{"title":"Colored vinyl","description":"","products":[{"product_id":"alice-cooper-the-last-temptation","title":"Alice Cooper - The Last Temptation (Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eVocals – Alice Cooper\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/alice-cooper\" title=\"vinyl featuring Alice Cooper\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/alice-cooper\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Alice Cooper]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Brett Hudson, Craig Copeland, Lou Merlino, Mark Hudson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass, Backing Vocals – Greg Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – David Uosikkinen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Backing Vocals – Stef Burns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards [Additional] – John Purdell (A5, B3, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards, Backing Vocals – Derek Sherinian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold sleeve\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1, B1, B2, B5 r\u003c\/strong\u003e\u003cstrong\u003eecorded by Andy Wallace a\u003cspan data-mce-fragment=\"1\"\u003et Music Grinder Studios, Hollywood, CA and Sony Recording Studios, Santa Monica, CA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA5, B3, B4 \u003c\/strong\u003e\u003cstrong\u003erecorded by Duane Baron a\u003cspan data-mce-fragment=\"1\"\u003et Devonshire Studios, N. Hollywood, CA and Music Grinder Studios, Hollywood, CA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA2 to A4 recorded by\u003cspan\u003e \u003c\/span\u003eJohn Agnello\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eat Record One Studios, Sherman Oaks, CA and Sony Recording Studios, Santa Monica, CA.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Steve Escallie and Andy Wallace\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Andy Wallace (A1, B1, B2, B5), Don Fleming (A2 to A4), Duane Baron \u0026amp;, John Purdell (A5, B3, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Friday Music's Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1994\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\u003cp\u003e            1-Sideshow\u003c\/p\u003e\n\u003cp\u003e            2-Nothing’s Free\u003c\/p\u003e\n\u003cp\u003e            3-Lost In America\u003c\/p\u003e\n\u003cp\u003e            4-Bad Place Alone\u003c\/p\u003e\n\u003cp\u003e            5-You’re My Temptation\u003c\/p\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSIDE B\u003c\/p\u003e\n\u003cp\u003e            1-Stolen Prayer\u003c\/p\u003e\n\u003cp\u003e            2-Unholy War\u003c\/p\u003e\n\u003cp\u003e            3-Lullaby\u003c\/p\u003e\n\u003cp\u003e            4-It’s Me\u003c\/p\u003e\n\u003cp\u003e            5-Cleansed By Fire\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e\"Though Alice Cooper's 1989 comeback gave him his first hit album in over a decade, the Trash record left some diehard fans disappointed, as did 1991's Hey Stoopid. Many listeners felt that Cooper had sold himself short, now completely focusing on sleazy sexual anthems, making him just another face in the heavy metal crowd. By the time The Last Temptation was released in 1994, the hair band fad that had fueled Cooper's return was dead, and Cooper was obviously aware of its downfall -- the album sounds almost nothing like its two predecessors. Instead of relating to such albums as Motley Crue's Dr. Feelgood, Last Temptation seems more similar to Ozzy Osbourne's No More Tears. Thematically, the record returns to mostly conceptual songs, such as \"Nothing's Free,\" \"You're My Temptation,\" and \"Cleansed by Fire.\" Though the album still has a few goofy interruptions, such anthems as \"Lost in America\" nonetheless boast more originality than anything off of Hey Stoopid or Trash. Far surpassing anything Cooper recorded in almost 20 years, The Last Temptation is unquestionably some of his best work.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Barry Weber\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,06 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40792916590743,"sku":"FRM-52771","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/alice-cooper-the-last-temptation-blue-vinyl-audiosoundmusic-1.jpg?v=1719852631"},{"product_id":"alice-cooper-classicks-the-best-of-alice-cooper","title":"Alice Cooper - Classicks (Black \u0026 Blue Swirl vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal - Alice Cooper \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/alice-cooper\" title=\"vinyl featuring Alice Cooper\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/alice-cooper\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Alice Cooper]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Hugh McDonald (A1, A2, A4, B8), T-Bone Caradonna (B2 to B7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Jonathan Mover (B2 to B7), Mickey Curry (A2 to A4, B8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Al Pitrelli (B2 to B7), Pete Freezin' (B2 to B7), Stef Burns (A2 to A5, A7, B1, B8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Derek Sherinian (A5, A7 to B7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Tri-Fold sleeve, \u003cspan data-mce-fragment=\"1\"\u003e24\"x24\" album front cover poster\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue \u0026amp; Black Swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive \u0026amp; Studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompiled by Frankie Larocka, Brian Lima \u0026amp; Tom (Smitty) Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1995\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in February 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePoison\u003c\/li\u003e\n\u003cli\u003eHey Stoopid\u003c\/li\u003e\n\u003cli\u003eFeed My Frankenstein\u003c\/li\u003e\n\u003cli\u003eLove's A Loaded Gun\u003c\/li\u003e\n\u003cli\u003eStolen Prayer\u003c\/li\u003e\n\u003cli\u003eHouse Of Fire\u003c\/li\u003e\n\u003cli\u003eIt's Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUnder My Wheels (Live)\u003c\/li\u003e\n\u003cli\u003eBillion Dollar Babies (Live)\u003c\/li\u003e\n\u003cli\u003eI'm Eighteen (Live)\u003c\/li\u003e\n\u003cli\u003eNo More Mr. Nice Guy (Live)\u003c\/li\u003e\n\u003cli\u003eOnly Women Bleed (Live)\u003c\/li\u003e\n\u003cli\u003eSchool's Out (Live)\u003c\/li\u003e\n\u003cli\u003eLost In America\u003c\/li\u003e\n\u003cli\u003eFire\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e“1995's Classicks is another in a long line of Alice Cooper best-of compilations, and it includes both live and studio material. Featured are such late-'80s and early-'90s favorites as \"Poison,\" \"Hey Stoopid,\" \"House of Fire,\" and a great duet with Soundgarden's Chris Cornell, \"Stolen Prayer,\" among others. While the live material is advertised as being issued officially for the first time on CD, it turns out that it comprises nothing more than the exact versions lifted from Alice's 1989 home video Alice Cooper Trashes the World. Still, you can never go wrong with any version of such early-'70s anthems as \"Under My Wheels,\" \"Billion Dollar Babies,\" \"I'm Eighteen,\" \"No More Mr. Nice Guy,\" \"School's Out,\" and the ballad \"Only Women Bleed.\" While the album's title may be a bit misleading (only six of the 14 tracks are true classics), and while it isn't in the same league as 1974's Greatest Hits, hardcore Cooper fans will find a decent collection in Classicks.” AllMusic Review by Greg Prato\u003c\/p\u003e\n\u003cp\u003eAfter an Amazing Run Of Top-Charting Smash Hit Albums and Singles, Epic Records Honored Rock Hall of Famer And Superstar Alice Cooper With a New Greatest Hits Album In 1995 “Classicks”, Which Features The Biggest Songs From His Arena Rock\/ Heavy Metal Albums “Trash” “Hey Stoopid” and “The Last Temptation.” Plus as a Bonus, Superlative Live Classic Hit Tracks are also on board From His “Trashes The World” Concert Video.\u003c\/p\u003e\n\u003cp\u003eAlong with Ace Producers Like Desmond Child, Peter Collins and Andy Wallace, Alice Cooper Truly delivered some of The Finest Hard Rock Ever For This Stellar Collection. Featuring Classic Rock Smashes Like “Posion” “Feed My Frankenstein” “Lost in America” and “House Of Fire”, The “Classicks” Collection Is Truly A Crowd Pleaser.\u003c\/p\u003e\n\u003cp\u003eAs A Bonus, You Also Will Hear Stunning Live Performances Of Smash Hits Like “School’s Out,” “I’m Eighteen,” “Only Women Bleed” “Under My Wheels” As Well As An Album Only Version Of Jimi Hendrix’s “Fire.” In Total, Making Alice Cooper’s “Classicks” One Of The Most Enduring Rock And Roll Best Of Collections In Recent Classic Rock History.\u003c\/p\u003e\n\u003cp\u003eAs Cd’s Were The Medium Of Choice In The Mid 90’s, The Album Was Never Released On Vinyl In North America …That Is Until Now. Friday Music Is Very Proud To Offer Another Exciting Installment In Our Alice Cooper 180 Gram Audiophile Vinyl Series With The Classic 1995 Smash Album \"Classicks.\"\u003c\/p\u003e\n\u003cp\u003eImpeccably Mastered By Joe Reagoso (Alice Cooper\/David Bowie\/Deep Purple) And Pressed By R.T.I. On Super Limited Translucent Red \u0026amp; Black Swirl Audiophile Vinyl, This 25th Anniversary Limited Edition First Time 180 Gram Lp Is Also Presented In A First Time Highly Collectible Deluxe Tri-Fold Cover With The Original Artwork Now Detailed In The Album Format.\u003c\/p\u003e\n\u003cp\u003eAs Another Bonus For This First Run, We Are Also Including A Very Limited Huge 24” X 24” Front Cover Poster To Enhance Your Alice Cooper Listening Experience.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2.5 \/ 5 , Discogs : 4,15 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40792953389207,"sku":"FRM-67219 Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/alice-cooper-classicks-black-and-blue-swirl-vinyl-audiosoundmusic-1.jpg?v=1719852630"},{"product_id":"copy-of-alice-cooper-classicks-blue-vinyl","title":"Alice Cooper - Classicks (Red \u0026 Black Swirl vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal - Alice Cooper \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/alice-cooper\" title=\"vinyl featuring Alice Cooper\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Alice Cooper]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Hugh McDonald (A1, A2, A4, B8), T-Bone Caradonna (B2 to B7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Jonathan Mover (B2 to B7), Mickey Curry (A2 to A4, B8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Al Pitrelli (B2 to B7), Pete Freezin' (B2 to B7), Stef Burns (A2 to A5, A7, B1, B8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Derek Sherinian (A5, A7 to B7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Tri-Fold sleeve, \u003cspan data-mce-fragment=\"1\"\u003e24\"x24\" album front cover poster\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Red \u0026amp; Black Swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive \u0026amp; Studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompiled by Frankie Larocka, Brian Lima \u0026amp; Tom (Smitty) Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1995\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePoison\u003c\/li\u003e\n\u003cli\u003eHey Stoopid\u003c\/li\u003e\n\u003cli\u003eFeed My Frankenstein\u003c\/li\u003e\n\u003cli\u003eLove's A Loaded Gun\u003c\/li\u003e\n\u003cli\u003eStolen Prayer\u003c\/li\u003e\n\u003cli\u003eHouse Of Fire\u003c\/li\u003e\n\u003cli\u003eIt's Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUnder My Wheels (Live)\u003c\/li\u003e\n\u003cli\u003eBillion Dollar Babies (Live)\u003c\/li\u003e\n\u003cli\u003eI'm Eighteen (Live)\u003c\/li\u003e\n\u003cli\u003eNo More Mr. Nice Guy (Live)\u003c\/li\u003e\n\u003cli\u003eOnly Women Bleed (Live)\u003c\/li\u003e\n\u003cli\u003eSchool's Out (Live)\u003c\/li\u003e\n\u003cli\u003eLost In America\u003c\/li\u003e\n\u003cli\u003eFire\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“1995's Classicks is another in a long line of Alice Cooper best-of compilations, and it includes both live and studio material. Featured are such late-'80s and early-'90s favorites as \"Poison,\" \"Hey Stoopid,\" \"House of Fire,\" and a great duet with Soundgarden's Chris Cornell, \"Stolen Prayer,\" among others. While the live material is advertised as being issued officially for the first time on CD, it turns out that it comprises nothing more than the exact versions lifted from Alice's 1989 home video Alice Cooper Trashes the World. Still, you can never go wrong with any version of such early-'70s anthems as \"Under My Wheels,\" \"Billion Dollar Babies,\" \"I'm Eighteen,\" \"No More Mr. Nice Guy,\" \"School's Out,\" and the ballad \"Only Women Bleed.\" While the album's title may be a bit misleading (only six of the 14 tracks are true classics), and while it isn't in the same league as 1974's Greatest Hits, hardcore Cooper fans will find a decent collection in Classicks.” AllMusic Review by Greg Prato\u003c\/p\u003e\n\u003cp\u003eAfter an Amazing Run Of Top-Charting Smash Hit Albums and Singles, Epic Records Honored Rock Hall of Famer And Superstar Alice Cooper With a New Greatest Hits Album In 1995 “Classicks”, Which Features The Biggest Songs From His Arena Rock\/ Heavy Metal Albums “Trash” “Hey Stoopid” and “The Last Temptation.” Plus as a Bonus, Superlative Live Classic Hit Tracks are also on board From His “Trashes The World” Concert Video.\u003c\/p\u003e\n\u003cp\u003eAlong with Ace Producers Like Desmond Child, Peter Collins and Andy Wallace, Alice Cooper Truly delivered some of The Finest Hard Rock Ever For This Stellar Collection. Featuring Classic Rock Smashes Like “Posion” “Feed My Frankenstein” “Lost in America” and “House Of Fire”, The “Classicks” Collection Is Truly A Crowd Pleaser.\u003c\/p\u003e\n\u003cp\u003eAs A Bonus, You Also Will Hear Stunning Live Performances Of Smash Hits Like “School’s Out,” “I’m Eighteen,” “Only Women Bleed” “Under My Wheels” As Well As An Album Only Version Of Jimi Hendrix’s “Fire.” In Total, Making Alice Cooper’s “Classicks” One Of The Most Enduring Rock And Roll Best Of Collections In Recent Classic Rock History.\u003c\/p\u003e\n\u003cp\u003eAs Cd’s Were The Medium Of Choice In The Mid 90’s, The Album Was Never Released On Vinyl In North America …That Is Until Now. Friday Music Is Very Proud To Offer Another Exciting Installment In Our Alice Cooper 180 Gram Audiophile Vinyl Series With The Classic 1995 Smash Album \"Classicks.\"\u003c\/p\u003e\n\u003cp\u003eImpeccably Mastered By Joe Reagoso (Alice Cooper\/David Bowie\/Deep Purple) And Pressed By R.T.I. On Super Limited Translucent Red \u0026amp; Black Swirl Audiophile Vinyl, This 25th Anniversary Limited Edition First Time 180 Gram Lp Is Also Presented In A First Time Highly Collectible Deluxe Tri-Fold Cover With The Original Artwork Now Detailed In The Album Format.\u003c\/p\u003e\n\u003cp\u003eAs Another Bonus For This First Run, We Are Also Including A Very Limited Huge 24” X 24” Front Cover Poster To Enhance Your Alice Cooper Listening Experience.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2.5 \/ 5 , Discogs : 4,15 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40793089867927,"sku":"FRM-67219 Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/alice-cooper-classicks-red-and-black-swirl-vinyl-audiosoundmusic-1.jpg?v=1719852630"},{"product_id":"bad-company-holy-water","title":"Bad Company - Holy Water (Translucent Blue vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBad Company :\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/bad-company\" title=\"vinyl featuring Bad Company\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/bad-company\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e[click here  to see more vinyl by Bad Company]\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Brian Howe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Mick Ralphs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Simon Kirke\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Felix Krish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking vocals – Lea Hart\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eOrgan [Hammond], Percussion, Guitar , Backing vocals – Terry Thomas\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : ATCO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Farmyard Studios by \u003c\/strong\u003e\u003cstrong\u003eAndrew Scarth, Tony Harris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Rafe McKenna, Terry Thomas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Terry Thomas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1990\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHoly Water\u003c\/li\u003e\n\u003cli\u003eWalk Through Fire\u003c\/li\u003e\n\u003cli\u003eStranger Stranger\u003c\/li\u003e\n\u003cli\u003eIf You Needed Somebody\u003c\/li\u003e\n\u003cli\u003eFearless\u003c\/li\u003e\n\u003cli\u003eLay Your Love On Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003eBoys Cry Tough\u003c\/li\u003e\n\u003cli\u003eWith You In A Heartbeat\u003c\/li\u003e\n\u003cli\u003eI Don't Care\u003c\/li\u003e\n\u003cli\u003eNever Too Late\u003c\/li\u003e\n\u003cli\u003eDead Of The Night\u003c\/li\u003e\n\u003cli\u003eI Can't Live Without You\u003c\/li\u003e\n\u003cli\u003e100 Miles\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e\"Bad Company's last platinum album, Holy Water is a formulaic yet reasonably engaging collection of AOR hard rock. Although the only original members on Holy Water are guitarist Mick Ralphs and drummer Simon Kirke, the band does a fair job of approximating the sound of classic Bad Company while adding enough elements of '80s pop-metal to make the record appealing to teenagers who grew up on power ballads. And the band does turn in a first-rate power ballad with \"If You Needed Somebody,\" which rose all the way to number 16 on the singles chart. Surprisingly, that was one of three hits from the album -- \"Holy Water\" and \"Walk Through Fire\" also received a fair amount of airplay. What that success signals is not a creative rebirth for Bad Company, but that the group knew how to follow a formula very well. Holy Water hasn't aged as well as their original hit albums -- instead of the clean, ballsy attack of Bad Company and Straight Shooter, it's awash in echo and synths -- but it is a finely crafted, big-budget record of the late '80s and early '90s. It's just as indicative of its era as Bad Company is.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3,88 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40793203900567,"sku":"FRMLP91371","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bad-company-holy-water-translucent-blue-vinyl-audiosoundmusic-1.png?v=1719852655"},{"product_id":"blackfoot-strikes","title":"Blackfoot - Strikes (Red vinyl)","description":"\u003cp\u003e\u003cstrong\u003eLead Vocals, Lead Guitar, Acoustic Guitar – Rick Medlocke\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Guitar, Acoustic Guitar – Charlie Hargrett\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Brandye\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass, Vocals – Greg T. Walker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Vocals – Jackson Spires\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Pat McCaffrey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Guitar, Acoustic Guitar – Charlie Hargrett\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Henry H. Bomb Weck\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Charlie Hargrett (A5), Jackson Spires (A1, A3, A5, B2, B4), Rick Medlocke (A1, A3, A5, B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : ATCO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Subterranean Studio, Ann Arbor, Michigan with Artisan Mobil \/ Sound Suite Studios, Detroit, Mich. \/ Bee Jay Studios, Orlando, Fla.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Henry Weck\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Al Nalli, Henry Weck\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso at Friday Music Studios and Capitol Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoad Fever\u003c\/li\u003e\n\u003cli\u003eI Got A Line On You\u003c\/li\u003e\n\u003cli\u003eLeft Turn On A Red Light\u003c\/li\u003e\n\u003cli\u003ePay My Dues\u003c\/li\u003e\n\u003cli\u003eBaby Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWishing Well\u003c\/li\u003e\n\u003cli\u003eRun And Hide\u003c\/li\u003e\n\u003cli\u003eTrain, Train (Prelude)\u003c\/li\u003e\n\u003cli\u003eTrain, Train\u003c\/li\u003e\n\u003cli\u003eHighway Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e\"After missing the boat with Lynyrd Skynyrd (for whom he played drums early on), guitarist\/singer Rick Medlocke formed Blackfoot, arguably the first all-Native American rock group. The band struggled for almost a decade, playing run-of-the-mill Southern rock that they eventually injected with extra volume and attitude before signing with Atco, for whom they recorded their 1979 breakthrough Strikes. Known as a ferocious live unit and probably the heaviest of Southern rock bands (see opener \"Road Fever\"), Strikes also proved that Blackfoot could write great melodies for the gloomy \"Left Turn on a Red Light\" and the inspired cover version of Free's \"Wishing Well.\" But the band's biggest hit would come in the form of the seven-minute \"Highway Song,\" a tune that was admittedly very reminiscent of Skynyrd's \"Freebird\" and that helped drive the album to gold status. Also of note is the harmonica performance of Shorty Medlocke (Rick's grandfather) on his own blues, \"Train, Train.\"\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Eduardo Rivadavia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 3,94 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40793516310679,"sku":"FRM-38112","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/blackfoot-strikes-red-vinyl-audiosoundmusic-1.jpg?v=1719852654"},{"product_id":"blood-sweat-tears-4","title":"Blood Sweat Tears 4 (Blue vinyl)","description":"\u003ch2\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/blood-sweat-tears\" title=\"Blood, Sweat and Tears vinyl\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/blood-sweat-tears\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eClick here to see Blood, Sweat \u0026amp; Tears' vinyl\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals – David Clayton-Thomas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar, Guitar, Harmonica, Mandolin – Steve Katz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Percussion – Bobsby Colomby*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Bass – Jim Fielder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan, Trombone, Piano, Flute – Dick Halligan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano, Organ, Clarinet, Alto Saxophone – Fred Lipsius\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone, Tuba, Horns – Dave Bargeron\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet, Flugelhorn – Chuck Winfield, Lewis Soloff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Dick Halligan (A2, A4, A5, B1, B4), Fred Lipsius (A1, A3, A6, B2, B3, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, tri-fold sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Roy Halee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Roy Halee, Bobby Colomby, Don Heckman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGo Down Gamblin'\u003c\/li\u003e\n\u003cli\u003eCowboys And Indians\u003c\/li\u003e\n\u003cli\u003eJohn The Baptist (Holy John)\u003c\/li\u003e\n\u003cli\u003eRedemption\u003c\/li\u003e\n\u003cli\u003eLisa, Listen To Me\u003c\/li\u003e\n\u003cli\u003eA Look To My Heart (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHigh On A Mountain\u003c\/li\u003e\n\u003cli\u003eValentine's Day\u003c\/li\u003e\n\u003cli\u003eTake Me In Your Arms (Rock Me A Little While)\u003c\/li\u003e\n\u003cli\u003eFor My Lady\u003c\/li\u003e\n\u003cli\u003eMama Gets High\u003c\/li\u003e\n\u003cli\u003eA Look To My Heart (Duet)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Having relied largely on outside songwriting for its last two wildly successful albums, Blood, Sweat \u0026amp; Tears decided (as many groups had before) to bring some of that song publishing income into the family by writing their own material. Singer David Clayton-Thomas contributed the Top 40 hit \"Go Down Gamblin',\" and he and keyboard player Dick Halligan collaborated on another chart entry, \"Lisa, Listen to Me.