{"title":"Black Friday 2026 – Sélection","description":null,"products":[{"product_id":"little-feat-time-loves-a-hero","title":"\u003ctranscy\u003eLittle Feat - Time Loves A Hero \u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLittle Feat \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/little-feat\" title=\"audiophile vinyl featuring little feat\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Little Feat]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eLowell George (g, voc) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/lowell-george\" title=\"vinyl featuring Lowell George\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Lowell George]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Payne (keyb, voc, perc); Paul Barrère (g, voc); Ken Gradney (b); Ritchie Hayward (dr, perc, voc); Sam Clayton (cga, perc, voc); Tower Of Power Horn Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Paul Barrère (A1, A2, A4, B1, B4, B5), Ken Gradney (A2), Bill Payne (A2, arrangement A4, B2), Lowell George (A3, B4), Ken Gradney (A4), Richie Hayward (A4), Sam Clayton (A4), Fran Tate (B2), Terry Allen (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: 1976-77 at Sunset Sound Studios, Warner Bros. Studios, Western Recorders, all Hollywood, CA, and Record Plant, Sausalito, CA, by Donn Landee\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProduction: Ted Templeman\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHi Roller\u003c\/li\u003e\n\u003cli\u003eTime Loves A Hero\u003c\/li\u003e\n\u003cli\u003eRocket In My Pocket\u003c\/li\u003e\n\u003cli\u003eDay At The Dog Races\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOld Folks Boogie\u003c\/li\u003e\n\u003cli\u003eRed Streamliner\u003c\/li\u003e\n\u003cli\u003eNew Delhi Freight Train\u003c\/li\u003e\n\u003cli\u003eKeepin' Up With The Joneses\u003c\/li\u003e\n\u003cli\u003eMissin' You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« When Little Feat headed into the studio to record Time Loves a Hero, tensions between the bandmembers -- more specifically, Lowell George and the rest of the band -- were at a peak. George had not only succumbed to various addictions, but he was growing restless with the group's fondness for extending their jams into territory strikingly reminiscent of jazz fusion. The rest of the group brought in Ted Templeman, who previously worked on their debut and produced Sailin' Shoes, to mediate the sessions. George wasn't thrilled with that, but that's probably not the only reason why his presence isn't large on this release -- all signs point to his frustration with the band, and he wasn't in great health, so he just didn't contribute to the record. He wrote one song, the pleasant but comparatively faceless \"Rocket in My Pocket,\" and collaborated with Paul Barrere on \"Keepin' Up with the Joneses.\" Barrere was responsible for the only bright moments on the album, the ingratiatingly silly \"Old Folks Boogie\" and, along with Bill Payne and Ken Gradney, the funky singalong title track. Elsewhere, Barrere and Payne come up dry, turning out generic pieces that are well played but not as memorable as comparable Doobie Brothers cuts from the same time. Then there's \"Day at the Dog Races,\" a lengthy fusion jam that Templeman and everyone in the band loved -- except for George, who, according to Bud Scoppa's liner notes in Hotcakes \u0026amp; Outtakes, disparagingly compared it to Weather Report. He was right -- no matter how well Feat play on this track, it comes across as self-serving indulgence, and the clearest sign on this muddled album that they had indeed lost the plot. » AllMusic Review by Stephen Thomas Erlewine\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSpeakers Corner has released a re-mastered 180-gram vinyl of Little feat’s sixth studio album for Warners. Time Loves a Hero was recorded during a time of transition, one of Little Feat’s dysfunctional periods. Their primary songwriter, George contributed (as composer) to just two of the recorded tracks. But the overall superb musicianship of this Rock And Roll Hall Of Fame worthy band is on full display. Side 1 opens with a high voltage funk rocker (“Hi Roller”) by Paul Barrere. Featuring George on gritty lead vocal, the pumped up jam features Barrere’s electric guitar, muscle from Tower Of Power horns and a smoking organ from Billy Payne. This cut burns with intensity. The title track is a is a textured Latin-infused jazz rock jam with Payne handling lead vocals. The musical tapestry is expansive with keyboards, marimba and tight guitar chords. For those concerned with the smaller footprint of the band’s founder’s, “Rocket In My Pocket” should answer the call. Solely written by George, the coyly sultry lyrics and vocal delivery are brilliant. Any Little Feat fan can imagine him onstage, hand on hips moaning, “…the music was hot, my baby was not!”. The inherent funky syncopation (with nimble congas) and trademark slide guitar is vintage Feat.