{"title":"Herb Ellis","description":null,"products":[{"product_id":"ben-webster-quintet-soulville-2lp-mono-45rpm-200g","title":"Ben Webster Quintet - Soulville (2LP, Mono, 45RPM, 200g)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" target=\"_blank\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Oscar Peterson \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Ray Brown\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Ray Brown\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see other vinyl featuring Ray Brown]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Stan Levey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eOctober 15, 1957\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Side A:\u003c\/p\u003e\n\u003cp\u003e    Soulville\u003c\/p\u003e\n\u003cp\u003e    Late Date\u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cp\u003e    Time On My Hands\u003c\/p\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003cp\u003e    Lover, Come Back To Me\u003c\/p\u003e\n\u003cp\u003e    Where Are You\u003c\/p\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003cp\u003e    Makin' Whoopee\u003c\/p\u003e\n\u003cp\u003e    Ill Wind\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The by turns grizzled and vaporous-toned Webster really hit his stride on the Verve label. During a stretch from roughly 1953-1959, the Ellington alumnus showcased his supreme playing with both combos and string sections, swingers and ballads -- and lurking beneath his blustery and hulking sound were solo lines brimming with sophistication and wit. This 1957 date with the Oscar Peterson Trio is one of the highlights of that golden '50s run. After starting off with two bluesy originals -- the slow burning title track and gutsy \"Late Date\" -- Webster gets to the heart of things on five wistful ballads: Here, his exquisitely sly \"Makin' Whoopee\" is only outdone by an incredibly nuanced \"Where Are You.\" Providing sympathetic counterpoint, Peterson forgoes his usual pyrotechnics for some leisurely compact solos; his cohorts -- guitarist Herb Ellis, bassist Ray Brown, and drummer Stan Levey -- are equally assured and splendid. And ending the set with flair, Webster takes over the piano for three somewhat middling yet still impressive stride and boogie-woogie-styled numbers (these are his only piano recordings). Newcomers shouldn't hesitate to start here.\" Soulville Review by Stephen Cook\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 5\/5  ,  Discogs 4.49\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41021076504727,"sku":"AVRJ 8274-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ben-webster-quintet-soulville-2lp-mono-45rpm-200g-audiosoundmusic-1.jpg?v=1719853911"},{"product_id":"coleman-hawkins-encounters-ben-webster-2lp-45rpm-200g","title":"Coleman Hawkins Encounters Ben Webster (2LP, 45RPM, 200g)","description":"\u003ch2\u003e\n\u003cbr\u003e\u003cbr\u003e \u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eColeman Hawkins, tenor saxophone \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" title=\"Vinyl featuring Coleman Hawkins\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBen Webster, tenor saxophone \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Peterson, piano \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRay Brown, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHerb Ellis, guitar\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAlvin Stoller, drums\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Coleman Hawkins (A1), Richard Rodgers and Lorenz Hart (B1), Paul Dupont (B2), Allan Stuart (B2), Cole Porter (C1), Russ Columbo (C2), Clarence Gaskill (C2), Leo Robin (C2), Johnny Mercer, (D1) Victor Schertzinger (D1), Jack Norworth (D2), Nora Bayes (D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Hollywood, CA, October 16th 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues for Yolande\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt Never Entered My Mind\u003c\/li\u003e\n\u003cli\u003eRosita\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou'd Be So Nice to Come Home To\u003c\/li\u003e\n\u003cli\u003ePrisoner of Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTangerine\u003c\/li\u003e\n\u003cli\u003eShine On Harvest Moon\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“It's a somewhat rare phenomenon these days for a classic jazz album to be reissued by its copyright ‘owners’. The session in question was long hallowed in this country as Blue Saxophones rather than its original title above – maybe to distinguish the UK release, since it squeezed in an extra tune from the same date that appeared on a different album in the US. But, even without that, the relaxed feel of the session belies what was probably an abbreviated schedule – Norman Granz taped no fewer than 10 albums in the same week, including separate quintets led by Hawkins and Webster – and the results are truly glorious.\u003c\/p\u003e\n\u003cp\u003eAt this point, Ben was absolutely on top of his mature style, while Hawk was coming into his own (again!) with a slightly harder edge to his playing, culminating in the almost R\u0026amp;B hoarseness of his third chorus on ‘Blues For Yolande’ (played in D-major, by the way, while the Latin-tinged standard ‘La Rosita’ is in E!) It's worth noting that, apart from intros and a couple of brief piano solos, this is all saxophone, and much more a mutual admiration society than a cutting contest.\u003c\/p\u003e\n\u003cp\u003eI'm not a fan of the early stereo separation of Peterson from the rest of the rhythm-section, but the contrast and the complementariness of the two leaders is what counts. The icing on the cake is Nat Hentoff's original liner-note discourse on the history of the tenor thus far.” Jazzwize Review by Brian Priestley\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4\/5  ,  Discogs 4.49 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41021597188247,"sku":"AVRJ 6066-45","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/coleman-hawkins-encounters-ben-webster-2lp-45rpm-200g-audiosoundmusic-1.jpg?v=1719853916"},{"product_id":"herb-ellis-and-remo-palmier-windflower","title":"Herb Ellis And Remo Palmier - Windflower (Emerald Green vinyl)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/herb-ellis\" title=\"audiophile vinyl featuring Herb Ellis\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Herb Ellis]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitat - Remo Palmier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – George Duvivier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Ron Traxler\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Sara Cassey (A1), Buddy Bernier (A2), Jerome Brainin (A2), Ned Washington (A3), Victor Young (A3), Bernice Petkere (A4), Frederic Weatherly (A5), Richard Carpenter (B1), Hoagy Carmichael (B2), Mitchell Parish (B2), Antonio Carlos Jobim (B3), Groove Merchant (B4), Jerome Richardson (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, \u003c\/strong\u003e\u003cstrong\u003estandard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Emerald Green\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003c\/strong\u003e\u003cstrong\u003eReal Gone Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Concord Jazz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in October 1977 at Bell Sound Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Phil Edwards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemixed by Phil Edwards at Coast Recorders\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Carl E. Jefferson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered at The Mastering Room, San Francisco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by John S. Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by Dean Hirschfield, Phil Lindsay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1978\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in November 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWindflower\u003c\/li\u003e\n\u003cli\u003eThe Night Has a Thousand Eyes\u003c\/li\u003e\n\u003cli\u003eMy Foolish Heart\u003c\/li\u003e\n\u003cli\u003eClose Your Eyes\u003c\/li\u003e\n\u003cli\u003eDanny Boy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalkin'\u003c\/li\u003e\n\u003cli\u003eStardust\u003c\/li\u003e\n\u003cli\u003eTriste\u003c\/li\u003e\n\u003cli\u003eGroove Merchant\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“This album is most significant for being the first jazz recording in a few decades by guitarist Remo Palmier (who was also known early on as Palmieri). Fellow guitarist Herb Ellis was the leader but he gives his guest just as much solo space as he takes and, with the tasteful accompaniment of bassist George Duvivier and drummer Ron Traxler, the two old friends challenge each other on a variety of appealing chord changes including \"The Night Has a Thousand Eyes,\" \"Close Your Eyes,\" \"Walkin'\" and Jobim's \"Triste.\" The success of this boppish set led to Palmieri getting his own Concord album the following year.” AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.33 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":43810549661946,"sku":"RGM-1431","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/herb-ellis-and-remo-palmier-windflower-emerald-green-vinyl-audiosoundmusic.jpg?v=1719860758"},{"product_id":"mel-brown-chicken-fat","title":"Mel Brown - Chicken Fat","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eElectric Guitar – Mel Brown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Paul Humphrey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwelve-String Guitar – Herb Ellis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Bass – Ronald Brown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Guitar – Arthur Wright (A4 to B2, B5), Herb Ellis (A1-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Organ – Gerald Wiggins (A1, A3 to B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Oliver Nelson (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Mel Brown (A1-3, B2), Herb Ellis (A2, B3-4), Ronal Brown (A2), Paul Humphrey (A2), Jules Chaikin (A4), Oliver Nelson (B1, B5), Arthur Wright (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket with a plain white inner sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : \u003c\/strong\u003e\u003cstrong\u003eBlack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Third Man Pressing (Detroit)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Verve (Verve by Request)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Impulse\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Hollywood, California on May 31 \u0026amp; June 1, 1967\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Eddie Brackett\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bob Thiele\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLacquer cut by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by George Hoefer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by Fred Seligo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1967\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in January 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChicken Fat\u003c\/li\u003e\n\u003cli\u003eGreasy Spoon\u003c\/li\u003e\n\u003cli\u003eHome James\u003c\/li\u003e\n\u003cli\u003eSlalom\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHobo Flats\u003c\/li\u003e\n\u003cli\u003eShanty\u003c\/li\u003e\n\u003cli\u003eSad But True\u003c\/li\u003e\n\u003cli\u003eI'm Goin' To Jackson\u003c\/li\u003e\n\u003cli\u003eBlues for Big Bob\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“Guitarist Mel Brown is hailed as \"An Impulse! Discovery\" on Chicken Fat, his debut for the label, and this album does feature a fantastic unique sound. Brown played in the bands of T-Bone Walker and John Lee Hooker, and has an aggressive (though not harsh) single-string picking style. For this date he is paired with either Herb Ellis or Arthur Wright on guitar, Gerald Wiggins on organ, and Brown's regular rhythm section of Paul Humphrey on drums and Ronald Brown on