{"title":"Other Labels CD","description":"","products":[{"product_id":"clair-marlo-let-it-go-gold-cd","title":"Clair Marlo – Let It Go (Gold CD)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClair Marlo - Synthesizer (1, 8, 10), Keyboards (4, 6, 7, 12), Strings (4, 6), Accordion (11), Spoken Voices (12), Vocal Percussion Samples (8),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal Conductor – Lincoln Mayorga (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Andrea Robinson (3, 9), Angie Jaree (8, 9), Beth Anderson (3), Carmen Twillie (3), Clair Marlo (11), Clydene Jackson Edwards (3), Craig Fuller (4, 7), Darlene Koldenhoven (4, 5), Diane Vanette (9), Gail Farrell (1, 3, 9), John Batforf (8), Julia Waters (3), Linda Harmon (3, 9), Maxine Waters (3), Melissa Mackay (9), Myrna Matthews (3, 8, 9), Patti Linsky (9), Phyllis St. James (3), Scottie Haskell (1, 3, 9, 11), Steve Lively (8), Susan Boyd (3), Susan Stevens (1, 4, 5, 7, 9), Tampa Lann (3, 9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpoken Voices – Ace Baker (12)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar – Dean Parks (3), Fred Tackett (4, 7), George Doering (1 to 3, 9), Grant Geissman (2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Abraham Laboriel (4, 5, 7 to 12), Ed Roscetti (6), Leland Sklar (1, 2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello – Larry Corbett (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Ace Baker (13), Ed Roscetti (4 to 7), Jeff Porcaro (1 to 3, 8 to 10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Guitar – Dean Parks (1, 2, 4 to 10), George Doering (10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectronic Wind Instrument – Doug Norwine (5, 6, 7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Dean Parks (12, 13), Peter Hume (11)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Ace Baker (12), Randy Kerber (2, 3, 8, 10), Steve Porcaro (7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Ace Baker (11), Clair Marlo (11), Ed Roscetti (4, 6), Joe Porcaro (3 to 7, 9), Luis Conte (1 to 3, 8, 10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Ed Roscetti (8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Pat Coil (5), Randy Kerber (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Vocal Percussion Samples – Ed Roscetti (8), Mike Watts (2) (8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Soprano Saxophone – Brandon Fields (10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrings - Dean Parks (13)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSynthesizer – Lincoln Mayorga (5), Pat Coil (9), Steve Porcaro (1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTin Whistle – Peter Gordon (13)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Clair Marlo, Ed Roscetti (8, 9), Randy Kerber (10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLyrics by Alexander 'Ace' Baker (12), Clair Marlo (1, 2, 5, 7, 8, 11 to 13), Luba (3), Richard Thompson (4), Bob Reeder (2), Steve Porcaro (7), Stevie Wonder (9), Yvonne Wright (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusic by Alexander 'Ace' Baker (12), Clair Marlo (1, 2, 5 to 8, 10 to 13), Ed Roscetti (6, 8), Luba (3), Randy Kerber (8, 10), Richard Thompson (4), Bob Reeder (2), Steve Porcaro (1, 7), Stevie Wonder (9), Yvonne Wright (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hyper Master CD, digi-book\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 1,500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Made by Memory-Tech in Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePackage printed in Hong Kong\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor : Gold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eStereo\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLabel : \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eBrilliance Music \u0026amp; Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Sheffield Lab\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded and mixed by Bill Schnee at Bill Schnee Studios, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Clair Marlo, Ed Roscetti (6, 8, 9), Steve Katz (4, 5, 7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered from 30ips analogue tapes by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e'Til They Take My Heart Away\u003c\/li\u003e\n\u003cli\u003eLonely Nights\u003c\/li\u003e\n\u003cli\u003eLet It Go\u003c\/li\u003e\n\u003cli\u003eIt's Just the Motion\u003c\/li\u003e\n\u003cli\u003eWithout Me\u003c\/li\u003e\n\u003cli\u003eA Major Technicality\u003c\/li\u003e\n\u003cli\u003eDo You Love Me?\u003c\/li\u003e\n\u003cli\u003eAll For the Feeling\u003c\/li\u003e\n\u003cli\u003eI Believe (When I Fall In Love It Will Be Forever)\u003c\/li\u003e\n\u003cli\u003eWhere You Are\u003c\/li\u003e\n\u003cli\u003eToo Close (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eMeditation (Bonus Track)\u003c\/li\u003e\n\u003cli\u003eFallen Soldiers (Bonus Track)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003eOne of Sheffield Labs' most beloved and highly sought-after albums has been given the definitive reissue by Hyper Analogue and Brilliance Music.\u003c\/p\u003e\n\u003cp\u003eLike many of Sheffield Labs' most revered recordings, Let It Go was recorded direct-to-two-track analog by the immortal engineer Bill Schnee. The Sheffield team assembled an incredible cadre of studio pros (including Jeff, Joe and Steve Porcaro, Randy Kerber, Luis Conté, Dean Parks, Abe Laboriel, and many more) to deliver the polish of a big-budget pop production while maximizing precious time in the studio. Considering the dense collage of sound created with large-group background vocals, layers of guitars, keyboards, and percussion, all mixed with perfect levels and a deeply focused soundstage, the achievement borders on heroic. Holding it all down is Marlo's ethereal and lush vocals. Equally coy and earnest in her delivery, she wraps her heart around each song, from originals \"'Til They Take My Heart Away,\" \"Lonely Nights,\" and \"Where You Are,\" to gorgeous covers of \"It's Just the Motion\" and \"I Believe (When I Fall in Love, It Will Be Forever).\"\u003c\/p\u003e\n\u003cp\u003eMastered from the original direct-to-two-track recording master tapes by Bernie Grundman, Let It Go is available as a limited edition, hand-numbered 45rpm One-Step double album; a 15-ips 1\/4\" Analogue Master Reel set; and a Gold Master CD. All three of the new Hyper Analogue releases includes three tracks that have only been released once (on the collect-ably rare 2003 SACD by Cisco Music).\u003c\/p\u003e\n\u003cp\u003eDespite only being issued a few times since its 1989 release, Let It Go has become an audiophile staple, cherished around the world for its beautiful musicianship captured in awe-inspiring fidelity. Brilliance Music and Hyper Analogue are proud to present the definitive versions of this pop music classic!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; Discogs : 4.38 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":46764748144975,"sku":"BMS-011-GCD","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/clair-marlo-let-it-go-gold-cd-audiosoundmusic-1.jpg?v=1719861630"},{"product_id":"mighty-sam-mcclain-give-it-up-to-love-hybrid-sacd","title":"Mighty Sam McClain - Give It Up To Love (Hybrid SACD)","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMighty Sam McClain - Vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKevin Barry - Guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLorne Entress - Drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBruce Katz - Organ, Organ (Hammond), Piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Rivard - Bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBennie Wallace - Tenor Sax\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 SACD, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sledgehammer Blues\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : AudioQuest Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by \u003c\/strong\u003e\u003cstrong\u003eMichael C. Ross\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Joe Harley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1993\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGive It Up To Love\u003c\/li\u003e\n\u003cli\u003eToo Proud\u003c\/li\u003e\n\u003cli\u003eWhat You Want Me To Do\u003c\/li\u003e\n\u003cli\u003eHere I Go Falling In Love Again\u003c\/li\u003e\n\u003cli\u003eGot To Have Your Love\u003c\/li\u003e\n\u003cli\u003eChild Of The Mighty Mighty\u003c\/li\u003e\n\u003cli\u003eI'm Tired Of These Blues\u003c\/li\u003e\n\u003cli\u003eI Feel Good\u003c\/li\u003e\n\u003cli\u003eDon't Turn Back Now\u003c\/li\u003e\n\u003cli\u003eLonesome Road\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Give It Up to Love has been one of my all-time faves since its release in 1993. Producer Joe Harley correctly identified red-clay R\u0026amp;B vocalist Sam McClain as someone whose musical career was due for a new act. The album continues to be an audiophile go-to; this latest issue by Analogue Productions generously spaces out 11 tracks over two 45 RPM LPs. The sound was already standard-setting, whatever the format, thanks to engineer Michael C. Ross's superb 'get.' I can pretty much tell within moments how my system is sounding by hearing a few beats of Mighty Sam's vocals and listening to guitarist Kevin Barry sliding down over the frets at the top of 'What You Want Me to Do.'\" Sasha Matson, Stereophile, February 2021.\u003c\/p\u003e\n\u003cp\u003eMcClain sings soul with incredible power -- he knows when to pull the punches and when to cool it down. \"Give It Up to Love,\" the title track, acknowledges his gospel roots; he performs it as a vocal prayer to God asking for wisdom, love, and strength. Bruce Katz's contributions on B-3 Hammond organ expands McClain's sound, particularly on the \"Green Onions\"-influenced \"What You Want Me to Do.\" The sparsely effective arrangement on \"Here I Go Falling in Love Again\" brings McClain up front as he cries of being a soul stripped to the bare bones. Kevin Barry's funky bass blows while McClain declares himself as a child of God in \"Child of the Mighty Mighty.\"” AllMusic Review by Char Ham\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.4 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47068249293135,"sku":"AQM-CD1015","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/mighty-sam-mcclain-give-it-up-to-love-hybrid-sacd-audiosoundmusic-1.jpg?v=1719862184"},{"product_id":"dave-grusin-an-evening-with-dave-grusin-cd-ultra-high-definition-32-bit-mastering","title":"Dave Grusin – An Evening With Dave Grusin (CD, Ultra High Definition 32-Bit Mastering)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Grusin : Piano, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals - Patti Austin (4, 7), Monica Mancini (12), Jon Secada (7), Gary Burton (6, 13), Nestor Torres (11)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHenry Mancini Orchestra:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eBass : Josh Allen, Jeff Kipperman Magdalena Luciani, Augustin Mas\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eViolin : Daniel Andai, David Andai, Ross DeBardelaben, Adam Diderich, Charlie Hardt, Belinda Ho, Yun Jung Jung, Elaine Li, Al Nicoletti, Nicole Nutting, Robert Patrignani, Luis Ramirez, Nika Reguero, Jenny Shea, Susan Smiddy, Chen Wen Su, Brett Watkins, Jessica Yeh\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePercussion : Alex Appel, Sammy Figueroa, Jose Lacerda, Cliff Sutton\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTrombone : Garrett Arrowood, Chad Bernstein, Paul Deemer\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eViola : Adrian Balahura, David Butterfield, Ryan Gibson, April Liberty, Rafael Ramirez, Joshua Shepherd\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eClarinet : Rachel Branzer, Megan Knox, Danielle Woolery\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBassoon : Will Brubaker, Joshua Lindsay, Nora McDonnell\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCelli : Harrison Bryant, Christine Echezabel, Ashley Garritson, Monica Godbee, Hui Hsien Hung, Abi Loutoo, Aaron Ludwig, Andres Vera\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eVibraphone : Gary Burton\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTrumpet : Mike Cordone, Cisco Dimas, Rodrigo Gallardo, Augie Haas, Arturo Sandoval\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eHorn : Jim Drayton, Dylan Farnsworth, Casey Maltese, Stan Spinola, Dana Weber\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOboe : Jim Drayton, Dylan Farnsworth\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDrums : Gregg Field, Daniel Susnjar\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFlute : Amy Fiorito, Cassandra Rondinelli, Nestor Torres, Farah Zolghadr\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSaxophone : David Hartsman, John Palowitch, Troy Roberts, Pat Seymour, Matt Vashlishan\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHarp : Whan Kamnirdratana    \u003c\/strong\u003e   \u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGuitar : Sam Petitti\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra High Definition 32-Bit Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Lim\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Lim\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded live at James L. Knight Concert Hall at the Adrienne Arsht Center for the Performing Arts of Miami Dade County, Miami, FL, December 4, 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcert presented as part of JAZZ ROOTS: A Larry Rosen Jazz Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Eric Schilling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Phil Ramone, Seth Presant, Frank Filipetti\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Phil Ramone, Larry Rosen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Paul Blakemore     \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by Larry Rosen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by Daniel Azoulay \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFratelli Chase\u003c\/li\u003e\n\u003cli\u003eMoon River - (Monica Mancini solo)\u003c\/li\u003e\n\u003cli\u003eOn Golden Pond \/ Hornpipe Medley\u003c\/li\u003e\n\u003cli\u003eIntro - Patti Austin\u003c\/li\u003e\n\u003cli\u003eMakin' Whoopee (Patti Austin solo)\u003c\/li\u003e\n\u003cli\u003ePorgy \u0026amp; Bess Medley\u003c\/li\u003e\n\u003cli\u003eCool (Gary Burton solo)\u003c\/li\u003e\n\u003cli\u003eSomewhere (soloists: Jon Secada \u0026amp; Patti Austin)\u003c\/li\u003e\n\u003cli\u003eSuite From The Milagro Beanfield War\u003c\/li\u003e\n\u003cli\u003eIntro - Jon Secada\u003c\/li\u003e\n\u003cli\u003eMaria\u003c\/li\u003e\n\u003cli\u003eI Feel Pretty (Nestor Torres solo)\u003c\/li\u003e\n\u003cli\u003ePeter Gunn (Gary Burton solo)\u003c\/li\u003e\n\u003cli\u003eMemphis Stomp\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“An Evening with Dave Grusin is essentially the soundtrack to the Blu-Ray DVD product, and an app for the iPad, both of which have loads more features. The composer, arranger, and pianist conducts the 75-piece Henry Mancini Orchestra in a live program of his own music -- tunes written for cinema -- as well as the works of composers Gershwin, Bernstein, and Mancini. The show was co-produced by Grusin's longstanding business associate and collaborator Larry Rosen and Phil Ramone. The personnel includes guest appearances by vocalists Patti Austin, Jon Secada, and Monica Mancini, and instrumentalists Gary Burton, Arturo Sandoval, Nestor Torres, and Sammy Figueroa. Ultimately it's the music that matters and Grusin is in fine form, playing piano and conducting this orchestra. A dramatic version of his \"Fratelli Chase\" (from the score of the film Goonies) opens the set and is quickly followed by a romantic, nostalgic version of the theme from On Golden Pond, juxtaposed quite jarringly in a medley with his \"New Hampshite Hornpipe.\" Austin appears on \"Makin' Whoopee\" (which he didn't write but which appeared in The Fabulous Baker Boys, a film he scored. The program moves on with the tribute section of the evening as Grusin and orchestra perform a medley from Gershwin's Porgy \u0026amp; Bess, followed by a selection of Bernstein\/Stephen Sondheim tunes from West Side Story. Burton's vibes appear on \"Cool,\" and Secada and Austin duet on \"Somewhere.\" Somewhere throws a curve here conducting and playing piano in the lengthy, near-12-minute \"Suite\" from the film The Milagro Beanfield War, before returning to West Side Story with \"I Feel Pretty,\" containing a lovely flute solo by Torres. Mancini gets the final tribute with Monica singing a delightful \"Moon River\"; Burton returns to solo on the \"Peter Gunn Theme.\" The entire show closes on an uptempo note with \"Memphis Stomp,\" from the Grusin-scored film, The Firm. Fans of the artist will take great delight in the program, which stands on its own apart form the Blu-Ray and iPad app. Just over an hour in length, it is near perfectly sequenced, and filled with not only nostalgia but evidence of Grusin's musical sophistication, as well as his accessibility and lasting appeal.” AllMusic Review by Thom Jurek\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra High Definition 32-Bit Mastering\u003c\/strong\u003e is a proprietary ultra-high-quality mastering system. This leading-edge system has achieved unprecedented sonority and musicality, reproducing as closely as possible the sound of the original master tape! This format employs what is currently the highest attainable resolution bit depth (word length) in the professional audio field, i.e. 32-bit. 32-bit resolution makes possible maximized, undistorted dynamics, and the lowest noise floor, allowing even the quietest musical information to be heard more clearly. This breakthrough results from the development, through years of experience and application of advanced digital technology, of a sophisticated A\/D and D\/A processing system.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3.5 \/ 5 ; Discogs 4.5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47068399599951,"sku":"LIM UHD 065","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/dave-grusin-an-evening-with-dave-grusin-cd-ultra-high-definition-32-bit-mastering-audiosoundmusic-1.jpg?v=1719862184"},{"product_id":"grace-mahya-last-live-at-dug-hybrid-sacd","title":"Grace Mahya – Last Live At Dug (Hybrid SACD)","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals, Piano – Grace Mahya \u003ca title=\"SACD featuring Grace Mahya\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/grace-mahya\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more SACD featuring Grace Mahya]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Keizo Kawano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Satoshi Bandoh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Bass – Kenji \"Jino\" Hino (7 to 10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Yosuke Onuma (1 to 6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Bass – Keisuke Torigoe (1 to 4, 6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone, Harmonica, Clarinet, Wind Chimes – Takeru Muraoka (7 to 10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Terumasa Hino (1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 SACD, standard sleeve\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Village Records\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Village Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecorded at DUG Tokyo on December 25 \u0026amp; 26, 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProduced by Yasohachi Itoh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginally released on February 2007\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoute 66\u003c\/li\u003e\n\u003cli\u003eMoonlight in Vermont\u003c\/li\u003e\n\u003cli\u003eBei Mir Bist Du Schön\u003c\/li\u003e\n\u003cli\u003eKiss of Life\u003c\/li\u003e\n\u003cli\u003eMona Lisa\u003c\/li\u003e\n\u003cli\u003eComin' Home Baby\u003c\/li\u003e\n\u003cli\u003eMy Heart Belongs to Daddy\u003c\/li\u003e\n\u003cli\u003eTeach Me Tonight\u003c\/li\u003e\n\u003cli\u003eSunny\u003c\/li\u003e\n\u003cli\u003eThe Way We Were\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n \n\u003cp\u003e\u003cstrong\u003eRatings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs :  4.64 \/ 5\u003cbr\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47844741775695,"sku":"VRCL11004","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/grace-mahya-last-live-at-dug-hybrid-sacd-audiosoundmusic-1.jpg?v=1719862603"},{"product_id":"grace-mahya-the-look-of-love-hybrid-sacd","title":"Grace Mahya – The Look Of Love (Hybrid SACD)","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals, Piano – Grace Mahya \u003ca title=\"SACD featuring Grace Mahya\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/grace-mahya\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more SACD featuring Grace Mahya]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBass – Mitsuru Sutoh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDrums – Satoshi Bandoh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eGuitar – Yosuke Onuma\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePercussion – Mamadou Lo, Saori Sendo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSaxophone - Keizoh Kawano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 SACD, standard sleeve\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Village Records\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Village Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Sony Music Studios Tokyo in July,2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProduced by Yasohachi Itoh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginally released on October 2006\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Look Of Love\u003c\/li\u003e\n\u003cli\u003eMy Favorite Things\u003c\/li\u003e\n\u003cli\u003eThe Boulevard Of Broken Dreams\u003c\/li\u003e\n\u003cli\u003eTennessee Waltz\u003c\/li\u003e\n\u003cli\u003eRibbon In The Sky\u003c\/li\u003e\n\u003cli\u003eDanny Boy\u003c\/li\u003e\n\u003cli\u003eCaravan\u003c\/li\u003e\n\u003cli\u003eLa Chanson D'orphee\u003c\/li\u003e\n\u003cli\u003eSixteen Tons\u003c\/li\u003e\n\u003cli\u003eMy Way\u003c\/li\u003e\n\u003cli\u003eYou Are So Beautiful\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n \n\u003cp\u003e\u003cstrong\u003eRatings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs :  4.83 \/ 5\u003cbr\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47844988780879,"sku":"VRCL11003","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/grace-mahya-the-look-of-love-hybrid-sacd-audiosoundmusic-1.jpg?v=1719862604"},{"product_id":"grace-mahya-the-girl-from-ipanema-hybrid-sacd","title":"Grace Mahya – The Girl From Ipanema (Hybrid SACD)","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals, Piano – Grace Mahya \u003ca title=\"SACD featuring Grace Mahya\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/grace-mahya\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more SACD featuring Grace Mahya]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBass - Mitsuru Sutoh, Ryu Kawamura, Vagabond Suzuki\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDrums – Manabu Sakata, Satoshi Bandoh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFlute – Shinpei Inoue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eGuitar - Ryo Ogihara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHarmonica – Tatsuya Nishiwaki\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKeyboards – Paulo Gomes, Ken Morimura\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePercussion – Francis Silva, Tomohiro Yahiro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSaxophone – Osamu Koike, Seiichi Nakamura\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 SACD, standard sleeve\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Village Records\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Village Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u0026amp; Mixed at Sony Music Studios Tokyo, 2008\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProduced by Yasohachi Itoh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginally released on July 2008\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTrem Das Onze\u003c\/li\u003e\n\u003cli\u003eCorcovado\u003c\/li\u003e\n\u003cli\u003eConstant Rain\u003c\/li\u003e\n\u003cli\u003eThe Girl From Ipanema\u003c\/li\u003e\n\u003cli\u003eSmooth Operator\u003c\/li\u003e\n\u003cli\u003eDindi\u003c\/li\u003e\n\u003cli\u003eRecado Bossa Nova\u003c\/li\u003e\n\u003cli\u003eEnglishman In New York\u003c\/li\u003e\n\u003cli\u003eWaters Of March\u003c\/li\u003e\n\u003cli\u003eSó Danço Samba\u003c\/li\u003e\n\u003cli\u003eThis Masquerade\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n \n\u003cp\u003e\u003cstrong\u003eRatings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs :  5 \/ 5\u003cbr\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47845087936847,"sku":"VRCL11006","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/grace-mahya-the-girl-from-ipanema-hybrid-sacd-audiosoundmusic-1.jpg?v=1719862604"},{"product_id":"grace-mahya-season-songs-cd","title":"Grace Mahya – Season Songs (CD)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVocals, Piano – Grace Mahya \u003ca title=\"SACD featuring Grace Mahya\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/grace-mahya\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more CD \u0026amp; SACD featuring Grace Mahya]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTokyo Premium Jazz Session:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBass – Yosuke Inoue, Yusuke Chigita\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDrums – Masahiko Osaka\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePiano – Takahiro Izumikawa\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePiano, Electric Piano – Jun Miyakawa\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTenor Saxophone – Akihiro Nishiguchi\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, jewel box\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLabel : King Records\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal Label : King Records\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginally released in January 2015\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll Blues\u003c\/li\u003e\n\u003cli\u003ePoor Butterfly\u003c\/li\u003e\n\u003cli\u003eSummer Wind\u003c\/li\u003e\n\u003cli\u003eEstate\u003c\/li\u003e\n\u003cli\u003eSummertime\u003c\/li\u003e\n\u003cli\u003eAutumn Leaves\u003c\/li\u003e\n\u003cli\u003eBorn To Be Blue\u003c\/li\u003e\n\u003cli\u003eThe Way You Look Tonight\u003c\/li\u003e\n\u003cli\u003eOn The Sunny Side Of The Street\u003c\/li\u003e\n\u003cli\u003eQue Sera Sera\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47845209243983,"sku":"KICJ689","price":54.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/grace-mahya-season-songs-cd-audiosoundmusic-1.jpg?v=1719862604"},{"product_id":"marica-hiraga-close-to-bacharach-cd","title":"Marica Hiraga – Close To Bacharach (CD)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVocals – Marica Hiraga\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBass – Charnett Moffett\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDrums – Victor Lewis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePiano – David Matthews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTenor Saxophone – Andy Snitzer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTrumpet – Lew Soloff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, standard sleeve\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u0026amp; Live\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLabel : BJL\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal Label : BJL\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginally released in April 2015\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRaindrops Keep Falling On My Head\u003c\/li\u003e\n\u003cli\u003eDo You Know The Way To San Jose\u003c\/li\u003e\n\u003cli\u003eAlfie\u003c\/li\u003e\n\u003cli\u003eThe Look Of Love\u003c\/li\u003e\n\u003cli\u003eWhat The World Needs Now Is Love\u003c\/li\u003e\n\u003cli\u003e(They Long To Be) Close To You\u003c\/li\u003e\n\u003cli\u003eWives And Lovers\u003c\/li\u003e\n\u003cli\u003eA House Is Not A Home\u003c\/li\u003e\n\u003cli\u003eArthur's Theme (Best That You Can Do)\u003c\/li\u003e\n\u003cli\u003eGod Give Me Strength\u003c\/li\u003e\n\u003cli\u003eI'll Never Fall In Love Again\u003c\/li\u003e\n\u003cli\u003eThis Guy's In Love With You\u003c\/li\u003e\n\u003cli\u003eThat's What Friends Are For\u003c\/li\u003e\n\u003cli\u003eWhat The World Needs Now Is Love (Live)\u003c\/li\u003e\n\u003cli\u003e(They Long To Be) Close To You (Live)\u003c\/li\u003e\n\u003cli\u003eRaindrops Keep Fallin' On My Head (Live)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47845311086927,"sku":"DDCB13030","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/marica-hiraga-close-to-bacharach-cd-audiosoundmusic-1.png?v=1719862624"},{"product_id":"grace-mahya-love-songs-for-you-shm-cd","title":"Grace Mahya – Love songs for you (SHM - CD)","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals, Piano (11) – Grace Mahya \u003ca title=\"SACD featuring Grace Mahya\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/grace-mahya\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/grace-mahya\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more SACD featuring Grace Mahya]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eBass – Daiki Yasukagawa \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eDrums –\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eMasahiko Osaka \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOrgan –\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eJun Miyakawa (2,8,10) \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003ePiano – Jun Miyakawa (1, 3 to 7, 9)\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1 SHM-CD, DSD \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eStereo\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eLabel : King Records\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOriginal Label King Records\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eRecorded in native DSD 11.2MHz. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eProduced by\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eMasahiko Osaka \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOriginally releases in July 2016\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. I've Got You Under My Skin\u003cbr\u003e2. Antonio's Song\u003cbr\u003e3. Rhythm Of The Rain\u003cbr\u003e4. You And The Night And The Music\u003cbr\u003e5. So In Love\u003cbr\u003e6. Just Squeeze Me\u003cbr\u003e7. Moonlight Serenade\u003cbr\u003e8. Every Time We Say Goodbye\u003cbr\u003e9. Hallelujah I Love Him So\u003cbr\u003e10. One For My Baby\u003cbr\u003e11. Just The Way You Are\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47976475165007,"sku":"KICJ-751","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/grace-mahya-love-songs-for-you-shm-cd-audiosoundmusic-1.png?v=1719862757"},{"product_id":"grace-mahya-just-the-two-of-us-hybrid-sacd","title":"Grace Mahya – Just the Two of Us (Hybrid SACD)","description":"\u003cdiv\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals, Piano – Grace Mahya \u003ca title=\"SACD featuring Grace Mahya\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/grace-mahya\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more SACD featuring Grace Mahya]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Akira Okazawa (pistes : 6,8,9), Keisuke Torigoe (pistes : 4,10), Vagabond Suzuki (1 to 3,5,7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Hideo Yamaki (1 to 3,5,7), Satoshi Bandoh (4,6,8 to 10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Takayuki Hijikata (2,7), Yosuke Onuma (6,8,9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarmonica – Tatsuya Nishiwaki (2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Carlos Kanno\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone, Flute – Miyazaki Ryumutsu (pistes : 4,6,8 to 10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Terumasa Hino\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD, \u003c\/strong\u003e\u003cstrong\u003eDigipak edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Village Records\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Village Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded and mixed by Takashi Sasaki (4,6,8 to 10), Yoshihiro Suzuki (1 to 3,5,7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Motohiro Noguchi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Yasohachi \"88\" Itoh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExecutive-Producer – Mikio Aoki\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Koji \"C-chan\" Suzuki\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by Naoki Kimura\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in October 2007\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSoul Shadows\u003c\/li\u003e\n\u003cli\u003eFelicidade\u003c\/li\u003e\n\u003cli\u003eLove Is A Mystery\u003c\/li\u003e\n\u003cli\u003eDon't Let Me Be Lonely Tonight\u003c\/li\u003e\n\u003cli\u003eLove Is The Seventh Wave\u003c\/li\u003e\n\u003cli\u003eFeel Like Makin' Love\u003c\/li\u003e\n\u003cli\u003eBesame Mucho\u003c\/li\u003e\n\u003cli\u003eI'll Be There\u003c\/li\u003e\n\u003cli\u003ethe Two of Us\u003c\/li\u003e\n\u003cli\u003eThe First Time Ever I Saw Your Face\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n \n\u003cp\u003e\u003cstrong\u003eRatings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs :  5 \/ 5\u003cbr\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47976717386063,"sku":"VRCL-11005","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/grace-mahya-just-the-two-of-us-hybrid-sacd-audiosoundmusic-1.png?v=1719862757"},{"product_id":"fleetwood-mac-rumours-hybrid-sacd","title":"Fleetwood Mac- Rumours (Hybrid SACD, Multichannel)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFleetwood Mac \u003ca title=\"audiophile vinyl and CD featuring Fleetwood Mac\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/fleetwood-mac-1\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl\/CD featuring Feetwood Mac]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMick Fleetwood – drums (1, 2, 4-5, 7-11), shakers (1), marching snare drum (1), maracas (4), cymbals (4), tambourine (7, 9), wind chimes (8), castanets (8, 10), gong (10), cowbell (11), processed electric harpsichord (11), sound effects (11)\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Mick Fleetwood\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/fleetwood-mac\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Mick Fleetwood]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLindsey Buckingham – lead vocals (1, 3, 4, 5, 9), backing vocals (2, 12, 8, 10,11), electric guitars (1, 2, 4, 5, 7, 10), acoustic guitars (1-3, 10), 12-string acoustic guitar (5), 12 string guitar (9), guitars (8, 11), chair percussion (1), tom toms (1, 8), dobro (7,8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStevie Nicks – lead vocals (2, 7, 11), backing vocals (1, 2, 4, 5, 8), harmony vocals (7), tambourine (4, 8), hand claps (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChristine McVie – lead vocals (4, 12, 8, 10), backing vocals (1, 2, 4, 11), harmony vocals (7), organ (1, 2), vibraphone (2), Fender Rhodes (2, 11), piano (41, 12, 10), tack piano (4), Vox Continental (4), Hammond organ (5, 7), harmonium (7), electric piano (8), clavinet (8), Hammond B3 (8, 10), Wurlitzer (9), Moog (10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eJohn McVie – bass guitar (1, 2, 4,5, 8-11), fretless bass guitar (7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003eWritten by Lindsey Buckingham (1, 3, 5, 7), Stevie Nicks (2, 7, 9, 11), Christine McVie (4, 12, 7, 8, 10), Mick Fleetwood (7), John McVie (7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultichannel \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Warner Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded February–August 1976 at Criteria (Miami), Record Plant (Sausalito and Los Angeles), Zellerbach Auditorium (Berkeley), Wally Heider's Studio 3 (Hollywood), Davlen Studio (North Hollywood)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Ken Caillat, Richard Dashut\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Fleetwood Mac, Ken Caillat, Richard Dashut\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Ken Perry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCD Mastering by Ken Caillat, Ken Perry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginall released in February 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in September 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. Second Hand News\u003cbr\u003e2. Dreams\u003cbr\u003e3. Never Going Back Again\u003cbr\u003e4. Don't Stop\u003cbr\u003e5. Go Your Own Way\u003cbr\u003e6.  Silver Springs\u003cbr\u003e7. The Chain\u003cbr\u003e8. You Make Loving Fun\u003cbr\u003e9. I Don't Want To Know\u003cbr\u003e10. Oh Daddy\u003cbr\u003e11. Gold Dust Woman\u003cbr\u003e12. Songbird\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 7\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eAlbum of the Year at the 1977 Grammy Awards\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eInducted in 2003 into the Grammy Hall of Fame\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e40 million copies sold worldwide, making it one of the best-selling albums of all time\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"The band's two romantic couples - bassist John and singer-keyboard player Christine McVie, who were married; guitarist Lindsey Buckingham and vocalist Stevie Nicks, who were not - broke up during the protracted sessions for Rumours. This lent a highly charged, confessional aura to such songs as Buckingham's \"Go Your Own Way,\" Nicks' \"Dreams,\" Christine's \"Don't Stop\" and the group-composed anthem to betrayal, \"The Chain.