{"title":"Soundtrack vinyl","description":"","products":[{"product_id":"lalo-schifrin-bullitt","title":"Lalo Schifrin - Bullitt","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eConducted by Lalo Schifrin \u003ca data-mce-fragment=\"1\" title=\"vinyl composed by or featuring Lalo Schifrin\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/lalo-schifrin\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click to see more vinyl composed by or featuring Lalo Schifrin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Audino, Bud Brisbois (tp, fgh); Milt Bernhart, Dick Noel (tb); Bud Shank, Bill Perkins (reeds); Mike Melvoin (p, org); Mike Deasy (g); Ray Brown (b); Carol Kaye (el-b); Stan Levey (dr); Larry Bunker (percussion \u0026amp; strings)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArranged by Lalo Schiffrin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Lalo Schifrin (A1, A2, A3, A4, A5, A6, B1, B2, B3, B4, B6), Sonny Burke (B5), Paul Francis Webster (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: December 1968 at Western Recorders, Hollywood, by Lee Herschberg\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: Jimmy Hilliard\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBullitt (Main Title)\u003c\/li\u003e\n\u003cli\u003eRoom \"26\"\u003c\/li\u003e\n\u003cli\u003eHotel Daniels\u003c\/li\u003e\n\u003cli\u003eThe Aftermath Of Love\u003c\/li\u003e\n\u003cli\u003eMusic To Interrogate By\u003c\/li\u003e\n\u003cli\u003eOn The Way To San Mateo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIce Pick Mike\u003c\/li\u003e\n\u003cli\u003eA Song For Cathy\u003c\/li\u003e\n\u003cli\u003eShifting Gears\u003c\/li\u003e\n\u003cli\u003eCantata For Combo\u003c\/li\u003e\n\u003cli\u003eThe First Snowfall\u003c\/li\u003e\n\u003cli\u003eBullitt (End Title)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« After establishing himself in the television world with the classic Mission: Impossible theme, Lalo Schifrin soon made himself equally famous in the world of film music with his work on the soundtrack of the Steve MacQueen cop thriller Bullitt. This classic soundtrack found Schifrin combining the skills he honed as an arranger for jazzmen like Count Basie with the gift he developed for writing tight, punchy themes on television soundtracks like The Man From U.N.C.L.E. and Mission: Impossible. The end result is an exciting score that deftly blends traditional orchestral film-scoring techniques with the rhythms and swings of classic jazz. This combination is perfectly presented on \"Bullitt (Main Title),\" a jazz-pop instrumental that starts with an angular, staccato bass line and quickly layers on jazz guitar and controlled bursts of brass to create a tune that swings and thrills all at once. Other gems in this vein include \"Shifting Gears,\" which adds and subtracts layers of dissonant strings and brass over an insistent, percolating groove from the rhythm section, and \"Ice Pick Mike,\" a chase theme that builds from piano and percussion to a full-blown jazz instrumental complete with a wild horn section. Elsewhere, Schifrin effectively slows down the rhythms to craft lush instrumentals that manage to create a lighter, more pensive mood without losing their jazz edge: \"The Aftermath of Love\" layers gentle trumpet and flute lines over string-sweetened rhythms and \"The First Snowfall\" is a bright, horn-driven piece that applies the album's swinging brass section to a poppy melody. Everything on the album is visually evocative the way good soundtrack music should be, yet the individual cuts are tight and melodic enough to hold up to repeated listens. The end result is a soundtrack that succeeds both as a film score and a stand-alone album. This unique combination makes Bullitt one of the finest achievements in the Lalo Schifrin catalog and one of the best action film scores ever written » AllMusic Review by Donald A. Guarisco\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA high-speed car chase between a Dodge Charger and a Ford Mustang, with super-cop Bullitt at the wheel, who forces the hitman off the road and into a petrol station, which explodes and incinerates him. Prior to that, harsh clashes of metal, hubcaps flying all over the place, and the chief character Steve McQueen, who grimly changes gears and hurtles through the streets of San Francisco, wheels screaming and rubber burning. That was how Hollywood staged one of the longest and most dramatic car chases, long before the days of the Anti-Blocking-System and Anti-Slide-Control.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVery up-to-date and just as exciting as the screenplay is the music Lalo Schifrin wrote for the film, which embeds the characters, places and events in a musical context. For example, \"Bullitt\": the metrically angular main theme portrays a mysterious, cool character who sums up a situation with keen alertness and then makes his attack with the speed of lightning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInitially the music travels through easy-going Latin terrain. But gradually the rhythmic texture changes and takes a rougher path, with clicks, knocks and hammering. Legendary flute lines create a compensatory placidness with airy clouds floating above the sharp mix. A really special track is \"Shifting Gears\": here you can listen to Schifrin tuning the car, how he manipulates a jammed springy bossa to take on the sound of clean, smooth-running rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllMusic : 4.5 \/ 5 , \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,60\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,82\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40404142489751,"sku":"WS 1777","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/lalo-schifrin-bullitt-audiosoundmusic-1.jpg?v=1719851503"},{"product_id":"henry-mancini-the-music-from-peter-gunn","title":"Henry Mancini - The music from Peter Gunn","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eComposed and conducted by Henry Mancini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpets: Pete Candoli, Ray Linn, Frank Beach, Uan Rasey, Conrad Gozzo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombones: Dick Nash, Jimmy Priddy, Milt Bernhart, Karl DeKarske\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrench horns: John Graas, Vincent DeRosa, Richard Perissi, John Cave\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReeds: Ted Nash, Plas Johnson, Ronny Lang, Paul Horn, Gene Cipriano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano: John Williams\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar: Bob Bain, Al Hendrickson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVibraphone: Victor Feldman, Larry Bunker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass: Rolly Bundock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums: Shelly Manne, Alvin Stoller, Jack Sperling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eAugust 26, 31, and September 4, 29, 1958 at Radio Recorders, Hollywood\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003eProduced by Simon Rady\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1959\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 2013\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeter Gunn\u003c\/li\u003e\n\u003cli\u003eSorta Blue\u003c\/li\u003e\n\u003cli\u003eThe Brothers Go to Mother's\u003c\/li\u003e\n\u003cli\u003eDreamsville\u003c\/li\u003e\n\u003cli\u003eSession at Pete's Pad\u003c\/li\u003e\n\u003cli\u003eSoft Sounds\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFallout!\u003c\/li\u003e\n\u003cli\u003eThe Floater\u003c\/li\u003e\n\u003cli\u003eSlow and Easy\u003c\/li\u003e\n\u003cli\u003eA Profound Gass\u003c\/li\u003e\n\u003cli\u003eBrief and Breezy\u003c\/li\u003e\n\u003cli\u003eNot from Dixie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« Remember how strikingly contemporary it seemed when Miami Vice used Phil Collins and Glenn Frey on its soundtrack, or years later when the producers of Gilmore Girls and The O.C. showcased young indie bands on their shows? Well, it was just that revolutionary in 1958 when Blake Edwards, producer of the otherwise fairly standard detective show Peter Gunn, tapped the young composer Henry Mancini to write a soundtrack informed by the West Coast-style cool jazz of Dave Brubeck and Chet Baker. The soundtrack album for Peter Gunn may be best known for the cool twang guitar riff of the main theme (later lifted wholesale by the B-52's for \"Planet Claire,\" among others who recognized its forbidding cool), but this is his most jazz-influenced soundtrack work. There's some particularly impressive work by drummer Shelly Manne and vibes player Victor Feldman, whose cool, understated playing seems to deliberately recall that of Milt Jackson. » AllMusic Review\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is not only a great LP but a key piece of jazz and pop music history. Back in 1958, \"Peter Gunn\" was one of the unexpected hits of the new television season, capturing the imagination of millions of viewers by mixing private eye action with a jazz setting. Composer Henry Mancini was more than fluent in jazz, and his music nailed down the popularity of the series. With the main title theme, a driving, ominous, exciting piece of music to lead off the album, \"The Music from Peter Gunn\" became a huge hit, charting extraordinarily high for a television soundtrack and doing so well that RCA Victor came back the next year asking for a second helping (\"More Music From Peter Gunn\") from Mancini.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe music holds up: \"Session At Pete’s Pad\" is a superb workout for the trumpets of Pete Candoli, Uan Rasey, Conrad Gozzo, and Frank Beach, while Barney Kessel’s electric guitar gets the spotlight during \"Dreamsville\"; and \"Sorta Blue\" and \"Fallout\" are full-ensemble pieces that constitute quintessential 'cool' West Coast jazz of the period. In other words, it’s all virtuoso orchestral jazz, presented in its optimum form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 5 \/ 5 ,  \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e:  \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,24\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e:  \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,92\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40405159968919,"sku":"LSP-1956","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/henry-mancini-the-music-from-peter-gunn-audiosoundmusic-1.jpg?v=1719851560"},{"product_id":"john-barry-great-movie-sounds-of-john-barry","title":"John Barry - Great Movie Sounds Of John Barry","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOrchestra directed by John Barry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by John Barry (A1, A2, A3, A4, A6, B1, B2, B3, B4, B5, B6), Monty Norman (A6), Don Black (A1, B6), Leslie Bricusse (A3, A4, B3), Anthony Newley (A3), Lionel Bart (A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: 1963 - 1966\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: John Barry\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1966\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Thunderball\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. 007\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Goldfinger\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Mr. Kiss Kiss Bang Bang\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. From Russia With Love\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. The James Bond Theme\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSide B :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. The Chase\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Theme From King Rat\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. The Knack\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Seance On A Wet Afternoon\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Ipcress File\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. Theme From Born Free\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe had them all – the James Bond girls and the incomparably smart Sean Connery. But also Marlon Brando, Michael Caine, Robert Redford and Jane Fonda, who all more or less danced after the director’s pipe, acted certainly with his music in their ears. John Barry started his career in the most British manner possible – as a film composer in the service of Her Majesty Queen Elizabeth. The characteristic \"Bond Theme\" for Dr. No, with its mysterious, clacking guitar trailer supported by powerful brass, was indispensable for all following films and rang in the ears of the villains and their henchmen for all time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlongside the fully orchestrated numbers from the James Bond films, the album offers a wealth of very different music, such as the collage-like \"The Chase\" with its intense 'walking' sound and the melancholy theme from \"King Rat\". Barry lets the flutes rise up with airy and and subtle clouds of dissonant chords (\"Séance On A Wet Afternoon\"), creates barbed motives out of gentle sounds (\"The Ipcress File\") and rolls out a warm carpet of strings for the programmatic terrain of \"Born Free\", a true adventure story set in a game ward in Africa.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllMusic : 3 \/ 5 , \u003c\/span\u003e\u003cspan\u003eDiscogs :\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,25\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  ,  \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e: \u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,23\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40406796796055,"sku":"BPG 62402","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/john-barry-great-movie-sounds-of-john-barry-audiosoundmusic-1.jpg?v=1719851606"},{"product_id":"liza-minnelli-liza-with-a-z","title":"Liza Minnelli - Liza With A Z","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003eLiza Minelli \u0026amp; orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWritten by Fred Ebb (A1, A3, A6, B5), John Kander (A2, A3, A6, B5), Billie Holiday (A2), Arthur Herzog, Jr. (A2), Mike Curb (A4), Mack David (A4), Maurice Jarre (A4), Joe Tex (A5), John Hurley (B1), Ronnie Wilkins (B1), Mort Dixon (B2), Ray Henderson (B2), Charles Aznavour (B3), Walter Donaldson (B4), Sam M. Lewis (B4), Joe Young (B4), George Gershwin (B6), Ira Gershwin (B6), Gus Kahn (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecorded in May 31rst 1972 at Lyceum Theater, New York, by Phil Ramone \u0026amp; Arthur Kendy\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduced by Andrew Kazdin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1972\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 2015\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : \u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Yes\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. God Bless the Child\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Liza With a “Z”\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. It Was a Good Time\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. I Gotcha\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. Ring Them Bells\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Son of a Preacher Man\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Bye Bye Blackbird\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. You’ve Let Yourself Go\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. My Mammy\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Medley of Tunes from “Cabaret”: Willkommen \/ Married; Money, Money \/ Maybe This Time \/ Cabaret\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. Bows (Liza)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003col start=\"7\"\u003e\u003c\/ol\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Liza With A 'Z'\" is a multi-media production that has been showered with superlatives. It won numerous awards, including those for Choreography and Direction. However, a further award for the music composed by John Kander and Fred Ebb is probably the main reason for the show being released on a record, i.e. just for the ears. But the plan bore fruit, and the LP rocketed onto the Billboard 200. It was to be Liza Minnelli’s best chart hit ever – and it could even be called the soundtrack of her life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGreat favourites such as \"Ring Them Bells\" and \"Bye Bye Blackbird\" are set alongside sharp rhythm and blues numbers (\"Son Of A Preacher Man\", \"I Gotcha\"). Taking centre stage is a 10-minute medley from the film adaptation of the musical \"Cabaret\" that was shown in the cinemas also in 1972 and which brought Minnelli her international breakthrough.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll that remains of this costly and glamorous television event, which was only broadcast a few times on US television after the premiere, is the original music on record. Here it is once again in all its glory and with a new freshness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings : \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 4.5 \/ 5  , \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,00\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,00\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40410460323991,"sku":"KC 31762","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/liza-minnelli-liza-with-a-z-audiosoundmusic-1.jpg?v=1719851626"},{"product_id":"henry-mancini-the-pink-panther","title":"Henry Mancini - The Pink Panther","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHenry Mancini (composer, conductor, piano) \u0026amp; his orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB1 Lyrics by Franco Migliacci and Johnny Mercer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: September 1963 at RCA Victor's Music Center of the World, Hollywood, by Jim Malloy\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduced by Joe Reisman\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1963\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 2011\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks : \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Pink Panther Theme\u003c\/li\u003e\n\u003cli\u003eIt Had Better Be Tonight\u003c\/li\u003e\n\u003cli\u003eRoyal Blue\u003c\/li\u003e\n\u003cli\u003eChampagne and Quail\u003c\/li\u003e\n\u003cli\u003eThe Village Inn\u003c\/li\u003e\n\u003cli\u003eThe Tiber Twist\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt Had Better Be Tonight\u003c\/li\u003e\n\u003cli\u003eCortina\u003c\/li\u003e\n\u003cli\u003eThe Lonely Princess\u003c\/li\u003e\n\u003cli\u003eSomething For Sellers\u003c\/li\u003e\n\u003cli\u003ePiano and Strings\u003c\/li\u003e\n\u003cli\u003eShades of Sennett\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« The Pink Panther is another fine, early-'60s soundtrack from Henry Mancini. The title track became one of his most recognizable themes and kicks off a pleasant program of dreamy lounge cuts and Latin-tinged numbers. As he did on many other movie\/TV albums (Touch of Evil, Peter Gunn, etc.), Mancini also includes some noirish, big band numbers, like \"The Tiber Twist\" and the main title. Along with these up-tempo songs, he balances out the mostly light material with the solidly swinging mambos \"The Village Inn,\" \"Something for Sellers\" (as in Peter Sellers, the movies' star), and \"It Had Better Be Tonight\" (co-written by frequent partner Johnny Mercer and something of a minor vocal hit upon its release). The program's highlights, though, come from the kind of sublime (some might say cheesy) ballads he usually included on his soundtracks; the after-hours jazz tune \"Royal Blue\" stands out in particular, with its tasteful string arrangement and glowing trumpet solo. This is a great title for fans of Mancini's lounge\/soundtrack material, but those more into his jazz material should consider either his Peter Gunn or Combo soundtracks. » AllMusic Review by Stephen Cook\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Henry Mancini is one of the most talented fellows one could wish to meet. He has made quite a name for himself. That of Mancini, to be exact, and very famous in the bargain. But lest I be thought guilty of gross flattery, I feel I should point out that in private life he can be rather difficult. I once pointed this out to him and he kicked my shin. A lot of his music has been issued in the form of long-playing records. The great advantage of this is that you can sit and listen to Hank’s score without having to sit through the film. As yet, you cannot see the film without having to sit through the music. However, I understand that scientists are perfecting a device that may make this possible.\" — Peter Sellers, from the original album notes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe film director Blake Edwards brought into existence what is probably the best opening sequence to his comic crime film when he commissioned a young enterprising company to produce an animated Pink Panther cartoon film. The creative team came up with the idea of giving the cold, glittering diamond the guise of a cool, pink panther, which leads a bungling detective on a merry dance to the slinky sound of the Panther theme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMancini would not be Mancini if he did not bathe the film location – the skiing resort Cortina d’Ampezzo –in highly varied musical colours and genres. His well-known love for dance music finds itself in the samba (\"It Had Better Be Tonight\"), the shuffle (\"Champagne And Quail\"), and the cha-cha (\"Something For Sellers\"). But also the ballad, sung by a muted trumpet and saxophone (\"Royal Blue\"), or the simple combination of keyboard and strings (\"Piano And Strings\") are all woven into the story. One of the most memorable and delightful sounds is that of the accordion, whose melodies evoke an atmosphere that is filled with the Bohème, Paris and the sound of the musette. This music is never gaudy, but subtle, just like a panther padding quietly along. And if your appetite is now whetted for more, there is an extra portion of Mancini to be found in \"Breakfast At Tiffany’s\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 4.5 \/ 5 ,  \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,31\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,96\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40412185067671,"sku":"LSP-2795","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/henry-mancini-the-pink-panther-audiosoundmusic-1.jpg?v=1719851670"},{"product_id":"henry-mancini-breakfast-at-tiffanys","title":"Henry Mancini - Breakfast at Tiffany's","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHenry Mancini (composer, conductor, piano) \u0026amp; orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLyrics by Johnny Mercer (A1, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: 1961\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003eProduction: Dick Pierce\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1961\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 2011\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMoon River\u003c\/li\u003e\n\u003cli\u003eSomething For Cat\u003c\/li\u003e\n\u003cli\u003eSally's Tomato\u003c\/li\u003e\n\u003cli\u003eMr. Yunioshi\u003c\/li\u003e\n\u003cli\u003eThe Big Blow Out\u003c\/li\u003e\n\u003cli\u003eHub Caps and Tail Lights\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBreakfast At Tiffany's\u003c\/li\u003e\n\u003cli\u003eLatin Golightly\u003c\/li\u003e\n\u003cli\u003eHolly\u003c\/li\u003e\n\u003cli\u003eLoose Caboose\u003c\/li\u003e\n\u003cli\u003eThe Big Heist\u003c\/li\u003e\n\u003cli\u003eMoon River Cha Cha\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« This soundtrack to the movie adaptation of Truman Capote's novel Breakfast at Tiffany's is one of Henry Mancini's best. The pleasing blend of pop (the perennial \"Moon River\") and swing stays fresh over the album's 12 tracks and shows off Mancini's considerable writing and arranging skills. The cuts range from the layered, big-band mambo \"Something for Cat\" to the transcendentally smooth lounge number \"Sally's Tomato\" with some vaudeville moments coming via \"Mr. Yunioshi\" (check out that banjo eating up the faux Japanese scales) and \"Hub Caps and Tail Lights\" (sounds like the \"Addams Family Theme\"). Mancini keeps the lounge\/easy listening mood from collapsing in on itself with many fine jazz solos, a driving rhythm section, and his expert (yet pleasantly cheesy) handling of the liquid-toned chorus parts. He also strikes a nice balance here between his crime-jazz backdrops for the Peter Gunn TV show and Touch of Evil and the later, more streamlined soundtracks for The Pink Panther and Charade. Throughout Breakfast at Tiffany's solid program, Mancini makes it clear that he isn't just a peddler of Muzak but a fine composer. The 2005 Japanese BMG reissue offers crisp remastering to audiophile standards, similar to what was done with Elvis Presley's catalog in Japan -- the results are startling, with exceptionally vivid textures throughout, but nowhere more so than on \"Moon River,\" where the opening quote of the central melody on the harmonica, the next instrumental verse picked up by the strings, and the third done by the chorus, all sound like they're right in your lap. The whole album sounds that way, with the result that all of the musicianship and Mancini's finely nuanced direction never seemed more up close and personal. » AllMusic Review by Stephen Cook\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLong nights, dizzy parties, a variety of men-friends, and breakfast standing before the window display of the famed jewellery company govern the life of the dazzling Holly Golightly, who has in reality a very ordinary name and poverty-stricken background. All the more rich is the musical carpet that Henry Mancini lays beneath the feet of the exotic, wealthy-husband-seeking socialite. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe tender, plaintive worldwide hit \"Moon River\" apart, Mancini and his Hollywood musicians mix a sugar-sweet sound with enough acrid elements to glaze over the capricious lady’s character. The cool big band sound is spiced with a bold trumpet solo (\"The Big Blow Out\") and mellow violins with a suspiciously tame male choir (\"Breakfast At Tiffany’s\"). As is well known, there is a great deal of dancing in the film, including a number with a Latin-American rhythm (\"Latin Golightly\"), and a grooving mambo (\"Loose Caboose\"). At the end of the film even the \"Moon River\" swells to become a bubbling cha-cha, as though to say that a 'happy end' must in no way sound sentimental.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA further Mancini mix –The \"Pink Panther\" soundtrack (RCA LSP 2795) – is also available from Speakers Corner.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllMusic : 4.5 \/ 5 , \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,03\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,72\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40412462416023,"sku":"LSP-2362","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/henry-mancini-breakfast-at-tiffany-s-audiosoundmusic-1.jpg?v=1719851670"},{"product_id":"prokofiev-alexander-nevsky-fritz-reiner","title":"Prokofiev - Alexander Nevsky - Fritz Reiner","description":"\u003cp\u003e\u003cstrong\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSergei Prokofiev - Alexander Nevsky\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRosalind Elias (Mezzo-Soprano)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMargaret Hillis, chorus director\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChicago Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFritz Reiner, conductor\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP,  gatefold \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003ejacket\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProduced by Richard Mohr\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1960\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2015\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide A :\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRussia Under The Mongolian Yoke\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSong About Alexander Nevsky\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Crusaders In Pskov\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eArise, Ye Russian People\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide B :\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003eThe Battle On The Ice\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e2. The Field Of The Dead\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e3. Alexander's Entry Into Pskov\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eWinner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAlexander Nevsky is the score composed by Sergei Prokofiev for Sergei Eisenstein's 1938 film Alexander Nevsky. In 1939, Prokofiev arranged the music of the film score as the cantata, Alexander Nevsky, Op. 78, for mezzo-soprano, chorus, and orchestra.