of several of their biggest hits as well as new and previously unreleased material. It should also be noted that Seals' brother Dan became a prominent country singer during the '80s after leaving the duo England Dan \u0026amp; John Ford Coley.” AllMusic Biography by Steve Huey\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 3,75 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48531731415375,"sku":"AFRM 92887","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/seals-and-crofts-greatest-hits-blue-vinyl-audiosoundmusic-1.jpg?v=1719863756"},{"product_id":"dionne-warwick-the-dionne-warwick-collection-her-all-time-greatest-hits-2lp","title":"Dionne Warwick - The Dionne Warwick Collection: Her All-Time Greatest Hits (2LP, Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals - Dionne Warwick \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/dionne-warwick\" title=\"vinyl featuring Dionne Warwick\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Dionne Warwick]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Burt Bacharach and Hal David (all tracks except B2 and C6), Leslie Bricusse (B2), Anthony Newley (B2), André Previn and Dory Previn (C6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e2 LP, Standard sleeve\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Rhino\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded November, 1962 – November, 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Joe Reagoso from the Original Scepter Records Tapes at Friday Music Studios, Huntington Beach, CA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Burt Bacharach \u0026amp; Hall David\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Make Me Over\u003c\/li\u003e\n\u003cli\u003eThis Empty Place\u003c\/li\u003e\n\u003cli\u003eAnyone Who Had a Heart\u003c\/li\u003e\n\u003cli\u003eWalk on By\u003c\/li\u003e\n\u003cli\u003eYou'll Never Get to Heaven (If You Break My Heart)\u003c\/li\u003e\n\u003cli\u003eA House Is Not a Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eReach Out for Me\u003c\/li\u003e\n\u003cli\u003eWho Can I Turn To\u003c\/li\u003e\n\u003cli\u003eLooking with My Eyes\u003c\/li\u003e\n\u003cli\u003eAre You There (With Another Girl)\u003c\/li\u003e\n\u003cli\u003eMessage to Michael\u003c\/li\u003e\n\u003cli\u003eTrains and Boats and Planes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSide C:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Just Don't Know What to Do with Myself\u003c\/li\u003e\n\u003cli\u003eAnother Night\u003c\/li\u003e\n\u003cli\u003eAlfie\u003c\/li\u003e\n\u003cli\u003eThe Windows of the World\u003c\/li\u003e\n\u003cli\u003eI Say a Little Prayer\u003c\/li\u003e\n\u003cli\u003eTheme From Valley of the Dolls\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDo You Know the Way to San Jose\u003c\/li\u003e\n\u003cli\u003e(There's) Always Something There to Remind Me\u003c\/li\u003e\n\u003cli\u003ePromises, Promises\u003c\/li\u003e\n\u003cli\u003eThe April Fools\u003c\/li\u003e\n\u003cli\u003eI'll Never Fall in Love Again\u003c\/li\u003e\n\u003cli\u003eThe Green Grass Starts to Grow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Rhino's The Dionne Warwick Collection: Her All-Time Greatest Hits is the best Warwick collection on the market, culling 24 tracks from her '60s prime. Although it doesn't cover her entire career, it does feature nearly all of her very best material, and it's all in the style that made her famous; top to bottom, it's a stronger, more consistent listen than anything else out there. This was the period when she established herself as the premier interpreter of Burt Bacharach's music, and pulled off the neat trick of appealing to both R\u0026amp;B and easy listening audiences. Warwick was soulful without necessarily singing soul music per se; her smooth, light delivery and polished technique meshed very well with the sophisticated pop of the Bacharach\/Hal David team, who co-composed all but one of the songs included here. No other singer navigated Bacharach's deceptively tricky compositions with such effortless grace; the ease she projects on the rhythmically complex \"I Say a Little Prayer\" and \"Promises, Promises\" is startling. It's no wonder her versions of Bacharach's songs often became the definitive ones. This compilation doesn't cover Warwick's later hits, like the Spinners' duet \"Then Came You,\" \"That's What Friends Are For,\" or her late-'70s\/early-'80s adult contemporary fare; for those, look to Arista's The Definitive Collection, which touches on every phase of her career, or the more specific Greatest Hits (1979-1990). But for a sparkling demonstration of everything that made Warwick great, there's no better buy than The Dionne Warwick Collection.\" AllMusic Review by Steve Huey.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4.45 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48581438177615,"sku":"FRM-71000","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/dionne-warwick-the-dionne-warwick-collection-her-all-time-greatest-hits-2lp-blue-vinyl-audiosoundmusic-1.jpg?v=1719863830"},{"product_id":"the-meters-struttin-blue-vinyl","title":"The Meters – Struttin’ (Blue vinyl)","description":"\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Meters \u003ca title=\"audiophile vinyl featuring The Meters\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-meters\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring The Meters]\u003c\/span\u003e\u003c\/a\u003e :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eOrgan, keyboards - Art Neville\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDrums - Ziggy Modeliste\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGuitar - Leo Nocentelli\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBass guitar - George Porter Jr.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by The Meters \u003c\/strong\u003e\u003cstrong\u003e(A1-2, A4-6, B1, B3-5), Art Neville, Jim Webb (A3, B2, B6), Roquel Davis (B2), \u003c\/strong\u003e\u003cstrong\u003eNaomi Neville (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Memphis Record Pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Jackpot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Josie Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by David Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Allen R. Toussaint, Marshall E. Sehorn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Kevin Gray at Cohearent Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Supervisor - Janie Gans\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign and photography by The Graffiteria\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in June 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in December 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChicken Strut\u003c\/li\u003e\n\u003cli\u003eLiver Splash\u003c\/li\u003e\n\u003cli\u003eWichita Lineman\u003c\/li\u003e\n\u003cli\u003eJoog\u003c\/li\u003e\n\u003cli\u003eGo for Yourself\u003c\/li\u003e\n\u003cli\u003eSame Old Thing\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHandclapping Song\u003c\/li\u003e\n\u003cli\u003eDarlin’ Darlin’\u003c\/li\u003e\n\u003cli\u003eTippi-Toes\u003c\/li\u003e\n\u003cli\u003eBritches\u003c\/li\u003e\n\u003cli\u003eHey! Last Minute\u003c\/li\u003e\n\u003cli\u003eRide Your Pony\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eReviews\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e :\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"As the third full-length album released by the Meters, Struttin' may not appear to be drastically different than its predecessors, at least not on the surface. After all, the title of the lead single \"Chicken Strut\" intentionally recalls their previous biggest \"Cissy Strut,\" and it has the same basic Meters groove. And if the essential sound remains unchanged, that's because that organic, earthy funk is the Meters' signature. Other groups have tried to replicate it, but nobody ever played it better. Because of that, Struttin is an enjoyable record, even if it never quite feels like anything more focused than a series of jam sessions; after all, that's what it was.\u003c\/p\u003e\n\u003cp\u003eThis time around, however, the Meters did make a conscious decision to emphasize vocals, and not just with shout-alongs on the chorus (\"Chicken Strut,\" \"Same Old Thing\"), but with Art Neville's leads on covers of Ty Hunter's soulful uptown shuffle \"Darling, Darling, Darling,\" Jimmy Webb's groovy ballad \"Wichita Lineman,\" and Lee Dorsey's \"Ride Your Pony\" (the Meters provided support on the original recording). This gives the album a bit more diversity than its predecessors, which is welcome, even for devotees of the group's admittedly addictive sound. But the real difference is how the band seems willing to expand their signature sound. \"Hand Clapping Song\" is a spare, syncopated breakdown without an obvious through-line, while \"Joog\" turns the group's groove inside out. These variations are entertaining -- as entertaining as the vocals -- and the songs that are solidly in the Meters tradition are also fun. The results are pretty terrific, though given the fact that Struttin' never really pulls itself into a coherent album, it may be the kind of first-rate record only aficionados of the band will need to seek out.\" AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e\"Considered by many to be the founding fathers of funk, The Meters created a unique sound that lasted through the sixties and seventies and was reborn in the late eighties. Their trademark sound blends funk, blues, and dance grooves with a New Orleans vibe. The history of this native New Orleans band dates back to 1967, when keyboardist Art Neville recruited George Porter Jr., Joseph 'Zigaboo' Modeliste and Leo Nocentelli to form The Meters. Cyril Neville, Art Neville's brother, joined the band in 1975 as a percussionist and vocalist for three of their albums for Reprise\/Warner Brothers. After twelve years and ten studio albums, The Meters disbanded in 1979 due to business problems. The original line-up reformed after an informal jam during the 1989 New Orleans Jazz and Heritage Festival. In 1994, Art Neville and Porter, alongside two new members, were officially christened The Funky Meters, and continued to perform into the next decade.\" Jazz Music Archives.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.86 \/ 5 ; AllMusic : 3.5 \/ 5 ; Christgau's Record Guide : B+\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48713309421903,"sku":"AJKP 088","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/the-meters-struttin-blue-vinyl-audiosoundmusic-1.jpg?v=1719863951"},{"product_id":"the-beatles-1967-1970-half-speed-mastering-blue-vinyl","title":"The Beatles 1967 – 1970 (3LP, Half-speed Mastering, Blue Vinyl, Japanese edition)","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Beatles \u003ca title=\"vinyl featuring The Beatles\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-beatles\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring The Beatles]\u003c\/span\u003e\u003c\/a\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eJohn Lennon – vocals, guitars, keyboards, harmonica, bass\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jOHN-LENNON\" title=\"vinyl featuring John Lennon\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl \/ SACD featuring John Lennon]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePaul McCartney – vocals, bass, guitars, keyboards, drums \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-mccartney\" title=\"vinyl featuring Paul McCarney\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Paul McCartney]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGeorge Harrison – guitars, vocals, sitar, keyboards, bass \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-harrison\" title=\"vinyl featuring George Harrison\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring George Harrison]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRingo Starr – drums, percussion, vocals  \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ringo-starr\" title=\"vinyl featuring Ringo Starr\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ringo Starr]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by John Lennon (A1 to C1, C3-6, D2, D5-7, E1-4, F1, F2, F4), Paul McCartney (A1 to C1, C3-6, D2, D5-7, E1-4, F1, F2, F4), George Harrison (C2, C7, D1, D3, E1, E5, F3), Richard Starkey (D4), Ringo Starr (E1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e3 LP, gatefold jacket with B2 poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified (Japan)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Universal Music Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : EMI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on 28 November 1966 – 1 April 1970  at EMI, Olympic, Apple and Trident Studios, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Barry Sheffield, Geoff Emerick, Glyn Johns, Jeff Jarratt, Ken Scott, Martin Benge, Peter Bown, Phillip McDonald\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by George Martin (A1 to D5), Phil Spector (D6-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompiled by Allen Klein\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Miles Showell at Abbey Road Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by Bill Flanagan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by Bruce McBroom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in April 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in January 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStrawberry Fields Forever\u003c\/li\u003e\n\u003cli\u003ePenny Lane\u003c\/li\u003e\n\u003cli\u003eSgt. Pepper's Lonely Hearts Club Band\u003c\/li\u003e\n\u003cli\u003eWith A Little Help Fr My Friends\u003c\/li\u003e\n\u003cli\u003eLucy In The Sky With Diamonds\u003c\/li\u003e\n\u003cli\u003eA Day In The Life\u003c\/li\u003e\n\u003cli\u003eAll You Need Is Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Am The Walrus\u003c\/li\u003e\n\u003cli\u003eHello, Goodbye\u003c\/li\u003e\n\u003cli\u003eThe Fool On The Hill\u003c\/li\u003e\n\u003cli\u003eMagical Mystery Tour\u003c\/li\u003e\n\u003cli\u003eLady Madonna\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003eRevolution\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBack In The U.S.S.R\u003c\/li\u003e\n\u003cli\u003eWhile My Guitar Gently Weeps\u003c\/li\u003e\n\u003cli\u003eOb-La-Di, Ob-La-Da\u003c\/li\u003e\n\u003cli\u003eGet Back [2021 Mix\u003c\/li\u003e\n\u003cli\u003eDon’t Let Me Down\u003c\/li\u003e\n\u003cli\u003eThe Ballad Of John And Yoko\u003c\/li\u003e\n\u003cli\u003eOld Brown Shoe\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHere Comes The Sun\u003c\/li\u003e\n\u003cli\u003eCome Together\u003c\/li\u003e\n\u003cli\u003eSomething\u003c\/li\u003e\n\u003cli\u003eOctopus's Garden\u003c\/li\u003e\n\u003cli\u003eLet It Be\u003c\/li\u003e\n\u003cli\u003eAcross The Universe [2021 Mix]\u003c\/li\u003e\n\u003cli\u003eThe Long And Winding Road [2021 Mix]\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNow And Then\u003c\/li\u003e\n\u003cli\u003eBlackbird\u003c\/li\u003e\n\u003cli\u003eDear Prudence\u003c\/li\u003e\n\u003cli\u003eGlass Onion\u003c\/li\u003e\n\u003cli\u003eWithin You Without You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHey Bulldog\u003c\/li\u003e\n\u003cli\u003eOh! Darling\u003c\/li\u003e\n\u003cli\u003eI Me Mine [2021 Mix]\u003c\/li\u003e\n\u003cli\u003eI Want You (She's So Heavy)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col start=\"7\"\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Picking up where 1962-1966 left off, the double-album compilation 1967-1970, commonly called The Blue Album, covers the Beatles' later records, from Sgt. Pepper's through Let It Be. Like The Red Album, The Blue Album was released in the wake of a pair of widely advertised quadruple-LP bootlegs, Alpha Omega, Vols. 1-2: The Story of the Beatles, which had appeared early in 1973. And like its companion volume, this set contains a mixture of hits, including singles like \"Lady Madonna,\" \"Hey Jude,\" and \"Revolution\" -- which had originally appeared only as 45s -- plus important album tracks like \"Lucy in the Sky with Diamonds,\" \"A Day in the Life,\" \"While My Guitar Gently Weeps,\" and \"Come Together,\" as well as orphaned tracks such as the single versions of \"Let It Be\" and \"Get Back,\" which had never been on any LP before. The first two sides of the original double-LP edition carry listeners through the highlights of the psychedelic era, starting with \"Strawberry Fields Forever\" and \"Penny Lane\" and up through \"Magical Mystery Tour,\" before returning to rock \u0026amp; roll territory on \"Lady Madonna,\" \"Hey Jude,\" and \"Revolution.