\u003c\/p\u003e\n\u003cp\u003eAt the other end of the spectrum is the jazz fusion-like instrumental “Day At The Dog Races”. The foray into this genre was a source of contention between George and the group. (In many instances, he would exit the stage during this number). But the instrumental largesse of Payne, Barrere, Hayward, Clayton and Gradney is showcased on this six-and-a-half minute jam. With a Spanish classical guitar intro, the band explodes into a furious high energy jam. Distorted guitar and electric piano riffs add a multi-faceted approach. There are jazzy chord modulations and fierce rhythm (Hayward, Clayton and Gradney). Barrere’s solos are potent, while Payne offers a stunningly lyrical acoustic piano before the cascading finish. Side 2 starts with classic Paul Barrere country funkiness on “Old Folks Boogie”. The southern vibe is palpable, especially on Barrere’s husky vocal and Payne’s New Orleans piano runs. “Red Steamliner” reverts to jazz rock. Payne’s reedy soulful vocal lead is framed by fusion progressions, guitars, electric piano and keyboards. All of the elements are rooted in 70’s aesthetics with high-end production (including interwoven backup vocals by Doobie Brothers members Patrick Simmons and Michael McDonald). This musical largesse is what has kept this band intact (with some personnel changes) 40 years after the death of Lowell George. The mercurial leader returns to the spotlight on “New Delhi Freight Train”. George’s impeccable “country boogie” depth is encapsulated in his heartfelt singing. The inherent hypnotic grooves that epitomize this iconic American band are enhanced by string accents. There is significant chemistry as George’s indelible vocal phrasing elevates this number. A Barrere\/George composition “Keepin’ Up With The Joneses” continues the melancholic funk. It is ironic that both of these Southern Roots practitioners are Southern California natives. Here, Barrere embraces a “Dixie Drawl” and Tower Of Power (with a saxophone solo by Lenny Pickett) adds to the aural tapestry. The finale, “Missin’ You” is pure folk Barrere (with dobro by Jeff “Skunk” Baxter).\u003c\/p\u003e\n\u003cp\u003eSpeakers Corner has done their customary superior vinyl re-mastering to 180-gram vinyl. The stereo separation is flawless. The focus on vocals and finer detail (acoustic guitar, piano, conga) is handled with technical delicacy. As the musical landscape expands (horns, strings, keyboards) the mix is crystalline, never muddled. The iconic impressionistic artwork of Neon Park is vibrant in 12” front and back cover. Time Loves A Hero may not among the essential Little Feat albums, but it is great music! » Robbie Gerson, Audiophile Audition, Mar 7, 2019\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere are many dreamed-of and a number of dreamy records which reflect the American idea of freedom from a musical point of view. One of these was presented by frontman Lowell George and his superb group Little Feat in what the musical experts praised as a »symbiosis of anarchistic primitive folklore and rock finesse« (rororo Rocklexikon). The high standard which the musicians maintain over the two sides of the LP is established with \"Hi Roller\", a funky, energetic opening number. The multi-part title number \"Times Loves A Hero\" follows on with a more subdued tempo but with great dive and sophisticated percussion, which proves itself to be the most important element and governs the whole album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLittle Feat conjures with traditional forms, gets you on the dance floor with \"Old Folks Boogie\" and serves up a tasty mixture of honky-tonk and blues, which is refined with powerful guitar solos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJust like a picture puzzle, rhythmic figures and figurettes dart hither and thither out of the background of this handcrafted and stalwart filigree rock (\"Red Streamliner\", \"Keepin‘ Up With The Joneses\"). But simplicity and softness is also possible: The message in \"Missin‘ You\" needs nothing more than chords on the acoustic guitar and men’s voices with a southern sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllMusic : 4.5 \/ 5  ,  \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,90\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,42\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40406537601175,"sku":"BS 3015","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/little-feat-time-loves-a-hero-audiosoundmusic-1.jpg?v=1719851595"},{"product_id":"brahms-schubert-the-marlboro-music-festival","title":"\u003ctranscy\u003eBrahms, Schubert - The Marlboro Music Festival\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eJohannes Brahms - \u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e \"Liebeslieder-Walzer\" op. 52\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFranz Schubert: \"The Shepard On The Rock\" D 965\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Marlboro Music Festival Orchestra, \u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRudolf Serkin (Piano), Leon Fleisher (\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePiano : A1 - A12, B1 - B6)\u003c\/span\u003e, Harold Wright (\u003cspan data-mce-fragment=\"1\"\u003eclarinet : B7\u003c\/span\u003e)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBenita Valente (soprano),\u003c\/strong\u003e \u003cstrong\u003eMarlena Kleinman (Alto Vocals : \u003cspan data-mce-fragment=\"1\"\u003eA1 - A12, B1 - B6\u003c\/span\u003e), Martial Singher (Bass Vocals : \u003cspan data-mce-fragment=\"1\"\u003eA1 - A12, B1 - B6\u003c\/span\u003e), Benita Valente (Soprano Vocals : \u003cspan data-mce-fragment=\"1\"\u003eA1 - A12, B1 - B6\u003c\/span\u003e), Wayne Connor (Tenor Vocals : \u003cspan