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscogs : 4.55 \/ 5  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40734606033047,"sku":"AAPC 2395","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/prokofiev-alexander-nevsky-fritz-reiner-audiosoundmusic-1.jpg?v=1719852214"},{"product_id":"henry-mancini-hatari-music-from-the-paramount-motion-picture-score","title":"Henry Mancini - Hatari! - Music from the Paramount Motion Picture Score (1LP, 33RPM, 200g)","description":"\u003cp\u003e\u003cstrong\u003eConducted by Henri Mancini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposed by Henry Mancini, except A3 composed by Johnny Mercer and Hoagy Carmichael\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP,  Deluxe \"tip-on\" jacket by Stoughton Printing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1962\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2015\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan face=\"Times New Roman\"\u003eSide A : \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Times New Roman\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e1. Theme from \"Hatari!\"\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e2. Baby Elephant Walk\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e3. Just For Tonight\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e4. Your Father's Feathers\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e5. Big Band Bwana\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan face=\"Times New Roman\"\u003eSide B : \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e1. The Sounds Of Hatari\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e2. The Soft Touch\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e3. Crocodile, Go Home!\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb\u003eTAS Super LP List! Special Merit: Film and Broadway Score\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb\u003e\u003cstrong\u003eFeatured on Harry Pearson's Famous \"Recommended List\" of fine audio recordings\u003c\/strong\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e« Coming off a double Oscar win for his Breakfast at Tiffany's score, Henry Mancini produced this score for the Howard Hawks-directed, John Wayne-starring safari comedy. This is at first a fun blend of jazz and Afro-exotica, jungle drums mixed with a classic bop combo. Elsewhere, however, the soundtrack opts for some pleasant, but very Western jazz, only stopping for the African instrument-sampler \"The Sounds of Hatari,\" which features some nice treated piano. The filmmakers were probably hoping that the Mercer and Carmichael song \"Just for Tonight\" would be as much a success as Tiffany's \"Moon River,\" but if Hatari! is memorable for anything, it's for the incredibly goofy \"Baby Elephant Walk,\" which has gone on to be infamous musical shorthand for kookiness of any stripe. Get this tune in your head and it sticks. » AllMusic Review by Ted Mills\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eRatings : \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscogs : 4.21 \/ 5\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40747790532759,"sku":"APP2559","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/henry-mancini-hatari-music-from-the-paramount-motion-picture-score-1lp-33rpm-200g-audiosoundmusic-1.jpg?v=1719852339"},{"product_id":"hector-noas-mambo-man-ost","title":"Mambo Man Soundtrack (2LP)","description":"\u003cp\u003e\u003cstrong\u003eOmara Portuondo : vocal (C3)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Ventura : vocal (C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cb\u003eAfro-Cuban All Stars (A3) : Juan De Marcos Gonzalez (vocal, guitar), \u003c\/b\u003eIbrahim Ferrer (vocal), Pio Leiva (vocal), Manuel \"Puntillita\" Licea (vocal), Raúl Planas (vocal), José Antonio Rodríguez (vocal), Félix Valoy (vocal), Luis Alemany (trumpet), Daniel Ramos (trumpet), Manuel Mirabal (trumpet), Rubén González (piano), Orlando \"Cachaito\" López (contrabass) Carlos Álvarez et Demetrio Muñiz aux trombones, Javier Zalba (baryton sax), Julienne Oviedo (perc), Carlos González (perc), Alberto Valdés (perc), Carlos Puisseaux (perc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeverson (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEliades Ochoa : vocal, guitar (C4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Alvarez \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e: vocal, guitar (A5, C2, D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCandido Fabre : vocal (A4, B2, D4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJulio Montoro y Alma Latina : vocal, guitar, piano (A2, C1, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArturo Jorge : \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003evocal, guitar (B1, B4, B5, C5, C6, D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : \u003c\/strong\u003e\u003cstrong\u003eTumi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in December 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA los Soneros\u003c\/li\u003e\n\u003cli\u003eBrisa Mañanera (Mambo Man film version)\u003c\/li\u003e\n\u003cli\u003eCada Vez Que te Veo\u003c\/li\u003e\n\u003cli\u003eCarretero\u003c\/li\u003e\n\u003cli\u003eComo las Mariposas\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. De Cauto Cristo a Rio Cauto\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. De Cuba Vengo y Cubano Soy\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Descarga Cubana\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Finca Santaelena\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. La Vida\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eSide C\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaidel Mambo\u003c\/li\u003e\n\u003cli\u003eMambo Man (also known as Ella es Asi)\u003c\/li\u003e\n\u003cli\u003eNada de Ti\u003c\/li\u003e\n\u003cli\u003eNo Critiques al Nene\u003c\/li\u003e\n\u003cli\u003ePa Apartar lo Malo\u003c\/li\u003e\n\u003cli\u003eQuiero Cantar Son del Llano\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRomance\u003c\/li\u003e\n\u003cli\u003eSon Para envidiosos\u003c\/li\u003e\n\u003cli\u003eThere is still hope\u003c\/li\u003e\n\u003cli\u003eYo Quiero Gozar\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on a true story and filmed in the exotic countryside outside Havana, this remarkable and engaging film will move both your spirit and your feet with its unforgettable passion and intoxicating music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eDirected by Mo Fini and Edesio Alejandro,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMambo Man\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a reflection of life in post-Communist Cuba. The central character, J.C. is a local “big shot” who is balancing the unlikely worlds of farming and music promotion. As events unfold, his life and the surrounding community become jeopardized by well-meaning naïveté, and a mysterious encounter. Tumi Music and Pure Pleasure Records has released a double vinyl 180-gram soundtrack of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMambo Man\u003c\/i\u003e. It features live performances by various legendary Cuban artists. Traditional genres, including\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGuaracha\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTrova\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSon\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eare capably represented on this album.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis rhythmic, organic compilation is ear-pleasing. Starting with the horn-infused dance-tempos of the instrumental “A Los Soneros”, a transcendental footprint is developed. In a slower groove, “Brisa Mananero” showcases the terrific vocals of Maria Eliades Ochoa with a sprightly arrangement.With salsa resonance, the Afro-Cuban All-stars sparkle on “Cada Vez Que Te Veo”. This vibe continues on”Carretero”. A heartfelt performance of “Como Las Mariposas” has subtle tempo, but emotional substance. Acoustic-based arrangements resonate equally. “De Cauto Cristo a Rio Cauto” (Arturo Jorge) has mild percussion, spirited chorus and even some whistling. The musicians strong national identity is always represented, especially in “De Cuba Vengo y Cubano Soy”. A string addition to the guitars is a nice touch. The relentless joy of the music shines on “Descarga Cubana”, with some nice fiddle, flute and horn work. The sequencing of the music is effective and the mood is rarely interrupted.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor those with an affinity for the titular musical genre, “Maidel Mambo” is tightly cohesive with piano\/percussion anchoring this jam, and alternating piercing\/sultry horn choruses.The title track is evocative of the film’s narrative and has pronounced string accents, an ethereal piano and march-time drum. In a change of pace, “Nada De Ti” has a dreamy slow-dance vibe and a shared vocal. The folk charm of Cuban music permeates the subtly buoyant instrumental “No Critiques El Nene”. Arturo Jorge returns for a pair of songs, “Pa Apart lo Malo” and “Quiero Cantar Son del Llano”. In a gentle swaying jazzy number, “Romance” resonates with gossamer sentiment. The mood shifts back to party atmosphere on “Son Para Envidosos”. In what sounds like a classical music homage (“There Is Still Hope”), the plaintive solo piano establishes a melody that is filled in by orchestra. It becomes sweeping and cinematic. The finale “Yo Quiero Gozar” is as advertised for the listener.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ci\u003eMambo Man\u003c\/i\u003e – \u003ci\u003eOriginal Motion Picture Soundtrack\u003c\/i\u003e is an historical cultural document. All of the flavours of Cuban music are expressed with celebration and reverence. While viewing the film provides narrative context, the songs are viscerally enjoyable by themselves.\u003c\/em\u003e\" Audiophile Audition\u003cspan\u003e \u003c\/span\u003eby Robbie Gerson, August 2021\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“There is rather the mature and conscious gaze of two authors who want to represent Cuba, and the story of the protagonist, with truth and love. With this awareness, each shot conveys a charm superior to that of a good staging. This film, made with passion, penetrates the audience to the rhythm of music and tells us about a whole, small, precious universe, absorbing its beauty and misery. “Mambo Man” is a bit like Cuba: beautiful, kind and melancholic.” J.B. Spins, Joe Bendel\u003c\/p\u003e\n\u003cp\u003e“It’s a dynamic, colourful film, with bustling markets, lively clubs, friendly outdoor cafes, and—best of all—a remarkable soundtrack of classic Cuban music, which is a focal point of the film.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings:\u003c\/p\u003e\n\u003cp\u003eAudiophile Audition : 4.5 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40787659260055,"sku":"PPAN TUMI 023","price":52.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/mambo-man-soundtrack-2lp-audiosoundmusic-1.jpg?v=1719852590"},{"product_id":"elvis-presley-g-i-blues-yellow-vinyl","title":"Elvis Presley - G.I. Blues (Yellow vinyl)","description":"\u003cp\u003e\u003cstrong\u003eElvis Presley – vocals, acoustic rhythm guitar on \"Shoppin' Around\" \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Jordanaires – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScotty Moore – rhythm guitar, lead guitar on \"Frankfort Special\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTiny Timbrell – lead guitar, mandolin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeal Matthews, Jr. – electric bass, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmie Haskell – accordion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHoyt Hawkins – tambourine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDudley Brooks – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Siegel – double bass, tuba\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eD.J. Fontana, Frank Bode, Bernie Mattinson – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket, poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Yellow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded April 27 – May 6, 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Hal Wallis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTonight Is So Right For Love\u003c\/li\u003e\n\u003cli\u003eWhat's She Really Like\u003c\/li\u003e\n\u003cli\u003eFrankfort Special\u003c\/li\u003e\n\u003cli\u003eWooden Heart\u003c\/li\u003e\n\u003cli\u003eG.I. Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePocketful Of Rainbows\u003c\/li\u003e\n\u003cli\u003eShoppin' Around\u003c\/li\u003e\n\u003cli\u003eBig Boots\u003c\/li\u003e\n\u003cli\u003eDidja' Ever\u003c\/li\u003e\n\u003cli\u003eBlue Suede Shoes\u003c\/li\u003e\n\u003cli\u003eDoin' The Best I Can\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"G.I. Blues marks the point when Elvis Presley's '60s begin. It's the first film he made after leaving the Army -- parts of the production were shot in Germany just prior to his release -- and it's also the first of his many movie soundtracks, a form that did Elvis few favors. G.I. Blues is nowhere near as tacky as some of the soundtracks that arrived later, but it nevertheless makes clear Col. Tom Parker's desire to move Presley from rock \u0026amp; roll and into the show biz middle of the road. Only a bold, rollicking run-through of Carl Perkins' \"Blue Suede Shoes\" could be called rock \u0026amp; roll, although \"Shoppin' Around\" also swings to a bluesy backbeat and there's a bit of a spark to the title track, a song that's cleverly perched between rock and show tunes without explicitly reworking previous Elvis recordings the way that \"Tonight Is So Right for Love\" or \"Frankfort Special\" do (the former kicks off with a rhythm out of \"Such a Night,\" the latter \"Mystery Train\"). Most of G.I. Blues belongs firmly to the song-and-dance camp and for good reason: the film is a musical comedy, so the songs should be effervescent trifles, which they are. Elvis handles them admirably, never sounding embarrassed and often lending them a considerable amount of charm, a quality that when combined with a crackerjack band makes G.I. Blues an amiable lark.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3,5 \/ 5 , Discogs : 3,95 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40830517411991,"sku":"FRM-2256 Yellow","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-g-i-blues-yellow-vinyl-audiosoundmusic-1.jpg?v=1719852854"},{"product_id":"elvis-presley-roustabout-the-original-soundtrack","title":"Elvis Presley Roustabout - The Original Soundtrack (Orange vinyl)","description":"\u003cp\u003e\u003cstrong\u003eElvis Presley – vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Jordanaires – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Mello Men – backing vocals (on \"Roustabout\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBoots Randolph – saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScotty Moore – electric rhythm guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Strange – electric lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTiny Timbrell – acoustic rhythm guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFloyd Cramer – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDudley Brooks – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob Moore – double bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Siegel – double bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. Fontana - drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuddy Harman – drums\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHal Blaine – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Orange\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded March 2 \u0026amp; 3, April 29, 1964\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1964\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoustabout\u003c\/li\u003e\n\u003cli\u003eLittle Egypt\u003c\/li\u003e\n\u003cli\u003ePoison Ivy League\u003c\/li\u003e\n\u003cli\u003eHard Knocks\u003c\/li\u003e\n\u003cli\u003eIt's A Wonderful World\u003c\/li\u003e\n\u003cli\u003eBig Love Big Heartache\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOne Track Heart\u003c\/li\u003e\n\u003cli\u003eIt's Carnival Time\u003c\/li\u003e\n\u003cli\u003eCarny Town\u003c\/li\u003e\n\u003cli\u003eThere's A Brand New Day On The Horizon\u003c\/li\u003e\n\u003cli\u003eWheels On My Heels\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Roustabout took Elvis Presley to the carnival, a setting referenced often over the course of the 20-minute soundtrack. \"It's Carnival Time\" and \"Carny Town\" bring the circus to the title, but \"It's a Wonderful World\" and \"Roustabout\" also nod toward the midway, a good indication that the 11 songs here aren't necessarily designed to be heard outside of the film, and yet Roustabout wound up topping the Billboard charts. Blame this number one entirely on momentum: there were no hits on this album and it'd be another decade before Elvis reached the top slot again. Despite its high chart placement, Roustabout can be seen as the beginning of the decline in terms of Elvis flicks. His last few soundtrack albums were patchy due to their reliance on tunes designed for the screen but they were often constructed to hit their marks exactly. On Roustabout, any sense of precision is gone: it was just good enough to get into the ball park. As Presley is a pro surrounded by pros, there are moments on the record that are fun -- a silly revival of the old Coasters hit \"Little Egypt\" works up a head of steam, the title theme is suitably widescreen, and \"Hard Knocks\" is a fairly vigorous rocker -- but much of the soundtrack is forced frivolity, giving the appearance of high spirits but feeling rather spent.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2 \/ 5 , Discogs : 3,83 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40833346371735,"sku":"FRM-82999","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-roustabout-the-original-soundtrack-orange-vinyl-audiosoundmusic-1.jpg?v=1719852860"},{"product_id":"st-elmos-fire-original-soundtrack","title":"St. Elmo's Fire - Original Soundtrack","description":"\u003cp\u003e\u003cstrong\u003eBacking Vocals – David Amato, Richard Marx\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – John Pierce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Bobby Chouinard, Carlos Vega, Chris Taylor, Phillip Rowland*, Tris Imboden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Programmed By [Synthesizer] – Mike Baird\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Billy Squier, Jay Graydon, Michael Landau, Steve Lukather\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Engineer [Additional Overdub Engineering] – Dino Elefante\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – David Paich, John Elefante, Steve Porcaro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards, Producer, Arranged By – David Foster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone – David Boruff, Larry Williams\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone – Bill Reichenbach\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Gary Grant, Jerry Hey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rhino Entertainment Company\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Lighthouse Recorders\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Woody Woodruff, Laura Livingston, Terry Christian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by David Foster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1985\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSt. Elmo's Fire (Man In Motion) - John Parr\u003c\/li\u003e\n\u003cli\u003eShake Down - Billy Squier\u003c\/li\u003e\n\u003cli\u003eYoung And Innocent - Elefante\u003c\/li\u003e\n\u003cli\u003eThis Time It Was Really Right - Jon Anderson\u003c\/li\u003e\n\u003cli\u003eSaved My Life - Fee Waybill\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove Theme From St. Elmo's Fire (Instrumental) - David Foster\u003c\/li\u003e\n\u003cli\u003eIf I Turn You Away - Vikki Moss\u003c\/li\u003e\n\u003cli\u003eStressed Out (Close To The Edge) - Airplay\u003c\/li\u003e\n\u003cli\u003eGeorgetown - David Foster\u003c\/li\u003e\n\u003cli\u003eLove Theme From St. Elmo's Fire (For Just A Moment) - David Foster\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"St. Elmo's Fire was the definitive Brat Pack movie, following Emilio Estevez, Judd Nelson, Demi Moore, Ally Sheedy, Andrew McCarthy, Rob Lowe, and Mare Winningham as they tried to sort their life out after college. The soundtrack launched two big hits, \"Love Theme from St. Elmo's Fire\" and John Parr's \"Man in Motion (Theme from St. Elmo's Fire),\" but those are the only two memorable pieces of the music on the album. Apart from his \"Love Theme,\" David Foster doesn't manage to write music that stands apart from the movie, which makes the soundtrack a bit of a dull listen when taken on its own terms.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3,71 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40852520698007,"sku":"FRM-81261","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/st-elmo-s-fire-original-soundtrack-audiosoundmusic-1.jpg?v=1719853037"},{"product_id":"the-blues-brothers-the-blues-brothers-original-soundtrack-recording","title":"The Blues Brothers - The Blues Brothers","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJake Blues - lead vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElwood Blues - harmonica and vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Charles - Vocals (A4) \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Ray Charles\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-charles\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ray Charles]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Brown  - Vocals (A6) \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring james brown\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/james-brown\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeaturing\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJames Brown]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAretha Franklin - Vocals \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Aretha Franklin\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/aretha-franklin\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Aretha Franklin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Rev. James Cleveland Choir (A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCab Calloway - Vocals (B3)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking vocals by Brenda Corbett, Margaret Branch, Carolyn Franklin, Jake, and Elwood (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass Guitar – Duck Dunn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Willie Hall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Matt Murphy, Steve Cropper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Murphy Dunne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone – Lou Marini, Tom Malone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Alan Rubin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – David Weston\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Elliott Randall, Hiram Bullock, Keiv Ginsberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHorns – Lewis Del Gatto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Bill Payne, John Hason, John Springer, Larry Willis, Richard T. Bear, Terry Fryer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Taj Mahal (A1), Yank Rachel (A1), Henry Mancini (A2), Muff Winwood (A3), Spencer Davis (A3), Steve Winwood (A3), G. Love (A4), D. Love (A4), P. Love (A4), , R. Love (A4), T. Judy (A4), Z. Phillips (A4), Bert Berns (A5), Jerry Wexler (A5), Solomon Burke (A5), A. M. Brunner (A6), Aretha Franklin (B1), Ted White (B1), Dimitri Piomkin (B2), Cab Calloway (B3), Irving Mills (B3), Woody Payne (B4), Jerry Leiber (B5), Mike Stoller (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Universal Recording Studio Chicago and The Record Plant New York\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Bob Tischler\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bob Tischler\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1980\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShe Caught The Katy\u003c\/li\u003e\n\u003cli\u003ePeter Gunn Theme\u003c\/li\u003e\n\u003cli\u003eGimme Some Lovin'\u003c\/li\u003e\n\u003cli\u003eShake Your Tailfeather\u003c\/li\u003e\n\u003cli\u003eEverybody Needs Somebody To Love\u003c\/li\u003e\n\u003cli\u003eThe Old Landmark\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThink\u003c\/li\u003e\n\u003cli\u003eTheme From Rawhide\u003c\/li\u003e\n\u003cli\u003eMinnie From Moocher\u003c\/li\u003e\n\u003cli\u003eSweet Home Chicago\u003c\/li\u003e\n\u003cli\u003eJailhouse Rock\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Comic actors John Belushi and Dan Aykroyd received a lot of flak for their Blues Brothers shtick -- mostly for the albums, not 1980's beloved classic film. But they should be given credit for exposing many people -- including this reviewer -- to the music of blues and R\u0026amp;B veterans. The Blues Brothers soundtrack was released on Atlantic Records. On the surface this doesn't seem unusual, since the Blues Brothers' Atlantic debut, Briefcase Full of Blues, was a number one album; but the movie was released by Universal, and its parent company, MCA, passed on the soundtrack. The rollicking remake of the Spencer Davis Group's \"Gimme Some Lovin'\" was a hit, featuring an arrangement notable for the horn section that replaces Steve Winwood's rumbling organ work. Ray Charles has a good time with \"Shake a Tail Feather,\" and he's helped out by Jake and Elwood Blues (Belushi and Aykroyd, respectively). The cover of Solomon Burke's \"Everybody Needs Somebody to Love\" is a lot of fun, thanks to the great overall rhythm and Elwood's lightning-fast stage rap, while James Brown and the Reverend James Cleveland Choir provide a blast of gospel music on \"Old Landmark.\" Aretha Franklin's \"Think\" is explosive, and Cab Calloway's \"Minnie the Moocher\" is slyly irresistible. Charles, Brown, Franklin, and Calloway all have small roles in the film, yet so does John Lee Hooker, but he's not represented here.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Revie\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ew by Bret Adams\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,3 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40859194228887,"sku":"FRM 16017","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-blues-brothers-the-blues-brothers-audiosoundmusic-1.jpg?v=1719853077"},{"product_id":"the-monkees-head-alternate-translucent-gold-vinyl","title":"The Monkees - Head Alternate (Translucent Gold vinyl)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 0.875rem;\"\u003eThe monkeys \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-monkees\" title=\"audiophile vinyl featuring The Monkees\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-monkees\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring The Monkees]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMicky Dolenz - vocals; drums on live version of \"Circle Sky\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavy Jones - vocals; maracas and organ on live version of \"Circle Sky\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMike Nesmith - vocals, electric guitar on \"Circle Sky\" (live and studio versions) and \"Daddy's Song\", acoustic guitar on \"Daddy's Song\", electric organ and maracas on \"Circle Sky\" (studio version)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Tork - vocals, electric guitar on \"Can You Dig It\" and \"Long Title: Do I Have To Do This All Over Again?