\" The Mac's catchy exposes, produced with California-sunshine polish, touched a nerve; Rumours, a landmark Seventies pop album, ruled Billboard's album chart for thirty-one weeks.\" Rolling Stone\u003c\/p\u003e\n\u003cp\u003e“Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend -- it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. While its chart success was historic, much of the legend surrounding the record is born from the group's internal turmoil. Unlike most bands, Fleetwood Mac in the mid-'70s were professionally and romantically intertwined, with no less than two couples in the band, but as their professional career took off, the personal side unraveled. Bassist John McVie and his keyboardist\/singer wife Christine McVie filed for divorce as guitarist\/vocalist Lindsey Buckingham and vocalist Stevie Nicks split, with Stevie running to drummer Mick Fleetwood, unbeknown to the rest of the band. These personal tensions fueled nearly every song on Rumours, which makes listening to the album a nearly voyeuristic experience. You're eavesdropping on the bandmates singing painful truths about each other, spreading nasty lies and rumors and wallowing in their grief, all in the presence of the person who caused the heartache. Everybody loves gawking at a good public breakup, but if that was all that it took to sell a record, Richard and Linda Thompson's Shoot Out the Lights would be multi-platinum. No, what made Rumours an unparalleled blockbuster is the quality of the music. Once again masterminded by producer\/songwriter\/guitarist Buckingham, Rumours is an exceptionally musical piece of work -- he toughens Christine McVie and softens Nicks, adding weird turns to accessibly melodic works, which gives the universal themes of the songs haunting resonance. It also cloaks the raw emotion of the lyrics in deceptively palatable arrangements that made a tune as wrecked and tortured as \"Go Your Own Way\" an anthemic hit. But that's what makes Rumours such an enduring achievement -- it turns private pain into something universal. Some of these songs may be too familiar, whether through their repeated exposure on FM radio or their use in presidential campaigns, but in the context of the album, each tune, each phrase regains its raw, immediate emotional power -- which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 5 \/ 5  ; \u003c\/span\u003eDiscogs \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e4.63\u003c\/span\u003e\u003cspan\u003e \/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47976809070927,"sku":"WPCR-14171","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/fleetwood-mac-rumours-hybrid-sacd-multichannel-audiosoundmusic-1.png?v=1719862757"},{"product_id":"pink-floyd-the-dark-side-of-the-moon-50th-anniversary-sacd-multi-ch-hybrid-edition-limited-release","title":"Pink Floyd – The Dark Side Of The Moon (Hybrid SACD,  Multichannel, Japanese Edition)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/pink-floyd\" title=\"vinyl featuring Pink Floyd\" style=\"color: #ff8000;\"\u003e\u003cstrong\u003e[click here to see more vinyl featuring Pink Floyd]\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass Guitar, Vocals, Synthesizer [VCS3], Tape Effects – Roger Waters \u003ca title=\"vinyl featuring roger waters\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/roger-waters\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Roger Waters]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards, Vocals, Synthesizer [VCS3] – Richard Wright\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals, Guitar, Synthesizer [VCS3] – David Gilmour\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Clare Torry (5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Barry St John, Doris Troy, Leslie Duncan, Liza Strike\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion, Tape Effects – Nick Mason\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone – Dick Parry (6-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLyrics by Roger Waters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusic written by Nick Mason (1, 4, 8), David Gilmour (2-4, 8), Richard Wright (2, 4-5, 7-8), Roger Waters (2-4, 6-7, 9-10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 SACD Multi-ch Hybrid Edition, 7-inch Cardboard Sleeve (mini LP) including:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e1972 Pink Floyd In Japan Photo Book (48 pages, Airport, Live, and Japan stay in 1972)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1972 Pink Floyd In Japan Tour Pamphlet (16 pages)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTicket for 1972 tour in Japan (Tokyo Metropolitan Gymnasium, March 6, 1972 )\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTicket for 1972 Tour in Japan (Tokyo Metropolitan Gymnasium, March 7, 1972 )\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1972 Tour in Japan Tour Poster\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eThe leaflet of the lyrics \"The other side of the moon - works for all kinds of madmen -\" distributed at the venue of 1972 tour in Japan\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFlyer announcing the 1972 tour in Japan (Osaka: Festival Hall)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePromotional leaflet (handwritten by record company to promote \"The other side of the moon\")\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCommemorative sticker (round sticker for the campaign to promote the band's visit to Japan at that time)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCommemorative single jacket (\"Pink Floyd\/Big 4\")\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCommemorative single jacket (\"Point Me at the Sky\")\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 kinds of posters which were enclosed in the original LP\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 kinds of stickers which were enclosed in the original LP\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eLimited edition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUses the Hybrid Multichannel SACD masters released by Analogue Productions in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures 5.1ch Surround Sound and remastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisc Made in Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sony Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Pink Flyod Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Abbey Road Studios, London between June 1972 and January 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Alan Parsons\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Chris Thomas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5.1 and Stereo Mastering by Doug Sax, James Guthrie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5.1 Surround Mix by James Guthrie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Pink Floyd\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eOriginally released in 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in April 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003eSpeak To Me\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBreathe (In The Air)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOn The Run\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTime\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe Great Gig In The Sky\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMoney\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUs And Them\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAny Colour You Like\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBrain Damage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEclipse\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Ranked 55\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eIn 2009, Planet Rock listeners voted it the greatest of all time\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eNumber two on the \"Definitive 200\" list of albums, made by the National Association of Recording Merchandisers\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRanked 29th in The Observer's 2006 list of \"The 50 Albums That Changed Music\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRanked 37th in The Guardian's 1997 list of the \"100 Best Albums Ever\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRanked number 9 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eHi-Fi News Album Choice for March 2022\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It's dense with detail, but leisurely paced, creating its own dark, haunting world. Pink Floyd may have better albums than Dark Side of the Moon, but no other record defines them quite as well as this one.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5.1 Surround Mix.\u003c\/strong\u003e 5.1 surround sound is the common name for surround sound audio systems and the most commonly used layout in home theatres. It uses five full bandwidth channels and one low-frequency effects channel (the \"point one\"). Dolby Digital, Dolby Pro Logic II, DTS, SDDS, and THX are all common 5.1 systems. 5.1 is also the standard surround sound audio component of digital broadcast and music.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 ; Discogs : 4.91 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47977058500943,"sku":"SICP-10143","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/pink-floyd-the-dark-side-of-the-moon-hybrid-sacd-multichannel-japanese-edition-audiosoundmusic-1.png?v=1719862768"},{"product_id":"marica-hiraga-faith-cd","title":"Marica Hiraga – Faith (CD)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVocals – Marica Hiraga\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Eric Alexander \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Eric Alexander\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-alexander\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-alexander\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Eric Alexander]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Nat Reeves\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Joe Farnsworth\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Harold Mabern\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, standard sleeve\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u0026amp; Live\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLabel : PJL\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal Label : PJL\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginally released in September 2006\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003eMy favorite things\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBlue Skies\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBluesette\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTake Five\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSmoke Gets In Your Eyes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA Foggy Days\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUntill We Love\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCinnamon And Clove\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEverything Must Change\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTake The 'A' Train\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe Second Time Around\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48200240922959,"sku":"MTCJ-3036","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/marica-hiraga-faith-cd-audiosoundmusic-1.jpg?v=1719863253"},{"product_id":"santana-santana-iii-hybrid-sacd-japanese-edition","title":"Santana – Santana III (Hybrid SACD, Japanese edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003eCarlos Santana - guitar, vocals  \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[c\u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/carlos-santana\" title=\"Vinyl featuring Carlos Santana\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/carlos-santana\" data-mce-style=\"color: #ff8000;\"\u003elick here to see more vinyl featuring Carlos Santana]\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano, Organ, Vocals – Gregg Rolie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Rico Reyes (6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Rico Reyes (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals, Percussion – Coke Escovedo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Linda Tillery (8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – David Brown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Neal Schon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCongas, Vocals, Percussion, Tambourine – Michael P. R. Carabello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Percussion, Vibraphone – Michael Shrieve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTimbales, Congas, Percussion, Vocals, Drums, Flugelhorn – Jose Chepito Areas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Rico Reyes (2, 4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTambourine – Gregg Errico (2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Linda Tillery (5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHorns – Tower Of Power Horn Section (5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Mario Ochoa (6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Luis Gasca (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Carlos Santana (4-5, 8), José Areas (1, 3-4, 6), David Brown (1, 4, 6), Michael Carabello (1-2, 4), Gregg Rolie (1-4), Michael Shrieve (1, 4), Coke Escovedo (2), Milton Brown (5), Tyrone Moss (5), Rico Reyes (6), Tito Puente (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 SACD, Gatefold jacket\u003c\/strong\u003e\u003cstrong\u003e, ad poster with a 24 page booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sony Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January – July 4, 1971 at Columbia Studios, San Francisco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Mike Larner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Glen Kolotkin (1-5, 8-9), D. Brown (6-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemixed by Larry Keyes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Santana Musicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in September 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in November 2021\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBatuka\u003c\/li\u003e\n\u003cli\u003eNo One To Depend On\u003c\/li\u003e\n\u003cli\u003eTaboo\u003c\/li\u003e\n\u003cli\u003eToussaint L'Overture\u003c\/li\u003e\n\u003cli\u003eEverybody's Everything\u003c\/li\u003e\n\u003cli\u003eGuajira\u003c\/li\u003e\n\u003cli\u003eJungle Strut\u003c\/li\u003e\n\u003cli\u003eEverything's Coming Our Way\u003c\/li\u003e\n\u003cli\u003ePara Los Rumberos\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Santana III is an album that undeservingly stands in the shadows behind the towering legend that is the band's second album, Abraxas. This was also the album that brought guitarist Neal Schon -- who was 17 years old -- into the original core lineup of Santana. Percussionist Thomas \"Coke\" Escovedo was brought in to replace (temporarily) José Chepitó Areas, who had suffered a brain aneurysm, yet who recovered quickly and rejoined the band. The rest were Carlos, organist Gregg Rolie, drummer Michael Schrieve, bassist David Brown, and conguero Michael Carabello. \"Batuka\" is the powerful first evidence of something being very different. The band was rawer, darker, and more powerful with twin leads and Schon's harder, edgier rock \u0026amp; roll sound paired with Carlos' blend of ecstatic high notes and soulful fills. It cooks -- funky, mean, and tough. \"Batuka\" immediately transforms itself into \"No One to Depend On,\" by Escovedo, Carabello, and Rolie. The middle section is highlighted by frantic handclaps, call-and-response lines between Schon and Rolie, and Carlos joining the fray until the entire track explodes into a frenzied finale. And what's most remarkable is that the set just keeps on cooking, from the subtle slow burn of \"Taboo\" to the percussive jam workout that is \"Toussaint l'Overture,\" a live staple in the band's set list recorded here for the first time (and featuring some cooking Rolie organ work at its beginning). \"Everybody's Everything\" is here, as is \"Guajira\" and \"Jungle Strut\" -- tunes that are still part of Santana's live show. With acoustic guitars, gorgeous hand percussion, and Santana's fragile lead vocal, \"Everything's Coming Our Way\" is the only \"feel good\" track here, but it's a fitting way to begin winding the album down with its Schon and Santana guitar breaks. The album ends with a completely transformed reading of Tito Puente's \"Para los Rumberos,\" complete with horns and frantic, almost insanely fast hand drumming and cowbell playing. It's an album that has aged extremely well due to its spare production (by Carlos and the band) and its live sound. This is essential Santana, a record that deserves to be reconsidered in light of its lasting abundance and vision.” AllMusic Review by Thom Jurek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs : 4.81 \/ 5 ; AllMusic : 4.5 \/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48200319992143,"sku":"SICP 10138","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/santana-santana-iii-hybrid-sacd-japanese-edition-audiosoundmusic-1.jpg?v=1719863263"},{"product_id":"mighty-sam-mcclain-journey-cd","title":"Mighty Sam McClain - Journey (CD)","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eVocals – Mighty Sam McClain\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBass – Tim Ingles\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDrums – Zac Casher\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGuitar – Julien Kasper, Peter Giftos (1, 2, 5)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eKeyboards – George PapaGeorge (3, 5, 7, 9, 11, 12)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePiano, Organ – Bruce Katz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTenor Saxophone – Ted DeCola\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTrombone – Kenny Wenzel\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTrumpet – Joe Casano, Walter Platt\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eArranged by Walter Platt\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Peter Giftos (1, 5), Sam Cooke (3), Jack Perricone (7, 10), Walter Platt (8), Bruce Katz (11), George Papageorge (12)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, \u003c\/strong\u003e\u003cstrong\u003estandard jewel case\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : AudioQuest Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : AudioQuest Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded September 26, 1997 - September 27, 1997 at Bearsville Sound Studios, Bearsville, NY\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Joe Harley\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered By Bernie Grundman\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGlass Mastered at Technicolor, Camarillo, CA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally released in 1998\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. I'm A Man\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Thank You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e3. Change Is Gonna Come\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e4. New Man In Town\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e5. No More Tears\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e6. Mr. So \u0026amp; So\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e7. Time Is Running Out\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e8. I'm Yours\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e9. Other Side Of The Tracks\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e10. Prove It To Me\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e11. Hanging On The Cross\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e12. Somebody Help Me\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\"Singing praises to God and sharing his love for others despite having faced tragedy and setbacks in his past, McClain is rather reminiscent of the Biblical character, Job (who despite losing everything, still praised God, and then was blessed with twice as much wealth and a bigger family than before). McClain's life journey has often been rocky; he has faced rejection by his family, survived substance abuse, and been ignored by the music industry despite his hard-working attempts to gain attention. But turning to God, he remained faithful and is now blessed with a critically acclaimed career and a loving family. This album shares all of this, and his honest, retrospective outlook wins hands down. Take a look at \"No More Tears,\" twhere he takes the familiar line of \"walking the backstreets,\" translating it to his life experiences -- feeling frustrated, moving from place to place without seeing his situation improve. This honesty transcends to the supporting musicians, who give from-the-bottom-of-the-heart solos without sounding mushy, from bassist Tim Ingles' funky jazz feel on \"I'm Yours,\" to Bruce Katz thumping the ivories or the B-3.\" AllMusic \u003c\/span\u003eReview by Char Ham\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAllMusic : 3 \/ 5 , Discogs : 4.22 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48883794379087,"sku":"AQCD 1048","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/mighty-sam-mcclain-journey-cd-audiosoundmusic.jpg?v=1719864190"},{"product_id":"johnny-hodges-blues-a-plenty-hybrid-sacd","title":"Johnny Hodges - Blues A Plenty (Hybrid SACD)","description":"\u003cp data-mce-fragment=\"1\" style=\"margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eJohnny Hodges, alto saxophone \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Johnny Hodges\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/johnny-hodges\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/johnny-hodges\"\u003e[click here to see more Vinyl \/ SACD featuring Johnny Hodges]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBen Webster, tenor saxophone \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" target=\"_blank\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\"\u003e[click here to see more Vinyl \/ SACD featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRoy Eldridge, trumpet\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eVic Dickenson, trombone\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBilly Strayhorn, piano\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJimmy Woode, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSam Woodyard, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions Verve \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eApril 5, 1958 in New York City\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal session produced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissue produced by Chad Kassem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eI Didn't Know About You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eCool Your Motor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGone with the Wind\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHoney Hill\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBlues-A-Plenty\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDon't Take Your Love from Me\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSaturday Afternoon Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSatin Doll\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eReeling and Rocking\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"...the third (Billie Holiday album) to receive the two-disc 45 RPM treatment by Analogue Productions. ... Billie sounds like she's at the microphone in your living room. The instruments are spread out between the speakers and there is plenty of depth. A pristine original has a bit more pronounced vocal sibilance and air, and this reissue smooths that out a bit. That aside, this is a fabulous reissue of essential music. Highest recommendation.\"  Dennis D. Davis, Hi-Fi +, Issue 95\u003c\/p\u003e\n\u003cp\u003e\"...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!\" Danny Kaey, Positive Feedback Online, November\/December 2011\u003c\/p\u003e\n\u003cp\u003eAfter the publication of her autobiography, Lady Sings The Blues, Billie Holiday was doing good business in clubs in what turned out to be a last burst of stardom. We cannot know why she stopped recording for Norman Granz after January 1957 - but the present collection is a magnificent culmination of her years with the producer. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs 4.57 \/ 5  \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49579373953359,"sku":"CVRJ 6123 SA","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2024-09-02a15.51.16.png?v=1725285122"},{"product_id":"santana-santana-iii-hybrid-sacd-mofi","title":"Santana – Santana III (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCarlos Santana - guitar, vocals  \u003cspan style=\"color: #ff8000;\"\u003e[c\u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/carlos-santana\" title=\"Vinyl featuring Carlos Santana\" style=\"color: #ff8000;\"\u003elick here to see more vinyl featuring Carlos Santana]\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano, Organ, Vocals – Gregg Rolie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Rico Reyes (6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Rico Reyes (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals, Percussion – Coke Escovedo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Linda Tillery (8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – David Brown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Neal Schon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCongas, Vocals, Percussion, Tambourine – Michael P. R. Carabello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Percussion, Vibraphone – Michael Shrieve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTimbales, Congas, Percussion, Vocals, Drums, Flugelhorn – Jose Chepito Areas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Rico Reyes (2, 4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTambourine – Gregg Errico (2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Linda Tillery (5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHorns – Tower Of Power Horn Section (5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Mario Ochoa (6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Luis Gasca (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Carlos Santana (4-5, 8), José Areas (1, 3-4, 6), David Brown (1, 4, 6), Michael Carabello (1-2, 4), Gregg Rolie (1-4), Michael Shrieve (1, 4), Coke Escovedo (2), Milton Brown (5), Tyrone Moss (5), Rico Reyes (6), Tito Puente (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 SACD, Gatefold jacket\u003c\/strong\u003e\u003cstrong\u003e, ad poster with a 24 page booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eOriginal analog Master tape : Silver Label (Copy of original Mastertape)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January – July 4, 1971 at Columbia Studios, San Francisco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecordeded by Mike Larner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Glen Kolotkin (1-4, 5, 8-9), D. Brown (6-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Santana Musicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in September 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBatuka\u003c\/li\u003e\n\u003cli\u003eNo One To Depend On\u003c\/li\u003e\n\u003cli\u003eTaboo\u003c\/li\u003e\n\u003cli\u003eToussaint L'Overture\u003c\/li\u003e\n\u003cli\u003eEverybody's Everything\u003c\/li\u003e\n\u003cli\u003eGuajira\u003c\/li\u003e\n\u003cli\u003eJungle Strut\u003c\/li\u003e\n\u003cli\u003eEverything's Coming Our Way\u003c\/li\u003e\n\u003cli\u003ePara Los Rumberos\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Santana III is an album that undeservingly stands in the shadows behind the towering legend that is the band's second album, Abraxas. This was also the album that brought guitarist Neal Schon -- who was 17 years old -- into the original core lineup of Santana. Percussionist Thomas \"Coke\" Escovedo was brought in to replace (temporarily) José Chepitó Areas, who had suffered a brain aneurysm, yet who recovered quickly and rejoined the band. The rest were Carlos, organist Gregg Rolie, drummer Michael Schrieve, bassist David Brown, and conguero Michael Carabello. \"Batuka\" is the powerful first evidence of something being very different. The band was rawer, darker, and more powerful with twin leads and Schon's harder, edgier rock \u0026amp; roll sound paired with Carlos' blend of ecstatic high notes and soulful fills. It cooks -- funky, mean, and tough. \"Batuka\" immediately transforms itself into \"No One to Depend On,\" by Escovedo, Carabello, and Rolie. The middle section is highlighted by frantic handclaps, call-and-response lines between Schon and Rolie, and Carlos joining the fray until the entire track explodes into a frenzied finale. And what's most remarkable is that the set just keeps on cooking, from the subtle slow burn of \"Taboo\" to the percussive jam workout that is \"Toussaint l'Overture,\" a live staple in the band's set list recorded here for the first time (and featuring some cooking Rolie organ work at its beginning). \"Everybody's Everything\" is here, as is \"Guajira\" and \"Jungle Strut\" -- tunes that are still part of Santana's live show. With acoustic guitars, gorgeous hand percussion, and Santana's fragile lead vocal, \"Everything's Coming Our Way\" is the only \"feel good\" track here, but it's a fitting way to begin winding the album down with its Schon and Santana guitar breaks. The album ends with a completely transformed reading of Tito Puente's \"Para los Rumberos,\" complete with horns and frantic, almost insanely fast hand drumming and cowbell playing. It's an album that has aged extremely well due to its spare production (by Carlos and the band) and its live sound. This is essential Santana, a record that deserves to be reconsidered in light of its lasting abundance and vision.” AllMusic Review by Thom Jurek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs : 4.81 \/ 5 ; AllMusic : 4.5 \/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54208328925519,"sku":"UDSACD2158","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-01-13a22.22.23.png?v=1736803392"},{"product_id":"mendelssohn-concerto-in-e-minor-prokofiev-concerto-no-2-in-g-minor-munch-heifetz-hybrid-sacd-copy","title":"Prokofiev - Peter und der Wolf - Karl Böhm \u0026 Vienna Philharmonic (SHM SACD, Japanese Edition)","description":"\u003ch4\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003ch4\u003eSergei Prokofiev - Peter und der Wolf\u003c\/h4\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eCamille Saint-Saëns: The Carnival of the Animals\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eOrchestra: Vienna Philharmonic\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eConductor : Karl Böhm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer : Prokofjew\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 SHM SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal \u003cmeta charset=\"utf-8\"\u003eLabel :  Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1. I'm going to tell you the story of \"Peter and the Wolf\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. Once upon a time there was a boy\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. But then out of the corner of his eye, Peter saw something creeping up through the long grass. It was the cat!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. No sooner had Peter and his grandfather disappeared into the cottage, then out from the forest what should emerge, but a great, gray wolf!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5. So this is how it was: The Cat was perched on one branch of the tree. The bird was perched on another. And not too close.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6. Just at that moment, out from the forest, there appeared a band of huntsmen following the Wolf's trail and shooting as they came.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7. Oh, imagine the triumphant procession!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCamille Saint-Saëns: The Carnival of the Animals\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8. No. 1: Introduction and Royal March of the Lion\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9. No. 2: Hens And Cooks\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10. No. 3: The Wild Jackass\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11. No. 4: Tortoises\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12. No. 5: Elephants\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13. No. 6: Kangaroos\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14. No. 7: The Aquarium\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15. No. 8: The Mules\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16. No. 9: The Cuckoo in the woods\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17. No. 10: Birds\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e18. No. 11: The Pianists\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19. No. 12: Fossils\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e20. No. 13: The Swan\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21. No. 14: Finale\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eThis 1958 3-track recording has Heifetz teamed up with Munch and the Boston Symphony. Cutting the lacquer directly from the original session master tapes has increased the transparency and 3-dimensional imaging on this reissue over original pressings. The performance, as always with the last century's top violinist, is almost without compare. If you have an original copy (white or shaded) you'll be shocked — this reissue has diaphonously beautiful string tone, superior low end dynamics and very deep bass.