\" The second LP skims three of the more popular tracks off of the sprawling White Album (aka The Beatles) and moves into the late singles (\"The Ballad of John and Yoko,\" \"Old Brown Shoe,\" \"Let It Be\"), plus single and album highlights from Abbey Road and Let It Be. As a précis of the group's final 36 months, it's all mightily impressive, even if 1967-1970 misses several great songs. But like its predecessor, this set does capture the essence (if not the full range) of the Beatles' later recordings.\" All Music Review by Bruce Eder.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"In 1973, The Beatles and their record label, Apple Records, released two double album sets, The Beatles 1962 – 1966 and The Beatles 1967 – 1970 to compete with a pirate box set at the time that was popping up in record stores (The Beatles Alpha Omega). These two sets became known as The Red and The Blue albums for their respective covers: 1962 – 1966 was red and 1967 – 1970 was blue. They were very faithful greatest hits packages with a few album cuts added. They included all of their singles which were presented in a chronological order. For many years these two sets served as an excellent overview of The Beatles career, from their first single, “Love Me Do” until their last single, “The Long And Winding Road”. Both were massive hits and both made number one around the world. Fifty years later these albums are being reissued with added songs and new configurations. Of course, the sets coincide with the release of the new Beatles single “Now And Then”.\u003c\/p\u003e\n\u003cp\u003eIt does feel a little like a Beatlemania redux. “Now And Then” has topped the charts worldwide and newer fans will find these two sets an excellent introduction to The Beatles. The albums in this set are best listened to in order, just to see the progression this band made from a simple pop band in 1962\/1963 to world changing, music defining icons. Just compare “From Me To You” to “Tomorrow Never Knows” which are separated by a mere three years. Therefore, listening to the progression in music is extremely important. Ending with “Now And Then” is a brilliant decision.\u003c\/p\u003e\n\u003cp\u003eMost, if not all of these songs, are part of our collective Beatles DNA. “I Want To Hold Your Hand”, “A Hard Day’s Night”, “We Can Work It Out”, “Eleanor Rigby” and so many more are all number one hits. However, the first set, 1962-1966 is very different from the original versions you may have in your collection. A great many album cuts have been added to further demonstrate their growth, talent, and sheer brilliance as artists. Some of their early covers, which were hits, have been added, such as “Roll Over Beethoven”, “Twist And Shout” and “You Really Got A Hold On Me” all join the Red album along with songs like “Got To Get You Into My Life” (a hit in North America in 1976) and the aforementioned “Tomorrow Never Knows”. This set now gives a much fuller look at The Beatles’ early days.There are additions to the Blue album as well. It still begins with the classic single “Strawberry Fields Forever” and “Penny Lane”. This makes sense as the set is arranged chronologically, and this single was the first thing they released in 1967. The set moves on to several numbers from Sgt Pepper’s Lonely Hearts Club Band, with the addition of “Within You, Without You”. The extra album cuts do paint a much fuller picture of the era represented on the album. It ends with the new Beatles single, which is a nice addition.\u003c\/p\u003e\n\u003cp\u003eThe other big news is that it is available in Dolby Atmos surround sound. This is streaming only, as none of the Beatle music mixed for this format has been released on a physical format, but the songs are there for fans of streaming.\u003c\/p\u003e\n\u003cp\u003eA lot of the songs have been mixed for 2023 (“If I Needed Someone” is a great example), but the new mixes are subtle and don’t change from the original all that much. Not everything on the sets has been remixed, but the songs do benefit from a bit of updating in the studio.\u003c\/p\u003e\n\u003cp\u003eThe Beatles 1962-1966 and 1967 – 1970 have never been out of print and they have never really changed over time. Fans will note that a few years ago the North American opening of “Help!” (the James Bond type of opening) was removed but these new additions to the collection mark the first time the sets have been updated. While this makes them more encompassing of The Beatles, it is still recommended to go to their original albums and listen to each of them. But for casual and new fans these sets are a brilliant introductions and overviews. Also, perhaps best compilation sleeve design of all time.\" Spill Magazine Review by Aaron Badgley.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.69 \/ 5 ; AllMusic : 4.5 \/ 5 ; Blender : 4 \/ 5 ; The Encyclopedia of Popular Music : 5 \/ 5 ; The Rolling Stone Album Guide : 4.5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48729273860431,"sku":"NEODAI-182275","price":169.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/the-beatles-1967-1970-3lp-half-speed-mastering-blue-vinyl-japanese-edition-audiosoundmusic-1.jpg?v=1719863976"},{"product_id":"the-beatles-1967-1970-3lp-half-speed-mastering-blue-vinyl","title":"The Beatles 1967 – 1970 (3LP, Half-speed Mastering, Blue Vinyl)","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Beatles \u003ca title=\"vinyl featuring The Beatles\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-beatles\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring The Beatles]\u003c\/span\u003e\u003c\/a\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eJohn Lennon – vocals, guitars, keyboards, harmonica, bass\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jOHN-LENNON\" title=\"vinyl featuring John Lennon\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl \/ SACD featuring John Lennon]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePaul McCartney – vocals, bass, guitars, keyboards, drums \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-mccartney\" title=\"vinyl featuring Paul McCarney\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Paul McCartney]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGeorge Harrison – guitars, vocals, sitar, keyboards, bass \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-harrison\" title=\"vinyl featuring George Harrison\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring George Harrison]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRingo Starr – drums, percussion, vocals  \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ringo-starr\" title=\"vinyl featuring Ringo Starr\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ringo Starr]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by John Lennon (A1 to C1, C3-6, D2, D5-7, E1-4, F1, F2, F4), Paul McCartney (A1 to C1, C3-6, D2, D5-7, E1-4, F1, F2, F4), George Harrison (C2, C7, D1, D3, E1, E5, F3), Richard Starkey (D4), Ringo Starr (E1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e3 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal Media in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Capitol\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : EMI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on 28 November 1966 – 1 April 1970  at EMI, Olympic, Apple and Trident Studios, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Barry Sheffield, Geoff Emerick, Glyn Johns, Jeff Jarratt, Ken Scott, Martin Benge, Peter Bown, Phillip McDonald\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by George Martin (A1 to D5), Phil Spector (D6-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompiled by Allen Klein\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Miles Showell at Abbey Road Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by Bill Flanagan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by Bruce McBroom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in April 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in November 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStrawberry Fields Forever\u003c\/li\u003e\n\u003cli\u003ePenny Lane\u003c\/li\u003e\n\u003cli\u003eSgt. Pepper's Lonely Hearts Club Band\u003c\/li\u003e\n\u003cli\u003eWith A Little Help Fr My Friends\u003c\/li\u003e\n\u003cli\u003eLucy In The Sky With Diamonds\u003c\/li\u003e\n\u003cli\u003eA Day In The Life\u003c\/li\u003e\n\u003cli\u003eAll You Need Is Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Am The Walrus\u003c\/li\u003e\n\u003cli\u003eHello, Goodbye\u003c\/li\u003e\n\u003cli\u003eThe Fool On The Hill\u003c\/li\u003e\n\u003cli\u003eMagical Mystery Tour\u003c\/li\u003e\n\u003cli\u003eLady Madonna\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003eRevolution\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBack In The U.S.S.R\u003c\/li\u003e\n\u003cli\u003eWhile My Guitar Gently Weeps\u003c\/li\u003e\n\u003cli\u003eOb-La-Di, Ob-La-Da\u003c\/li\u003e\n\u003cli\u003eGet Back [2021 Mix\u003c\/li\u003e\n\u003cli\u003eDon’t Let Me Down\u003c\/li\u003e\n\u003cli\u003eThe Ballad Of John And Yoko\u003c\/li\u003e\n\u003cli\u003eOld Brown Shoe\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHere Comes The Sun\u003c\/li\u003e\n\u003cli\u003eCome Together\u003c\/li\u003e\n\u003cli\u003eSomething\u003c\/li\u003e\n\u003cli\u003eOctopus's Garden\u003c\/li\u003e\n\u003cli\u003eLet It Be\u003c\/li\u003e\n\u003cli\u003eAcross The Universe [2021 Mix]\u003c\/li\u003e\n\u003cli\u003eThe Long And Winding Road [2021 Mix]\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNow And Then\u003c\/li\u003e\n\u003cli\u003eBlackbird\u003c\/li\u003e\n\u003cli\u003eDear Prudence\u003c\/li\u003e\n\u003cli\u003eGlass Onion\u003c\/li\u003e\n\u003cli\u003eWithin You Without You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHey Bulldog\u003c\/li\u003e\n\u003cli\u003eOh! Darling\u003c\/li\u003e\n\u003cli\u003eI Me Mine [2021 Mix]\u003c\/li\u003e\n\u003cli\u003eI Want You (She's So Heavy)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col start=\"7\"\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Picking up where 1962-1966 left off, the double-album compilation 1967-1970, commonly called The Blue Album, covers the Beatles' later records, from Sgt. Pepper's through Let It Be. Like The Red Album, The Blue Album was released in the wake of a pair of widely advertised quadruple-LP bootlegs, Alpha Omega, Vols. 1-2: The Story of the Beatles, which had appeared early in 1973. And like its companion volume, this set contains a mixture of hits, including singles like \"Lady Madonna,\" \"Hey Jude,\" and \"Revolution\" -- which had originally appeared only as 45s -- plus important album tracks like \"Lucy in the Sky with Diamonds,\" \"A Day in the Life,\" \"While My Guitar Gently Weeps,\" and \"Come Together,\" as well as orphaned tracks such as the single versions of \"Let It Be\" and \"Get Back,\" which had never been on any LP before. The first two sides of the original double-LP edition carry listeners through the highlights of the psychedelic era, starting with \"Strawberry Fields Forever\" and \"Penny Lane\" and up through \"Magical Mystery Tour,\" before returning to rock \u0026amp; roll territory on \"Lady Madonna,\" \"Hey Jude,\" and \"Revolution.\" The second LP skims three of the more popular tracks off of the sprawling White Album (aka The Beatles) and moves into the late singles (\"The Ballad of John and Yoko,\" \"Old Brown Shoe,\" \"Let It Be\"), plus single and album highlights from Abbey Road and Let It Be. As a précis of the group's final 36 months, it's all mightily impressive, even if 1967-1970 misses several great songs. But like its predecessor, this set does capture the essence (if not the full range) of the Beatles' later recordings.\" All Music Review by Bruce Eder.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"In 1973, The Beatles and their record label, Apple Records, released two double album sets, The Beatles 1962 – 1966 and The Beatles 1967 – 1970 to compete with a pirate box set at the time that was popping up in record stores (The Beatles Alpha Omega). These two sets became known as The Red and The Blue albums for their respective covers: 1962 – 1966 was red and 1967 – 1970 was blue. They were very faithful greatest hits packages with a few album cuts added. They included all of their singles which were presented in a chronological order. For many years these two sets served as an excellent overview of The Beatles career, from their first single, “Love Me Do” until their last single, “The Long And Winding Road”. Both were massive hits and both made number one around the world. Fifty years later these albums are being reissued with added songs and new configurations. Of course, the sets coincide with the release of the new Beatles single “Now And Then”.\u003c\/p\u003e\n\u003cp\u003eIt does feel a little like a Beatlemania redux. “Now And Then” has topped the charts worldwide and newer fans will find these two sets an excellent introduction to The Beatles. The albums in this set are best listened to in order, just to see the progression this band made from a simple pop band in 1962\/1963 to world changing, music defining icons. Just compare “From Me To You” to “Tomorrow Never Knows” which are separated by a mere three years. Therefore, listening to the progression in music is extremely important. Ending with “Now And Then” is a brilliant decision.\u003c\/p\u003e\n\u003cp\u003eMost, if not all of these songs, are part of our collective Beatles DNA. “I Want To Hold Your Hand”, “A Hard Day’s Night”, “We Can Work It Out”, “Eleanor Rigby” and so many more are all number one hits. However, the first set, 1962-1966 is very different from the original versions you may have in your collection. A great many album cuts have been added to further demonstrate their growth, talent, and sheer brilliance as artists. Some of their early covers, which were hits, have been added, such as “Roll Over Beethoven”, “Twist And Shout” and “You Really Got A Hold On Me” all join the Red album along with songs like “Got To Get You Into My Life” (a hit in North America in 1976) and the aforementioned “Tomorrow Never Knows”. This set now gives a much fuller look at The Beatles’ early days.There are additions to the Blue album as well. It still begins with the classic single “Strawberry Fields Forever” and “Penny Lane”. This makes sense as the set is arranged chronologically, and this single was the first thing they released in 1967. The set moves on to several numbers from Sgt Pepper’s Lonely Hearts Club Band, with the addition of “Within You, Without You”. The extra album cuts do paint a much fuller picture of the era represented on the album. It ends with the new Beatles single, which is a nice addition.