\"; bass guitar on live version of \"Circle Sky\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRy Cooder – guitar on \"As We Go Along\" \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Ry Cooder\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ry-cooder\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ry-cooder\"\u003e[click here to see more vinyl featuring Ry Cooder]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeil Young – guitar on \"As We Go Along\"  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/neil-young\" title=\"vinyl featuring Neil Young\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/neil-young\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Neil Young]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCarole King – guitar on \"As We Go Along\" \u003ca title=\"vinyl featuring carole king\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/carole-king\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/carole-king\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Carole King]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKen Bloom – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDanny Kortchmar – guitar on \"As We Go Along\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeon Russell – keyboard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRalph Shuckett – keyboard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouglas Lubahn – electric bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMike Ney – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWilliam Hinshaw – horn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJules Jacob – horn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGregory Bemko – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Filerman – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJan Kelly – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJacqueline Lustgarten – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMax Bennett – string bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClyde Hoggan – string bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Hughart – string bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerry Scheff – string bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichel Rubini – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeith Allison – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Chadwick – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Dey – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Gross – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEddie Hoh – drums, cowbell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLance Wakely – guitar, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDewey Martin – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael A. Glass – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarvey Newmark – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEarl Palmer – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDennis Bruce – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStephen Stills – guitar on \"Long Title\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePete Candoli – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarion Childers – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnthony Terran – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Leith – trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLewis McCreary – trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJustin Ditullio – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRaphael Kramer – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmmet Sargent – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEleanor Slatkin – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrendan Cahill – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJack Nitzsche – arrangement on \"Porpoise Song\" and \"As We Go Along\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRuss Titelman – conductor on \"Porpoise Song\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Gold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rainbo Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Colgems\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eDecember 9, 1967 – August 3, 1968, at \u003c\/strong\u003e\u003cstrong\u003eRCA Victor Studios, Western Recorders, Sunset Sound, California Recorders, and Wally Heider's, Hollywood, and Original Sound, Hollywood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by : ?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Jerry Goffin (A2), The Monkees (A1, A3-B7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHead Promo \"Coming Soon\"\u003c\/li\u003e\n\u003cli\u003ePorpoise Song (Alternate Stereo Mix) (Theme From \"Head\")\u003c\/li\u003e\n\u003cli\u003eDitty Diego - War Chant (Alternate Stereo Mix)\u003c\/li\u003e\n\u003cli\u003eCircle Sky (Alternate Stereo Mix)\u003c\/li\u003e\n\u003cli\u003eSupplicio\u003c\/li\u003e\n\u003cli\u003eCan You Dig It (Peter's Vocal - Stereo Rough Mix)\u003c\/li\u003e\n\u003cli\u003eGravy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSuperstitious\u003c\/li\u003e\n\u003cli\u003eAs We Go Along (Alternate Stereo Mix)\u003c\/li\u003e\n\u003cli\u003eDandruff?\u003c\/li\u003e\n\u003cli\u003eDaddy's' Song (Remix With Slow Verse)\u003c\/li\u003e\n\u003cli\u003ePoll\u003c\/li\u003e\n\u003cli\u003eLong Title: Do I Have To Do This All Over Again (Rough Mix Acetate)\u003c\/li\u003e\n\u003cli\u003eSwami - Plus Strings (Alternate Stereo Mix)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"This disc contains songs and snippets of dialogue from the Monkees' full-length feature film of the same name. Although their Emmy-winning television program had been cancelled in the spring of 1968, the quartet quickly regrouped and, with the assistance of budding actor\/director Jack Nicholson, created a 90-minute surreal cinematic experience -- replete with matching soundtrack. Without question, both the movie and album are the most adventurous and in many ways most fulfilling undertaking to have been born of the Monkees' multimedia manufactured project. The music featured on both the screen as well as this album is a long strange trip from the Farfisa-driven bubblegum anthem \"I'm a Believer.\" Perhaps even more telling is that Head became the first Monkees long-player not to include a Tommy Boyce\/Bobby Hart composition. As such, the talents of each member are uniquely showcased -- especially those of Peter Tork, whose contributions were previously too few and far between. Ironically, his acid rocker \"Long Title: Do I Have to Do This All Over Again\" and Eastern-flavored \"Can You Dig It?\" are not only among the best of the six original compositions on the soundtrack, but also among his finest Monkees offerings, period. Other notable tracks include Micky Dolenz's vocals on two Carole King works: the ethereal \"Porpoise Song,\" which was co-authored by Gerry Goffin, and the Toni Stern collaboration on the pastoral \"As We Go Along.\"\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Lindsay Planer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,22 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40866350104727,"sku":"FRM-5008 Translucent Gold","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-monkees-head-alternate-translucent-gold-vinyl-audiosoundmusic-1.jpg?v=1719853115"},{"product_id":"cocktail-original-motion-picture-soundtrack","title":"Cocktail - Original Motion Picture Soundtrack","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Elektra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Brad Neufeld\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1988\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWild Again – Startship\u003c\/li\u003e\n\u003cli\u003ePowerful Stuff – The Fabulous Thunderbirds\u003c\/li\u003e\n\u003cli\u003eSince When – Robbie Nevil\u003c\/li\u003e\n\u003cli\u003eDon’t Worry, Be Happy – Bobby McFerrin\u003c\/li\u003e\n\u003cli\u003eHippy Hippy Shake – The Georgia Satellites\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKokomo – The Beach Boys\u003c\/li\u003e\n\u003cli\u003eRave On – John Mellencamp\u003c\/li\u003e\n\u003cli\u003eAll Shook Up – Ry Cooder\u003c\/li\u003e\n\u003cli\u003eOh I Lover You So – Preston Smith\u003c\/li\u003e\n\u003cli\u003eTutti Frutti – Little Richard\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Cocktail was not only the soundtrack to a popular Tom Cruise film, it was also the four-million-selling summer party album of 1988, featuring the #1 hits \"Don't Worry, Be Happy\" by Bobby McFerrin and \"Kokomo\" by the Beach Boys, plus radio hits by Starship, the Fabulous Thunderbirds, the Georgia Satellites, and John Cougar Mellencamp.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3,74 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40882150637719,"sku":"AFRM 216080","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/cocktail-original-motion-picture-soundtrack-audiosoundmusic-1.jpg?v=1719853257"},{"product_id":"stand-by-me-original-motion-picture-soundtrack-translucent-blue-vinyl","title":"Stand By Me - Original Motion Picture Soundtrack (Aqua Blue vinyl)","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Aqua Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Everyday - Buddy Holly\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Let The Good Times Roll - Shirley and Lee\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Come Go With Me - The Del Vikings\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Whispering Bells - The Del Vikings\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5 Get A Job - The Silhouettes\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Lollipop - The Chordettes\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Yakety Yak - The Coasters\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Great Balls Of Fire - Jerry Lee Lewis\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Mr. Lee - The Bobbettes\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5 Stand By Me - Ben E. King\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Set in the '50s, Stand by Me was a touching coming-of-age movie about a group of pre-teen boys. Appropriately, the soundtrack is crammed with early rock \u0026amp; roll hits. The movie may have been nostalgic, but the music on the soundtrack still sounds alive, decades after it was originally recorded.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,19 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40882229641367,"sku":"FRM88677 Translucent Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/stand-by-me-original-motion-picture-soundtrack-aqua-blue-vinyl-audiosoundmusic-1.jpg?v=1719853256"},{"product_id":"the-lost-boys-original-motion-picture-soundtrack-gold-vinyl","title":"The Lost Boys - Original Motion Picture Soundtrack (Silver metallic vinyl)","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Silver metallic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rainbo Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Gary LeMel, Richard Steinberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1987\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGood Times - performed by INXS and Jimmy Barnes\u003c\/li\u003e\n\u003cli\u003eLost In The Shadows (The Lost Boys) - performed by Lou Gramm\u003c\/li\u003e\n\u003cli\u003eDon't Let The Sun Go Down On Me - performed by Roger Daltrey\u003c\/li\u003e\n\u003cli\u003eLaying Down The Law - performed by INXS and Jimmy Barnes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeople Are Strange - performed by Echo \u0026amp; The Bunnymen\u003c\/li\u003e\n\u003cli\u003eCry Little Sister (Theme From The Lost Boys) - performed by Gerard McMann\u003c\/li\u003e\n\u003cli\u003ePower Play - performed by Eddie And The Tide\u003c\/li\u003e\n\u003cli\u003eI Still Believe - performed by Tim Cappello\u003c\/li\u003e\n\u003cli\u003eBeauty Has Her Way - performed by Mummy Calls\u003c\/li\u003e\n\u003cli\u003eTo The Shock Of Miss Louise - performed by Thomas Newman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Joel Schumacher's 1987 film The Lost Boys capitalized on a temporary lull in horror movies in the late '80s and created a heavily music-video-influenced vampire homage with enough campy humor, heavy metal costumes, and hunky stars to put a fresh spin on the genre. An amusing piece of eye candy spiked by a few creepy moments, the movie, in typical '80s style, relies heavily on the soundtrack to bolster its emotional core. The soundtrack, like the film, works great on the surface -- but don't go much deeper. A mix of covers and bombastic '80s pop originals, the songs work best when they concentrate on the horror factor. Echo \u0026amp; the Bunnymen turn in an excellent cover of the Doors' \"People Are Strange\" that has a bouncier, more melodic touch than the original. Jimmy Barnes and INXS' \"Good Times\" is an energetic rocker used to personify the party-hardy SoCal atmosphere of the film. The strongest song is the movie's theme, \"Cry Little Sister,\" a goth-influenced midtempo ballad. Singer Gerald McMann's pained phrasing and creepy lyrics, and a chilling chorus sung by what sounds like disembodied children, exemplify the best parts of the movie and the soundtrack.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Theresa E. LaVeck\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,12 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40882302353559,"sku":"FRM-81767 Gold","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-lost-boys-original-motion-picture-soundtrack-gold-vinyl-audiosoundmusic-1.jpg?v=1719853257"},{"product_id":"the-wedding-singer-music-from-the-motion-picture-translucent-blue-vinyl","title":"The Wedding Singer - Music From The Motion Picture (Translucent Blue  vinyl)","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1997\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in April 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e Video Killed The Radio Star - The Presidents Of The United States Of America\u003c\/li\u003e\n\u003cli\u003eDo You Really Want To Hurt Me - Culture Club\u003c\/li\u003e\n\u003cli\u003eEvery Little Thing She Does Is Magic - The Police\u003c\/li\u003e\n\u003cli\u003eHow Soon Is Now? - The Smiths\u003c\/li\u003e\n\u003cli\u003eLove My Way - Psychedelic Furs\u003c\/li\u003e\n\u003cli\u003eHold Me Now - The Thompson Twins\u003c\/li\u003e\n\u003cli\u003eEveryday I Write The Book - Elvis Costello\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhite Wedding - Billy Idol\u003c\/li\u003e\n\u003cli\u003eChina Girl - David Bowie\u003c\/li\u003e\n\u003cli\u003eBlue Monday - New Order\u003c\/li\u003e\n\u003cli\u003ePass The Dutchie - Musical Youth\u003c\/li\u003e\n\u003cli\u003eHave You Written Anything Lately? - Adam Sandler \/ Drew Barrymore\u003c\/li\u003e\n\u003cli\u003eSomebody Kill Me - Adam Sandler\u003c\/li\u003e\n\u003cli\u003eRapper's Delight (Medley) - Sugarhill Gang plus Ellen Dow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"The very fact that the good-natured romantic comedy The Wedding Singer is set in 1985 means that the accompanying soundtrack is a perfect vehicle for a host of early-'80s new wave classics. Although the album, like the movie, gets the time period slightly wrong -- new wave was finished by 1985, but the entire project barrels ahead as if it were the glory days of 1983 -- the end result is thoroughly enjoyable. There are only two remakes and two Adam Sandler showcases on the 14-track album, leaving ten tracks of great new wave and post-punk from Culture Club (\"Do You Really Want to Hurt Me\"), the Police (\"Every Little Thing She Does Is Magic\"), the Psychedelic Furs (\"Love My Way\"), Elvis Costello (\"Everyday I Write the Book\"), the Thompson Twins (\"Hold Me Now\"), David Bowie (\"China Girl\"), New Order (\"Blue Monday\"), Musical Youth (\"Pass the Dutchie\"), the Smiths (\"How Soon Is Now?\"), and Billy Idol (\"White Wedding\"), who also appears in the film. The Presidents of the United States of America do a surprisingly good job with the Buggles' \"Video Killed the Radio Star\" (the track turned out to be the last thing the group recorded), and the Sandler's tracks are better and funnier than his comedy records, but Ellen Dow's rappin' granny on \"Rapper's Delight\" is either the funniest thing you've ever heard or annoys the hell out of you. Even if the latter case holds true for you, it's not enough to ruin one of the most entertaining pop soundtracks in a while.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.19 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40882354290839,"sku":"FRM46840 Translucent Blue","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-wedding-singer-music-from-the-motion-picture-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719853257"},{"product_id":"copy-of-the-wedding-singer-music-from-the-motion-picture-translucent-blue-vinyl","title":"The Wedding Singer - Music From The Motion Picture (Yellow vinyl)","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Yellow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1997\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in November 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e Video Killed The Radio Star - The Presidents Of The United States Of America\u003c\/li\u003e\n\u003cli\u003eDo You Really Want To Hurt Me - Culture Club\u003c\/li\u003e\n\u003cli\u003eEvery Little Thing She Does Is Magic - The Police\u003c\/li\u003e\n\u003cli\u003eHow Soon Is Now? - The Smiths\u003c\/li\u003e\n\u003cli\u003eLove My Way - Psychedelic Furs\u003c\/li\u003e\n\u003cli\u003eHold Me Now - The Thompson Twins\u003c\/li\u003e\n\u003cli\u003eEveryday I Write The Book - Elvis Costello\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhite Wedding - Billy Idol\u003c\/li\u003e\n\u003cli\u003eChina Girl - David Bowie\u003c\/li\u003e\n\u003cli\u003eBlue Monday - New Order\u003c\/li\u003e\n\u003cli\u003ePass The Dutchie - Musical Youth\u003c\/li\u003e\n\u003cli\u003eHave You Written Anything Lately? - Adam Sandler \/ Drew Barrymore\u003c\/li\u003e\n\u003cli\u003eSomebody Kill Me - Adam Sandler\u003c\/li\u003e\n\u003cli\u003eRapper's Delight (Medley) - Sugarhill Gang plus Ellen Dow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"The very fact that the good-natured romantic comedy The Wedding Singer is set in 1985 means that the accompanying soundtrack is a perfect vehicle for a host of early-'80s new wave classics. Although the album, like the movie, gets the time period slightly wrong -- new wave was finished by 1985, but the entire project barrels ahead as if it were the glory days of 1983 -- the end result is thoroughly enjoyable. There are only two remakes and two Adam Sandler showcases on the 14-track album, leaving ten tracks of great new wave and post-punk from Culture Club (\"Do You Really Want to Hurt Me\"), the Police (\"Every Little Thing She Does Is Magic\"), the Psychedelic Furs (\"Love My Way\"), Elvis Costello (\"Everyday I Write the Book\"), the Thompson Twins (\"Hold Me Now\"), David Bowie (\"China Girl\"), New Order (\"Blue Monday\"), Musical Youth (\"Pass the Dutchie\"), the Smiths (\"How Soon Is Now?\"), and Billy Idol (\"White Wedding\"), who also appears in the film. The Presidents of the United States of America do a surprisingly good job with the Buggles' \"Video Killed the Radio Star\" (the track turned out to be the last thing the group recorded), and the Sandler's tracks are better and funnier than his comedy records, but Ellen Dow's rappin' granny on \"Rapper's Delight\" is either the funniest thing you've ever heard or annoys the hell out of you. Even if the latter case holds true for you, it's not enough to ruin one of the most entertaining pop soundtracks in a while.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.19 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40882516230295,"sku":"FRM46840 Yellow","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-wedding-singer-music-from-the-motion-picture-yellow-vinyl-audiosoundmusic-1.jpg?v=1719853257"},{"product_id":"the-wedding-singer-music-from-the-motion-picture-white-vinyl","title":"The Wedding Singer - Music From The Motion Picture (White vinyl)","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : White\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1997\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in November 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e Video Killed The Radio Star - The Presidents Of The United States Of America\u003c\/li\u003e\n\u003cli\u003eDo You Really Want To Hurt Me - Culture Club\u003c\/li\u003e\n\u003cli\u003eEvery Little Thing She Does Is Magic - The Police\u003c\/li\u003e\n\u003cli\u003eHow Soon Is Now? - The Smiths\u003c\/li\u003e\n\u003cli\u003eLove My Way - Psychedelic Furs\u003c\/li\u003e\n\u003cli\u003eHold Me Now - The Thompson Twins\u003c\/li\u003e\n\u003cli\u003eEveryday I Write The Book - Elvis Costello\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhite Wedding - Billy Idol\u003c\/li\u003e\n\u003cli\u003eChina Girl - David Bowie\u003c\/li\u003e\n\u003cli\u003eBlue Monday - New Order\u003c\/li\u003e\n\u003cli\u003ePass The Dutchie - Musical Youth\u003c\/li\u003e\n\u003cli\u003eHave You Written Anything Lately? - Adam Sandler \/ Drew Barrymore\u003c\/li\u003e\n\u003cli\u003eSomebody Kill Me - Adam Sandler\u003c\/li\u003e\n\u003cli\u003eRapper's Delight (Medley) - Sugarhill Gang plus Ellen Dow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"The very fact that the good-natured romantic comedy The Wedding Singer is set in 1985 means that the accompanying soundtrack is a perfect vehicle for a host of early-'80s new wave classics. Although the album, like the movie, gets the time period slightly wrong -- new wave was finished by 1985, but the entire project barrels ahead as if it were the glory days of 1983 -- the end result is thoroughly enjoyable. There are only two remakes and two Adam Sandler showcases on the 14-track album, leaving ten tracks of great new wave and post-punk from Culture Club (\"Do You Really Want to Hurt Me\"), the Police (\"Every Little Thing She Does Is Magic\"), the Psychedelic Furs (\"Love My Way\"), Elvis Costello (\"Everyday I Write the Book\"), the Thompson Twins (\"Hold Me Now\"), David Bowie (\"China Girl\"), New Order (\"Blue Monday\"), Musical Youth (\"Pass the Dutchie\"), the Smiths (\"How Soon Is Now?\"), and Billy Idol (\"White Wedding\"), who also appears in the film. The Presidents of the United States of America do a surprisingly good job with the Buggles' \"Video Killed the Radio Star\" (the track turned out to be the last thing the group recorded), and the Sandler's tracks are better and funnier than his comedy records, but Ellen Dow's rappin' granny on \"Rapper's Delight\" is either the funniest thing you've ever heard or annoys the hell out of you. Even if the latter case holds true for you, it's not enough to ruin one of the most entertaining pop soundtracks in a while.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.19 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40882547196055,"sku":"FRM46840 White","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-wedding-singer-music-from-the-motion-picture-white-vinyl-audiosoundmusic-1.jpg?v=1719853267"},{"product_id":"beat-street-soundtrack","title":"Beat Street Soundtrack","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Arthur Baker, Harry Belafonte\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1984\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cp\u003e            1 Grandmaster Melle Mel \u0026amp; The Furious Five-Beat Street Breakdown\u003c\/p\u003e\n\u003cp\u003e            2 The System-Baptize The Beat\u003c\/p\u003e\n\u003cp\u003e            3 Jenny Burton \u0026amp; Patrick Jude-Strangers In A Strange World (Love Theme From Beat Street)\u003c\/p\u003e\n\u003cp\u003e            4 Afrika Bambaataa \u0026amp; Soulsonic Force-Frantic Situation\u003c\/p\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cp\u003e            1 Juicy w\/ Deodato-Beat Street Strut\u003c\/p\u003e\n\u003cp\u003e            2 Sharon Green, Lisa Counts \u0026amp; Debbie D-Us Girls\u003c\/p\u003e\n\u003cp\u003e            3 Cindy Mizelle-This Could Be The Night\u003c\/p\u003e\n\u003cp\u003e            4 Arthur Baker-Breaker’s Revenge\u003c\/p\u003e\n\u003cp\u003e            5 Ruben Blades-Tu Carnio\/Carmen’s Theme\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Since it was the soundtrack to one of the first major motion pictures about hip-hop culture, it was a little disappointing that this album only contained two legitimate hip-hop songs among its nine tracks. Luckily, those two tunes happen to be classics. The Melle Mel showcase \"Beat Street Breakdown\" tackles everything from graffiti tagging to Armageddon with rhymes of hair-raising power, demonstrating why he was one of the greatest rappers to ever step up to the mic. And Afrika Bambaataa \u0026amp; the Soulsonic Force's \"Frantic Situation\" is equally stunning from a sonic perspective, as Arthur Baker's dense, cutup mix even makes room for a trombone solo. True, there are traces of hip-hop among some of the other offerings, including the System's electro-funky \"Baptize the Beat and Baker's instrumental \"Breaker's Revenge.\" But it certainly seems unnecessary for not one but two string-soaked ballads -- \"Strangers in a Strange World,\" the movie's official \"love theme,\" as well as Rubén Blades' Latin lullaby \"Tu Carino (Carmen's Theme)\" -- to have been included, instead of another couple of rap tunes. Take away the Melle Mel and Bambaataa songs, and the album is actually less impressive than Breakin', another hip-hop movie soundtrack of the same vintage that also avoided hip-hop -- but had better alternatives than can be found here.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Dan LeRoy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 1,5 \/ 5 , Discogs : 4,07 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40882580750487,"sku":"FRM-80154","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/beat-street-soundtrack-audiosoundmusic-1.jpg?v=1719853267"},{"product_id":"let-no-man-write-my-epitaph-2lp-45rpm-200g","title":"Ella Fitzgerald - Let No Man Write My Epitaph (2LP, 45RPM, 200g)","description":"\u003cdiv\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFrom The columbia Pictures Film \"Let No Man Write My Epitaph\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Ella Fitzgerald \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Ella Fitzgerald\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ella-fitzgerald\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ella-fitzgerald\"\u003e[click here to see more vinyl featuring Ella Fitzgerald]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Paul Smith\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Sonny Burke (A1), Paul Francis Webster (A1), Earl Brent (A2), Matt Dennis (A2), Gus Arnheim (A3), Arthur Freed (A3), Abe Lyman (A3), Dorothy Fields (B1), Jimmy McHugh (B1), Ted Fio Rito (B2), Sam M. Lewis (B2), Frances Langford (B2), Joe Young (B2), Ray Noble (B3), Ernie Burnett (B4), George Norton (B4), Johnny Burke (C1), Erroll Garner (C1), Maxwell Anderson (C2), Kurt Weill (C2), Harold Arlen (C3), Johnny Mercer (C3), Burt Kalmar (D1), Harry Ruby (D1), Ted Snyder (D1), George Bassman (D2), Ned Washington (D2-3), Jimmy McHugh (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded April 14–19, 1960 at United Western Recorders, Hollywood, Los Angeles:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlack Coffee\u003c\/li\u003e\n\u003cli\u003eAngel Eyes\u003c\/li\u003e\n\u003cli\u003eI Cried for You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Can't Give You Anything But Love\u003c\/li\u003e\n\u003cli\u003eThen You've Never Been Blue\u003c\/li\u003e\n\u003cli\u003eI Hadn't Anyone Till You\u003c\/li\u003e\n\u003cli\u003eMy Melancholy Baby\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMisty\u003c\/li\u003e\n\u003cli\u003eSeptember Song\u003c\/li\u003e\n\u003cli\u003eOne for my Baby (And One More for the Road)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWho's Sorry Now\u003c\/li\u003e\n\u003cli\u003eI'm Getting Sentimental Over You\u003c\/li\u003e\n\u003cli\u003eReach for Tomorrow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cb\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan face=\"Arial\" color=\"#ff0000\" size=\"2\"\u003eStereophile Records to Die For - 2014\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"I almost didn't review this review — after all, it was released by Analogue Productions on the same day as Ben Webster's \u003cem\u003eSoulville ..