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAllMusic\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.34 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54465074004303,"sku":"UCGG - 9210","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-02-17a15.32.41.png?v=1739802806"},{"product_id":"the-ultimate-demonstration-disc-mqa-cd","title":"The Ultimate Demonstration Disc (MQA-CD)","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003cbr\u003e\u003c\/strong\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 MQA-CD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chesky Records\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEngineered by Jeremy R. Kipnis, Bob Katz (1-20, 22-30)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Steve Guttenberg\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eExecutive-Producer – David Chesky, Norman Chesky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Miguel Kertsman\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLiner Notes by Steve Guttenberg\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDesign by Ross Hudson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eIllustration by Alan Nahigian\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1995\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in March 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Welcome To The Ultimate Demonstration Disc\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – High Resolution - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRebecca Pidgeon – Spanish Harlem\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Depth - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSara K. – If I Could Sing Your Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Atmosphere - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLeny Andrade – Maiden Voyage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Midrange Purity - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLivingston Taylor –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eGrandma's Hands\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry –\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eNaturalness - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAna Caram –\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eCorrenteza\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Transparency - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThe Fred Hersch Trio – Played Twice\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Presence - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMcCoy Tyner; Joe Henderson – Ask Me Now\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Visceral Impact - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMonty Alexander – Sweet Georgia Brown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Rhythm \u0026amp; Pace - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eUnknown Artist – I Love Paris\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Focus - Introduction\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eVivaldi; The Connecticut Early Music Festival Ensemble – Flute Concerto in D\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Holographic Imaging - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBenjamin Britten; Westminster Choir – Festival Te Deum\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Transients - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRansom Wilson; Solisti New York – The Royal March\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry –\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eBass Resonance - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eVarious – Best Of Chesky Jazz and More Audiophile Tests, Volume 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Dynamic Test - Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eVarious – Best Of Chesky Jazz and More Audiophile Tests, Volume 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJohn Henry – Final Announcement\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,3 \/ 5 \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54947833119055,"sku":"EVSA2894M","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/TheUltimateDemonstrationDisc1.jpg?v=1745155430"},{"product_id":"wagner-solti-der-ring-des-nibelungen-cd-box-set-numbered-edition-rarity-unsealed","title":"Wagner \/ Solti – Der Ring des Nibelungen (17 CD \/ DVD \/ Blue Ray Audio, Box Set, number 2081, Unsealed)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRarity - Unsealed (Brand New)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eComposed by Richard Wagner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Alberich] – Gustav Neidlinger (Das Rheingold, Siegfried, Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Brünnhilde] – Birgit Nilsson (Die Walküre, Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Der Wanderer] – Hans Hotter (Siegfried)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Donner] – Eberhard Wächter (Das Rheingold)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Dritte Norn · Third Norn] – Anita Välkki (Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Erda] – Jean Madeira (Das Rheingold), Marga Höffgen (Siegfried)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Erste Norn · First Norn] – Helen Watts (Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Fafner] – Kurt Böhme (Das Rheingold, Siegfried)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Fasolt] – Walter Kreppel (Das Rheingold)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Flosshilde] – Ira Malaniuk (Das Rheingold), Maureen Guy (Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Freia] – Claire Watson (Das Rheingold)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Fricka] – Christa Ludwig (Die Walküre), Kirsten Flagstad (Das Rheingold)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Froh] – Waldemar Kmentt (Das Rheingold)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Gerhilde] – Vera Schlosser (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Grimgerde] – Marilyn Tyler (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Gunther] – Dietrich Fischer-Dieskau (Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Gutrune] – Claire Watson (Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Hagen] – Gottlob Frick (Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Helmwige] – Berit Lindholm (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Hunding] – Gottlob Frick (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Loge] – Set Svanholm (Das Rheingold)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Mime] – Gerhard Stolze (Siegfried), Paul Kuen (Das Rheingold)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Ortlinde] – Helga Dernesch (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Rossweiße] – Claudia Hellmann (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Schwertleite] – Helen Watts (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Siegfried] – Wolfgang Windgassen (Siegfried, Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Sieglinde] – Régine Crespin (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Siegmund] – James King (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Siegrune] – Vera Little (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Stimme eines Waldvogels · Voice of a woodbird] – Joan Sutherland (Siegfried)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Waltraute] – Brigitte Fassbaender (Die Walküre), Christa Ludwig (Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Wellgunde] – Gwyneth Jones (Götterdämmerung), Hetty Plümacher (Das Rheingold)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Woglinde] – Lucia Popp (Götterdämmerung), Oda Balsborg (Das Rheingold)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Wotan] – George London (Das Rheingold), Hans Hotter (Die Walküre)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals [Zweite Norn · Second Norn] – Grace Hoffman (Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eChorus – Wiener Staatsopernchor (Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eChorus Master – Wilhelm Pitz (Götterdämmerung)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOrchestra – Wiener Philharmoniker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eConductor – Sir Georg Solti\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e17 17 CD \/ DVD \/ Blue Ray Audio, Box Set\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition - number 2081 \/ 7000\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Decca\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Decca\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRecorded at Sofiensaal, Vienna\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePhotography by Elfriede Hanak, Hans Wild \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Christopher Raeburn (pistes : Götterdämmerung), John Culshaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRemastered by Philip Siney\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eEngineered by Gordon Parry, James Lock (pistes : Die Walküre) and \u003c\/strong\u003e\u003cstrong\u003eJames Brown \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eIllustrated by Yann Legendre\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eManaged by Edward Weston\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRecording Dates: \u003c\/strong\u003e\u003cstrong\u003eDas Rheingold: 24-26, 29, 30 September, 1-3 \u0026amp; 6-9 October 1958. -  \u003c\/strong\u003e\u003cstrong\u003eDie Walküre: 31 October, 2-5, 8-12, 15-19 November 1963. -  \u003c\/strong\u003e\u003cstrong\u003eSiegfried: 8-18 May \u0026amp; 22 October–5 November 1962  -  \u003c\/strong\u003e\u003cstrong\u003eGötterdämmerung: 20-27 May, 1, 2 June, 27-31 October, 3-5, 17-20 \u0026amp; 22-24 November 1964\u003c\/strong\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2012\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003eDas Rheingold\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVorspiel · Prelude\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eErste Szene · Scene One\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Weia! Waga! Woge, du Welle!\" (Woglinde, Wellgunde, Flosshilde, Alberich)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Garstig glatter glitschiger Glimmer!\" (Alberich, Woglinde, Wellgunde, Flosshilde)\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wallala! Lalaleia! Leialalei!\" (Woglinde, Wellgunde, Flosshilde, Alberich)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Lugt, Schwestern! Die Weckerin lacht in dem Grund\" (Woglinde, Wellgunde, Flosshilde, Alberich)\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Der Welt Erbe gewänn' ich zu eigen durch dich?\" (Alberich, Woglinde, Wellgunde, Flosshilde)\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eZweite Szene · Scene Two\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wotan! Gemahl! Erwache!\" (Fricka, Wotan, Freia)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Sanft schloss Schlaf dein Aug'\" (Fasolt, Wotan, Fafner, Freia)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eZu mir, Freia! Meide sie, Frecher!\" (Froh, Donner, Fafner, Fasolt, Wotan, Freia, Fricka)\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Endlich Loge! Eiltest du so\" (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Immer ist Undank Loges Lohn!\" (Loge, Wotan, Fasolt, Fafner, Fricka)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Ein Runenzauber zwingt das Gold zum Reif\" (Loge, Donner, Wotan, Froh, Fricka, Fafner)\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hör, Wotan, der Harrenden Wort!\" (Fafner, Wotan, Fasolt, Freia, Froh, Donner, Loge)\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Was sinnt nun Wotan so wild?\" (Loge, Fricka, Donner, Froh)\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-15\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Auf, Loge, hinab mit mir!\" (Wotan, Loge, Donner, Froh, Fricka) \/ Dritte Szene · Scene Three: \"Hehe! Hehe! Hieher! Hieher! Tückischer Zwerg!\" (Alberich, Mime)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-1\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003c\/span\u003e\"Schau, du Schelm!\" (Alberich, Mime)\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-2\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003c\/span\u003e\"Nibelheim hier: durch bleiche Nebel\" (Loge, Mime, Wotan)\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-3\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003c\/span\u003e\"Nehmt euch in acht!\" (Mime, Wotan, Alberich, Loge)\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-4\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003c\/span\u003e\"Vergeh, frevelnder Gauch!\" (Wotan, Alberich, Loge)\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-5\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003c\/span\u003e\"Ohe! Ohe! Schreckliche Schlange\" (Loge, Wotan, Alberich)\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eVierte Szene · Scene Four\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-6\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003c\/span\u003e\"Da, Vetter, sitze du fest!\" (Loge, Alberich, Wotan)\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-7\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003c\/span\u003e\"Gezahlt hab' ich; nun lasst mich ziehn!\" (Alberich, Loge, Wotan)\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-8\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003c\/span\u003e\"Bin ich nun frei?\" (Alberich, Loge, Wotan)\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-9\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003c\/span\u003e\"Fasolt und Fafner nahen von fern\" (Loge, Froh, Donner, Fricka, Fasolt, Wotan)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Gepflanzt sind die Pfähle nach Pfandes Maß\" (Fafner, Wotan, Loge, Froh, Fricka, Donner, Fasolt, Freia)\u003cspan style=\"mso-tab-count: 1;\"\u003e            \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Weiche, Wotan, weiche! Flieh des Ringes Fluch!\" (Erda, Wotan, Fricka, Froh)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hört, ihr Riesen! Zurück, und harret:\" (Donner, Freia, Wotan, Fasolt, Fafner, Loge, Fricka)\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Schwüles Gedünst schwebt in der Luft\" (Donner, Froh)\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Abendlich strahlt der Sonne Auge\" (Wotan, Fricka, Loge)\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-15\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Rheingold! Rheingold! Reines Gold!\" (Woglinde, Wellgunde, Flosshilde, Wotan, Loge)\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDie Walküre\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eErster Aufzug · Act One\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVorspiel · Prelude\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eWes Herd dies auch sei, hier muss ich rasten\" (Siegmund, Sieglinde)\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Kühlende Labung gab mir der Quell\" (Siegmund, Sieglinde)\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Müd' am Herd fand ich den Mann\" (Sieglinde, Hunding, Siegmund)\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Friedmund darf ich nicht Heißen\" (Siegmund, Hunding, Sieglinde)\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Aus dem Wald trieb es mich fort\" (Siegmund, Hunding, Sieglinde)\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Ich weiß ein wildes Geschlecht\" (Hunding)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Ein Schwert verhieß mir der Vater\" (Siegmund)\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Schläfst du,Gast?\" (Sieglinde, Siegmund)\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Winterstürme wichen dem Wonnemond\" (Siegmund)\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Du bist der Lenz, nach dem ich verlangte\" (Sieglinde, Siegmund)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wehwalt heißt du fürwahr?\" (Sieglinde, Siegmund)\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eZweiter Aufzug · Act Two\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVorspiel\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Nun zäume dein Ross, reisige Maid!\" (Wotan, Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Der alte Sturm, die alte Müh'!\" (Wotan, Fricka)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"So ist es denn aus mit den ewigen Göttern\" (Fricka)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Nichts lerntest du, wollt' ich dich lehren\" (Wotan, Fricka)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Was verlangst du?\" (Wotan, Fricka, Brünnhilde)\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Schlimm, fürcht' ich, schloss der streit\" (Brünnhilde, Wotan)\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Was keinem in Worten ich künde\" (Wotan, Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Ein andres ist's: achte es wohl\" (Wotan, Brünnhilde)\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"O sag, künde! Was soll nun dein Kind?\" (Brünnhilde)\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Raste nun hier; gönne dir Ruh'!\" (Siegmund, Sieglinde)\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hinweg! Hinweg! Fliehe die Entweihte!\" (Sieglinde, Siegmund)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Siegmund! Sieh auf mich!\" (Brünnhilde, Siegmund)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hehr bist du, und heilig gewahr' ich\" (Siegmund, Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"So wenig achtest du ewige Wonne?\" (Brünnhilde, Siegmund)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Zauberfest bezähmt ein Schlaf\" (Siegmund)\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eKehrte der Vater nur heim!\" (Sieglinde, Hunding, Siegmund, Brünnhilde, Wotan)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDritter Aufzug · Act Three\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e[Walkürenritt · The Ride of the Valkyries] \"Hojotoho! Hojotoho!\" (8 Walküren)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Schützt mich und helft in höchster Not!\" (Brünnhilde, 8 Walküren)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Nicht sehre dich Sorge um mich\" (Sieglinde, Brünnhilde, 8 Walküren)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Steh, Brünnhild'!\" (Wotan, 8 Walküren, Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wo ist Brünnhild', wo die Verbrecherin?\" (Wotan, 8 Walküren)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eHier bin ich, Vater: gebiete die Strafe!\" (Brünnhilde, Wotan)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wehe! Weh! Schwester, ach Schwester!\" (8 Walküren, Brünnhilde, Wotan)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"War es so schmählich, was ich verbrach\" (Brünnhilde, Wotan)\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Nicht weise bin ich, doch wusst' ich das eine\" (Brünnhilde, Wotan)\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"So tatest du, was so gern zu tun ich begehrt\" (Wotan, Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Du zeugtest ein edles Geschlecht\" (Brünnhilde, Wotan)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Leb wohl, du kühnes, herrliches Kind!\" (Wotan)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Denn einer nur freie die Braut, der freier als ich, der Gott!\" (Wotan)\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-14 \"Loge, hör! Lausche hierher!\" (Wotan) [Feuerzauber · Magic Fire Music]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSiegfried\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eErster Aufzug · Act One\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVorspiel · Prelude\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Zwangvolle Plage! Müh ohne Zweck!\" (Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hoiho! Hoiho! Hau ein! Hau ein! (Siegfried, Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Da hast du die Stücken, schändlicher Stümper\" (Siegfried, Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Als zullendes Kind zog ich dich auf\" (Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Vieles lehrtest du, Mime\" (Siegfried, Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Einst lag wimmernd ein Weib\" (Mime, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eUnd diese Stücke sollst du mir schmieden\" (Siegfried, Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Da stürmt er hin!\" (Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-10\u003cspan style=\"mso-tab-count: 2;\"\u003e  \u003c\/span\u003e\"Heil dir, weiser Schmied!\" (Wanderer, Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hier sitz' ich am Herd\" (Wanderer, Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Was zu wissen dir frommt, solltest du fragen:\" (Wanderer, Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Die Stücken! Das Schwert! O weh! Mir schwindelt!\" (Mime, Wanderer)\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Verfluchtes Licht!\" (Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-15\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Heda! Du Fauler!\" (Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-1 \"Bist du es, Kind? Kommst du allein?\" (Mime, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Fühltest du nie im finstren Wald\" (Mime, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Her mit den Stücken! Fort mit dem Stümper!\" (Siegfried, Mime)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Nothung! Nothung! Neidliches Schwert!\" (Siegfried, Mime)\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hoho! Hoho! Hahei! Schmiede, mein Hammer, ein, hartes Schwert!\" (Siegfried, Mime)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eZweiter Aufzug · Act Two\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVorspiel\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-7 \"In Wald und Nacht vor Neidhöhl' halt' ich Wacht\" (Alberich)\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-8 \"Zur Neidhöhle fuhr ich bei Nacht\" (Wanderer, Alberich)\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Mit mir nicht, hadre mit Mime\" (Wanderer, Alberich)\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Fafner! Fafner! Erwache, Wurm!\" (Wanderer, Alberich, Fafner)\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Nun, Alberich, das schlug fehl\" (Wanderer, Alberich)\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wir sind zur Stelle! Bleib hier stehn!\" (Mime, Siegfried)\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Dass der mein Vater nicht ist\" (Siegfried)\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-1 \"Aber wie sah meine Mutter wohl aus?\" (Siegfried)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eMeine Mutter, ein Menschenweib!\" (Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Haha! Da hätte mein Lied mir was Liebes erblasen\" (Siegfried, Fafner)\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wer bist du, kühner Knabe, der das Herz mir traf?\" (Fafner, Siegfried)\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Zur Kunde taugt kein Toter\" (Siegfried, Stimme des Waldvogels)\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wohin schleichst du eilig und schlau\" (Alberich, Mime)\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Was ihr mir nützt, weiß ich nicht\" (Siegfried, Stimme des Waldvogels, Mime)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Willkommen, Siegfried!\" (Mime, Siegfried)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Da lieg auch du, dunkler Wurm!\" (Siegfried, Stimme des Waldvogels)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDritter Aufzug · Act Three\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVorspiel\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-11 \"Wache, Wala! Wala! Erwach!\" (Wanderer)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Stark ruft das Lied\" (Erda, Wanderer)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Dir Unweisen ruf' ich ins Ohr\" (Wanderer)\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Mein Vöglein schwebte mir fort!\" (Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wohin, Knabe, heißt dich dein Weg?\" (Wanderer, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Kenntest du mich, kühner Spross\" (Wanderer, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eMit zerfochtner Waffe floh mir der Feige?\" (Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Selige Öde auf sonniger Höh'!\" (Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Das ist kein Mann!\" (Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Heil dir, Sonne! Heil dir, Licht!\" (Brünnhilde, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"O Siegfried! Siegfried! Seliger Held!\" (Brünnhilde, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Dort seh' ich Grane, mein selig Ross\" (Brünnhilde, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Ewig war ich, ewig bin ich\" (Brünnhilde, Siegfried)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eGötterdämmerung\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eVorspiel · Prologue\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-1 \"Welch Licht leuchtet dort?\" (3 Nornen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Treu beratner Verträge Runen\" (Zweite Norn)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Es ragt die Burg, von Riesen gebaut\" (3 Nornen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Zu neuen Taten, teurer Helde\" (Brünnhilde, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Willst du mir Minne schenken\" (Brünnhilde, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"O heilige Götter! Hehre Geschlechter!\" (Brünnhilde, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e[Siegfrieds Rheinfahrt · Siegfried's Rhine Journey]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eErste Aufzug · Act One\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-8 \"Nun hör, Hagen, sage mir, Held\" (Gunther, Hagen)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wen rätst du nun zu frein\" (Gunther, Hagen, Gutrune)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-10 \"Jagt er auf Taten wonnig umher\" (Hagen, Gunther, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Wer ist Gibichs Sohn?\" (Siegfried, Gunther, Hagen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Begrüße froh, o Held, die Halle meines Vaters\" (Gunther, Siegfried, Hagen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Willkommen, Gast, in Gibichs Haus!\" (Gutrune, Siegfried, Gunther)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-1 \"Deinem Bruder bot ich mich zum Mann\" (Siegfried, Gunther)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Blühenden Lebens labendes Blut\" (Siegfried, Gunther, Hagen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eFrisch auf die Fahrt!\" (Siegfried, Gunther, Gutrune, Hagen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hier sitz' ich zur Wacht, wahre den Hof\" (Hagen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Altgewohntes Geräusch raunt meinem Ohr die Ferne\" (Brünnhilde, Waltraute)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Höre mit Sinn, was ich dir sage!\" (Waltraute)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Welch banger Träume Mähren\" (Brünnhilde, Waltraute)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Was leckt so wütend die lodernde Welle zum Wall?\" (Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Brünnhild'! Ein Freier kam\" (Siegfried, Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eZweiter Aufzug · Act Two\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-1 Vorspiel · Prelude\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Schläfst du, Hagen, mein Sohn?\" (Alberich, Hagen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hoiho, Hagen! Müder Mann!\" (Siegfried, Hagen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Heiß mich willkommen, Gibichskind!\" (Siegfried, Gutrune, Hagen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hoiho! Ihr Gibichsmannen, machet euch auf!\" (Hagen, Chor)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Heil dir, Gunther! Heil dir und deiner Braut!\" (Chor, Gunther)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Gegrüßt sei, teurer Held!\" (Gunther, Chor, Siegfried, Brünnhilde, Hagen)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eEinen Ring sah ich an deiner Hand\" (Brünnhilde, Siegfried, Gunther, Hagen, Gutrune, Chor)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Heil'ge Götter, himmlische Lenker!\" (Brünnhilde, Gunther, Chor, Siegfried, Gutrune, Hagen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-10 \"Heile Wehr! Heilige Waffe!\" (Siegfried, Brünnhilde, Chor)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Gunther, wehr deinem Weibe\" (Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eWelches Unholds List liegt hier verhohlen?\" (Brünnhilde)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Vertraue mir, betrogne Frau!\" (Hagen, Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Auf, Gunther, edler Gibichung!\" (Hagen, Gunther, Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDritter Aufzug · Act Three\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-1 Vorspiel\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Frau Sonne sendet lichte Strahlen\" (Woglinde, Wellgunde, Flosshilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Ein Albe führte mich irr\" (Siegfried, Flosshilde, Wellgunde, Woglinde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Was Llid' ich doch das karge Lob?\" (Siegfried, Woglinde, Wellgunde, Flosshilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Siegfried! Siegfried! Siegfried!\" (Woglinde, Wellgunde, Flosshilde, Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hoiho!\" – \"Hoiho!\" (Hagen, Siegfried, Chor)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eTrink, Gunther, trink!\" (Siegfried, Gunther, Hagen)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Mime Hieß ein mürrischer Zwerg\" (Siegfried, Hagen, Chor)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"In Leid zu dem Wipfel lauscht' ich hinauf\" (Siegfried, Hagen, Gunther, Chor)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Brünnhilde, heilige Braut!\" (Siegfried)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e[Trauermarsch · Funeral March]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"War das sein Horn?\" (Gutrune)\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Hoiho! Hoiho!\" (Hagen, Gutrune, Gunther)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Nicht klage wider mich!\" (Gunther, Hagen)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-15\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Schweigt eures Jammers jauchzenden Schwall!\" (Brünnhilde, Gutrune)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-16\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Starke Scheite schichtet mir dort\" (Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-17\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Mein Erbe nun nehm' ich zu eigen\" (Brünnhilde)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-18\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Fliegt heim, ihr Raben!\" (Brünnhilde, Hagen)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAn Introduction to \"Der Ring des Nibelungen\"\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePart One\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-1 \"Of all great musical compositions ...\" [Examples 1-4]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"The fundamental symbol ...\" [Examples 5-11]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Returning now to the Nature Motive ...\" [Examples 6, 12-16]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"A number of further motives ...\" [Examples 5, 17-21]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"A second, much smaller family ...\" [Examples 22-25]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \"\u003c\/span\u003eSo much for nature.\" [Examples 26-38]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"The cause fo the deterioration ...\" [Examples 39-44]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"The other transformation ...\" [Examples 45-48]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Several other motives ...\" [Examples 49-52]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-10 \"Two further motives ...\" [Examples 41, 53-61]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"The basic motive associated with the spear ...\" [Examples 62-68]\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Along another, more complex line ...\" [Examples 69-72]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"In Act Two of 'Walküre' ...\"[Examples 69, 73-75]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Returning now to Act Two of 'Walküre' ...\" [Examples 76-79]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-15\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Love is another of the central symbols ...\" [Examples 80-83]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-16\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Later in the same scene ...\" [Examples 84-87]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-17\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Freia's Motive has two independent segments ...\" [Examples 88-91]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-18\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"The label 'Flight' ...\" [Example 92]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-19\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"When Fasolt, in Scene Two of 'Rhinegold' ....\" [Examples 93-98]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-20\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"A little later in this interlude ...\" [Examples 99-103]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePart Two\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-1 \"The other new motive ...\" [Examples 104-109]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"There are several independent love-motives ...\" [Examples 110-114]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"The characters in whose lives ...\" [Examples 115-120]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"One further motive belongs ...\" [Example 121]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"The Sword Motive recurs ...\" [Examples 122-130]\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Ironically, this phrase ...\" [Examples 131-135]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Closely associated with Gutrune's Motive ...\" [Examples 136-140]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Here we come to the end ...\" [Examples 141-146]\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Complementary to this symbol ...\" [Examples 147-149]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-10 \"One last central symbol ...\" [Examples 150-157]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"One further motive connected ...\" [Examples 158-161]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"There are one or two motives ...\" [Examples 162-168]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"These motives of Alberich and Mime ...\" [Examples 169-171]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Quite a number of the subsidiary motives ...\" [Examples 172-176]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-15\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Besides this family of motives ...\" [Examples 177-180]\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-16\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Our final example ...\" [Examples 10, 181, 182]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-17\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"In the last scene of 'Götterdämmerung' ...\" [Examples 181-183]\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-18\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Even more masterly ...\" [Examples 184-188]\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-19\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"Now if we return ...\" [Examples 189-191]\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-20\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\"This masterly way ...\" [Examples 192, 193]\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eOverture · Siegfried Idyll · Kinderkatechismus\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eOverture\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eRienzi: Overture\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDer Fliegende Holländer: Overture\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTannhäuser: Overture\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTannhäuser: Bacchanale\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSiegfried Idyll\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSiegfried Idyll\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eKinderkatechismus\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eKinderkatechismus\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBlu-ray Audio\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDas Rheingold, Szenen 1-2 [Tracks Nr. 1-15]\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDas Rheingold, Szenen 3-4 [Tracks Nr. 16-30]\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDie Walküre, 1. Aufzug [Tracks Nr. 31-42]\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDie Walküre, 2. Aufzug [Tracks Nr. 43-59]\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDie Walküre, 3. Aufzug [Tracks Nr. 60-73]\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSiegfried, 1. Aufzug [Tracks Nr. 74-93]\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSiegfried, 2. Aufzug [Tracks Nr. 94-110]\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSiegfried, 3. Aufzug [Tracks Nr. 111-124]\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGötterdämmerung, Prolog [Tracks Nr. 125-131]\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-10 Götterdämmerung, 1. Aufzug [Tracks Nr. 132-146]\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGötterdämmerung, 2. Aufzug [Tracks Nr. 147-160]\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBD-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGötterdämmerung, 3. Aufzug [Tracks Nr. 161-178]\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD - The Golden Ring\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe Golden Ring\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-1 Cast Assembles - Recording Begins\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSteerhorn Scene\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOn Recording Wagner\u003cspan style=\"mso-tab-count: 1;\"\u003e            \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Wiener Philharmoniker\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-5\u003cspan style=\"mso-tab-count: 2;\"\u003e G\u003c\/span\u003eutrune's Greeting\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-6 Vengeance Trio\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSiegfried's Death And Funeral March\u003cspan style=\"mso-tab-count: 1;\"\u003e            \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eImmolation Scene\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eHinter den Kulissen Der Götterdämmerung\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-9 Die Aufnahme Beginnt\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-10 Stierhorn-Szene\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSolti Über Die Aufzeichnung Des Ring\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDie Wiener Philharmoniker\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGutrunes Begrüßung\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eHinter Den Kulissen Der Götterdämmerung: Rache-Trio\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-15\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSiegfrieds Tod Und Trauermarsch\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-16\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBrünnhildes Schlussgesang\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAudio Highlights In 5.1\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-17\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEntry Of The Gods Into Valhalla (Einzug Der Götter In Walhall)\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-18\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Ride Of The Valkyries (Walkürenritt)\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-19\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMagic Fire Music (Feuerzauber)\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-20\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eForging Scene (Schmiedelied)\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-21\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eForest Murmurs (Waldweben)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-22\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSiegfried's Funeral March (Trauermarsch)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-23\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eImmolation Scene (Brünnhildes Schlussgesang)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e : \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan\u003eDiscogs : 5 \/ 5  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54967042539855,"sku":"Decca – 0289 478 3702 2","price":600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-04-22a23.17.43.png?v=1745356720"},{"product_id":"chuck-berry-after-school-session-rarity","title":"Chuck Berry - After School Session (1 LP \u0026 1 CD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cbr\u003eRarity -Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChuck Berry, guitar, vocals \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Chuck Berry\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/chuck-berry\"\u003e[click here to see more vinyl featuring Chuck Berry]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnnie Johnson, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWillie Dixon, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFred Below, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eL.C. Davis, tenor sax\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEbby Harby, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerome Green, maracas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Chuck Berry\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, 1 CD, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rainbow Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Doxy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Chess\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded May 21, 1955 \u0026amp; January 21, 1957 at Universal Recording Corp. (Chicago)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Leonard Chess, Phil Chess\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in May 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in March 2011\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLP - Side A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSchool Day (Ring Ring Goes The Bell)\u003c\/li\u003e\n\u003cli\u003eDeep Feeling\u003c\/li\u003e\n\u003cli\u003eToo Much Monkey Business\u003c\/li\u003e\n\u003cli\u003eWee Wee Hours\u003c\/li\u003e\n\u003cli\u003eRoly Poly\u003c\/li\u003e\n\u003cli\u003eNo Money Down\u003c\/li\u003e\n\u003cli\u003eYou Can't Catch Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLP - Side B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrown Eyed Handsome Man\u003c\/li\u003e\n\u003cli\u003eBerry Pickin'\u003c\/li\u003e\n\u003cli\u003eTogether We Will Always Be\u003c\/li\u003e\n\u003cli\u003eHavana Moon\u003c\/li\u003e\n\u003cli\u003eDown Bound Train\u003c\/li\u003e\n\u003cli\u003eDrifting Heart\u003c\/li\u003e\n\u003cli\u003eThirty Days (To Come Back Home)\u003c\/li\u003e\n\u003cli\u003eMaybellene\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eCD:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSchool Day (Ring Ring Goes The Bell)\u003c\/li\u003e\n\u003cli\u003eDeep Feeling\u003c\/li\u003e\n\u003cli\u003eToo Much Monkey Business\u003c\/li\u003e\n\u003cli\u003eWee Wee Hours\u003c\/li\u003e\n\u003cli\u003eRoly Poly\u003c\/li\u003e\n\u003cli\u003eNo Money Down\u003c\/li\u003e\n\u003cli\u003eYou Can't Catch Me\u003c\/li\u003e\n\u003cli\u003eBrown Eyed Handsome Man\u003c\/li\u003e\n\u003cli\u003eBerry Pickin'\u003c\/li\u003e\n\u003cli\u003eTogether We Will Always Be\u003c\/li\u003e\n\u003cli\u003eHavana Moon\u003c\/li\u003e\n\u003cli\u003eDown Bound Train\u003c\/li\u003e\n\u003cli\u003eDrifting Heart\u003c\/li\u003e\n\u003cli\u003eThirty Days (To Come Back Home)\u003c\/li\u003e\n\u003cli\u003eMaybellene\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Chuck Berry's debut LP is fairly strong musically, as well as having a really cool cover (a still shot of Berry, guitar slung in front of him, from the movie Rock, Rock, Rock!). After School Session was just the second long-player ever issued by Chess -- only the soundtrack to the movie Rock, Rock, Rock! preceded it. This May 1957 release made Berry something of a late-bloomer among rock \u0026amp; roll's foundation performers -- he'd had his first recording session two years earlier, in May of 1955, and by the spring of 1957, Bill Haley already had a handful of LPs to his credit, Elvis Presley was gaining on him, and Clyde McPhatter's version of the Drifters was represented on album, with numerous others soon to join their ranks. Berry had actually enjoyed only two major pop (i.e. rock as opposed to R\u0026amp;B) chart hits at the time: \"Maybellene\" in the summer of 1955, and \"Roll Over Beethoven,\" which had just made the Top 30 in the summer of 1956. It was \"School Day,\" the lead-off track here, that heralded his successful 18-month assault on the Top 40, opening a string of hits that included \"Rock and Roll Music,\" \"Sweet Little Sixteen,\" \"Johnny B. Goode,\" and \"Carol,\" and resulted in the release of After School Session -- the title offers curious multiple meanings, incidentally, intended to attract Berry's teen audience in the most innocent of terms (in connection with the rock \u0026amp; roll cuts), but also subtly invoking more daring \"extra-curricular\" activity in its blues and ballads, and older, post-teen concerns. In those days, as a policy, Chess' rock \u0026amp; roll and blues LPs were comprised of previously existing single sides, and, thus, beyond the current single, the songs leap wildly across different sounds and styles -- impromptu blues (\"Deep Feeling\"), and dance (\"Roly Poly,\" \"Berry Pickin'\"), instrumentals are interspersed with a trio of rock \u0026amp; roll jewels, \"Too Much Monkey Business\" and \"No Money Down,\" with their accents on the joys and textures of teenage life, which somehow didn't catch on among mainstream listeners as singles, and the piercing, provocative \"Brown Eyed Handsome Man,\" which showed how easily Berry could broach sensitive or provocative material if it were masked by a hot enough beat and loud enough guitar, bass, and drums; and we take detours into blues (\"Wee Wee Hours,\" \"Downbound Train\"), ballads (\"Together (We'll Always Be),\" \"Drifting Heart\"), and even calypso music (\"Havana Moon\"). All of it was recorded in four separate sessions spread across almost two years; the rock \u0026amp; roll numbers and the guitar-driven instrumentals out-class most of the blues and ballads, but there's nothing here that could be classed as \"filler,\" either -- a lot of British Invasion bands wore out copies of these same sides learning their basic repertory, and domestic roots rockers could have done worse than to listen to \"Downbound Train\" or \"No Money Down.