\" Ex-bandleader Al Kooper even contributed a track, \"John the Baptist (Holy John).\" But Side two was given over largely to songs by guitarist Steve Katz that were substandard, and the band's cohesion seemed to be disintegrating. Although the album scraped the Top Ten briefly and went gold, it marked the end of BS\u0026amp;T's period of wide commercial success on records. By the next outing, Clayton-Thomas had quit and the band's heyday was behind it.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2 \/ 5 , Discogs : 3,82 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40793629163671,"sku":"FRM-30590","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/blood-sweat-tears-4-blue-vinyl-audiosoundmusic-1.jpg?v=1719852662"},{"product_id":"bread-the-best-of-bread","title":"Bread - The Best of Bread (Translucent Gold vinyl)","description":"\u003cp\u003e\u003cstrong\u003eDavid Gates (vocals, bass guitar, guitar, keyboards, violin, viola, percussion), \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Griffin (vocals, guitar, keyboards, percussion)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMike Botts (drum)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Knechtel (keyboards, bass guitar, guitar, and harmonica)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by David Gates (A1 to B2, B4), James Griffin (B2, B3, B5), Robb Royer (B3, B5, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Gold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Elektra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Armin Steiner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by David Gates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso At Capitol Mastering \u0026amp; Friday Music Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Make It With You\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Everything I Own\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Diary\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Baby I'm-A Want You\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5 It Don't Matter To Me\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6 If\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B : \u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Mother Freedom\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Down On My Knees\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Too Much Love\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Let Your Love Go\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5 Look What You've Done\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6 Truckin'\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Rhino's 2001 collection, The Best of Bread, is the definitive single-disc collection of Bread's hits, spanning 20 tracks and all of the group's hits, including lesser-known hits that didn't reach the heights of \"Make It with You,\" \"Everything I Own,\" \"If,\" or \"Baby I'm a Want You.\" Though this isn't as comprehensive as Rhino's double-disc set -- which means it doesn't contain the David Gates solo cuts that the first one does -- it still provides most casual listeners with all the Bread they'd need, in a highly listenable fashion, too.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 3,87 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40794061308055,"sku":"FRM 75056 Gold","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bread-the-best-of-bread-translucent-gold-vinyl-audiosoundmusic-1.jpg?v=1719852677"},{"product_id":"brian-wilson-brian-wilson-blue-vinyl","title":"Brian Wilson - Brian Wilson (Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eVocal Arrangement, Lead Vocals, Bells, Electronics [Emulator], Glockenspiel, Organ, Wind Chimes – Brian Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccordion – Frank Morocco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar [Steel String], Banjo, Mandolin – The Baystate Bluegrass Band\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar, Backing Vocals, Electric Guitar, Harmonica – Andy Paley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBaritone Saxophone – Jay Migliori\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Andy Paley, Jeff Lynne, The Baystate Bluegrass Band\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass [Six-string] – Jeff Lynne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBells [Jingle Bells] – Andrew Dean\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello, Drums [Emu Tympani], Guitar [Synth Guitar] – Rob Mounsey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCymbal, Performer [Hi-hat] – Tris Imboden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrum Programming, Shaker – Jimmy Bralower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Andy Paley, Michael Bernard, Tris Imboden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlute – Hymen Katz, Michael Andreas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Dean Parks, Elliot Easton, Jeff Lynne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHorns, Saxophone [Saxophone Solo] – Larry Williams\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Andrew Dean, Andy Paley, Brian Wilson, Jeff Bova, Jeff Lynne, Michael Bernard, Philippe Saisse, \u003c\/strong\u003e\u003cstrong\u003eLarry Williams, Robbie Condor, Steve Lindsey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards [Fairlight] – Todd Herreman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Andrew Dean, Andy Paley, Brian Wilson, Carol Steele, Michael Bernard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Brian Wilson, Rob Mounsey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiccolo Flute – Hymen Katz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaw, Violin – Tony Salvage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone – Michael Andreas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Harry Kim, Lance Buller, Stuart Blumberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVibraphone [Vibes] – Andrew Dean, Brian Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Alexandra Morgan (A2, A6 to B1), Andy Paley (B1, B3, B4), Brian Wilson, Eugene E. Landy (A1 to A3, A7, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Sire\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by : Josh Abbey (pistes : A2 to B4), Mark Linett (pistes : A2 to B4)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Brian Wilson, Russ Titelman (pistes : A1, A3 to A5, A7, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Friday Music's Joe Reagoso and Ron McMaster from original Sire Records tapes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1988\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove and Mercy\u003c\/li\u003e\n\u003cli\u003eWalkin' the Line\u003c\/li\u003e\n\u003cli\u003eMelt Away\u003c\/li\u003e\n\u003cli\u003eBaby Let Your Hair Grow Long\u003c\/li\u003e\n\u003cli\u003eLittle Children\u003c\/li\u003e\n\u003cli\u003eOne for the Boys\u003c\/li\u003e\n\u003cli\u003eThere's So Many\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight Time\u003c\/li\u003e\n\u003cli\u003eLet It Shine\u003c\/li\u003e\n\u003cli\u003eMeet Me in My Dreams Tonight\u003c\/li\u003e\n\u003cli\u003eRio Grande\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Brian Wilson's first solo album created a good share of media hoopla upon its release. This was not necessarily because of the music, but simply because his very existence -- or, at least, proof of his existence via his first fully engaged recording project in about a decade -- was greeted as a cause for celebration. Although it did not shift tons of units, it did spark a landslide of ecstatic-to-charitable reviews, largely because so many critics were eager to latch on to any evidence that Wilson's musical genius was still intact. Viewed more coldly after the hype faded, this self-titled release is an odd, flawed creation, certainly leagues above the Beach Boys' post-'70s output, yet certainly leagues below Wilson's best work with that group in the '60s. While he retained his gift for catchy melodies and dense, symphonic production, there was a forced stiffness to both the songwriting and execution. Much of the blame for the album's mixed success can be laid upon its sterile, synthesizer-laden arrangements and echoing percussion, which epitomized some of the less attractive aspects of late-'80s production. However, the songs were not among Wilson's best, either, their hooks pleasant but easily fading from memory, the lyrics full of ambiguous romantic optimism completely belied by the nervous, mannered vocals. The concluding eight-minute suite, \"Rio Grande,\" was a self-conscious and, again, only partially successful attempt to match the grandeur of the miniature conceptual pieces Wilson was penning in the Smile era. For all that, it remains the best album of Wilson's solo career, principally because he has recorded so little material since then, and written even less.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Richie Unterberger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3,94 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40795461288087,"sku":"FRM-25669","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/brian-wilson-brian-wilson-blue-vinyl-audiosoundmusic-1.jpg?v=1719852676"},{"product_id":"copy-of-buddy-guy-junior-wells-play-the-blues-speaker-corners","title":"Buddy Guy \u0026 Junior Wells - Play The Blues (Translucent Blue vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuddy Guy - rythm guitar vocals \u003ca title=\"vinyl featuring Buddy Guy\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/buddy-guy\"\u003e\u003cspan\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Buddy\u003c\/span\u003e \u003cspan style=\"color: #ff8000;\"\u003eGuy]\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJunior Wells - vocals (A1 - B1, B3, B5), harmonica (A1 - B1, B3, B5) \u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003ca title=\"vinyl featuring Junior Wells\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/junior-wells\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Junior Wells]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEric Clapton - Rythm guitar (A1 - B1, B3, B5) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-clapton\" title=\"vinyl featuring Eric Clapton\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-clapton\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Eric Clapton]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. Geils - Rythm guitar (B2, B5)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDr. John - piano (A1, A4, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagic Dick - Harmonica (B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass : Carl Radle (A1), Daniel Klein (B2, B5), Leroy Stewart (A2 - B1, B3, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBody Percussion [Foot Tapping] : Juke Joint Jimmy (B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums : Jim Gordon (A1), Roosevelt Shaw (A2 - B1, B3, B4), Stephen Bladd (B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan : Michael Utley (A1 - B1, B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano : Michael Utley (A2, A3, A5, B3, B5), Seth Justman (B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone : A.C. Reed (pistes : A1 - B1, B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWritten by \u003c\/strong\u003e\u003cstrong\u003eBuddy Guy (A1, B2), Sonny Boy Williamson (A2), Junior Wells (A3, A5), T-Bone Walker (A4), Mel London (B1), Willie Mabon (B3), Maxwell Davis (B4), Joe Liggins (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: October 1970 at Criteria Studios, Miami (FL), by Ron Albert and April 1972 at Intermedia Studios, Boston (MA), by  Richard Oulleppe (B2, B5), Ron Albert (A1 - B1, B3, B5)\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction : \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eAhmet Ertegun (A1 - B1, B3, B5), Eric Clapton (A1 - B1, B3, B5), Michael Cuscuna (B2, B5), Tom Dowd (A1 - B1, B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered [Overdub] by Bobby Warner (A1, B2), Gene Paul (A1, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRe-mixed by Harry Maslin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso At Friday Music Studios From The Original Atco Records Tapes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1975\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued Sept 2020\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Man Of Many Words\u003c\/li\u003e\n\u003cli\u003eMy Baby Left Me (She Left Me A Mule To Ride)\u003c\/li\u003e\n\u003cli\u003eCome On In This House - Have Mercy Baby\u003c\/li\u003e\n\u003cli\u003eT - Bone Shuffle\u003c\/li\u003e\n\u003cli\u003eA Poor Man's Plea\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMessin' With The Kid\u003c\/li\u003e\n\u003cli\u003eThis Old Fool\u003c\/li\u003e\n\u003cli\u003eI Don't Know\u003c\/li\u003e\n\u003cli\u003eBad Bad Whiskey\u003c\/li\u003e\n\u003cli\u003eHoneydripper\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe blues is perhaps one of the most private things from which a human being can suffer. However, to play the blues, and thus to express a man’s innermost feelings and state of mind, is probably the most important task of black music. With Buddy Guy and Junior Wells, we have two disciples from the world of the blues who express their highly personal blues with profound instrumental proficiency. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe enormously talented, self-taught guitarist Buddy Guy was ranked 23rd in Rolling Stones magazine’s list “100 Greatest Guitarists of All Time”, and several times he was awarded one of the coveted Grammy awards. Junior Wells entered Muddy Waters’ 'academy' at the tender age of 18 and played the blues harp with enormous passion and virtuosity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this recording, the musicians condense their rock playing over a bone-dry bass line to create a mantra-like funky style (\"A Man Of Many Words\"), passing on with fleet-footed steps to a slender chirping sound on the mandolin with a 12-bar blues construction and creating an earthy groove (\"T-Bone Shuffle\"). Then the duo works perseveringly on an unrelenting chord (\"A Poor Man’s Plea\"), only to return to two numbers that pulsate forcefully with a snappy and jagged offbeat (\"This Old Fool\").\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe handpicked band, among them being co-producer Eric Clapton who is eternalized on the rhythm and bottleneck guitar, and the voodoo rocker Dr. John who occasionally contributes his magic on the keyboard, make this album a truly collectible sound experience.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 4.3 \/ 5 , \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,21\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,81\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40795577745559,"sku":"FRM-38364 Translucent Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/buddy-guy-and-junior-wells-play-the-blues-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719852677"},{"product_id":"copy-of-buddy-guy-junior-wells-play-the-blues-translucent-blue-vinyl","title":"Buddy Guy \u0026 Junior Wells - Play The Blues (Translucent Gold vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuddy Guy - rythm guitar vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/buddy-guy\" title=\"vinyl featuring Buddy Guy\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Buddy Guy]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJunior Wells - vocals (A1 - B1, B3, B5), harmonica (A1 - B1, B3, B5) \u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/junior-wells\" title=\"vinyl featuring Junior Wells\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Junior Wells]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEric Clapton - Rythm guitar (A1 - B1, B3, B5) \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Eric Clapton\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-clapton\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-clapton\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Eric Clapton]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e J. Geils - Rythm guitar (B2, B5)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDr. John - piano (A1, A4, B1) \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"vinyl featuring Dr. John\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/dr-john\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/dr-john\"\u003e[click here to see more vinyl featuring Dr. John]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagic Dick - Harmonica (B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass : Carl Radle (A1), Daniel Klein (B2, B5), Leroy Stewart (A2 - B1, B3, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBody Percussion [Foot Tapping] : Juke Joint Jimmy (B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums : Jim Gordon (A1), Roosevelt Shaw (A2 - B1, B3, B4), Stephen Bladd (B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan : Michael Utley (A1 - B1, B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano : Michael Utley (A2, A3, A5, B3, B5), Seth Justman (B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone : A.C. Reed (pistes : A1 - B1, B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWritten by \u003c\/strong\u003e\u003cstrong\u003eBuddy Guy (A1, B2), Sonny Boy Williamson (A2), Junior Wells (A3, A5), T-Bone Walker (A4), Mel London (B1), Willie Mabon (B3), Maxwell Davis (B4), Joe Liggins (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent gold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: October 1970 at Criteria Studios, Miami (FL), by Ron Albert and April 1972 at Intermedia Studios, Boston (MA), by  Richard Oulleppe (B2, B5), Ron Albert (A1 - B1, B3, B5)\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction : \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eAhmet Ertegun (A1 - B1, B3, B5), Eric Clapton (A1 - B1, B3, B5), Michael Cuscuna (B2, B5), Tom Dowd (A1 - B1, B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered [Overdub] by Bobby Warner (A1, B2), Gene Paul (A1, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRe-mixed by Harry Maslin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso At Friday Music Studios From The Original Atco Records Tapes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1975\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued Sept 2020\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Man Of Many Words\u003c\/li\u003e\n\u003cli\u003eMy Baby Left Me (She Left Me A Mule To Ride)\u003c\/li\u003e\n\u003cli\u003eCome On In This House - Have Mercy Baby\u003c\/li\u003e\n\u003cli\u003eT - Bone Shuffle\u003c\/li\u003e\n\u003cli\u003eA Poor Man's Plea\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMessin' With The Kid\u003c\/li\u003e\n\u003cli\u003eThis Old Fool\u003c\/li\u003e\n\u003cli\u003eI Don't Know\u003c\/li\u003e\n\u003cli\u003eBad Bad Whiskey\u003c\/li\u003e\n\u003cli\u003eHoneydripper\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe blues is perhaps one of the most private things from which a human being can suffer. However, to play the blues, and thus to express a man’s innermost feelings and state of mind, is probably the most important task of black music. With Buddy Guy and Junior Wells, we have two disciples from the world of the blues who express their highly personal blues with profound instrumental proficiency. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe enormously talented, self-taught guitarist Buddy Guy was ranked 23rd in Rolling Stones magazine’s list “100 Greatest Guitarists of All Time”, and several times he was awarded one of the coveted Grammy awards. Junior Wells entered Muddy Waters’ 'academy' at the tender age of 18 and played the blues harp with enormous passion and virtuosity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this recording, the musicians condense their rock playing over a bone-dry bass line to create a mantra-like funky style (\"A Man Of Many Words\"), passing on with fleet-footed steps to a slender chirping sound on the mandolin with a 12-bar blues construction and creating an earthy groove (\"T-Bone Shuffle\"). Then the duo works perseveringly on an unrelenting chord (\"A Poor Man’s Plea\"), only to return to two numbers that pulsate forcefully with a snappy and jagged offbeat (\"This Old Fool\").\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe handpicked band, among them being co-producer Eric Clapton who is eternalized on the rhythm and bottleneck guitar, and the voodoo rocker Dr. John who occasionally contributes his magic on the keyboard, make this album a truly collectible sound experience.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 4.3 \/ 5 , \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,21\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,81\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40795630829719,"sku":"FRM-38364 Translucent Gold","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/buddy-guy-and-junior-wells-play-the-blues-translucent-gold-vinyl-audiosoundmusic-1.jpg?v=1719852687"},{"product_id":"carlos-santana-john-mclaughlin-love-devotion-surrender-translucent-gold","title":"Carlos Santana \u0026 John McLaughlin - Love Devotion Surrender (Translucent Gold vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn McLaughlin - guitar, piano \u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-mclaughlin\" title=\"vinyl featuring john mclaughlin\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-mclaughlin\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring John McLaughlin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCarlos Santana - guitar \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[c\u003c\/span\u003e\u003ca style=\"color: #ff8000;\" title=\"Vinyl featuring Carlos Santana\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/carlos-santana\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/carlos-santana\"\u003elick here to see more vinyl featuring Carlos Santana]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e Larry Young (org); Doug Rauch (b); Armando Peraza (cga); Billy Cobham, Don Alias, Jan Hammer, Mike Shrieve (dr)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by John McLaughlin (A3, B2) and John Coltrane (A1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB1 is a traditional song.