\u003c\/em\u003e. But if \u003cem\u003eSoulville \u003c\/em\u003ewas everything I hoped for, \u003cem\u003eEpitaph \u003c\/em\u003eis the over-achiever. Ella recorded a series of her 'greatest hits' for the soundtrack of this entirely forgettable movie, a few of which were used. Ella played a singing piano player, so she recorded the songs with only piano backing by Paul Smith. ... Recorded in 1960 at the United Western Recorders in Hollywood, which produced great sounding hits for everyone from Nat King Cole to the Beach Boys, this has always been recognized as one of Ella's best sounding records, and was released long ago by Classic Records. This new mastering by the late George Marino at Sterling Sound easily bests that earlier effort. Great music recorded during the golden age of recording at one of the great studios, mastered to perfection.\" Dennis D. Davis, \u003cem\u003eHi-Fi+\u003c\/em\u003e, Issue 104\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\"This is a most unusual Ella Fitzgerald recording. Recorded around the time when she performed some of these songs for the film Let No Man Write My Epitaph, the masterful singer is heard in duets with pianist Paul Smith interpreting 13 songs (even \"I Cried for You,\" \"I Can't Give You Anything But Love,\" and \"Who's Sorry Now?\") at slow expressive tempos. Listeners who feel that Ella Fitzgerald was mostly a scat singer who had trouble giving the proper emotional intensity to lyrics will be surprised by this sensitive and often-haunting set.\" AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4\/5  ,  Discogs 4.61 \/ 5  ,  HiFi+:\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003eRecording = 10\/10; Music = 10\/10 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41022180753559,"sku":"AVRJ 4043-45","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ella-fitzgerald-let-no-man-write-my-epitaph-2lp-45rpm-200g-audiosoundmusic-1.jpg?v=1719853924"},{"product_id":"simon-garfunkel-the-graduate","title":"Simon \u0026 Garfunkel - The Graduate","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimon \u0026amp; Garfunkel \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/Simon-Garfunkel\" title=\"vinyl featuring Simon \u0026amp; Garfunkel\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Simon \u0026amp; Garfunkel]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Simon – lead vocals, guitar \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-simon\" title=\"vinyl featuring Paul Simon\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Paul Simon]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Garfunkel – lead vocals \u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003ca title=\"audiophile vinyl featuring Art Garfunkel\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/art-garfunkel\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Art Garfunkel]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Grusin – additional music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Ray Moore\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Maarten De Boer at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Teo Macero\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Sounds Of Silence - Simon And Garfunkel\u003c\/li\u003e\n\u003cli\u003eThe Singleman Party Foxtrot - David Grusin\u003c\/li\u003e\n\u003cli\u003eRobinson - Simon And Garfunkel\u003c\/li\u003e\n\u003cli\u003eSunporch Cha-Cha-Cha - David Grusin\u003c\/li\u003e\n\u003cli\u003eScarborough Fair \/ Canticle (Interlude) - Simon And Garfunkel\u003c\/li\u003e\n\u003cli\u003eOn The Strip - David Grusin\u003c\/li\u003e\n\u003cli\u003eApril Come She Will - Simon And Garfunkel\u003c\/li\u003e\n\u003cli\u003eThe Folks - David Grusin\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"9\"\u003e\n\u003cli\u003eScarborough Fair \/ Canticle - Simon And Garfunkel\u003c\/li\u003e\n\u003cli\u003eA Great Effect - David Grusin\u003c\/li\u003e\n\u003cli\u003eThe Big Bright Green Pleasure Machine - Simon And Garfunkel\u003c\/li\u003e\n\u003cli\u003eWhew - David Grusin\u003c\/li\u003e\n\u003cli\u003eRobinson - Simon And Garfunkel\u003c\/li\u003e\n\u003cli\u003eThe Sounds Of Silence - Simon And Garfunkel\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« The soundtrack to Mike Nichols' The Graduate remains a key musical document of the late '60s, although truth be told, its impact was much less artistic than commercial (and, for that matter, more negative than positive). With the exception of its centerpiece track, the elegiac and oft-quoted \"Mrs. Robinson\" -- which only appears here as a pair of fragments -- the Simon \u0026amp; Garfunkel songs that comprise much of the record (a series of Dave Grusin instrumentals round it out) appeared on the duo's two preceding LPs; Nichols' masterstroke was to transplant those songs into his film, where they not only meshed perfectly with the story's themes of youthful rebellion and alienation (and the inner life of the central character, Dustin Hoffman's Benjamin Braddock) but also heralded a new era in movie music centered around the appropriation of past pop hits, a marketing gimmick that grew exponentially in the years to follow. The Graduate soundtrack, then, merits the dubious honor of being the earliest and one of the most successful Hollywood repackagings of \"found\" pop songs, a formula essentially based around coercing fans to purchase soundtrack albums filled with material they already own in order to acquire the occasional new track or two.\u003c\/p\u003e\n\u003cp\u003eThe album began its life because of Nichols' enthusiasm for the duo's music, and Columbia Records chief Clive Davis' ability to persuade the pair of the importance of a soundtrack LP. Davis turned the actual making of the album over to producer Teo Macero, who approached it with skepticism -- Paul Simon and Mike Nichols had discovered that they really weren't on the same page, with Nichols rejecting \"Overs\" and \"Punky's Dilemma,\" songs that ended up as highlights of the Bookends album, issued two months after The Graduate soundtrack. Thus, there wasn't enough Simon \u0026amp; Garfunkel material to fill even one LP side, and only about eight minutes of that were \"new\" recordings, and barely a quarter of that (the \"Mrs. Robinson\" fragments) new song material. And there also wasn't enough of David Grusin's instrumental music (none of which meshed with the duo's work) for an album. Macero combined this material into a musically awkward LP that somehow did its job -- which, in Davis' eyes, was to introduce Simon \u0026amp; Garfunkel's music to the parents of their existing audience (topping the charts in the bargain, and turning Grusin's \"Sunporch Cha-Cha-Cha\" into a favorite of easy listening stations). Fans of Simon \u0026amp; Garfunkel likely felt cheated by the presence of the \"Mrs. Robinson\" fragments, as well as repeats of the 1966-vintage \"The Sound of Silence\" and \"April Come She Will,\" and an edited extension of \"Scarborough Fair\/Canticle.\" But there were two curiosities for the completist -- a high-wattage, edited rendition of \"The Big Bright Green Pleasure Machine\" (in a style seemingly parodying the sound of Bob Dylan's Highway 61 Revisited); and a gentle, subdued acoustic reprise of \"The Sound of Silence,\" which was possibly the best studio rendition the duo ever gave of the song. » AllMusic Review by Bruce Eder\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Packaged with Speakers Corner's usual attention to authenticity and quality, the sound is vintage analog, dynamically lively with a wonderful sense of depth to the band orchestrations.\" - Neil Gader, The Absolute Sound, March 2008\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ,  Discogs : 3.88 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41040949543063,"sku":"OS 3180","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/simon-and-garfunkel-the-graduate-audiosoundmusic-1.jpg?v=1719854078"},{"product_id":"curtis-mayfield-super-fly-2lp-ultra-analog-45-rpm","title":"Curtis Mayfield - Super Fly (2LP, 45RPM, Ultra Analog, Half-speed Mastering)","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurtis Mayfield – vocals, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhil Upchurch - guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoseph Lucky Scott – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaster Henry Gibson – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTyrone McCullen – drums (\"Pusherman\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMorris Jennings – drums (all tracks except \"Pusherman\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCraig McMullen – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarry \"Slip\" Lepp – trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Pate – orchestrator, arranger\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, gatefold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 4,000 Numbered Copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Curtom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at RCA Studios, Chicago\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Roger Anfinsen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Curtis Mayfield\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich, Rob LoVerde\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLittle Child Runnin' Wild\u003c\/li\u003e\n\u003cli\u003ePusherman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFreddie's Dead\u003c\/li\u003e\n\u003cli\u003eJunkie Chase\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGive Me Your Love\u003c\/li\u003e\n\u003cli\u003eEddie You Should Know Better\u003c\/li\u003e\n\u003cli\u003eNo Thing On Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThink\u003c\/li\u003e\n\u003cli\u003eSuperfly\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Ranked 76\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 247\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"The choice of Curtis Mayfield to score the blaxploitation film Super Fly was an inspired one. No other artist in popular music knew so well, and expressed through his music so naturally, the shades of gray inherent in contemporary inner-city life. His debut solo album, 1970's Curtis, had shown in vivid colors that the '60s optimist (author of the civil-rights anthems \"Keep On Pushing\" and \"People Get Ready\") had added a layer of subtlety to his material; appearing on the same LP as the positive and issue-oriented \"Move On Up\" was an apocalyptic piece of brimstone funk titled \"(Don't Worry) If There's a Hell Below, We're All Going to Go.\" For Super Fly, Mayfield wisely avoids celebrating the wheeling-and-dealing themes present in the movie, or exploiting them, instead using each song to focus on a different aspect of what he saw as a plague on America's streets. He also steers away from explicit moralizing; through his songs, Mayfield simply tells it like it is (for the characters in the film as in real life), with any lessons learned the result of his vibrant storytelling and knack of getting inside the heads of the characters. \"Freddie's Dead,\" one of the album's signature pieces, tells the story of one of the film's main casualties, a good-hearted yet weak-willed man caught up in the life of a pusher, and devastatingly portrays the indifference of those who witness or hear about it. \"Pusherman\" masterfully uses the metaphor of drug dealer as businessman, with the drug game, by extension, just another way to make a living in a tough situation, while the title track equates hustling with gambling (\"The game he plays he plays for keeps\/hustlin' times and ghetto streets\/tryin' ta get over\"). Ironically, the sound of Super Fly positively overwhelmed its lyrical finesse. A melange of deep, dark grooves, trademarked wah-wah guitar, and stinging brass, Super Fly ignited an entire genre of music, the blaxploitation soundtrack, and influenced everyone from soul singers to television-music composers for decades to come. It stands alongside Saturday Night Fever and Never Mind the Bollocks Here's the Sex Pistols as one of the most vivid touchstones of '70s pop music.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by John Bush\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,57 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41047343890583,"sku":"MFSL2-481","price":135.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/curtis-mayfield-super-fly-2lp-ultra-analog-half-speed-mastering-45-rpm-audiosoundmusic-1.jpg?v=1719854078"},{"product_id":"tom-waits-and-crystal-gayle-one-from-the-heart-ultra-analog","title":"Tom Waits and Crystal Gayle - One from the Heart (Ultra Analog, Half-speed Mastering)","description":"\u003cdiv\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eTom Waits - vocals, piano, orchestral arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eCrystal Gayle – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob Alcivar – piano, orchestral arrangement, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRonnie Barron – organ on \"Little Boy Blue\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDennis Budimir – guitar on \"Opening Montage\" and \"Old Boyfriends\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Bunker – drums on \"The Tango\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGene Cipriano – tenor saxophone on \"The Tango\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreg Cohen – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTeddy Edwards – tenor saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVictor Feldman – timpani on \"You Can't Unring a Bell\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChuck Findley – trumpet on \"Circus Girl\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDick Hyde – trombone on \"Circus Girl\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePete Jolly – piano, accordion, celeste\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGayle Levant – harp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Lowe – woodwind on \"Circus Girl\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShelly Manne – drums on \"Opening Montage\", \"Is There Any Way Out of This Dream?\" and \"Old Boyfriends\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonny Morgan – woodwind\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Porcaro – glockenspiel on \"Presents\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmil Richards – vibes on \"I Beg Your Pardon\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJack Sheldon – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Thomassie – percussion on \"Little Boy Blue\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeslie Thompson – harmonica on \"Circus Girl\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Waldrop – tuba on \"Instrumental Montage\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Tom Waits\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eOctober 1980-September 1981 \u003c\/span\u003eat Wally Heider Recording Studio, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Biff Dawes, Bones Howe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bones Howe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1982\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOpening Montage\u003c\/li\u003e\n\u003cli\u003eTom's Piano Intro\u003c\/li\u003e\n\u003cli\u003eOnce Upon a Town\u003c\/li\u003e\n\u003cli\u003eThe Wages of Love\u003c\/li\u003e\n\u003cli\u003eIs There Any Way Out of This Dream\u003c\/li\u003e\n\u003cli\u003ePicking Up After You\u003c\/li\u003e\n\u003cli\u003eOld Boyfriends\u003c\/li\u003e\n\u003cli\u003eBroken Bicycles\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"9\"\u003e\n\u003cli\u003eI Beg Your Pardon\u003c\/li\u003e\n\u003cli\u003eLittle Boy Blue\u003c\/li\u003e\n\u003cli\u003eInstrumental Montage\u003c\/li\u003e\n\u003cli\u003eThe Tango\u003c\/li\u003e\n\u003cli\u003eCircus Girl\u003c\/li\u003e\n\u003cli\u003eYou Can't Unring a Bell\u003c\/li\u003e\n\u003cli\u003eThis One's From The Heart\u003c\/li\u003e\n\u003cli\u003eTake Me Home\u003c\/li\u003e\n\u003cli\u003ePresents\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"One From the Heart is the score to the most misunderstood of Francis Ford Coppola's films. Far ahead of its time in terms of technology, use of color, montage, and set design, its soundtrack is the only thing that grounds it to earth. Coppola's movie is a metaphorical retelling of the exploits of Zeus and Hera set in Las Vegas. Coppola claims to have been taken with the male-female narrative implications of the track \"I Don't Talk to Strangers,\" off Tom Waits' Foreign Affairs album. That cut was a duet with Bette Midler. Midler wasn't available for One From the Heart, however, so Waits chose Crystal Gayle as his vocal foil. The result is one of the most beautifully wrought soundtrack collaborations in history. Along with producer Bones Howe, Waits and Gayle cut their duets largely from the studio floor, live with the small combo-style studio band that included the saxophonist Teddy Edwards, drummer Shelly Manne, trumpeter Jack Sheldon, pianist Pete Jolly, and bassist Greg Cohen, among others. The opening cut, a Waits piano intro that flows into the duet \"Once Upon a Town,\" is a study in contrasts: first there are the stark ivories and the tinkle of a coin falling upon a bar before Waits' then-still-smoky baritone (now ravaged indescribably) entwines with Gayle's clear, ringing, emotionally rich vocal, and then joined by Bob Alcivar's string orchestrations before giving way to a jazzed-out down-tempo blues, where the pair sing in call-and-response counterpoint about the disappointments in life and love. These are echoed a couple of tracks later in another duet, \"Picking Up After You,\" which is the ultimate starstruck breakup tune. And while there are only four duets on the entire set, they are startling in their ragged intimacy, contrasted with a stark yet elegant atmosphere and cool noir-esque irony. Gayle's solo performances on the set, which include the mournfully gorgeous \"Is There Any Way out of This Dream,\" with beautiful accompaniment in a tenor solo by Edwards, and the shimmering melancholy of \"Old Boyfriends,\" are among the finest in her long career. For his part, Waits' \"I Beg Your Pardon\" and \"You Can't Unring a Bell\" fit deftly into his post-beat hipster canon, though they are offered with less droll irony and more emotionally honest flair here than they would have if they were on his own solo recordings. Likewise, the piano and vocal duet of \"Take Me Home\" offers Waits' piano as a canny and intuitive counterpart to the deep sensuality of Gayle's vocal. One From the Heart is a welcome addition to any soundtrack library to be sure, but also an essential one to the shelf of any Waits or Gayle fan.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Thom Jurek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003e\u003cspan\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,06 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41075492454551,"sku":"MFSL1-448","price":115.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tom-waits-and-crystal-gayle-one-from-the-heart-ultra-analog-half-speed-mastering-audiosoundmusic-1.jpg?v=1719854207"},{"product_id":"miles-davis-a-tribute-to-jack-johnson-ultra-analog","title":"Miles Davis - A Tribute to Jack Johnson (Ultra Analog, Half-speed Mastering)","description":"\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eMiles Davis – trumpet \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Miles Davis\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/miles-davis\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/miles-davis\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Miles Davis]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn McLaughlin – electric guitar \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring john mclaughlin\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-mclaughlin\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-mclaughlin\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring John McLaughlin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerbie Hancock – organ \u003ca title=\"vinyl featuring Herbie Hancock\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/herbie-hancock\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Herbie Hancock]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Henderson – electric bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Grossman – soprano saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Cobham – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrock Peters – narration\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastered\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia Masterworks \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded February 18 and April 7th 1970, \u003c\/strong\u003e\u003cstrong\u003eat Columbia Recording Studios B, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Arthur Kendy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Teo Macero\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRight Off\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003eYesternow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003eIf you have never experienced this staggeringly creative moment in Miles Davis's (and producer Teo Macero's) art played loud, with absolute clarity and unfettered transient-prowess, you might have only a partial understanding of what a god-walking-the-earth Miles Davis was. I am currently obsessed with this delirious musical construction because it reminds me that in order to make art at the highest levels, one must first give oneself permission to emancipate and explore the uncharted.\" Stereophile\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Davis' promise that he could form the \"greatest rock band you ever heard.\" Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970 and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, \"Right Off,\" the band is Davis, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes. This was from the musicians' point of view, in a single take, recorded as McLaughlin began riffing in the studio while waiting for Davis; it was picked up on by Henderson and Cobham, Hancock was ushered in to jump on a Hammond organ (he was passing through the building), and Davis rushed in at 2:19 and proceeded to play one of the longest, funkiest, knottiest, and most complex solos of his career. Seldom has he cut loose like that and played in the high register with such a full sound. In the meantime, the interplay between Cobham, McLaughlin, and Henderson is out of the box, McLaughlin playing long, angular chords centering around E. This was funky, dirty rock \u0026amp; roll jazz. The groove gets nastier and nastier as the track carries on and never quits, though there are insertions by Macero of two Davis takes on Sly Stone tunes and an ambient textured section before the band comes back with the groove, fires it up again, and carries it out. On \"Yesternow,\" the case is far more complex. There are two lineups, the one mentioned above, and one that begins at about 12:55. The second lineup was Davis, McLaughlin, Jack DeJohnette, Chick Corea, Bennie Maupin, Dave Holland, and Sonny Sharrock. The first 12 minutes of the tune revolve around a single bass riff lifted from James Brown's \"Say It Loud, I'm Black and I'm Proud.\" The material that eases the first half of the tune into the second is taken from \"Shhh\/Peaceful,\" from In a Silent Way, overdubbed with the same trumpet solo that is in the ambient section of \"Right Off.\" It gets more complex as the original lineup is dubbed back in with a section from Davis' tune \"Willie Nelson,\" another part of the ambient section of \"Right Off,\" and an orchestral bit of \"The Man Nobody Saw\" at 23:52, before the voice of Jack Johnson (by actor Brock Peters) takes the piece out. The highly textured, nearly pastoral ambience at the end of the album is a fitting coda to the chilling, overall high-energy rockist stance of the album. Jack Johnson is the purest electric jazz record ever made because of the feeling of spontaneity and freedom it evokes in the listener, for the stellar and inspiring solos by McLaughlin and Davis that blur all edges between the two musics, and for the tireless perfection of the studio assemblage by Miles and producer Macero.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Thom Jurek\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,64 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41081699205271,"sku":"MFSL1-440","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/miles-davis-a-tribute-to-jack-johnson-ultra-analog-half-speed-mastering-audiosoundmusic-1.jpg?v=1719854217"},{"product_id":"miles-davis-ascenseur-pour-l-echafaud-mono-limited-edition-10-vinyl","title":"Miles Davis – Ascenseur pour l’échafaud (Mono, 10\" Vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMiles Davis, trumpet \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/miles-davis\" title=\"vinyl featuring Miles Davis\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/miles-davis\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Miles Davis]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBarney Wilen, tenor sax \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Barney Wilen\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/barney-wilen\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/barney-wilen\" target=\"_blank\"\u003e[click here to see more vinyl featuring Barney Wilen]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRene Urtreger, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePierre Michelot, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenny Clarke, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposed by Miles Davis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Double Insert with a Black \u0026amp; White Miles Davis original photo by Gérad Landau from 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 10'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eOptimal in Germany using the Metal Mothers from Pallas\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : SAM Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Fontana\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded December 4, 1957 at Le Poste Parisien in Paris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ray Staff at Air Mastering in London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGenerique\u003c\/li\u003e\n\u003cli\u003eL'Assassinat de Carala\u003c\/li\u003e\n\u003cli\u003eSue L'Autoroute\u003c\/li\u003e\n\u003cli\u003eJulien Dans L'Ascenseur\u003c\/li\u003e\n\u003cli\u003eFlorence Sur Les champs-Elysees\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDiner Au Motel\u003c\/li\u003e\n\u003cli\u003eEvasion De Julien\u003c\/li\u003e\n\u003cli\u003eVisite Du Vigile\u003c\/li\u003e\n\u003cli\u003eAu Bar Du Petit Bac\u003c\/li\u003e\n\u003cli\u003eChez Le Photographe Du Motel\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Singles \u0026amp; EPs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTen songs from this soundtrack were released as one side of the album Jazz Track which received a 1960 Grammy nomination for Best Jazz Performance, Solo or Small Group\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGrand Prix du Disque 1958 - Académie Charles Cros\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSoundtrack of Louis Malle’s 1958 movie titled Ascenseur pour l’Echafaud (Elevator to the Gallows \/ Lift to the Scaffold)\u003c\/p\u003e\n\u003cp\u003e\"There is something more satisfying and historically complete to having a superbly reproduced version of the original document and that is what Sam Records provides in its commendably completist style that includes a laminated 'fold-over' cover, outstanding cover photo reproduction and as a bonus, a black and whilte matte finish photo of Miles in Paris 1957 by Gérard Landau. More importantly, the mono sonics on this evocative soundtrack, where your mind can almost accurately conjure up the \"noir-ish\" happenings on screen (involving, among other action, an illicit love affair and a murder), are transparent and precise.