\"\" \u003cspan\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55446632431951,"sku":"DOK302LP","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-06-30a09.09.38.png?v=1751267422"},{"product_id":"supertramp-breakfast-in-america-hybrid-sacd-japaneese-edition","title":"Supertramp - Breakfast In America (SHM-SACD, Japanese Edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupertramp \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/Supertramp\" title=\"vinyl \u0026amp; SACD featuring Supertramp\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Supertramp]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Davies – vocals and keyboards including clavinet on track 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoger Hodgson – vocals, keyboards and guitars, including acoustic 12-string guitar on track 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Helliwell – saxophones, vocals, woodwinds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob Siebenberg (credited as Bob C. Benberg) – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDougie Thomson – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlyde Hyde – tuba and trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGary Mielke – Oberheim programming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Rick Davies \u0026amp; Roger Hodgson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 SHM-SACD \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e(The SHM-SACD format is fully compatible with standard SACD players but it does not play on standard CD players. SHM-SACD delivers unbelievably high-quality sound.)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : A\u0026amp;M\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : A\u0026amp;M Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan\u003eMay–December 1978 \u003c\/span\u003eat The Village Recorder, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Peter Henderson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Supertramp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGone Hollywood\u003c\/li\u003e\n\u003cli\u003eThe Logical Song\u003c\/li\u003e\n\u003cli\u003eGoodbye Stranger\u003c\/li\u003e\n\u003cli\u003eBreakfast In America\u003c\/li\u003e\n\u003cli\u003eOh Darling\u003c\/li\u003e\n\u003cli\u003eTake The Long Way Home\u003c\/li\u003e\n\u003cli\u003eLord Is It Mine\u003c\/li\u003e\n\u003cli\u003eJust Another Nervous Wreck\u003c\/li\u003e\n\u003cli\u003eCasual Conversations\u003c\/li\u003e\n\u003cli\u003eChild Of Vision\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world. Although their previous records had some popular success, they never even hinted at the massive sales of Breakfast in America. Then again, Supertramp's earlier records weren't as pop-oriented as Breakfast. The majority of the album consisted of tightly written, catchy, well-constructed pop songs, like the hits \"The Logical Song,\" \"Take the Long Way Home,\" and \"Goodbye Stranger.\" Supertramp still had a tendency to indulge themselves occasionally, but Breakfast in America had very few weak moments. It was clearly their high-water mark.\" \u003cspan\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4.8 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55975305511247,"sku":"CA\u0026MJ9536SA","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Supertramp_-_Breakfast_In_America_1.webp?v=1758388808"},{"product_id":"fleetwood-mac-fleetwood-mac-2lp-45rpm-deluxe-edition-rarity","title":"Fleetwood Mac – Fleetwood Mac (1LP + 3CD + 1DVD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRARITY - SEALED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFleetwood Mac \u003ca title=\"audiophile vinyl and CD featuring Fleetwood Mac\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/fleetwood-mac-1\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl\/CD featuring Feetwood Mac]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums, Percussion – Mick Fleetwood \u003ca title=\"vinyl featuring Mick Fleetwood\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/fleetwood-mac\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Mick Fleetwood]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals – Stevie Nicks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eKeyboards, Synthesizer, Vocals – Christine McVie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar, Vocals – Lindsey Buckingham\u003c\/strong\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring Mick Fleetwood\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/fleetwood-mac\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – John McVie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRhythm Guitar – Waddy Wachtel (B4, CD1-10, DVD1-10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e1 LP, 3 CD, 1 DVD, \u003c\/strong\u003e\u003cstrong\u003eSolid \u0026amp; Cardboard Gatefold sleeve containing LP on one side, then each CD and DVD in separate slots on the other ; 16-page booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal Media GmbH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Reprise Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : \u003cmeta charset=\"utf-8\"\u003eReprise Records Warner Bros Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded February–August 1976 at Criteria (Miami), Record Plant (Sausalito and Los Angeles), Zellerbach Auditorium (Berkeley), Wally Heider's Studio 3 (Hollywood), Davlen Studio (North Hollywood)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Ken Caillat, Richard Dashut\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMixed [5.1 Surround Mix] by Ken Caillat,\u003c\/strong\u003e\u003cstrong\u003e Bill Inglot, Brian Kehew\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal session produced by Fleetwood Mac, Ken Caillat, Richard Dashut\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Steve Hall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Dan Hersch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissue Produced by Bill Inglot, Steve Woolard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLacquer cut by Chris Bellman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLiner Notes by David Wild\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePhotography by Herbert Worthington\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1975\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in January 2018\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginal Album - 2018 Remaster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eMonday Morning\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWarm Ways\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBlue Letter\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eRhiannon\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eOver My Head\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCrystal\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eSay You Love Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLandslide\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWorld Turning\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSugar Daddy\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI'm So Afraid\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eThe Original Album \u0026amp; Singles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eCD1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-1\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eMonday Morning\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-2\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eWarm Ways\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-3\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eBlue Letter\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-4\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eRhiannon\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-5\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eOver My Head\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-6\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eCrystal\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-7\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eSay You Love Me\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-8\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eLandslide\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-9\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eWorld Turning\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-10\u003cspan style=\"mso-tab-count: 2;\"\u003e            \u003c\/span\u003eSugar Daddy\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cem\u003eThe Singles\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-11            I'm So Afraid\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-12\u003cspan style=\"mso-tab-count: 2;\"\u003e            \u003c\/span\u003eOver My Head (Single Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-13\u003cspan style=\"mso-tab-count: 2;\"\u003e            \u003c\/span\u003eRhiannon (Will You Ever Win) (Single Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-14\u003cspan style=\"mso-tab-count: 2;\"\u003e            \u003c\/span\u003eSay You Love Me (Single Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD1-15\u003cspan style=\"mso-tab-count: 2;\"\u003e            \u003c\/span\u003eBlue Letter (Single Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eEarly Versions \u0026amp; Live From The Warner Bros. Sound Stage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eCD2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-1\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eMonday Morning (Early Take)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-2\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eWarm Ways (Early Take)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-3\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eBlue Letter (Early Take)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-4\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eRhiannon (Early Take)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-5\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eOver My Head (Early Take)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-6\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eCrystal (Early Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-7\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eSay You Love Me (Early Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-8\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eLandslide (Early Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-9\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eWorld Turning (Early Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-10\u003cspan style=\"mso-tab-count: 2;\"\u003e            \u003c\/span\u003eSugar Daddy (Early Take)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-11\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eI'm So Afraid (Early Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-12\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eOver My Head (live)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-13\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eRhiannon (Live)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-14\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eWhy (Live)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-15\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eWorld Turning (Live)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-16\u003cspan style=\"mso-tab-count: 2;\"\u003e               \u003c\/span\u003eJam #2\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD2-17\u003cspan style=\"mso-tab-count: 2;\"\u003e                \u003c\/span\u003eI'm So Afraid (Early Take Instrumental)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLive From The Tour\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eCD3\u003c\/strong\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003cstrong\u003e  \u003c\/strong\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-1\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eGet Like You Used To Be\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-2\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eStation Man\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-3\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eSpare Me A Little\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-4\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eRhiannon\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-5\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eWhy\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-6\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eLandslide\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-7\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eOver My Head\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-8\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eI'm So Afraid\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-9\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eOh Well\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-10\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eThe Green Manalishi (With The Two Pronged Crown)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-11\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eWorld Turning\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-12\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eBlue Letter\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-13\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eDon't Let Me Down Again\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eCD3-14\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eHypnotized\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDVD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cstrong\u003e5.1 Surround \u0026amp; 24\/96 Stereo Mixes\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-1\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eMonday Morning\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-2\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eWarm Ways\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-3\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eBlue Letter\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-4\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eRhiannon\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-5\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eOver My Head\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-6\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eCrystal\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-7\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eSay You Love Me\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-8\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eLandslide\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-9\u003cspan style=\"mso-tab-count: 2;\"\u003e             \u003c\/span\u003eWorld Turning\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-10\u003cspan style=\"mso-tab-count: 2;\"\u003e           \u003c\/span\u003eSugar Daddy\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-11\u003cspan style=\"mso-tab-count: 2;\"\u003e            \u003c\/span\u003eI'm So Afraid\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cstrong\u003eThe Singles-  PCM 24\/96 High Resolution Stereo\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-12\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eOver My Head (Single Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-13\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eRhiannon (Will You Ever Win) (Single Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-14\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eSay You Love Me (Single Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDVD-15\u003cspan style=\"mso-tab-count: 2;\"\u003e              \u003c\/span\u003eBlue Letter (Single Version)\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 7\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eAlbum of the Year at the 1977 Grammy Awards ; inducted in 2003 into the Grammy Hall of Fame\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e40 million copies sold worldwide, making it one of the best-selling albums of all time\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"The band's two romantic couples - bassist John and singer-keyboard player Christine McVie, who were married; guitarist Lindsey Buckingham and vocalist Stevie Nicks, who were not - broke up during the protracted sessions for Rumours. This lent a highly charged, confessional aura to such songs as Buckingham's \"Go Your Own Way,\" Nicks' \"Dreams,\" Christine's \"Don't Stop\" and the group-composed anthem to betrayal, \"The Chain.\" The Mac's catchy exposes, produced with California-sunshine polish, touched a nerve; Rumours, a landmark Seventies pop album, ruled Billboard's album chart for thirty-one weeks.\" Rolling Stone\u003c\/p\u003e\n\u003cp\u003e“Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend -- it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. While its chart success was historic, much of the legend surrounding the record is born from the group's internal turmoil. Unlike most bands, Fleetwood Mac in the mid-'70s were professionally and romantically intertwined, with no less than two couples in the band, but as their professional career took off, the personal side unraveled. Bassist John McVie and his keyboardist\/singer wife Christine McVie filed for divorce as guitarist\/vocalist Lindsey Buckingham and vocalist Stevie Nicks split, with Stevie running to drummer Mick Fleetwood, unbeknown to the rest of the band. These personal tensions fueled nearly every song on Rumours, which makes listening to the album a nearly voyeuristic experience. You're eavesdropping on the bandmates singing painful truths about each other, spreading nasty lies and rumors and wallowing in their grief, all in the presence of the person who caused the heartache. Everybody loves gawking at a good public breakup, but if that was all that it took to sell a record, Richard and Linda Thompson's Shoot Out the Lights would be multi-platinum. No, what made Rumours an unparalleled blockbuster is the quality of the music. Once again masterminded by producer\/songwriter\/guitarist Buckingham, Rumours is an exceptionally musical piece of work -- he toughens Christine McVie and softens Nicks, adding weird turns to accessibly melodic works, which gives the universal themes of the songs haunting resonance. It also cloaks the raw emotion of the lyrics in deceptively palatable arrangements that made a tune as wrecked and tortured as \"Go Your Own Way\" an anthemic hit. But that's what makes Rumours such an enduring achievement -- it turns private pain into something universal. Some of these songs may be too familiar, whether through their repeated exposure on FM radio or their use in presidential campaigns, but in the context of the album, each tune, each phrase regains its raw, immediate emotional power -- which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 5 \/ 5 , \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,91\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56108064833871,"sku":"R2559454","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-10-09a17.05.14.png?v=1760022577"},{"product_id":"fourplay-elixir-2lp-1step-green-vinyl-30th-anniversary-edition","title":"Fourplay - Elixir (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFourplay \u003ca title=\"vinyl featuring Fourplay\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/fourplay\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring Fourplay]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eKeyboards, Synth Orchestrations] –  Bob James\u003cspan\u003e \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-james\" title=\"Vinyl featuring Bob James\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring Bob James]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – Nathan East\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eComputer [Programming], Synth [Programming] – Harvey Mason Jr.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums, Percussion [Acoustic \u0026amp; Electric], Marimba, Bongos, Jew's Harp – Harvey Mason\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar [Guitars], Synth [Additional Programming], Computer [Additional Programming] – Lee Ritenour\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-james\" title=\"Vinyl featuring Bob James\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSynth [Additional Programming], Computer [Additional Programming] – Ken Freeman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by Bob James (1, 3, 6, 10), Harvey Mason (1, 7, 11), Lee Ritenour (1, 3, 5), Nathan East (1, 2, 8, 9, 12), Ricky Lawson (2), Phil Collins (4), James Mtume (8), Reggie Lucas (8), Marcel East (9), Harvey Mason Jr. (11)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e1 \u003c\/span\u003eHybrid Multi-Channel \u0026amp; Stereo SACD with a 16 page booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e30th  Anniversary Edition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eOriginal  Master Tape : YES\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eStereo\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eStudio\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eLabel: Evosound\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eOriginal Label: Warner Bros. Records\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded at Sunset Sound, Hollywood, CA ; Darp Studios, Atlanta, GA ; Starlight Studios, Malibu, CA ; Remidi Studios, Ardsley-on-Hudson, NY \u0026amp; Masong Studios, Los Angeles, CA\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eRecorded \u0026amp; Mixed by Don Murray\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Fourplay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eExecutive-Producer – Bob James\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOriginally released in 1995\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eReissued in October 2025\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eElixir\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDream Come True\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePlay Lady Play\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eFannie Mae\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Closer I Get to You (Feat. Patti Austin and Peabo Bryson)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eEast 2 West\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWhy Can't It Wait Till Morning (Feat. Phil Collins)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMagic Carpet Ride\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWhisper in My Ear\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLicorice\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eIn My Corner\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAny Time of Day\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“The third outing from Fourplay (Lee Ritenour, Nathan East, Bob James, and Harvey Mason clubbing together) is another lightly sautéed jazz offering, low-key and relaxed. Vocals this time are contributed by Phil Collins, East, Patti Austin, and Peabo Bryson (the latter two on an undistinguished version of \"The Closer I Get to You\"), but the main attraction for most is likely to be Ritenour's flexible guitar work.” AllMusic Review by Steven McDonald\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eAllMusic : 4 \/ 5 ; Discogs : 4.24 \/ 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56128627900751,"sku":"EVSA3397S","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Fourplay_-_Elixir_1_5b42d8a1-9029-452b-befb-45388725a12f.webp?v=1760475066"},{"product_id":"mccoy-tyner-joe-henderson-ron-carter-al-foster-new-york-reunion-1-sacd-pink-vinyl-numbered-edition-copy","title":"McCoy Tyner, Joe Henderson, Ron Carter, Al Foster- New York Reunion (Hybrid SACD)","description":"\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePiano – McCoy Tyner \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/mccoy-tyner\" title=\"vinyl featuring McCoy Tyner\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring McCoy Tyner]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTenor Saxophone – Joe Henderson \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/joe-henderson\" title=\"vinyl featuring Joe Henderson\" style=\"color: #ff8000;\"\u003e[click here to see more products featuring Joe Henderson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass - Ron Carter \u003cspan style=\"color: #ff8000;\"\u003e \u003ca style=\"color: #ff8000;\" title=\"Vinyl featuring Ron Carter\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ron-carter\"\u003e[click here to see more products featuring Ron Carter]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWritten by Joe Henderson (1), McCoy Tyner (2, 8), Cole Porter (3), Richard Rodgers (4), Lorenz Hart (4), Thelonious Monk (5), Wayne King (6), Egbert Van Alstyne (6), Victor Young (6), Ned Washington Gillespie (6), Ron Carter (7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e1 Hybrid Stereo SACD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eOriginal  Master Tape : YES\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eStereo\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eStudio\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eLabel: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eChesky Records\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eOriginal Label: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eChesky Records\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003cspan\u003eRecorded at RCA Studio A, New York City on April 3 \u0026amp; 4, 1991\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded by Bob Katz\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eEngineered by Bill Allen\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003cspan\u003eProduced by David Chesky\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eExecutive-Producer – Norman Chesky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eArt Direction by Hal Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eOriginally released in 1991\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eReissued in November 2025\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eRecorda Me (Remember Me)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMiss Bea (Dedicated to Mother)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWhat Is This Thing Called Love?\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMy Romance\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAsk Me Now\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBeautiful Love\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eQuick Sketch\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHome\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Pianist McCoy Tyner and tenor-saxophonist Joe Henderson had not recorded together in over two decades when they finally met up for this Chesky LP. With strong assistance from bassist Ron Carter and drummer Al Foster, Tyner and Henderson make for a perfect team on four originals by group members (including the tenor's classic \"Recorda Me\") and four superior standards. The advanced hard bop music is as rewarding as one would expect.” AllMusic Review by Scott Yanow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4.59 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56128703070543,"sku":"EVSA2980S","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/McCoy_Tyner_Joe_Henderson_Ron_Carter_Al_Foster-_New_York_Reunion_1_2fd5f14c-f754-43a6-b0e6-613bf2b958c2.webp?v=1760474060"},{"product_id":"the-worlds-greatest-audiophile-vocal-recordings-volume-4-sacd-compilation","title":"The World's Greatest Audiophile Vocal Recordings Volume 4 (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by: Stephen A. Stills (1), Stevie Wonder (2), Rebecca Pidgeon (3), David Cantor (4), Jerry Leiber (5), Kate Bush (6), Leonard Cohen (7), Robert Thiele (8), David Weiss (9), Bob Marley (10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Barry Wolifson, Bob Katz, Nicholas Prout\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by David Chesky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eExecutive-Producer - Norman Chesky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissued in April 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eAnna Nalick - Helplessly Hoping\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eJen Chapin - You Haven't Done Nothin'\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eRebecca Pidgeon - Grandmother\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDave's True Story - Still I Adore You\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMeiko - Stand By Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eRachel Z - This Woman's Work\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMelissa Menago - Hallelujah\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCasey Abrams - What A Wonderful World\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMacy Gray - Redemption Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eChesky Records, world-renowned for the exceptional quality of its high-resolution recordings, finally continues its popular compilation series with “The World's Greatest Audiophile Vocal Recordings Vol. 4”! Recorded using groundbreaking recording techniques and equipment by renowned sound engineers Nicholas Prout and Bob Katz, the album features a series of fascinating performances by a selection of sensational singers. The lineup ranges from British-American singer and actress Rebecca Pidgeon and US folk-pop singer and songwriter Anna Nalick to Ohio R\u0026amp;B icon Macy Gray and American jazz-pop artist Casey Abrams to New York jazz and rock pianist Rachel Z.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThe sampler is a testament to Chesky's commitment to detailed, clear and high-quality sound and demonstrates the New York label's unique approach to record production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.67 \/ 5\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56128942932303,"sku":"EVSA3084S","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/2872f9b6-d30c-4f38-9aca-4af9c047ea8a.jpg?v=1760473111"},{"product_id":"chuck-mangione-the-feeling-s-back-hybrid-sacd","title":"Chuck Mangione - The Feeling’s Back (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eFlugelhorn – Chuck Mangione\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals – Annette Sanders, Jackie Presti, Maucha Adnet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAcoustic Bass – David Finck (1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAlto Flute, Flute – Gerry Niewood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eCello – Sarah Carter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Paulo Braga\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar – Jay Azzolina\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePercussion – Café\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePiano, Keyboards – Cliff Korman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by Toninho Horta (1), Chuck Mangione (2, 5), Antonio Carlos Jobim (3), Carlos Sandroni (4), Mario Adnet (4), Antônio Maria (B2), François Llenas (6), Luiz Bonfá (6), Dorival Caymmi (7), Edith Piaf (8), Guy Louis (8), Mack David (8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRecorded at St. Peter's Episcopal Church in NYC, October 19-23, 1998\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRecorded by Barry Wolifson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Cliff Korman, David Chesky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eEdited \u0026amp; Mastered by Nick Prout\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 1999\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissued in September 2025 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eMountain Flight\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eConsuelo's Love Theme\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eFotografia\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eQuase\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAldovio\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eManhã De Carnaval\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMaracangalha\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLa Vie En Rose\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e“Chuck Mangione laid low throughout much of the '90s, perhaps the end result of a disappointing string of albums for Columbia during the '80s. He returned to the road in 1997 and evidently it was a positive experience, since he returned to the studio the following year to cut The Feeling's Back. For all intents and purposes, The Feeling's Back is a comeback album, finding Mangione returning to the smooth, melodic style of Feels So Good, but laying off the sappy pop tendencies that dogged his '80s efforts. Although the end result is a little monotonous -- many of the tracks are quiet and slowly swinging, blending together into one long track -- it's charmingly laid-back, mellow and melodic, all of the things that brought Mangione fame and fortune in the '70s. There isn't a whole lot in the way of \"real\" jazz here -- the solos are extensions of the themes, and they never stand apart from the lite groove -- but this has the \"feeling\" that Mangione fans have been waiting to feel again. And that's enough to make it a successful comeback.” AllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; Discogs : 4.18 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56129040515407,"sku":"EVSA3078S","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Chuck_Mangione_-_The_Feeling_s_Back_1.webp?v=1760472167"},{"product_id":"fred-hersch-trio-dancing-in-the-dark","title":"Fred Hersch Trio - Dancing In The Dark (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano - Fred Hersch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBass – Drew Gress\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDrums – Tom Rainey\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Cole Porter (1), J. Fred Coots (2), Sam M. Lewis (2), Jule Styne (3), Sammy Cahn (3), Leo Robin (4), Ralph Rainger (4), Arthur Schwartz (5), Howard Dietz (5), Edward Heyman (6), John Green (6), Paul Francis Webster (7), Sammy Fain (7), Dimitri Tiomkin (8), Ned Washington (8), Jerome Kern (9), Oscar Hammerstein (9), Lorenz Hart (10), Richard Rodgers (10), Mort Dixon (11), Ray Henderson (11)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chesky Records - Chesky Original Masters Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded on December 3 \u0026amp; 4, 1992 at Mastersound Studios, Astonia, N.Y.