\u003c\/p\u003e\n\u003cp\u003eThe other big news is that it is available in Dolby Atmos surround sound. This is streaming only, as none of the Beatle music mixed for this format has been released on a physical format, but the songs are there for fans of streaming.\u003c\/p\u003e\n\u003cp\u003eA lot of the songs have been mixed for 2023 (“If I Needed Someone” is a great example), but the new mixes are subtle and don’t change from the original all that much. Not everything on the sets has been remixed, but the songs do benefit from a bit of updating in the studio.\u003c\/p\u003e\n\u003cp\u003eThe Beatles 1962-1966 and 1967 – 1970 have never been out of print and they have never really changed over time. Fans will note that a few years ago the North American opening of “Help!” (the James Bond type of opening) was removed but these new additions to the collection mark the first time the sets have been updated. While this makes them more encompassing of The Beatles, it is still recommended to go to their original albums and listen to each of them. But for casual and new fans these sets are a brilliant introductions and overviews. Also, perhaps best compilation sleeve design of all time.\" Spill Magazine Review by Aaron Badgley.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.69 \/ 5 ; AllMusic : 4.5 \/ 5 ; Blender : 4 \/ 5 ; The Encyclopedia of Popular Music : 5 \/ 5 ; The Rolling Stone Album Guide : 4.5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49009232609615,"sku":"ACAP 34814","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/the-beatles-1967-1970-3lp-half-speed-mastering-blue-vinyl-audiosoundmusic-1.jpg?v=1719864381"},{"product_id":"mr-big-mr-big-blue-vinyl","title":"Mr. Big – Mr. Big (Blue vinyl)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMr. Big \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/mr-big\" title=\"vinyl featuring Mr. Big\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/mr-big\"\u003e[click here to see more products featuring Mr. Big]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eVocals – Eric Martin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBass – Billy Sheehan\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDrums – Pat Torpey\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGuitar – Paul Gilbert\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Paul Gilbert (A1-3, A5, B1, B4), Billy Sheehan (A1, A4-5, B1, B4), Pat Torpey (A1-3), Eric Martin (A2-3, B1-5), Jonathan Cain (B3), Steve Marriott (B6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 3,500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eunspecified\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Evosound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : \u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAtlantic\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded at Fantasy Studios, Berkeley, California\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEngineered by\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eKevin Elson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Kevin Elson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in June 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in April 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e1. Addicted To That Rush\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e2. Wind Me Up\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e3. Merciless\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e4. Had Enough\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e5. Blame It on My Youth\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e1. Take a Walk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e2. Big Love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e3. How Can You Do What You Do\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e4. Anything for You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e5. Rock \u0026amp; Roll Over\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e6. 30 Days in the Hole\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“It's too bad that Nevermind had to make this sort of rock unfashionable in the early '90s. Anchored by the world-class chops of guitarist Paul Gilbert and bassist Billy Sheehan, Mr. Big's debut album is an adrenaline-fueled dose of pure rock \u0026amp; roll attitude. Don't let the big hair and leather pants fool you; much like Bon Jovi, Mr. Big is definitely not in the same category as '80s pop-metal bands such as Poison. One difference is the fact that Mr. Big is composed of monstrously talented musicians. Witness, for example, the ascending guitar\/bass figure in the beginning of \"Addicted to that Rush\" or the unison hits and strong groove to \"Wind Me Up\" or \"Merciless.\" Eric Martin's sophomoric lyrics are admittedly the weakest link here (\"Zip the lipstick on\/Like BBQ sauce\"), which often distract from his fine gritty voice, which is somewhere in between Steven Tyler and Steve Perry. The songwriting is also very strong, with the ballads \"Had Enough\" and \"Big Love\" especially showing the depth of Mr. Big's skill. At the same time, when they want to lay it down, they lay it down. The aforementioned \"Addicted to that Rush\" is both passionate and expertly delivered, with the band's technique and sheer drive complementing each other perfectly. Mr. Big was to equal the successes of their debut on their subsequent albums, but they were never again able to sustain that same level of quality over the course of an entire record.” AllMusic Review by Daniel Gioffre\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAllMusic : 4 \/ 5 ; Discogs : 4.53 \/ 5\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49569625047375,"sku":"EVLP037TB","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Mr.Big_Mr.Big1.webp?v=1725125981"},{"product_id":"mr-big-ten","title":"Mr. Big – Ten (Grey Blue Vinyl)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\" data-mce-style=\"mso-ansi-language: EN-GB;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\" data-mce-style=\"mso-ansi-language: EN-GB;\"\u003eMr. Big \u003cspan style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Mr. Big\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/mr-big\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/mr-big\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more products featuring Mr. Big]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eLead vocals - Eric Martin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eGuitar \u0026amp; vocals - Paul Gilbert\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eBass \u0026amp; vocals - Billy Sheehan\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eDrums - Nick D’Virgilio\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eWritten by Paul Gilbert (A1, B2, B4), Eric Martin, André Pessis (A2, A4, B5), Paul Gilbert, Eric Martin, André Pessis (A3, A5, B1), Tony Fanucci \/ Paul Gilbert \/ Eric Martin (B3)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, I\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Aptos',sans-serif; mso-fareast-font-family: Aptos; mso-bidi-font-family: 'Times New Roman'; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" data-mce-style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Aptos',sans-serif; mso-fareast-font-family: Aptos; mso-bidi-font-family: 'Times New Roman'; mso-font-kerning: 1.0pt; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003enner sleeve and insert + Poster \/ \u003cmeta charset=\"utf-8\"\u003eJapanese version\u003c\/span\u003e\u003c\/strong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 1,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Master tape : YES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Grey \u003cmeta charset=\"utf-8\"\u003eBlue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\" data-mce-style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eRecord Press : Unknown\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\" data-mce-style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eLabel : Evosound\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\" data-mce-style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\"\u003eOriginal label: \u003cmeta charset=\"utf-8\"\u003e \u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eEvosound\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eEngineered by Jason Peets, John Douglass, Lizzy Ostro, Nick D'Virgilio, Jay Ruston\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eMixed by Jay Ruston\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eProduced by Mr. Big, Jay Ruston\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eMastered by Paul Logus\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003ePhotography by Nick D'Virgilio, \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eJoel Barros, Nate Wlazelek, Terri Smith \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eOriginally released in\u003cspan style=\"mso-spacerun: yes;\" data-mce-style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003eJuly 2024\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\" data-mce-style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eGood Luck Trying\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eI Am You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eRight Outta Here\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSunday Morning Kinda Girl\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWho We Are\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\" data-mce-style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eAs Good As It Gets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eWhat Were You Thinking\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eCourageous\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eUp On You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eThe Frame\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003eSee No Okapi (Instrumental - Japan Bonus Track)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\" data-mce-style=\"mso-ansi-language: EN-GB;\"\u003e“It's too bad that Nevermind had to make this sort of rock unfashionable in the early '90s. Anchored by the world-class chops of guitarist Paul Gilbert and bassist Billy Sheehan, Mr. Big's debut album is an adrenaline-fueled dose of pure rock \u0026amp; roll attitude. Don't let the big hair and leather pants fool you; much like Bon Jovi, Mr. Big is definitely not in the same category as '80s pop-metal bands such as Poison. One difference is the fact that Mr. Big is composed of monstrously talented musicians. Witness, for example, the ascending guitar\/bass figure in the beginning of \"Addicted to that Rush\" or the unison hits and strong groove to \"Wind Me Up\" or \"Merciless.\" Eric Martin's sophomoric lyrics are admittedly the weakest link here (\"Zip the lipstick on\/Like BBQ sauce\"), which often distract from his fine gritty voice, which is somewhere in between Steven Tyler and Steve Perry. The songwriting is also very strong, with the ballads \"Had Enough\" and \"Big Love\" especially showing the depth of Mr. Big's skill. At the same time, when they want to lay it down, they lay it down. The aforementioned \"Addicted to that Rush\" is both passionate and expertly delivered, with the band's technique and sheer drive complementing each other perfectly. Mr. Big was to equal the successes of their debut on their subsequent albums, but they were never again able to sustain that same level of quality over the course of an entire record.” AllMusic Review by Daniel Gioffre\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDiscogs : 4.15 \/ 5\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49762592489807,"sku":"EVLP068GBJ","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2024-09-28a10.56.18.png?v=1727513825"},{"product_id":"nancy-sinatra-arranged-by-billy-strange","title":"Nancy Sinatra - Country, My Way (Blue Vinyl)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals – Nancy Sinatra \u003ca title=\"vinyl featuring Nancy Sinatra\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/nancy-sinatra\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring Nancy Sinatra]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eBackground Vocals : The Jordanaires\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eSteel Guitar : Buddy Emmons\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eGuitar : Billy Strange, Al Casey\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eBass : Chuck Berghofer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eElectric Bass : Carol Kaye, Jerry Scheff\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eDrums : Hal Blaine\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePiano : Don Randi\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eFlute : Jim Horn\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eArranged by Billy Strange\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eWritten by Dale Noe (A1), Bill Anderson (A2, B5), Kay Savage (A3), Sandra Seamons (A3), Billy Edd Wheeler (A4), Jerry Leiber (A4), Lee Hazlewood (A5, B6, B9, B10), Jean Chapel (A6, B2), Jack Clement (B3), Don Gibson (B4), Arthur Kent (B7), Sylvia Dee (B7), Buffy Sainte-Marie (B8)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, G\u003c\/strong\u003e\u003cstrong\u003eatefold jacket \u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003c\/strong\u003e\u003cstrong\u003eLight in The Attic\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOriginal Label : Reprise Records\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eRecorded in 1967, RCA Studios, Nashville, TN\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRecorded and Engineered by Eddie Brackett, Ben Jordan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Lee Hazlewood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRemastered by John Baldwin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDesign by Ed Thrasher\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePhotography by Ron Joy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLiner Notes by Nancy Sinatra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally Released in 1967\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissued in December 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eSide A :\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eIt’s Such A Pretty World Today\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eGet While The Gettin’s Good\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWalk Through This World With Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eJackson\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWhen It’s Over\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLay Some Happiness On Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eLonely Again\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBy The Way (I Still Love You)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eOh Lonesome Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eEnd Of The World\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHelp Stamp Out Loneliness\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLove Eyes*\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eYou Only Live Twice*\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLightning’s