data-mce-fragment=\"1\"\u003eA1 - A12, B1 - B6\u003c\/span\u003e)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection class=\"section_9nUx6 open_BZ6Zt\" id=\"release-credits\"\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003cul class=\"list_1HutQ\"\u003e\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eRecording: August 1960 at Marlboro School of Music, Vermont (USA), by Fred Plaut\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: Howard H. Scott\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eOriginally released in 1961\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eReissued January 2016\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : Johannes Brahms - Liebeslieder-Walzer, Op. 52\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Rede, Madchen, Allzu, Liebes (Tell Me, Most Beloved Maiden)  \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Am Gesteine Rauscht Die Flut (Waves Break High Upon The Rock)          \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. O Die Frauen (Ah, The Women)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Wie Des Abends Schone Rote (Like The Evening's Glowing Crimson)       \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Die Grune Hopfenranke (The Green Ivy)              \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. Ein Kleiner, Hubscher Vogel (A Pretty Little Birdling Once)           \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e7. Wohl Schon Bewandt War Es (All Was Well With Me Before)     \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e8. Wenn So Lind Dein Auge Mir (When You Glanced So Tenderly)  \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e9. Am Donaustrande (On The Banks Of The Danube)           \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e10. O Wie Sanft Die Quelle (On How Gentle The Murmuring Stream)             \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e11. Nein, Es Ist Nicht Auszukommen (No, It's More Than Flesh Can Bear)     \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e12. Schlosser Aug, Und Mache Schlosser (Locksmith Up And Make Me Padlocks)\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eSide B : Johannes Brahms - Liebeslieder-Walzer, Op. 52\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Vogelein Durchrauscht Die Luft (Birds Are Winging Through The Air)      \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Sieh, Wi Ist Die Welle Klar (See How Brightly Gleams The Wave)              \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Nachtigall, Sie Singt So Schon (Nightengail, You Sing So Sweetly)             \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Ein Dunkeler Schact Is Liebe (Love Is A Pit Of Darkness) \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Nicht Wandel, Mein Licht (Light of My Life, Do Not Depart)         \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. Es Bebet Das Gestrauche (The Branches Rustle Gently)  \u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e7. \u003cspan data-mce-fragment=\"1\"\u003eFranz Schubert - \u003c\/span\u003eThe Shepherd On The Rock, Op. 129\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe waltz was perhaps the most important thing that the rather level-headed and conservative Johannes Brahms from Hamburg brought back with him from his sojourn in Vienna. In addition to his purely instrumental waltzes for the piano, he also composed the \"Liebeslieder Waltzes\" – uniquely folk like and highly original vocal joyfulness in ¾ time. The lyrics are taken from real life and tell of love, longing, desire, and suffering but also of anger and derision.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJust how ideally this music fits in with the workshop atmosphere of the Marlboro Summer Music Festival is fully evident here. The musicians gathered around Rudolf Serkin sing the very finest Brahms – joyous, inspired yet completely relaxed – and reflect light upon all aspects of earthly existence. An excellent choice to complement these emotions is Schubert’s penultimate composition \"The Shepherd On The Rock\" D 965. This great and far-too-seldom performed lied is based on three poems, which are performed impressively and with brilliant musicality by the soloist Benita Valente. And last but not least, the addition of the clarinet, which functions both as a soloist as well as imitating the voice, lends the work its particular charm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs : 4 \/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40418018295959,"sku":"MS 6236P","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/brahms-schubert-the-marlboro-music-festival-audiosoundmusic-1.jpg?v=1719851716"},{"product_id":"harry-nilsson-son-of-schmilsson","title":"\u003ctranscy\u003eHarry Nilsson - Son of Schmilsson (2LP, 45 tours)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarry Nilsson – vocals, electric piano (A1, B3, C1, D1), acoustic guitar (B2) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/harry-nilsson\" title=\"vinyl featuring harry nilsson\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/harry-nilsson\"\u003e[click here to see more vinyl featuring Harry Nilsson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNicky Hopkins – piano (A1–C3, D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKlaus Voormann – bass guitar (A1, B1–C1, C3, D3), saxophone (A1, B3), electric guitar (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRingo Starr (credited as Richie Snare) – drums (A1, C1, C3, D1,D3) \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"vinyl featuring Ringo Starr\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ringo-starr\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ringo-starr\"\u003e[click here to see more vinyl featuring Ringo Starr]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Frampton – electric guitar (B1-3, C3, D1), acoustic guitar (C1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChris Spedding – bouzouki (A2), electric guitar (C3, D1), acoustic guitar (C1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMilt Holland – percussion (A1,C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim Price – trumpet (A1, B3, D1), trombone (D1), horn arrangement (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Keys – saxophone (A1, B3, C3, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLowell George – guitar (A1) \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Lowell George\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/lowell-george\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/lowell-george\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Lowell George]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDel Newman – string arrangements (A2, D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePop Arts String Quartet - strings (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Uribe – acoustic guitar (B1, C1-2), electric guitar (track D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRed Rhodes – pedal steel guitar (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Cooper – percussion (B1, C2, D3), congas (C3), tambourine (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKirby Johnson – horn arrangements (B2, D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Mackey – tuben\/French horn (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVincent DeRosa – tuben\/French horn (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Duke – tuben\/French horn (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge Harrison – slide guitar (B3) \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring George Harrison\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-harrison\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-harrison\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring George Harrison]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBarry Morgan – drums (B1, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Buckmaster – orchestral arrangement (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Moxie\" – bass harmonica (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Perry – percussion (C1, D3), arrangements (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSenior Citizens of the Stepney \u0026amp; Pinner Choir Club No. 6, London, England – choir (D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Henry Krein Quartet with Klaus Voormann – rhythm section (D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHenry Krein – accordion (D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Keogh – guitar (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLes Thatcher – guitar (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, gatefold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded March–April 1972 in Trident Studios and Apple Studio, London, England; \"The Most Beautiful World in the World\" recorded at CTS Studios, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Ken Scott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Richard Perry\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake 54\u003c\/li\u003e\n\u003cli\u003eRemember Christmas\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJoy\u003c\/li\u003e\n\u003cli\u003eTurn On Your Radio\u003c\/li\u003e\n\u003cli\u003eYou're Breakin' My Heart\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSpaceman\u003c\/li\u003e\n\u003cli\u003eThe Lottery Song\u003c\/li\u003e\n\u003cli\u003eAt My Front Door\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAmbush\u003c\/li\u003e\n\u003cli\u003eI'd Rather Be Dead\u003c\/li\u003e\n\u003cli\u003eThe Most Beautiful World In The World\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Emboldened by a huge hit and hanging with Lennon and Ringo, Harry Nilsson was ready to let it all go when it came time to record a follow-up to Nilsson Schmilsson. The very title of Son of Schmilsson implies that it's a de facto sequel to its smash predecessor but, as always with Nilsson, don't take everything at face value. Yes, he's back with producer Richard Perry and he's working from the same gleefully melodic, polished pop\/rock territory as before, but this is an incredibly schizoid record, an album by an enormously gifted musician deciding that, since he's already going unhinged, he might as well indulge himself while he's at it. And, wow, are the results ever worth it. Opening with a song to a groupie -- he sang his balls off, baby, he nearly broke the microphone -- and ending with an ode to \"The Most Beautiful World in the World,\" this record careens all over the place, bouncing from one idea to another, punctuated with B-horror movie sound effects, bizarre humor, profanity, and belches. There are song parodies, seemingly straight piano ballads, vulgar hard rock, lovely love songs, and a cheerful singalong with retirees at an old folks home who all proclaim, \"I'd rather be dead than wet my bed.