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent gold \u0026amp; red swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: 1973 by Glen Kolotkin\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: John McLaughlin \u0026amp; Carlos Santana\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1973\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 2015\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Love Supreme\u003c\/li\u003e\n\u003cli\u003eNaima\u003c\/li\u003e\n\u003cli\u003eThe Life Divine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cp\u003e        1. Let Us Go Into the House of the Lord\u003cbr\u003e        2. Meditation\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« A hopelessly misunderstood record in its time by Santana fans -- they were still reeling from the radical direction shift toward jazz on Caravanserai and praying it was an aberration -- it was greeted by Santana devotees with hostility, contrasted with kindness from major-league critics like Robert Palmer. To hear this recording in the context of not only Carlos Santana's development as a guitarist, but as the logical extension of the music of John Coltrane and Miles Davis influencing rock musicians -- McLaughlin, of course, was a former Davis sideman -- this extension makes perfect sense in the post-Sonic Youth, post-rock era. With the exception of Coltrane's \"Naima\" and McLaughlin's \"Meditation,\" this album consists of merely three extended guitar jams played on the spiritual ecstasy tip -- both men were devotees of guru Shri Chinmoy at the time. The assembled band included members of Santana's band and the Mahavishnu Orchestra in Michael Shrieve, Billy Cobham, Doug Rauch, Armando Peraza, Jan Hammer (playing drums!), and Don Alias. But it is the presence of the revolutionary jazz organist Larry Young -- a colleague of McLaughlin's in Tony Williams' Lifetime band -- that makes the entire project gel. He stands as the great communicator harmonically between the two very different guitarists whose ideas contrasted enough to complement one another in the context of Young's aggressive approach to keep the entire proceeding in the air. In the acknowledgement section of Coltrane's \"A Love Supreme,\" which opens the album, Young creates a channel between Santana's riotous, transcendent, melodic runs and McLaughlin's rapid-fire machine-gun riffing. Young' double-handed striated chord voicings offered enough for both men to chew on, leaving free-ranging territory for percussive effects to drive the tracks from underneath. Check \"Let Us Go Into the House of the Lord,\" which was musically inspired by Bobby Womack's \"Breezing\" and dynamically foreshadowed by Pharoah Sanders' read of it, or the insanely knotty yet intervallically transcendent \"The Life Divine,\" for the manner in which Young's organ actually speaks both languages simultaneously. Young is the person who makes the room for the deep spirituality inherent in these sessions to be grasped for what it is: the interplay of two men who were not merely paying tribute to Coltrane, but trying to take his ideas about going beyond the realm of Western music to communicate with the language of the heart as it united with the cosmos. After three decades, Love Devotion Surrender still sounds completely radical and stunningly, movingly beautiful. » AllMusic Review by Thom Jurek\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor some, \"Love Devotion Surrender\" is an album where, exceptionally, John McLaughlin plays the piano and organist Jan Hammer plays the drums. For others, it is the most spiritual album ever by Carlos Santana. And though both disciples were shown the way and inspired by the same guru (Sri Chinmoy) at one and the same time, this album is filled with the spirit of John Coltrane. In order to communicate their differing understanding and interpretation of Trane's music, the two musicians formed a 'project band' made up of members of Santana's ensemble and the Mahavishnu Orchestra. In their performance of \"Love Supreme\", Santana's somewhat dragging melody-maker role amalgamates with McLaughlin's high-speed staccato to a viscous drive. This approach functions just as well in slow motion: Coltrane's miniature, slow composition \"Naima\" is performed in a flowing and inspired manner by the duo on their acoustic guitars.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eThe arrangements carry Santana's hallmark: the occasionally somewhat intellectual but certainly not long-pondered-over sound is enhanced by the sound of agitated congo beats and the chanted vocals are heard as if from afar. By the time fans of Santana's major albums have got to the expansive gospel song \"Let Us Go Into The House\", they will have rediscovered their Carlos and his timeless solos once again. It is apparent that love and devotion are by no means just memorials of a time gone by but a surrender to oneself in its most perfect form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 4.5 \/ 5 ,  \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,05\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 \u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40795712946327,"sku":"FRM 32034 Translucent Gold","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/carlos-santana-and-john-mclaughlin-love-devotion-surrender-translucent-gold-vinyl-friday-music-audiosoundmusic-1.jpg?v=1719852687"},{"product_id":"carly-simon-the-best-of-carly-simon-translucent-red","title":"Carly Simon - The Best Of Carly Simon (Translucent Red vinyl)","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals - Carly Simon \u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Carly Simon\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/carly-simon\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/carly-simon\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more products featuring Carly Simon]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – James Taylor (A3) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/james-taylor\" title=\"vinyl featuring James Taylor\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/james-taylor\"\u003e[click here to see more products featuring James Taylor]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Abigail Haness (B5), Bonnie Bramlett (B3), Carl Hall (A5), Carole King (B5), Doris Troy (B3), Kenny Moore (B5), Lani Groves (A5), Linda, Liza Strike (A2), Paul, Tasha Thomas (A5), Vicki Brown (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan, piano – Dr. John (A3)\u003cspan style=\"color: #ff8000;\"\u003e \u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"vinyl featuring Dr. John\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/dr-john\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/dr-john\"\u003e[click here to see more products featuring Dr. John]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Guitar – Robbie Robertson (A3) \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Jaime Robbie Robertson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/robbie-robertson\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/robbie-robertson\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Robbie Robertson]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Bass – John Ryan (A4, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar – Paul Keough (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Jimmy Ryan (A2, A4, B4), Klaus Voorman (A3, A5, B1-3), Tony Levin (A1), Willie Weeks (B5)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCongas – Eddie Bongo (B5), Ray Cooper (A2, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Andy Newmark (A2), Jim Gordon (B1-2, B5), Jim Keltner (A3, A5, B3), Jimmy Johnson (A1)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Andrew Gold (B5), Jimmy Ryan (A3-5, B1-4)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Andy Newmark (A4, B4), Ralph McDonald (A3, A5), Richard Perry (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Kirby Johnson (B2), Nicky Hopkins (B3), Paul Glanz (A4, B4), Paul Griffin (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer – Richard Perry (A2, A3, A5 to B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone – Bobby Keys (A3, B3), Michael Brecker (A3)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor – Kirby Johnson (A2, B2), Paul Buckmaster (A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Carly Simon (A1, A2, A4 to B2, B4, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Red \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Elektra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Richard Perry (A2-3, A5 to B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Direction – Glen Christensen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat's the Way I've Always Heard It Should Be\u003c\/li\u003e\n\u003cli\u003eThe Right Thing To Do\u003c\/li\u003e\n\u003cli\u003eMockingbird\u003c\/li\u003e\n\u003cli\u003eLegend In Your Own Time\u003c\/li\u003e\n\u003cli\u003eHaven't Got Time for the Pain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou're So Vain\u003c\/li\u003e\n\u003cli\u003e(We Have) No Secrets\u003c\/li\u003e\n\u003cli\u003eNight Owl\u003c\/li\u003e\n\u003cli\u003eAnticipation\u003c\/li\u003e\n\u003cli\u003eAttitude Dancing\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Carly Simon was among the pop royalty of the singer\/songwriter era of the early '70s. This album collects her most popular songs of the first five years of her solo career. Opening with the powerful \"That's the Way I've Always Heard It Should Be,\" for which Simon received the 1971 Best New Artist Grammy Award, it includes four tunes from the classic No Secrets album, including the number one hit \"You're So Vain.\" Simon's duet with then-husband James Taylor on \"Mockingbird\" was also a Top Ten hit. \"Anticipation,\" with its classic \"I rehearsed those words just late last night,\" and the repetitive coda \"these are the good old days,\" though merely a ketchup commercial to a later generation, still retains its power here in the original version. Simon's insightful lyrics and evocative voice remain fresh years later. This album is a good starting point for those interested in discovering why.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Jim Newsom\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 3,86 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40795893203095,"sku":"FRM-10480 Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/carly-simon-the-best-of-carly-simon-translucent-red-audiosoundmusic-1.jpg?v=1726510836"},{"product_id":"chicago-chicago-transit-authority","title":"Chicago - Chicago Transit Authority (2LP, Red vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ca title=\"vinyl featuring Chicago\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/chicago\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/chicago\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring Chicago]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Cetera : bass, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerry Kath : guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert Lamm : keyboards, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLee Loughnane : trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Pankow : trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWalter Parazaider : saxophone, woodwinds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDanny Seraphine : drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e2 LP, gatefold sleeve\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Columbia Recording Studios by \u003c\/strong\u003e\u003cstrong\u003eFred Catero\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by James William Guercio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso And Lee Loughnane From Chicago\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1969\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Introduction\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Does Anybody Really Know What Time It Is?\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Beginnings\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Questions 67 And 68\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Listen\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Poem 58\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Free Form Guitar\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 South California Purples\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 I'm A Man\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Prologue, August 29, 1968\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Someday (August 29, 1968)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Liberation\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings you must hear before you die - Ranked 162\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eStereophile Records To Die For - 2008\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Few debut albums can boast as consistently solid an effort as the self-titled Chicago Transit Authority (1969). Even fewer can claim to have enough material to fill out a double-disc affair. Although this long- player was ultimately the septet's first national exposure, the group was far from the proverbial \"overnight sensation.\" Under the guise of the Big Thing, the group soon to be known as CTA had been honing its eclectic blend of jazz, classical, and straight-ahead rock \u0026amp; roll in and around the Windy City for several years. Their initial non-musical meeting occurred during a mid-February 1967 confab between the original combo at Walter Parazaider's apartment on the north side of Chi Town. Over a year later, Columbia Records staff producer James Guercio became a key supporter of the group, which he rechristened Chicago Transit Authority. In fairly short order the band relocated to the West Coast and began woodshedding the material that would comprise this title. In April of 1969, the dozen sides of Chicago Transit Authority unleashed a formidable and ultimately American musical experience. This included an unheralded synthesis of electric guitar wailin' rock \u0026amp; roll to more deeply rooted jazz influences and arrangements. This approach economized the finest of what the band had to offer -- actually two highly stylized units that coexisted with remarkable singularity. On the one hand, listeners were presented with an incendiary rock \u0026amp; roll quartet of Terry Kath (lead guitar\/vocals), Robert Lamm (keyboards\/vocals), Peter Cetera (bass\/vocals), and Danny Seraphine (drums). They were augmented by the equally aggressive power brass trio that included Lee Loughnane (trumpet\/vocals), James Pankow (trombone), and the aforementioned Parazaider (woodwind\/vocals). This fusion of rock with jazz would also yield some memorable pop sides and enthusiasts' favorites as well. Most notably, a quarter of the material on the double album -- \"Does Anybody Really Know What Time It Is?,\" \"Beginnings,\" \"Questions 67 and 68,\" and the only cover on the project, Steve Winwood's \"I'm a Man\" -- also scored as respective entries on the singles chart. The tight, infectious, and decidedly pop arrangements contrast with the piledriving blues-based rock of \"Introduction\" and \"South California Purples\" as well as the 15-plus minute extemporaneous free for all \"Liberation.\" Even farther left of center are the experimental avant-garde \"Free Form Guitar\" and the politically intoned and emotive \"Prologue, August 29, 1968\" and \"Someday (August 29, 1968).\" The 2003 remastered edition of Chicago Transit Authority offers a marked sonic improvement over all previous pressings -- including the pricey gold disc incarnation.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Lindsay Planer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,16 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40805491900567,"sku":"FRM-8 Red","price":105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/chicago-chicago-transit-authority-2lp-red-vinyl-audiosoundmusic-1.jpg?v=1719852752"},{"product_id":"chicago-night-and-day","title":"Chicago - Night And Day (Aqua color vinyl)","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/chicago\" title=\"vinyl featuring Chicago\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/chicago\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Chicago]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Cetera, vocals, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert Lamm, vocals, keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerry Kath, vocals, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLee Loughnane, trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWalter Parazaider, saxophone, woodwinds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Pankow, trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDanny Seraphine, drums\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Aqua\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Giant Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Armoury Studios, Vancouver in Dec. 1994 and at The Record Plant, Los Angeles in Jan. 1995\u003c\/strong\u003e\u003cstrong\u003e by  Erwin Musper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bruce Fairbairn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso And Chicago Co-Founder Lee Loughnane From The Giant Records Tapes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1995\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChicago\u003c\/li\u003e\n\u003cli\u003eCaravan\u003c\/li\u003e\n\u003cli\u003eSophisticated Lady\u003c\/li\u003e\n\u003cli\u003eGoody Goody\u003c\/li\u003e\n\u003cli\u003eMoonlight Serenade\u003c\/li\u003e\n\u003cli\u003eNight \u0026amp; Day\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues In The Night\u003c\/li\u003e\n\u003cli\u003eSing, Sing, Sing\u003c\/li\u003e\n\u003cli\u003eDream A Little Dream Of Me (Duet with Jade)\u003c\/li\u003e\n\u003cli\u003eIn The Mood\u003c\/li\u003e\n\u003cli\u003eDon't Get Around Much Anymore\u003c\/li\u003e\n\u003cli\u003eTake The \"A\" Train\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Generally, when contemporary performers have taken on retro projects like this one, they have tended to emphasize their fidelity to the sources -- consider Linda Ronstadt hiring arranger\/conductor Nelson Riddle to recreate his string backgrounds for albums like What's New. Chicago takes a different approach to the swing band classics it tackles here -- it Chicago-izes them. The arrangements are by trombonist James Pankow, who manages to make everything from Duke Ellington's \"Caravan\" to Glenn Miller's theme \"Moonlight Serenade\" sound like a lost Chicago track. Those familiar with the originals, many of which were instrumental hits, may be surprised to hear the lyrics to songs like \"Sing, Sing, Sing.\" Clearly, the group is aiming more at pleasing contemporary fans than evoking nostalgia, and it succeeds in reinventing some well-established standards, even if older fans may find some of these versions radically altered.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2 \/ 5 , Discogs : 3,92 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40808242151575,"sku":"FRM-94615 Aqua color","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/chicago-night-and-day-aqua-color-vinyl-audiosoundmusic-1.jpg?v=1719852778"},{"product_id":"copy-of-chicago-night-and-day-aqua-color-vinyl","title":"Chicago - Night And Day (Translucent Coral vinyl)","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/chicago\" title=\"vinyl featuring Chicago\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/chicago\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Chicago]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Cetera, vocals, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert Lamm, vocals, keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerry Kath, vocals, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLee Loughnane, trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWalter Parazaider, saxophone, woodwinds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Pankow, trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDanny Seraphine, drums\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Aqua\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Giant Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Armoury Studios, Vancouver in Dec. 1994 and at The Record Plant, Los Angeles in Jan. 1995\u003c\/strong\u003e\u003cstrong\u003e by  Erwin Musper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bruce Fairbairn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso And Chicago Co-Founder Lee Loughnane From The Giant Records Tapes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1995\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChicago\u003c\/li\u003e\n\u003cli\u003eCaravan\u003c\/li\u003e\n\u003cli\u003eSophisticated Lady\u003c\/li\u003e\n\u003cli\u003eGoody Goody\u003c\/li\u003e\n\u003cli\u003eMoonlight Serenade\u003c\/li\u003e\n\u003cli\u003eNight \u0026amp; Day\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues In The Night\u003c\/li\u003e\n\u003cli\u003eSing, Sing, Sing\u003c\/li\u003e\n\u003cli\u003eDream A Little Dream Of Me (Duet with Jade)\u003c\/li\u003e\n\u003cli\u003eIn The Mood\u003c\/li\u003e\n\u003cli\u003eDon't Get Around Much Anymore\u003c\/li\u003e\n\u003cli\u003eTake The \"A\" Train\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e\"Generally, when contemporary performers have taken on retro projects like this one, they have tended to emphasize their fidelity to the sources -- consider Linda Ronstadt hiring arranger\/conductor Nelson Riddle to recreate his string backgrounds for albums like What's New. Chicago takes a different approach to the swing band classics it tackles here -- it Chicago-izes them. The arrangements are by trombonist James Pankow, who manages to make everything from Duke Ellington's \"Caravan\" to Glenn Miller's theme \"Moonlight Serenade\" sound like a lost Chicago track. Those familiar with the originals, many of which were instrumental hits, may be surprised to hear the lyrics to songs like \"Sing, Sing, Sing.\" Clearly, the group is aiming more at pleasing contemporary fans than evoking nostalgia, and it succeeds in reinventing some well-established standards, even if older fans may find some of these versions radically altered.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2 \/ 5 , Discogs : 3,92 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40808360542359,"sku":"FRM-24615 Translucent Coral","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/chicago-night-and-day-translucent-coral-vinyl-audiosoundmusic-1.jpg?v=1719852778"},{"product_id":"chuck-berry-after-school-session-translucent-coral-vinyl","title":"Chuck Berry - After School Session (Translucent Coral vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eChuck Berry, guitar, vocals \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/chuck-berry\" title=\"vinyl featuring Chuck Berry\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/chuck-berry\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Chuck Berry]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnnie Johnson, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWillie Dixon, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFred Below, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eL.C. Davis, tenor sax\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEbby Harby, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerome Green, maracas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Chuck Berry\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : translucent blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rainbo Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Chess\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSchool Day (Ring Ring Goes The Bell)\u003c\/li\u003e\n\u003cli\u003eDeep Feeling\u003c\/li\u003e\n\u003cli\u003eToo Much Monkey Business\u003c\/li\u003e\n\u003cli\u003eWee Wee Hours\u003c\/li\u003e\n\u003cli\u003eRoly Poly\u003c\/li\u003e\n\u003cli\u003eNo Money Down\u003c\/li\u003e\n\u003cli\u003eYou Can't Catch Me*\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrown Eyed Handsome Man\u003c\/li\u003e\n\u003cli\u003eBerry Pickin'\u003c\/li\u003e\n\u003cli\u003eTogether We Will Always Be\u003c\/li\u003e\n\u003cli\u003eHavana Moon\u003c\/li\u003e\n\u003cli\u003eDown Bound Train\u003c\/li\u003e\n\u003cli\u003eDrifting Heart\u003c\/li\u003e\n\u003cli\u003eThirty Days (To Come Back Home)**\u003c\/li\u003e\n\u003cli\u003eMaybellene***\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Chuck Berry's debut LP is fairly strong musically, as well as having a really cool cover (a still shot of Berry, guitar slung in front of him, from the movie Rock, Rock, Rock!). After School Session was just the second long-player ever issued by Chess -- only the soundtrack to the movie Rock, Rock, Rock! preceded it. This May 1957 release made Berry something of a late-bloomer among rock \u0026amp; roll's foundation performers -- he'd had his first recording session two years earlier, in May of 1955, and by the spring of 1957, Bill Haley already had a handful of LPs to his credit, Elvis Presley was gaining on him, and Clyde McPhatter's version of the Drifters was represented on album, with numerous others soon to join their ranks. Berry had actually enjoyed only two major pop (i.e. rock as opposed to R\u0026amp;B) chart hits at the time: \"Maybellene\" in the summer of 1955, and \"Roll Over Beethoven,\" which had just made the Top 30 in the summer of 1956. It was \"School Day,\" the lead-off track here, that heralded his successful 18-month assault on the Top 40, opening a string of hits that included \"Rock and Roll Music,\" \"Sweet Little Sixteen,\" \"Johnny B. Goode,\" and \"Carol,\" and resulted in the release of After School Session -- the title offers curious multiple meanings, incidentally, intended to attract Berry's teen audience in the most innocent of terms (in connection with the rock \u0026amp; roll cuts), but also subtly invoking more daring \"extra-curricular\" activity in its blues and ballads, and older, post-teen concerns. In those days, as a policy, Chess' rock \u0026amp; roll and blues LPs were comprised of previously existing single sides, and, thus, beyond the current single, the songs leap wildly across different sounds and styles -- impromptu blues (\"Deep Feeling\"), and dance (\"Roly Poly,\" \"Berry Pickin'\"), instrumentals are interspersed with a trio of rock \u0026amp; roll jewels, \"Too Much Monkey Business\" and \"No Money Down,\" with their accents on the joys and textures of teenage life, which somehow didn't catch on among mainstream listeners as singles, and the piercing, provocative \"Brown Eyed Handsome Man,\" which showed how easily Berry could broach sensitive or provocative material if it were masked by a hot enough beat and loud enough guitar, bass, and drums; and we take detours into blues (\"Wee Wee Hours,\" \"Downbound Train\"), ballads (\"Together (We'll Always Be),\" \"Drifting Heart\"), and even calypso music (\"Havana Moon\"). All of it was recorded in four separate sessions spread across almost two years; the rock \u0026amp; roll numbers and the guitar-driven instrumentals out-class most of the blues and ballads, but there's nothing here that could be classed as \"filler,\" either -- a lot of British Invasion bands wore out copies of these same sides learning their basic repertory, and domestic roots rockers could have done worse than to listen to \"Downbound Train\" or \"No Money Down.