\" Michael Fremer, AnalogPlanet.com\u003c\/p\u003e\n\u003cp\u003e\"Saxophonist Barney Wilen in particular delivered a career-defining performance that showed that the best jazz could be made anywhere... The sound in the original mono is more immediate and a touch brighter than other versions, with somewhat less added reverberation and a definitely perfect vintage drum sound. The atmosphere of the film and the music are a dark, sublime collaboration, but taken alone this is among the all-time greatest jazz recordings.\" - Mark Milano, The Absolute Sound, January 2017\u003c\/p\u003e\n\u003cp\u003e« Jazz and film noir are perfect bedfellows, as evidenced by the soundtrack of Louis Malle's Ascenseur Pour L'Echafaud (Lift to the Scaffold). This dark and seductive tale is wonderfully accentuated by the late-'50s cool or bop music of Miles Davis, played with French jazzmen -- bassist Pierre Michelot, pianist René Urtreger, and tenor saxophonist Barney Wilen -- and American expatriate drummer Kenny Clarke. This recording evokes the sensual nature of a mysterious chanteuse and the contrasting scurrying rat race lifestyle of the times, when the popularity of the automobile, cigarettes, and the late-night bar scene were central figures. Davis had seen a screening of the movie prior to his making of this music, and knew exactly how to portray the smoky hazed or frantic scenes though sonic imagery, dictated by the trumpeter mainly in D-minor and C-seventh chords. Michelot is as important a figure as the trumpeter because he sets the tone, as on the stalking \"Visite du Vigile.\" While the mood of the soundtrack is generally dour and somber, the group collectively picks up the pace exponentially on \"Diner au Motel.\" At times the distinctive Davis trumpet style is echoed into dire straits or death wish motifs, as on \"Generique\" or \"L'Assassinat de Carala,\" respectively. Clarke is his usual marvelous self, and listeners should pay close attention to the able Urtreger, by no means a virtuoso but a capable and flexible accompanist. This recording can stand proudly alongside Duke Ellington's music from Anatomy of a Murder and the soundtrack of Play Misty for Me as great achievements of artistic excellence in fusing dramatic scenes with equally compelling modern jazz music. » AllMusic Review by Michael G. Nastos\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.74 \/ 5 , The Absolute Sound : 5\/5 Music, 5\/5 Sonics , Michael Fremer : Music = 10\/11, Sound = 10\/11\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41932346851578,"sku":"SR13\/1-UK","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/miles-davis-ascenseur-pour-l-echafaud-mono-10-vinyl-audiosoundmusic-1.jpg?v=1719855365"},{"product_id":"thelonious-monk-les-liaisons-dangereuses-1960-mono","title":"Thelonious Monk – Les Liaisons Dangereuses 1960","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Thelonious Monk \u003cspan data-mce-fragment=\"1\"\u003e\u003ca title=\"vinyl featuring Thelonious Monk\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/thelonious-monk\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/thelonious-monk\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Thelonious Monk]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble Bass – Sam Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Art Taylor \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/art-taylor\" title=\"Vinyl featuring Art Taylor\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/art-taylor\" target=\"_blank\"\u003eClick here to see more vinyl featuring Art Taylor\u003c\/a\u003e]\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Barney Wilen (A1, A2, B4)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Barney Wilen\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/barney-wilen\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/barney-wilen\" target=\"_blank\"\u003e[click here to see more vinyl featuring Barney Wilen]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone - Charlie Rouse \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/charlie-rouse\" title=\"Vinyl featuring Charlie Rouse\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/charlie-rouse\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Charlie Rouse]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Glossy flipback cover with 4-page booklet with previously unseen black \u0026amp; white photos from the recording session\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ using the stampers from Pallas in Germany.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : SAM Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : SAM Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Nola Penthouse Sound Studio, 111 W. 57th., New York, N.Y., July 27, 1959.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Tom Nola\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Benjamin Joubert at Biduloscope Mastering in Paris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by François Lê Xuân, Fred Thomas, Zev Feldman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRhythm-a-Ning\u003c\/li\u003e\n\u003cli\u003eCrepuscule With Nellie\u003c\/li\u003e\n\u003cli\u003eSix In One\u003c\/li\u003e\n\u003cli\u003eWell, You Needn't\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePannonica (solo)\u003c\/li\u003e\n\u003cli\u003ePannonica (solo)\u003c\/li\u003e\n\u003cli\u003ePannonica (quartet)\u003c\/li\u003e\n\u003cli\u003eBa-Lue Bolivar Ba-Lues-Are\u003c\/li\u003e\n\u003cli\u003eLight Blue\u003c\/li\u003e\n\u003cli\u003eBy And By (We'll Understand It Better By And By)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eAudiophile Audition Best of the year disc for 2017 - Jazz selection\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Any occasion for unreleased Thelonious Monk recordings is one for celebration. The discovery of his excellent soundtrack sessions for Roger Vadim's film Les Liaisons Dangereuses 1960, an adaptation of Pierre Choderlos de Laclos' 18th century novel, happened by accident. Producers Zev Feldman, François Le Xuan, and Frederic Thomas found these tapes while searching French saxophonist Barney Wilen's manager's archives in search of unreleased material. What they found were the original soundtrack and full sessions cut in New York during a single day in 1959 -- the same fertile year that yielded the Monk's At Town Hall; 5 by Monk by 5, and Thelonious Alone in San Francisco. Like these recordings, this soundtrack showcases Monk at the very top of his game. » AllMusic Review by Thom Jurek\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.77 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41935299608826,"sku":"SRS-1-LP","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/thelonious-monk-les-liaisons-dangereuses-1960-audiosoundmusic-1.jpg?v=1719855391"},{"product_id":"john-williams-at-the-movies-the-dallas-winds-2lp-half-speed-mastering","title":"John Williams - At The Movies - The Dallas Winds (2LP, Half-speed Mastering)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposed by John Williams (A1-D3), Francis Scott Key (D4), John Stafford Smith (D4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by John Williams (D4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Dallas Winds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChristopher Martin - Trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerry Junkin - Conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LPs, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-Speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Record Technology Inc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Reference Recordings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Reference Recordings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded July 15­17, 2016 at Meyerson Symphony Center, Dallas, Texas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Sean Royce Martin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered and mastered by Keith O. Johnson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Donald J. McKinney\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2018 (as an SACD).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in Sept 2019 (first time on LP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOlympic Fanfare And Theme\u003c\/li\u003e\n\u003cli\u003eSuperman March\u003c\/li\u003e\n\u003cli\u003eThe Cowboys Overture\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdventures On Earth from E.T.: The Extra-Terrestrial\u003c\/li\u003e\n\u003cli\u003eWith Malice Toward None from Lincoln\u003c\/li\u003e\n\u003cli\u003eMarch from 1941\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eScherzo For X Wings from Star Wars: The Force Awakens\u003c\/li\u003e\n\u003cli\u003eThe Jedi Steps And Finale from Star Wars: The Force Awakens\u003c\/li\u003e\n\u003cli\u003eStar Wars (Main Title)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eImperial March from The Empire Strikes Back\u003c\/li\u003e\n\u003cli\u003eExcerpts from Close Encounters Of The Third Kind\u003c\/li\u003e\n\u003cli\u003eTheme from J.F.K.\u003c\/li\u003e\n\u003cli\u003eThe Star-Spangled Banner\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e2019 Best Engineered, Classical GRAMMY® Nominee\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e2019 Best Classical Compendium GRAMMY® Nominee\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Film and Broadway Score\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e« Once you catch your breath, you’ll also discover that Williams has a few favorite tricks up his sleeve. When he’s not dazzling you with his undeniably rousing array of catchy, action-narrating themes, he’ll sometimes throw in otherworldly interludes that, amidst chords of wonderment, may even offer hints of reflection.” Jason Victor Serinus, Sterophile\u003c\/p\u003e\n\u003cp\u003e« The sound is everything you want in an eye-popping audiophile recording, while maintaining artistic integrity. The pyrotechnics are especially evident on the Lucas film-based music, where the percussion has you wishing you had opted for one size larger in speakers. Dynamics swing from dead quite black backgrounds to huge crescendos of percussion and trumpets in the 'Imperial March' appropriate for the theme song of one of the twentieth century's darkets villians. This is the ideal record set to pull out to get your audiophile friends' juices flowing - just skip the wine and cheese and fill up the popcorn bowl, and don't skimp on the volume level. » Dennis Davis, Hi-Fi+\u003c\/p\u003e\n\u003cp\u003e« Various collections of music by John Williams are available, and most of them involve their original orchestral scores. You might wonder whether you need a version for wind orchestra, but wonder no more: this reading by the Dallas Wind Symphony and its longtime conductor, Jerry Junkin, hits the spot in every way. You might acquire this album for the audiophile acoustics alone: the fine Meyerson Symphony Hall in Dallas has never sounded as good as it does here, in the hands of Reference Recordings engineers who have worked there for some years, and who have worked overtime to render the big spaces of Williams' music. And what spaces they are! If anything, the wind orchestra reading emphasizes Williams' big-boned brass writing, throwing it into sharp relief. The emphasis is set at the beginning by the Olympic Fanfare \u0026amp; Theme, written by Williams for the 1984 Los Angeles Olympics and qualifying as a film score by virtue of its later use in the Bobby Fischer biopic Pawn Sacrifice. That's one of several works that you'll immediately recognize, even without being able to place the films from which they come, and indeed, Williams' music may well outlast the films where it was used. The big, brass-dominated, symphonic scores form the basis of the program, but there's plenty more. There are terrific marches showing that among Williams' compositional ancestors was not only Copland but Sousa, and Williams' almost symbiotic relationship with director Steven Spielberg is explored. Sample \"With Malice Toward None\" from Lincoln to hear one of the products of Williams' barely diminished energy in old age. This album snared a pair of Grammy award nominations for Best Compendium and Best Engineering, both well deserved. » AllMusic Review by James Manheim\u003c\/p\u003e\n\u003cp\u003eJohn Williams is a game changer. Early in his career he crossed the lines between music that was “art” and music that was “commercial,” and never looked back. He is one of the best known, most awarded and most successful composers in US history, and his name is inextricably connected to outstanding music for films. He has written scores for over 100 films, and his massive list of awards includes 51 Academy Award nominations and five wins, as well as 24 GRAMMY® awards. A less­-known fact is his fondness for writing, arranging and conducting wind band music. This collection of his film music includes favorites from Star Wars, Superman, JFK, ET and many more, arranged for concert performance by top­-level wind ensemble.\u003c\/p\u003e\n\u003cp\u003eBrilliant performances by the Dallas Winds, were recorded in spectacular audiophile sound by Reference Recordings’ own award-winning engineering team: Keith O. Johnson and Sean Royce Martin. The engineers and album received GRAMMY® nominations in 2018 for Best Engineered Album, Classical and Best Classical Compendium for the 61st GRAMMY® Awards. John Williams At The Movies features soloist Christopher Martin, principal trumpet of the New York Philharmonic. The recording was made in Dallas Texas, in the Morton H. Meyerson Symphony Center, one of the world’s greatest concert halls, and the site of an annual Dallas Winds concert featuring the film music of John Williams.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn half-speed mastering, the whole mastering process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.67 \/ 5 , Hi-Fi+ : Recording 10\/10, Music 10\/10\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41941101641978,"sku":"RM2520","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/john-williams-at-the-movies-the-dallas-winds-2lp-half-speed-mastering-audiosoundmusic-1.jpg?v=1719855419"},{"product_id":"john-barry-dances-with-wolves-soundtrack-2lp-45rpm","title":"John Barry - Dances With Wolves Soundtrack (2LP, 45RPM)","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eComposed and conducted by John Barry\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP, Double gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition to 2,500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Record Technology Incorporated\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Original Recordings Group (ORG)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Columbia Studios, Los Angeles,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Shawn Murphy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman at Bernie Grundman Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by John Barry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1990\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMain Title - Looks Like A Suicide\u003c\/li\u003e\n\u003cli\u003eThe John Dunbar Theme\u003c\/li\u003e\n\u003cli\u003eJourney to Fort Sedgewick\u003c\/li\u003e\n\u003cli\u003eRide to Fort Hays\u003c\/li\u003e\n\u003cli\u003eThe Death of Timmons\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLP 1 - Side B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTwo Socks - The Wolf Theme\u003c\/li\u003e\n\u003cli\u003ePawnee Attack\u003c\/li\u003e\n\u003cli\u003eKicking Bird's Gift\u003c\/li\u003e\n\u003cli\u003eJourney to the Buffalo Killing Ground\u003c\/li\u003e\n\u003cli\u003eThe Buffalo Hunt\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStands With a Fist Remembers\u003c\/li\u003e\n\u003cli\u003eThe Love Theme\u003c\/li\u003e\n\u003cli\u003eThe John Dunbar Theme\u003c\/li\u003e\n\u003cli\u003eTwo Socks at Play\u003c\/li\u003e\n\u003cli\u003eThe Death of Cisco\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e Side D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRescue of Dances with Wolves\u003c\/li\u003e\n\u003cli\u003eThe Loss of the Journal and the Return to the Winter Camp\u003c\/li\u003e\n\u003cli\u003eFarewell and End Title\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1992 Grammy Award for \"Best Instrumental Composition Written for a Motion Picture or for Television\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1991 Academy Award for Best Original Score\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e« John Barry's fifth Oscar-winning score is a profoundly moving body of music, generally (though not entirely) elegiac in tone, very much like the movie for which it was written. It's also a bit of a mixed bag, occasionally falling back on material that will be familiar to fans of the James Bond movies that Barry scored during the early- to mid-'60s. The main title theme uses some of those devices -- dense, heavy string passages adjacent to trumpet calls -- but it is hardly representative of the full score. The real heart of Dances With Wolves is the pensive, tragic \"John Dunbar Theme,\" which is far closer in spirit to Barry's music for Somewhere in Time or They Might Be Giants -- films (and scores) far removed from the Bond movies. It seems as though, when Barry is asked to write music for characters who are complex and troubled (Bond is neither), he delivers the goods in the guise of musical material that reflects those elements. Some elements familiar from the Bond films can be found scattered throughout this soundtrack, particularly in the violin-driven \"stings\" that open \"The Death of Timmons\" and the horn calls that herald its closing; in the string parts underneath the hyperactive percussion of \"Pawnee Attack\" that might've been lifted right out of From Russia With Love; and also in \"Stands With a Fist Remembers,\" with its secondary violin part in the upper register of the strings. Much of Dances With Wolves, however, shows a broadening of Barry's sound -- he uses the vast canvas of Kevin Costner's movie and Dean Semler's cinematography as the basis for one of the most richly scored soundtracks of his career, working with one of the largest orchestras ever heard in one of his films; \"Journey to Fort Sedgewick,\" \"Kicking Bird's Gift,\" \"Two Socks at Play,\" \"The Death of Cisco,\" and \"Journey to the Buffalo Killing Ground\" have an almost Copland-like majesty about them, and \"The Buffalo Hunt\" is one of the finest pieces of music the man ever wrote. At times, it sounds as though Barry had every string and horn player in Los Angeles present, and topped it all out with an oversized percussion section, but none of the music or the scoring here sound excessive. Dances With Wolves was reissued with two bonus tracks in 1995. The 2004 reissue expanded some tracks and added still more material to present the soundtrack \"in its entirety.\" » AllMusic Review by Bruce Eder\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDances with Wolves is a 1990 American motion picture, adapted from a 1988 book by Michael Blake, directed, produced by, and starring Kevin Costner.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.83 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41955806314746,"sku":"ORG 150","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/john-barry-dances-with-wolves-soundtrack-2lp-45rpm-audiosoundmusic-1.jpg?v=1719855573"},{"product_id":"the-mysterious-world-of-bernard-herrmann-2lp-45rpm","title":"The Mysterious World of Bernard Herrmann  (2LP, 45RPM)","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eComposed by Bernard Herrmann\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNational Philharmonic Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBernard Herrmann Conductor Bernard Herrmann\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP, Double gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition to 2,500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Record Technology Incorporated\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Original Recordings Group (ORG)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Decca\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Kingsway Hall, London, February 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman at Bernie Grundman Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Tim McDonald\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : Music From The Columbia Picture \"Mysterious Island\"\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude\u003c\/li\u003e\n\u003cli\u003eThe Balloon\u003c\/li\u003e\n\u003cli\u003eThe Giant Crab\u003c\/li\u003e\n\u003cli\u003eThe Giant Bee\u003c\/li\u003e\n\u003cli\u003eThe Giant Bird\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B: Music From The Columbia Picture \"Jason And The Argonauts\"\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude\u003c\/li\u003e\n\u003cli\u003eTalos\u003c\/li\u003e\n\u003cli\u003eTalos' Death\u003c\/li\u003e\n\u003cli\u003eTriton\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C: Music From The Columbia Picture \"The Three Worlds Of Gulliver\"\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOverture\u003c\/li\u003e\n\u003cli\u003eMinuetto-Wapping\u003c\/li\u003e\n\u003cli\u003eHornpipe\u003c\/li\u003e\n\u003cli\u003eLilliputians 1 \u0026amp; 2\u003c\/li\u003e\n\u003cli\u003eVictory 1 \u0026amp; 2\u003c\/li\u003e\n\u003cli\u003eEscape\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D: Music From The Columbia Picture \"The Three Worlds Of Gulliver\"\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe King's March\u003c\/li\u003e\n\u003cli\u003eTrees\u003c\/li\u003e\n\u003cli\u003eThe Tightrope\u003c\/li\u003e\n\u003cli\u003eLovers\u003c\/li\u003e\n\u003cli\u003eThe Chess Game\u003c\/li\u003e\n\u003cli\u003ePursuit\u003c\/li\u003e\n\u003cli\u003eFinale\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« This album was recorded by the composer early in 1975 and has proved to be one of the more enduring parts of Bernard Herrmann's catalog, a steady seller on LP, and issued several times on CD, including an audiophile version from Mobile Fidelity. During the early to mid-'70s, Herrmann began re-recording many of his earlier scores at Kingsway Hall in London with the National Philharmonic Orchestra. The sound glitters, some of the brightest and richest audio of its period (attested to by the album's being part of Decca\/London Phase 4 Stereo), and the performances have a dignity and intensity that makes the music -- drawn from the key parts of Herrmann's scores for the Ray Harryhausen-created fantasy films The Three Worlds of Gulliver, Mysterious Island, and Jason and the Argonauts -- seem even more serious and profound than it originally did. Herrmann tends to take the tempos slower than he did in the original scores, which gives him and the players a chance to open up the detail and nuances in the music, bringing out their surprising depth and complexity. What's more, the players sound like they're having the time of their lives playing it. » AllMusic Review by Bruce Eder\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.0 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41955894755578,"sku":"ORG151","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-mysterious-world-of-bernard-herrmann-2lp-45rpm-audiosoundmusic-1.jpg?v=1719855573"},{"product_id":"prince-the-revolution-purple-rain-picture-disc","title":"Prince \u0026 The Revolution - Purple Rain (Picture Disc)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePerformed by Prince \u0026amp; The Revolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRags by Louis \u0026amp; Vaughn, Marie France, Prince\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass, Voice – Brown Mark\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Voice – Wendy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards, Voice – Lisa Coleman, Matt Fink\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Bobby Z\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin and viola - Novi Novog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello - David Coleman, Suzie Katayama\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApollonia – co-lead vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJill Jones – additional background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposed and arranged by Prince \u0026amp; The Revolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWords \u0026amp; Music by Prince (A1-3, A5 - B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten-by John L. Nelson (A4), Lisa (A4), Prince (A4), Wendy (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eL\u003c\/strong\u003e\u003cstrong\u003eimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : \u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003eunspecified\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media (Czech Republic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded August 1983 – March 1984 at First Avenue, Minneapolis (B2-4), The Warehouse, St. Louis Park, Minnesota (A1, A4), Sunset Sound (Hollywood (A2-3, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by David Leonard (A1, A4), Susan Rogers (A1, A4), David Leonard (A-3, B1-4), David Rivkin (B2 to B4), Peggy Mac (A2, A3, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1984\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLet's Go Crazy\u003c\/li\u003e\n\u003cli\u003eTake Me With U\u003c\/li\u003e\n\u003cli\u003eThe Beautiful Ones\u003c\/li\u003e\n\u003cli\u003eComputer Blue\u003c\/li\u003e\n\u003cli\u003eDarling Nikki\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen Doves Cry\u003c\/li\u003e\n\u003cli\u003eI Would Die 4 U\u003c\/li\u003e\n\u003cli\u003eBaby I'm A Star\u003c\/li\u003e\n\u003cli\u003ePurple Rain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 8\/500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGrammy Awards 1985 : Best Album of Instrumental Score written for a Motion Picture or Television Special\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eAcademy Awards\/Oscars 1985 : Best Music, Original Song Score\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBrit Awards 1985 : Best Soundtrack\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan\u003e1000 Recordings You Must Hear Before You Die - Ranked 538\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Prince designed Purple Rain as the project that would make him a superstar, and, surprisingly, that is exactly what happened. Simultaneously more focused and ambitious than any of his previous records, Purple Rain finds Prince consolidating his funk and R\u0026amp;B roots while moving boldly into pop, rock, and heavy metal with nine superbly crafted songs. Even its best-known songs don't tread conventional territory: the bass-less \"When Doves Cry\" is an eerie, spare neo-psychedelic masterpiece; \"Let's Go Crazy\" is a furious blend of metallic guitars, Stonesy riffs, and a hard funk backbeat; the anthemic title track is a majestic ballad filled with brilliant guitar flourishes. Although Prince's songwriting is at a peak, the presence of the Revolution pulls the music into sharper focus, giving it a tougher, more aggressive edge. And, with the guidance of Wendy and Lisa, Prince pushed heavily into psychedelia, adding swirling strings to the dreamy \"Take Me With U\" and the hard rock of \"Baby I'm a Star.