electric bass. There are a couple tracks that are played as pretty straight blues, but this is a hoppin' soul-jazz date. The tunes are bouncy and funky, and Brown's playing is a real treat. His bluesy, almost reckless soloing gives a vastly different flavor that the playing of guys like Grant Green or Melvin Sparks. Gerald Wiggins' organ playing is cool and swinging, and the electric bass of Ronald Brown makes this album about as funky as Impulse ever got. Both Herb Ellis and Arthur Wright get some solo space as well, with Ellis sounding quite interesting playing an unamplified 12-string on a couple cuts. Brown gets some nice tones as well, and on \"Hobo Flats\" plays \"an electronic guitar with Wah-Wah distortion\" (remember, this is 1967 jazz) \"that gives a weird shimmering sound,\" according to the liner notes. Leave it to Impulse! to put a new spin on the guitar\/organ sound. This is hot stuff.” AllMusic Review by Sean Westergaard\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.7 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":43980940673274,"sku":"B0036054-01","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/mel-brown-chicken-fat-audiosoundmusic-1.jpg?v=1719860993"},{"product_id":"the-oscar-peterson-trio-vancouver-1958-2lp-45rpm","title":"The Oscar Peterson Trio - Vancouver, 1958 (2LP, 45RPM)","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Oscar Peterson \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Ray Brown \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\" title=\"vinyl featuring Ray Brown\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ray Brown]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Oscar Peterson (D2), Morgan Lewis (A1, C2), Nancy Hamilton (A1), Carl Fischer (A2), Frankie Laine (A2), Clifford Brown (B1-2), Rodgers \u0026amp; Hart (C1), Herb Ellis (C3, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e2 LPs, standard sleeve printed in Canada\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecord Press :  Precision Record Pressing, \u003c\/strong\u003e\u003cstrong\u003eToronto, Ontario, Canada\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLabel : \u003c\/strong\u003e\u003cstrong\u003eJustin Time Records Inc.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginal Label : \u003c\/strong\u003e\u003cstrong\u003eJust A Memory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Orpheum Theatre, Vancouver, British Columbia on August 4th, 1958.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Gordon Aselstyne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Adam Popowitz at GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCover art by John Rummen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by Len Dobbin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginally released in 2003\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eReissued in May 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow High The Moon\u003c\/li\u003e\n\u003cli\u003eWe'll Be Together Again\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJoy Spring\u003c\/li\u003e\n\u003cli\u003eDaahoud\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Like To Recognize The Tune\u003c\/li\u003e\n\u003cli\u003eThe Golden Striker\u003c\/li\u003e\n\u003cli\u003ePatricia\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePogo\u003c\/li\u003e\n\u003cli\u003eThe Music Box Suite (aka Daisy's Dream)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col data-mce-fragment=\"1\"\u003e\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“Oscar Peterson's trio with Ray Brown and Herb Ellis lasted from 1953 to 1959 and is well documented on records, but the appearance in 2003 of this previously unreleased 1958 concert at the Orpheum Theatre in Vancouver is welcome news to the pianist's fans. Buoyed by a receptive audience and always in the mood to play to the best of their abilities, the musicians outdo themselves throughout the set. Among the highlights are lengthy explorations of \"How High the Moon\" (which is centered around Brown's tasty solo) and Peterson's \"The Music Box Suite,\" cooking interpretations of a pair of the late Clifford Brown's best-known compositions (\"Joy Spring\" and \"Daahoud\"), and a pair of little-known originals by Ellis (including a lovely solo ballad, \"Patricia,\" and the blistering \"Pogo\"). Add it all up and any fan of Oscar Peterson will want to add this Just a Memory to his or her collection.” AllMusic Review by Ken Dryden\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRating\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAllMusic 4 \/ 5 ; Discogs 4.6 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":46813332767055,"sku":"JUST 282-1","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/the-oscar-peterson-trio-vancouver-1958-2lp-45rpm-audiosoundmusic-1.png?v=1719861689"},{"product_id":"blossom-dearie-blossom-dearie","title":"Blossom Dearie - Blossom Dearie (Mono, VERVE)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePiano, Vocals – Blossom Dearie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBass – Ray Brown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDrums – Jo Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eGuitar – Herb Ellis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWritten by Fred Rose (A1), Walter Hirsch (A1), Jimmy Davis (A2), Jimmy Sherman (A2), Roger Ramirez (A2), Richard Rodgers (A3, A6-7, B5), Lorenz Hart (A3, A6, B5), Murray Grand (A4), Billy Rose (A5), Edward Eliscu (A5), Vincent Youmans (A5), Oscar Hammerstein II (A7, B6), Emile Jean Mercadier (B1), René Clausier (B1), Bob Haymes (B2-3, B7), Burton Lane (B4), Frank Loesser (B4), Fields (B6), Kern (B6), McHugh (B6), Harbach (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Third Man Pressing in Detroit, Michigan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Verve by Request Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecorded on September 11-12, 1956\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProduced by Norman Granz, Blossom Dearie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eReissue supervised by Ken Druker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMastered and lacquer cut by Ryan Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePhotography by Chas. Stewart\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in April 1957\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in June 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli data-mce-fragment=\"1\"\u003e'Deed I Do\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLover Man (Oh Where Can You Be)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEverything I've Got\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eComment Allez Vous\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMore Than You Know\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThou Swell\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIt Might As Well Be Spring\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTout Doucement\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eYou for Me\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNow at Last\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI Hear Music\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWait Till You See Her\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eI Won't Dance\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Fine Spring Morning\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Other than a pair of sessions for the French Barclay label during 1955-1956, this set has pianist-vocalist Blossom Dearie's first recordings as a leader. Teamed up with bassist Ray Brown and drummer Jo Jones, Dearie is heard in her early prime. Although her voice has always been an acquired taste, its sincerity and sense of swing wins one over after a few songs and Dearie's piano playing is first class. In addition to the 14 original selections (mostly swing-era standards plus a couple of French songs), there are three previously unreleased numbers including \"Blossom's Blues,\" which dates from 1959. This LP is the perfect introduction for listeners to the unique sound of Blossom Dearie.” AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.52 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47376364011855,"sku":"AVER 20601","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/blossom-dearie-blossom-dearie-mono-audiosoundmusic-1.jpg?v=1719862479"},{"product_id":"coleman-hawkins-encounters-ben-webster","title":"Coleman Hawkins Encounters Ben Webster","description":"\u003ch2\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eColeman Hawkins, tenor saxophone \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" title=\"Vinyl featuring Coleman Hawkins\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBen Webster, tenor saxophone \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Peterson, piano \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRay Brown, bass \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\" title=\"vinyl featuring Ray Brown\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see other vinyl featuring Ray Brown]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHerb Ellis guitar\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAlvin Stoller, drums\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Coleman Hawkins (A1), Richard Rodgers and Lorenz Hart (A2), Paul Dupont (A3), Allan Stuart (A3), Cole Porter (B1), Russ Columbo (B2), Clarence Gaskill (B2), Leo Robin (B2), Johnny Mercer, (B3) Victor Schertzinger (B3), Jack Norworth (B4), Nora Bayes (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve printed by \u003c\/strong\u003e\u003cstrong\u003eStoughton Printing Co.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Hollywood, CA, October 16th 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal sessions produced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissue supervised by Chad Kassem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in December 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues for Yolande\u003c\/li\u003e\n\u003cli\u003eIt Never Entered My Mind\u003c\/li\u003e\n\u003cli\u003eRosita\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou'd Be So Nice to Come Home To\u003c\/li\u003e\n\u003cli\u003ePrisoner of Love\u003c\/li\u003e\n\u003cli\u003eTangerine\u003c\/li\u003e\n\u003cli\u003eShine On Harvest Moon\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“It's a somewhat rare phenomenon these days for a classic jazz album to be reissued by its copyright ‘owners’. The session in question was long hallowed in this country as Blue Saxophones rather than its original title above – maybe to distinguish the UK release, since it squeezed in an extra tune from the same date that appeared on a different album in the US. But, even without that, the relaxed feel of the session belies what was probably an abbreviated schedule – Norman Granz taped no fewer than 10 albums in the same week, including separate quintets led by Hawkins and Webster – and the results are truly glorious.\u003c\/p\u003e\n\u003cp\u003eAt this point, Ben was absolutely on top of his mature style, while Hawk was coming into his own (again!) with a slightly harder edge to his playing, culminating in the almost R\u0026amp;B hoarseness of his third chorus on ‘Blues For Yolande’ (played in D-major, by the way, while the Latin-tinged standard ‘La Rosita’ is in E!) It's worth noting that, apart from intros and a couple of brief piano solos, this is all saxophone, and much more a mutual admiration society than a cutting contest.