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded by Bob Katz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by David Chesky, Fred Hersch\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eExecutive-Producer – Norman Chesky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Nicolas Prout\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 1993\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissued in September 2025 \u003c\/strong\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSo In Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eFor All We Know\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eI Fall In Love Too Easily\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eIf I Should Lose You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDancing In The Dark\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOut Of Nowhere\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSecret Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWild Is The Wind\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAll The Things You Are\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMy Funny Valentine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBye Bye Blackbird\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Fred Hersch and his bandmates interpret 11 standards on their fine album, Dancing in the Dark. Hersch is a lyrical player who possesses a light touch and a sophisticated sense of style. His playing is unmistakably influenced by Bill Evans, and his trio work is marked by some of the characteristics that made Evans' best trios so memorable: cohesive, \"whole is greater than the sum of its parts,\" musical communication. Drew Gress (bass) and Tom Rainey (drums) are outstanding throughout these 70 minutes and their efforts become even more apparent with repeated listenings. The best tracks on Dancing in the Dark happen to also be the least well known; the brisk \"So in Love,\" the delicate, solo vehicle \"If I Should Lose You,\" the soft, orchestral \"Wild Is the Wind,\" and the bright, swinging title piece. Though he occasionally takes a dissonant, avant-garde approach (\"Out of Nowhere\"), it is clearly not his most effective style. Hersch is at is best when he \"sings\" on the piano and his ballad playing is consistently first rate. This is a quality album, branded by excellent trio playing and tasteful interpretations of the standard repertoire.” AllMusic Review by Brian Bartolini\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eReleased in 1993 by the noted audiophile label Chesky Records, Dancing In The Dark is a remarkable exploration of the Great American Songbook by the Fred Hersch Trio. Originally a classically trained pianist from Cincinnati, Ohio, Hersch made his mark in New York City in the 1980s when he played with jazz legends Chris Connor and Joe Henderson. After debuting for Chesky Records in 1991 with a quintet record called Forward Motion, he downsized his band to a trio for Dancing In The Dark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eTeaming up with bassist Drew Gress and drummer Tom Rainey, Hersch offered spectacular new treatments of timeless tunes such as \"I Fall In Love Too Easily,\" \"For All We Know,\" and \"My Funny Valentine.\" With their near-telepathic interplay, the trio offered new perspectives on well-worn evergreens, showing how jazz and its improvisational ethos could take familiar melodies and harmonic frameworks and transform them into new and exciting aural adventures. Rewarded with a Grammy nomination, Dancing In The Dark remains one of the essential, go-to records in both Hersch's and Chesky's back catalog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4.42 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56163394027855,"sku":"CCRC3075 SA","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/FredHerschTrio-DancingInTheDark1_a5ed0273-0ece-48e5-bd78-c549ff48093a.webp?v=1760690800"},{"product_id":"john-pizzarelli-my-blue-heaven-hybrid-sacd","title":"John Pizzarelli - My Blue Heaven (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGuitar, Vocals – John Pizzarelli\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBass – Milt Hinton \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/milt-hinton\" title=\"Vinyl featuring Milt Hinton\"\u003e[Click here to see more vinyl\/SACD featuring Milt Hinton]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTrumpet – Clark Terry \u003cspan\u003e\u003ca title=\"vinyl featuring Clark Terry\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/clark-terry\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl\/SACD featuring Clark Terry\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDrums – Connie Kay\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGuitar – Bucky Pizzarelli\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by George Whiting (1), Walter Donaldson (1), Nat King Cole (2, 8), Jimmy Van Heusen (3), Johnny Burke (3), George \u0026amp; Ira Gershwin (4), Ray Noble (5), Alvin Cohn (6, 15), David Frishberg (6, 15), Norman Kahn (6), John Pizzarelli, Jr. (7), Bucky Pizzarelli (9), Fred Wise (10), Roy Alfred (10), Slam Stewart (11), Duke Ellington (12), Sidney Keith Russell (12), Andy Razaf (13), Don Redman (13), Billy Strayhorn (14), Milton Raskin (14), Gerry Mulligan (15), Jack Sims (15), John Sims (15), Alex Kramer (16), Joan Whitney (16), Mack David (16)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chesky Records - Chesky Original Masters Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded at RCA Studio A, New York City on February 6 and 7, 1990\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded by Bob Katz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by David Chesky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eExecutive-Producer – Norman Chesky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMastered by Nick Prout\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 1990\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissued in June 2025 \u003c\/strong\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. My Blue Heaven\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. I'm An Errand Boy for Rhythm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e3. It Could Happen to You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e4. Lady Be Good\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e5. The Touch of Your Lips\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e6. Can't Take You Nowhere\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e7. Take My Smile\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e8. That's What\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e9. Stray Horn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e10. Best Man\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e11. Oh Me, Oh My, Oh Gosh\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e12. Don't Get Around Much Anymore\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e13. Gee Baby Ain't I Good to You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e14. Passion Flower\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e15. Zoot Walked In\/Morning Fun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e16. Candy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Just prior to signing with RCA\/Novus, John Pizzarelli recorded two sets for Chesky that featured him playing in the swing style that he would soon make quite popular. Although joined by all-stars (pianist Dave McKenna, bassist Milt Hinton, drummer Connie Kay, his father, guitarist Bucky Pizzarelli, and flugelhornist Clark Terry) rather than his regular trio, Pizzarelli's likable vocals and relaxed guitar solos are not overshadowed. In fact, this is a delightful date, with memorable renditions of such songs as \"I'm An Errand Boy for Rhythm,\" \"Lady Be Good,\" \"The Best Man,\" \"Gee Baby Ain't I Good to You\" and \"Candy.\" Easily recommended to John Pizzarelli fans.” AllMusic Review by Scott Yanow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded in 1990 for the noted New York audiophile label Chesky Records, My Blue Heaven was John Pizzarelli's first significant album release, heralding the arrival of a major talent and future Grammy-winning star. Supported by a dream team lineup of veteran jazz stars — including Pizzarelli's guitar-playing father, Bucky, together with trumpeter Clark Terry, bass supremo Milt Hinton, and drummer extraordinaire Connie Kay — the New Jersey-born singer and virtuoso of the seven-string guitar serves up a swinging cache of evergreen jazz standards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWith the album's highlights ranging from spirited revamps of the Nat King Cole Trio's \"Candy,\" Duke Ellington's \"Passion Flower\" and Dave Frishberg's \"Can't Take You Nowhere,\" the impeccably recorded My Blue Heaven represented a significant step in Pizzarelli's early musical journey, helping to introduce him to a wider audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.3 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56163514483023,"sku":"CCRC3070SA","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/JohnPizzarelli-MyBlueHeaven1_d75e1887-7798-4e43-906b-9ae7b3facf89.webp?v=1760691778"},{"product_id":"clark-terry-portraits-hybrid-sacd","title":"Clark Terry - Portraits (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eTrumpet, Flugelhorn – Clark Terry \u003cspan\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/clark-terry\" title=\"vinyl featuring Clark Terry\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl\/SACD featuring Clark Terry\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e]\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBass – Victor Gaskin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDrums – Lewis Nash\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePiano – Don Friedman\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Johnston (1), Johnny Burke (1), Clarence Williams (2), Johnny Mercer (3), Joseph Kosma (3), Clark Terry (4), Roy Eldridge (5), Clarence Muse (6), Leon Rene (6), Otis Rene (6), Count Basie (7), Harry \"Sweets\" Edison (7), Pestalozza (8), Dizzy Gillespie (9), Ira Gershwin (10), V. Duke (10), Spina (11), J. Elliott (11)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chesky Records - Chesky Original Masters Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded at RCA Studio A, New York City on December 16, 1988\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded by Bob Katz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by David Chesky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eExecutive-Producer – Norman Chesky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Nick Prout\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissued in August 2025 \u003c\/strong\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePennies From Heaven\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSugar Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAutumn Leaves\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eFinger Filibuster\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLittle Jazz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWhen It's Sleepy Time Down South\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eJive At Five\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eCiribiribin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOw\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eI Can't Get Started\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eI Don't Wanna Be Kissed\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e“Flugelhornist Clark Terry recorded quite frequently in the 1980s, and his consistency was very impressive. Terry's good humor, joyful and immediately distinctive sound, and creative, bop-oriented ideas combined to form a very accessible style. This Chesky LP finds C.T. joined by pianist Don Friedman, bassist Victor Gaskin and drummer Lewis Nash for a variety of superior standards and Terry's lone original \"Finger Filibuster.\" The songs all pay tribute to various trumpeters, and some, such as \"Pennies from Heaven,\" \"Little Jazz\" and \"I Don't Wanna Be Kissed,\" were not performed by the flugelhornist all that often; the resulting music is fresher than usual and often quite inspired. Recommended.” AllMusic Review by Scott Yanow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eReleased in 1989 by the noted audiophile label Chesky Records, Portraits is a testament to the prodigious talent of the legendary trumpeter, flugelhornist, and jazz educator Clark Terry. The first of four albums for the Chesky label, Portraits was recorded when the St. Louis-born hornblower, then 68 years old, was a much-venerated jazz elder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBy then, he had 35 albums under his belt and boasted a resume that included stellar collaborations with Duke Ellington, Charles Mingus, Quincy Jones, and Dizzy Gillespie. For Portraits, produced by David Chesky, Terry assembled a quartet comprising pianist Don Friedman, bassist Victor Gaskin, and drummer Lewis Nash. With Terry alternating between flugelhorn and muted trumpet while also showing off his chops as an occasional vocalist, the quartet breezes through a blend of familiar jazz standards, such as \"Pennies From Heaven,\" and Terry's hard-driving original tune, \"Finger Filibuster,\" where he shows off his athletic scat singing. Other highlights include the Louis Armstrong favorite \"When It's Sleepy Time Down South\" and \"Sugar Blues,\" a nostalgic nod to New Orleans jazz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.37 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56163570188623,"sku":"CCRC3073SA","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/ClarkTerry-Portraits1_727e5b78-489d-4241-9272-50f16f64ad76.webp?v=1760692435"},{"product_id":"amber-rubarth-sessions-from-the-17th-ward-hybrid-sacd","title":"Amber Rubarth - Sessions From The 17th Ward (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGuitar, Vocals – Amber Rubarth\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCello – Dave Eggar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePercussion – Chuck Palmer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eViolin – Tim Snider\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Tom Waits (1), Amber Rubarth (2-12, 14), Charles Justin Palmer (3, 5, 8, 11), Dave Eggar (3, 5, 8, 11), Tim Snider (3, 5, 8, 11), Bert Kalmar (4), Harry Ruby (4), Oscar Hammerstein II (4), Adam Levy (10), Bob Dylan (13), A. P. Carter (14), Maybelle Carter (14), Sara Carter (14)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chesky Records - Chesky Original Masters Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded at Hirsch Center, Brooklyn, New York on March 2012\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded by \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eNicholas Prout\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by David Chesky, \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDave Eggar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eExecutive-Producer – Norman Chesky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMastered by Nick Prout\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissued in August 2025 \u003c\/strong\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Hold on\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Don't You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e3. Strive (Interlude)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e4. A Kiss to Build a Dream On\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e5. Down Home (Interlude)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e6. Novocaine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e7. Darkest Dark, Brightest Bright\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e8. Tundra (Interlude)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e9. Good Mystery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e10. Washing Day\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e11. Sneak (Interlude)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e12. Full Moon in Paris\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e13. Just Like a Woman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e14. Storms Are on the Ocean\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Sessions From The 17th Ward is a live album, but don’t let that scare you off. This private show, recorded at St. Elias Church in Brooklyn, transfers very well to audio-only format. It’s a tight set-up—songwriter Amber Rubarth provides vocals and guitar, backed by cello (Dave Eggar), violin (Tim Snider), and light percussion (Chuck Palmer). This modest setting is the perfect environment for Rubarth’s performance to shine through.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHer voice is gentle and unassuming, and her songs follow on a similarly comforting path. She’s got her fair share of heartbreak here, but any and all personal woes come from an honest and understanding narrator (as opposed to self-indulgent catharsis). Along the way, songs are also interspersed with brief instrumental interludes that both build mood and add breathing space. My favorite tracks are “Washing Day,” the sparkling early morning ode to love and laundry, the swinging night-walk of “Full Moon In Paris,” and the simple and sweet “Darkest Dark, Brightest Bright.” Not every tune makes such an impression as these, but as a whole, the album is more placid than sedated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThe beguiling delicacy of Rubarth’s voice is especially apparent in her reverent takes on the work of Tom Waits, Louis Armstrong, Bob Dylan, and The Carter Family. These covers meld seamlessly with Rubarth’s original material, playing an important role in the cohesiveness of the album. Waits’ “Hold On” opens the set, and The Carter Family’s “Storms Are On The Ocean” ends it, both almost lullabies, solidifying the thread that carries the essential message of perseverance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSessions From The 17th Ward is a well-spaced and clean recording. It serves as a perfect showcase for Rubarth’s musical personality while retaining the vigor and playfulness of a live performance.” The Audio Standard Review\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eA showcase for Chesky Records' groundbreaking binaural 3-D recording technique, Sessions From The 17th Ward was the first of two albums the award-winning singer, songwriter, and actor Amber Rubarth recorded for the revered New York audiophile label. Noted for her plaintive voice and storytelling lyrics, the California-born singer\/guitarist is beautifully accompanied by cellist Dave Eggar, fiddler Tim Snider, and percussionist Chuck Palmer. Rubarth serves up 14 mesmerizing tracks, ranging from indelible original songs (\"Novocaine\" and \"Washing Day\") to jazz standards (\"A Kiss To Build A Dream On\"), folk-rock evergreens (Bob Dylan's \"Just Like A Woman\" and Tom Waits' \"Hold On\"), Americana touchstones (the Carter Family's \"Storms Are On The Ocean\") and atmospheric instrumentals (\"Tundra\").\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56163618488655,"sku":"CCRC3071SA","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/AmberRubarth-SessionsFromThe17thWard1_13850940-0746-4148-aca0-c47b083c5d72.webp?v=1760695484"},{"product_id":"alexis-cole-a-kiss-in-the-dark-hybrid-sacd","title":"Alexis Cole – A Kiss In The Dark (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003cstrong\u003eAlexis Cole - vocal \u003ca title=\"vinyl featuring alexis cole\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/alexis-cole\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl\/SACD featuring Alexis Cole]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSaul Rubin – Guitar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDan Block - Sax and clarinet\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePhil Stewart - Drums \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePat O'Leary - Bass\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eArranged by Alexis Cole\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Gus Kahn (1), Raymond B. Egan (1, 14), Richard A. Whiting (1, 6, 14), Buddy DeSylva (2, 10), Jerome Kern (2), Harry D. Kerr (3), John Cooper (3), Earl Burtnett (3), Philip Braham (4), Fred Fisher (5, 9), Jimmie Cox (7), Henry Creamer (8), Turner Layton (8), Howard Johnson (9), Victor Herbert (10, 11), Al Dubin (11), J. Keirn Brennan (12, 13), Ernest R. Ball (12, 13)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chesky Records - Chesky Original Masters Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded on December 19, 2013 at the Hirsch Center in Brooklyn, New York\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded by \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eNicholas Prout\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by David Chesky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eExecutive-Producer – Norman Chesky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Nick Prout\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissued in October 2025 \u003c\/strong\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Ain't We Got Fun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Whip-poor-will\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e3. Do You Ever Think of Me?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e4. Limehouse Blues\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e5. Chicago, That Toddlin' Town\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e6. Bimini Bay\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e7. Nobody Knows You When You're Down and Out\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e8. After You've Gone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e9. There's a Broken Heart for Every Light On Broadway\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e10. A Kiss in the Dark\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e11. Indian Summer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e12. Turn Back the Universe and Give Me Yesterday\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e13. Let the Rest of the World Go By\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e14. Till We Meet Again\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.57 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56163778429263,"sku":"CCRC3080SA","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/AlexisCole_AKissInTheDark1_129b4445-c2a1-436f-bc71-5b93f545d83e.webp?v=1760696862"},{"product_id":"bach-the-goldberg-variations-glenn-gould-digital-recording-japanese-edition-copy","title":"Bach - The Goldberg Variations - Glenn Gould (Single-Layer SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRARITY - SEALED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohann Sebastian Bach – The Goldberg Variations, BMV 988\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Glenn Gould (piano)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 SACD single layer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES (Digital Recording)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sony\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : CBS Masterwork\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eApril 22-25 and May 15, 19 \u0026amp; 29, 1981 \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eat CBS Recording Studios, New York\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by John Johnson, Martin Greenblatt, Ray Moore, Stan Tonkel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal session produced by Glenn Gould, Samuel H. Carter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissue Produced by Dixon Van Winkle, Louise De La Fuente\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCover Design by Henrietta Condak\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by Don Hunstein\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Notes by Samuel H. Carter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1982\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 1999\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eAria\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 1 A 1 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 2 A 1 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 3 A 1 Clav. Canone All'Unisono\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 4 A 1 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 5 A 1 Ovvero 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 6 A 1 Clav. Canone Alla Seconda\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 7 A 1 Ovvero 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 8 A 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 9 A 1 Clav. Canone Alla Terza\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 10 A 1 Clav. Fughetta\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 11 A 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 12 Canone Alla Quarta\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 13 A 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 14 A 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 15 A 1 Clav. Canone Alla Quinta\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 16 A 1 Clav. Ouverture\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 17 A 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 18 A 1 Clav. Canone Alla Sesta\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 19 A 1 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 20 A 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 21 Canone Alla Settima\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 22 A 1 Clav. Alla Breve\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 23 A 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 24 A 1 Clav. Canone All'Ottava\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 25 A 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 26 A 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 27 A 2 Clav. Canone Alla Nona\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 28 A 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 29 A 1 Ovvero 2 Clav.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVariatio 30 A 1 Clav. Quodlibet\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAria Da Capo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"While Glenn Gould's 1955 debut recording of Bach's Goldberg Variations has attained legendary status, there are many devoted fans who rank the 1981 recording just as highly, even though it offers a dramatically different interpretation. This album was made shortly before the pianist's premature death at age 50, so it is significant for being his last recording; indeed, the opening measures of the Aria are carved on Gould's headstone, in final recognition of the work's importance to him, so these two recordings may be regarded as bookends to the pianist's extraordinary career. Gould's tempos are slower and more measured in the 1981 performance, and the observance of some repeats here also differs from the earlier version. On the whole, the 1981 performance is reflective and carefully considered...\" AllMusic Review by Blair Sanderson\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4.8\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  ,  \u003c\/span\u003e\u003cspan\u003eAllMusic : 4.5 \/ 5\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56266817896783,"sku":"SS37779","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-10-28a19.07.33.png?v=1761674973"},{"product_id":"herbie-hancock-the-complete-columbia-album-collection-1972-1988","title":"Herbie Hancock – The Complete Columbia Album Collection 1972 - 1988 (34CD, Box Set)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerbie Hancock \u003ca title=\"vinyl featuring Herbie Hancock\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/herbie-hancock\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring Herbie Hancock]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e34 CDs, Box Set, \u003c\/strong\u003e\u003cstrong\u003e200 page book\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Sony Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Sony Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSextant\u003c\/strong\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e            \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-1\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Rain Dance\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-2\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Hidden Shadows\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-3\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Hornets\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eHead Hunters\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-1\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Chameleon\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-2\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Watermelon Man\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-3\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Sly\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2-4\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Vein Melter\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDedication\u003c\/strong\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-1\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Maiden Voyage\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-2\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Dolphin Dance\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-3\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Nobu\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3-4\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Cantaloupe Island\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eThrust\u003c\/strong\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-1\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Palm Grease\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-2\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Actual Proof\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-3\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Butterfly\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-4\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Spank-A-Lee\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDeath Wish \/ Original Soundtrack\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-1\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Death Wish (Main Title)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-2\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Joanna's Theme\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-3\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Do A Thing\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-4\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Paint Her Mouth\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-5\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Rich Country\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSuite Revenge\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:23\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-6a\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Striking Back\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-6b\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Riverside Park\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-6c\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003eHerbie Hancock–The Alley\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-6d\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Last Stop\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-6e\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–8th Avenue Station\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e-\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-7\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Ochoa Knose\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-8\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Party People\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e5-9\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Fill Your Hand\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFlood\u003c\/strong\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-1\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Introduction \u0026amp; Maiden Voyage\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-2\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Actual Proof\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-3\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Spank-A-Lee\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-4\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Watermelon Man\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-5\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Butterfly\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-6\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Chameleon\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e6-7\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Hang Up Your Hang Ups\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMan-Child\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-1\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Hang Up Your Hang Ups\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-2\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Sun Touch\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-3\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–The Traitor\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-4\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Bubbles\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-5\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Steppin' In It\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e7-6\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Heartbeat\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSecrets\u003c\/strong\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-1\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Doin' It\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-2\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–People Music\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-3\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Cantelope Island\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-4\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Spider\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-5\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Gentle Thoughts\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-6\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Swamp Rat\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e8-7\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Sansho Shima\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eV.S.O.P.