\" Even with all of his new, but uncompromising, forays into pop, Prince hasn't abandoned funk, and the robotic jam of \"Computer Blue\" and the menacing grind of \"Darling Nikki\" are among his finest songs. Taken together, all of the stylistic experiments add up to a stunning statement of purpose that remains one of the most exciting rock \u0026amp; roll albums ever recorded. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4.48 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42058772807930,"sku":"1-557283","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/prince-and-the-revolution-purple-rain-picture-disc-audiosoundmusic-1.jpg?v=1719855768"},{"product_id":"the-lost-boys-original-motion-picture-soundtrack-translucent-red-vinyl","title":"The Lost Boys - Original Motion Picture Soundtrack (Translucent Red vinyl)","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rainbo Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Gary LeMel, Richard Steinberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1987\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGood Times - performed by INXS and Jimmy Barnes\u003c\/li\u003e\n\u003cli\u003eLost In The Shadows (The Lost Boys) - performed by Lou Gramm\u003c\/li\u003e\n\u003cli\u003eDon't Let The Sun Go Down On Me - performed by Roger Daltrey\u003c\/li\u003e\n\u003cli\u003eLaying Down The Law - performed by INXS and Jimmy Barnes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeople Are Strange - performed by Echo \u0026amp; The Bunnymen\u003c\/li\u003e\n\u003cli\u003eCry Little Sister (Theme From The Lost Boys) - performed by Gerard McMann\u003c\/li\u003e\n\u003cli\u003ePower Play - performed by Eddie And The Tide\u003c\/li\u003e\n\u003cli\u003eI Still Believe - performed by Tim Cappello\u003c\/li\u003e\n\u003cli\u003eBeauty Has Her Way - performed by Mummy Calls\u003c\/li\u003e\n\u003cli\u003eTo The Shock Of Miss Louise - performed by Thomas Newman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Joel Schumacher's 1987 film The Lost Boys capitalized on a temporary lull in horror movies in the late '80s and created a heavily music-video-influenced vampire homage with enough campy humor, heavy metal costumes, and hunky stars to put a fresh spin on the genre. An amusing piece of eye candy spiked by a few creepy moments, the movie, in typical '80s style, relies heavily on the soundtrack to bolster its emotional core. The soundtrack, like the film, works great on the surface -- but don't go much deeper. A mix of covers and bombastic '80s pop originals, the songs work best when they concentrate on the horror factor. Echo \u0026amp; the Bunnymen turn in an excellent cover of the Doors' \"People Are Strange\" that has a bouncier, more melodic touch than the original. Jimmy Barnes and INXS' \"Good Times\" is an energetic rocker used to personify the party-hardy SoCal atmosphere of the film. The strongest song is the movie's theme, \"Cry Little Sister,\" a goth-influenced midtempo ballad. Singer Gerald McMann's pained phrasing and creepy lyrics, and a chilling chorus sung by what sounds like disembodied children, exemplify the best parts of the movie and the soundtrack.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Theresa E. LaVeck\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,12 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42082464989434,"sku":"FRM-81768 Red","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-lost-boys-original-motion-picture-soundtrack-translucent-red-vinyl-audiosoundmusic-1.jpg?v=1719855867"},{"product_id":"bernard-herrmann-citizen-kane-classic-film-scores","title":"Bernard Herrmann - Citizen Kane \u0026 Classic Film Scores (2LP, 45RPM)","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eComposed by Bernard Herrmann\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKiri Te Kanawa, soprano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharles Gerhardt, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Numbered Deluxe Laminated Gatefold Jackets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 2,500 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : ORG\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Red Seal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in U.K.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by K. E. Wilkinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by George Korngold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1974\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTo be reissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Death Hunt (from On Dangerous Ground)\u003c\/li\u003e\n\u003cli\u003eXanadu (Prelude) \/ Snow Picture (from Citizen Kane)\u003c\/li\u003e\n\u003cli\u003eTheme and Variations (Breakfast Montage) (from Citizen Kane)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAria from Salammbo (from Citizen Kane)\u003c\/li\u003e\n\u003cli\u003eRosebud and Finale (from Citizen Kane)\u003c\/li\u003e\n\u003cli\u003eThe Sea \/ The lagoon (from Beneath the 12-Mile Reef)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDescending (from Beneath the 12-Mile Reef)\u003c\/li\u003e\n\u003cli\u003eThe Octopus \/ Homecoming (from Beneath The 12-Mile Reef)\u003c\/li\u003e\n\u003cli\u003eConcerto Macabre for Piano and Orchestra (from Hangover Square - performed by Joachim Achucarro, piano)\u003c\/li\u003e\n\u003cli\u003eTalking Drums \/ Prelude \/ The Riverboat \/ Petticoat Dance \/ The Safari (from White Witch Doctor)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTarantula \/ The Lion (from White Witch Doctor)\u003c\/li\u003e\n\u003cli\u003eNocturne (from White Witch Doctor)\u003c\/li\u003e\n\u003cli\u003eAbduction Of the Bakuba Boy \/ The Skulls (from White Witch Doctor)\u003c\/li\u003e\n\u003cli\u003eLonni Bound by Ropes \/ Departure (from White Witch Doctor)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Film and Broadway Scores\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Citizen Kane: The Classic Film Scores of Bernard Herrmann is probably the best of the entire series by conductor Charles Gerhardt and the National Philharmonic Orchestra. 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45RPM)","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eFranz Waxman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharles Gerhardt, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Numbered Deluxe Laminated Gatefold Jackets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 2,500 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London.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Kenneth Wilkinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2004\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTo be reissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude\u003c\/li\u003e\n\u003cli\u003eMoney Trouble\/The Schwabadero\u003c\/li\u003e\n\u003cli\u003eChase And Mansion\/An Aging Actress\u003c\/li\u003e\n\u003cli\u003eThe Organ Grinder\u003c\/li\u003e\n\u003cli\u003eA Curious Collaboration\u003c\/li\u003e\n\u003cli\u003eNorma’s Gallery\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfternoon Outings\/Sacrifice Of Self-Respect\u003c\/li\u003e\n\u003cli\u003eDramatic Chord\u003c\/li\u003e\n\u003cli\u003eAfter Auld Lang Syne\/The Pampered Prince\u003c\/li\u003e\n\u003cli\u003eParading To Paramount\u003c\/li\u003e\n\u003cli\u003eInterview With Demille\u003c\/li\u003e\n\u003cli\u003eDemille’s Compassion\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Studio Stroll\u003c\/li\u003e\n\u003cli\u003eFarewell\/Joe Walks Out\u003c\/li\u003e\n\u003cli\u003eThe Comeback\u003c\/li\u003e\n\u003cli\u003eSunset Boulevard Cast\u003c\/li\u003e\n\u003cli\u003eToccata And Fugue In D Minor (excerpts)\u003c\/li\u003e\n\u003cli\u003eLa Cumparsita\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDiane\u003c\/li\u003e\n\u003cli\u003eCharmaine\u003c\/li\u003e\n\u003cli\u003eAuld Lang Syne\u003c\/li\u003e\n\u003cli\u003eMain Title (Film Version with Effects)\u003c\/li\u003e\n\u003cli\u003eThe Paramount-Don’t-Want-Me Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Film and Broadway Scores\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1950 Academy Award for Best Original Score for Sunset Boulevard\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSunset Boulevard is number 6 on The American Film Institute list of the greatest film scores\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“This is a superb entry in RCA Victor's \"Classic Film Scores\" series of releases from the early '70s, and it's no surprise that it has endured in the catalog longer than virtually any other part of that series. Opening with Franz Waxman's score for Prince Valiant, which sounds a great deal like the music of Alexander Zemlinsky, you get Waxman at his most extroverted and joyful, working in a very traditional classical\/orchestral mode. But with the score for A Place in the Sun, he shifts into a moody, ever so slightly jazz-tinged work, featuring a superb performance by Ronnie Chamberlain on the piece's plaintive alto saxophone part, which causes some listeners to mistake this score for Leonard Bernstein's music for On the Waterfront -- that piece also includes a fugal section that is virtually identical to a section in the second movement of Shostakovich's Symphony No. 11, a piece of pure happenstance since Shostakovich could not have ever seen the 1951 movie. For many listeners of the original LP version of this release, a highlight is the centerpiece seven-minute section of music from The Bride of Frankenstein, depicting the creation of the female monster -- the latter piece also contains music that, in the hands of Waxman's arranger\/composer colleague Clifford Vaughan, was recycled into the various Flash Gordon and Buck Rogers adaptations that came from Universion in the 1930s, and at the time it was the most distinctive element of the movie (other than lobby cards and stills) that one could actually own; it's played with a mix of elegance and grandeur that evokes images of Richard Wagner's music at its most distinctive. The other major highlights include the deeply evocative, bracing, and ironic scoring for Sunset Boulevard and Waxman's dark, psychologically driven music for Alfred Hitchcock's Rebecca, with The Philadelphia Story lightening the mood a bit with its Gershwin-esque charm, and the late-career exoticism of Taras Bulba closing the CD. The sound is excellent throughout, and the overall disc may be -- with the volume devoted to Bernard Herrmann's work -- the best of this entire series.” AllMusic Review by Bruce Eder\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3,5 \/ 5 , Discogs : 4,67 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42182999638266,"sku":"ORGLP0147-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/sunset-boulevard-the-music-of-franz-waxman-charles-gerhardt-2lp-45rpm-audiosoundmusic.jpg?v=1719856873"},{"product_id":"10-000-maniacs-music-from-the-motion-picture","title":"10,000 Maniacs - Music From The Motion Picture","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eJerome Augustyniak – percussion, drums, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Gustafson – bass guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMary Ramsey – violin, viola, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hone – additional programming and keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJeff Erickson – guitar, vocals (A3 \u0026amp; B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDennis Drew – organ, keyboards, vocals (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Merino – finger style guitar (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold \u0026amp; Download Code\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded July 2011 – May 2012 at the Robert Lee Scharmann Theatre \u0026amp; FM Studios in Jamestown New York\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by David Hone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by 10,000 Maniacs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Gavin Lurssen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Don't Love You Too\u003c\/li\u003e\n\u003cli\u003eWhen We Walked On Clouds\u003c\/li\u003e\n\u003cli\u003eGold\u003c\/li\u003e\n\u003cli\u003eTriangles\u003c\/li\u003e\n\u003cli\u003eLive For The Time Of Your Life\u003c\/li\u003e\n\u003cli\u003eTriangles         \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhippoorwill\u003c\/li\u003e\n\u003cli\u003eIt's A Beautiful Life\u003c\/li\u003e\n\u003cli\u003eFine Line\u003c\/li\u003e\n\u003cli\u003eTiny Arrows\u003c\/li\u003e\n\u003cli\u003eDownhill\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Music from the Motion Picture is the first album of new music from 10,000 Maniacs in 14 years and, as perhaps could be expected, a lot has happened over that decade-and-a-half. First of all, founding member Robert Buck died of liver failure in 2000; secondly John Lombardo -- another founding member who also often functioned as the musical partner of Mary Ramsey, who has been the Maniacs' lead singer ever since the 1993 departure of Natalie Merchant -- left in 2002 and didn't rejoin when the group re-formed in 2008. The current lineup comprises Ramsey, keyboardist Dennis Drew, bassist Steve Gustafson, and drummer Jerry Augustyniak, a trio that has been in place since 1983, and guitarist Jeff Erickson, who came on board after Buck's passing, so this is a band with a long history and a comfortable chemistry that's readily apparent on Music from the Motion Picture. Indeed, many casual listeners could spin this 2013 album and be none the wiser of all the lineup shifts (indeed, Ramsey can sometimes sound like Merchant). Much of the album sounds even closer to prime Bush-era Maniacs than 1999's The Earth Pressed Flat: it's clean, gentle, and melodic, mellowed jangle pop that's always sweet, never melancholy. If the album is never exactly compelling, it never tries to be, either: it's comfort music for Gen-X'ers, usually sure-footed (it stumbles only toward the end, when the reggae lilt of \"It's a Beautiful Life\" is paired with the fussily moody \"Fine Line\"), and sure to satisfy those who are looking for something that sounds like Blind Man's Zoo with a fresh coat of paint.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3,57 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42211729506554,"sku":"AORM 7091","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/10000-maniacs-music-from-the-motion-picture-audiosoundmusic-1.jpg?v=1719857068"},{"product_id":"cold-mountain-soundtrack","title":"Cold Mountain Soundtrack (2LP)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals - \u003c\/strong\u003e\u003cstrong\u003eJack White (A1, C4, B1, B5, C1, C4), \u003cspan data-mce-fragment=\"1\"\u003eReeltime Travelers (A2), \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eTim Eriksen (A3, A5, B2, C4), Riley Baugus (A3), Tim O'Brien (A3), Alison Krauss (A4, B3), Riley Baugus (A5), Sting (B3), \u003c\/strong\u003e\u003cstrong\u003eSacred Harp Singers at Liberty Church (B4, D4), Dirk Powell (C2), Stuart Duncan (C2), \u003c\/strong\u003e\u003cstrong\u003eCassie Franklin (C3-4),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMandolin – Norman Blake (A1, B5, C1), Mike Compton (B1, C4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBanjo – Dirk Powell (A1, A3, A5, C1-2, C4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiddle – Stuart Duncan (A1, A3, A5 to B2, C1-2, C4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello – Martin Tillman (A4, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClarinet – Nick Bucknall (C5 to D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCor Anglais – Sue Bohling (C5 to D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOboe – David Theodore (C5 to D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Keefus Ciancia (A4), Keefus Ciancia (B3), Gabriel Yared (C5 to D3), Simon Chamberlain (C5 to D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin – Rolf Wilson (C5 to D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor – Harry Rabinowitz (C5 to D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Bobby Neuwirth (A2), Henry Burnett (A2, A4), Elvis Costello (A4), Lonnie Carter (B1), Walter Jacobs (B1), Sting (B3), Jack White (B5), \u003cspan data-mce-fragment=\"1\"\u003eGabriel Yared (C5 to D3), Amzi Chapin (D4), Charles Wesley (D4)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestrated by Gabriel Yared (C5 to D3), John Bell (C5 to D3), Kevin Townend (C5 to D3), Nick Ingman (C5 to D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSound Emporium Studios, Nashville, Tennessee A1 to A3, A5, B1, B2, C1 to C4\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSound Emporium Studio, Nashville, Tennessee and Capitol Studios, Hollywood, California (A4, B5)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSound Emporium Studio, Nashville, Tennessee, Steer Pike Studio, Capitol Studios, Hollywood, California (B3)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eLiberty Baptist Church, Sand Mountain, Henagar, Alabama (B4, D4)\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMixed at Electromagnetic Studio, Los Angeles, California (A1, A3, A4, A5, B1, B2, B5, C1, C2) and Capitol Studios, Hollywood, California (A2, B3, B4, C3, C4, D4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Mike Piersante (A1 to C4, D4), John Richards (C5 to D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered\u003cspan\u003e \u003c\/span\u003eby Gavin Lurssen at the Mastering Lab, Los Angeles, California\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by T Bone Burnett\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2003\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWayfaring Stranger (Jack White)\u003c\/li\u003e\n\u003cli\u003eLike A Songbird That Has Fallen (Reeltime Travelers)\u003c\/li\u003e\n\u003cli\u003eI Wish My Baby Was Born (Tim Eriksen, Riley Baugus, Tim O'Brien)\u003c\/li\u003e\n\u003cli\u003eScarlet Tide (Alison Krauss)\u003c\/li\u003e\n\u003cli\u003eThe Cuckoo (Tim Eriksen and Riley Baugus)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSittin' On Top Of the World (Jack White)\u003c\/li\u003e\n\u003cli\u003eAm I Born To Die? (Tim Eriksen)\u003c\/li\u003e\n\u003cli\u003eYou Will Be My Ain True Love (Alison Krauss)\u003c\/li\u003e\n\u003cli\u003eI'm Going Home (Sacred Harp Singers at Liberty Church)\u003c\/li\u003e\n\u003cli\u003eNever Far Away (Jack White)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChristmas Time Will Soon Be Over (Jack White)\u003c\/li\u003e\n\u003cli\u003eRuby With the Eyes That Sparkle (Stuart Duncan and Dirk Powell)\u003c\/li\u003e\n\u003cli\u003eLady Margaret (Cassie Franklin)\u003c\/li\u003e\n\u003cli\u003eGreat High Mountain (Jack White)\u003c\/li\u003e\n\u003cli\u003eAnthem (Gabriel Yared)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAda Plays (Gabriel Yared)\u003c\/li\u003e\n\u003cli\u003eAda and Inman (Gabriel Yared)\u003c\/li\u003e\n\u003cli\u003eLove theme (Gabriel Yared)\u003c\/li\u003e\n\u003cli\u003eIdumea (Sacred Harp Singers at Liberty Church)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBAFTA Award for Best Film Music\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eWorld Soundtrack Award for Best Original Soundtrack of the Year\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eNominated for the Academy Award for Best Original Score\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eNominated for the Grammy Award for Best Compilation Soundtrack Album\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Miramax hops on the old-timey bandwagon with the release of the soundtrack for Anthony Minghella's Civil War epic Cold Mountain. Like O Brother, Where Art Thou?'s dark, older sibling, the latest collection of blues, ballads, and laments from producer T-Bone Burnett is a veritable dictionary of traditional country and Americana, but with a weightier muse. Jack White opens the record with a stark rendition of \"Wayfaring Stranger\" featuring Nashville heavyweights Stuart Duncan, Norman Blake, and Dirk Powell. For the most part, the White Stripes frontman successfully transplants himself into the genre, utilizing his throaty warble on Howlin' Wolf's \"Sittin' on Top of the World\" like a dust-bowl carny, and channeling fellow tenor Ralph Stanley on \"Great High Mountain.\" However, it's the self-penned \"Never Far Away\" that elevates White above his garage rock trappings. With its delicate front-porch picking and wistful lyrics, it manages to walk the line between heartache and puppy love with a sweetness that's genuinely moving. That same bleeding heart pumps through Alison Krauss' delivery of Elvis Costello's powerful \"Scarlet Tide,\" a ballad of devastating beauty that works almost like a spiritual. Recovering songwriter Sting contributes the record's only bad apple, the bland \"You Will Be My Ain True Love.\" Krauss does her best to paint the tune in period colors, but Sting -- who insists on singing harmony -- keeps the piece firmly entrenched in the very nonsepia-toned world of adult-contemporary pop. Unfortunately, the orchestral work for the film is hastily assembled as if it were an afterthought. While it may lack the initial punch of Tim Eriksen's \"I Wish My Baby Was Born\" or either of the shape-note tunes provided by the Sacred Harp Singers at Liberty Church, Burnett clusters composer Gabriel Yared's understated score at the end of the record, delegating it as filler, which is unfair, as its quiet power mirrors the songs as well as the characters.” AllMusic Review by James Christopher Monger\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,33 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42214309691642,"sku":"ORGM2040","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/cold-mountain-soundtrack-2lp-audiosoundmusic-1.jpg?v=1719857097"},{"product_id":"the-wonder-years-music-from-the-emmy-award-winning-show-and-its-era","title":"The Wonder Years - Music From The Emmy Award-Winning Show And Its Era (Translucent Yellow Vinyl)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 3,000 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Yellow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWith A Little Help From My Friends - Joe Cocker\u003c\/li\u003e\n\u003cli\u003eBaby I Need Your Loving - Was (Not Was)\u003c\/li\u003e\n\u003cli\u003eDrift Away - Judson Spence\u003c\/li\u003e\n\u003cli\u003eFor What It's Worth (Stop, Hey, What's That Sound) - Buffalo Springfield\u003c\/li\u003e\n\u003cli\u003eGet Together - Indigo Girls\u003c\/li\u003e\n\u003cli\u003eIn The Still Of The Night (I'll Remember) - Debbie Gibson\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTwentieth Century Fox - The Escape Club\u003c\/li\u003e\n\u003cli\u003eRuby Tuesday - Julian Lennon\u003c\/li\u003e\n\u003cli\u003eTeach Your Children - Crosby, Stills, Nash \u0026amp; Young \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Crosby, Stills and Nash\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/crosby-stills-nash\" style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Crosby, Stills and Nash]\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eBrown Eyed Girl - Van Morrison\u003c\/li\u003e\n\u003cli\u003eWill You Love Me Tomorrow - Carole King \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca title=\"vinyl featuring carole king\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/carole-king\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Carole King]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eCome Home (Wonder Years) - Debbie Gibson\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“The cuddly, sepia-warm tones of the hit Fox TV series spill over into this soundtrack, which is redolent with memories of childhood summers, walking in the park, barbecues out back, and all the other good stuff that the show waxed nostalgic about. Of the 13 tracks here, a full seven are covers. These include pop-gospel act Judson Spence's take on Dobie Gray's \"Drift Away,\" Joe Cocker's soulman exertions on the Beatles' \"With a Little Help (From My Friends),\" and two peace-and-love chestnuts -- the Indigo Girls' version of Dino Valente's \"Get Together\" and Richie Havens doing Cat Stevens' \"Peace Train.\" There's also Julian Lennon, sounding rather like David Bowie on \"Ruby Tuesday.\" Most of the covers are faithful, if unremarkable; the oddest of the lot is little-known Brit dance-pop act the Escape Club's funked-up version of the Doors' \"Twentieth Century Fox\" (would that be a plug for the studio, now?). Speaking of dance-pop, there are two tracks by '80s teen queen Debbie Gibson. Schmaltz is represented by Crosby Stills, Nash \u0026amp; Young's \"Teach Your Children\" and Carole King's \"Will You Still Love Me Tomorrow.\" And there's Van Morrison's \"Brown Eyed Girl,\" as well. All things considered, this record may have a fair bit of MOR hokum and not an especially inspired selection of songs. And the 1994 release The Wonder Years may be a more comprehensive document of the era capsuled in the show. Still, if you're in the mood for some quick-fix nostalgia, it fits the bill.” AllMusic Era Review by Leslie Mathew\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 2,5 \/ 5 , Discogs : 4,38 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42231612276986,"sku":"ORGM-2076","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-wonder-years-music-from-the-emmy-award-winning-show-and-its-era-translucent-yellow-vinyl-audiosoundmusic-1.jpg?v=1719857132"},{"product_id":"henry-mancini-hatari-music-from-the-paramount-motion-picture-score-2lp-45rpm-200g","title":"Henry Mancini - Hatari! - Music from the Paramount Motion Picture Score (2LP, 45RPM, 200g)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eConducted by Henri Mancini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposed by Henry Mancini, except A3 composed by Johnny Mercer and Hoagy Carmichael\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs,  Deluxe \"tip-on\" jacket by Stoughton Printing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1962\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2017\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan face=\"Times New Roman\"\u003eSide A : \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eTheme from \"Hatari!\"\u003c\/li\u003e\n\u003cli\u003eBaby Elephant Walk\u003c\/li\u003e\n\u003cli\u003eJust For Tonight\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSide B :\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eYour Father's Feathers\u003c\/li\u003e\n\u003cli\u003eBig Band Bwana\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan face=\"Times New Roman\"\u003eSide C : \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eThe Sounds Of Hatari\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSide D :\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003cli\u003eThe Soft Touch\u003c\/li\u003e\n\u003cli\u003eCrocodile, Go Home!