\u003c\/p\u003e\n\u003cp\u003eI'm not a fan of the early stereo separation of Peterson from the rest of the rhythm-section, but the contrast and the complementariness of the two leaders is what counts. The icing on the cake is Nat Hentoff's original liner-note discourse on the history of the tenor thus far.” Jazzwize Review by Brian Priestley\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4\/5  ,  Discogs 4.49 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48091437597007,"sku":"B0037377-01","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/coleman-hawkins-encounters-ben-webster-audiosoundmusic-1.jpg?v=1719862961"},{"product_id":"ben-webster-quintet-soulville-mono","title":"Ben Webster Quintet - Soulville (Mono)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster \u003cspan size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca rel=\"noopener\" title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\" target=\"_blank\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Oscar Peterson \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Oscar Peterson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Ray Brown\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\" title=\"vinyl featuring Ray Brown\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see other vinyl featuring Ray Brown]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Stan Levey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Ben Webster (A1-2), Harold Adamson (A3), Mack Gordon (A3), Vincent Youmans (A3), Oscar Hammerstein II (B1), Sigmund Romberg (B1), Lew Pollack (B2), Lou Davis (B2), Gus Kahn (B3), Walter Donaldson (B3), Harold Arlen (B4), Ted Koehler (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket by Stoughton Printing\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Verve Acoustic Sounds Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecorded on September 11-12, 1956\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginal session produced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eReissue produced by Chad Kassem \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography By Phil Stern\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by Nat Hentoff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in January 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSoulville\u003c\/li\u003e\n\u003cli\u003eLate Date\u003c\/li\u003e\n\u003cli\u003eTime On My Hands\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLover Come Back To Me\u003c\/li\u003e\n\u003cli\u003eWhere Are You\u003c\/li\u003e\n\u003cli\u003eMakin’ Whoopee\u003c\/li\u003e\n\u003cli\u003eIll Wind\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cbr\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“The by turns grizzled and vaporous-toned Webster really hit his stride on the Verve label. During a stretch from roughly 1953-1959, the Ellington alumnus showcased his supreme playing with both combos and string sections, swingers and ballads -- and lurking beneath his blustery and hulking sound were solo lines brimming with sophistication and wit. This 1957 date with the Oscar Peterson Trio is one of the highlights of that golden '50s run. After starting off with two bluesy originals -- the slow burning title track and gutsy \"Late Date\" -- Webster gets to the heart of things on five wistful ballads: Here, his exquisitely sly \"Makin' Whoopee\" is only outdone by an incredibly nuanced \"Where Are You.\" Providing sympathetic counterpoint, Peterson forgoes his usual pyrotechnics for some leisurely compact solos; his cohorts -- guitarist Herb Ellis, bassist Ray Brown, and drummer Stan Levey -- are equally assured and splendid. And ending the set with flair, Webster takes over the piano for three somewhat middling yet still impressive stride and boogie-woogie-styled numbers (these are his only piano recordings). Newcomers shouldn't hesitate to start here.' AllMusic Review by Stephen Cook.\u003c\/p\u003e\n\u003cp\u003e'I accidentally lucked into the music of Ben Webster while sifting through the \"W\" section of some dusty used record bin years ago. The cover looked cool, with its classic profile shot of an unsmiling, world-weary Webster featured beneath the boldly printed title, Soulville. I impulsively bought the disc, took it home, and a few days later got around to playing it. Whoa! Had I stumbled onto something BIG? From that record on, I no longer thought of jazz as just another category of shopping music. Never before had I heard such soulful, sensual, bluesy sounds, and I haven't since.\u003c\/p\u003e\n\u003cp\u003eIt was Webster's tough, raspy, growling tone that caught my teenage attention. The album opened with a pair of low-down and dirty blues, \"Soulville\" and \"Late Date,\" which vividly conjured up romantic mental pictures set in black and white, after-hours clubs and smoke filled bars that I had only seen in old movies. Then I got my first introduction to a Ben Webster ballad. He was a master of the ballad, blowing with a distinctively breathy, warm-toned, soulful and sensitive voice. Like Billie Holiday, Webster could transform a corny ballad into a poignant work of beauty. On the lovely \"Time On My Hands\" and \"Where Are You,\" Webster plays 10 notes when other sax men might have used 100, but all 10 hit you in your soul. Memorable stuff, especially for an impressionable kid.\u003c\/p\u003e\n\u003cp\u003eOn this 1957 session, the great tenor-saxophonist met up with Oscar Peterson's group, which included bassist Ray Brown, guitarist Herb Ellis, and drummer Stan Levy. Their playing in support of Webster was incredibly sympathetic, with Peterson having the sense to reduce the quantity of notes he typically would put into his solos (with the exception of his snappy solo on \"Late Date\"). At the time, I didn't know that Webster was considered one of the \"Big Three\" of swinging tenors (along with Coleman Hawkins and Lester \"Prez\" Young). I also didn't know that his timeless playing was somehow considered out-of-style by the time he recorded Soulville. All I knew was that I couldn't stop playing track 6, \"Makin' Whoopee,\" a song so supremely soulful that I still think it puts the classic Ray Charles version to shame. This music spoiled me.\u003c\/p\u003e\n\u003cp\u003eI thought all jazz sounded this good. I've spent years trying to track down other artists whose music could move me as profoundly as a Ben Webster ballad. I'm open to suggestions. For those who prefer to save some time, look no further than this album.\" John Ballon. All About Jazz.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.43 \/ 5 ; AllMusic 5 \/ 5 ; Encyclopedia of Popular Music : 4 \/ 4 ; MusicHound : 4 \/ 5 ; Penguin Guide to Jazz       : 4 \/ 5 ; The Rolling Stone Jazz Record Guide : 5 \/ 5      \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48591765045583,"sku":"AVER 40051","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/ben-webster-quintet-soulville-mono-audiosoundmusic-1.jpg?v=1719863835"},{"product_id":"coleman-hawkins-the-genius-of-coleman-hawkins-1","title":"Coleman Hawkins – The Genius Of Coleman Hawkins","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003eRARITY - S\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003eealed \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eTenor Saxophone – Coleman Hawkins\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBass – Ray Brown\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDrums – Alvin Stoller\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGuitar – Herb Ellis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePiano – Oscar Peterson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Gus Kahn, Matty Malneck, Frank Signorelli (A1), Ord Hamilton, Bruce Sievier (A2), Dorothy Parker, Ralph Rainger (A3), George Gershwin, Ira Gershwin (A4), Johnny Burke, Jimmy Van Heusen (A5), Ernie Burnett, George Norton (A6), Harold Arlen, Ted Koehler (B1), Duke Ellington, Milt Gabler (B2), Tom Adair, Hal Hopper (B3), Eugene Lockhart, Ernest Seitz (B4), Buddy DeSylva, Ballard MacDonald (B5), Coleman Hawkins (B6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginal Master Tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOriginal Label : Verve Records\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded 24th October 1957 at Capitol Studio (Hollywood)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEngineered by Val Valentin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLiner Notes by Nat Hentoff\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally released in 1957\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eReissued in 2005\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. I'll Never Be The Same\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. You're Blase\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e3. I Wished On The Moon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e4. How Long Has This Been Going On\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e5. Like Someone In Love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e6. My Melancholy Baby\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Ill Wind\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. In A Mello Tone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e3. There's No You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e4. The World Is Waiting For The Sunrise\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e5. Somebody Loves Me\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e6. Blues For Rene\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\"Genius may not be the right word, but \"brilliance\" certainly fits. At the age of 51 in 1957, Hawkins had already been on records for 35 years and had been one of the leading tenors for nearly that long. This date matches him with the Oscar Peterson Trio (plus drummer Alvin Stoller) for a fine run-through on standards. Hawk plays quite well, although the excitement level does not reach the heights of his sessions with trumpeter Roy Eldridge.\" AllMusic Review by Scott Yanow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOne of the most celebrated tenor saxophone players in the history of jazz, Coleman Hawkins was among the first big-name musicians to master the instrument. Coleman Hawkins was also one of the most important innovators in jazz music. A man of many musical gifts, saxophonist Coleman Hawkins was one of the greatest jazz musicians of all time. A legendary jazz musician, he was known as the “Father of Bebop.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eFor nearly twenty years before he began writing original compositions in a style inspired by big band swing music. His recordings with Lester Young, Miles Davis, and others brought him international fame. His influence on jazz, his artistry as a writer and musician, and his enduring contribution to the culture of jazz will live on for generations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThe Coleman Hawkins biography explores his life and times and includes a detailed analysis of his career and style. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eEarly Life\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eColeman Hawkins, born in St Louis, Missouri in 1904. He started playing the trumpet when he was only six years old and also in his school band and soon learned to play jazz music. He began to get interested in recording music and learning how to play the instrument by listening to records by the great musicians. Soon, he developed an interest in the music of Duke Ellington, Louis Armstrong, and Fletcher Henderson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThen, he moved to New York City at the age of thirteen, and played in local bands until he was eighteen. He attended the Juilliard School of Music where he studied composition, piano, and theory with Nadia Boulanger, and he became one of the leading exponents of jazz at the height of the swing era.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBefore he was famous, he was known as a trumpet player. But he was more than just a trumpeter; he was an innovator. He changed the way trumpeters played the instrument. He invented a new style of playing for the horn. His approach to trumpet playing was revolutionary. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eFurthermore, he used to play trumpet in a style he called bebop. His inspiration came from jazz, but his compositions were influenced by the music of big band swing. He was among the first musicians to play his horn with his eyes closed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eCareer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eColeman Hawkins is the master jazz saxophonist, composer and bandleader who is often called the greatest tenor saxophonist of the twentieth century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHe studied piano as a child and was introduced to jazz by the pianist and bandleader Paul Whiteman. Hawkins won a music scholarship at the Juilliard School of Music and graduated from there at age 19. While still a student, he performed with Duke Ellington’s Orchestra, Louis Armstrong, Benny Goodman, Count Basie, Billie Holiday, Fats Waller, and Thelonious Monk. After finishing his education, Hawkins toured with the big bands of both Whiteman and Fletcher Henderson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eIn the mid-1930s, after playing in the band of Billy Eckstine, Hawkins left the band to focus on his own career. He moved to Los Angeles, where he remained for the rest of his life. During this period, he worked with Dizzy Gillespie, Artie Shaw, Lucky Millinder, and Benny Goodman, and led his own band which included Charlie Parker, Max Roach and Kenny Clarke. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHawkins was considered a virtuoso performer and a strong innovator in jazz. He wrote numerous compositions for his band, including several well-known standards such as 'Body and Soul', 'Now You Know', 'A Nightingale Sang in Berkeley Square', and 'Cherokee'.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMoreover, he began playing the trumpet in the 1930s. By 1938, he was performing in nightclubs in Harlem, New York. After that, he toured across the US, and Europe. He was known for his improvisational skills, which made him a great trumpeter. He played trumpet in a style he called bebop. Bebop was a style that combined jazz with rock music. In the 1940s, he performed with musicians such as Miles Davis, Charlie Parker, Dizzy Gillespie and John Coltrane. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHe was considered one of the finest improvisers of his generation. He led a large band, including the legendary musicians Thelonious Monk, Max Roach, John Coltrane, Sonny Rollins, and pianist Red Garland, which he formed in 1938. The band was dubbed the \"first great jazz orchestra.\" In the late 1940s, he played regularly in the \"Great Concerts\" series at Carnegie Hall. During the 1950s, Hawkins became the last major jazz figure to enjoy commercial popularity and critical acclaim.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHe recorded over 200 albums during his career, most notably in the 1960s. In the 1950s, he performed regularly at the Mocambo nightclub in New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHis first recording session occurred in 1936 and was with the Paul Whiteman Orchestra. During the 1940s, he was a sideman with Benny Goodman, Charlie Barnet, and Harry James. He was also an accompanist and musical director for Benny Goodman’s orchestra. In 1948, he joined Artie Shaw’s orchestra. After performing in Europe, Hawkins went back to New York and formed his own band, which included a drummer named Max Roach.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eIn 1950, Hawkins was invited to perform at the Newport Jazz Festival. At that time, jazz musicians were paid much less than they are today. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThe festival was held on August 17, 1950, and Hawkins performed three days later. The festival was held in Rhode Island because that was the closest venue to New York City. It was the largest festival ever held up to that point. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eFurthermore, the festival brought together a group of young artists such as Miles Davis, Dizzy Gillespie, and Thelonious Monk. That year, Hawkins received the first annual Newport Jazz Festival Award. He performed with his own ensemble until 1954. He also performed with Miles Davis in 1954 and 1955 and in 1957 He released another album named as The Genius Of Coleman Hawkins.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eColeman Hawkins was named one of the ten greatest jazz saxophonists by DownBeat magazine, and he continued to be recognized as a world-class jazz artist for the rest of his life. He was one of the key figures in the development of bebop music and the cool jazz movement.\" \u003c\/span\u003eReview by Oh! Jean Records\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDiscogs : 4.59 \/ 5 ; AllMusic : 4 \/ 5 ; The Penguin Guide to Jazz Recordings : 3.5 \/ 4\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49123101999439,"sku":"MG VS-6033","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/coleman-hawkins-the-genius-of-coleman-hawkins-audiosoundmusic-1.jpg?v=1719864656"},{"product_id":"coleman-hawkins-and-confreres-hybrid-sacd","title":"Coleman Hawkins and Confreres (Hybrid SACD)","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone - Coleman Hawkins \u003ca title=\"Vinyl featuring Coleman Hawkins\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster  \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\" target=\"_blank\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Hank Jones  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/hank-jones\" title=\"Vinyl featuring Hank Jones\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/hank-jones\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Hank Jones]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano - Oscar Peterson  \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Roy Eldridge \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – George Duvivier  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-duvivier\" title=\"Vinyl featuring George Duvivier\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-duvivier\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring George Duvivier]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass - Ray Brown \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Alvin Stoller, Mickey Sheen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eOctober 16, 1957 and February 7, 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaria\u003c\/li\u003e\n\u003cli\u003eSunday\u003c\/li\u003e\n\u003cli\u003eHanid\u003c\/li\u003e\n\u003cli\u003eHoney Flower\u003c\/li\u003e\n\u003cli\u003eNabob\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBen Webster had long before passed through the ranks of imitator, then pupil and finally master. His \"college attendance,\" as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. \"Hawk\" was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players. Two such JATP ensembles are to be found on the Confrères LP. The relaxed atmosphere is particularly noticeable in the title \"Sunday\" in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in \"Nabab!\") where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in \"Honey Flower.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.62 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49171382370639,"sku":"CVRJ 6110 SA","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/coleman-hawkins-and-confreres-hybrid-sacd-audiosoundmusic.png?v=1719864703"},{"product_id":"the-oscar-peterson-trio-hello-herbie-with-herb-elllis","title":"The Oscar Peterson Trio - Hello Herbie (With Herb Elllis)","description":"\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePiano – Oscar Peterson \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"vinyl featuring Oscar Peterson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eGuitar – Herb Ellis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eBass – Sam Jones\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eDrums – Bob Durham\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWritte\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003en by \u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eWes Montgomery (A1), Beda (A2), McHugh – Fields (A2), Stordahl (A3), Weston (A3), Hampton Hawes (A4), Oscar Peterson (B1), Adamson (B2), McHugh (B2), Goodman (B3), Christian (B3)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal media GmbH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eRecorded on November 5th and 6th 1969 at Villingen\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Hans Georg Brunner-Schwer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eRemastered by Christoph Stickel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSally's Tomato\u003c\/li\u003e\n\u003cli\u003eSunny\u003c\/li\u003e\n\u003cli\u003eBy The Time I Get To Phoenix\u003c\/li\u003e\n\u003cli\u003eWandering\u003c\/li\u003e\n\u003cli\u003eThis Guy's In Love With You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWave\u003c\/li\u003e\n\u003cli\u003eDreamsville\u003c\/li\u003e\n\u003cli\u003eYesterday\u003c\/li\u003e\n\u003cli\u003eEleanor Rigby\u003c\/li\u003e\n\u003cli\u003eOde To Billy Joe\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eGuitarist Herb Ellis still considers this to be one of his personal favorite recordings. Ellis was reunited with his old boss Oscar Peterson and, with the assistance of Peterson's trio of the period (with bassist Sam Jones and drummer Bobby Durham), the two lead voices often romp on the jam session-flavored set. Most of the chord changes are fairly basic (including three blues and \"Seven Come Eleven\"), and Peterson was clearly inspired by Ellis' presence (and vice versa).\" AllMusic Review by Scott Yanow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49860164157775,"sku":"AMPS 218727","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2024-10-11a18.30.50.png?v=1728664656"},{"product_id":"fred-wesley-a-blow-for-me-a-toot-to-you-test-pressing","title":"Herb Ellis - Nothing But The Blues (Test Pressing)","description":"\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eTest pressing - Rarity - Unsealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/herb-ellis\" title=\"audiophile vinyl featuring Herb Ellis\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Herb Ellis]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – Ray Brown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Stan Levey\u003c\/strong\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/herb-ellis\" title=\"audiophile vinyl featuring Herb Ellis\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTenor Saxophone – Stan Getz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTrumpet – Roy Eldridge\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by Ray Brown (A1, B3, B4), Don Ellis (A2, B2, B3), George Brunies (A3), Paul Mares (A3), Ben Pollack (A3), Leon Roppolo (A3), Mel Stitzel (A3), Walter Melrose (A3), Benny Goodman (A4), Clarence Williams (B1), Spencer Williams (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong\u003eTest pressing sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eLimited Edition (\u003cmeta charset=\"utf-8\"\u003eTest Pressing only 30 records pressed)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in October 1957 in \u003c\/strong\u003e\u003cstrong\u003eLos Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003ePap's Blues\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBig Red's Boogie Woogie\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTin Roof Blues\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSoft Winds\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eRoyal Garden Blues\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePatti Cake\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBlues For Janet\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBlues For Junio\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.45 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54772239761743,"sku":"Verve MG V-8252","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-03-31a10.33.05.png?v=1743410171"},{"product_id":"louis-armstrong-meets-oscar-peterson-speakers-corner","title":"Louis Armstrong Meets Oscar Peterson (Speakers Corner)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRarity - Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eLouis Armstrong – trumpet, vocals \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/louis-armstrong\" title=\"vinyl featuring Louis Armstrong\"\u003e[click here to see more vinyl featuring Louis Armstrong]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Peterson – piano \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Oscar Peterson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerb Ellis – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Brown – double bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLouie Bellson – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Standard Sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded July 31, 1957 and October 14, 1957, at Capitol Studios, Hollywood, Los Angeles, California\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2001\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat Old Feeling\u003c\/li\u003e\n\u003cli\u003eLet's Fall in Love\u003c\/li\u003e\n\u003cli\u003eI'll Never Be the Same\u003c\/li\u003e\n\u003cli\u003eBlues in the Night (My Mama Done Tol' Me)\u003c\/li\u003e\n\u003cli\u003eHow Long Has This Been Going On?