Girl*\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eUntil It’s Time For You To Go*\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTony Rome*\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e*Bonus tracks\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“ \u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eNancy Sinatra trades her go-go boots for cowboy boots on Country, My Way, a pop-country platter featuring Sinatra's interpretations of country hits. \"Jackson,\" a cover of the Johnny Cash and June Carter hit that she performs as a duet with producer Lee Hazlewood, was released as a single and made the pop Top 20. Every pop vocalist from Ed Ames to Margaret Whiting cut an album of country songs, but Hazlewood had an ear for country music and brought in real Nashville session players for authenticity. Hazlewood's style was half country to begin with, so the album isn't much of a stretch for Sinatra. Many of the songs come from the pop end of the country field: Skeeter Davis' \"End of the World\" nearly topped the pop chart, and it seems as though practically everyone recorded Don Gibson's \"Oh Lonesome Me\" in the '60s. Hazlewood contributed only one song, \"By the Way (I Still Love You),\" but his presence is felt strongly throughout. \" \u003c\/span\u003eAllMusic Review by\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e Greg Adams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAllMusic : 4 \/ 5 ; Discogs : 4.71 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54032376234319,"sku":"LIALP221BL","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Nancy_Sinatra_-_Country_My_Way_1.jpg?v=1734782119"},{"product_id":"the-art-of-mccartney-4-lp-orange-green-red-blue-4-cd-1-dvd-memory-stick-box-set","title":"The Art Of McCartney (4 LP : Orange \/ Green \/ Red \/ Blue, 4 CD, 1 DVD, Memory stick, Box set)","description":"\u003ch3\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRarity - Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eAll songs written by Paul McCartney\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e4 LPs, 4 CDs, 1 DVD, Memory stick, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Orange \/ Green \/ Red \/ Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eunspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Because Sounds Matters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Artic Poppy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ralf Sall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCD1\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBilly Joel – Maybe I'm Amazed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBob Dylan – Things We Said Today\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHeart – Band On The Run\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSteve Miller – Junior's Farm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eYusuf \/ Cat Stevens - The Long And Winding Road\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHarry Connick, Jr. - My Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBrian Wilson – Wanderlust\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCorinne Bailey Rae – Bluebird\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWillie Nelson – Yesterday\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJeff Lynne – Junk\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBarry Gibb – When I'm 64\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJamie Cullum – Every Night\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eKiss – Venus And Mars\/Rock Show\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePaul Rodgers – Let Me Roll It\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoger Daltrey – Helter Skelter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDef Leppard – Helen Wheels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThe Cure Featuring James McCartney – Hello Goodbye\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCD 2\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBilly Joel – Live And Let Die\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eChrissie Hynde – Let It Be\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRobin Zander Of Cheap Trick, Rick Nielsen Of Cheap Trick – Jet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJoe Elliott – Hi Hi Hi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHeart – Letting Go\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSteve Miller – Hey Jude\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOwl City – Listen To What The Man Said\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePerry Farrell – Got To Get You Into My Life\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCeline Dion – Drive My Car\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAllen Toussaint – Lady Madonna\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDr. John – Let 'Em In\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSmokey Robinson – So Bad\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThe Airborne Toxic Event – No More Lonely Nights\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAlice Cooper – Eleanor Rigby\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eToots Hibbert With Sly \u0026amp; Robbie – Come And Get It\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eB.B. King – On The Way\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSammy Hagar – Birthday\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCD 3\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRobert Smith – C Moon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBooker T-Jones – Can't Buy Me Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRonnie Spector – P.S. I Love You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDarlene Love – All My Loving\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eIan McCulloch – For No One\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePeter Bjorn And John – Put It There\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWanda Jackson – Run Devil Run\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAlice Cooper – Smile Away\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCD 4 : \u003c\/span\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThe Making Of The Art Of McCartney - Audio Documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLP1 – Side A\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBilly Joel – Maybe I'm Amazed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBob Dylan – Things We Said Today\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHeart – Band On The Run\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSteve Miller –\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eJunior's Farm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eYusuf \/ Cat Stevens – The Long And Winding Road\u003c\/span\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLP1-Side B\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHarry Connick, Jr.– My Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBrian Wilson – Wanderlust\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCorinne Bailey Rae – Bluebird\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWillie Nelson – Yesterday\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJeff Lynne – Junk\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBarry Gibb – When I'm 64\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJamie Cullum – Every Night\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLP2 – Side C\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eKiss –\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eVenus And Mars\/Rock Show\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRodgers – Let Me Roll It\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoger Daltrey – Helter Skelter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDef Leppard – Helen Wheels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThe Cure Featuring James McCartney – Hello Goodbye\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLP2\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSide D\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBilly Joel – Live And Let Die\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eChrissie Hynde – Let It Be\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRobin Zander Of Cheap Trick, Rick Nielsen Of Cheap Trick – Jet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eJoe Elliott – Hi Hi Hi\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHeart – Letting Go\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLP3 Side E\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSteve Miller – Hey Jude\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOwl City – Listen To What The Man Said\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePerry Farrell – Got To Get You Into My Life\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCéline Dion – \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003eDrive My Car\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAllen Toussaint – Lady Madonna\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDr. John – Let Em In\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLP3 Side F\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSmokey Robinson – So Bad\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThe Airborne Toxic Event – No More Lonely Nights\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAlice Cooper – Eleanor Rigby\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eToots Hibbert With Sly \u0026amp; Robbie – \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003eCome And Get It\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eB.B. King – On The Way\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSammy Hagar - Birthday\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLP4 Side G\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRobert Smith – C Moon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBooker T. Jones – Can't Buy Me Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRonnie Spector – P.S. I Love You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDarlene Love – All My Loving\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLP4 Side H\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eIan McCulloch – For No One\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePeter Bjorn And John – Put It There\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWanda Jackson – Run Devil Run\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAlice Cooper - Smile Away\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDVD\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e– The Making Of The Art Of McCartney\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col start=\"7\"\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e“Roughly timed to coincide with the 50th anniversary of Beatlemania, The Art of McCartney is a lavish celebration of all things Paul. Weighing in at three discs and 42 tracks in its grandest incarnation, the set is 34 tracks at its slimmest. In both cases, that's plenty generous but it nevertheless only skims the surface of a very rich, very deep songbook that's developed over the decades. By and large, the featured performers -- mainly McCartney's peers, including his good friend Steve Miller, Billy Joel, Bob Dylan, Brian Wilson, Jeff Lynne, Roger Daltrey, and Willie Nelson, but also a handful of younger performers and old pros, too -- stick to both familiar tunes and familiar arrangements, which means The Art of McCartney often gets by on sheer enthusiasm. Certainly, Billy Joel -- who opens up the proceedings with \"Maybe I'm Amazed\" and later covers \"Live and Let Die\" -- throws himself into it and his cuts benefit from his full-bore roar, but some of the softer moments are equally nice; in particular, Corinne Bailey Rae slides into \"Bluebird\" with grace, while Jeff Lynne tackles the homespun \"Junk\" while resisting his urge to decorate. As with any tribute this size, there are the inevitable stumbles, ranging from a barely notable trip (Brian Wilson rendering \"Wanderlust\" too ornate, Alice Cooper hamming it up on \"Eleanor Rigby,\" Barry Gibb inadvertently raising the ghost of Sgt. Peppers past with \"When I'm Sixty Four\") to outright face-plants (Steve Miller is unsuited for \"Hey Jude,\" Harry Connick, Jr. smarms up \"My Love,\" Owl City's rinky-dink plinks render \"Listen to What the Man Said\" into a weapon of twee irritation). Ultimately, these aren't enough to prevent The Art of McCartney from being fun, particularly because they're overshadowed by moments of real delight: Bob Dylan growling his way through \"Things We Said Today,\" Heart laying into the spooky heart of \"Letting Go,\" Robert Smith embracing the oddness of \"C Moon,\" Kiss camping it up on \"Venus and Mars\/Rock Show,\" Robin Zander and Rick Nielsen and, especially, Def Leppard finding the glittering bubblegum heart in \"Helen Wheels\" followed by Joe Elliott stomping \"Hi Hi Hi\" into submission.\" All that can be expected from a generous star-studded tribute like this are a few moments like this, and The Art of McCartney certainly delivers them.” AllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4.93 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55329652998479,"sku":"APDELU1402","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/TheArtOfMcCartney1.webp?v=1749920965"},{"product_id":"the-blues-brothers-the-lost-recordings","title":"The Blues Brothers – The Lost Recordings (Blue vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJake Blues - lead vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElwood Blues - harmonica and vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Standard Jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited to 2,500 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Z2 Comics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Z2 Comics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eWelcome\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eFlip, Flop \u0026amp; Fly\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHey Bartender\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMessin! With The Kid\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e(I Got Everything I Need) Almost\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eRubber Biscuit\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eShot Gun Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eI Don't Know\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eGroove Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eExcusez Moi Mon Cherie\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSoul Man\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eB Movie Box Car Blues\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eGreen Onions\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eThe Lost Recordings’ were discovered on a tape in Belushi’s old briefcase, and this album will be available exclusively as a Royal Blue-coloured vinyl release. Uncovered by the late Judy Belushi Pisano, this series of unreleased tracks offer a rare musical glimpse of Joliet Jake and Elwood Blues at the height of their Blues powers. Belushi and Aykroyd blast through a 13-song set with some of the greatest musicians who ever lived. The gang is all here, as Blues Brothers legends Matt “Guitar” Murphy, Steve “The Colonel” Cropper, Donald “Duck” Dunn, Paul “The Shiv” Shaffer, Lou “Blue Lou” Marini, Tom “Bones” Malone, Alan “Mr. Fabulous” Rubin, Steve “GETDWA” Jordan, and Tom “Triple Scale” Scott show why this band is timeless. The album features unheard versions of blues classics.