\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003eAwards\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb\u003eTAS Super LP List! Special Merit: Film and Broadway Score\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb\u003e\u003cstrong\u003eFeatured on Harry Pearson's Famous \"Recommended List\" of fine audio recordings\u003c\/strong\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e« Coming off a double Oscar win for his Breakfast at Tiffany's score, Henry Mancini produced this score for the Howard Hawks-directed, John Wayne-starring safari comedy. This is at first a fun blend of jazz and Afro-exotica, jungle drums mixed with a classic bop combo. Elsewhere, however, the soundtrack opts for some pleasant, but very Western jazz, only stopping for the African instrument-sampler \"The Sounds of Hatari,\" which features some nice treated piano. The filmmakers were probably hoping that the Mercer and Carmichael song \"Just for Tonight\" would be as much a success as Tiffany's \"Moon River,\" but if Hatari! is memorable for anything, it's for the incredibly goofy \"Baby Elephant Walk,\" which has gone on to be infamous musical shorthand for kookiness of any stripe. Get this tune in your head and it sticks. » AllMusic Review by Ted Mills\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscogs : 4.21 \/ 5\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42257024254202,"sku":"APP2559-45","price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/henry-mancini-hatari-music-from-the-paramount-motion-picture-score-2lp-45rpm-200g-audiosoundmusic-1.jpg?v=1719857331"},{"product_id":"elvis-presley-24-karat-hits","title":"Elvis Presley - 24 Karat Hits (3LP, Mono \u0026 Stereo, 45RPM)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElvis Presley - vocals, acoustic guitar, rhythm guitar, percussion, piano \u003ca title=\"vinyl featuring Elvis Presley\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChet Atkins - Acoustic Guitar (A1), Rhythm Guitar (B1) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Chet Atkins\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/chet-atkins\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/chet-atkins\"\u003e[click here to see more vinyl featuring Chet Atkins]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar –\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eScotty Moore (D4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRhythm Guitar - \u003c\/strong\u003e\u003cstrong\u003eHank Garland (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Floyd Cramer (A1, B1, C2, D2), Shorty Long (A3-4), Dudley Brooks (B3-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Guitar - Scotty Moore (A1, A3, B3-5, C2, D2), Hank Garland (D4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble bass - Bill Black (A1, A3, B4-5), Bob Moore (B1, C2, D4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums - D.J. Fontana (A1, A3, B1, B3-5, C2), \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion - Buddy Harman (C2, D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – The Jordanaires (A3-B3, B5, C2-D2, E2-F2), Donna Thatcher (F3-4), Ginger Holladay (F3-4), Jeannie Greene (F3-4), Mary Holladay (F3-4), Susan Pilkinton (F3-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono (A1 to B5) \u0026amp; Stereo (C1 to F4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : DCC Compact Classics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded : \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eA1, B1, C2, C3, D1 - D4, E2, E3, F1, F2 at RCA-Victor Studio B, Nashville, TN.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA3, A4 at RCA-Victor East 24th Street Studio, N.Y.C.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eA2, B2, B3, B5, E1, E4 at Radio Recorders Studio B, Hollywood, CA.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eF3, F4, at American Studio in Memphis, TN.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eC1 at 20th Century Fox Stage 1, Los Angeles, CA.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eB4 recorded at MGM Scoring Stage, Culver City, CA.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eB3 from the Hal Wallis-Paramount film \"Loving You\".\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eB4 from the Avon production, an M-G-M release \"Jailhouse Rock\".\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Bill Porter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Elvis Presley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1997\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2010\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Songs of All Time - \"Love Me Tender\" - Ranked 444\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeartbreak Hotel (mono)\u003c\/li\u003e\n\u003cli\u003eLove Me (mono)\u003c\/li\u003e\n\u003cli\u003eDon't Be Cruel (mono)\u003c\/li\u003e\n\u003cli\u003eHound Dog (mono)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Big Hunk O' Love (mono)\u003c\/li\u003e\n\u003cli\u003eAll Shook Up (mono)\u003c\/li\u003e\n\u003cli\u003e(Let Me Be Your) Teddy Bear (mono)\u003c\/li\u003e\n\u003cli\u003eJailhouse Rock (mono)\u003c\/li\u003e\n\u003cli\u003eWear My Ring Around Your Neck (mono)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove Me Tender (stereo)\u003c\/li\u003e\n\u003cli\u003eStuck On You (stereo)\u003c\/li\u003e\n\u003cli\u003eIt's Now Or Never (stereo)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAre You Lonesome Tonight? (stereo)\u003c\/li\u003e\n\u003cli\u003eSurrender (stereo)\u003c\/li\u003e\n\u003cli\u003e(Marie's The Name) His Latest Flame (stereo)\u003c\/li\u003e\n\u003cli\u003eLittle Sister (stereo)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCan't Help Falling In Love (stereo)\u003c\/li\u003e\n\u003cli\u003eGood Luck Charm (stereo)\u003c\/li\u003e\n\u003cli\u003eShe's Not You (stereo)\u003c\/li\u003e\n\u003cli\u003eReturn To Sender (stereo)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e(You're The) Devil In Disguise (stereo)\u003c\/li\u003e\n\u003cli\u003eCrying In The Chapel (stereo)\u003c\/li\u003e\n\u003cli\u003eIn The Ghetto (stereo)\u003c\/li\u003e\n\u003cli\u003eSuspicious Minds (stereo)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Had Elvis Presley done nothing else but record \"That's Alright, Mama,\" his place in pop music history would be secure. With his first regional hit, Presley fused rhythm and blues with country, put a handsome white face out front for audiences to see, and in so doing legitimized beat music for white audiences. It is no understatement to call Presley the chief catalyst of the rock-and-roll era. During the 1950s, Presley's records spent a collective 53 weeks in the number one chart position. Only the Beatles can boast similar sales success.\u003c\/p\u003e\n\u003cp\u003ePresley's monumental accomplishments continued until his untimely death in 1977. After a stint in the Army, he spent a decade making profitable but forgettable movies. Then in 1968 he reestablished his artistic relevance with a spectacular television special and several great albums. During the last decade of his career, Presley's live show was the hottest ticket in America. A great singer first and last, Presley was equally adept at raunchy blues, lilting boogie, operatic pop, and country tear-jerkers.” AlllMusic Review\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,73 \/ 5 , \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHi-Fi News : Sound Quality 90% , Michael Fremer : Music = 9\/11; Sound = 9\/11\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42292555022586,"sku":"AAPP2040","price":129.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-24-karat-hits-3lp-mono-and-stereo-45rpm-audiosoundmusic-1.jpg?v=1719857626"},{"product_id":"nat-king-cole-st-louis-blues-2lp-45rpm","title":"Nat 'King' Cole - St. Louis Blues (2LP, 45RPM)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSt. Louis Blues is a 1958 American film broadly based on the life of W. C. Handy, called the Father of the Blues, with Nat King Cole as W.C. Handy.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNat King Cole – vocal \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/nat-king-cole\" title=\"vinyl featuring Nat King Cole\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/nat-king-cole\"\u003e[click here to see more vinyl featuring Nat King Cole]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNelson Riddle – arranger, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by W.C. Handy (A2 – D3) and Nelson Riddle (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Capitol Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January 29–31, 1958 at Capital Studio, New York\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by \u003cspan data-mce-fragment=\"1\"\u003eLee Gillette\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray, Steve Hoffman at AcousTech Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2010\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOverture: Love Theme - Hesitating Blues\u003c\/li\u003e\n\u003cli\u003eHarlem Blues\u003c\/li\u003e\n\u003cli\u003eChantez Les Bas\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFriendless Blues\u003c\/li\u003e\n\u003cli\u003eStay\u003c\/li\u003e\n\u003cli\u003eJoe Turner's Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeale Street Blues\u003c\/li\u003e\n\u003cli\u003eCareless Love\u003c\/li\u003e\n\u003cli\u003eMorning Star\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMemphis Blues\u003c\/li\u003e\n\u003cli\u003eYellow Dog Blues\u003c\/li\u003e\n\u003cli\u003eSt. Louis Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“The filmed version of W.C. Handy's life, St. Louis Blues, is a fictional abomination full of every bad cliché that Hollywood could come up with. Its one saving grace was the dignified performance given by Nat King Cole in the lead role (even if Handy was never a singing pianist). This LP, in addition to featuring Nelson Riddle's \"Overture\" from the film, finds Cole singing ten of Handy's finest compositions (including \"Beale Street Blues,\" \"Careless Love\" and the title song) while backed by an orchestra playing Riddle's arrangements.” AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Compared to the reverb-drenched, watery and distant sounding original stereo records, Hoffman and Gray introduce just a “kiss” of echo chamber and no more. Enough to pleasantly wet down the aural landscape (much like they always wet the visual one before shooting an automobile commercial), but not so much that it splashes in your face. The result is a thrillingly intimate and honest sonic window that still maintains a respectful distance between listener and performer. These Nat “King” Cole reissues are magical time machines that will transport you back to Capitol Studios in ways the distant, compressed and obscured by reverb original stereo editions do not.” Michael Fremer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,17 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42295137468666,"sku":"AAPP 993-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/nat-king-cole-st-louis-blues-2lp-45rpm-audiosoundmusic-1.jpg?v=1719857649"},{"product_id":"henry-mancini-the-music-from-peter-gunn-2lp-45rpm-200g","title":"Henry Mancini - The music from Peter Gunn (2LP, 45RPM, 200g)","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eComposed and conducted by Henry Mancini\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpets: Pete Candoli, Ray Linn, Frank Beach, Uan Rasey, Conrad Gozzo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombones: Dick Nash, Jimmy Priddy, Milt Bernhart, Karl DeKarske\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrench horns: John Graas, Vincent DeRosa, Richard Perissi, John Cave\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReeds: Ted Nash, Plas Johnson, Ronny Lang, Paul Horn, Gene Cipriano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano: John Williams\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar: Bob Bain, Al Hendrickson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVibraphone: Victor Feldman, Larry Bunker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass: Rolly Bundock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums: Shelly Manne, Alvin Stoller, Jack Sperling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Deluxe \"tip-on\" gatefold jackets by Stoughton Printing\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecorded \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eAugust 26, 31, and September 4, 29, 1958 at Radio Recorders, Hollywood\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003eProduced by Simon Rady\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1959\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 2015\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeter Gunn\u003c\/li\u003e\n\u003cli\u003eSorta Blue\u003c\/li\u003e\n\u003cli\u003eThe Brothers Go to Mother's\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDreamsville\u003c\/li\u003e\n\u003cli\u003eSession at Pete's Pad\u003c\/li\u003e\n\u003cli\u003eSoft Sounds\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFallout!\u003c\/li\u003e\n\u003cli\u003eThe Floater\u003c\/li\u003e\n\u003cli\u003eSlow and Easy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Profound Gass\u003c\/li\u003e\n\u003cli\u003eBrief and Breezy\u003c\/li\u003e\n\u003cli\u003eNot from Dixie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« Remember how strikingly contemporary it seemed when Miami Vice used Phil Collins and Glenn Frey on its soundtrack, or years later when the producers of Gilmore Girls and The O.C. showcased young indie bands on their shows? Well, it was just that revolutionary in 1958 when Blake Edwards, producer of the otherwise fairly standard detective show Peter Gunn, tapped the young composer Henry Mancini to write a soundtrack informed by the West Coast-style cool jazz of Dave Brubeck and Chet Baker. The soundtrack album for Peter Gunn may be best known for the cool twang guitar riff of the main theme (later lifted wholesale by the B-52's for \"Planet Claire,\" among others who recognized its forbidding cool), but this is his most jazz-influenced soundtrack work. There's some particularly impressive work by drummer Shelly Manne and vibes player Victor Feldman, whose cool, understated playing seems to deliberately recall that of Milt Jackson. » AllMusic Review\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is not only a great LP but a key piece of jazz and pop music history. Back in 1958, \"Peter Gunn\" was one of the unexpected hits of the new television season, capturing the imagination of millions of viewers by mixing private eye action with a jazz setting. Composer Henry Mancini was more than fluent in jazz, and his music nailed down the popularity of the series. With the main title theme, a driving, ominous, exciting piece of music to lead off the album, \"The Music from Peter Gunn\" became a huge hit, charting extraordinarily high for a television soundtrack and doing so well that RCA Victor came back the next year asking for a second helping (\"More Music From Peter Gunn\") from Mancini.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe music holds up: \"Session At Pete’s Pad\" is a superb workout for the trumpets of Pete Candoli, Uan Rasey, Conrad Gozzo, and Frank Beach, while Barney Kessel’s electric guitar gets the spotlight during \"Dreamsville\"; and \"Sorta Blue\" and \"Fallout\" are full-ensemble pieces that constitute quintessential 'cool' West Coast jazz of the period. In other words, it’s all virtuoso orchestral jazz, presented in its optimum form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 5 \/ 5 ,  \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e:  \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,47\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 \u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42319673032954,"sku":"AAPP 1956-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/henry-mancini-the-music-from-peter-gunn-2lp-45rpm-200g-audiosoundmusic-1.jpg?v=1719857779"},{"product_id":"sons-of-anarchy-songs-of-anarchy-volumes-2-3-2lp-clear-vinyl","title":"Sons Of Anarchy - Songs of Anarchy Volumes 2 \u0026 3 (2LP, Clear Vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Clear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bob Thiele Jr., Kurt Sutter, Dave Kushner, Matt Hyde, Matt Drenik, Lions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2011 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSympathy For The Devil – Jane’s Addiction\u003c\/li\u003e\n\u003cli\u003eThe Lost Boy – Greg Holden\u003c\/li\u003e\n\u003cli\u003eThe Passenger – Alison Mosshart \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eHe Got Away – Noah Gundersen \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eTo Sir With Love – Katy Segal \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eHigher Ground – Franky Perez \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLights – Battleme \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eThe Unclouded Day – Audra Mae \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eCoal War – Joshua James\u003c\/li\u003e\n\u003cli\u003eTime – Battleme \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eTravelin’ Band – Curtis Stigers \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eFamily – Noah Gundersen\u003c\/li\u003e\n\u003cli\u003eNo Milk Today – Joshua James \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSitting On Top Of The World – Chris Goss \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eRunning Blues – Jennifer O’Connor \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eCome Healing – Leonard Cohen\u003c\/li\u003e\n\u003cli\u003e(Sittin’ On) The Dock Of The Bay – Billy Valentine \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eLove Is My Religion – Franky Perex \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eAs Tears Go By – Noah Gundersen \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eI See Through You (Free Your Mind) – Battleme \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDay Is Gone – Noah Gundersen \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eEveryday People – The Forest Rangers feat. Audra Mae, Billy Valentine, Katey Segal, Curtis Stigers \u0026amp; Franky Perez\u003c\/li\u003e\n\u003cli\u003eFor A Dancer – Katey Segal \u0026amp; The Forest Rangers\u003c\/li\u003e\n\u003cli\u003eSlip Kid – The Forest Rangers feat. Franky Perez\u003c\/li\u003e\n\u003cli\u003eLullaby For A Soldier (Arms Of The Angels) – Maggie Siff\u003c\/li\u003e\n\u003cli\u003eCrash This Train – Television Soundtrack\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Many are the times that he drops into story development mode by using the montage approach with a driving or reflective song playing over the top. He also has a penchant for using established songs covered by new artists and this gives some very familiar songs a new lease on life.\u003c\/p\u003e\n\u003cp\u003eThe current season in America (which is season’s ahead of what Australian free to air television is currently broadcasting) sees Sutter delivering some of his best dialogue ever and the songs in the current season have really added to the emotional impact. Sutter’s wife Katey Segal (Gemma Teller on the show) has also been featured and her voice has a very soulful lived-in quality that well suits the song selection.\u003c\/p\u003e\n\u003cp\u003eThis collection, which is now up to Volume three, features the most emotionally resonant songs of the series and the highlights are many. Leonard Cohen’s Come Healing, Noah Gundersen and house band, The Forest Rangers take on the Rolling Stones’ classic As Tears Go By and Segal’s take on Jackson Browne’s For A Dancer are particularly satisfying.\u003c\/p\u003e\n\u003cp\u003eHaving seen all of the current episodes of SOA is not a prerequisite for enjoying this collection of songs as they easily stand on their own. However for fans of the show, this soundtrack will bring back some great memories and ignite a desire to go back and revisit the show’s most emotionally vivid moments.” Rob Hudson, TV.com\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,64 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42345303146746,"sku":"FRM-42143","price":79.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/sons-of-anarchy-songs-of-anarchy-volumes-2-and-3-2lp-clear-vinyl-audiosoundmusic-1.jpg?v=1719857912"},{"product_id":"shorty-rogers-and-his-orchestra-featuring-the-giants-the-wizard-of-oz-and-other-harold-arlen-songs","title":"Shorty Rogers And His Orchestra Featuring The Giants – The Wizard Of Oz And Other Harold Arlen Songs","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eShorty Rogers - trumpet, flugelhorn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePete Candoli, Buddy Childers, Don Fagerquist, Ollie Mitchell, Al Porcino, Ray Triscari - trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarry Betts, Marshall Cram, Frank Rosolino - trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob Enevoldsen - valve trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Giuffre - clarinet \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Jimmy Giuffre\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/jimmy-giuffre\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/jimmy-giuffre\"\u003e[click here to see more vinyl featuring Jimmy Giuffre]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerb Geller - alto saxophone, tenor saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBud Shank - alto saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Holman - tenor saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChuck Gentry - baritone saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Bunker - vibraphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBarney Kessel - guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePete Jolly - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Mondragon - bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMel Lewis – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Shorty Rogers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Harold Arlen (all tracks) with E. Y. \"Yip\" Harburg (A1-6), Ted Koehler (B1, B3), Johnny Mercer (B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded February 3, 5 \u0026amp; 10, 1959 in Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Dick Peirce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1959\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 2013\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWe're Off To See The Wizard\u003c\/li\u003e\n\u003cli\u003eOver the Rainbow\u003c\/li\u003e\n\u003cli\u003eJitterbug\u003c\/li\u003e\n\u003cli\u003eMerry Old Land of Oz\u003c\/li\u003e\n\u003cli\u003eIf I Only Had a Brain\u003c\/li\u003e\n\u003cli\u003eDing Dong! The Witch Is Dead\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Shining Hour\u003c\/li\u003e\n\u003cli\u003eGet Happy\u003c\/li\u003e\n\u003cli\u003eBlues In The Night\u003c\/li\u003e\n\u003cli\u003eLet's Fall In Love\u003c\/li\u003e\n\u003cli\u003eThat Old Black Magic\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“All of trumpeter\/arranger Shorty Rogers' recordings from the 1950s (which were quite influential on both arrangers and cool-toned soloists) are well worth searching for. Unfortunately, many are out of print, including half of this excellent LP; the second side has been reissued on the Bluebird CD Swings. On the first side, Rogers and his Orchestra (which includes such fine soloists as Jimmy Giuffre on clarinet and tenor, valve trombonist Bob Enevoldsen, altoists Bud Shank and Herb Geller, guitarist Barney Kessel and pianist Pete Jolly) perform five familiar songs from Oz, plus \"The Jitterbug,\" which did not make it into the final cut. This date is rounded out by fresh versions of five of Arlen's most famous songs, including \"Get Happy,\" \"Blues In the Night\" and \"That Old Black Magic.\" Wonderful music.” AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 4 \/ 5  ,  \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 \u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42534770835706,"sku":"RCA 1997","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/shorty-rogers-and-his-orchestra-featuring-the-giants-the-wizard-of-oz-and-other-harold-arlen-songs-audiosoundmusic-1.jpg?v=1719858478"},{"product_id":"nat-king-cole-just-one-of-those-things-2lp-45rpm","title":"Nat 'King' Cole - Just One of Those Things (2LP, 45RPM)","description":"\u003cp\u003e\u003cstrong\u003eNat King Cole – vocal \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/nat-king-cole\" title=\"vinyl featuring Nat King Cole\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/nat-king-cole\"\u003e[click here to see more vinyl featuring Nat King Cole]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra conducted by \u003c\/strong\u003e\u003cstrong\u003eBilly May \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArrangerd by Billy May\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, standard sleeve, notes from \u003cspan data-mce-fragment=\"1\"\u003eJordan Taylor and Michael Fremer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Records Pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Capitol Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded July 10, 19, 31, August 7, 1957 at Capital Studio, Hollywood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by John Kraus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Lee Gillette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissue Produced by Chad Kassem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray and Steve Hoffman at AcousTech Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen your Lover Has Gone\u003c\/li\u003e\n\u003cli\u003eA Cottage For Sale\u003c\/li\u003e\n\u003cli\u003eWho's Sorry Now?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOnce in a While\u003c\/li\u003e\n\u003cli\u003eThese Foolish Things Remind Me of You\u003c\/li\u003e\n\u003cli\u003eJust for the Fun of It\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Get Around Much Anymore\u003c\/li\u003e\n\u003cli\u003eI Understand\u003c\/li\u003e\n\u003cli\u003eJust One of Those Things\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Song is Ended (But the Melody Lingers On)\u003c\/li\u003e\n\u003cli\u003eI Should Care\u003c\/li\u003e\n\u003cli\u003eThe Party's Over\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eListening to these classic Nat “King” Cole albums is sure to thrill even long-time owners of the originals. So much more immediate, dimensional, transparent and dynamic are these new editions. In the case of those mastered from three-track tapes they are a generation closer to the original. And all of them have been produced with a level of meticulousness nearly impossible during the era of mass produced vinyl.\u003c\/p\u003e\n\u003cp\u003eCompared to the reverb-drenched, watery and distant sounding original stereo records, Hoffman and Gray introduce just a “kiss” of echo chamber and no more. Enough to pleasantly wet down the aural landscape (much like they always wet the visual one before shooting an automobile commercial), but not so much that it splashes in your face. The result is a thrillingly intimate and honest sonic window that still maintains a respectful distance between listener and performer. These Nat “King” Cole reissues are magical time machines that will transport you back to Capitol Studios in ways the distant, compressed and obscured by reverb original stereo editions do not. The original, rich sounding monophonic After Midnight seemed impossible to improve upon, but the AcousTech team did.\u003c\/p\u003e\n\u003cp\u003e“My ambition is to be able to sit back and appreciate myself as a person as well as a performer,” Cole tells George T. Simon in the original The Nat King Cole Story annotation, adding, “Once you can see people respecting you for what you are, then you begin to feel that everything you’ve done has not been done in vain.”\u003c\/p\u003e\n\u003cp\u003eSo, yes, Capitol founder Glenn Wallichs would be proud of these historic reissues, but no doubt, so would the great Nat “King” Cole, who passed away in 1965 at the age of 45. As Simon concludes in his notes, “The evidence speaks for itself.” Michael Fremer, Stereophile\u003c\/p\u003e\n\u003cp\u003e“Just One of Those Things is a theme album comparable to one of Frank Sinatra's uptempo swing albums of the same period (Come Fly with Me, etc.), and employs the same arranger\/conductor, Billy May. Nat King Cole is a bit less effective than Sinatra at uptempo material; he tends to undersing these sprightly standards, and May saves his dramatic horn charts and percussion shots for moments when Cole is away from the microphone. Even so, by the fifth track, \"These Foolish Things Remind Me of You,\" May has retreated to ballad time, and though his embellishments threaten to break out behind the singer, Cole gives an assured, unhurried performance. And that's the point: that Cole has tamed the rambunctious May does not mean he doesn't give wonderful interpretations to some wonderful songs: \"Don't Get Around Much Anymore,\" \"Just One of Those Things,\" \"The Song Is Ended (But the Melody Lingers On).