\u003c\/li\u003e\n\u003cli\u003eI Was Doing All Right\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003eWhat's New?\u003c\/li\u003e\n\u003cli\u003eMoon Song\u003c\/li\u003e\n\u003cli\u003eJust One of Those Things\u003c\/li\u003e\n\u003cli\u003eThere's No You\u003c\/li\u003e\n\u003cli\u003eYou Go To My Head\u003c\/li\u003e\n\u003cli\u003eSweet Lorraine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Louis, then in his mid ‘50s, and the all-star backing band cover a dozen familiar tunes including 'That Old Feeling,' 'Let's Fall In Love' (in which Louis takes a solo an octave up from what's expected), 'Just One of Those Things,' and 'What's New.' ... (this is a) thoroughly enjoyable and otherwise well-recorded Armstrong set. \u003cem\u003eLouis Armstrong Meets Oscar Peterson\u003c\/em\u003e provides a guaranteed emotional pick-up in genuinely dreary times. The sealed review copy was perfectly pressed at QRP and 100% silent, with the super-black backgrounds that QRP manages when all goes well in their presses.\" Michael Fremer, AnalogPlanet.com\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"In the second reissue of the Acoustic Sound Series, Universal Music Group has done a stellar job in re-mastering \u003cem\u003eLouis Armstrong Meets Oscar Peterson\u003c\/em\u003e to 180-gram vinyl. The new mix (Ryan Smith\/Sterling Sound) is especially appealing. Armstrong's edgy vocal tonality is more smooth and fluent, centered directly. Instrumentation never overshadows the singing. A hi-gloss gatefold packaging and upgraded protective sleeve underscore the superior quality of this series. (Chad Kassem\/Acoustic Sounds).\" Robbie Gerson, \u003cem\u003eAudiophile Audition\u003c\/em\u003e, Aug. 12, 2020. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Recorded in July and October of 1957 by Verve's house recording engineer Val Valentin, the album was released in mono in 1959, followed shortly thereafter by a stereo release. This reissue comes from Universal Music, who have retained Acoustic Sounds to select titles, master and press them. Despite the mono cover and labels, it is in stereo. It has some of the attributes of early stereo. Armstrong is in the middle with piano in the left channel, bass, and guitar in the right channel. However, unlike many stereo recordings of the 1950s, the three channels are well blended, and there are no vast gaps of air between the soloist and instruments. Indeed, the presentation is far superior to my original mono copy which sounds flat and uninvolving by comparison. It is not as great sounding as the Ella collaboration albums, as Armstrong stands too close to the microphone, adding some modest overload at points. The mastering, by Ryan Smith of Sterling Sound, adds sparkle and texture which are missing with the original. The 180-gram pressing is beautifully flat and quiet — an outstanding musical performance with improved sound — just what a reissue should provide.\" Dennis D. Davis, \u003c\/span\u003e\u003cem\u003eHi-Fi +\u003c\/em\u003e\u003cspan\u003e, Issue 189\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"The 1959 session\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLouis Armstrong Meets Oscar Peterson\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a result of Verve founder Norman Granz’s desire to bring together musicians from different backgrounds. (He produced the Jazz at the Philharmonic jam sessions.) Oscar Peterson, he believed, could fit in anywhere. Although this LP isn’t my favorite Armstrong from the period, Granz (whose name in the original notes is misspelled 'Grans') makes his point. The twelve ballads recorded here include numbers Armstrong had never previously recorded. The emphasis is on Armstrong’s vocals. When he takes a trumpet solo, he sounds almost polite, as if unwilling to burst the bubble of the recording studio. Peterson is garrulous as usual, but doesn’t offer the kind of  robust counterweight Armstrong is used to with his All Stars. There are no blues, but the songs are top notch. The record begins with 'That Old Feeling\u003cem\u003e.'\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eWhen Armstrong starts to sing, all is forgiven. He is just there, startlingly present. He’s my favorite male jazz singer: I even like the way he clears his throat on 'Let’s Fall in Love.'\" — Michael Ullman,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Arts Fuse\u003c\/em\u003e, Sept. 24, 2020. \u003c\/p\u003e\n\u003cp\u003e“By 1957, hard bop was firmly established as the \"jazz of now,\" while pianist Oscar Peterson and his ensemble with bassist Ray Brown and guitarist Herb Ellis were making their own distinctive presence felt as a true working band playing standards in the swing tradition. Louis Armstrong was more recognizable to the general public as a singer instead of the pioneering trumpet player he was. But popularity contests being the trend, Armstrong's newer fans wanted to hear him entertain them, so in retrospect it was probably a good move to feature his vocalizing on these tracks with Peterson's band and guest drummer Louie Bellson sitting in. The standard form of Armstrong singing the lead lines, followed by playing his pithy and witty horn solos based on the secondary melody, provides the basis for the format on this charming but predictable recording. What happens frequently is that Armstrong and Peterson play lovely ad lib vocal\/piano duets at the outset of many tunes. They are all songs you likely know, with few upbeat numbers or obscure choices. It is, however, the familiarity of songs like the midtempo \"Let's Fall in Love,\" with Armstrong's gravelly scat singing, and his marvelous ability to riff off of the basic songs, that make these offerings endearing. A classic take of \"Blues in the Night\" is the showstopper, while choosing \"Moon Song\" is a good, off-the-beaten-path pick as the trumpeter plays two solo choruses, and he leads out on his horn for once during the slightly bouncy, basic blues \"I Was Doing All Right.\" Some extremely slow tunes crop up on occasion, like \"How Long Has This Been Going On?,\" an atypically downtempo take of \"Let's Do It,\" and \"You Go to My Head,\" featuring Peterson's crystalline piano. There are the dependable swingers \"Just One of Those Things,\" \"I Get a Kick Out of You,\" and \"Sweet Lorraine,\" with Peterson at his accompanying best. There's a ramped-up version of the usually downtrodden \"Willow Weep for Me\" and a duet between Armstrong and Ellis on the sad two-minute ditty \"There's No You.\" All in all, it's difficult to critique or find any real fault with these sessions, though Peterson is subsumed by the presence of Armstrong, who, as Leonard Feather notes, really needs nobody's help. That this was their only collaboration speaks volumes to how interactive and communal the session really was, aside from the fairly precious music.” AllMusic Review by Michael G. Nastos\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,53 \/ 5 \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54971668529487,"sku":"MG VS-6062","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/louis-armstrong-meets-oscar-peterson-audiosoundmusic-1.jpg?v=1719853943"},{"product_id":"roy-eldridge-and-his-orchestra-rockin-chair","title":"Roy Eldridge And His Orchestra – Rockin' Chair (Mono)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRARITY Sealed\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoy Eldridge – trumpet \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/roy-eldridge\" title=\"vinyl featuring Roy Eldridge\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Roy Eldridge]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBuddy Tate – tenor saxophone (B3-6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOscar Peterson (A2, A5, B1-2) – piano\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTeddy Brannon (B3-6) - piano\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHerb Ellis – guitar (tracks 2, 5, 7 \u0026amp; 8)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eClyde Lombardi (B3-6), Ray Brown (A2, A5, B1-2) – bass\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCharlie Smith (B3-6), J. C. Heard (A2, A5, B1-2) – drums\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eUnidentified orchestra conducted by George Williams (A1, A3-4, A6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eArranged by George Williams (A1, A3, A4, A6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Robert Dade (A1), George Williams (A1, A4), Roy Eldridge (A2, A4, B1, B4, B6), Buster Harding (A2, B4), Spencer Williams (A3), Bob Astor (A4, B6),Hoagy Carmichael (A5), Irving Berlin (A6), Harry Barris (B2), Ted Koehler (B2), Billy Moll (B2), Teddy Brannon (B3), Sam Theard (B3), Cliff Burwell (B5), Mitchell Parish (B5)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Clef\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded in New York City in August 1951 (B3-6), December 1951 (A1, A3-4, A6) and on December 13, 1952 (A2, A5, B1-2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Kevin Gray \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eat AcousTech Mastering\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePhotography by Alex De Paola, Phil Stern, David Hecht\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1955\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in July 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eI See Everybody's Baby\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLittle Jazz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBasin' Street Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eI Remember Harlem\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRockin' Chair\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEaster Parade\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoy's Riff\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWrap Your Troubles In Dreams\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBaby What's The Matter With You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eYard Dog\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSweet Lorraine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJumbo The Elephant\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.27 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55437773406543,"sku":"MGC-704","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/RoyEldridgeAndHisOrchestra_Rockin_Chair1.webp?v=1751123899"},{"product_id":"ben-webster-king-of-the-tenors","title":"Ben Webster - King Of The Tenors (Mono)","description":"\u003cp style=\"tab-stops: 190.5pt;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp style=\"tab-stops: 190.5pt;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp style=\"tab-stops: 190.5pt;\" class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: center 8.0cm;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTenor Saxophone – Ben