\u003cspan style=\"mso-tab-count: 1;\"\u003e            \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-1\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Piano Introduction\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-2\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Maiden Voyage\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-3\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Nefertiti\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e9-4\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003eHerbie Hancock–Introduction Of Players \/ Eye Of The Hurricane\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Toys\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Introductions\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–You'll Know When You Get There\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Hang Up Your Hang Ups\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e10-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Spider\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eThe Herbie Hancock Trio\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eThe Herbie Hancock Trio–Watch It\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eThe Herbie Hancock Trio–Speak Like A Child\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eThe Herbie Hancock Trio–Watcha Waitin For\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eThe Herbie Hancock Trio–Look\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e11-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eThe Herbie Hancock Trio–Milestones\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eThe Quintet\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. –One Of A Kind\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. –Third Plane\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. –Jessica\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. –Lawra\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. –Darts\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. –Dolores\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. –Little Waltz\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e12-8\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. –Byrdlike\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTempest In The Colosseum\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Eye Of The Hurricane\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Diana\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Eighty-One\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Maiden Voyage\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Lawra\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e13-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Red Clay\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAn Evening With Herbie Hancock \u0026amp; Chick Corea In Concert\u003cspan style=\"mso-tab-count: 1;\"\u003e            \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock \u0026amp; Chick Corea–Someday My Prince Will Come\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock \u0026amp; Chick Corea–Liza\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e14-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock \u0026amp; Chick Corea–Button Up\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock \u0026amp; Chick Corea–February Moment\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock \u0026amp; Chick Corea–Maiden Voyage\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e15-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock \u0026amp; Chick Corea–La Fiesta\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSunlight\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–I Thought It Was You\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Come Running To Me\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Sunlight\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–No Means Yes\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e16-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Good Question\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFeets Don't Fail Me Now\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–You Bet Your Love\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Trust Me\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Ready Or Not\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Tell Everybody (Disco Mix)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Honey From The Jar\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Knee Deep\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e17-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Tell Everybody (Original Album Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDirectstep\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e18-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Butterfly\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e18-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Shiftless Shuffle\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e18-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–I Thought It Was You\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eThe Piano\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–My Funny Valentine\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–On Green Dolphin Street\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Someday My Prince Will Come\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Harvest Time\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Sonrisa\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Manhattan Island\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Blue Otani\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-8\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–My Funny Valentine (Alt Tk)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-9\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–On Green Dolphin Street (Alt Tk)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-10\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eHerbie Hancock–Harvest Time (Alt Tk)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e19-11\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eHerbie Hancock–Someday My Prince Will Come (Alt Tk)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLive Under The Sky\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e20-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Opening\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e20-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–The Eye Of The Hurricane\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e20-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Tear Drop\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e20-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Domo\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e20-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Para Oriente\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e20-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Pee Wee\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e20-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–One Of Another Kind\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e20-8\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Fragile\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Opening\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–The Eye Of The Hurricane\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Tear Drop\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Domo\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Para Oriente\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Pee Wee\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–One Of Another Kind\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21-8\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Fragile\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21-9\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Stella By Starlight\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e21-10\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eV.S.O.P. The Quintet–On Green Dolphin Street\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFive Stars\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e22-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Skagly [Original LP Version]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e22-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Finger Painting [Original LP Version]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e22-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Mutants On The Beach\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e22-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Circe\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e22-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Skagly [CD Version]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e22-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eV.S.O.P. The Quintet–Finger Painting [CD Version]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eButterfly\u003c\/strong\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e23-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eKimiko Kasai With Herbie Hancock–I Thought It Was You\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e23-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eKimiko Kasai With Herbie Hancock–Tell Me A Bedtime Story\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e23-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eKimiko Kasai With Herbie Hancock–Head In The Clouds\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e23-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eKimiko Kasai With Herbie Hancock–Maiden Voyage\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e23-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eKimiko Kasai With Herbie Hancock–Harvest Time\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e23-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eKimiko Kasai With Herbie Hancock–Sunlight\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e23-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eKimiko Kasai With Herbie Hancock–Butterfly\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e23-8\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eKimiko Kasai With Herbie Hancock–As\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMonster\u003c\/strong\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e          \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e24-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Saturday Night\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e24-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Stars In Your Eyes\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e24-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Go For It\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e24-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Don't Hold It In\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e24-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Making Love\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e24-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–It All Comes Round\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMr. Hands\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e25-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Spiraling Prism\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e25-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Calypso\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e25-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Just Around The Corner\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e25-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–4 AM\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e25-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Shiftless Shuffle\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e25-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Textures\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMagic Windows\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e26-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Magic Number\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e26-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Tonight's The Night\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e26-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Everybody's Broke\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e26-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Help Yourself\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e26-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Satisfied With Love\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e26-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–The Twilight Clone\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eHerbie Hancock Trio With Ron Carter + Tony Williams\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e27-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock Trio With Ron Carter + Tony Williams–Stablemates\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e27-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock Trio With Ron Carter + Tony Williams–Dolphin Dance\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e27-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock Trio With Ron Carter + Tony Williams–A Slight Smile\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e27-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock Trio With Ron Carter + Tony Williams–That Old Black Magic\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e27-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock Trio With Ron Carter + Tony Williams–La Maison Gorée\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eQuartet\u003c\/strong\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e           \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e28-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Well You Needn't\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e28-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–'Round Midnight\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e28-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Clear Ways\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e28-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–A Quick Sketch\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e28-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–The Eye Of The Hurricane\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e28-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Parade\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e28-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–The Sorcerer\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e28-8\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Pee Wee\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e28-9\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–I Fall In Love Too Easily\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLite Me Up\u003c\/strong\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003cstrong\u003e   \u003c\/strong\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e29-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Lite Me Up!\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e29-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–The Bomb\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e29-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Gettin' To The Good Part\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e29-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Paradise\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e29-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Can't Hide Your Love\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e29-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–The Fun Tracks\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e29-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Motor Mouth\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e29-8\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Give It All Your Heart\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFuture Shock\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e30-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Rockit\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e30-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Future Shock\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e30-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–TFS\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e30-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Earth Beat\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e30-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Autodrive\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e30-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Rough\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e30-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Rockit (Mega Mix)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSound-System\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e31-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Hardrock\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e31-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Metal Beat\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e31-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Karabali\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e31-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Junku\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e31-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–People Are Changing\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e31-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Sound-System\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e31-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Metal Beat [Extended Version]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVillage Life\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e32-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock And Foday Musa Suso–Moon \/ Light\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e32-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock And Foday Musa Suso–Ndan Ndan Nyaria\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e32-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock And Foday Musa Suso–Early Warning\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e32-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock And Foday Musa Suso–Kanatente\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRound Midnight \/ Original Motion Picture Soundtrack\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Round Midnight\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Body And Soul\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Bérangère's Nightmare\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Fair Weather\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Una Noche Con Francis\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–The Peacocks\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–How Long Has This Been Going On?\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-8\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Rhythm-A-Ning\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-9\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Still Time\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-10\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eHerbie Hancock–Minuit Aux Champs-Elysées\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e33-11\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003eHerbie Hancock–Chan's Song (Never Said)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePerfect Machine\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e34-1\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Perfect Machine\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e34-2\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Obsession\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e34-3\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Vibe Alive\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e34-4\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Beat Wise\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e34-5\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Maiden Voyage \/ P. Bop\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e34-6\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Chemical Residue\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e34-7\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Vibe Alive [Extended Dance Mix]\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e34-8\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003eHerbie Hancock–Beat Wise [12\" Edit]\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« Herbie Hancock recorded for Columbia between 1972 and 1988. During that period, between the label's American and Japanese divisions, he released 31 albums, both solo and with an astonishing variety of players in an equally breathtaking panorama of styles, from straight-ahead post-bop, to fusion, jazz-funk, disco, R\u0026amp;B, smooth jazz, and even hip-hop. Though Hancock had a celebrated career before signing to Columbia, it was his longest label association; and during his tenure there, he experienced his greatest commercial success and his name was etched permanently into the history of popular music. This box set contains 34 discs -- 28 single and three double albums -- all housed in handsome individual LP and gatefold sleeves. Among them are eight records never previously issued outside of Japan: the solo sans overdubs Dedication from 1974, Flood (Head Hunters band live, 1975); The Herbie Hancock Trio (with Ron Carter and Tony Williams, 1977); Tempest (with V.S.O.P, 1977), Directstep (a full band, live in the studio, direct-to-disc, 1978); Five Stars (V.S.O.P. studio, direct-to-disc, 1979), Butterfly (studio, with Kimiko Kasai, 1979), Herbie Hancock Trio with Ron Carter + Tony Williams (studio, 1981). Three more recordings, Sunlight (1978), Magic Windows (1981), and Lite Me Up (1982), have never been previously issued in the United States on compact disc. There are several historic albums in this batch, among them, Sextant, Head Hunters, V.S.O.P.: The Quintet, the Death Wish soundtrack, Future Shock, and more. Many of these dates, particularly those from the disco and post-disco R\u0026amp;B eras, such as Feets Don't Fail Me Now, and Monster, deserve reappraisal for what they are in and of themselves -- pop records. The same goes for the jazz-funk Man-Child and even the post-Monster, R\u0026amp;B, pop, and jazz experimentation that resulted in Mr. Hands. The accompanying booklet is 200 pages, divided into three sections. Its centerpiece is an exhaustive 5,500 word essay by noted musician, historian, and producer Bob Belden. In addition, there is an album-by-album commentary by Max Schlueter, Hancock's historian and discographer, as well as a complete discography by Richard Seidel, which includes lineups, detailed recording data, original release dates, chart positions, and a shorter discography of Hancock's pre-Columbia career. There is even a glossary of instrumentation and terminology used. There are loads of well-known and rare photographs and sidebar commentaries, including one on David Rubinson, who produced all but six of these records. While it's easy to note that a project of this size will likely only appeal to Hancock's most ardent fans, music historians, and librarians, it is also worth noting that inside The Complete Columbia Albums Collection 1972-1988 is a defining portrait of a musician so diverse, restless, and creative -- one who has been profiled, emulated, imitated, sampled, and compiled so often -- that there are few in his class. » AllMusic Review by Thom Jurek\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4.5 \/ 5 ,  Discogs 4.61 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56266935402831,"sku":"88697724082","price":275.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-10-28a17.55.23.png?v=1761670730"},{"product_id":"the-beatles-revolver-5cd","title":"The Beatles - Revolver (5CD, Slipcase box, Book)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Beatles \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-beatles\" title=\"vinyl featuring The Beatles\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring The Beatles]\u003c\/span\u003e\u003c\/a\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eJohn Lennon – lead, harmony and backing vocals; rhythm and acoustic guitars; Hammond organ, Mellotron, harmonium; tape loops, sound effects; tambourine, handclaps, finger snaps\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jOHN-LENNON\" title=\"vinyl featuring John Lennon\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl \/ CD featuring John Lennon]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePaul McCartney – lead, harmony and backing vocals; bass, rhythm and lead guitars; piano, clavichord; tape loops, sound effects; handclaps, finger snaps \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-mccartney\" title=\"vinyl featuring Paul McCarney\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Paul McCartney]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eGeorge Harrison – lead, harmony and backing vocals; lead, acoustic, rhythm and bass guitars; sitar, tambura; tape loops, sound effects; maracas, tambourine, handclaps, finger snaps \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-harrison\" title=\"vinyl featuring George Harrison\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl \/ CD featuring George Harrison]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRingo Starr – drums; tambourine, maracas, cowbell, shaker, handclaps, finger snaps; tape loops; lead and backing vocals on \"Yellow Submarine\" \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ringo-starr\" title=\"vinyl featuring Ringo Starr\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl \/ CD featuring Ringo Starr]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5 CDs, LP sized Box Set, each\u003c\/strong\u003e \u003cstrong\u003eCD is packaged in an individual cardboard sleeve in a LP-sized foldout cover. 100-page LP-sized hardback book. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono \u0026amp; Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Parlophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Parlophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 6 April – 21 June 1966 at EMI, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eEngineered by Geoff Emerick \u0026amp; \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eKen Townsend\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMixed by Giles Martin (1-1 to 1-14, 2-1 to 3-17, 5-1, 5-2), Sam OKell (1-1 to 1-14, 5-1, 5-2), Matthew Cocker (tracks: 2-1 to 3-17)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by George Martin (1-1 to 1-14, 4-1 to 5-3), Giles Martin (1-1 to 1-14, 5-1, 5-2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRemastered by Steve Rooke\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLiner Notes by Giles Martin, Kevin Howlett, Paul McCartney, Questlove\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eCover by Klaus Voormann\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePhotography by Robert Whitaker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in August 1966\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eDisc 1 -New Stereo Mix\u003cspan style=\"mso-tab-count: 1;\"\u003e         \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-1 : Taxman\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-2 : Eleanor Rigby\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-3 : I'm Only Sleeping\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-4 : Love You To\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-5 : Here, There And Everywhere\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-6 : Yellow Submarine\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-7 : She Said She Said\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-8 : Good Day Sunshine\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-9 : And Your Bird Can Sing\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-10 : For No One\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-11 : Doctor Robert\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-12 : I Want To Tell You\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-13 : Got To Get You Into My Life\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1-14 : Tomorrow Never Knows\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eDisc 2 -Sessions One\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-1 : Tomorrow Never Knows (Take 1)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-2 : Tomorrow Never Knows (Mono Mix RM 11)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-3 : Got To Get You Into My Life (First Version - Take 5)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-4 : Got To Get You Into My Life (Second Version - Unnumbered Mix)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-5 : Got To Get You Into My Life (Second Version - Take 8)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-6 : Love You To (Take 1)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-7 : Love You To (Unnumbered Rehearsal)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-8 : Love You To (Take 7)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-9 : Paperback Writer (Takes 1 And 2 - Backing Track)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-10 : Rain (Take 5 - Actual Speed)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-11 : Rain (Take 5 - Slowed Down For Master Tape)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-12 : Doctor Robert (Take 7)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-13 : And Your Bird Can Sing (First Version - Take 2)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2-14 : And Your Bird Can Sing (First Version - Take 2) (Giggling)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eDisc 3 -Sessions Two\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-1 : And Your Bird Can Sing (Second Version - Take 5)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-2 : Taxman (Take 11)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-3 : I’m Only Sleeping (Rehearsal Fragment)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-4 : I’m Only Sleeping (Take 2)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-5 : I’m Only Sleeping (Take 5)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-6 : I’m Only Sleeping (Mono Mix RM1)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-7 : Eleanor Rigby (Speech Before Take 2)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-8 : Eleanor Rigby (Take 2)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-9 : For No One (Take 10 - Backing Track)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-10 : Yellow Submarine (Songwriting Work Tape - Part 1)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-11 : Yellow Submarine (Songwriting Work Tape - Part 2)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-12 : Yellow Submarine (Take 4 Before Sound Effects)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-13 : Yellow Submarine (Highlighted Sound Effects)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-14 : I Want To Tell You (Speech And Take 4)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-15 : Here, There And Everywhere (Take 6)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-16 : She Said She Said (John’s Demo)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3-17 : She Said She Said (Take 15 - Backing Track Rehearsal)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eDisc 4 - Original Mono Master\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-1 : Taxman\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-2 : Eleanor Rigby\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-3 : I’m Only Sleeping\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-4 : Love You To\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-5 : Here, There And Everywhere\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-6 : Yellow Submarine\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-7 : She Said She Said\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-8 : Good Day Sunshine\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-9 : And Your Bird Can Sing\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-10 : For No One\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-11 : Doctor Robert\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-12 : I Want To Tell You\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-13 : Got To Get You Into My Life\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4-14 : Tomorrow Never Knows\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDisc 5 - Revolver EP\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e5-1 : Paperback Writer (Stereo)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e5-2 : Rain (Stereo)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e5-3 : Paperback Writer (Mono)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e5-4 : Rain (Mono)\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Ranked 11\/500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThis Special Edition of The Beatles' Revolver features a new mix by Giles Martin and Sam Okell, plus the original mono mix, a 4-track EP, 31 session takes and home demos, a 100-page book with a foreword by Paul McCartney, an essay by Questlove, detailed track notes, photos and ephemera including handwritten lyrics, tape boxes and extracts from Klaus Voormann's graphic novel on the making of the cover art. On 5 CDs in a 12.56\" x 12.36\" slipcase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker \"Taxman\"; the jaunty yet dissonant \"I Want to Tell You\"; and \"Love You To,\" George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was \"Doctor Robert,\" an ode to his dealer, and things just got stranger from there as he buried \"And Your Bird Can Sing\" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in \"Yellow Submarine,\" and then capped it off with a triptych of bad trips: the spiraling \"She Said She Said\"; the crawling, druggy \"I'm Only Sleeping\"; and \"Tomorrow Never Knows,\" a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop\/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 ; Discogs : 4.86 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56268953911631,"sku":"4559941","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/The_Beatles_-_Revolver_1.jpg?v=1762460747"},{"product_id":"billy-joel-piano-man-50th-anniversary-deluxe-edition-hybrid-sacd-japanese-edition","title":"Billy Joel - Piano Man - 50th Anniversary Deluxe Edition (Hybrid SACD, Blu-spec CD2, DVD NTSC, Japanese Edition)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Joel – vocals, acoustic and electric pianos, organ, harmonica \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/billy-joel\" title=\"vinyl featuring billy joel\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Billy Joel]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Omartian – accordion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Bennett – guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Carlton – guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDean Parks – guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEric Weissberg – banjo, pedal steel guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFred Heilbrun – banjo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWilton Felder – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmory Gordy Jr. – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRon Tutt – drums (Hybrid SACD : 1 to 9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRhys Clark – drums (\u003cmeta charset=\"utf-8\"\u003eHybrid SACD : 10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Armstrong – violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaura Creamer – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMark Creamer – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSusan Steward – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Michael Omartian (\u003cmeta charset=\"utf-8\"\u003eHybrid SACD : 1-4, 6-10), Jimmie Haskell (\u003cmeta charset=\"utf-8\"\u003eHybrid SACD : 5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll songs written by Billy Joel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD \u0026amp; Blue Spec CD2 \u0026amp; DVD NTSC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 7'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sony Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded September 1973 at Devonshire Sound Studios, Los Angeles, California\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Ron Malo            \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Michael Stewart\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Rob LoVerde\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in November 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTravelin' Prayer\u003c\/li\u003e\n\u003cli\u003ePiano Man\u003c\/li\u003e\n\u003cli\u003eAin't No Crime\u003c\/li\u003e\n\u003cli\u003eYou're My Home\u003c\/li\u003e\n\u003cli\u003eThe Ballad of Billy the Kid\u003c\/li\u003e\n\u003cli\u003eWorse Comes to Worst\u003c\/li\u003e\n\u003cli\u003eStop in Nevada\u003c\/li\u003e\n\u003cli\u003eIf I Only Had the Words (To Tell You)\u003c\/li\u003e\n\u003cli\u003eSomewhere Along the Line\u003c\/li\u003e\n\u003cli\u003eCaptain Jack\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col start=\"7\"\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlue-spec CD2\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003ePiano Man (Single Edit)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTravelin' Prayer (Live At Sigma Sound Studios, April 15, 1972, WMMR Radio, Philadelphia, PA)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Ballad Of Billy The Kid (Live At Sigma Sound Studios, April 15, 1972, WMMR Radio, Philadelphia, PA)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCaptain Jack (Live At Sigma Sound Studios, April 15, 1972, WMMR Radio, Philadelphia, PA)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eJosephine (Demo 1972)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eOyster Bay (Demo 1973)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePiano Man (Demo 1973)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Siegfried Line (Demo 1973)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eNew Mexico (Demo 1973)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCross To Bear (Demo 1974)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSo Long. Reverend Ike\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSomewhere Along The Line (Live At The Great American Music Hall - 1975)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eYou're My Home (Live At The Great American Music Hall - 1975)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTravelin' Prayer (Live At The Great American Music Hall - 1975)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Ballad Of Billy The Kid (Live At The Great American Music Hall - 1975)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAin't No Crime (Live At The Great American Music Hall - 1975)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDVD\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003ePiano Man (1974 Original Music Video)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePiano Man (Official Music Video)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePiano Man (Live From Billy Joel Tonight - Connecticut 1976)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eYou're My Home (Live From Billy Joel Tonight - Connecticut 1976)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Ballad Of Billy The Kid (Live From Billy Joel Tonight - Connecticut 1976)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCaptain Jack (Live From Billy Joel Tonight - Connecticut 1976)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAin't No Crime (Live From Old Gray Whistle Test 1978)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eYou're My Home (Live At Sparks 1981)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePiano Man (Live From Long Island Nassau Coliseum 1982)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Ballad Of Billy The Kid (Live From \"The River Of Dreams\" Tour 1994)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eEverybody Loves You Now (Official Video 1971)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Songs of All Time - Ranked 429\/500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“Embittered by legal disputes with his label and an endless tour to support a debut that was dead in the water, Billy Joel hunkered down in his adopted hometown of Los Angeles, spending six months as a lounge singer at a club. He didn't abandon his dreams -- he continued to write songs, including \"Piano Man,\" a fictionalized account of his weeks as a lounge singer. Through a combination of touring and constant hustling, he landed a contract with Columbia and recorded his second album in 1973. Clearly inspired by Elton John's Tumbleweed Connection, not only musically but lyrically, as well as James Taylor, Joel expands the vision and sound of Cold Spring Harbor, abandoning introspective numbers (apart from \"You're My Home,\" a love letter to his wife) for character sketches and epics. Even the title track, a breakthrough hit based on his weeks as a saloon singer, focuses on the colorful patrons, not the singer. If his narratives are occasionally awkward or incomplete, he compensates with music that gives the songs a sweeping sense of purpose -- they feel complete, thanks to his indelible melodies and savvy stylistic repurposing. He may have borrowed his basic blueprint from Tumbleweed Connection, particularly with its Western imagery and bluesy gospel flourishes, but he makes it his own, largely due to his melodic flair, which is in greater evidence than on Cold Spring Harbor. Piano Man is where he suggests his potential as a musical craftsman. He may have weaknesses as a lyricist -- such mishaps as the \"instant pleasuredome\" line in \"You're My Home\" illustrate that he doesn't have an ear for words -- but Piano Man makes it clear that his skills as a melodicist can dazzle.