\"\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,47 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40808430567575,"sku":"FRM-1426","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/chuck-berry-after-school-session-translucent-coral-vinyl-audiosoundmusic-1.jpg?v=1719852779"},{"product_id":"copy-of-chuck-berry-after-school-session-translucent-coral-vinyl","title":"Chuck Berry - Berry is on Top (Translucent Red)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals, Guitar – Chuck Berry \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/chuck-berry\" title=\"vinyl featuring Chuck Berry\"\u003e[click here to see more vinyl featuring Chuck Berry]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass Guitar – George \"Harmonica\" Smith, Willie Dixon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Eddie Hardy, Fred Below, Jasper Thomas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Bo Diddley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaracas – Jerome Green\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Johnnie Johnson, Lafayette Leake\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Chuck Berry\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : translucent red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Chess\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Friday Music's Joe Reagoso\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eLiner Notes by Don Kamerer, John Sippel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAlmost Grown\u003c\/li\u003e\n\u003cli\u003eCarol\u003c\/li\u003e\n\u003cli\u003eMaybellene\u003c\/li\u003e\n\u003cli\u003eSweet Little Rock \u0026amp; Roller\u003c\/li\u003e\n\u003cli\u003eAnthony Boy\u003c\/li\u003e\n\u003cli\u003eJohnny B. Goode\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLittle Queenie\u003c\/li\u003e\n\u003cli\u003eJo Jo Gunne\u003c\/li\u003e\n\u003cli\u003eRoll Over Beethoven\u003c\/li\u003e\n\u003cli\u003eAround And Around\u003c\/li\u003e\n\u003cli\u003eHey Pedro\u003c\/li\u003e\n\u003cli\u003eBlues For Hawaiians\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"If you had to sweat all of Chuck Berry's early albums on Chess (and some, but not all, of his subsequent greatest-hits packages), this would be the one to own. The song lineup is exemplary, cobbling together classics like \"Maybellene,\" \"Carol,\" \"Sweet Little Rock \u0026amp; Roller,\" \"Little Queenie,\" \"Roll Over Beethoven,\" \"Around and Around,\" \"Johnny B. Goode,\" and \"Almost Grown.\" With the addition of the Latin-flavored \"Hey Pedro,\" the steel guitar workout \"Blues for Hawaiians,\" \"Anthony Boy,\" and \"Jo Jo Gunne,\" this serves as almost a mini-greatest-hits package in and of itself. While this may be merely a collection of singles and album ballast (as were most rock \u0026amp; roll LPs of the 1950s and early '60s), it ends up being the most perfectly realized of Chuck Berry's career.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Cub Koda\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,47 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40808530542743,"sku":"FRM-1435","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/chuck-berry-berry-is-on-top-translucent-red-audiosoundmusic-1.jpg?v=1719852791"},{"product_id":"cinderella-night-songs-translucent-red","title":"Cinderella - Night Songs (Translucent Red)","description":"\u003cp\u003e\u003cstrong\u003eLead Vocals, Guitar, Piano – Tom Keifer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Bill Mattson (A2), Jon Bon Jovi (A4, B3), Tony Mills\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass, Vocals – Eric Brittingham\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Fred Coury, Jody Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Vocals – Jeff LaBar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Jeff Paris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Guitar – Barry Bennedetta (A4, B4, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals, Guitar, Piano – Tom Keifer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : translucent red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : ?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Mercury\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Bearsville Studios, Bearsville, NY, \u003c\/strong\u003e\u003cstrong\u003eKajem Studios,Gladwyn, PA, \u003c\/strong\u003e\u003cstrong\u003eWarehouse Studios,Philadelphia, PA, \u003c\/strong\u003e\u003cstrong\u003eSigma Studios, Philadelphia, PA, \u003c\/strong\u003e\u003cstrong\u003eThe Sound Factory, Los Angeles, CA, \u003c\/strong\u003e\u003cstrong\u003eby Andy Johns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Andy Johns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso From Original Master Tapes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight Songs\u003c\/li\u003e\n\u003cli\u003eShake Me\u003c\/li\u003e\n\u003cli\u003eNobody's Fool\u003c\/li\u003e\n\u003cli\u003eNothin' For Nothin'\u003c\/li\u003e\n\u003cli\u003eOnce Around The Ride\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHell On Wheels\u003c\/li\u003e\n\u003cli\u003eSomebody Save Me\u003c\/li\u003e\n\u003cli\u003eIn From The Outside\u003c\/li\u003e\n\u003cli\u003ePush, Push\u003c\/li\u003e\n\u003cli\u003eBack Home Again\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e\"Featuring a minor guest appearance by Jon Bon Jovi, Cinderella's debut album, Night Songs, positions the band as a second-tier pop-metal outfit, with a mix of ballads (\"Nobody's Fool\") and rockers (\"Somebody Save Me\") one might find on an album by any similar '80s band with a high-pitched vocalist. It's not bad, just generic; the band does hint at the potential it would fulfill on later albums, but little of Cinderella's own personality shows through at this point.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Steve Huey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,7 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40808632942743,"sku":"AFRM 83007 Translucent Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/cinderella-night-songs-translucent-red-audiosoundmusic-1.jpg?v=1719852791"},{"product_id":"copy-of-cinderella-night-songs-violet","title":"Cinderella - Night Songs (Violet vinyl)","description":"\u003cp\u003e\u003cstrong\u003eLead Vocals, Guitar, Piano – Tom Keifer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Bill Mattson (A2), Jon Bon Jovi (A4, B3), Tony Mills\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass, Vocals – Eric Brittingham\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Fred Coury, Jody Cortez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Vocals – Jeff LaBar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Jeff Paris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Guitar – Barry Bennedetta (A4, B4, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals, Guitar, Piano – Tom Keifer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : translucent red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : ?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Mercury\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Bearsville Studios, Bearsville, NY, \u003c\/strong\u003e\u003cstrong\u003eKajem Studios,Gladwyn, PA, \u003c\/strong\u003e\u003cstrong\u003eWarehouse Studios,Philadelphia, PA, \u003c\/strong\u003e\u003cstrong\u003eSigma Studios, Philadelphia, PA, \u003c\/strong\u003e\u003cstrong\u003eThe Sound Factory, Los Angeles, CA, \u003c\/strong\u003e\u003cstrong\u003eby Andy Johns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Andy Johns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso From Original Master Tapes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight Songs\u003c\/li\u003e\n\u003cli\u003eShake Me\u003c\/li\u003e\n\u003cli\u003eNobody's Fool\u003c\/li\u003e\n\u003cli\u003eNothin' For Nothin'\u003c\/li\u003e\n\u003cli\u003eOnce Around The Ride\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHell On Wheels\u003c\/li\u003e\n\u003cli\u003eSomebody Save Me\u003c\/li\u003e\n\u003cli\u003eIn From The Outside\u003c\/li\u003e\n\u003cli\u003ePush, Push\u003c\/li\u003e\n\u003cli\u003eBack Home Again\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Featuring a minor guest appearance by Jon Bon Jovi, Cinderella's debut album, Night Songs, positions the band as a second-tier pop-metal outfit, with a mix of ballads (\"Nobody's Fool\") and rockers (\"Somebody Save Me\") one might find on an album by any similar '80s band with a high-pitched vocalist. It's not bad, just generic; the band does hint at the potential it would fulfill on later albums, but little of Cinderella's own personality shows through at this point.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Steve Huey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,7 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40808721744023,"sku":"AFRM 83007 Violet","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/cinderella-night-songs-violet-vinyl-audiosoundmusic-1.jpg?v=1719852791"},{"product_id":"dan-hartman-translucent-red-vinyl","title":"Dan Hartman - Instant Replay (Translucent Red vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLead Vocals, Backing Vocals, Keyboards, Bass, Guitar [Rhythm], Scat – Dan Hartman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra – The Salsoul Orchestra\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, \u003c\/strong\u003e\u003cstrong\u003eGatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRecord color : Translucent Red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Blue Sky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Schoolhouse by \u003c\/strong\u003e\u003cstrong\u003eArthur Stoppe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Dan Hartman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1978\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eInstant Replay\u003c\/li\u003e\n\u003cli\u003eCountdown – This Is It\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"3\"\u003e\n\u003cli\u003eDouble-O-Love\u003c\/li\u003e\n\u003cli\u003eChocolate Box\u003c\/li\u003e\n\u003cli\u003eLove Is A Natural\u003c\/li\u003e\n\u003cli\u003eTime And Space\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e\"\"Instant Replay\" itself kicks off with an \"American Top 40\" peppy countdown and boogies its way through an ode to rolling over in the clover that's as minty and mildly abrasive as toothpaste. Hartman, one of popular music's undersung utility infielders, sculpted his disco breakthrough with the same intricacy as Seymour Chwast's phantasmagoric album cover, but his fondness for real live percussion, room ambiences, and endless good-time monkeyshines set the finished work apart from the chilling and provocative flesh-against-machine conundrums posed by Donna Summer's work with Giorgio Moroder. His unapologetic love of show tunes with top-hat-and-a-cane swagger shines through the 11-minute-plus \"Countdown\/This Is It,\" where the mastermind chases Blanche Napolean through an obstacle course of sometimes-harmonized scat singing in between spidery sax lines from the songwriter's old boss, Edgar Winter. A swingin' party with Hartman, who called his studio compound \"The Schoolhouse,\" teaching ABCs with the proverbial rhythm and ease. (Guitarist Vinnie Cusanso later slapped on some Egyptian warrior makeup and tossed his 12-string in the closet; as Vinnie Vincent, he became a controversial shred guitarist with and without Kiss.).\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Andrew Hamlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 3,91 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40813753532567,"sku":"FRM 213564 Translucent Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/dan-hartman-instant-replay-translucent-red-vinyl-audiosoundmusic-1.jpg?v=1719852801"},{"product_id":"daryl-hall-john-oates-abandoned-luncheonette-translucent-red-vinyl","title":"Daryl Hall \u0026 John Oates - Abandoned Luncheonette (Translucent Red vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003ca title=\"vinyl featuring Daryl Hall \u0026amp; John Oates\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/daryl-hall-john-oates\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/daryl-hall-john-oates\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Daryl Hall \u0026amp; John Oates]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDaryl Hall – lead vocals (A1, A3, A4, B1-4), backing vocals (all tracks), mandolin (A1, B2), electric piano (A2-5), acoustic piano (B1, B3), keyboards (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Oates – acoustic guitar (A1-3, A5, B2, B4), backing vocals (all but B3), lead vocals (A2-5, B2), electric guitar (A4, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChris Bond – mellotron (A1, A4, B4), electric guitar (A2, A4, A5, B4), acoustic guitar (A3), synthesizer (A4, B4), backing vocals (B1)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHugh McCracken – electric guitar (A1, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerry Ricks – acoustic guitar (A2, A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePat Rebillot – organ (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Tee – acoustic piano (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Gelfand – bass guitar (A1, A2, A4, B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGordon Edwards – bass guitar (A3, A5, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBernard Purdie – drums (A1, A3-5, B1-2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Marotta – drums (A2), percussion (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRalph MacDonald – percussion (A1, A4, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePancho Morales – congas (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Farrell – oboe (1), saxophone (A3, A4, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarvin Stamm – flugelhorn (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGloria Agostini – harp (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Blair – electric violin (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Packer – fiddle (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMark Horowitz – banjo (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Dary Hall (A1, A3-4, B1-3), John Oates (A2-5, B2, B4)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, \u003c\/strong\u003e\u003cstrong\u003eGatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : \u003c\/strong\u003e\u003cstrong\u003eTranslucent Red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rainbo Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Atlantic Recording Studios, New York, N.Y. by \u003c\/strong\u003e\u003cstrong\u003eJimmy Douglass, Lew Hahn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Arif Mardin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso At Friday Music Studios \u0026amp; Capitol Mastering In Hollywood, Ca\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2010\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen The Morning Comes\u003c\/li\u003e\n\u003cli\u003eHad I Known You Better Then\u003c\/li\u003e\n\u003cli\u003eLas Vegas Turnaround (The Stewardess Song)\u003c\/li\u003e\n\u003cli\u003eShe's Gone\u003c\/li\u003e\n\u003cli\u003eI'm Just A Kid (Don't Make Me Feel Like A Man)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAbandoned Luncheonette\u003c\/li\u003e\n\u003cli\u003eLady Rain\u003c\/li\u003e\n\u003cli\u003eLaughing Boy\u003c\/li\u003e\n\u003cli\u003eEverytime I Look At You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Abandoned Luncheonette, Hall \u0026amp; Oates' second album, was the first indication of the duo's talent for sleek, soul-inflected pop\/rock. It featured the single \"She's Gone,\" which would become a big hit in 1975 when it was re-released following the success of \"Sara Smile.\"\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973 was an amazing year for Daryl Hall and John Oates as they ushered their superstar paths further with the incredible masterpiece Abandoned Luncheonette. Produced by the great Arif Mardin (Aretha Franklin), this nine-song album, infused with classic Philly soul, rock and acoustic soul anthems, delivered in a big way for the best-selling duo of all time.\u003c\/p\u003e\n\u003cp\u003eIncluding their huge hit single \"She's Gone\", as well as big hit favorites \"When The Morning Comes\" and the celebrated title track \"Abandoned Luncheonette\", Daryl Hall's and John Oates's second album was a watershed release which has rewarded them with non-stop success for the past four decades.\u003c\/p\u003e\n\u003cp\u003eMore Hall and Oates favorites like the soulful powerhouse \"I'm Just A Kid (Don't Make Me Feel Like A Man)\" and the hit balladry of \"Had I Known You Better Then\" further enhance the incredible album which will always be one of the biggest breakout albums of all time. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,02 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40813814317207,"sku":"FRM 7269 Translucent Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/daryl-hall-and-john-oates-abandoned-luncheonette-translucent-red-vinyl-audiosoundmusic-1.jpg?v=1719852801"},{"product_id":"dave-mason-alone-together-marble-vinyl","title":"Dave Mason - Alone Together (Marble vinyl)","description":"\u003cp\u003e\u003cstrong\u003eDave Mason — guitars, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeon Russell, Larry Knechtel, John Simon — keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael DeTemple, Don Preston — guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChris Ethridge, Larry Knechtel, Carl Radle — bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Barbata, Jim Capaldi, Jim Gordon, Jim Keltner — drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBonnie Bramlett, Rita Coolidge, Mike Coolidge, Lou Cooper, Claudia Lennear, Bob Norwood, Jack Storti — backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e1 LP, gatefold cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Marble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Blue Thumb Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Sunset Sound by \u003c\/strong\u003e\u003cstrong\u003eAl Schmitt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Dave Mason, Tommy LiPuma\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOnly You Know And I Know\u003c\/li\u003e\n\u003cli\u003eCan't Stop Worrying, Can't Stop Loving\u003c\/li\u003e\n\u003cli\u003eWaitin' On You\u003c\/li\u003e\n\u003cli\u003eShouldn't Have Took More Than You Gave\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWorld In Changes\u003c\/li\u003e\n\u003cli\u003eSad And Deep As You\u003c\/li\u003e\n\u003cli\u003eJust A Song\u003c\/li\u003e\n\u003cli\u003eLook At You Look At Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Dave Mason's first solo album was one of several recordings to come out of the Leon Russell\/Delaney \u0026amp; Bonnie axis in 1970. (Other notables included Eric Clapton's solo debut and Joe Cocker's Mad Dogs \u0026amp; Englishmen.) Alone Together contains an excellent batch of melodically pleasing songs, built on a fat bed of strumming acoustic guitars with tasteful electric guitar accents and leads. Mason's vocals are embellished with harmonies from Rita Coolidge, Claudia Lennear, and Delaney \u0026amp; Bonnie. Besides the well-known semi-hit \"Only You Know and I Know,\" and which was also a number 20 hit for Delaney \u0026amp; Bonnie, highlights include the bouncy gospel-inflected \"Waitin' on You\" and the banjo-bejeweled \"Just a Song.\" \"Look at You Look at Me\" and the wonderfully wah-wahed \"Shouldn't Have Took More Than You Gave\" are reminiscent of Mason's former band, Traffic, whose drummer, Jim Capaldi is among the all-star cast assembled here. Alone Together represents Dave Mason at his peak. Later releases would betray lyrical shallowness, forced rhymes, and clichéd guitar licks. But here, everything comes together perfectly. The original vinyl release of Alone Together was also noteworthy for the marble grain of the record itself -- as the record played on the turntable, the tone arm appeared to be floating through the clouds.