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,33 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56425568960847,"sku":"418301","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-11-15a14.25.44.png?v=1763213372"},{"product_id":"miles-davis-kind-of-blue-2lp-33-45rpm-blue-vinyl","title":"Miles Davis - Kind of Blue (2LP, 33 \u0026 45RPM, Blue vinyl, Corrected Speed Edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMiles Davis, trumpet, band leader \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/miles-davis\" title=\"vinyl featuring Miles Davis\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Miles Davis]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJulian \"Cannonball\" Adderley, alto sax (except on \"Blue in Green\") \u003ca title=\"Vinyl featuring Cannonball Adderley\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/cannonball-adderley\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Cannonball Adderley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Coltrane, tenor sax \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-coltrane\" title=\"vinyl featuring John Coltrane\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring John Coltrane]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Chambers, double bass \u003ca title=\"vinyl featuring Paul Chambers\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-chambers\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Paul Chambers]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Evans, piano (except \"Freddie Freeloader\") \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/bill-evans\" title=\"Vinyl featuring Bill Evans\" style=\"color: #ff8000;\"\u003e[\u003cspan color=\"#ff8000\"\u003eclick here to see more vinyl featuring \u003c\/span\u003e\u003cspan color=\"#ff8000\"\u003eBill Evans]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWynton Kelly, piano (\"Freddie Freeloader\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Cobb, drums \u003ca title=\"Vinyl featuring Jimmy Cobb\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/jimmy-cobb\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see other vinyl featuring Jimmy Cobb]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Miles Davis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold jacket \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eby Stoughton Printing\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 1,500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM (Side D) \u0026amp; 33RPM (Side A to C)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at \u003cspan\u003eColumbia 30th Street Studio, New York City on March 2, 1959 and April 22, 1959 \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Fred Plaut\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Irving Townsend\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in October 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSo What (Corrected Speed)\u003c\/li\u003e\n\u003cli\u003eFreddie Freeloader (Corrected Speed)\u003c\/li\u003e\n\u003cli\u003eBlue In Green (Corrected Speed)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll Blues (Corrected Speed)\u003c\/li\u003e\n\u003cli\u003eFlamenco Sketches (Corrected Speed)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSo What (Original Speed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eFreddie Freeloader (Original Speed)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBlue In Green (Original Speed)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide D:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eFlamenco Sketches (Alternate take)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 31\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThe motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, \"So What,\" \"Freddie Freeloader\" and \"Blue in Green,\" making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records — or their latter-day parent, Sony Music — on a CD reissue in the late '90s. This edition also contains on Side 4 \"Flamenco Sketches (alternate take)\" cut at 45 RPM.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLegends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into \"Best Of\" lists and Halls of Fame, and universally acknowledged as a landmark recording - a five-track masterpiece of melancholy mood and melody.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eIt continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian \"Cannonball\" Adderley with Wynton Kelly playing piano on \"Freddy the Freeloader.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eKind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. \"The music has gotten thick,\" Davis complained in a 1958 interview for The Jazz Review. \"... There will be fewer chords but infinite possibilities as to what to do with them.\" Kind of Blue is, in a sense, all melody — and atmosphere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eNone of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMiles remained proud of the album, performing at least two of its tracks — \"So What\" and \"All Blues\" — for years after, until his musical path took him in a different direction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHistory was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records — LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day — Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThis LP pressed on blue vinyl (limited to 1,500 copies) bridges the time span since the album's original recording in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"It's the best selling jazz album ever, one of the most influential too, arguably the one that produced a shift from riffing on chord based tunes to modal excursions that gave musicians newfound improvisational freedom.\" Michael Fremer, AnalogPlanet.com, May 17, 2021\u003c\/p\u003e\n\u003cp\u003e\"Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz -- an accepted work of greatness that's innovative and entertaining. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps it's that this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of \"So What.\" From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from chords, not the overall key, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, and Wynton Kelly -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes and chords before the tape rolled, and then the band improvised. The end results were wondrous, filled with performances that still crackle with vitality. Few albums of any genre manage to work on so many different levels, but Kind of Blue does. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection.\" \u003cspan\u003eAllMusic Review by Stephen Thomas Erlewine \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,75 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56435659047247,"sku":"AAPJ 8163BLU","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/MilesDavis-KindofBlue1.webp?v=1763311977"},{"product_id":"aretha-franklin-spirit-in-the-dark-vmp","title":"Aretha Franklin – Spirit In The Dark (Mono, Blue Galaxy vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eRAR\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003eITY - Sealed\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN\"\u003e\u003cspan size=\"3\"\u003eAretha Franklin - V\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN\"\u003e\u003cspan size=\"3\"\u003eocals, Piano (A1-6, B2-6)  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/aretha-franklin\" title=\"vinyl featuring Aretha Franklin\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Aretha Franklin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBacking Vocals – Almeda Lattimore (A1 to A3, B3 to B6), Brenda Bryant (A1, A2, B1, B2, B5), Evelyn Green (A3, B3, B4, B6), Margaret Branch (A1, A2, B1, B2, B5), Pat Lewis (A3, B3, B4, B6), The Sweet Inspirations (A4, A6), Wylene Ivy (A3, B3, B4, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – Harold Cowart (B2, B3, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Ray Lucas (B2, B6), Tubby Ziegler (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar – Cornell Dupree (B2, B5, B6), Duane Allman (B1), Jimmy O'Rourke (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOrgan – Dave Crawford (B2, B3, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eThe Dixie Flyers (A1-2, A4, A6, B4):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – Tommy McClure\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Sammy Creason\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar – Charlie Freeman\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eKeyboards – Jim Dickinson, Mike Utley\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eThe Muscle Shoals Rhythm Section (A3, A5, B1, B5):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – David Hood\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Roger Hawkins\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar – Eddie Hinton, Jimmy Johnson\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eKeyboards – Barry Beckett\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eString Arrangements by Arif Mardin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e1LP, Standard Sleeve\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue Galaxy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : VMP (Vinyl Me Please) \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRecorded at Atlantic South-Criteria Studios, Miami, Florida\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Arif Mardin, Jerry Wexler, Tom Dowd\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastered from the original mono master tapes by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAlbum Design by Loring Eutemey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003ePure and Simple\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSay Forever You'll Be Mine\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eNever Not Love You\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eKiss It (And Make It All Better)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCan't Be That Wrong\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eOutside Your Door\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTomorrow Is Forever\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI'm Sixteen\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHead Over High Heels\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eForever Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eReview\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« Spirit in the Dark was one of Aretha Franklin's more overlooked albums from her Atlantic prime, despite the inclusion of a couple hit singles (the title track and \"Don't Play That Song\"). The disc includes five of her own compositions (the most she ever recorded for a single album) and her usual eclectic choice of cover material. On this record, the covers ranged from B.B. King and Dr. John to Jimmy Reed and Goffin\/King's \"Oh Not My Baby.\" The album also benefits from great backup players: Both the Muscle Shoals rhythm section and the Dixie Flyers contributed to the sessions, and Duane Allman lends his guitar to a couple of tracks. Though it doesn't rank with her very best Atlantic LPs, it's an exuberant and remarkably consistent effort. » AllMusic Review by Richie Unterberger\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; \u003cspan\u003eDiscogs : 4.61 \/ 5 \u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56541625483599,"sku":"RCV1 677115","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-02a23.19.23.png?v=1764714281"},{"product_id":"loretta-lynn-dolly-parton-tammy-wynette-honky-tonk-angels-vmp","title":"Loretta Lynn, Dolly Parton, Tammy Wynette – Honky Tonk Angels (Blue \u0026 Pink Marble, Number 1517)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eRAR\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003eITY - Sealed\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eVocals - Dolly Parton  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/dolly-parton\" title=\"audiophile vinyl featuring Dolly Parton\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Dolly Parton]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eVocals - Loretta Lynn, Tammy Wynette, \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eKitty Wells (A1), Patsy Cline (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBacking Vocals – Jennifer O'Brien-Enoch, Louis Nunley, Richard Dennison, Vicki Hampton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAcoustic Guitar – Bruce Watkins\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – Tom Robb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDouble Bass – Roy Huskey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Eddie Bayers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFiddle – Rob Hajacos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar – Billy Sanford, \u003c\/strong\u003e\u003cstrong\u003eSteve Gibson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eHarp – Cindy Reynolds Wyatt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMandolin – Adam Steffy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePiano – Pig Robbins\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSteel Guitar – Weldon Myrick\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVibraphone [Vibes] – Farrell Morris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by J.D. Miller (A1), Bill Owens (A2), Dolly Parton (A2, B4), Dick Reynolds (A3), Jack Rhodes (A3), Don Robertson (A4), Hal Blair (A4), Buddy Sheffield (A5), Bob Ferguson (A6), Cecil A. Null (B1), Loretta Lynn (B2), Tammy Wynette (B3), Cliff Friend (B5), Irving Mills (B5), Eddie Dean (B6), Hal Sothern (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e1LP, Standard Sleeve\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 2,000 numbered copies (Number 1517)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue \u0026amp; Pink Marble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : VMP (Vinyl Me Please) \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded in February 1993 at Nightingale Studio (Nashville), Masterfonics (Nashville)T, he Doghouse (Nashville)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Dolly Parton, Steve Buckingham\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastered by Denny Purcell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eCover Painting by Bruce Wolfe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eIt Wasn’t God Who Made Honky Tonk Angels\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePut It Off Until Tomorrow\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSilver Threads and Golden Needles\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePlease Help Me I’m Falling (In Love With You)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSittin’ On the Front Porch Swing\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWings of a Dove\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eI Forgot More Than You’ll Ever Know\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWouldn’t It Be Great\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThat’s the Way It Could Have Been\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLet Her Fly\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLovesick Blues\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI Dreamed of a Hillbilly Heaven\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eReview\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« Legend is a hefty title to carry, especially if you're still kicking. The standards are high, the expectations immense. Dolly Parton, Loretta Lynn, and Tammy Wynette are, nevertheless, legends of country music with decades of albums and awards to prove it. And they are very much still kicking on Honky Tonk Angels -- just in case anyone needs a little reminder. You can even hear how much fun they had singing together, setting aside any historic competition and letting their love of country music shine through, each gracefully moving between lead and harmony vocals. As for the song selection, it covers a wide swath of country history from tunes made famous by early pioneers like Ferlin Husky, the Davis Sisters, and Hank Locklin to their own more contemporary compositions. If that weren't enough credibility, Kitty Wells lends her amazing voice to the opening anthem \"It Wasn't God Who Made Honky Tonk Angels.