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdditional information:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eTo commemorate the 50th anniversary, Billy Joel's \"Piano Man\" becomes available as SA-CD Multi Hybrid edition for the first time in the world.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe 4-channel SACD layer is a high-quality surround mix of the quadraphonic LP analog 4-channel mix master source, mastered in DSD for the first time at Sony Music Studio in Japan. The 2-channel SACD layer is a high-quality stereo mix newly DSD-mastered from the analog 2-channel mix master source, and the CD layer is a newly mastered source converted from the SACD DSD master to PCM.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn addition, DISC2 (high quality Blu-spec CD2) contains many unreleased demos and rare live recordings from the \"Piano Man\" period, including 7 songs that have never been released on CD before. DISC3 (DVD) contains rare live\/music video footage, including eight songs that have never been released on DVD before.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePlus, this set comes with a US press kit from 1973, a \"Piano Man\" Japanese 7inch single jacket, 4 types of reissued replicas of Japanese LP obis, and other rare memorabilia. 7inch cardboard sleeve packaging with lyrics and a description.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.92 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56439105126735,"sku":"SICP-10151","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-11-17a09.25.03.png?v=1763368207"},{"product_id":"audiophile-hi-res-system-test","title":"Audiophile Hi-Res System Test (CD)","description":"\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eNarration by Yaël Brandeis\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD - Test Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : made in Canada\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : 2XHD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : 2XHD\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.5pt; line-height: 115%; font-family: 'Helvetica Neue'; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; color: black; letter-spacing: .1pt; mso-font-kerning: 0pt; mso-ligatures: none; mso-fareast-language: FR;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMastered by René Laflamme\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eExecutive Producer - André Perry\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally Released\u003c\/span\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e in 2016\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eReissued in 2025\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePresentation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJazz Group Live - Ref: Jazz Club Ambiance (Late Night – Jazz at the Pawnshop)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTwelve Guitars, One Double-Bass - Ref: Medium Size Church Natural Acoustics with 2.4 Sec. Reverb (Forestare – Baroque)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePercussion 1 - Ref: Voice and Bass – Concert Hall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eVoice and Jazz Group - Ref: Studio Recording (Holly Cole)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHarp - Ref: Timbre – Vintage Concert Hall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJazz Bass \u0026amp;amp; Piano - Ref: Bass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePiano - Ref: Steinway Piano\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBassoon - Ref: Timbre\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eViolin Concerto - Ref: Stradivarius Violin, Timbre – Concert Hall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBaroque Music\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eChildren Choir - Ref: Choir – Church\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOrgan - Ref: Bass and Timbre\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePiano - Ref: Fazioli PIano\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHarpsichord - Ref: Timbre, Jeu de Luth – Small Room\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePercussion 2 - Djembe Drum - Ref: Bass Response – Concert Hall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePercussion #3 TO BE PLAYED AT MEDIUM LEVEL - Ref: Extreme Dynamics – Concert Hall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eXylophone - Ref: Timbre, Dynamics\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGlockenspiel - Ref: Timbre, High Harmonics\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePiano, Vibraphone - Ref: Dynamic Imaging\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePercussion 4 - Ref: High Frequency Imaging\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTimpani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTest Presentation - Channel Identification\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLeft Channel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRight Channel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePhasing Test, In-Phase\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePhasing Test, Out-of-Phase\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePresentation, Sound Perspective\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBells, Center at 6'\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBells, Left at 6'\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBells, Right at 6'\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBells, Left at 18'\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBells, Center at 18'\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBells, Right at 18'\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTone Presentation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e10Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e20Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e25Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e31.5Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e40Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e50Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e63Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e80Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e100Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e125Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e160Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e200Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e250Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e315Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e400Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e500Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e630Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e800Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e1000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e1500Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e1600Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e2000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e2500Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e3150Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e4000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e5000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e6300Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e8000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e10000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e12500Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e16000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e20000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e25000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e32000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e40000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e50000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e64000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e80000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e96000Hz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBurn-In Track Presentation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBurn-In Track - This track will help you to break-in any component of your system much faster. Play that track in repeat mode at a normal to low volume due to a full frequency response\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4.5\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56581031428431,"sku":"2HDCD1274","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-09a09.05.18.png?v=1765267717"},{"product_id":"ana-caram-blue-bossa-1step-copy","title":"Ana Caram – Blue Bossa (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal - Ana Caram\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Paolo Braga\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Nelson Faria\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSaxophone \u003c\/span\u003e– Paulo Levi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – David Finck (\u003c\/strong\u003e\u003cstrong\u003e1, 3-5,6, 7, 9, 10), Joe Fitzgerald (2, 8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Cliff Korman (5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Cliff Korman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Chesky Records\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Saint Peter's Church, Chelsea, NYC March 6-8, 2001\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Barry Wolifson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Rick Eckerle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by David Chesky, Cliff Korman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExecutive-Producer – Norman Chesky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Nicholas Prout\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by Dirk Vandenberk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2001\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2025\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDesafinado\u003c\/li\u003e\n\u003cli\u003eBlue Bossa\u003c\/li\u003e\n\u003cli\u003eTriste\u003c\/li\u003e\n\u003cli\u003eCorcovado\u003c\/li\u003e\n\u003cli\u003eSo Tinha de Ser Com Você\u003c\/li\u003e\n\u003cli\u003eInutil Paisagem\u003c\/li\u003e\n\u003cli\u003eFly Me to the Moon\u003c\/li\u003e\n\u003cli\u003eAnjo de Mim\u003c\/li\u003e\n\u003cli\u003eThe Telephone Song\u003c\/li\u003e\n\u003cli\u003eSo Por Amor\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Ana Caram is an excellent singer and guitarist of Brazilian music, but this set lacks any real surprises. She only plays guitar on one song, sticking to singing while being backed by a rhythm section and the saxophones of Paulo Levi. The selections all date from the 1960s (other than her original \"Pura Luz\") and Caram is mostly cast in the role of Astrud Gilberto, performing Jobim tunes (including \"Desafinado,\" \"Corcovado,\" and \"Triste\") and other tunes from the era, including \"Blue Bossa,\" \"Fly Me to the Moon,\" and Baden Powell's \"So Por Amor.\" The results are pleasant but very predictable, with no real chances being taken nor any fresh light shone on the veteran warhorses.” AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllMusic : 4 \/ 5 ; \u003c\/span\u003eDiscogs : 4 \/ 5\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56596353024335,"sku":"EVLP045BL","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/AnaCaram_BlueBossa3.jpg?v=1765543637"},{"product_id":"paquito-drivera-portraits-of-cuba-hybrid-sacd","title":"Paquito D'Rivera - Portraits of Cuba (Hybrid SACD)","description":"\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAlto Saxophone, Clarinet, Soprano Saxophone – Paquito D'Rivera\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by: Jose White (1), M. Sunshine (2), M. Simmons (2), W. Gilbert (2), Eduardo Sanchez De Fuentes (3), Cesar Portillo De La Luz (4), Rene Touzet (5), Ernesto Grenet (6), Paquito D'Rivera (7, 8, 12), Carlos Franzetti (9), Ernesto Lecuona (10), Ignacio Piñeiro (11), E. Daniel (13), H. Adamson (13)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1 Hybrid Stereo SACD \u003c\/span\u003ewith new liner notes in an 20 page booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOriginal  Master Tape : YES\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eStereo\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eLive\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eLabel: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eChesky Records\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOriginal Label: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eChesky Records\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cspan\u003eRecorded by Bob Katz at St. Peter's Church New York City on February 6 \u0026amp; 7, 1996\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by David Chesky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastered by Nicholas Prout\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOriginally released in 1996\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eReissued in November 2025\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eLa Bella Cubana\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Peanut Vendor\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTú\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTú, Mi Delirio\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eNo Te Importe Saber\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDrume Negrita\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePortraits Of Cuba\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eExcerpt From \"Aires Tropicales\"\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMariana\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eComo Arrullo De Palmas\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eEchale Salsita\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSong To My Song\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTheme From \"I Love Lucy\"\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\" \u003c\/span\u003eBecause Paquito D'Rivera is such a compelling improviser, one greets a heavily arranged and orchestrated session like Portraits of Cuba with some apprehension. But as it turns out, such apprehension is unwarranted, for the Cuban saxman\/clarinetist still has enough room to solo and say what needs to be said. With this 1996 session, which was arranged and conducted by Carlos Franzetti and finds D'Rivera backed by combinations of up to 14 musicians, D'Rivera envisioned an Afro-Cuban equivalent of Miles Davis' Sketches of Spain -- and, to be sure, there are some parallels. Franzetti's classical-influenced arrangements recall Gil Evans' work with Davis, and D'Rivera paints an orchestral jazz picture of Cuba much as Davis painted an orchestral jazz picture of Spain. The key phrase here is \"jazz picture\" -- D'Rivera approaches famous Cuban songs like Ignacio Pineiro's \"Echale Salsita\" and Ernesto Lecuona's \"Como Arrullo de Palmas\" from an instrumental jazz perspective; this is jazz with both Afro-Cuban and classical elements, but it's jazz first and foremost. Recorded in New York around the time of the infamous Blizzard of 1996 -- which dumped up to three feet of snow on parts of the Northeastern U.S. -- Portraits of Cuba is among D'Rivera's most essential recordings. » AllMusic Review by Alex Henderson\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56597137850703,"sku":"EVSA3271S","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-11a14.15.32.png?v=1765459060"},{"product_id":"ana-caram-rio-after-dark-hybrid-sacd","title":"Ana Caram – Rio After Dark (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Vocals – Ana Caram\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChorus – Beso Cerqueira (4), Mary Kent (4), Steve Kaiser (4), Steve Sacks (4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Antonio Carlos Jobim (3,7), David Chesky (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAlto Flute – Steve Sacks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePaquito D'Rivera - Alto Saxophone (6), Clarinet (10), \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – David Finck\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar – Bill Washer (6,11)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePercussion – Café\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eArranged by Ana Caram\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLyrics by Steve Sacks (1), Djavan (2, 11), Norman Gimbel (3), Newton Mendonça (3), Capinan (4), Célia Vaz (5), Marco Aurélio (5, 9), Márcio Proença (5), Galen Brandt (6), Paulo Jobim (7), Chico Buarque De Hollanda (8), Ana Caram (9), Aldir Blanc (9), Alvaiade (10), Zé Maria (10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMusic by David Chesky (1, 6), Djavan (2, 11), Antonio Carlos Jobim (3, 8), Edu Lobo (4), Célia Vaz (5), Marco Aurélio (5, 9), Márcio Proença (5), Paulo Jobim (7), Ana Caram (9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chesky Records - Chesky Original Masters Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Chesky Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eArranged by Ana Caram, David Chesky, Steve Sacks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by David Chesky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRecorded by \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003eBob Katz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRecorded at RCA Studio A, New York City, on April 6, 7 and 18, 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOriginally released in 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReissued in 2025 \u003c\/strong\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eRio After Dark\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAlagoas\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMeditation\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eViola Fora De Moda\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSem Lengenda\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSummer Days\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLa Cumbia\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAnos Dourados (Looks Like December)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eRenovacao\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eO Que Vier Eu Traco\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSerrado\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews : \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« In stylistic terms, large portions of Ana Caram's first U.S. album could easily have been recorded in 1962; it's as if time had stood perfectly still since \"Desafinado\" became a hit. Yet this is all for the good for this Antonio Carlos Jobim protegé, who can comfortably give material by the more contemporary writer Djavan, and even Carole King's \"You've Got a Friend,\" the bossa nova treatment. Like most seductive Brazilian female singers, Caram is just a bit off-pitch and gets away with it. She also plays guitar skillfully in the Joao Gilberto rhythmic manner, and occasionally writes her own tunes (\"Renovacao,\" \"Rainbow\") in an attractive classic bossa nova idiom. The revered Jobim sits in on piano and contributes a few vocal harmonies on two of his songs (\"Meditation,\" \"Anos Dourados\"); the Chesky recording also diligently picks up his groaning. Paquito D'Rivera chirps on clarinet in the tongue-twisting \"O Que Vier Eu Traco\" and turns up on alto sax on Paulo Jobim's first-rate \"La Cumbia,\" phrasing in the lilting Getz manner though he can't help but slip in a bop run or two. Steve Sacks plays low-key, moaning alto flute on several tracks, and Carlos Alberto de Oliveira and Café handle the delicate percussion. The production is typical low-key, spare-textured, painstakingly recorded Chesky fare -- and unreconstructed bossa nova fans need not hesitate. » AllMusic Review by Richard S. Ginell\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56597668331855,"sku":"EVSA3074S","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-11a15.02.19.png?v=1765478171"},{"product_id":"doug-macleod-between-somewhere-and-goodbye-hybrid-sacd-mono-analogue-productions-copy","title":"Doug MacLeod – Between Somewhere And Goodbye (Hybrid SACD)","description":"\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eVocals, Acoustic Guitar : Doug MacLeod (1–11)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDrums, Percussion, Tambourine, Shaker : Lynn Williams (1–11)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eElectric Bass, Double Bass (Upright Bass) : Paul Ossola (1–7, 9–11)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eElectric Piano (Wurlitzer), Piano, Electric Organ (Hammond B3) : Mark T. Jordan (3, 5, 10)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAcoustic Guitar : Andreas Werner (2) (1, 4)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHarmony Vocals : The Shoals Sisters (2) (1, 3, 5)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHarmony Vocals : Carla Russell (1, 3, 5), Cindy Walker (3) (1, 3, 5), Marie Lewey (1, 3, 5)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Doug MacLeod (all tracks), Danny Jesser (9), Bruce Bromberg (11)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Reference Recordings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Reference Recordings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded January 23-25, 2024 at Creative Workshop, Nashville, Tennessee\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eEngineered by Joe Funderburk\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by Andreas Werner\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMastered by Sean Royce Martin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eArt Direction by JoAnn Nunes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eCover Painting by Matthew Hasty\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMemphis In Your Soul\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBetween Somewhere And Goodbye\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eKeep On Walking On\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHard Times\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoll Like A River\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eI Ain’t No Stranger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOne Rib Dhort\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThe Seen And The Unseen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEven Angels Get Too Sad To Fly\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eI Don’t Like Your Chances\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWatching The Sun Go Down\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cheader\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/header\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\" Since the mid-1980s, American singer, guitarist and songwriter Doug MacLeod has been delighting the blues world with outstanding albums. His warm, soulful voice, virtuoso guitar playing and excellent storytelling have earned him not only a loyal fan base worldwide, but also several Blues Music Awards. For “Between Somewhere And Goodbye,” his sixth album for Reference Recordings, the artist, who is also extremely popular in audiophile circles, teamed up with producer Andreas Werne and sound engineer Joe Funderburk at Creative Workshop Studio in Nashville, as well as mastering engineer Sean Royce Martin from Reference Recordings. On his latest release, MacLeod presents eleven exciting compositions, which he performs both solo and with renowned musicians from Nashville. Blues Music Magazine writes about “Between Somewhere And Goodbye”: “Like all great blues musicians, MacLeod lives his music, and the songs are not just on his fingertips and his tongue, they are one with his being.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“This album is a little different from my other albums,” says Doug MacLeod. “Oh, there's blues, humor, and even a touch of soul. And... there's a theme that runs through many of the songs.” Together with the “Funky Chester Rhythm Section” – consisting of drummer Lynn Williams, Mark T. Jordan (piano, Wurlitzer electric piano, Hammond B3), bassist Paul Ossola and the Shoals Sisters (vocals) – who have worked with musicians such as Bonnie Raitt, John Hiatt, Levon Helm, Delbert McClinton, Lyle Lovett, Van Morrison, Buddy Guy and the Saturday Night Live Band, MacLeod paints a fascinating portrait of his new home with his Waterloo WLS Deluxe and vintage Gibson. Since moving to Memphis, Tennessee, the mighty Mississippi has had a major influence on his life and songwriting. Incidentally, the cover features a painting of the iconic Hernando de Soto Bridge, created especially for this album by artist Matthew Hasty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56640153026895,"sku":"FR760","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-16a11.17.44.png?v=1765880420"},{"product_id":"eagles-eagles-cd-edition-japonaise","title":"Eagles - Eagles (CD, Japanese Edition)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring Eagles\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eagles\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Eagles \u003ca title=\"vinyl featuring Eagles\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eagles\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring Eagles]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlenn Frey – vocals, guitars, slide guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Henley – vocals, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBernie Leadon – vocals, guitars, banjo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRandy Meisner – vocals, bass guitar \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, paper sleeve with OBI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLimited edition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eMade in Japan\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eAsylum Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Asylum Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded February 1972 at Olympic Studios, London, except \"Nightingale\" recorded at Wally Heider Recording, Hollywood, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced \u0026amp; Engineered by Glyn Johns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastered by Barry Diament\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2004\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake It Easy\u003c\/li\u003e\n\u003cli\u003eWitchy Woman\u003c\/li\u003e\n\u003cli\u003eChug All Night\u003c\/li\u003e\n\u003cli\u003eMost Of Us Are Sad\u003c\/li\u003e\n\u003cli\u003eNightingale\u003c\/li\u003e\n\u003cli\u003eTrain Leaves Here This Morning\u003c\/li\u003e\n\u003cli\u003eTake The Devil\u003c\/li\u003e\n\u003cli\u003eEarlybird\u003c\/li\u003e\n\u003cli\u003ePeaceful Easy Feeling\u003c\/li\u003e\n\u003cli\u003eTryin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb\u003eRolling Stone 500 Greatest Albums of All Time - Ranked 207\/500\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 262\u003c\/strong\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Balance is the key element of the Eagles' self-titled debut album, a collection that contains elements of rock \u0026amp; roll, folk, and country, overlaid by vocal harmonies alternately suggestive of doo wop, the Beach Boys, and the Everly Brothers. If the group kicks up its heels on rockers like \"Chug All Night,\" \"Nightingale,\" and \"Tryin',\" it is equally convincing on ballads like \"Most of Us Are Sad\" and \"Train Leaves Here This Morning.\" The album is also balanced among its members, who trade off on lead vocal chores and divide the songwriting such that Glenn Frey, Bernie Leadon, and Randy Meisner all get three writing or co-writing credits. (Fourth member Don Henley, with only one co-writing credit and two lead vocals, falls a little behind, while Jackson Browne, Gene Clark, and Jack Tempchin also figure in the writing credits.) The album's overall balance is worth keeping in mind because it produced three Top 40 hit singles (all of which turned up on the massively popular Eagles: Their Greatest Hits 1971-1975) that do not reflect that balance. \"Take It Easy\" and \"Peaceful Easy Feeling\" are similar-sounding mid-tempo folk-rock tunes sung by Frey that express the same sort of laid-back philosophy, as indicated by the word \"easy\" in both titles, while \"Witchy Woman,\" a Henley vocal and co-composition, initiates the band's career-long examination of supernaturally evil females. These are the songs one remembers from Eagles, and they look forward to the eventual dominance of the band by Frey and Henley. But the complete album from which they come belongs as much to Leadon's country-steeped playing and singing and to Meisner's melodic rock \u0026amp; roll feel, which, on the release date, made it seem a more varied and consistent effort than it did later, when the singles had become overly familiar.\" \u003cspan\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Eagles was recorded at London's Olympic Studios with seasoned producer\/engineer Glyn Johns at the helm. The result was a sonically compelling and richly textured recording, and MoFi's SACD excellent mastering provides superb detail, open dynamics, and extension, It's a bit dryer on top in comparison to the original LP, which, characteristic of that analog era, also has the slight advantage in acoustic warmth and texture. Nonetheless, and now 50 years on, a great effort by Mobile Fidelity.” Neil Gader, The Absolute Sound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; Discogs : 4.35 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56704474251599,"sku":"WPCR-11932","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Capture_d_ecran_2025-12-27_a_16.39.37.png?v=1766850094"},{"product_id":"eagles-on-the-border-cd-japanese-edition","title":"Eagles – On The Border (CD, Japanese Edition)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"vinyl featuring Eagles\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eagles\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e[click here to see more products featuring Eagles]\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlenn Frey – vocals; acoustic rhythm guitar; electric rhythm guitar; lead guitar; slide guitar; piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Henley – vocals, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBernie Leadon – vocals; lead, acoustic and rhythm guitars; banjo; pedal steel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRandy Meisner – vocals, bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Felder – lead guitar on “Already Gone” and slide guitar on “Good Day in Hell” (credited as \"late arrival\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAl Perkins – pedal steel guitar (on \"Ol' 55\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Jack Tempchin (1), Robb Strandlund (1), Don Henley (2, 5, 6, 9, 10), J.D. Southern (2, 6, 10), Paul Craft (3), Bernie Leadon (3, 4), Glenn Frey (5, 6, 9, 10), Jackson Browne (6), Tom Waits (7), Randy Meisner (8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e CD, paper sleeve with OBI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLimited edition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eMade in Japan\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eAsylum Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Asylum Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Record Plant Studios, Los Angeles and Olympic Studios, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Bill Szymczyk (1, 3 to 9), Glyn Johns (2, 10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMixed by Bill Szymczyk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ted Jensen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eProduced by Bill Szymczyk (1, 3 to 9), Glyn Johns (2, 10)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1974\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2004\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAlready Gone\u003c\/li\u003e\n\u003cli\u003eYou Never Cry Like A Lover\u003c\/li\u003e\n\u003cli\u003eMidnight Flyer\u003c\/li\u003e\n\u003cli\u003eMy Man\u003c\/li\u003e\n\u003cli\u003eOn The Border\u003c\/li\u003e\n\u003cli\u003eJames Dean\u003c\/li\u003e\n\u003cli\u003eOl' 55\u003c\/li\u003e\n\u003cli\u003eIs It True\u003c\/li\u003e\n\u003cli\u003eGood Day In Hell\u003c\/li\u003e\n\u003cli\u003eThe Best Of My Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“The Eagles began recording their third album in England with producer Glyn Johns, as they had their first two albums, but abandoned the sessions after completing two acceptable tracks. Johns, it is said, tended to emphasize the group's country elements and its harmonies, while the band, in particular Glenn Frey and Don Henley, wanted to take more of a hard rock direction. They reconvened with a new producer, Bill Szymczyk, who had produced artists like B.B. King and, more significantly, Joe Walsh. But the resulting album is not an outright rock effort by any means. Certainly, Frey and Henley got what they wanted with \"Already Gone,\" the lead-off track, which introduces new bandmember Don Felder as one part of the twin guitar solo that recalls the Allman Brothers Band; \"James Dean,\" a rock \u0026amp; roll song on the order of \"Your Mama Don't Dance,\" and \"Good Day in Hell,\" which is strongly reminiscent of Joe Walsh songs like \"Rocky Mountain Way.