We\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ebster \u003cspan size=\"2\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: center 8.0cm;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePiano – Oscar Peterson \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: center 8.0cm;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBass – Ray Brown\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: center 8.0cm;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAlto Saxophone – Benny Carter (A1-4, B2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: center 8.0cm;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDrums – Alvin Stoller (A1-4, B2), J.C. Heard (B1, B3-4)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: center 8.0cm;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGuitar – Barney Kessel (B1, B3-4), Herb Ellis (A1-4, B2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: center 8.0cm;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTrumpet – Harry Edison (A1-4, B2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: center 8.0cm;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Walter Gross (A1), Jack Lawrence (A1), Harry \"Sweets\" Edison (A2), Duke Ellington (A3), Bob Russell (A3), Alan Brandt (A4), Bob Haymes (A4, Ben Webster (B1), Arthur Johnston (B2), Johnny Burke (B2), Duke Ellington (B3), Frederic Weatherly (B4)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1 LP, \u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eStoughton Old-Style Tip-On Gatefold Packaging\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOriginal analog Master Tape : YES\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eHeavy Press : 180g\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eRecord Color: Black\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eSpeed : 33 RPM\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eSize : 12\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eMono\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eStudio\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eRecord Press : \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eL\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ea\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ebel : \u003c\/span\u003eVerve Acoustic Sounds Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOriginal Label : Verve\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: center 8.0cm;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded on May 21, 1953 \u0026amp; December 8, 1953\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: center 8.0cm;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOriginal session produced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: center 8.0cm;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMastered by Matthew Lutthans at The Mastering Lab\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: center 8.0cm;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eReissue produced by Chad Kassem\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"tab-stops: center 8.0cm;\" class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePhotography by Phil Stern\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOriginally released in 1954\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eReissued in 2025\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: center 8.0cm;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTenderly\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJive at Six\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDon't Get Around Much Any More\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThat's All\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\" style=\"tab-stops: center 8.0cm;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBounce Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePennies from Heaven\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCottontail\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDanny Boy\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“This 1953 date matched Webster with such peers as alto saxophonist Benny Carter, trumpeter Harry Edison, and pianist Oscar Peterson for a series of elegant yet soulful and exuberant small group dates. With no cut longer than four and a half minutes, the players didn't have time for excess statements or overkill; they had to quickly get to the heart of the matter in their solos, make their points, and return to the head. The original session has been enlarged by the addition of two previously unissued tracks, plus an alternate version of \"That's All\" that was later issued as a single. Label head Norman Granz excelled in producing swing-oriented, crisply played mainstream dates. Although this date is more than four decades old, Ben Webster's solos have a freshness and vitality that make them quite relevant to contemporary events.” AllMusic Review by Ron Wynn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAllMusic : 4 \/ 5 ; Discogs: 4,55 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55935903105359,"sku":"AVER 77261","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Ben_Webster_-_King_Of_The_Tenors_1.webp?v=1767024395"},{"product_id":"coleman-hawkins-and-confreres","title":"Coleman Hawkins and Confreres","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone - Coleman Hawkins \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" title=\"Vinyl featuring Coleman Hawkins\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster (A1) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Hank Jones (A2-3, B1-2) \u003ca title=\"Vinyl featuring Hank Jones\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/hank-jones\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Hank Jones]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano - Oscar Peterson (A1) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Oscar Peterson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Roy Eldridge (A2-3, B1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – George Duvivier (A2-3, B1) \u003ca title=\"Vinyl featuring George Duvivier\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-duvivier\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring George Duvivier]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass - Ray Brown (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Alvin Stoller (A1), Mickey Sheen (A2-3, B1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Verve - Acoustic Sounds Series\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan\u003eOctober 16, 1957 and February 7, 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRemastered by Matthew Lutthans at The Mastering Lab\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaria\u003c\/li\u003e\n\u003cli\u003eSunday\u003c\/li\u003e\n\u003cli\u003eHanid\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHoney Flower\u003c\/li\u003e\n\u003cli\u003eNabob\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBen Webster had long before passed through the ranks of imitator, then pupil and finally master. His \"college attendance,\" as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. \"Hawk\" was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players. Two such JATP ensembles are to be found on the Confrères LP. The relaxed atmosphere is particularly noticeable in the title \"Sunday\" in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in \"Nabab!\") where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in \"Honey Flower.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 3 \/ 5  ,  Discogs 4.62 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55957606728015,"sku":"AVER77260","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Coleman_Hawkins_and_Confreres_0.webp?v=1766334237"},{"product_id":"illinois-jacquet-swings-the-thing-mono","title":"Illinois Jacquet  - Swing's The Thing (Mono)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIllinois Jacquet, tenor saxophone\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRoy Eldridge, trumpet\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eRay Brown, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHerb Ellis, guitar\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJimmy Jones, piano\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJo Jones, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket by \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eStoughton Printing\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Verve Acoustic Sounds Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Hollywood, CA, October 16th 1956\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal session produced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Matthew Lutthans at The Mastering Lab \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eReissue produced by Chad Kassem\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLas Vegas Blues\u003c\/li\u003e\n\u003cli\u003eHarlem Nocturne\u003c\/li\u003e\n\u003cli\u003eCan't We Be Friends\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAchtung\u003c\/li\u003e\n\u003cli\u003eHave You Met Miss Jones\u003c\/li\u003e\n\u003cli\u003eLullaby Of The Leaves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Communications have so speeded up the process of cultural assimilation in the Western world in the last 20 years that artists such as Roy and Illinois, who, if they had lived in, say, the 18th century, would have spent their entire life spans perfecting their style and getting their message disseminated. Now they find themselves, on the verge of middle age, sort of musical anachronisms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThere is nothing whatsoever wrong with what they play, it is every bit as good as it was when their initial appearance made such an impression. They are every bit the musicians they were 10 years ago, and yet what they have to say no longer seems to have any relevance. It is tragic. They are left stranded on a plateau which they reached when it was important to get there. But now the main stream of history has gone on by, and they are talking in the language of another era to an ever-diminishing audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eIt is good to hear them. Nostalgic, warm-feeling, and evocative of the good old days. But it is impossible to escape the conclusion that they have made their contribution, and unless they manage to grow and develop and keep in touch with the pulse of the times, they will remain without an audience, though not without fans.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThis album offers excellent romantic tenor by Illinois, on Nocturne and Miss Jones (there is a gorgeous typo in the notes on this indicating that Granzville needs a proofreader), and Roy, on Achtung brings back memories of Swing is Here. This is a further indication of the appropriateness of the above remarks.” Down Beat Review by Ralph J. Gleason \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.47 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56077325664591,"sku":"AVER78843","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Illinois_Jacquet_-_Swing_s_The_Thing_1.webp?v=1766333431"},{"product_id":"ella-fitzgerald-and-louis-armstrong-ella-and-louis-again-3lp","title":"Ella Fitzgerald and Louis Armstrong - Ella And Louis Again (3LP)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRARITY - SEALED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElla Fitzgerald, vocals \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ella-fitzgerald\" title=\"vinyl featuring Ella Fitzgerald\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ella Fitzgerald]\u003cbr\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eLouis Armstrong – vocals, trumpet  \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/louis-armstrong\" title=\"vinyl featuring Louis Armstrong\"\u003e[click here to see more vinyl featuring Louis Armstrong]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePiano – Oscar Peterson\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar – Herb Ellis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – Ray Brown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Buddy Rich, Louie Bellson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified (The Netherlands)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Vinyl Passion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRecorded in Hollywood, California on August 16, 1956\u003c\/strong\u003e\u003cstrong\u003e (A1 to B5, C1 to D4, E1 to F5), \u003c\/strong\u003e\u003cstrong\u003eJuly 23, 1957 (C3-5, D2, D5, E1-2, F2-3, F5), July 31, 1957 (C2, D1, E4, F4), August 13, 1957 (C1, D3, E3, E5, F1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Val Valentin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1976\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eCan't We Be Friends\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eIsn't This A Lovely Day?