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Jim Newsom\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,08 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40814171914391,"sku":"FRM-19 Marble","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/dave-mason-alone-together-marble-vinyl-audiosoundmusic-1.jpg?v=1719852801"},{"product_id":"david-bowie-a-reality-tour-translucent-blue-vinyl","title":"David Bowie - A Reality Tour (3LP, Box set, Translucent Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003e David Bowie - vocals\u003c\/strong\u003e \u003cstrong\u003e\u003ca title=\"vinyl featuring David Bowie\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-bowie\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-bowie\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring David Bowie]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Catherine Russell, Gail Ann Dorsey, Gerry Leonard, Sterling Campbell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass Guitar – Gail Ann Dorsey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Sterling Campbell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Earl Slick\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Leader [Band Leader] – Gerry Leonard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Catherine Russell, Mike Garson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMandolin – Catherine Russell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Catherine Russell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LPs, \u003c\/strong\u003e\u003cstrong\u003eBox Set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : \u003c\/strong\u003e\u003cstrong\u003eTranslucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eNovember 22 and 23, 2003 at the Point Depot in Dublin, Ireland\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e by Mario J. McNulty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bill Lord, Bill Zysblat, Henry Wrenn-Meleck\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2004\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003e            Rebel, Rebel\u003c\/p\u003e\n\u003cp\u003e            New Killer Star\u003c\/p\u003e\n\u003cp\u003e            Reality\u003c\/p\u003e\n\u003cp\u003e            Fame\u003c\/p\u003e\n\u003cp\u003e            Cactus\u003c\/p\u003e\n\u003cp\u003e            Sister Midnight\u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003e            Afraid\u003c\/p\u003e\n\u003cp\u003e            All The Young Dudes\u003c\/p\u003e\n\u003cp\u003e            Be My Wife\u003c\/p\u003e\n\u003cp\u003e            The Loneliest Guy\u003c\/p\u003e\n\u003cp\u003e            The Man Who Sold The World\u003c\/p\u003e\n\u003cp\u003e            Sunday\u003c\/p\u003e\n\u003cp\u003eSide C\u003c\/p\u003e\n\u003cp\u003e            Fantastic Voyage\u003c\/p\u003e\n\u003cp\u003e            Hallo Spaceboy\u003c\/p\u003e\n\u003cp\u003e            Under Pressure\u003c\/p\u003e\n\u003cp\u003e            Life On Mars\u003c\/p\u003e\n\u003cp\u003e            Battle For Britain (The Letter)\u003c\/p\u003e\n\u003cp\u003e            Never Get Old\u003c\/p\u003e\n\u003cp\u003eSide D\u003c\/p\u003e\n\u003cp\u003e            Ashes To Ashes\u003c\/p\u003e\n\u003cp\u003e            The Motel\u003c\/p\u003e\n\u003cp\u003e            Loving The Alien\u003c\/p\u003e\n\u003cp\u003e            Changes\u003c\/p\u003e\n\u003cp\u003e            I’m Afraid Of Americans\u003c\/p\u003e\n\u003cp\u003eSide E\u003c\/p\u003e\n\u003cp\u003e            Heroes\u003c\/p\u003e\n\u003cp\u003e            Bring Me The Disco King\u003c\/p\u003e\n\u003cp\u003e            Slip Away\u003c\/p\u003e\n\u003cp\u003e            Heathen (The Rays)\u003c\/p\u003e\n\u003cp\u003eSide F\u003c\/p\u003e\n\u003cp\u003e            Five Years\u003c\/p\u003e\n\u003cp\u003e            Hang On To Yourself\u003c\/p\u003e\n\u003cp\u003e            Ziggy Stardust\u003c\/p\u003e\n\u003cp\u003e            Fall Dogs Bomb The Moon\u003c\/p\u003e\n\u003cp\u003e            Breaking Glass\u003c\/p\u003e\n\u003cp\u003e            China Girl\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e\"Originally released as a home video in 2004, David Bowie's A Reality Tour saw a two-CD audio release slated for January 2010, with three previously unreleased bonus tracks -- \"Fall Dogs Bombs the Moon,\" \"Breaking Glass,\" \"China Girl\" -- adding value to those hardcore fans who already own this concert as a DVD. In either the video or audio incarnation, this November 2003 Dublin, Ireland show is an entertaining, open-hearted set, finding Bowie running through a generous selection of oldies -- both hits and album tracks, including songs written by Bowie, like \"All the Young Dudes\" and \"Sister Midnight\" -- and new songs that hold up well next to the classics. This is Bowie in his mode as a crowd-pleasing professional, playing with considerable charm and skill, offering no surprises but plenty of pleasure: it's not the first album that will come to mind when thinking of live Bowie, but as it's playing, it's hard to resist.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,56 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40814249803927,"sku":"FRM-88272 Translucent Blue Box","price":179.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/david-bowie-a-reality-tour-3lp-box-set-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719852815"},{"product_id":"dokken-breaking-the-chains-translucent-red-vinyl","title":"Dokken - Breaking The Chains (Translucent Red vinyl)","description":"\u003cp\u003e\u003cstrong\u003eDon Dokken – lead vocals, rhythm guitar, lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge Lynch – lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Wild\" Mick Brown – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuan Croucier – bass\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Carrere\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Studio Stommeln, July - September 1981 by\u003c\/strong\u003e\u003cstrong\u003e Dieter Dierks, Michael Wagener\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Dieter Dierks, Michael Wagener\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso at Friday Music Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1981\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBreaking The Chains\u003c\/li\u003e\n\u003cli\u003eIn The Middle\u003c\/li\u003e\n\u003cli\u003eFelony\u003c\/li\u003e\n\u003cli\u003eI Can't See You\u003c\/li\u003e\n\u003cli\u003eLive To Rock (Rock To Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNightrider\u003c\/li\u003e\n\u003cli\u003eSeven Thunders\u003c\/li\u003e\n\u003cli\u003eYoung Girls\u003c\/li\u003e\n\u003cli\u003eStick To Your Guns\u003c\/li\u003e\n\u003cli\u003eParis Is Burning (recorded live in Berlin, Dec. 1982)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"After vocalist Don Dokken supplied backup belting on the Scorpions' scorcher Blackout, producer Dieter Dierks gave him leftover studio time to produce demos. Guitarist George Lynch, drummer Mick Brown, and bassist Juan Croucier (who immediately left to form Ratt) rounded out the rockin' Dokken. Combining Teutonic thunder with Sunset Strip sensibilities, the band began carving out a comfortable niche in the '80s hair market with this Carrere release, soon remixed and remastered for proper distribution by Elektra. The quartet's debut slings clichés fast and furious, but the shopworn staples seem bearable because the playing is at peak form. Opener \"Breaking the Chains\" remains a pop\/rock perennial (forever linked to the accompanying apocalyptic video wherein Don and the boys, well, break the chains). The remainder of side one, while unremarkable, still sticks to the ribs after only a couple of spins. Side two begins to lag until the sizzling final cut, the live \"Paris Is Burning\" (originally a studio track called \"Paris\"), erupts into flames through the phenomenal fretwork of dazzling axe-god Lynch, a legend from an era with no shortage of six-string-heroes. After intense glory in the Headbanger's Ball daze, Dokken splintered into several dysfunctional side projects, tainting the band's solid '80s output. Everything started with this record, which remains an enjoyable, if not essential, slab of competent corporate metal.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Whitney Z. Gomes \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2,5 \/ 5 , Discogs : 3,92 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40819348996247,"sku":"FMLP370 Translucent Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/dokken-breaking-the-chains-translucent-red-vinyl-audiosoundmusic-1.jpg?v=1719852838"},{"product_id":"copy-of-dokken-breaking-the-chains-translucent-red-vinyl","title":"Dokken - Breaking The Chains (Translucent Gold vinyl)","description":"\u003cp\u003e\u003cstrong\u003eDon Dokken – lead vocals, rhythm guitar, lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge Lynch – lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Wild\" Mick Brown – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuan Croucier – bass\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Gold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Carrere\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Studio Stommeln, July - September 1981 by\u003c\/strong\u003e\u003cstrong\u003e Dieter Dierks, Michael Wagener\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Dieter Dierks, Michael Wagener\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso at Friday Music Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1981\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBreaking The Chains\u003c\/li\u003e\n\u003cli\u003eIn The Middle\u003c\/li\u003e\n\u003cli\u003eFelony\u003c\/li\u003e\n\u003cli\u003eI Can't See You\u003c\/li\u003e\n\u003cli\u003eLive To Rock (Rock To Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNightrider\u003c\/li\u003e\n\u003cli\u003eSeven Thunders\u003c\/li\u003e\n\u003cli\u003eYoung Girls\u003c\/li\u003e\n\u003cli\u003eStick To Your Guns\u003c\/li\u003e\n\u003cli\u003eParis Is Burning (recorded live in Berlin, Dec. 1982)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"After vocalist Don Dokken supplied backup belting on the Scorpions' scorcher Blackout, producer Dieter Dierks gave him leftover studio time to produce demos. Guitarist George Lynch, drummer Mick Brown, and bassist Juan Croucier (who immediately left to form Ratt) rounded out the rockin' Dokken. Combining Teutonic thunder with Sunset Strip sensibilities, the band began carving out a comfortable niche in the '80s hair market with this Carrere release, soon remixed and remastered for proper distribution by Elektra. The quartet's debut slings clichés fast and furious, but the shopworn staples seem bearable because the playing is at peak form. Opener \"Breaking the Chains\" remains a pop\/rock perennial (forever linked to the accompanying apocalyptic video wherein Don and the boys, well, break the chains). The remainder of side one, while unremarkable, still sticks to the ribs after only a couple of spins. Side two begins to lag until the sizzling final cut, the live \"Paris Is Burning\" (originally a studio track called \"Paris\"), erupts into flames through the phenomenal fretwork of dazzling axe-god Lynch, a legend from an era with no shortage of six-string-heroes. After intense glory in the Headbanger's Ball daze, Dokken splintered into several dysfunctional side projects, tainting the band's solid '80s output. Everything started with this record, which remains an enjoyable, if not essential, slab of competent corporate metal.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Whitney Z. Gomes \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2,5 \/ 5 , Discogs : 3,92 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40819450118295,"sku":"FMLP370 Translucent Gold","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/dokken-breaking-the-chains-translucent-gold-vinyl-audiosoundmusic-1.jpg?v=1719852838"},{"product_id":"elvis-presley-elvis-is-back-translucent-blue-vinyl","title":"Elvis Presley - Elvis Is Back (Translucent Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eElvis Presley – vocals, acoustic guitar \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScotty Moore - electric guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHank Garland – electric guitar, electric bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFloyd Cramer – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob Moore – double bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. Fontana - drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuddy Harman – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Jordanaires – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBoots Randolph – saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharlie Hodge – backing vocals (on \"I Will Be Home Again\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eMarch–April 1960 in \u003c\/strong\u003e\u003cstrong\u003eRCA Victor Studio B, Nashville, Tennessee by Bill Porter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Chet Atkins\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMake Me Know It\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eThe Girl Of My Best Friend\u003c\/li\u003e\n\u003cli\u003eI Will Be Home Again\u003c\/li\u003e\n\u003cli\u003eDirty, Dirty Feeling\u003c\/li\u003e\n\u003cli\u003eThrill Of Your Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003eSoldier Boy\u003c\/li\u003e\n\u003cli\u003eSuch A Night\u003c\/li\u003e\n\u003cli\u003eIt Feels So Right\u003c\/li\u003e\n\u003cli\u003eGirl Next Door Went A-Walking\u003c\/li\u003e\n\u003cli\u003eLike A Baby\u003c\/li\u003e\n\u003cli\u003eReconsider Baby\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings you must hear before you die - Ranked 25\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Although they have common recording origins, two of the three singles, \"It's Now or Never\" and \"Are You Lonesome Tonight,\" were very quirky by the standards of Elvis songs at the time -- the former inspired by Elvis's admiration for Tony Martin's 1949 hit \"There's No Tomorrow,\" while the latter was recorded at the request of Col. Parker as a favor to his wife. They add to the diversity of sounds on this record, which shows a mature Elvis Presley. \"Dirty, Dirty Feeling\" and \"It Feels So Right\" showed he could still rock out and challenge authority and propriety, while \"Reconsider Baby\" and \"Like a Baby\" offer some of his best blues performances; but \"The Thrill of Your Love\" (a very gospel-tinged number), \"Soldier Boy,\" \"Girl of My Best Friend,\" and \"Girl Next Door Went a' Walking,\" also displayed the rich, deep vocalizing that would challenge critics' expectations of Elvis Presley playing rhythm guitar throughout. He also comes off better than on any of his other albums since arriving at RCA, as a musician as much as a \"star\" (he'd always had a lot more to say about running his sessions than the critics who loathed his RCA years indicated).\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,39 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40819697680535,"sku":"FRM-2231","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-elvis-is-back-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719852845"},{"product_id":"elvis-presley-elvis-now-translucent-blue-vinyl","title":"Elvis Presley - Elvis Now (Translucent Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eElvis Presley – vocals, acoustic guitar \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Jerry Carrigan, Kenny Buttrey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Charlie Hodge, Chip Young, James Burton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarmonica – Charlie McCoy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan – Charlie McCoy, Glen Spreen \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – David Briggs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – The Imperials Quartet (A1, A2, A4, A5, B1), The Nashville Edition (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue \u003c\/strong\u003e\u003cstrong\u003e\u0026amp; Black Swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eJanuary 22, 1969 – June 8, 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHelp Me Make It Through The Night\u003c\/li\u003e\n\u003cli\u003eMiracle Of The Rosary\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003ePut Your Hand In The Hand\u003c\/li\u003e\n\u003cli\u003eUntil It's Time For You To Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWe Can Make The Morning\u003c\/li\u003e\n\u003cli\u003eEarly Mornin' Rain\u003c\/li\u003e\n\u003cli\u003eSylvia\u003c\/li\u003e\n\u003cli\u003eFools Rush In\u003c\/li\u003e\n\u003cli\u003eI Was Born About Ten Thousand Years Ago\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Recorded primarily in May and June of 1971, Elvis Now is quintessential '70s Elvis Presley, an eclectic mix of ballads, rockers, and gospel numbers all seemingly arranged with Elvis' lavish Las Vegas stage show very much in mind. Much of the material would have been familiar to a Vegas audience even before they heard Presley perform it. \"Help Me Make It Through the Night\" had recently been a big hit for Sammi Smith, Ocean's \"Put Your Hand in the Hand\" had reached number two months before Elvis recorded it, and \"Early Morning Rain\" was a big country hit for George Hamilton IV in 1966. As usual, Presley's singing is always good and occasionally breathtaking, and his backing band is excellent, if perhaps a little too large for some tastes. This album won't change anyone's mind about Presley's late career output, but taken on its own terms, Elvis Now is a solid effort.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by AllMusic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2,5 \/ 5 , Discogs : 4,08 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40830035394711,"sku":"FRM-4671 Translucent Blue","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-elvis-now-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719852845"},{"product_id":"elvis-presley-elvis-now-translucent-gold-vinyl","title":"Elvis Presley - Elvis Now (Translucent Gold vinyl)","description":"\u003cp\u003e\u003cstrong\u003eElvis Presley – vocals, acoustic guitar \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Jerry Carrigan, Kenny Buttrey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Charlie Hodge, Chip Young, James Burton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarmonica – Charlie McCoy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan – Charlie McCoy, Glen Spreen \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – David Briggs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – The Imperials Quartet (A1, A2, A4, A5, B1), The Nashville Edition (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : \u003c\/strong\u003e\u003cstrong\u003eTranslucent Gold \u0026amp; Red Swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eJanuary 22, 1969 – June 8, 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHelp Me Make It Through The Night\u003c\/li\u003e\n\u003cli\u003eMiracle Of The Rosary\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003ePut Your Hand In The Hand\u003c\/li\u003e\n\u003cli\u003eUntil It's Time For You To Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWe Can Make The Morning\u003c\/li\u003e\n\u003cli\u003eEarly Mornin' Rain\u003c\/li\u003e\n\u003cli\u003eSylvia\u003c\/li\u003e\n\u003cli\u003eFools Rush In\u003c\/li\u003e\n\u003cli\u003eI Was Born About Ten Thousand Years Ago\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Recorded primarily in May and June of 1971, Elvis Now is quintessential '70s Elvis Presley, an eclectic mix of ballads, rockers, and gospel numbers all seemingly arranged with Elvis' lavish Las Vegas stage show very much in mind. Much of the material would have been familiar to a Vegas audience even before they heard Presley perform it. \"Help Me Make It Through the Night\" had recently been a big hit for Sammi Smith, Ocean's \"Put Your Hand in the Hand\" had reached number two months before Elvis recorded it, and \"Early Morning Rain\" was a big country hit for George Hamilton IV in 1966. As usual, Presley's singing is always good and occasionally breathtaking, and his backing band is excellent, if perhaps a little too large for some tastes. This album won't change anyone's mind about Presley's late career output, but taken on its own terms, Elvis Now is a solid effort.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by AllMusic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2,5 \/ 5 , Discogs : 4,08 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40830171316375,"sku":"FRM-4671 Translucent Gold","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-elvis-now-translucent-gold-vinyl-audiosoundmusic-1.jpg?v=1719852845"},{"product_id":"elvis-presley-elvis-gold-records-volume-5-translucent-gold-vinyl","title":"Elvis Presley - Elvis' Gold Records Volume 5 (Translucent Gold vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElvis Presely - vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Gold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Richard Simpson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Joan Deary\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso At Friday Music Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1984\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSuspicious Minds\u003c\/li\u003e\n\u003cli\u003eKentucky Rain\u003c\/li\u003e\n\u003cli\u003eIn The Ghetto\u003c\/li\u003e\n\u003cli\u003eClean Up Your Own Backyard\u003c\/li\u003e\n\u003cli\u003eIf I Can Dream\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBurning Love\u003c\/li\u003e\n\u003cli\u003eIf You Talk In Your Sleep\u003c\/li\u003e\n\u003cli\u003eFor The Heart\u003c\/li\u003e\n\u003cli\u003eMoody Blue\u003c\/li\u003e\n\u003cli\u003eWay Down\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Sixteen years after Elvis' Gold Records, Vol. 4 and seven years after his death came volume five in the series, courtesy of Joan Deary, the first RCA executive to take a sensible, intelligent approach to handling the Elvis Presley library. The original ten-song LP has been expanded to a 16-song CD. Later country chart hits like \"Moody Blue\" work well juxtaposed with numbers like \"Suspicious Minds\" and \"Big Boss Man,\" and odd B-sides like \"For the Heart\" (which, as \"Had a Dream,\" became the Judds' first hit in 1984) and Elvis' cover of \"You Don't Have to Say You Love Me\" don't seem out of place. The only real loser here (mostly thanks to its ponderous chorus) is \"Edge of Reality,\" a song that originally showed up in the movie Live a Little, Love a Little as a psychedelic number in a dream sequence in which Elvis dances with a man in a great-dane costume -- even stripped of that image, it doesn't work as a song, and comes off even less well since it precedes the superb \"Memories\" and \"If I Can Dream.\" The decade represented by the 16 songs on volume five shows an Elvis Presley every bit as secure as an artist as the rebel represented on volumes one or two, searching for and generally finding a sound and an audience that could go together.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,36 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40830199955607,"sku":"FRM-9444 Translucent Gold","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-elvis-gold-records-volume-5-translucent-gold-vinyl-audiosoundmusic-1.jpg?v=1719852845"},{"product_id":"elvis-presley-for-lp-fans-only-mono-translucent-red-vinyl","title":"Elvis Presley - For LP Fans Only (Translucent Red vinyl, Mono)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eCOMPILATION\u003cbr\u003e\u003cbr\u003eElvis Presley - vocals, guitar \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eChet Atkins – rhythm guitar \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Chet Atkins\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/chet-atkins\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/chet-atkins\"\u003e[click here to see more vinyl featuring Chet Atkins]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Jordanaires – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen Speer – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBrock Speer – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eScotty Moore – lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFloyd Cramer – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eShorty Long – piano on \"My Baby Left Me\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGordon Stoker – piano, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBill Black – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eD.J. Fontana – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJimmie Lott – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohnny Bernero – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWritten by Elvis Presley (A4), Arthur Crudup (A1, B1), Lloyd Price (A2), Herman Parker (A3), Jr. Sam Phillips (A3), Vera Matson (A4), Stan Kesler (A5), Aaron Schroeder (B2), Claude Demetrius (B2), Hal Blair (B2), Bill Peppers (B2), Charles Calhoun (B3), Stan Kesler (B4), William Taylor (B4), Jack Sallee (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat's All Right\u003c\/li\u003e\n\u003cli\u003eLawdy, Miss Clawdy\u003c\/li\u003e\n\u003cli\u003eMystery Train\u003c\/li\u003e\n\u003cli\u003ePlaying For Keeps\u003c\/li\u003e\n\u003cli\u003ePoor Boy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Baby Left Me\u003c\/li\u003e\n\u003cli\u003eI Was The One\u003c\/li\u003e\n\u003cli\u003eShake, Rattle And Roll\u003c\/li\u003e\n\u003cli\u003eI'm Left, You're Right, She's Gone\u003c\/li\u003e\n\u003cli\u003eYou're A Heartbreaker\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"For LP Fans Only marks the first time RCA dipped into the Sun vaults to fill out an Elvis Presley LP. To a certain extent, their hand was forced. By January 1959, when For LP Fans Only hit the stores, Elvis was eight months into his Army stint with no end in sight, so RCA was stuck for new product and the easiest solution was to dig up Sun sessions and pair them with early RCA cuts initially released on singles or EPs. Just under half of this is devoted to Sun sides, and not only are \"That's All Right,\" \"Mystery Train,\" \"I'm Left, You're Right, She's Gone\" and \"You're a Heartbreaker\" some of the best music Presley ever made but they're paired with early RCA sessions that complement them perfectly: in fact, the hopping \"My Baby Left Me\" feels as if it could've been recorded by Sam Phillips. Apart from the cute, charming enough \"Poor Boy\" -- a rare Presley co-write taken from the Love Me Tender EP that could qualify as the record's only stumble -- this LP rocks hard with a serious bluesy bent: there's a carnality to his growl on \"Lawdy, Miss Clawdy\" rivaled by his smoldering \"I Was the One,\" then he tears it up on \"Shake, Rattle and Roll.