\" And the light-handed swing supports those efforts well.” AllMusic Review by William Ruhlmann\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; Discogs : 4,23 \/ 5\u003c\/p\u003e\n\u003cp\u003eThe Audio Beat : 4\/5 Music, 5\/5 Sound\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42561663860986,"sku":"APP 903-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/nat-king-cole-just-one-of-those-things-2lp-45rpm-audiosoundmusic-1.jpg?v=1719858511"},{"product_id":"richard-rodgers-robert-russell-bennett-victory-at-sea-3lp-box-half-speed-mastering-supervinyl","title":"Richard Rodgers \u0026 Robert Russell Bennett – Victory At Sea (3LP, Box, Half-speed mastering, SuperVinyl)","description":"\u003ch2\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral suite from the NBC television production composed by Richard Rodgers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRCA Victor Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged and conducted by Robert Russell Bennett\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e3 LPs, box set, 30 page booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLimited numbered edition - NUMBER 7272\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003eHalf-speed Mastering\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 1984\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A: \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Song Of The High Seas\u003c\/li\u003e\n\u003cli\u003eThe Pacific Boils Over\u003c\/li\u003e\n\u003cli\u003eGuadalcanal March\u003c\/li\u003e\n\u003cli\u003eD-Day\u003c\/li\u003e\n\u003cli\u003eHard Work And Horseplay\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTheme Of The Fast Carriers\u003c\/li\u003e\n\u003cli\u003eBeneath The Southern Cross\u003c\/li\u003e\n\u003cli\u003eMare Nostrum\u003c\/li\u003e\n\u003cli\u003eVictory At Sea\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C: \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFire On The Waters\u003c\/li\u003e\n\u003cli\u003eDanger Down Deep\u003c\/li\u003e\n\u003cli\u003eMediterranean Mosaic\u003c\/li\u003e\n\u003cli\u003eThe Magnetic North\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllies On The March\u003c\/li\u003e\n\u003cli\u003eVoyage Into Fate\u003c\/li\u003e\n\u003cli\u003ePeleliu\u003c\/li\u003e\n\u003cli\u003eThe Sound Of Victory\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRings Around Rabaul\u003c\/li\u003e\n\u003cli\u003eFull Fathom Five\u003c\/li\u003e\n\u003cli\u003eThe Turkey Shoot\u003c\/li\u003e\n\u003cli\u003eShips That Pass\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTwo If By Sea\u003c\/li\u003e\n\u003cli\u003eThe Turning Point\u003c\/li\u003e\n\u003cli\u003eSymphonic Scenario\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eVictory at Sea is a documentary television series about warfare in general during World War II, and naval warfare in particular, as well as the use of industry in warfare. It was originally broadcast by NBC in the United States in 1952–1953. It was condensed into a film released in 1954. Excerpts from the music soundtrack, by Richard Rodgers and Robert Russell Bennett, were re-recorded for record albums. The original TV broadcasts comprised 26 half-hour segments—Sunday afternoons at 3pm (EST) in most markets—starting on October 26, 1952 and ending on May 3, 1953. The series, which won an Emmy award in 1954 as \"best public affairs program\", played an important part in establishing historic \"compilation\" documentaries as a viable television genre.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 3.95 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42631395246330,"sku":"MFSL3-150","price":350.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/richard-rodgers-and-robert-russell-bennett-victory-at-sea-3lp-box-half-speed-mastering-supervinyl-audiosoundmusic-1.jpg?v=1719858657"},{"product_id":"summer-of-soul-or-when-the-revolution-could-not-be-televised-2lp","title":"Summer Of Soul ... Or, When The Revolution Could Not Be Televised (2LP)","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded live at the Harlem Cultural Festival June, July and August, 1969 at Mount Morris Park, Harlem, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Mark Wilder, Vic Anesini at Battery Studios, New York\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by David Dinerstein, Joseph Patel, Ahmir \"Questlove\" Thompson, Rob Santos, Robert Fyvolent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released\u003c\/strong\u003e\u003cstrong\u003e June 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUptown - The Chambers Brothers\u003c\/li\u003e\n\u003cli\u003eWhy I Sing the Blues - B.B. King\u003c\/li\u003e\n\u003cli\u003eDon't Cha Hear Me Callin' to Ya - The 5th Dimension\u003c\/li\u003e\n\u003cli\u003eAquarius \/ Let the Sunshine In (The Flesh Failures) - The 5th Dimension\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Girl - David Ruffin\u003c\/li\u003e\n\u003cli\u003eOh Happy Day - The Edwin Hawkins Singers\u003c\/li\u003e\n\u003cli\u003eIt's Been a Change - The Staple Singers\u003c\/li\u003e\n\u003cli\u003ePrecious Lord, Take My Hand - The Operation Breadbasket Orchestra \u0026amp; Choir featuring Mahalia Jackson and Mavis Staples\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Heard It Through the Grapevine - Gladys Knight \u0026amp; The Pips\u003c\/li\u003e\n\u003cli\u003eWatermelon Man - Mongo Santamaria\u003c\/li\u003e\n\u003cli\u003eTogether - Ray Barretto\u003c\/li\u003e\n\u003cli\u003eHold On, I'm Comin' - Herbie Mann\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSing a Simple Song - Sly \u0026amp; The Family Stone\u003c\/li\u003e\n\u003cli\u003eEveryday People - Sly \u0026amp; The Family Stone\u003c\/li\u003e\n\u003cli\u003eAfrica - Abbey Lincoln and Max Roach\u003c\/li\u003e\n\u003cli\u003eBacklash Blues - Nina Simone\u003c\/li\u003e\n\u003cli\u003eAre You Ready - Nina Simone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGrammy Award for Best Music Film in 2022\u003c\/strong\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Extensive footage of the 1969 Harlem Cultural Festival was excerpted and relegated to two contemporary one-hour specials on CBS and ABC. Clips of the six-week event -- held at the neighborhood's Mount Morris Park with a combined attendance of 300,000 -- surfaced fleetingly online, but it wasn't until 2021 that the historic event was truly brought to light with the Questlove-directed Summer of Soul (...Or, When the Revolution Could Not Be Televised). Restorative in nature and effect, the riveting documentary premiered at the Sundance Film Festival and had won a bountiful number of awards by the time the soundtrack was made available the following January. Unfortunately, the sets from Stevie Wonder and Hugh Masekela are not represented here, but the album still presents, to quote the directive of Howard University's WHUR, 360 degrees of the Black experience. Anyone who has seen the film won't be surprised by the remarkable quality of the recordings, bearing minor blemishes only the stuffiest audiophile would care about. Even if the fidelity was halved, there would be more than enough power and sociopolitical context in these performances to induce goose bumps, tears, and other physical and emotional reactions. The succession of voices is astonishing. There's David Ruffin singing \"My Girl,\" utilizing the crowd as his background singers, filling his solo version with sweetened falsetto and ad-libs like \"How ya doin', brother?\" (as he waves at a gentleman swaying in a tree). The Edwin Hawkins Singers roll and soar through \"Oh Happy Day,\" which had recently put gospel in the Top Ten of the Hot 100. Then come the Staple Singers with Pops Staples delivering a motivational talk during \"It's Been a Change,\" followed by Jesse Jackson calling on Mahalia Jackson and Mavis Staples to lead the Operation Breadbasket Orchestra \u0026amp; Choir for a belting \"Precious Lord, Take My Hand.\" That all occurs during a 23-minute sequence surrounded by joyous appearances from the likes of the 5th Dimension, Gladys Knight \u0026amp; the Pips, and Sly \u0026amp; the Family Stone, and a galvanizing closing stretch courtesy of Abbey Lincoln and Max Roach (left off the CD edition due to format constraints) and Nina Simone. There's also an illuminating cross-cultural jazz block with percussionists Ray Barretto and Mongo Santamaria followed by Herbie Mann skipping through \"Hold On, I'm Comin'\" -- at least until guitarist Sonny Sharrock usurps the flutist to slash through Roy Ayers' vibraphone. The track sequencing is skip-proof. This and the film belong in every library on the planet.” AllMusic Review by Andy Kellman\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4,67 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42953134080250,"sku":"19439953321","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/summer-of-soul-or-when-the-revolution-could-not-be-televised-2lp-audiosoundmusic-1.jpg?v=1719859574"},{"product_id":"exit-wounds-the-album-2lp","title":"Exit Wounds The Album (2LP)","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe soundtrack to the Andrzej Bartkowiak 2001 film, Exit Wounds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1 is an interpretation of \"Ain't No Sunshine\" by Bill Withers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Blackground Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : \u003c\/strong\u003e\u003cstrong\u003eBlackground Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003e2000–2001\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Chris Bellman at Bernie Grundman Mastering, Hollywood, CA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in March 2001\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in June 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDMX – No Sunshine\u003c\/li\u003e\n\u003cli\u003eBlack Child – State To State (featuring Ja Rule)\u003c\/li\u003e\n\u003cli\u003eNas – Gangsta Tears\u003c\/li\u003e\n\u003cli\u003eTrick Daddy – We Got (featuring Trina)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSincere – Party (featuring – Timbaland)\u003c\/li\u003e\n\u003cli\u003eIdeal – It's On Me\u003c\/li\u003e\n\u003cli\u003eThree 6 Mafia – They Don't F@*k Wit U\u003c\/li\u003e\n\u003cli\u003eBig Stan – Walk With Me (featuring – DMX)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMemphis Bleek – 1-2-3\u003c\/li\u003e\n\u003cli\u003eThe Lox – Bust Your Gun (featuring Sheek, Styles)\u003c\/li\u003e\n\u003cli\u003eMack 10 – Steady Grinding (featuring – Cash $ Millionaires)\u003c\/li\u003e\n\u003cli\u003ePlaya – Incense Buring\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDrag-On – Off Da Chain Daddy (featuring Aja)\u003c\/li\u003e\n\u003cli\u003eOutsiderz 4 Life – Hell Yeah (Remix)\u003c\/li\u003e\n\u003cli\u003eLady Luck - Hey Ladies (featuring Redman)\u003c\/li\u003e\n\u003cli\u003eCaviar – Fo' All Y'all (featuring WC, vocals by Don Twone, Nancy Fletcher)\u003c\/li\u003e\n\u003cli\u003eIceberg – Dog 4 Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“The Exit Wounds soundtrack may bounce around from smooth urban sounds to buck-wild Dirty South to hardcore East Coast rap, but no matter the style, it maintains a stunning level of exceptional quality. In fact, it's difficult to narrow down the best moments since there are so many. On the one hand, several of the gritty East Coast moments here -- DMX's \"No Sunshine,\" Drag-On's \"Off da Chain Daddy,\" Lady Luck's \"Hey Ladies,\" in particular -- could garner substantial radio play. Similarly, the three Dirty South moments featured -- Trick Daddy and Trina's \"We Got,\" Three 6 Mafia's \"They Don't Fuck Wit U,\" Cash Money Millionaires' \"Steady Grinding\" -- all stand as impressive songs driven by excellent production and a decadent air. And if that isn't enough to make this a notable soundtrack, the three sultry urban soul moments -- Ideal's \"It's on Me,\" Playa's \"Incense Burning,\" Timbaland's \"Hell Yeah (Remix)\" -- challenge the rap songs for the status of being album highlights. In sum, this album is filled to brim with amazing songs. Granted, a few songs such as Black Child and Ja Rule's \"State to State\" could be skipped over. For the most part, though, Exit Wounds illustrates exactly how great soundtracks occasionally can be; not only does it have an ensemble of amazing songs, but it also offers a variety of styles -- hardcore East Coast rap, Dirty South, naughty urban soul -- that should appeal to a number of audiences.” AllMusic Review by Jason Birchmeier\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.0 \/ 5 ; Discogs : 4.0 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42980729782522,"sku":"ERE690","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/exit-wounds-the-album-2lp-audiosoundmusic-1.jpg?v=1719859749"},{"product_id":"henry-mancini-the-pink-panther-2lp-45rpm","title":"Henry Mancini - The Pink Panther (2LP, 45RPM)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHenry Mancini (composer, conductor, piano) \u0026amp; his orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eC1 lyrics by Franco Migliacci and Johnny Mercer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs,  gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecorded September 1963 at RCA Victor's Music Center of the World, Hollywood\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Jim Malloy\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduced by Joe Reisman\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan K. Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1963\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2015\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks : \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Pink Panther Theme\u003c\/li\u003e\n\u003cli\u003eIt Had Better Be Tonight\u003c\/li\u003e\n\u003cli\u003eRoyal Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChampagne and Quail\u003c\/li\u003e\n\u003cli\u003eThe Village Inn\u003c\/li\u003e\n\u003cli\u003eThe Tiber Twist\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt Had Better Be Tonight\u003c\/li\u003e\n\u003cli\u003eCortina\u003c\/li\u003e\n\u003cli\u003eThe Lonely Princess\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSomething For Sellers\u003c\/li\u003e\n\u003cli\u003ePiano and Strings\u003c\/li\u003e\n\u003cli\u003eShades of Sennett\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Film and Broadway Score\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003e« The Pink Panther is another fine, early-'60s soundtrack from Henry Mancini. The title track became one of his most recognizable themes and kicks off a pleasant program of dreamy lounge cuts and Latin-tinged numbers. As he did on many other movie\/TV albums (Touch of Evil, Peter Gunn, etc.), Mancini also includes some noirish, big band numbers, like \"The Tiber Twist\" and the main title. Along with these up-tempo songs, he balances out the mostly light material with the solidly swinging mambos \"The Village Inn,\" \"Something for Sellers\" (as in Peter Sellers, the movies' star), and \"It Had Better Be Tonight\" (co-written by frequent partner Johnny Mercer and something of a minor vocal hit upon its release). The program's highlights, though, come from the kind of sublime (some might say cheesy) ballads he usually included on his soundtracks; the after-hours jazz tune \"Royal Blue\" stands out in particular, with its tasteful string arrangement and glowing trumpet solo. This is a great title for fans of Mancini's lounge\/soundtrack material, but those more into his jazz material should consider either his Peter Gunn or Combo soundtracks. » AllMusic Review by Stephen Cook\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Henry Mancini is one of the most talented fellows one could wish to meet. He has made quite a name for himself. That of Mancini, to be exact, and very famous in the bargain. But lest I be thought guilty of gross flattery, I feel I should point out that in private life he can be rather difficult. I once pointed this out to him and he kicked my shin. A lot of his music has been issued in the form of long-playing records. The great advantage of this is that you can sit and listen to Hank’s score without having to sit through the film. As yet, you cannot see the film without having to sit through the music. However, I understand that scientists are perfecting a device that may make this possible.\" — Peter Sellers, from the original album notes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe film director Blake Edwards brought into existence what is probably the best opening sequence to his comic crime film when he commissioned a young enterprising company to produce an animated Pink Panther cartoon film. The creative team came up with the idea of giving the cold, glittering diamond the guise of a cool, pink panther, which leads a bungling detective on a merry dance to the slinky sound of the Panther theme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMancini would not be Mancini if he did not bathe the film location – the skiing resort Cortina d’Ampezzo –in highly varied musical colours and genres. His well-known love for dance music finds itself in the samba (\"It Had Better Be Tonight\"), the shuffle (\"Champagne And Quail\"), and the cha-cha (\"Something For Sellers\"). But also the ballad, sung by a muted trumpet and saxophone (\"Royal Blue\"), or the simple combination of keyboard and strings (\"Piano And Strings\") are all woven into the story. One of the most memorable and delightful sounds is that of the accordion, whose melodies evoke an atmosphere that is filled with the Bohème, Paris and the sound of the musette. This music is never gaudy, but subtle, just like a panther padding quietly along. And if your appetite is now whetted for more, there is an extra portion of Mancini to be found in \"Breakfast At Tiffany’s\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 4.5 \/ 5 ,  \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4.65\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42996596736250,"sku":"APP 2795-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/henry-mancini-the-pink-panther-2lp-45rpm-audiosoundmusic-1.jpg?v=1719859802"},{"product_id":"the-american-epic-sessions-3lp","title":"The American Epic Sessions - Willie Nelson, Elton John, ... (3LP)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWillie Nelson – Vocals (B1, F5), Guitar (B1, F5) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/willie-nelson\" title=\"vinyl featuring Willie Nelson\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/willie-nelson\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Willie Nelson]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElton John – Piano (A4), Vocals (A4) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elton-john\" title=\"vinyl featuring Elton John\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elton-john\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elton John]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTaj Mahal – Vocals (C5), Ukulele (E4), Backing Vocals (E4) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/taj-mahal\" title=\"vinyl featuring Taj Mahal\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/taj-mahal\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Taj Mahal]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Brittany Howard (A1), Nas (A2), Jerron \"Blind Boy\" Paxton (A3), Jack White (A4, B2, F2), Edie Brickell (A5), Ashley Monroe (A6, D3), Merle Haggard (B1), Lillie Mae Rische (B2, E1), Rhiannon Giddens (B3, D2), Ana Gabriel (B4), Cesar Rosas (B5), Conrad Lozano (B5), Louie Perez (B5), David Hidalgo (B5), Bob Crawford (C1, E2), Scott Avett (C1, E2), Seth Avett (C1, E2), Ari Sorko-Ram (C2), Claire Hafteck (C2), Dwanna Orange (C2), Emanuel Bennet (C2), Fawn Sorko-Ram (C2), Jennifer M. Brown (C2), Marc Sorko-Ram (C2), Michelle Jones (C2), Shana May Jackson (C2), Tai Philips (C2), Bettye Lavette (C3), Pokey LaFarge (C4), Nas (D1), Louis Michot (D4), Bettye Lavette (D5), Frank Fairfield (D6), Raphael Saadiq (E1), Patrick Ferris (E3), Tim Carr  (E3), Zac Sokolow (E3), Auntie Geri Kuhia (E4), Charlie Kaleo Oyama (E4), Christine Pizzuti (E5), Stephen Stills (F1), Pokey LaFarge (F3), Auntie Geri Kuhia (F4), Charlie Kaleo Oyama (F4), Merle Haggard (F5),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Dom Flemons (E4), Zac Sokolow (E4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoir – Fred Martin And The Levite Camp (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Heath Fogg (A1), Brittany Howard (A1), Jerron \"Blind Boy\" Paxton (A3), Jack White (A2, A4, B2, F2), Fats Kaplin (A5), Ashley Monroe (A6), Merle Haggard (B1), Omar Rodriguez-Lopez (B4), Zac Sokolow (B4, C3-4, D5, E4), Cesar Rosas (B5), Seth Avett (C1, E2), Beck (C2), Adam Hoskins (C4), Pokey LaFarge (C4), Patrick Ferris (D3), Robert Carruth (D4), Dom Flemons (E4), Christine Pizzuti (E5), Stephen Stills (F1), Adam Hoskins (F3), Pokey LaFarge (F3), Merle Haggard (F5), Dom Flemons (F4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteel Guitar – Patrick Ferris (C3, C5, D5), Tim Carr (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLap Steel Guitar – Bobby Ingano (E4, F4), Fred Sokolow (E4, F4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlide Guitar – Frank Fairfield (D6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRequinto Guitar – David Hidalgo (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Zac Cockrell (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble Bass – Dominic Davis (A2, B2-3, C5, D1, E1, F2, F5), Joey Glynn (C4), Jake Faulkner (D3, E4, F4), Patrick Ferris (E4), Joey Glynn (F3),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Steve Johnson (A1), Alfredo Ortiz (A2), Carla Azar (B2-3, D1), Jay Bellerose (B4), Matthew (Eddie) Meyer (C4, F3), Daru Jones (C5, E1), Eric Heigle (D4),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Ben Tanner (A1), Roger Manning (C2), Jack White (D1),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBanjo – Fats Kaplin (A2, B2, F2, F5), Steve Martin (A5), Zac Sokolow (D6), Fats Kaplin (E1), Patrick Ferris (E3),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFiddle – Lillie Mae Rische (A2, A5, B2-3), Gabe Witcher (B4), Fats Kaplin (C5), Lillie Mae Rische (C5, E1, F2),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJug – Jake Faulkner (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMandolin – Fats Kaplin (B2-4), Zac Sokolow (D3), J. Micah Nelson (F5), Lillie Mae Rische (F5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccordion – Van Dyke Parks (B4), Andre Michot (D4),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Carla Azar (B4), Ryan Koenig (C4, F3),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitarrón – Conrad Lozano (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJarana – Louie Perez (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBones – Dom Flemons (C4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClarinet – Chloe Feoranzo (C4, F3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCornet – TJ Muller (C4, F3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello – Joe Kwon (E2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin – Zac Sokolow (E3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWashboard – Tim Carr (E3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUkulele – Patrick Ferris (E4), Zac Sokolow (F4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Ashley Monroe (A6), Guy Clark (A6), Jon Randall (A6), Jack White (B2), Robert Crawford (E2), Scott Avett (E2), Seth Avett (E2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten BY Minnie Lawlers (A1), J.B. Jones (A2), Will Shade (A2), Rev. Gary Davis (A3), Bernie Taupin (A4), Elton John (A4), Ashley Monroe (A6), Guy Clark (A6), Jon Randall (A6), Merle Haggard (B1), Porter Grainger (B3), Lydia Mendoza (B4), Lorenzo Barcelata (B5), Beck Hansen (C2), Frank Stokes (C3), W. C. Handy (C4), Charley Patton (C5), Chucky Thompson (D1), Nasir Jones (D1), Jean Ritchie (D3), Louis Michot (D4), Jim Jackson (D5), Charlie Poole (D6), Norman Woodlieff (D6), Charles J. Roberts (E1), Will Shade (E1), Daniel Decatur Emmett (E2), Geeshie Wiley (E5), Robert Johnson (F1), Sweet Papa Stovepipe (F2), Pokey LaFarge (F3), Keola Nalima (F4), Cecil Mack (F5), James Price Johnson (F5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LPs, \u003c\/strong\u003e\u003cstrong\u003eTrifold jacket, 20-page photo booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eUnited Record Pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Third Man Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Third Man Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eby Nick Bergh \u003c\/strong\u003e\u003cstrong\u003eat Woodrow Jackson Studio, Hollywood and Vox Recording Studios, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Michael Harris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Jack White (A1-2, A4-5, B1-5, C1-5, D1-2, D4-5, E1-2, F1-3, F5), T-Bone Burnett (A1, A4, B2, B4, C1, C3, D2-3, D5, E2-3, F2), Bernard MacMahon (A3, A6, E4-5, F4), Duke Erikson (A3, A6, C5, E4-5, F4, F5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Duke Erikson, Ellis Burman, John Polito, Nick Bergh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLacquer cut by Wes Garland at \u003c\/strong\u003e\u003cstrong\u003eNashville Record Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in June 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in June 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKiller Diller Blues - Alabama Shakes\u003c\/li\u003e\n\u003cli\u003eOn The Road Again - Nas\u003c\/li\u003e\n\u003cli\u003eCandy Man - Jerron \"Blind Boy\" Paxton\u003c\/li\u003e\n\u003cli\u003e2 Fingers Of Whiskey - Elton John and Jack White\u003c\/li\u003e\n\u003cli\u003eThe Coo Coo Bird - Steve Martin and Edie Brickell\u003c\/li\u003e\n\u003cli\u003eLike A Rose - Ashley Monroe\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Only Man Wilder Than Me - Willie Nelson and Merle Haggard\u003c\/li\u003e\n\u003cli\u003eMatrimonial Intentions - Jack White\u003c\/li\u003e\n\u003cli\u003eOne Hour Mama - Rihannon Giddens\u003c\/li\u003e\n\u003cli\u003eMal Hombre - Ana Gabriel\u003c\/li\u003e\n\u003cli\u003eEl Cascabel - Los Lobos\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCloser Walk With Thee - The Avett Brothers\u003c\/li\u003e\n\u003cli\u003eFourteen Rivers, Fourteen Floods - Beck\u003c\/li\u003e\n\u003cli\u003eNobody's Dirty Business - Bettye Lavette\u003c\/li\u003e\n\u003cli\u003eSt. Louis Blues - Pokey LaFarge\u003c\/li\u003e\n\u003cli\u003eHigh Water Everywhere, Part 2 - Taj Mahal\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOne Mic - Nas\u003c\/li\u003e\n\u003cli\u003ePretty Saro - Rihannon Giddens\u003c\/li\u003e\n\u003cli\u003eJubilee - Ashley Monroe and The Americans\u003c\/li\u003e\n\u003cli\u003eTous Les Matins - Lost Bayou Ramblers\u003c\/li\u003e\n\u003cli\u003eWhen I Woke Up This Morning - Bettye Lavette\u003c\/li\u003e\n\u003cli\u003eIf The River Was Whiskey - Frank Fairfield\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStealin' Stealin' - Raphael Saadiq\u003c\/li\u003e\n\u003cli\u003eJordan Am A Hard Road To Travel - The Avett Brothers\u003c\/li\u003e\n\u003cli\u003eSail Away Ladies - The Americans\u003c\/li\u003e\n\u003cli\u003eTomi Tomi - The Hawaiians\u003c\/li\u003e\n\u003cli\u003eLast Kind Words - Christine Pizzuti\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCome On In My Kitchen - Stephen Stills\u003c\/li\u003e\n\u003cli\u003eMama's Angel Child - Jack White\u003c\/li\u003e\n\u003cli\u003eJosephine - Pokey LaFarge\u003c\/li\u003e\n\u003cli\u003eHilo Hanakahi - The Hawaiians\u003c\/li\u003e\n\u003cli\u003eOld Fashioned Love - Willie Nelson and Merle Haggard\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eAwards:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e2018 Grammy Award Winner : Best American Roots Performance: \"Killer Diller Blues\" - Alabama Shakes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eDiscogs : 4.55 \/ 5 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42998897606906,"sku":"TMR-327","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-american-epic-sessions-willie-nelson-elton-john-3lp-audiosoundmusic-1.jpg?v=1719859834"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/collections\/vinyl_3c568c57-456e-4795-afdc-a9c1d496b87a.jpg?v=1719821194","url":"https:\/\/www.audiosoundmusic.com\/collections\/soundtrack.oembed?page=3","provider":"AudioSoundMusic","version":"1.0","type":"link"}