\" Pure goodness. In another twist, Patsy Cline sings on \"Lovesick Blues\" with Parton, Lynn, and Wynette backing her. The closing track sums up the humorous reverence that permeates much of country music. \"I Dreamed of a Hillbilly Heaven\" was a hit for Tex Ritter in 1961 and is a surprising choice that seems a bit out of place, but somehow works well enough. For fans of traditional country or great singers, this is a fun listen because it nicely captures three of the best voices around. » AllMusic Review by Kelly McCartney\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; \u003cspan\u003eDiscogs : 4.58 \/ 5 \u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56541689938255,"sku":"19658822131","price":97.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-03a00.07.37.png?v=1764716914"},{"product_id":"the-meters-fire-on-the-bayou-vmp-limited-numbered-edition-copy","title":"The Meters - Fire On The Bayou (Aqua Blue Galaxy vinyl, Number 1929)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eRAR\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003eITY - Sealed\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Meters \u003ca title=\"audiophile vinyl featuring The Meters\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-meters\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring The Meters]\u003c\/span\u003e\u003c\/a\u003e :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJoseph Modeliste – drums, vocals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLeo Nocentelli – guitar, backing vocals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eArt Neville – keyboards, vocals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eCyril Neville – congas, percussion, vocals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGeorge Porter Jr. – bass guitar, backing vocals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e1LP, Standard Sleeve\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 2,000 numbered copies (Number 1929)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Aqua Blue Galaxy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : VMP (Vinyl Me Please) \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Reprise Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 67.5pt;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded at Sea-Saint Studios\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 67.5pt;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEngineered by Roberta Grace, Ken Laxton\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 67.5pt;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMixed by Ken Laxton \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 67.5pt;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAllen Toussaint, The Meters\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: 67.5pt;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMastered by Chris Bellman at Bernie Grundman Mastering\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: 67.5pt;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRemastered by Ryan Smith\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: 67.5pt;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLiner notes by Bunny Matthews\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: 67.5pt;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDesign by Rich Russell\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: 67.5pt;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGrahic design by Paul Howrilla (aka Paul Andrew)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: 67.5pt;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePhotography by Paul Howrilla (aka Paul Andrew) courtesy of Photographique Studios, Inc.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in July 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 67.5pt;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOut in the Country\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eFire on the Bayou\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLove Slip Upon Ya\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTalkin' 'Bout New Orleans\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThey All Ask'd for You\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 67.5pt;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCan You Do Without?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLiar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eYou're a Friend of Mine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMiddle of the Road\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRunning Fast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMardi Gras Mambo\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp style=\"tab-stops: 67.5pt;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“The Meters' third album for Reprise, Fire on the Bayou, is their best record for the label for a variety of reasons, not least of which is the high quality of material throughout the record and a focus from the band that keeps the music simmering, even if it never quite reaches a boil. That's not a bad thing, because the music IS simmering, always hot and enticing, never lukewarm or too cool. There's not anything that comes out and grabs your throat, the way that \"Hey Pocky Way\" does, but there never seems to be a concession to mainstream funk, the way Cabbage Alley or Rejuvenation seemed to be. This just keeps things rolling, nice and smooth. There's not anything that separates itself from its partners -- something that's unfortunately true of all of the Reprise albums -- but the overall feel is better than the Meters' other Reprise albums, since it has more grit and presence than its compatriots.” AllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4.51 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56546273919311,"sku":"RCV1 661907","price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-03a19.56.24.png?v=1764788359"},{"product_id":"otis-brown-southside-chicago-vmp-limited-numbered-edition","title":"Irma Thomas – Down At Muscle Shoals (Mono, Blue vinyl, Number 148)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eRAR\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003eITY - Sealed\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLead Vocals - Irma Thomas \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBand – Muscle Shoals Swampers:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJeanie Greene, Donna Jean Thatcher, and Mary Holliday - Backing Vocals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJimmy Johnson – guitar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSpooner Oldham – keyboards (organ, piano, electric piano)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDavid Hood – bass\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoger Hawkins – drums\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHarrison Calloway, Charles Rose – horns\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e1LP, Standard Sleeve\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 2,000 numbered copies (Number 0148)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :\u003c\/strong\u003e \u003cstrong\u003eIndependent Record Pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : VMP (Vinyl Me Please) \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Chess\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded in 1967 at Rick Hall's studio in Muscle Shoals, Alabama\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by Rick Hall \u0026amp; Staff\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRemastered by Carl Saff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 1984\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 67.5pt;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eWe Got Something Good\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eGood To Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHere I Am, Take Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSecurity\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLet's Do It Over\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSomewhere Crying\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eA Woman Will Do Wrong\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eYours Until Tomorrow\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI Gave You Everything\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI've Been Loving You Too Long\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDon't Make Me Stop Now\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCheater Man\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 3.85 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56546292465999,"sku":"VMP111","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-03a21.24.16.png?v=1764793560"},{"product_id":"nancy-sinatra-nancy-blue-vinyl","title":"Nancy Sinatra - Nancy (1 Blue Vinyl LP + 7\" Flexi-Disc)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals – Nancy Sinatra \u003ca title=\"vinyl featuring Nancy Sinatra\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/nancy-sinatra\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring Nancy Sinatra]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass Guitar – Carol Kaye, Jerry Scheff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Hal Blaine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eElectric Guitar – Al Casey, Jerry McGee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFlute – Jim Horn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eKeyboards – Don Randi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSteel Guitar – Red Rhodes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTrumpet – Roy Caton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eViolin – The Sid Sharp Strings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP + 7'' Flexi-Disc, G\u003c\/strong\u003e\u003cstrong\u003eatefold jacket \u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue (LP) \u0026amp; White (7\" Flexi-Disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM (LP) \u0026amp; 45RPM (7\" Flexi-Disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003c\/strong\u003e\u003cstrong\u003eLight in The Attic\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOriginal Label : Reprise Records\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eEngineered by Eddie Brackett\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Billy Strange\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRemastered by John Baldwin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally Released in 1969\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissued in December 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eSide A :\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eGod Knows I Love You\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMemories\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eJust Bein' Plain Old Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHere We Go Again\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMy Dad (My Pa)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLight My Fire\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eBig Boss Man\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMy Mother's Eyes\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI'm Just In Love\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSon Of A Preacher Man\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLong Time Woman\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eFor Once In My Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eFlexi Disc : Longtime Woman (Early Alternate Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eReview\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« There are sentimental ballads performed with solo guitar (\"My Dad, My Pa\"), country songs (\"Here We Go Again\"), pre-rock pop standards (\"Old Devil Moon\"), a cover of Dusty Springfield's \"Son of a Preacher Man,\" a minimalist version of a blues classic (\"Big Boss Man,\" slowed to an absolutely glacial tempo), and even a big orchestral assault on the Doors \"Light My Fire.\" This remastered version also thoughtfully appends \"Happy,\" a single that marked Sinatra's last collaboration with Hazlewood, as a bonus track. »  AllMusic Review\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2.5 \/ 5 ; Discogs : 4.58 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57039688008015,"sku":"LITA 223","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2026-02-15a20.18.46.png?v=1771184340"},{"product_id":"goldlink-at-what-cost","title":"GoldLink – At What Cost (2LP, Orange and Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRARITY - SEALED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePrimary artist : GoldLink\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eFeaturing : April George, Brent Faiyaz, Ciscero, Hare Squead, Jazmine Sullivan, Kaytranada, Kokayi, Lil Dude, Mýa, Radiant Children, Shy Glizzy, Steve Lacy, Wale.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs\u003c\/strong\u003e\u003cstrong\u003e, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Yellow and Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  \u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eVinyl Me Please \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eOpening Credit\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSame Clothes As Yesterday\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHave You Seen That Girl?