\" The sheer perversity of it all would be fascinating, yet if that's all it had to offer, it'd merely be a curiosity, the way his post-Pussy Cats records are. Instead, this is all married to a fantastic set of songs that illustrate what a skilled, versatile songsmith Nilsson was. No, it may not be the easiest album to warm to -- and it's just about the weirdest record to reach number 12 and go gold -- but if you appreciate Nilsson's musicality and weirdo humor, he never got any better.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,03 \/ 5 , Discogs : 4,5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40883976667287,"sku":"MFSL2-499","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/harry-nilsson-son-of-schmilsson-2lp-45rpm-audiosoundmusic-1.jpg?v=1719853281"},{"product_id":"carole-king-tapestry","title":"\u003ctranscy\u003eCarole King - Tapestry (2LP, Coffret, 1STEP, 45 tours, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCarole King – piano, keyboards, vocals, backing vocals \u003ca title=\"vinyl featuring carole king\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/carole-king\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/carole-king\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Carole King]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurtis Amy – flute; baritone, soprano and tenor saxophone; string quartet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Campbell – cello, viola\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMerry Clayton – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerry King – cello, tenor saxophone, string quartet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDanny Kortchmar – acoustic guitar, conga, electric guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRuss Kunkel – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharles \"Charlie\" Larkey – bass guitar, string bass, string quartet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoni Mitchell – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoel O'Brien – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRalph Schuckett – electric piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBarry Socher – violin, tenor saxophone, viola, string quartet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerry Steinberg – bass guitar, violin, tenor saxophone, string bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Taylor – acoustic guitar, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJulia Tillman – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 10,000 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUD1S (UltraDisc One-Step)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Ode records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January 1971 at A\u0026amp;M Studios\u003c\/strong\u003e\u003cstrong\u003e by Hank Cicalo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Lou Adler\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Feel the Earth Move\u003c\/li\u003e\n\u003cli\u003eSo Far Away\u003c\/li\u003e\n\u003cli\u003eIts Too Late\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHome Again\u003c\/li\u003e\n\u003cli\u003eBeautiful\u003c\/li\u003e\n\u003cli\u003eWay Over Yonder\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou've Got a Friend\u003c\/li\u003e\n\u003cli\u003eWhere You Lead\u003c\/li\u003e\n\u003cli\u003eWill You Love Me Tomorrow?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSmackwater Jack\u003c\/li\u003e\n\u003cli\u003eTapestry\u003c\/li\u003e\n\u003cli\u003e(You Make Me Feel Like) A Natural Woman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 36\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1000 Recordings You Must Hear Before You Die - Ranked 212\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1972 Grammy awards :\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAlbum of the year\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBest female pop performance\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecord of the year for 'It's too late\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSong of the year for \"You got a friend\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTapestry was inducted in 1988 in the Grammy Hall of Fame\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"You got a friend\" and \"It's too late\" were inducted in 2002 in the Grammy Hall of Fame\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Carole King brought the fledgling singer\/songwriter phenomenon to the masses with Tapestry, one of the most successful albums in pop music history. A remarkably expressive and intimate record, it's a work of consummate craftsmanship. Always a superior pop composer, King reaches even greater heights as a performer; new songs like the hits \"It's Too Late\" and \"I Feel the Earth Move\" rank solidly with past glories, while songs like \"Will You Still Love Me Tomorrow,\" and \"(You Make Me Feel Like) A Natural Woman\" take on added resonance when delivered in her own warm, compelling voice. With its reliance on pianos and gentle drumming, Tapestry is a light and airy work on its surface, occasionally skirting the boundaries of jazz, but it's also an intensely emotional record, the songs confessional and direct; in its time it connected with listeners like few records before it, and it remains an illuminating experience decades later.