\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMoonlight In Vermont\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThey Can't Take That Away From Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eUnder A Blanket Of Blue\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTenderly\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eA Foggy Day\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eStars Fell On Alabama\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCheek To Cheek\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Nearness Of You\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eApril In Paris\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eDon't Be That Way\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMakin' Whoopee\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThey All Laughed\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eComes Love\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAutumn In New York\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eLet's Do It (Let's Fall In Love)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eStompin' At The Savoy\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI Won't Dance\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eGee, Baby, Ain't I Good To You?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eLet's Call The Whole Thing Off\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThese Foolish Things (Remind Me Of You)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI've Got My Love To Keep Me Warm\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWillow Weep For Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI'm Puttin' All My Eggs In One Basket\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eA Fine Romance\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eIll Wind\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLove Is Here To Stay\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI Get A Kick Out Of You\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLearnin' The Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Recorded in 1957, Ella \u0026amp; Louis Again re-teams Ella Fitzgerald and Louis Armstrong after the success of their first album and a popular series of concerts at the Hollywood Bowl the previous year. Stylistically, Fitzgerald and Armstrong had very different histories; he started out in Dixieland before branching out into classic jazz and swing, whereas Fitzgerald started out as a swing-oriented big-band vocalist before becoming an expert bebopper. But the two of them have no problem finding common ground on Ella \u0026amp; Louis Again, which is primarily a collection of vocal duets (with the backing of a solid rhythm section led by pianist Oscar Peterson). One could nitpick about the fact that Satchmo doesn't take more trumpet solos, but the artists have such a strong rapport as vocalists that the trumpet shortage is only a minor point. Seven selections find either Fitzgerald or Armstrong singing without the other, although they're together more often than not on this fine set.\" AllMusic Review by Alex Henderson\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4 \/ 5  ;  Discogs 4.47 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56241029972303,"sku":"VP80500","price":47.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-10-25a10.03.47.png?v=1761379473"},{"product_id":"stan-getz-body-and-soul-cd-japanese-edition-50th-anniversary","title":"Stan Getz - Body and Soul (CD, Japanese Edition)","description":"\u003cp style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cstrong\u003e\u003cspan\u003eStan Getz, tenor saxophone \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/stan-getz\" title=\"vinyl featuring Stan Getz\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring Stan Getz]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals: Maria Toledo (3), Joao Gilberto (16), Percussion: Artie Butler (1), Bobby Rosengarden (1), Jose Carlos (3), Paulo Ferreira (3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass: Ron Carter (1,7,13), Ray Brown (2,11), George Duvivier (3,4), Gene Cherico (5,12), Bill Crow (6,9), Leroy Vinnegar (10,14), Freddy Dutton (15), Tommy Williams (16)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums: Grady Tate (1,13), Jose Carlos (3), Paulo Ferreira (3), Jack Jennings (4), Joe Hunt (5,12), Frank Isola (6,9), Elvin Jones (7), Connie Kay (11), Shelly Manne (10,14), Sperie Karas (15), Milton Banana (16)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePiano: Herbie Hancock (1,13), Oscar Peterson (2,11), Antonio Carlos Jobim (3,16), Hank Jones (4), Duke Jordan (6,9), Bill Evans (7), Lou Levy (10,14), Jan Johansson (15), \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar: Jim Hall (1), Herb Ellis (2,11), Luiz Bonfa (3), Kenny Burrell (4,13), Jimmy Raney (6,9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVibraphone: Gary Burton (5,12), George Devens (4), David Carey (13), Dave Hildinger (15)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eHarp: Gloria Agostini (13), Blanche Birdsong (15)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBrass \u0026amp; Woodwinds: Conte Candoli (14), Jimmy Buffington (13), Jerome Richardson (13)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOrchestration \u0026amp; Conductor: Claus Ogerman (1,4), Hershy Kay (8), Richard Evans (13), Russ Garcia (15)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by Burt Bacharach, Hal David (1,13), Jimmy Dorsey, Paul Madeira (2), Antonio Carlos Jobim, Vinicius De Moraes (3,16), Alan Jay Lerner, Frederick Loewe (4), Richard Rodgers, Lorenz Hart (5,11), Leo Robin, Ralph Rainger (6), Jimmy Van Heusen, Johnny Burke (7,12), Eddie Sauter (8), Edward Heyman, John W. Green, Robert Sour (9), Harry Warren, Mack Gordon (10), Dubose Heyward, George Gershwin, Ira Gershwin (14), Johnny Mercer, Ralph Burns, Woody Herman (15)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, Jewel Box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Verve Records  \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : \u003cmeta charset=\"utf-8\"\u003eVerve Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMade in Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eCompiled by Felix Feustel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2008\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Look Of Love\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI'm Glad There Is You\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eInsensatez (How Insensitive)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eIf Ever I Would Leave You\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLittle Girl Blue\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThanks For The Memory\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBut Beautiful\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI Remember When\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBody And Soul\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSerenade In Blue\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eIt Never Entered My Heart\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHere's That Rainy Day\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAlfie\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSummertime\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eEarly Autumn\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eO Grande Amor\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e  \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.27 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56715210752335,"sku":"UCCM4051","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-29a15.15.18.png?v=1767017793"},{"product_id":"oscar-peterson-trio-and-orchestra-with-respect-to-nat-cd-mono-japanese-edition","title":"Oscar Peterson Trio And Orchestra ‎– With Respect To Nat (CD, Japanese Edition)","description":"\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003cspan lang=\"EN-GB\" style=\"color: red; mso-ansi-language: EN-GB;\"\u003eRARITY \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAlto Saxophone – Jerry Dodgion (1,3,5,8,10), Phil Woods (1,3,5,8,10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBaritone Saxophone – Marvin Halladay (1,3,5,8,10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – Ray Brown (2,4,6,7,9,11,12) \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\" title=\"vinyl featuring Ray Brown\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see other vinyl featuring Ray Brown]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e, Richard Davis (2) (1,3,5,8,10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass Trombone – Tony Studd (1,3,5,8,10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Mel Lewis (1,3,5,8,10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFlute [Alto Flute, Transverse Flute] – Seldon Powell (1,3,5,8,10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFlute [Transverse Flute, Bass Flute] – Jerome Richardson (1,3,5,8,10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar – Barry Galbraith (1,3,5,8,10), Herb Ellis (2,4,6,7,9,11,12)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePiano – Hank Jones (1,3,5,8,10), Oscar Peterson (2,4,6,7,9,11,12)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTrombone – J.J. Johnson (1,3,5,8,10) \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jay-jay-johnson\" title=\"vinyl featuring Jay Jay Johnson\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Jay Jay Johnson]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e, Jimmy Cleveland (1,3,5,8,10), Wayne Andre (1,3,5,8,10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTrumpet – Joe Newman (1,3,5,8,10), John Frosk (1,3,5,8,10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTrumpet, Flugelhorn – Danny Stiles ( 1,3,5,8,10), Ernie Royal (1,3,5,8,10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals – Oscar Peterson (1 to 11) \u003cmeta charset=\"utf-8\"\u003e \u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Oscar Peterson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOrchestrated by Manny Albam\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eArranged by Manny Albam (1, 3, 5, 8, 10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCD, with OBI\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Limelight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  \u003cmeta charset=\"utf-8\"\u003eMercury\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRecorded in 1965: tracks 1,3,5,8 and 10 recorded November 13 at A\u0026amp;R Recording, New York City - tracks 2,4,6,7,9,11 and 12 recorded October 28 in Hollywood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Jack Tracy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1965\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eMakin' Whoopee!\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWhat Is This Thing Called Love?\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWhat's New?