\" But the album also features the usual mixture of styles typical of an Eagles album. For example, \"Midnight Flyer,\" sung by Randy Meisner, is modern bluegrass; \"My Man\" is Bernie Leadon's country-rock tribute to the recently deceased Gram Parsons; and \"Ol' 55\" is one of the group's well-done covers of a tune by a singer\/songwriter labelmate, in this case Tom Waits. The title track, meanwhile, points the band in a new R\u0026amp;B direction that was later pursued more fully. Like most successful groups, the Eagles combined many different elements, and their third album, which looked back to their earlier work and anticipated their later work, was a transitional effort that combined even more styles than most of their records did.” AllMusic Review by William Ruhlmann\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllMusic : 3 \/ 5 , Discogs : 4,6 \/ 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56704522879311,"sku":"WPCR-11934","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-27a16.54.13.png?v=1766850967"},{"product_id":"eagles-desperado-cd-japanese-edition","title":"Eagles - Desperado (CD, Japanese Edition)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring Eagles\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eagles\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEagles \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring Eagles\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eagles\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring Eagles]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlenn Frey – acoustic and electric guitars, vocals; keyboards, harmonica\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Henley – drums, vocals; acoustic guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBernie Leadon – electric and acoustic guitars, vocals; banjo, mandolin, dobro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRandy Meisner – bass guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e1 CD, Paper Sleeve with OBI\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLimited edition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eMade in Japan\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eAsylum Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Asylum Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1973 at Island Studios, London\u003c\/strong\u003e\u003cstrong\u003e by Glyn Johns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced \u0026amp; Engineered by Glyn Johns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastered by Barry Diament\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2004\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDoolin-Dalton\u003c\/li\u003e\n\u003cli\u003eTwenty-One\u003c\/li\u003e\n\u003cli\u003eOut of Control\u003c\/li\u003e\n\u003cli\u003eTequila Sunrise\u003c\/li\u003e\n\u003cli\u003eDesperado\u003c\/li\u003e\n\u003cli\u003eCertain Kind of Fool\u003c\/li\u003e\n\u003cli\u003eOutlaw Man\u003c\/li\u003e\n\u003cli\u003eSaturday Night\u003c\/li\u003e\n\u003cli\u003eBitter Creek\u003c\/li\u003e\n\u003cli\u003eDoolin-Dalton (Reprise)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"If Don Henley was the sole member of the Eagles underrepresented on their debut album, Eagles, with only two lead vocals and one co-songwriting credit, he made up for it on their follow-up, the \"concept\" album Desperado. The concept had to do with Old West outlaws, but it had no specific narrative. On Eagles, the group had already begun to marry itself to a Southwest sound and lyrical references, from the Indian-style introduction of \"Witchy Woman\" to the Winslow, AZ, address in \"Take It Easy.\" All of this became more overt on Desperado, and it may be that Henley, who hailed from Northeast Texas, had the greatest affinity for the subject matter. In any case, he had co-writing credits on eight of the 11 selections and sang such key tracks as \"Doolin-Dalton\" and the title song. What would become recognizable as Henley's lyrical touch was apparent on those songs, which bore a serious, world-weary tone. Henley had begun co-writing with Glenn Frey, and they contributed the album's strongest material, which included the first single, \"Tequila Sunrise,\" and \"Desperado\" (strangely never released as a single). But where Eagles seemed deliberately to balance the band's many musical styles and the talents of the band's members, Desperado, despite its overarching theme, often seemed a collection of disparate tracks -- \"Out of Control\" was a raucous rocker, while \"Desperado\" was a painfully slow ballad backed by strings -- with other bandmembers' contributions tacked on rather than integrated. Randy Meisner was down to two co-writing credits and one lead vocal (\"Certain Kind of Fool\"), while Bernie Leadon's two songs, \"Twenty-One\" and \"Bitter Creek,\" seemed to come from a different record entirely. The result was an album that was simultaneously more ambitious and serious-minded than its predecessor and also slighter and less consistent.\" \u003cspan\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3,5 \/ 5 , Discogs : 4,68 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56704550273359,"sku":"WPCR-11933","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-27a17.03.58.png?v=1766851551"},{"product_id":"paul-simon-hearts-and-bones-cd-japanese-edition","title":"Paul Simon – Hearts And Bones (CD, Japanese Edition)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePaul Simon - Acoustic Guitar (1, 2, 4, 5, 10), Electric Guitar (8)\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-simon\" title=\"vinyl featuring Paul Simon\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Paul Simon]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAlto Saxophone : Mark Rivera (7)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBacking Vocals : The Harptones (8)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBass : Anthony Jackson (1–5, 7–9), Marcus Miller (4, 7), Bernard Edwards (6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBass Clarinet : George Marge (10)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCello : Jess Levy (7), Frederick Zlotkin (10)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDrums : Steve Gadd (1, 2, 4, 5, 10), Steve Ferrone (1, 3, 6), Jeff Porcaro (7)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eElectric Guitar : Dean Parks (1, 4, 5, 7, 10), Al Di Meola (1 – solo), Eric Gale (3), Nile Rodgers (6, 9), Sid McGinnis (10),\u0026amp;nbsp;\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eElectric Piano (Fender Rhodes) : Greg Phillinganes (1, 5, 10), Richard Tee (2, 4, 7, 8)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eFlute : Carol Wincenc (10)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eFrench Horn : Peter Gordon (7)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eKeyboards : Richard Tee (3)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMarimba : Michael Mainieri (2, 4)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePercussion : Airto Moreira (1–5, 7)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePiano : Richard Tee (4), Rob Sabino (8)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSynthesizer : Rob Mounsey (1, 5), Rob Sabino (1, 9), Michael Boddicker (10), Michael Riesman (10)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSynthesizer (Synclavier) : Tom Coppola (3–6), Wells Christie (8)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eVibraphone : Michael Mainieri (2, 7)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eViola : Jill Jaffe (10)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eViolin : Marin Alsop (10)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eVocoder : Rob Mounsey (5)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eConductor : Michael Riesman (10)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOrchestrated by George Delerue (8)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHorns arranged by Dave Matthews (1, 9)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Paul Simon, except for closing of \"The Late Great Johnny Ace\", composed by Philip Glass.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e1 CD, Paper Sleeve with OBI\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLimited edition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMade in Japan\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eStereo\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eStudio\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLabel : Warner Records\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginal Label : Warner Records\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded 1981–1983 at Warner Bros. Studio, Hollywood ; Atlantic Studio, New York City ; Power Station Studio, New York City ; Sigma Sound Studio, New York City ; Regent Sound Studio, New York City ; Mediasound Studio, New York City\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Paul Simon, Roy Halee, Russ Titelman\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally mastered by Greg Calbi\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRemastered by Bill Inglot, Dan Hersch\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally released in 1983\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eReissued in 2006\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e1. Allergies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e2. Hearts And Bones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e3. When Numbers Get Serious\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e4. Think Too Much (b)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e5. Song About The Moon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e6. Think Too Much (a)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e7. Train In The Distance\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e8. René And Georgette Magritte With Their Dog After The War\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e9. Cars Are Cars\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e10. The Late Great Johnny Ace\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBonus Tracks:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e11. Shelter Of Your Arms (Unreleased Work-In-Progress)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e12. Train In The Distance (Original Acoustic Demo)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e13. Rene And Georgette Magritte With Their Dog After The War (Original Acoustic Demo)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e14. The Late Great Johnny Ace (Original Acoustic Demo)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003cstrong\u003eReview \u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e«Hearts and Bones was a commercial disaster, the lowest-charting new studio album of Paul Simon's career. It is also his most personal collection of songs, one of his most ambitious, and one of his best. It retains a personal vision, one largely devoted to the challenges of middle-aged life, among them a renewed commitment to love; the title song was a notable testament to new romance, while \"Train in the Distance\" reflected on romantic discord. Elsewhere, \"The Late Great Johnny Ace\" was his meditation on John Lennon's murder and how it related to the mythology of pop music. Musically, Simon moved forward and backward simultaneously, taking off from the jazz fusion style of his last two albums into his old loves of doo wop and rock \u0026amp; roll while also incorporating current sounds with such new collaborators as dance music producer Nile Rodgers and minimalist composer Philip Glass. The result was Simon's most impressive collection in a decade and the most underrated album in his catalog.» AllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,2\/ 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56704864682319,"sku":"WPCR-12416","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-27a19.34.01.png?v=1766864110"},{"product_id":"the-who-im-a-boy-cd-japanese-edition","title":"The Who – I'm A Boy (CD, Japanese Edition)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe Who \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-who\" title=\"vinyl featuring The Who\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl \u0026amp; SACD featuring The Who]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLead Vocals – Roger Daltrey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLead Guitar – Pete Townshend\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – John Entwistle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Keith Moon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by Pete Townshend (1, 6, 7, 11, 12), Holland-Dozier-Holland (2), John Entwistle (3, 4, 9), Keith Moon (3, 5, 10), Roger Daltrey (8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, Paper Sleeve with OBI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMade in Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Polydor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Polydor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded on 14 \u0026amp; 19 June, \u0026amp; 31 July 1966 at IBC Studio, London\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Kit Lambert\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRemastered by Kikuo Niikura\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1966\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in February 2007\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eRun Run Run\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHeat Wave\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eIn The City\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBoris The Spider\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003eNeed You\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCircles\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDon’t Look Away\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSee My Way\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWhiskey Man\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCobwebs And Strange\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDisguises\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI’m A Boy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« This Japanese 12-song album was more or less equivalent to the album known as Happy Jack in America and A Quick One in the U.K. The main difference was the absence of the mini-opera\/U.K. title track, replaced here by a pair of single\/EP tracks, \"Disguises\" and \"In the City,\" plus the hit \"I'm a Boy.\" In that regard, it's a less advanced version of the proper album, though it is a great deal of fun (and most of the Who's records in those days were lots of fun) and has a cool-looking cover. It's not essential, by any means, unless you're one of those (of whom there are many) who regard any combination or permutation of the Who's early records to be worthwhile. And it did rate highly enough in Japan to merit a mini-LP-style audiophile-quality CD reissue, paired with the slightly later compilation Exciting, in late 2006, some 40 years after its original appearance. » AllMusic Review by Bruce Eder\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.88 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56705339162959,"sku":"UICY-93167","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-27a21.31.06.png?v=1766867571"},{"product_id":"simon-and-garfunkel-parsley-sage-rosemary-and-thyme-cd-japanese-edition","title":"Simon and Garfunkel - Parsley, Sage, Rosemary and Thyme (CD, Japanese Edition)","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimon \u0026amp; Garfunkel \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/Simon-Garfunkel\" title=\"vinyl featuring Simon \u0026amp; Garfunkel\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Simon \u0026amp; Garfunkel]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Simon – vocals, guitar, harmonica on \"A Simple Desultory Philippic (or How I Was Robert McNamara'd into Submission)” \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-simon\" title=\"vinyl featuring Paul Simon\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Paul Simon]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Garfunkel – vocals, piano on \"7 O'Clock News\/Silent Night\"\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/art-garfunkel\" title=\"audiophile vinyl featuring Art Garfunkel\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Art Garfunkel]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHal Blaine – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe South – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCarol Kaye – bass guitar on \"Scarborough Fair\/Canticle\" and \"Homeward Bound\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Meszar – harpsichord on \"Scarborough Fair\/Canticle\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEugene Wright – double bass on \"The 59th Street Bridge Song\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Morello – drums on \"The 59th Street Bridge Song\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharlie O'Donnell – spoken vocals on \"7 O'Clock News\/Silent Night\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Paul Simon (all tracks) and Art Garfunkel (1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, Paper Sleeve with OBI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo \u0026amp; Mono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sony Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMade In Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded December 1965 - August 1966\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bob Johnston\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1966\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2003\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eScarborough Fair\/Canticle\u003c\/li\u003e\n\u003cli\u003ePatterns\u003c\/li\u003e\n\u003cli\u003eCloudy\u003c\/li\u003e\n\u003cli\u003eHomeward Bound\u003c\/li\u003e\n\u003cli\u003eThe Big Bright Green Pleasure Machine\u003c\/li\u003e\n\u003cli\u003eThe 59th Street Bridge Song (Feelin' Groovy)\u003c\/li\u003e\n\u003cli\u003eThe Dangling Conversation\u003c\/li\u003e\n\u003cli\u003eFlowers Never Bend In The Rainfall\u003c\/li\u003e\n\u003cli\u003eA Simple Desultory Philppic (Or How I Was Robert McNamara'd Into Submission)\u003c\/li\u003e\n\u003cli\u003eFor Emily, Whenever I May Find Her\u003c\/li\u003e\n\u003cli\u003eA Poem On The Underground Wall\u003c\/li\u003e\n\u003cli\u003e7 O'Clock News\/Silent Night\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cem\u003eRolling Stone\u003c\/em\u003e's 500 Greatest Albums of All Time list - Ranked 202\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"This limited-edition vinyl reissue was cut from a flat (un-equalized) master created from a pristine first-generation copy made in Japan in 1968. Most tracks evoke a wide soundstage and an airiness that lets the music float through the listening room and provides a remarkable headphone experience.\" - Greg Cahill, The Absolute Sound, July\/August 2019\u003c\/p\u003e\n\u003cp\u003e\"Simon \u0026amp; Garfunkel's first masterpiece, Parsley, Sage, Rosemary and Thyme was also the first album on which the duo, in tandem with engineer Roy Halee, exerted total control from beginning to end, right down to the mixing, and it is an achievement akin to the Beatles' Revolver or the Beach Boys' Pet Sounds album, and just as personal and pointed as either of those records at their respective bests. After the frantic rush to put together an LP in just three weeks that characterized the Sounds of Silence album early in 1966, Parsley, Sage, Rosemary and Thyme came together over a longer gestation period of about three months, an uncommonly extended period of recording in those days, but it gave the duo a chance to develop and shape the songs the way they wanted them. The album opens with one of the last vestiges of Paul Simon's stay in England, \"Scarborough Fair\/Canticle\" -- the latter was the duo's adaptation of a centuries-old English folk song in an arrangement that Simon had learned from Martin Carthy. The two transformed the song into a daunting achievement in the studio, however, incorporating myriad vocal overdubs and utilizing a harpsichord, among other instruments, to embellish it, and also wove into its structure Simon's \"The Side of a Hill,\" a gentle antiwar song that he had previously recorded on The Paul Simon Songbook in England. The sonic results were startling on their face, a record that was every bit as challenging in its way as \"Good Vibrations,\" but the subliminal effect was even more profound, mixing a hauntingly beautiful antique melody, and a song about love in a peaceful, domestic setting, with a message about war and death; Simon \u0026amp; Garfunkel were never as political as, say, Peter, Paul \u0026amp; Mary or Joan Baez, but on this record they did bring the Vietnam war home.\u003c\/p\u003e\n\u003cp\u003eThe rest of the album was less imposing but just as beguiling -- audiences could revel in the play of Simon's mind (and Simon \u0026amp; Garfunkel's arranging skills) and his sense of wonder (and frustration) on \"Patterns,\" and appreciate the sneering rock \u0026amp; roll-based social commentary \"The Big Bright Green Pleasure Machine.\" Two of the most beautiful songs ever written about the simple joys of living, the languid \"Cloudy\" and bouncy \"The 59th Street Bridge Song (Feelin' Groovy),\" were no less seductive, and the album also included \"Homeward Bound,\" their Top Five hit follow-up to \"The Sound of Silence,\" which had actually been recorded at the sessions for that LP. No Simon \u0026amp; Garfunkel song elicits more difference of opinion than \"The Dangling Conversation,\" making its LP debut here -- one camp regards it as hopelessly pretentious and precious in its literary name-dropping and rich string orchestra accompaniment, while another holds it as a finely articulate account of a couple grown distant and disconnected through their intellectual pretensions; emotionally, it is definitely the precursor to the more highly regarded \"Overs\" off the next album, and it resonated well on college campuses at the time, evoking images of graduate school couples drifting apart, but for all the beauty of the singing and the arrangement, it also seemed far removed from the experience of teenagers or any listeners not living a life surrounded by literature (\"couplets out of rhyme\" indeed!), and understandably only made the Top 30 on AM radio. \"For Emily, Whenever I May Find Her\" was a romantic idyll that presented Art Garfunkel at his most vulnerable sounding, anticipating such solo releases of his as \"All I Know,\" while \"Flowers Never Bend With the Rainfall\" was Simon at his most reflectively philosophical, dealing with age and its changes much as \"Patterns\" dealt with the struggle to change, with a dissonant note (literally) at the end that anticipated the style of the duo's next album.\" \u003c\/p\u003e\n\u003cp\u003e\"A Simple Desultory Philippic,\" which also started life in England more than a year earlier, was the team's Dylanesque fuzz tone-laden jape at folk-rock, and a statement of who they weren't, and remains, alongside Peter, Paul \u0026amp; Mary's \"I Dig Rock \u0026amp; Roll Music,\" one of the best satires of its kind. And the last of Simon's English-period songs, \"A Poem on the Underground Wall,\" seemed to sum up the tightrope walk that the duo did at almost every turn on this record at this point in their career -- built around a beautiful melody and gorgeous hooks, it was, nonetheless, a study in personal privation and desperation, the \"sound of silence\" heard from the inside out, a voice crying out. Brilliantly arranged in a sound that was as much rock as film music, but with the requisite acoustic guitars, and displaying a dazzling command and range of language, it could have ended the album. Instead, the duo offered \"7 O'Clock News\/Silent Night,\" a conceptual work that was a grim and ironic (and prophetic) comment on the state of the United States in 1966. In retrospect, it dated the album somewhat, but that final track, among the darkest album-closers of the 1960s, also proved that Simon \u0026amp; Garfunkel weren't afraid to get downbeat as well as serious for a purpose. Overall, Parsley, Sage, Rosemary and Thyme was the duo's album about youthful exuberance and alienation, and it proved perennially popular among older, more thoughtful high-school students and legions of college audiences across generations. [The August 2001 reissue offers not only the best sound ever heard on this album in any incarnation, but also a few bonuses -- a slightly extended mastering of \"Cloudy\" that gives the listener a high-harmony surprise in its fade; and, as actual bonus tracks, Simon's solo demos of \"Patterns\" and \"A Poem on the Underground Wall.\" Raw and personal, they're startling in their intimacy and their directness, and offer a more intimate view of Paul Simon, the artist, than ever seen.\" \u003cspan\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4,5 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56705433469263,"sku":"MHCP94","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-27a21.53.30.png?v=1766868883"},{"product_id":"simon-garfunkel-wednesday-morning-3-a-m-cd-japanese-edition","title":"Simon \u0026 Garfunkel – Wednesday Morning, 3 A.M. (CD, Japanese Edition)","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimon \u0026amp; Garfunkel \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/Simon-Garfunkel\" title=\"vinyl featuring Simon \u0026amp; Garfunkel\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Simon \u0026amp; Garfunkel]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-simon\" title=\"vinyl featuring Paul Simon\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Paul Simon]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLiner Notes - Art Garfunkel \u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/art-garfunkel\" title=\"audiophile vinyl featuring Art Garfunkel\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Art Garfunkel]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAcoustic Bass – Bill Lee (2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAcoustic Guitar – Barry Kornfeld\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by B. Camp (1), B. Gibson (1), Ed McCurdy (2), Paul Simon (3, 4, 6, 12), Arthur Garr (5), Paul Kane (7), Traditional (8, 9), Ian Campbell (10), Bob Dylan (11)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, Paper Sleeve with OBI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sony Records Int'l\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMade In Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded on March 10–31, 1964 at Columbia Studio 30th Street, New York City\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEngineered by Roy Halee\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMixed by Vic Anesini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Tom Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastered by Vic Anesini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1966\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2003\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eYou Can Tell The World\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLast Night I Had The Strangest Dream\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBleecker Street\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSparrow\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBenedictus\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Sound Of Silence\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHe Was My Brother\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePeggy-O\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eGo Tell It On The Mountain\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Sun Is Burning\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Times They Are A-Changin'\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWednesday Morning, 3 A.M.\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBleecker Street (Demo)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHe Was My Brother (Alternate Take 1)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Sun Is Burning (Alternate Take 12)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« Wednesday Morning, 3 AM doesn't resemble any other Simon \u0026amp; Garfunkel album, mostly because their sound here was fundamentally different from that of the chart-topping duo that emerged a year later. Their first record together since their days as the teen harmony duo Tom \u0026amp; Jerry, the album was cut in March 1964, at a time when both Simon and Garfunkel were under the spell of folk music. As it had in 1957 with \"Hey, Schoolgirl,\" their harmonizing here came out of the Everly Brothers' playbook, but some new wrinkles had developed -- Paul Simon was just spreading his wings as a serious songwriter and shares space with other contemporary composers. The album opens with a spirited (if somewhat arch) rendition of Gibson and Camp's gospel\/folk piece \"You Can Tell the World,\" on which the duo's joyous harmonizing overcomes the intrinsic awkwardness of two Jewish guys from Queens, New York doing this repertory. Also present is Ian Campbell's \"The Sun Is Burning,\" a topical song about nuclear annihilation that Simon heard on his first visit to England as an itinerant folksinger the year before. But the dominant outside personality on the album is that of Bob Dylan -- his \"Times They Are A-Changing\" is covered, but his influence is obvious on the oldest of the Simon originals here, \"He Was My Brother.\" Simon's first serious, topical song, dealing with the death of a freedom rider -- and dedicated to Simon's slain Queens College classmate Andrew Jacobs -- it was what first interested Columbia Records producer Tom Wilson in Simon \u0026amp; Garfunkel. By the time the album was recorded, however, Simon had evolved beyond Dylan's orbit and developed a unique songwriting voice of his own, though he still had some distance to go. His other originals betray the artifice of an English major at work, sometimes for better, as on \"Sparrow\" and the original, all-acoustic release of \"The Sound of Silence,\" and at times for worse, on the half-beautiful but too-precious title song (which he would re-write more successfully as \"Somewhere They Can't Find Me\"). There are also a pair of traditional songs, a beautifully harmonized rendition of \"Peggy-O\" -- which they probably picked up in Greenwich Village, or from recordings by Dylan or Joan Baez -- and \"Go Tell It On the Mountain,\" both of which fit well into the zeitgeist of the folk revival. The record didn't sell on its original release, however, appearing too late in the folk revival to attract much attention -- Bob Dylan was already taking that audience to new places by adding electric instruments to his sound. But the seeds of the duo's future success were planted when, months after the album had been given up for dead -- and the duo had split up -- the all-acoustic rendition of \"The Sound of Silence\" started getting radio play on its own in some key markets, which possessed to producer Wilson to try and adapt it to the new sound, overdubbing an electric band. » AllMusic Review by Bruce Eder\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; Discogs : 4,2 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56705510867279,"sku":"MHCP 92","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-27a22.15.14.png?v=1766870209"},{"product_id":"he-spencer-davis-group-their-first-lp-cd-japanese-edition","title":"The Spencer Davis Group – Their First LP (CD, Mono, Japanese Edition)","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eThe Spencer Davis Group:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals, Guitar, Harmonica – Spencer Davis\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eLead Vocals, Guitar, Harmonica, Piano – Steve Winwood\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cstrong\u003eVocals, Bass Guitar – Muff Winwood\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cstrong\u003eDrums – Peter York\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals (Refrain) : Millie (5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar : Steve Winwood (2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOrgan : Kenny Salmon (4, 8)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePiano : Peter Asher (5)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by Medley (1), Hatfield (1), John Lee Hooker (2), Jerry Leiber (3), Mike Stoller (3), Ed Cobb (4), Turner (5), Spencer Davis (6), Smokey McAllister (7), Steve Winwood (8, 12), Rufus Thomas (9), Lee (10), Seneca (10), Alvin Roy (11), Gerry Hicks (11)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, Paper Sleeve with OBI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Fontana\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : \u003cmeta charset=\"utf-8\"\u003eFontana\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMade In Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMixed by Vic Anesini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Tom Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastered by Vic Anesini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1965\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2007\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1. My Babe\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2. Dimples\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3. Searchin'\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4. Every Little Bit Hurts\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e5. I'm Blue (Gong Gong Song)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e6. Sittin' And Thinkin'\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e7. I Can't Stand It\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e8. Here Right Now\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e9. Jump Back\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e10. It's Gonna Work Out Fine\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e11. Midnight Train\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e12. It Hurts Me So\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eBonus Tracks\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e13. She Put The Hurt On Me\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e14. I'm Getting Better\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e15. I'll Drown In My Own Tears\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e16. Goodbye Stevie\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e17. My Babe (US Version)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e18. Searchin' (US Version)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e19. Every Little Bit Hurts (US Version)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e20. Midnight Train (US Version)\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e21. Incense (as The Anglos)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« The group's first album is basically a reflection of their early repertoire and very heavy on the R\u0026amp;B\/soul standards. Dominated by covers of Ike \u0026amp; Tina Turner, the Coasters, John Lee Hooker, Little Walter, Brenda Holloway, and others, only three of the tunes are original. Two of these are written by Stevie Winwood, the other by Spencer Davis; Winwood's mid-tempo soul number \"It Hurts Me So\" is easily the best of them. Winwood is in fine voice and the group is energetic, but this is neither as good as their best work nor nearly as good as the best British R\u0026amp;B albums of the era by competitors like Them and the Rolling Stones. Includes their first two British singles, \"Dimples\" and \"I Can't Stand It.\" » AllMusic Review by Richie Unterberger\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; Discogs : 4,63 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56705615364431,"sku":"UICY-93173","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-27a22.30.33.png?v=1766871159"},{"product_id":"the-rolling-stones-in-another-land","title":"The Rolling Stones – In Another Land (CD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThe Rolling Stones \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-rolling-stones\" title=\"audiophile vinyl featuring The Rolling Stones\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring The Rolling Stones]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eVocals, Guitar, Harmonica – Mick Jagger \u003ca title=\"vinyl featuring Mick Jagger\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/mick-jagger\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Mick Jagger]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGuitar, Vocals – Keith Richards \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/keith-richards\" title=\"vinyl featuring Keith Richards\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Keith Richards]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Charlie Watts\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar – Ronnie Wood\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eNicky Hopkins – piano (1), harpsichord (1)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRonnie Lane – backing vocals (1)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSteve Marriott – backing vocals (1)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by The Rolling Stones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Bill Wyman (1), Mick Jagger \u0026amp; Keith Richards (2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 CD, Paper Sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eABKCO \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : London Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded June \u0026amp; September 1967 at Olympic Studio, London\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by The Rolling Stones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 1967\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2004\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eIn Another Land\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Lantern\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“The lone Rolling Stones Bill Wyman-written and -sung effort, \"In Another Land\" captured the psychedelic atmosphere of the day to a T, and it actually borders on being a parody. A whimsical, trippy ode, these days it sounds like a psychedelic Spinal Tap song, with words describing blue trees and flowers. The tremolo-soaked vocals only add to the period charm here. Interestingly, the bridge section is one of the hardest-rocking efforts by the Rolling Stones from this period. Rumored to have Steve Marriott and Ronnie Lane on harmony vocals, this song was also issued as a single.” AllMusic Review by Matthew Greenwald\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDiscogs : 3.74 \/ 5\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56706579759439,"sku":"18771-122011-2","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-12-28a10.42.38.png?v=1766915008"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/collections\/CD_938ae58f-bf53-4133-8d8d-d337d569a7e0.png?v=1719821109","url":"https:\/\/www.audiosoundmusic.com\/collections\/other-labels-cd.oembed?page=3","provider":"AudioSoundMusic","version":"1.0","type":"link"}