\" Whether RCA truly intended For LP Fans Only to be a tight, exciting record is questionable -- it was product, pure and simple; there was no way for the label to realize the blessing they were giving to Presley fans by getting the Sun sessions into circulation (this would be the only place they could be found on LP until 1976) -- but they stumbled upon one of the finest full-length rock \u0026amp; roll records of the '50s.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,32 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40830405836951,"sku":"FRM-1990 Translucent Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-for-lp-fans-only-translucent-red-vinyl-mono-audiosoundmusic-1.jpg?v=1719852854"},{"product_id":"elvis-presley-g-i-blues-yellow-vinyl","title":"Elvis Presley - G.I. Blues (Yellow vinyl)","description":"\u003cp\u003e\u003cstrong\u003eElvis Presley – vocals, acoustic rhythm guitar on \"Shoppin' Around\" \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Jordanaires – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScotty Moore – rhythm guitar, lead guitar on \"Frankfort Special\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTiny Timbrell – lead guitar, mandolin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeal Matthews, Jr. – electric bass, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmie Haskell – accordion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHoyt Hawkins – tambourine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDudley Brooks – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Siegel – double bass, tuba\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eD.J. Fontana, Frank Bode, Bernie Mattinson – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket, poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Yellow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded April 27 – May 6, 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Hal Wallis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTonight Is So Right For Love\u003c\/li\u003e\n\u003cli\u003eWhat's She Really Like\u003c\/li\u003e\n\u003cli\u003eFrankfort Special\u003c\/li\u003e\n\u003cli\u003eWooden Heart\u003c\/li\u003e\n\u003cli\u003eG.I. Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePocketful Of Rainbows\u003c\/li\u003e\n\u003cli\u003eShoppin' Around\u003c\/li\u003e\n\u003cli\u003eBig Boots\u003c\/li\u003e\n\u003cli\u003eDidja' Ever\u003c\/li\u003e\n\u003cli\u003eBlue Suede Shoes\u003c\/li\u003e\n\u003cli\u003eDoin' The Best I Can\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"G.I. Blues marks the point when Elvis Presley's '60s begin. It's the first film he made after leaving the Army -- parts of the production were shot in Germany just prior to his release -- and it's also the first of his many movie soundtracks, a form that did Elvis few favors. G.I. Blues is nowhere near as tacky as some of the soundtracks that arrived later, but it nevertheless makes clear Col. Tom Parker's desire to move Presley from rock \u0026amp; roll and into the show biz middle of the road. Only a bold, rollicking run-through of Carl Perkins' \"Blue Suede Shoes\" could be called rock \u0026amp; roll, although \"Shoppin' Around\" also swings to a bluesy backbeat and there's a bit of a spark to the title track, a song that's cleverly perched between rock and show tunes without explicitly reworking previous Elvis recordings the way that \"Tonight Is So Right for Love\" or \"Frankfort Special\" do (the former kicks off with a rhythm out of \"Such a Night,\" the latter \"Mystery Train\"). Most of G.I. Blues belongs firmly to the song-and-dance camp and for good reason: the film is a musical comedy, so the songs should be effervescent trifles, which they are. Elvis handles them admirably, never sounding embarrassed and often lending them a considerable amount of charm, a quality that when combined with a crackerjack band makes G.I. Blues an amiable lark.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3,5 \/ 5 , Discogs : 3,95 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40830517411991,"sku":"FRM-2256 Yellow","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-g-i-blues-yellow-vinyl-audiosoundmusic-1.jpg?v=1719852854"},{"product_id":"elvis-presley-he-touched-me-translucent-red-vinyl","title":"Elvis Presley - He Touched Me (Translucent Red vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eElvis Presley – arranger, vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – The Imperials Quartet (A1, A2, A4 to B6), The Nashville Edition (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Imperials – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Briggs – organ, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Burton – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenny Buttrey – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerry Carrigan – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Esposito – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharlie Hodge – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGinger Holladay – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMary Holladay – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMillie Kirkham – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKathy Westmoreland - vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharlie McCoy – organ, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSonja Montgomery – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Moscheo – organ, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAl Pachucki – engineer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJune Page – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNorbert Putnam – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTemple Riser – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChip Young – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded March–June 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Vic Anesini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHe Touched Me\u003c\/li\u003e\n\u003cli\u003eI've Got Confidence\u003c\/li\u003e\n\u003cli\u003eAmazing Grace\u003c\/li\u003e\n\u003cli\u003eSeeing Is Believing\u003c\/li\u003e\n\u003cli\u003eHe Is My Everything\u003c\/li\u003e\n\u003cli\u003eBosom of Abraham\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAn Evening Prayer\u003c\/li\u003e\n\u003cli\u003eLead me, Guide Me\u003c\/li\u003e\n\u003cli\u003eThere Is No God But God\u003c\/li\u003e\n\u003cli\u003eA Thing Called Love\u003c\/li\u003e\n\u003cli\u003eI, John\u003c\/li\u003e\n\u003cli\u003eReach Out to Jesus\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Elvis' third and final gospel album, He Touched Me, is distinct from both of his previous LPs -- it was not only recorded five years after the prior album, but included a far different set of songs and musicians. This is Elvis' contemporary gospel record, including material from Bill Gaither (the title song), Andraé Crouch (\"I've Got Confidence\"), and Dallas Frazier (\"He Is My Everything\"). His vocal backgrounds come from the Imperials and J.D. Sumner \u0026amp; the Stamps, and the instrumental arrangements leave space for electric guitar and electric bass. Though it's spiritual, it doesn't have the sacred feel of 1960's His Hand in Mine or the first half of 1966's How Great Thou Art.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by John Bush\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3,5 \/ 5 , Discogs : 4,08 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40830625054871,"sku":"FRM-4690 Translucent Red","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-he-touched-me-translucent-red-vinyl-audiosoundmusic-1.jpg?v=1719852854"},{"product_id":"copy-of-elvis-presley-elvis-gold-records-volume-5-translucent-gold-vinyl","title":"Elvis Presley - In Person At The International Hotel Las Vegas Nevada (Translucent Gold vinyl)","description":"\u003cp\u003e\u003cstrong\u003eElvis Presley - vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Jerry Scheff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Ron Tutt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – James Burton, John Wilkinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Vocals – Charlie Hodge\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra – Bobby Morris \u0026amp; His Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano, Organ – Larry Muhoberac\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – The Imperials (A2-4,A7,B1-5), Millie Kirkham, The Sweet Inspirations (A2-4, B1-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Billy Goldenberg (B5), Glen Spreen (B3-4), Mike Leech (pistes : B3-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover \u0026amp; Poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Gold \u0026amp; Blue Swirl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003e22-26 August 1969 at the International Hotel, Las Vegas, Nevada\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Felton Jarvis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlue Suede Shoes\u003c\/li\u003e\n\u003cli\u003eJohnny B. Goode*\u003c\/li\u003e\n\u003cli\u003eAll Shook Up*\u003c\/li\u003e\n\u003cli\u003eAre You Lonesome Tonight*\u003c\/li\u003e\n\u003cli\u003eHound Dog\u003c\/li\u003e\n\u003cli\u003eI Can't Stop Loving You*\u003c\/li\u003e\n\u003cli\u003eMy Babe**\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMedley: Mystery Train \/ Tiger Man\u003c\/li\u003e\n\u003cli\u003eWords*\u003c\/li\u003e\n\u003cli\u003eIn The Ghetto*\u003c\/li\u003e\n\u003cli\u003eSuspicious Minds*\u003c\/li\u003e\n\u003cli\u003eCan't Help Falling In Love*\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"When Elvis and the Colonel decided it was time to start appearing live again, they assembled a crackerjack band (featuring James Burton) and took on Vegas full-bore. Easily the King's best live album, In Person at the International Hotel featured a slew of hits, including \"Johnny B. Goode,\" \"My Babe,\" the \"Mystery Train\/Tiger Man\" medley, and \"Suspicious Minds.\" If the album had a flaw, it was its skimpy running time (36 minutes). We now know, from the unissued tracks from these same performances that were added to the remastered On Stage (1970), that there was more to the repertory of those five days of August 1969 shows than is represented here; but the producers, limited to a single LP, faced a major problem: Should they weigh the tracks more toward his current repertory and recent singles, or toward his classic songs? The classic songs sort of won out, but in the decades since, those then-recent singles have risen in stature. Regardless of what they're playing, the band really rock throughout, and that's not just Burton -- who sounds like he's wearing his fingers ragged as he puts a new edge on \"Hound Dog,\" coming up with something different than, yet vaguely similar to, Scotty Moore's approach to the song in concert 14 years earlier -- but also the entire guitar contingent of John Wilkinson and Charlie Hodge (not to mention Elvis himself, who strums along here and there) and the muscular rhythm section of bassist Jerry Scheff and drummer Ronnie Tutt. The vocal support by Hodge, Millie Kirkham, the Sweet Inspirations, and the Imperials is soaring and tasteful, never more so than on the album's seven-minute version of \"Suspicious Minds\" and the soaring finale, \"Can't Help Falling in Love.\"\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,22 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40830759403671,"sku":"FRM-4428 Translucent Gold","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-in-person-at-the-international-hotel-las-vegas-nevada-translucent-gold-vinyl-audiosoundmusic-1.jpg?v=1719852855"},{"product_id":"elvis-presley-promised-land-translucent-gold-vinyl","title":"Elvis Presley - Promised Land (Colored translucent vinyl)","description":"\u003cp\u003e\u003cstrong\u003eElvis Presley – lead vocals, harmony vocals on \"Promised Land\" \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Burton – lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Christopher – rhythm guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharlie Hodge – acoustic rhythm guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJeannie Green – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Briggs – piano, Hammond organ, overdubbed tambourine on \"Promised Land\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePer Erik \"Pete\" Hallin – piano on \"Help Me\" and \"Love Song of the Year\", Wurlitzer electric piano on \"I’ve Got a Feelin’ In My Body\", clavinet on \"Promised Land\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMary and Ginger Holladay – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSusan Pilkington – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNorbert Putnam – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRon Tutt – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVoice (Donnie Sumner, Sherrill Nielsen, Tim Baty, Per Eric \"Pete\" Hallin) – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJD Sumner \u0026amp; The Stamps (Bill Baize, Ed Enoch, David Rowland) – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKathy Westmoreland – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDennis Linde, Alan Rush – guitar on \"Promised Land\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Ogdin – piano on \"Promised Land\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRandy Cullers – cowbell on \"Promised Land\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMike Leech – string and brass arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Taylor – oboe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent colored vinyl (Gold, Red, ...)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded December 10–15, 1973 by \u003c\/strong\u003e\u003cstrong\u003eAl Pachucki, Dick Baxter, Mickey Crofford, Mike Moran\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePromised Land\u003c\/li\u003e\n\u003cli\u003eThere's A Honky Tonk Angel (Who Will Take Me Back In)\u003c\/li\u003e\n\u003cli\u003eHelp Me\u003c\/li\u003e\n\u003cli\u003eMr. Songman\u003c\/li\u003e\n\u003cli\u003eLove Song of The Year\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt's Midnight\u003c\/li\u003e\n\u003cli\u003eYour Love's Been A Long Time Coming\u003c\/li\u003e\n\u003cli\u003eIf You Talk In Your Sleep\u003c\/li\u003e\n\u003cli\u003eThinking About You\u003c\/li\u003e\n\u003cli\u003eYou Asked Me To\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Promised Land came from the last studio recordings that Elvis Presley ever made in Memphis, the city where his fame and his legend started. The December 1973 Stax Records sessions showed him, as he had on From Elvis in Memphis, reaching out to publishers other than those he owned for songs, and the repertory embraces material by Chuck Berry, Waylon Jennings, and Larry Gatlin, among others. With the best players on hand and an upbeat mood when these songs were cut, and the singer himself lean and rested after a couple of years of concertizing, the vibes throughout this album were positive (and then some). Elvis sounds bold and confident in ways that make this album a diverting, if not profoundly exciting experience. It's not as distinctive or as involved a personal document as Elvis Country or the concentrated soul workout of From Elvis in Memphis, but it does feature some fine, passionate singing throughout (most notably on \"It's Midnight,\" a wrenching performance).\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,15 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40831103336599,"sku":"FRM-0873 Translucent Gold","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-promised-land-colored-translucent-vinyl-audiosoundmusic-1.jpg?v=1719852860"},{"product_id":"elvis-presley-from-elvis-presley-boulevard-memphis-tennesee-burgundy-red-vinyl","title":"Elvis Presley - Boulevard Memphis Tennesee (Burgundy Red Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eElvis Presley – lead vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – J.D. Sumner And Stamps Quartet, Kathy Westmoreland, Myrna Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged By [Strings And Horns] – Bergen White (A2, A5, B2, B3, B4, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Burgundy Red Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Presley's mansion, Graceland by \u003c\/strong\u003e\u003cstrong\u003eLarry Schnapf\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Elvis Presley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1976\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHurt\u003c\/li\u003e\n\u003cli\u003eNever Again\u003c\/li\u003e\n\u003cli\u003eBlue Eyes Crying In The Rain\u003c\/li\u003e\n\u003cli\u003eDanny Boy\u003c\/li\u003e\n\u003cli\u003eThe Last Farewell    \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003eFor The Heart\u003c\/li\u003e\n\u003cli\u003eBitter They Are, Harder They Fall\u003c\/li\u003e\n\u003cli\u003eSolitaire\u003c\/li\u003e\n\u003cli\u003eLove Coming Down\u003c\/li\u003e\n\u003cli\u003eI'll Never Fall In Love Again\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"By 1976 Elvis was recording at home in Graceland, cutting what would be the final recordings of his career. Filled with bathos and showing little rock \u0026amp; roll vitality, these remain interesting nonetheless, as it implied his accepting his age somewhat and attempting to combine old-fashioned, melodramatic soul with contemporary country-pop. While the pain and decay are evident -- especially in hindsight -- Elvis could still sing: \"Hurt\" is excellent, one of his best and, on \"Danny Boy,\" Elvis reaches with an aching falsetto that closes the song, appropriately. Still, this is hardly the album to begin your collection with.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Neal Umphred\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,07 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40833275953303,"sku":"FRM-1506","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-boulevard-memphis-tennesee-burgundy-red-vinyl-audiosoundmusic-1.jpg?v=1719852860"},{"product_id":"elvis-presley-roustabout-the-original-soundtrack","title":"Elvis Presley Roustabout - The Original Soundtrack (Orange vinyl)","description":"\u003cp\u003e\u003cstrong\u003eElvis Presley – vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Jordanaires – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Mello Men – backing vocals (on \"Roustabout\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBoots Randolph – saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScotty Moore – electric rhythm guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Strange – electric lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTiny Timbrell – acoustic rhythm guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFloyd Cramer – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDudley Brooks – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob Moore – double bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Siegel – double bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. Fontana - drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuddy Harman – drums\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHal Blaine – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Orange\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded March 2 \u0026amp; 3, April 29, 1964\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1964\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoustabout\u003c\/li\u003e\n\u003cli\u003eLittle Egypt\u003c\/li\u003e\n\u003cli\u003ePoison Ivy League\u003c\/li\u003e\n\u003cli\u003eHard Knocks\u003c\/li\u003e\n\u003cli\u003eIt's A Wonderful World\u003c\/li\u003e\n\u003cli\u003eBig Love Big Heartache\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOne Track Heart\u003c\/li\u003e\n\u003cli\u003eIt's Carnival Time\u003c\/li\u003e\n\u003cli\u003eCarny Town\u003c\/li\u003e\n\u003cli\u003eThere's A Brand New Day On The Horizon\u003c\/li\u003e\n\u003cli\u003eWheels On My Heels\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Roustabout took Elvis Presley to the carnival, a setting referenced often over the course of the 20-minute soundtrack. \"It's Carnival Time\" and \"Carny Town\" bring the circus to the title, but \"It's a Wonderful World\" and \"Roustabout\" also nod toward the midway, a good indication that the 11 songs here aren't necessarily designed to be heard outside of the film, and yet Roustabout wound up topping the Billboard charts. Blame this number one entirely on momentum: there were no hits on this album and it'd be another decade before Elvis reached the top slot again. Despite its high chart placement, Roustabout can be seen as the beginning of the decline in terms of Elvis flicks. His last few soundtrack albums were patchy due to their reliance on tunes designed for the screen but they were often constructed to hit their marks exactly. On Roustabout, any sense of precision is gone: it was just good enough to get into the ball park. As Presley is a pro surrounded by pros, there are moments on the record that are fun -- a silly revival of the old Coasters hit \"Little Egypt\" works up a head of steam, the title theme is suitably widescreen, and \"Hard Knocks\" is a fairly vigorous rocker -- but much of the soundtrack is forced frivolity, giving the appearance of high spirits but feeling rather spent.