\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHands On Your Knees\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eMeditation\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHerside Story\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSummatime\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eRoll Call\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Parable Of The Rich Man\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCrew\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWe Will Never Die\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eKokamoe Freestyle\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSome Girl\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePray Everyday (Survivor's Guilt)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.12 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57250777268559,"sku":"VMPRH069","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2026-03-16a17.48.51.png?v=1773679861"},{"product_id":"inspectah-deck-uncontrolled-substance-2lps","title":"Inspectah Deck – Uncontrolled Substance (2LP, Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRARITY - SEALED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 244.65pt;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eInspectah Deck (Jason S. Hunter)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eFeaturing Beretta 9 (A3), Killa Sin (A3), La The Darkman (A3), Street Life (A3), Shadii (A4), Street Life (B1), U-God (B1, B3), La The Darkman (C2), Masta Killa (C5)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eVinyl Me Please \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Loud Records\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: 244.65pt;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded by Nolan \"Dr. No\" Moffitte (A2-3, A5, B1, C1-2, C4), Chris Gehringer (A4), Djinji Brown (A5), Brian Calicchia (B2), Gabe Chiesa (B3), Djinji Brown (B4), Danny Romero (C3), Tony Gonzalez (C5), Brian Stanley (D1), Tony Black (D2), Chris 'CHAMP' Champion (D3)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMixed by Nolan \"Dr. No\" Moffitte (A2 to B1, B3, C1, C5), V.I.C. (B2), Djinji Brown (B4), Tony Black (C2, C4), Pete Rock (C3), Large Professor (D1), Inspectah Deck (D2-3)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by RZA (A2), 4th Disciple (A3, B1), Allah Mathematics (A4), Inspectah Deck (A5, B4, C1, D1,D2), Pete Rock (C3), RZA (A2, C5), The Blaquesmiths (D2), True Master (B3, C2, C4), Street Life (D3), V.I.C (B2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eExecutive Producer – Mitchell \"Divine\" Diggs*, RZA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Chris Gehringer at \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHit Factory Mastering\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLacquer cut by Cicely Balston at \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAlchemy Mastering At AIR\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLiner Notes by Stephen Potter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eArtwork \u0026amp; Design by Maurice Whitaker\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePhotography by Piotr Sikora\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1999\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eIntro\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMovas \u0026amp; Shakers\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e9th Chamber\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eUncontrolled Substance\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eFemme Fatale\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Grand Prix\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eForget Me Not\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLongevity\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWord On The Street\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eElevation\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLovin You\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTrouble Man\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eR.E.C. Room\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eFriction\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eHyperdermix\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eShow N Prove\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Cause\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReview :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\"While Deck has always been overshadowed by the more personable bees in his Wu-Tang hive, there is no disputing his messiah-like flow and delivery pure as artesian water. Wu-Tang's diehard fans have always demanded more and Deck gives them just that, as he routinely leaves microphones grotesquely disfigured on his stellar debut. Besides the usual assortment of high-powered street jams usually found on Wu-Tang endeavors, what separates Deck from the next bodega philosopher lays in his disposition, as he also employs his verbal gifts as a tool of enlightenment. He lays out a path to righteousness with \"Elevation\" and \"Show and Prove,\" while the warm piano chords of \"Longevity\" details his plans for global domination. Although the man behind Wu's music, RZA, only furnishes two tracks, Deck shows versatility behind the boards as well, handling a majority of the production chores. There is truly no anti-venom on record capable of diluting the Inspecktah's fatal sting once inflicted.\" AllMusic Review by Matt Conaway\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4.5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57250859123023,"sku":"VMP RH 065","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2026-03-16a18.09.43.png?v=1773681066"},{"product_id":"darkside-22-psychic-2lps-45rpm","title":"DARKSIDE – Psychic (2LP, 45RPM, Blue vinyl)","description":"\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRARITY - SEALED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar, Bass, Acoustic Bass, Organ, Piano, Electric Piano, Synth, Clarinet, Drum Machine, Percussion, Electronics, Effects – Dave Harrington\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVoice, Sequencer, Drum Programming, Synth, Electric Organ [Wurlitzer], Mellotron, Drum Machine, Percussion, Electronics, Effects – Nicolas Jaar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePercussion – Samer Ghadry (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by DARKSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eVinyl Me Please  - Essentials\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Matador\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded at The Barn, Garrison, NY ; Clown \u0026amp; Sunset Studios ; The Loft, Brooklyn, NY ; \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003eStudio De La Reine, Paris\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by DARKSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastered by Brian Gardner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePhotography by Jed DeMoss\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in October 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eGolden Arrow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eSitra\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHeart\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePaper Trails\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Only Shrine I've Seen\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eFreak, Go Home\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eGreek Light\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMetatron\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReview :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« Darkside is the work of electro-pop minimalist composer Nicolas Jaar and Brooklyn-based multi-instrumentalist Dave Harrington, which steeps Jaar's spacious solo work with brittle bursts of electronic distortion, watery drums, and slick neon guitar patterns. A self-titled EP in 2011 yielded three lengthy songs of the duo's wild combination of airy atmospheres and menacing fuzz, but debut full-length Psychic moves into more compositional territory, though it remains drifty and narcotic in ways similar to its predecessor. The album kicks off with 11-minute standout track \"Golden Arrow,\" moving like a suite through an intro of dark, fuzzy ambience and wobbling stereo effects into a sleazy, submerged house beat and fragmented synth and string samples. Caught between the creeping underground thump of minimal avant-techno experimentalists like Pole or Gas and the sharp, clean lines of nocturnal pop acts like the Chromatics or James Blake, the song is an unlikely success in its deep contrasts. Space is a primary concern throughout Psychic, with plenty of ambient interludes and raw tape experiments serving as cushioning between pop moments like the oddly bluesy dirge of \"Paper Trails\" and the dubby shadows of album-closer \"Metatron.\" Ultimately, it's the contrasts and the way they fit so well together that makes Psychic a success. The meeting of hurried noise, slick dubstep-styled R\u0026amp;B undertones, wonky blues, and grainy electronics seems destined for ugly clashing, but somehow the organization of sounds, stereo field space, and the amount of distance Jaar and Harrington put between the disparate elements themselves makes so much compositional sense that the album floats by like a strange, faraway dream. » AllMusic Review by Fred Thomas\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3.5 \/ 5 ; Discogs : 4.45 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57251068346703,"sku":"VMP E 101","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2026-03-16a18.57.22.png?v=1773683946"},{"product_id":"isaac-hayes-black-moses-2lp-blue-vinyl","title":"Isaac Hayes – Black Moses (2LP, Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRARITY - SEALED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eVocals – Isaac Hayes \u003ca title=\"vinyl featuring Isaac Hayes\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/isaac-hayes\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Isaac Hayes]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLead Guitar, Rhythm Guitar – Charles Pitts\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBacking Band – The Bar-Kays (A2, D3), \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBacking Band – The Isaac Hayes Movement (A1, A3 to D2):\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePiano, vibraphone, organ, electric piano - Isaac Hayes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBass - Ronnie Hudson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBongos, congas - Gary Jones\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDrums, tambourine - Willie Hall\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eElectric piano - Lester Snell\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGuitar - Charles \"Skip\" Pitts\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePiano - Sidney Kirk\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBacking Vocals – \"Hot\" \"Buttered\" \u0026amp; \"Soul\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDrums, Tambourine – Willie Hall\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eElectric Piano – Lester Snell\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePiano – Sidney Kirk\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBass Guitar – Ronald Hudson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBongos, Congas – Gary Jones\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eArranged by Isaac Hayes, Pat Lewis (background vocals), Johnny Allen (A1, A3 to D2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Clifton Davis (A1), Bacharach\u003c\/span\u003e\u003cspan style=\"font-family: 'Cambria Math',serif; mso-bidi-font-family: 'Cambria Math'; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e‑\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDavid (A2, C3), Robinson (A3), McCall (A3), Curtis Mayfield (A4, B3), Butler (B1, D2b), Gamble (B1, D2b), Huff (B1), Isaac Hayes (B2a, C1a, D2a), Baylor (B2b), Ingram (B2b), Gregory (B2b, B4), Tate (B2b), Hayes (B4), Ervin (C1b)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eVinyl Me Please - Essentials series\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Enterprise\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded March – October 1971\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eEngineered btDaryl Williams, Dave Purple, Eddie Marion, Henry Bush, Ron Capone, William Brown\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRe-Mixed by Dave Purple, Isaac Hayes, Ron Capone\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by Isaac Hayes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLacquer cut by Ryan Smith at Sterling Sound\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eArt Direction by David Krieger, The Graffiteria\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePhotography by Joel Brodsky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in November 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eNever Can Say Goodbye\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e(They Long To Be) Close To You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eNothing Takes The Place Of You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMan's Temptation\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eNever Gonna Give You Up\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMedley : B2a Ike's Rap II \/ B2b Help Me Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eNeed To Belong To Someone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGood Love 6-9969\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide C:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMedley : C1a\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eIke's Rap III \/ C1b Your Love Is So Doggone Good\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eFor The Good Times\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eI'll Never Fall In Love Again\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide D:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePart-Time Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMedley : D2a \u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eIke's Rap IV \/ D2b A Brand New Me \u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGoing In Circles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReview :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e“The sheer tenacity -- albeit undeniably fitting -- of this double-disc set has made Black Moses (1971) one of Isaac Hayes' most revered and best-known works. The multi-instrumental singer\/songwriter and producer had been a central figure in the Memphis soul music revolution of the mid-'60s. Along with Booker T. \u0026amp; the MG's, Hayes wrote and performed on more Stax sides than any other single artist. By the time of this release -- his fifth overall, and first two-record set -- Hayes had firmly established himself as a progressive soul artist. His stretched-out and well-developed R\u0026amp;B jams, as well as his husky-voiced sexy spoken \"raps,\" became key components in his signature sound. Black Moses not only incorporates those leitmotifs, but also reaffirms Hayes abilities as an unmistakably original arranger. Although a majority of the album consists of cover material, all the scores have been reconfigured and adapted in such a fundamental way that, for some listeners, these renditions serve as definitive. This is certainly true of the extended reworkings of Jerry Butler's \"Brand New Me\" and Esther Phillips' \"You're Love Is So Doggone Good\" -- both of which are prefaced by the spoken prelude to coitus found in each respective installment of \"Ike's Rap.\" The pair of Curtis Mayfield tunes -- \"Man's Temptation\" and \"Need to Belong to Someone\" -- are also worth noting for the layers of tastefully scored orchestration -- from both Hayes and his longtime associate Johnny Allen. The pair's efforts remain fresh and discerning, rather than the dated ersatz strings and horn sections that imitators were glutting the soul and pop charts and airwaves with in the mid-'70s. Hayes' own composition, \"Good Love,\" recalls the upbeat and jive talkin' \"Hyperbolicsyllabicsesquedalymistic\" from Hot Buttered Soul (1969), adding some spicy and sexy double-entendre in the chorus.” AllMusic Review by Lindsay Planer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3.5 \/ 5 ; Discogs : 4.32 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57283068723535,"sku":"E138","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/IsaacHayes_BlackMoses1.webp?v=1774017449"},{"product_id":"spiritualized-ladies-and-gentlemen-we-are-floating-in-space-2lp-blue-vinyl","title":"Spiritualized – Ladies And Gentlemen We Are Floating In Space (2LP, Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRARITY - SEALED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSpiritualized:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJason Pierce – vocals, guitars, hammered dulcimer, piano, autoharp\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eKate Radley – organs, piano, Roland D-20 synthesizer, backing vocals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSean Cook – Fender Jazz bass guitar, harmonica\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDamon Reece – drums, percussion, timbales, bells, timpani\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDr. John – piano and backing vocals on \"Cop Shoot Cop...