\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLike Someone In Love\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHeart Of Winter\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBlues In 9\/4\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSymphony\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWhen Sunny Gets Blue\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWonder Why\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Mood Is Mellow\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eGone With The Wind\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eIt Could Happen To You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« This album is quite unusual. Recorded shortly after Nat King Cole's death, pianist Oscar Peterson takes vocals on all but one of the dozen selections, sounding almost exactly like Cole. Peterson, who rarely ever sang, is very effective on the well-rounded program, whether being backed by a big band (arranged by Manny Albam) on half of the selections or re-creating both the spirit of the Nat King Cole Trio and his own group of the late '50s during a reunion with guitarist Herb Ellis and bassist Ray Brown. » AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 ; Discogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56964256727375,"sku":"EJD-1024","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2026-02-04a21.31.44.png?v=1770237195"},{"product_id":"blossom-dearie-give-him-the-ooh-la-la","title":"Blossom Dearie - Give Him The Ooh-La-La (Mono)","description":"\u003ch3\u003e\n\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePiano, Vocals – Blossom Dearie\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBass – Ray Brown\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDrums – Jo Jones\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGuitar – Herb Ellis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eArranged by Blossom Dearie\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Cole Porter (A1, B4), Johnny Burke (A2), Jimmy Van Heusen (A2), Harold Arlen (A3), Ted Koehler (A3), Marty Clark (A4), Bob Haymes (A4), Michael Preston Barr (A5), Dion McGregor (A5), David Heneker (A6), Cy Coleman (B1, B6), Joseph Allen McCarthy (B1), Maurice Goodman (B2), Billie Wallington (B2), Ben Ryan (B3), Max François (B3), Bart Howard (B5), Carolyn Leigh (B6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, \u003cmeta charset=\"utf-8\"\u003eStandard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Verve - Vault Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded in New York City on September 12–13, 1957\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Norman Granz, Blossom Dearie\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePhotography by Burt Goldblatt\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in January 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Just One Of Those Things\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Like Someone In Love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e3. Between The Devil And The Deep Blue Sea\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e4. They Say It's Spring\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e5. Try Your Wings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e6. Bang Goes The Drum (And You're In Love)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. The Riviera\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. The Middle Of Love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3. Plus Je T'Embrasse\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4. Give Him The Ooh-La-La\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e5. Let Me Love You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e6. I Walk A Little Faster\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e“Of the six recordings Blossom Dearie did for the Verve label in the '50s, Give Him the Ooh-La-La is the third one to be released on CD. Three titles still remain in the vaults including a Betty Comden and Johnny Green tribute as well as a Broadway Hits collection. It's a shame because Dearie's girlishly dynamic voice, subtle piano playing, and rarified choice of contemporary material made her recordings unique among '50s jazz vocal outings. Give Him the Ooh-La-La is no exception, with stellar backing by regular bassist Ray Brown, drummer Jo Jones and guitarist Herb Ellis, and Dearie's taut arrangements of a set of glowing ballads and brisk swingers. Included are a few well-worn standards like \"Just One of Those Things\" and \"Between the Devil and the Deep Blue Sea.\" More intriguing, however, are Dearie's inclusion of obscure titles like Cy Coleman's \"The Riviera,\" a tongue and cheek portrait of Europe's playground, as well as his \"I Walk a Little Faster.\" Additionally, there's the gently executed and innocuous self-help number \"Try Your Wings,\" a bouncy \"The Middle of Love,\" and a nod to her club stint in Paris with the French tune \"Plus Je T'Embrasse.\" As usual, both Dearie's piano and voice are instilled with impeccable playfulness on mischievous numbers like the title track and in the tender pathos of ballads such as \"Like Someone in Love.\" Like Dearie's two other available titles Blossom Dearie and Once Upon a Summertime, Give Him the Ooh-La-La features a great collection of tunes from the high point of her recording career. The dilemma is not which recording to get, but where to start.” AllMusic Review by Stephen Cook\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4.49 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56985615794511,"sku":"AVER213144","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/BlossomDearie-GiveHimTheOoh-La-La1.webp?v=1770484632"},{"product_id":"blossom-dearie-blossom-dearie-mono-vmp","title":"Blossom Dearie - Blossom Dearie (Mono, VMP)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRARITY - SEALED\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano, Vocals – Blossom Dearie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Ray Brown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Jo Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Fred Rose (A1), Walter Hirsch (A1), Jimmy Davis (A2), Jimmy Sherman (A2), Roger Ramirez (A2), Richard Rodgers (A3, A6-7, B5), Lorenz Hart (A3, A6, B5), Murray Grand (A4), Billy Rose (A5), Edward Eliscu (A5), Vincent Youmans (A5), Oscar Hammerstein II (A7, B6), Emile Jean Mercadier (B1), René Clausier (B1), Bob Haymes (B2-3, B7), Burton Lane (B4), Frank Loesser (B4), Fields (B6), Kern (B6), McHugh (B6), Harbach (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Vinyl Me Please, Classics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on September 11-12, 1956\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz, Blossom Dearie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissue supervised by Ken Druker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered and lacquer cut by Ryan Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by Chas. Stewart\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in April 1957\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e'Deed I Do\u003c\/li\u003e\n\u003cli\u003eLover Man (Oh Where Can You Be)\u003c\/li\u003e\n\u003cli\u003eEverything I've Got\u003c\/li\u003e\n\u003cli\u003eComment Allez Vous\u003c\/li\u003e\n\u003cli\u003eMore Than You Know\u003c\/li\u003e\n\u003cli\u003eThou Swell\u003c\/li\u003e\n\u003cli\u003eIt Might As Well Be Spring\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTout Doucement\u003c\/li\u003e\n\u003cli\u003eYou for Me\u003c\/li\u003e\n\u003cli\u003eNow at Last\u003c\/li\u003e\n\u003cli\u003eI Hear Music\u003c\/li\u003e\n\u003cli\u003eWait Till You See Her\u003c\/li\u003e\n\u003cli\u003eI Won't Dance\u003c\/li\u003e\n\u003cli\u003eA Fine Spring Morning\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Other than a pair of sessions for the French Barclay label during 1955-1956, this set has pianist-vocalist Blossom Dearie's first recordings as a leader. Teamed up with bassist Ray Brown and drummer Jo Jones, Dearie is heard in her early prime. Although her voice has always been an acquired taste, its sincerity and sense of swing wins one over after a few songs and Dearie's piano playing is first class. In addition to the 14 original selections (mostly swing-era standards plus a couple of French songs), there are three previously unreleased numbers including \"Blossom's Blues,\" which dates from 1959. This LP is the perfect introduction for listeners to the unique sound of Blossom Dearie.” AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.68 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57311763235151,"sku":"VMP C020","price":89.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Capture_d_ecran_2026-03-25_a_08.41.04.png?v=1774424569"},{"product_id":"lester-young-laughin-to-keep-from-cryin","title":"Lester Young - Laughin' To Keep From Cryin'","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLester Young – clarinet, tenor saxophone \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Lester Young\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/lester-young\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Lester Young]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarry \"Sweets\" Edison – trumpet \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Harry Sweets Edison\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/harry-sweets-edison\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Harry \"Sweets\" Edison]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoy Eldridge – trumpet\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHank Jones – piano\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHerb Ellis – guitar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGeorge Duvivier – bass\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMickey Sheen – drums\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Lester Young (A1, B1), George \u0026amp; Ira Gershwin (A2), Clay Boland (B2), Moe Jaffe (B2), Sam H. Stept (B3), Sidney Clare (B3)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, tip-on gatefold jacket by Stoughton Printing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12’’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings (QRP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Verve - Acoustic Sounds Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded at Fine Sound Studios, New York City, on February 8, 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Matthew Lutthans at The Mastering Lab\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries supervised by Chad Kassem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePhotography by Burt Goldblatt\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDesign by Sheldon Marks (art direction)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally released in 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSalute To Benny\u003c\/li\u003e\n\u003cli\u003eThey Can't Take That Away From Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRomping\u003c\/li\u003e\n\u003cli\u003eGypsy In My Soul\u003c\/li\u003e\n\u003cli\u003ePlease Don't Talk About Me When I'm Gone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e“One of tenor-saxophonist Lester Young's final studio sessions (he died a year later), this date apparently had a lot of difficulties but the recorded results are excellent. Prez was joined by two great swing trumpeters (Roy Eldridge and Harry \"Sweets\" Edison) and a fine rhythm section for two standards, two originals and the ballad \"Gypsy in My Soul.\" Young takes rare clarinet solos on two of the selections with his emotional statement on \"They Can't Take That Away from Me\" being one of the highpoints of his career.” AllMusic Review by Scott Yanow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.49 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":59027940573519,"sku":"AVER 40306","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Lester_Young_-_Laughin_To_Keep_From_Cryin_1.webp?v=1794103076"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/collections\/Herb_Ellis.png?v=1794421876","url":"https:\/\/www.audiosoundmusic.com\/collections\/herb-ellis.oembed","provider":"AudioSoundMusic","version":"1.0","type":"link"}