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2 \/ 5 , Discogs : 3,83 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40833346371735,"sku":"FRM-82999","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-roustabout-the-original-soundtrack-orange-vinyl-audiosoundmusic-1.jpg?v=1719852860"},{"product_id":"copy-of-elvis-presley-elvis-golden-records-friday-music-black-vinyl","title":"Elvis Presley - Elvis' Golden Records (Red vinyl)","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElvis Presley - guitar, vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Jordanaires (vocals) and various bands\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Jerome Leiber (A1, A2, A5, A6, B5), Mike Stoller (A1, A2, A5, A6, B5), Elvis Presley (A3, A4, B1, B4), Otis Blackwell (A3, B1), Mae Boren Axton (A4), Tommy Durden (A4), Bernard Weinman (A7), Lee Rosenberg (A7), Fred Fisher (B2), George Brown (B2), William Raskin (B2), Bernie Lowe (B3), Karl Mann (B3), Vera Matson (B4), Aaron Schroeder (B6), Cliff Owens (B6), George Mysels (B7), Lou Kosloff (B7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHound Dog\u003c\/li\u003e\n\u003cli\u003eLoving You (with The Jordanaires)\u003c\/li\u003e\n\u003cli\u003eAll Shook Up (with The Jordanaires)\u003c\/li\u003e\n\u003cli\u003eHeartbreak Hotel\u003c\/li\u003e\n\u003cli\u003eJailhouse Rock\u003c\/li\u003e\n\u003cli\u003eLove Me\u003c\/li\u003e\n\u003cli\u003eToo Much (with The Jordanaires)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Be Cruel\u003c\/li\u003e\n\u003cli\u003eThat's When Your Heartaches Begin (with The Jordanaires)\u003c\/li\u003e\n\u003cli\u003eTeddy Bear (with The Jordanaires)\u003c\/li\u003e\n\u003cli\u003eLove Me Tender\u003c\/li\u003e\n\u003cli\u003eTreat Me Nice\u003c\/li\u003e\n\u003cli\u003eAnyway You Want Me (That's How I Will Be)\u003c\/li\u003e\n\u003cli\u003eI Want You, I Need You, I Love You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"This was rock \u0026amp; roll's first greatest-hits album, and it set the standard for all others to follow. As originally conceived, it was a 14-song collection of most of the King's biggest hits up to that time, released on the eve of his start of military service -- a dearth of material being in the offing, it seemed only logical to assemble these hits. Each of the 14 songs had earned a Gold record award for a million sales, a record unequaled at that time by anyone else in rock \u0026amp; roll. The album wasn't intended as a history lesson, so \"Hound Dog\" and \"Loving You\" precede \"Heartbreak Hotel\" -- the 1997 remastering also tampers with the concept a bit, adding six bonus tracks. Elvis' singing never sounded richer or more expressive, and one can fully appreciate in vivid detail the delicate nuances of his phrasing on songs like \"Too Much.\" On the downside, the remastering has made the sound so clean on some of the harder songs that some of the raw, \"dirty\" ambience that characterized this stuff on the radio and the original 45s is lacking. Still, Scotty Moore's groundbreaking lead guitar part on \"Hound Dog\" and the Jordanaires' backup singing never came through more sharply or cleanly, and the all-important rhythm section is almost upfront in the mix. Those who own the first Elvis box from RCA, covering the '50s masters may hesitate to pick up this or the other parts of this latest remastered series, but the sound has been upgraded one more level, and Elvis' Golden Records does give a bite-sized glimpse of where Elvis had come from and where he was going (for better or worse) musically on the eve of heading into the Army.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3,5 \/ 5 , Discogs : 4,21 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40833430618263,"sku":"FRM-1707 Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-elvis-golden-records-friday-music-red-vinyl-audiosoundmusic-1.jpg?v=1719852871"},{"product_id":"enuff-znuff-enuff-znuff","title":"Enuff Z'nuff - Enuff Z'Nuff (Purple vinyl)","description":"\u003cp\u003e\u003cstrong\u003eChip Z'nuff (Gregory Rybarski) – bass, rhythm guitar, lead vocals\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Purple\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Furnace\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : ATCO Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Royal Recorders by\u003c\/strong\u003e\u003cstrong\u003e Dan Harjung\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ron Fajerstein\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNew Thing\u003c\/li\u003e\n\u003cli\u003eShe Wants More\u003c\/li\u003e\n\u003cli\u003eFly High Michelle\u003c\/li\u003e\n\u003cli\u003eHot Little Summer Girl\u003c\/li\u003e\n\u003cli\u003eIn The Groove\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLittle Indian Angel\u003c\/li\u003e\n\u003cli\u003eFor Now\u003c\/li\u003e\n\u003cli\u003eKiss The Clown\u003c\/li\u003e\n\u003cli\u003eI Could Never Be Without You\u003c\/li\u003e\n\u003cli\u003eFinger On The Trigger\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Often overlooked because of their role in the ill-fated hair-metal craze of the late '80s, Enuff Z'nuff actually shares more common ground with power-pop luminaries Cheap Trick and Badfinger than with the lipstick-and-leather crowd. Their self-titled major label debut boasts one of the best power-pop singles of the late '80s with \"New Thing,\" which features Donnie Vie's raspy vocals set against a backdrop of whimsical guitar-powered melody. \"For Now\" captures more of the same magic that makes \"New Thing\" so refreshing, while \"Fly High Michelle\" reveals the band's fondness for psychedelic ballads. The contemplative \"I Could Never Be Without You\" shows a serious streak that offsets the obviously lighthearted approach of boisterous tracks like \"Hot Little Summer Girl\" and \"Kiss the Clown.\" Where Enuff Z'nuff falters is their tendency to let songs get bogged down by excessive guitar ramblings. The nearly seven-minute long \"In the Groove\" falls victim to this unfortunate fate, sputtering and failing to ever really get off the ground. Overall, the good far exceeds the bad on this impressive debut, proving that Enuff Z'nuff deserves more respect than they'll probably ever receive.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Michael Frey \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,13 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40833442152599,"sku":"FRM-91262 Purple","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/enuff-z-nuff-enuff-z-nuff-purple-vinyl-audiosoundmusic-1.jpg?v=1719852870"},{"product_id":"eric-johnson-ah-via-musicom","title":"Eric Johnson - Ah Via Musicom (Translucent Gold Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eEric Johnson – lead vocals (tracks A3-4, 7, 10), guitar, piano, electric sitar, arrangement, engineering, production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJody Lazo – vocals (B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteven Hennig – guitar (A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Barber – keyboard, synthesizer, arrangement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTommy Taylor – drums (A1–5, B1-2, B4-6), percussion (A4, B2, B5), arrangement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Bissell – percussion (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Fenner – percussion (B5-6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoscoe Beck – bass (A1, A3, B2, B4-5), arrangement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKyle Brock – bass (A2–5, B2, B6), arrangement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReggie Witty – bass (B2), arrangement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWee Willie – harmonica (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVince Mariani – arrangement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Mullen – engineering, mixing (A4, B2-3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Gold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rainbo Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Capitol Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded March 1988 – June 1989 at Audio Riverside Sound, Arlyn Studios, and Saucer One Studio in Austin, Texas; Studio Seven by \u003c\/strong\u003e\u003cstrong\u003eRichard Mullen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Eric Johnson \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1990\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAh Via Musicom\u003c\/li\u003e\n\u003cli\u003eCliffs Of Dover\u003c\/li\u003e\n\u003cli\u003eDesert Rose\u003c\/li\u003e\n\u003cli\u003eHigh Landrons\u003c\/li\u003e\n\u003cli\u003eSteve's Boogie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTrademark\u003c\/li\u003e\n\u003cli\u003eNothing Can Keep Me From You\u003c\/li\u003e\n\u003cli\u003eSong For George\u003c\/li\u003e\n\u003cli\u003eRighteous\u003c\/li\u003e\n\u003cli\u003eForty Mile Town\u003c\/li\u003e\n\u003cli\u003eEast Wes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"After being overlooked on his debut, Tones, guitarist Eric Johnson burst onto the airwaves with the surprising hit \"Cliffs of Dover.\" Armed with excellent chops and a clear tone, Johnson took a tired formula and made it sound fresh again. Despite his talents on the fret board, he plays with great restraint and chose to explore a variety of styles, including rock, pop, blues, country, and jazz. While his singing is not quite as interesting as his guitar playing, it is not obtrusive and is at times quite pleasing. This recording has reached near-classic proportions within the guitar community.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Robert Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,31 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40833480818839,"sku":"FRM-80517 Translucent Gold","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/eric-johnson-ah-via-musicom-translucent-gold-vinyl-audiosoundmusic-1.jpg?v=1719852870"},{"product_id":"foghat-stone-blue-translucent-blue-vinyl","title":"Foghat - Stone Blue (Translucent Blue vinyl)","description":"\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring foghat\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/foghat\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/foghat\"\u003e[Click here to see more vinyl featuring Foghat]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Peverett - rhythm guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRod Price - lead guitar, slide guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCraig MacGregor - bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoger Earl - drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Bearsville\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded\u003c\/strong\u003e\u003cstrong\u003e by : Bob Ludwig\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Eddie Kramer, Foghat\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso \u0026amp; Ron McMaster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1978\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStone Blue\u003c\/li\u003e\n\u003cli\u003eSweet Home Chicago\u003c\/li\u003e\n\u003cli\u003eEasy Money\u003c\/li\u003e\n\u003cli\u003eMidnight Madness\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003eIt Hurts Me Too\u003c\/li\u003e\n\u003cli\u003eHigh On Love\u003c\/li\u003e\n\u003cli\u003eChevrolet\u003c\/li\u003e\n\u003cli\u003eStay With Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"After racking up huge sales with Live, Foghat found themselves forced to choose between staying a hard rock cult group or trying to expand their success and become a full-on commercial phenomenon. They decided to experiment with adding a commercial edge to their sound and hired producing wiz Eddie Kramer (knob-twiddler for Jimi Hendrix and Kiss) to help them find the right balance between guitar power and studio gloss. Sadly, the resulting album, Stone Blue, is only intermittently successful because it never finds the right balance to make this compromise work. A good example is the title track: It has all the energy of a classic Foghat track and adds in some nice vocal harmonies, but it lacks the thick, bass-heavy bottom end and the bluesy edge that fuelled the band's best songs. This sonic schizophrenia goes even further on faceless songs like \"High on Love\" and \"Easy Money,\" which sound like they could have been cut by any 1970s AOR band. Despite these moments of stylistic confusion, Foghat's old strengths manage to shine through on occasion: \"It Hurts Me Too\" is an impressive blues cover that features a searing vocal performance from Lonesome Dave Peverett, and \"Chevrolet\" successfully marries boogie rock riffs to a slick studio sound. However, the lack of a consistent overall direction keeps Stone Blue from being the success it could have been. In the end, it offers enough solid tracks to please the hardcore Foghat fan but casual listeners would better off checking out Fool for the City or Live for a better, more consistent idea of the group's strengths.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Donald A. Guarisco  [-]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2 \/ 5 , Discogs : 3,87 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40833559789719,"sku":"FRM-86977","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/foghat-stone-blue-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719852871"},{"product_id":"foghat-fool-for-the-city-translucent-red-vinyl","title":"Foghat - Fool For The City (Translucent Red vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring foghat\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/foghat\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/foghat\"\u003e[Click here to see more vinyl featuring Foghat]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonesome Dave Peverett — lead vocals, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRod \"The Bottle\" Price — electric and acoustic guitars, slide guitar, steel guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoger Earl — drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNick Jameson — bass guitar, keyboards, guitar, vocals, producer, engineer\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rainbo Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Bearsville\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Suntreader Studios by\u003c\/strong\u003e\u003cstrong\u003e Nick Jameson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Nick Jameson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cp\u003e1 Fool For The City\u003c\/p\u003e\n\u003cp\u003e2 My Babe\u003c\/p\u003e\n\u003cp\u003e3 Slow Ride\u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cp\u003e1 Terraplane Blues\u003c\/p\u003e\n\u003cp\u003e2 Save Your Loving (For Me)\u003c\/p\u003e\n\u003cp\u003e3 Drive Me Home\u003c\/p\u003e\n\u003cp\u003e4 Take It Or Leave It\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"After building a solid core audience through relentless touring and a string of hard-rocking albums, Foghat finally hit the big time in 1975 with Fool for the City. It still stands out as the best album in the group's catalog because it matched their road-tested abilities as hard rockers to a consistent set of tunes that were both well-crafted and ambitious. The tone for the album is set by its title track: This hard-rocking gem not only pairs riff-driven verses with an effective shout-along chorus, but also throws in a few surprising moments where the guitars are taken out of the mix completely and Nick Jameson's bass is allowed to take the lead in a funky breakdown. Fool for the City also produced an enduring rock radio favorite in \"Slow Ride,\" a stomping rock tune that transcends the inherent clichés of its \"love is like a car ride\" lyrics with a furious performance from the band and a clever arrangement that works in well-timed automotive sound effects during the verses and plays up the band's ability to work an R\u0026amp;B-styled groove into their hard-rocking sound (again, note the thumping bassline from Jameson). Further radio play was earned with \"Take It or Leave It,\" an acoustic-based ballad that worked synthesizers into its subtle yet carefully layered arrangement to become one of the group's finest slow numbers. The album's other songs don't stand like the aforementioned selections, but they all flow together nicely thanks to a consistently inspired performance from the band and clever little arrangement frills that keep the group's boogie-oriented rock fresh (example: the witty spoken word bit at the end of \"Drive Me Home\"). All in all, Fool for the City is both Foghat's finest achievement in the studio and one of the high points of 1970s hard rock.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Donald A. Guarisco \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4?06 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40833620770967,"sku":"FRM-6959 Translucent Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/foghat-fool-for-the-city-translucent-red-vinyl-audiosoundmusic-1.jpg?v=1719852870"},{"product_id":"gary-wright-the-dream-weaver-purple-vinyl","title":"Gary Wright - The Dream Weaver (Purple vinyl)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eGary Wright – lead and backing vocals, Fender Rhodes electric piano, Hammond organ, Hohner clavinet, Moog synthesizers, ARP String Ensemble, woodwinds, special effects\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Foster – Fender Rhodes electric piano, Hammond organ, ARP String Ensemble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Lyle – Hohner clavinet, Fender Rhodes electric piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndy Newmark – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim Keltner – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRonnie Montrose – electric guitar (track 5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLorna Wright, Betty Sweet, and David Pomeranz – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Purple\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Sound Labs, Hollywood by \u003c\/strong\u003e\u003cstrong\u003eJay Lewis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Gary Wright\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove Is Alive\u003c\/li\u003e\n\u003cli\u003eLet It Out\u003c\/li\u003e\n\u003cli\u003eCan't Find The Judge\u003c\/li\u003e\n\u003cli\u003eMade To Love You\u003c\/li\u003e\n\u003cli\u003ePower Of Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDream Weaver\u003c\/li\u003e\n\u003cli\u003eBlind Feeling\u003c\/li\u003e\n\u003cli\u003eMuch Higher\u003c\/li\u003e\n\u003cli\u003eFeel For Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"No one expected the success of Dream Weaver when it was released, but it sailed to the top of the charts, and with good reason. Backed with only drums and a wide assortment of keyboards, Gary Wright crafted instantly recognizable tunes such as the title cut and \"Love Is Alive,\" which caught on and remain staples of classic rock stations around the U.S. All very revolutionary and new at the time, Dream Weaver hasn't lost any of its magic over time.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by James Chrispell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 3,86 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40833730314391,"sku":"FRM-2868 Purple","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/gary-wright-the-dream-weaver-purple-vinyl-audiosoundmusic-1.jpg?v=1719852877"},{"product_id":"grand-funk-railroad-live-album-translucent-red-vinyl","title":"Grand Funk Railroad - Live Album (2LP, Translucent Red vinyl)","description":"\u003cp\u003e\u003cstrong\u003eMark Farner – lead and backing vocals, lead and rhythm guitar, keyboards, harmonica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Brewer – drums, lead and backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMel Schacher – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Universal Music Enterprises\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Capitol Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Kenneth Hamann \u003cspan data-mce-fragment=\"1\"\u003eat the\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Jacksonville Coliseum on June 23, 1970 with the exception of \"Paranoid\" and \"Inside Looking Out\" which were recorded at the West Palm Beach Civic Auditorium on June 24, 1970\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Terry Knight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eAre You Ready\u003c\/li\u003e\n\u003cli\u003eParanoid\u003c\/li\u003e\n\u003cli\u003eIn Need\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeartbreaker\u003c\/li\u003e\n\u003cli\u003eInside - Looking Out\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide C\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWords Of Wisdom\u003c\/li\u003e\n\u003cli\u003eMean Mistreater\u003c\/li\u003e\n\u003cli\u003eMark Say's Alright\u003c\/li\u003e\n\u003cli\u003eT.N.U.C.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide D\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eInto The Sun\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Either you love or you hate it. Live Album by Grand Funk Railroad was a smash when released and those who loved it played it to death. A hard rock phenomenon of the waning days of the Sixties, Grand Funk proved over and over that they were the live performing act of the time, and this album is a testament to their in-concert power.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by James Chrispell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,03 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40839900758167,"sku":"FRM 80633 Translucent Red","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/grand-funk-railroad-live-album-2lp-translucent-red-vinyl-audiosoundmusic-1.jpg?v=1719852884"},{"product_id":"heart-passionworks","title":"Heart - Passionworks (Purple vinyl)","description":"\u003cp\u003e\u003ca title=\"vinyl featuring Heart\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/heart\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/heart\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003cstrong\u003e[click here to see more vinyl featuring Heart]\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnn Wilson – lead vocals, background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNancy Wilson – lead vocals, background vocals, rhythm guitars, lead guitars, acoustic guitars, synthesizers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHoward Leese – lead guitars, rhythm guitars, background vocals, synthesizers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMark Andes – bass, background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDenny Carmassi – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdditional musicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeith Olsen – arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Paich – piano (B1); synthesizers (tracks A1–3, B1, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Porcaro – synthesizers (B6); synthesizer programming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLynn Wilson – background vocals (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : \u003c\/strong\u003e\u003cstrong\u003ePurple\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded March - June 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by : Brian Foraker, Dennis Sager, Keith Olsen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Keith Olsen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso \u0026amp; Ann Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Can I Refuse\u003c\/li\u003e\n\u003cli\u003eBlue Guitar\u003c\/li\u003e\n\u003cli\u003eJohnny Moon\u003c\/li\u003e\n\u003cli\u003eSleep Alone\u003c\/li\u003e\n\u003cli\u003eTogether Now\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllies\u003c\/li\u003e\n\u003cli\u003e(Beat By) Jealousy\u003c\/li\u003e\n\u003cli\u003eHeavy Heart\u003c\/li\u003e\n\u003cli\u003eLove Mistake\u003c\/li\u003e\n\u003cli\u003eLanguage Of Love\u003c\/li\u003e\n\u003cli\u003eAmbush\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"1983's Passionworks marked the end of an era for Heart; it was the last album that the Wilson sisters recorded for Epic, where they had recorded late-'70s classics like Little Queen and Dog \u0026amp; Butterfly. Unfortunately, Heart's relationship with Epic had turned sour by 1983; in a 1987 interview, Ann Wilson asserted that Epic didn't do nearly enough to promote either Passionworks or 1982's Private Audition. But all certainly wasn't lost; at Capitol, Heart enjoyed a major revitalization in 1985 -- both commercially and creatively. Although Passionworks was recorded under less-than-ideal circumstances, it isn't a bad album. Passionworks, which was produced by Keith Olsen, didn't go down in history as one of Heart's essential releases -- it isn't in a class with Dreamboat Annie, Little Queen, Bad Animals, or 1985's self-titled Heart, but it isn't an album that the Wilson sisters should be ashamed of either. Passionworks gets off to an impressive start with the hit \"How Can I Refuse,\" an arena rock jewel. Most of the songs that follow aren't as strong, but they're decent. While \"Sleep Alone,\" \"Blue Guitar,\" and \"Ambush\" aren't masterpieces, they're likable examples of '80s hard rock\/arena rock. \"Allies,\" meanwhile, is a glossy power ballad that was written by Journey's Jonathan Cain and should have become a hit. In 1983, Cain's song was perfect for Heart because by that time, their ballads had become much more amplified. While early Heart ballads like \"Dream of the Archer\" and \"How Deep It Goes\" had a pastoral, acoustic-oriented folk-rock outlook, the Wilson sisters became masters of the high-volume power ballad in the '80s. Passionworks isn't recommended to casual listeners, but serious Heart devotees will find it to be an enjoyable way for the Wilson sisters to end their Epic period.