\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Coxon – guitars (Fender Jaguar, Gibson Firebird), melodica, Roland JD-800 synthesizer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eEd Coxon – violin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eB.J. Cole – pedal steel guitar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAngel Corpus Christi – accordion\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAndy Davis – Hammond organ\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSimon Clarke – flute, baritone saxophone\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eTim Sanders – tenor saxophone\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eTerry Edwards – tenor saxophone\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRoddy Lorimer – trumpet, flugelhorn\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eNeil Sidwell – trombone\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eTim Jones – French horn\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThe Balanescu Quartet (Alexander Balanescu, Clare Connors – violins; Kathy Burgess – viola; Sophie Harris – cello)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLondon Community Gospel Choir – choir\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eArranged by Jason Pierce\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Jason Pierce (all tracks), George David Weiss (A1), Hugo Peretti (A1), and Luigi Creatore (A1)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eVinyl Me Please - Essentials series\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Enterprise\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded 1995–1997 at Moles Studio (Bath), The Church \/ Rooster \/ The Strongroom (London), House of Blues (Memphis), The Hit Factory (New York), A\u0026amp;M (Los Angeles)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded by Carl Nappa, Darren Allison, Darren Nash, Mads Bjerke, Trevor Curwen\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMixed by Chad Bamford, Darren Allison, John Leckie, Mads Bjerke, Pat McCarthy, Trevor Curwen\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by Jason Pierce, John Coxon\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRemastered at Alchemy Mastering by Ray Staff\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLacquer cut at Alchemy Mastering by Bazza (Barry Grint)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDesign by Farrow Design, Spaceman\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in June 1997\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLadies And Gentlemen We Are Floating In Space\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCome Together\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eI Think I'm In Love\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAll Of My Thoughts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eStay With Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eElectricity\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHome Of The Brave\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide C:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThe Individual\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBroken Heart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eNo God Only Religion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCool Waves\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide D:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCop Shoot Cop…\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eNME 1997 album of the year at the end\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReview :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Spiritualized's third collection of hypnotic headphone symphonies is their most brilliant and accessible to date. Largely forsaking the drones and minimalistic, repetitive riffs which have characterized his work since the halcyon days of Spacemen 3, Jason Pierce re-focuses here and spins off into myriad new directions; in a sense, Ladies and Gentlemen We Are Floating in Space, with its majestic, Spector-like glow, is his classic rock album. \"Come Together\" and the blistering \"Electricity\" are his most edgy, straightforward rockers in eons, while the stunning \"I Think I'm in Love\" settles into a divided-psyche call-and-response R\u0026amp;B groove, and the closing \"Cop Shoot Cop\" (with guest Dr. John) locks into a voodoo blues trance. Lyrically, Pierce is at his most open and honest: The record is a heartfelt confessional of love and loss, with redemption found only in the form of drugs -- designed, no less, to look like a prescription pharmaceutical package, Ladies and Gentlemen is pointedly explicit in its description of drug use as a means of killing the pain on track after track. Conversely, never before have the literal implications of the name \"Spiritualized\" been explored in such earnest detail -- the London Community Gospel Choir appears prominently on a number of songs, while another bears the title \"No God, Only Religion,\" pushing the music even further toward the kind of cosmic gospel transcendence it craves. A masterpiece.” AllMusic Review by Jason Ankeny\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4.55 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57294438269263,"sku":"E093","price":115.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Spiritualized_LadiesAndGentlemenWeAreFloatingInSpace1.webp?v=1774205899"},{"product_id":"billie-holiday-lady-sings-the-blues-blue-vinyl","title":"Billie Holiday – Lady Sings The Blues (Blue vinyl)","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRARITY - SEALED \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBillie Holiday – vocals \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Billie Holiday\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/billie-holiday\"\u003e[click here to see more vinyl featuring Billie Holiday]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAlto Saxophone – Willie Smith (B3-5)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBass – Aaron Bell (A1 to B2), Red Callender (B3-6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eClarinet – Tony Scott (A-4, A6 to B2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDrums – Chico Hamilton (B3-6), Lenny McBrowne (A1-4, A6 to B2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGuitar – Barney Kessel (B3-6), Kenny Burrell (A1 to B2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePiano – Bobby Tucker (B3 to B6), Wynton Kelly (A1 to B2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTenor Saxophone – Paul Quinichette (A1-4, A6 to B2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTrumpet – Charlie Shavers (A1 to B2), Harry Edison (B3-5)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Billie Holiday (A1, B1), Herbie Nichols (A1), Trummy Young (A2), Jimmy Mundy (A2), Johnny Mercer (A2, B4), Dorothy Fields (A3), Jimmy McHugh (A3), Irene Higginbotham (A4, A6, B2), Arthur Herzog Jr. (A4, B1), Lewis Allan (A5), Sammy Gallop (A6), Dan Fisher (A6, B2), Ervin Drake (B2), Walter Donaldson (B3), Gus Kahn (B3), Richard Whiting (B4), Ann Ronell (B5), Jimmy Van Heusen (B6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Vinyl Me Please - Clef Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Clef Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded on September 3, 1954 at Capitol Studio, Los Angeles and on June 6–7, 1956 at Fine Sound Studio, New York City\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eArtwork by Laura Tinald\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePhotography by Herman Leonard\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in December 1956\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in December 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLady Sings the Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eTrav'lin' Light\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eI Must Have That Man\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSome Other Spring\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eStrange Fruit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eNo Good Man\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGod Bless the Child\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGood Morning Heartache\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLove Me or Leave Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eToo Marvelous for Words\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWillow Weep for Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eI Thought About You\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Taken from a pair of sessions taped during 1955-1956, Lady Sings the Blues finds Holiday in top form and backed by the sympathetic likes of tenor saxophonist Paul Quinichette, trumpeters Charlie Shavers and Harry Edison, pianist Wynton Kelly, and guitarists Kenny Burrell and Barney Kessel. And while these autumnal sides bear some of the frayed vocal moments often heard on Holiday's '50s Verve sides, the majority here still ranks with her best material. This is especially true of the cuts from the June 1956 date, which produced unparalleled versions of \"No Good Man,\" \"Some Other Spring,\" and \"Lady Sings the Blues.\" See why many fans prefer the \"worn out\" Holiday heard here to the more chipper singer featured on those classic Columbia records from the '30s.” AllMusic Review by Stephen Cook\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.51 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57317080531279,"sku":"E096","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/BillieHoliday_LadySingsTheBlues1.webp?v=1774470809"},{"product_id":"loretta-lynn-coal-miner-s-daughter","title":"Loretta Lynn – Coal Miner’s Daughter (Blue Marbled vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRARITY - SEALED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLoretta Lynn – lead vocals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThe Jordanaires – background vocals\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHarold Bradley – bass guitar, electric bass guitar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRay Edenton – guitar, acoustic guitar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBuddy Harman – drums\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJunior Huskey – bass\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGrady Martin – guitar, lead electric guitar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBob Moore – bass\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHargus Robbins – piano\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHal Rugg – steel guitar, Dobro\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJerry Stembridge – acoustic guitar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBobby Thompson – banjo\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePete Wade – guitar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRecord color : blue marbled\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Vinyl Me Please - Essentials Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Decca\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded May 28, 1969–August 19, 1970 at Bradley's Barn, Mount Juliet, Tennessee\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEngineered by Jim Williamson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Owen Bradley\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLiner notes by Doyle Wilburn\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1970\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eCoal Miner’s Daughter\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHello Darlin’\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLess Of Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAny One, Any Worse, Any Where\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eFor The Good Times\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Man Of The House\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eWhat Makes Me Tick\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAnother Man Loved Me Last Night\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eIt’ll Be Open Season On You\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eToo Far\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSnowbird\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRolling Stone’s list of the \"100 Greatest Country Songs of All Time\" - Ranked No. 42\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRolling Stone’s list of the \"Top 500 Greatest Songs of All Time\" - Ranked No. 255\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« It's easy to write off There's a Riot Goin' On as one of two things -- Sly Stone's disgusted social commentary or the beginning of his slow descent into addiction. It's both of these things, of course, but pigeonholing it as either winds up dismissing the album as a whole, since it is so bloody hard to categorize. What's certain is that Riot is unlike any of Sly \u0026amp; the Family Stone's other albums, stripped of the effervescence that flowed through even such politically aware records as Stand! This is idealism soured, as hope is slowly replaced by cynicism, joy by skepticism, enthusiasm by weariness, sex by pornography, thrills by narcotics. Joy isn't entirely gone -- it creeps through the cracks every once and awhile and, more disturbing, Sly revels in his stoned decadence. What makes Riot so remarkable is that it's hard not to get drawn in with him, as you're seduced by the narcotic grooves, seductive vocals slurs, leering electric pianos, and crawling guitars. As the themes surface, it's hard not to nod in agreement, but it's a junkie nod, induced by the comforting coma of the music. And damn if this music isn't funk at its deepest and most impenetrable -- this is dense music, nearly impenetrable, but not from its deep grooves, but its utter weariness. Sly's songwriting remains remarkably sharp, but only when he wants to write -- the foreboding opener \"Luv N' Haight,\" the scarily resigned \"Family Affair,\" the cracked cynical blues \"Time,\" and \"(You Caught Me) Smilin'.\" Ultimately, the music is the message, and while it's dark music, it's not alienating -- it's seductive despair, and that's the scariest thing about it. » AllMusic review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 ; Discogs : 4.43 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57357184663887,"sku":"E076","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2026-03-30a21.23.02.png?v=1774898759"}],"url":"https:\/\/www.audiosoundmusic.com\/collections\/blue-vinyl\/jazz.oembed","provider":"AudioSoundMusic","version":"1.0","type":"link"}