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Alex Henderson\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3,61 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40840370290839,"sku":"FRM-38800 Purple","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/heart-passionworks-purple-vinyl-audiosoundmusic-1.jpg?v=1719852884"},{"product_id":"hot-tuna-burgers-blue-vinyl","title":"Hot Tuna - Burgers (Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eJorma Kaukonen – guitars, lead vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJack Casady – bass, vocals, eyebrow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePapa John Creach – violin, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSammy Piazza – drums, tympani, other percussion, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNick Buck – organ, piano on \"True Religion\" and \"Keep On Truckin'\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichmond Talbott – vocals, slide guitar on \"99 Year Blues\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Crosby – vocals on \"Highway Song\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, \u003c\/strong\u003e\u003cstrong\u003eGatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rhino Entertainment Company\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Grunt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eNovember - December 1971 at Wally Heider Studios, San Francisco \u003c\/strong\u003e\u003cstrong\u003eby \u003cspan data-mce-fragment=\"1\"\u003eJoe Lopes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Betty Cantor, The Masked Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Jorma Kaukonen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 True Religion\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Highway Song\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 99 Year Blues\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Sea Child\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Keep On Truckin'\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Water Song\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Ode For Billy Dean\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Let Us Get Together Right Down Here\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5 Sunny Day Strut\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Burgers, Hot Tuna's third album, marked a crucial transition for the group. Until now, Hot Tuna had been viewed as a busman's holiday for Jefferson Airplane lead guitarist Jorma Kaukonen and bassist Jack Casady. Their first album was an acoustic set of folk-blues standards recorded in a coffeehouse, their second an electric version of the same that added violinist Papa John Creach (who also joined the Airplane) and drummer Sammy Piazza. Then the Airplane launched Grunt, its own vanity label, which encouraged all bandmembers to increase their participation in side projects. Burgers, originally released as the fourth Grunt album, sounded more like a full-fledged work than a satellite effort. It was Hot Tuna's first studio album, and Kaukonen wrote the bulk of the material, not all of it in the folk-blues style that had been the group's métier. \"Sea Child,\" for example, employed his familiar acid rock sound and would have fit seamlessly onto an Airplane album. And \"Water Song,\" one of his most accomplished instrumentals, had a crystalline acoustic guitar part that really suggested the sound of rippling water. On the material that did recall the earlier albums, Hot Tuna split the difference between its acoustic and electric selves, sometimes, as on \"True Religion,\" beginning in folky fingerpicking style only to add a rock band sound after the introduction. The result was more restrained than the second album, but not as free as the first, with the drums imposing steady rhythms that often kept Casady from soloing as much, though Creach's violin made for plenty of improvisation within the basic blues structures. All of which is to say that, not surprisingly, on its third album in as many years, Hot Tuna had evolved its own sound and music, and seemed less a diversion than its members' new top priority.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 3,97 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40840416198807,"sku":"FRM-51004 Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/hot-tuna-burgers-blue-vinyl-audiosoundmusic-1.jpg?v=1719852895"},{"product_id":"iggy-pop-new-values-orange-vinyl","title":"Iggy Pop - New Values (Orange vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIggy Pop – vocals \u003ca title=\"vinyl featuring Iggy Pop\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/iggy-pop\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Iggy Pop]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScott Thurston – guitars, harp, keyboards, synthesizer, vocals, horn arrangement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKlaus Krüger – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJackie Clark – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Harden – horns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Brock – strings, string arrangement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEarl Shackelford – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Alfono Sisters (Anna and Mary) – backing vocals on \"Don't Look Down\" and \"Angel\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Williamson – guitar, horn and string arrangement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Orange\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Arista\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Paramount Recording Studios, Hollywood, California in 1978\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by : James Williamson, Peter Haden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by James Williamson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTell Me A Story\u003c\/li\u003e\n\u003cli\u003eNew Values\u003c\/li\u003e\n\u003cli\u003eGirls\u003c\/li\u003e\n\u003cli\u003eI'm Bored\u003c\/li\u003e\n\u003cli\u003eDon't Look Down\u003c\/li\u003e\n\u003cli\u003eThe Endless Sea\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFive Foot One\u003c\/li\u003e\n\u003cli\u003eHow Do Ya Fix A Broken Part\u003c\/li\u003e\n\u003cli\u003eAngel\u003c\/li\u003e\n\u003cli\u003eCuriosity\u003c\/li\u003e\n\u003cli\u003eAfrican Man\u003c\/li\u003e\n\u003cli\u003eBilly Is A Runaway\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"From the time the Stooges first broke onto the music scene in 1967, Iggy Pop was rock's most remarkable one-man freak show, but by the mid-'70s, after the Stooges' messy collapse, Iggy found himself in need of a stable career. The rise of punk rock finally created a context in which Iggy's crash-and-burn theatrics seemed like inspired performance rather than some sort of cry for help, and in 1979, with everyone who was anyone name-checking Iggy as punk's Founding Father, he scored a deal with Arista Records, and New Values became his first recording since the new rock gained a foothold. These days, New Values sounds like Iggy Pop's new wave album; while former Stooges associates James Williamson and Scott Thurston worked on the album, the arrangements were dotted with synthesizer patches and electronic percussion accents that have not stood the test of time well at all, and the mix speaks of a more polite approach than the raw, raging rock of Iggy's best work. But the growth as a songwriter that David Bowie encouraged in Iggy on The Idiot and Lust for Life is very much in evidence here; \"Tell Me a Story,\" \"Billy Is a Runaway,\" and \"How Do Ya Fix a Broken Part\" are tough, unblinking meditations on Iggy's war with the persona he created for himself, and \"I'm Bored\" and \"Five Foot One\" proved rock's first great minimalist still had some worthy metaphors up his sleeve. If New Values wasn't a great Iggy Pop album, it was a very good one, and proved that he had a future without David Bowie's guidance, something that didn't seem so certain at the time.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Mark Deming\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,16 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40840542519447,"sku":"FRM-4237 Orange","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/iggy-pop-new-values-orange-vinyl-audiosoundmusic-1.jpg?v=1719852894"},{"product_id":"jeff-becks-guitar-shop-translucent-blue-vinyl","title":"Jeff Beck's Guitar Shop (Translucent Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eJeff Beck – guitar, production \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jeff-beck\" title=\"vinyl featuring Jeff Beck\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/jeff-beck\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Jeff Beck]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Hymas – keyboard (including bassline), synthesizer, production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerry Bozzio – drums, percussion, spoken vocals, production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Sol Studio, Cookham, Englad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Leif Mases\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Leif Mases\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso with Kevin Gray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Guitar Shop\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Savoy\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Behind The Veil\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Big Block\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5 Where Were You\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Stand On It\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Day In The House\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Two Rivers\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Sling Shot\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Guitar Shop represents guitar hero Jeff Beck's return to the scene following his 1985 pop\/rock-based recording, Flash; an outing that featured his one time lead vocalist, Rod Stewart. Essentially, this 1989 release provides Beck's ardent admirers with a power-packed outing, brimming with memorable melodies, drummer Terry Bozzio's often blistering rock drumming, and keyboardist Tony Hymas' effective synth textures. Here, Beck surges onward in altogether stunning fashion via his quirky lead lines, sweet-tempered slide guitar work, disfigured extended notes and deterministic mode of execution. With \"Behind the Veil,\" the band delves into a reggae groove, featuring Beck's lower register thematic statements and well-placed notes. Otherwise, the ensemble tackles the blues and hard rock motifs amid Beck's crunching chord clusters, animated lines, and soaring heavenward soloing on the lovely and somewhat ethereal ballad titled \"Two Rivers.\" Simply put, this is a wonderfully produced effort and a significant entry into the artist's extensive recorded legacy.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Glenn Astarita\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,1 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40842220961943,"sku":"FRM 77313 Translucent Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jeff-beck-s-guitar-shop-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719852914"},{"product_id":"jeff-becks-guitar-shop-translucent-red-vinyl","title":"Jeff Beck's Guitar Shop (Translucent Red vinyl)","description":"\u003cp\u003e\u003cstrong\u003eJeff Beck – guitar, production \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jeff-beck\" title=\"vinyl featuring Jeff Beck\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/jeff-beck\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Jeff Beck]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Hymas – keyboard (including bassline), synthesizer, production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerry Bozzio – drums, percussion, spoken vocals, production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Sol Studio, Cookham, Englad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Leif Mases\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Leif Mases\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso with Kevin Gray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Guitar Shop\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Savoy\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Behind The Veil\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Big Block\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5 Where Were You\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Stand On It\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Day In The House\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Two Rivers\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Sling Shot\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Guitar Shop represents guitar hero Jeff Beck's return to the scene following his 1985 pop\/rock-based recording, Flash; an outing that featured his one time lead vocalist, Rod Stewart. Essentially, this 1989 release provides Beck's ardent admirers with a power-packed outing, brimming with memorable melodies, drummer Terry Bozzio's often blistering rock drumming, and keyboardist Tony Hymas' effective synth textures. Here, Beck surges onward in altogether stunning fashion via his quirky lead lines, sweet-tempered slide guitar work, disfigured extended notes and deterministic mode of execution. With \"Behind the Veil,\" the band delves into a reggae groove, featuring Beck's lower register thematic statements and well-placed notes. Otherwise, the ensemble tackles the blues and hard rock motifs amid Beck's crunching chord clusters, animated lines, and soaring heavenward soloing on the lovely and somewhat ethereal ballad titled \"Two Rivers.\" Simply put, this is a wonderfully produced effort and a significant entry into the artist's extensive recorded legacy.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Glenn Astarita\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,1 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40842258350231,"sku":"FRM 99313 Translucent Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jeff-beck-s-guitar-shop-translucent-red-vinyl-audiosoundmusic-1.jpg?v=1719852914"},{"product_id":"jefferson-airplane-crown-of-creation-orange-marble-vinyl","title":"Jefferson Airplane - Crown of Creation (Orange Marble vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jefferson-airplane\" title=\"vinyl featuring Jefferson Airplane\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Jefferson Airplane]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarty Balin – vocals, rhythm guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGrace Slick – vocals, piano, organ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Kantner – rhythm guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJorma Kaukonen – lead guitar, electric chicken, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpencer Dryden – drums, piano, organ, steel balls, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJack Casady – Yggdrasil bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdditional musicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArthur Tripp – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGary Blackman – nose solo (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharles Cockey – guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Crosby – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTim Davis – congas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Goodwin – talking drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDan Woody – bongos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGene Twombly – sound effects\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Orange Marble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded February – June 1968 \u003c\/strong\u003e\u003cstrong\u003eat RCA Studios, Hollywood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Rich Schmitt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Al Schmitt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLather\u003c\/li\u003e\n\u003cli\u003eIn Time\u003c\/li\u003e\n\u003cli\u003eTriad\u003c\/li\u003e\n\u003cli\u003eStar Track\u003c\/li\u003e\n\u003cli\u003eShare a Little Joke\u003c\/li\u003e\n\u003cli\u003eChushingura” (instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIf You Feel\u003c\/li\u003e\n\u003cli\u003eCrown of Creation\u003c\/li\u003e\n\u003cli\u003eIce Cream Phoenix\u003c\/li\u003e\n\u003cli\u003eGreasy Heart\u003c\/li\u003e\n\u003cli\u003eThe House at Pooneil Corners\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Crown of Creation appeared ten months after their last album, After Bathing at Baxter's, and it doesn't take the same kind of leap forward that Baxter's did from Surrealistic Pillow. Indeed, in many ways, Crown of Creation is a more conservative album stylistically, opening with \"Lather,\" a Grace Slick original that was one of the group's very last forays (and certainly their last prominent one) into a folk idiom. Much of what follows is a lot more based in electric rock, as well as steeped in elements of science fiction (specifically author John Wyndham's book The Chrysalids) in several places, but Crown of Creation was still deliberately more accessible musically than its predecessor, even as the playing became more bold and daring within more traditional song structures. Jack Casady by this time had developed one of the most prominent and distinctive bass sounds in American rock, as identifiable (if not quite as bracing) as John Entwistle's was with the Who, as demonstrated on \"In Time,\" \"Star Track,\" \"Share a Little Joke,\" \"If You Feel\" (where he's practically a second lead instrument), and the title song, and Jorma Kaukonen's slashing, angular guitar attack was continually surprising as his snaking lead guitar parts wended their way through \"Star Track\" and \"Share a Little Joke.\" The album also reflected the shifting landscape of West Coast music with its inclusion of \"Triad,\" a David Crosby song that Crosby's own group, the Byrds, had refused to release -- its presence (the only extant version of the song for a number of years) was a forerunner of the sound that would later be heard on Crosby's own debut solo album, If I Could Only Remember My Name (on which Slick, Paul Kantner, and Casady would appear). The overall album captured the group's rapidly evolving, very heavy live sound within the confines of some fairly traditional song structures, and left ample room for Slick and Marty Balin to express themselves vocally, with Balin turning in one of his most heartfelt and moving performances on \"If You Feel.\" \"Ice Cream Phoenix\" pulses with energy and \"Greasy Heart\" became a concert standard for the group -- the studio original of the latter is notable for Slick's most powerful vocal performance since \"Somebody to Love.\" And the album's big finish, \"The House at Pooneil Corners,\" seemed to fire on all cylinders, their amps cranked up to ten (maybe 11 for Casady), and Balin, Slick, and Kantner stretching out on the disjointed yet oddly compelling tune and lyrics. It didn't work 100 percent of the time, but it made for a shattering finish to the album.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,21 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40842364420247,"sku":"FRM-4058 Orange Marble","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jefferson-airplane-crown-of-creation-orange-marble-vinyl-audiosoundmusic-1.jpg?v=1719852914"},{"product_id":"jefferson-airplane-takes-off-tranluscent-blue-vinyl","title":"Jefferson Airplane - Takes Off (Translucent Blue vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jefferson-airplane\" title=\"vinyl featuring Jefferson Airplane\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Jefferson Airplane]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarty Balin – vocals, rhythm guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSigne Toly Anderson – vocals, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJorma Kaukonen – lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Kantner – rhythm guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJack Casady – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSkip Spence – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpencer Dryden – drums (on \"Go to Her,\" alternate version of \"And I Like It,\" and alternate version of \"Chauffeur Blues\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eDecember 18, 1965 – March 31, 1966\u003c\/span\u003e at RCA Victor's Music Center Of The World, Hollywood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Dave Hassinger\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Matthew Katz, Tommy Oliver\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1966\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues From An Airplane\u003c\/li\u003e\n\u003cli\u003eLet Me In\u003c\/li\u003e\n\u003cli\u003eBringing me Down\u003c\/li\u003e\n\u003cli\u003eIt's No Secret\u003c\/li\u003e\n\u003cli\u003eTobacco Road\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCome Up the Years\u003c\/li\u003e\n\u003cli\u003eRun Around\u003c\/li\u003e\n\u003cli\u003eLet's Get Together\u003c\/li\u003e\n\u003cli\u003eDon't Slip Away\u003c\/li\u003e\n\u003cli\u003eChauffeur Blues\u003c\/li\u003e\n\u003cli\u003eAnd I Like It\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"The debut Jefferson Airplane album was dominated by singer Marty Balin, who wrote or co-wrote all the original material and sang most of the lead vocals in his heartbreaking tenor with Paul Kantner and Signe Anderson providing harmonies and backup. (Anderson's lead vocal on \"Chauffeur Blues\" indicated she was at least the equal of her successor, Grace Slick, as a belter.) The music consisted mostly of folk-rock love songs, the most memorable of which were \"It's No Secret\" and \"Come up the Years.\" (There was also a striking version of Dino Valente's \"Get Together\" recorded years before the Youngbloods' hit version.) Jorma Kaukonen already displayed a talent for mixing country, folk, and blues riffs in a rock context, and Jack Casady already had a distinctive bass sound. But the Airplane of Balin-Kantner-Kaukonen-Anderson-Casady-Spence is to be distinguished from the Balin-Kantner-Kaukonen-Casady-Slick-Dryden version of the band that would emerge on record five months later chiefly by Balin's dominance. Later, Grace Slick would become the group's vocal and visual focal point. On Jefferson Airplane Takes Off, the Airplane was still Balin's group.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3,5 \/ 5 , Discogs : 4,09 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40842411671703,"sku":"FRM-3584 Tranluscent Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jefferson-airplane-takes-off-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719852923"}],"url":"https:\/\/www.audiosoundmusic.com\/collections\/colored-vinyls.oembed?page=9","provider":"AudioSoundMusic","version":"1.0","type":"link"}