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Jason Ankeny\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eInstead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,29 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40885017739415,"sku":"MFSL45UD1S-030","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/carole-king-tapestry-2lp-box-set-1step-45-rpm-supervinyl-audiosoundmusic-1.jpg?v=1719853281"},{"product_id":"janis-joplin-pearl","title":"\u003ctranscy\u003eJanis Joplin - Pearl (2LP, Coffret, 1STEP, 45 tours, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJanis Joplin, vocals, acoustic guitar \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/janis-joplin\" title=\"vinyl featuring Janis Joplin\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/janis-joplin\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Janis Joplin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrad Campbell, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKen Pearson, organ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Till, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Bell, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSandra Crouch, tambourine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobbie Hall, conga, bongos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Womack, acoustic guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 10,000 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUD1S (UltraDisc One-Step)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eJuly 27 – October 4, 1970 at \u003c\/strong\u003e\u003cstrong\u003eStudio Sunset Sound Recorders, Hollywood, California\u003c\/strong\u003e \u003cstrong\u003eby Phil Macy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Paul A. Rothchild\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMove Over\u003c\/li\u003e\n\u003cli\u003eCry Baby\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Woman Left Lonely\u003c\/li\u003e\n\u003cli\u003eHalf Moon\u003c\/li\u003e\n\u003cli\u003eBuried Alive In The Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Baby\u003c\/li\u003e\n\u003cli\u003eMe \u0026amp; Bobby McGee\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMercedes Benz\u003c\/li\u003e\n\u003cli\u003eTrust Me\u003c\/li\u003e\n\u003cli\u003eGet It While You Can\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cb\u003eTAS Super LP List! Special Merit: Informal\u003c\/b\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 125\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 231\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Janis Joplin's second masterpiece (after Cheap Thrills), Pearl was designed as a showcase for her powerhouse vocals, stripping down the arrangements that had often previously cluttered her music or threatened to drown her out. Thanks also to a more consistent set of songs, the results are magnificent -- given room to breathe, Joplin's trademark rasp conveys an aching, desperate passion on funked-up, bluesy rockers, ballads both dramatic and tender, and her signature song, the posthumous number one hit \"Me and Bobby McGee.\" The unfinished \"Buried Alive in the Blues\" features no Joplin vocals -- she was scheduled to record them on the day after she was found dead. Its incompleteness mirrors Joplin's career: Pearl's power leaves the listener to wonder what else Joplin could have accomplished, but few artists could ask for a better final statement.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Steve Huey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,33 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40885293842583,"sku":"MFSL45UD1S-013","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/janis-joplin-pearl-2lp-box-set-1step-45rpm-supervinyl-audiosoundmusic-1.jpg?v=1719853281"},{"product_id":"miles-davis-boppin-the-blues","title":"\u003ctranscy\u003eMiles Davis – Boppin’ the Blues\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Miles Davis \u003ca title=\"vinyl featuring Miles Davis\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/miles-davis\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Miles Davis]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Ann Baker (A3-5, B4-6), Earl Coleman (A1-2, A6, B1-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Tommy Potter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Art Blakey \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/art-blakey\" title=\"Vinyl featuring Art Blakey\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" target=\"_blank\"\u003e[click here to see more\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003evinyl featuring Art Blakey]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Connie Wainwright\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Linton Garner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Gene Ammons\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Ann Baker (A3-5, B4-6), Earl Coleman (A1-2, A6, B1-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Black Lion Records \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at \u003cspan data-mce-fragment=\"1\"\u003eRadio Recorders, Hollywood, CA,\u003c\/span\u003e on \u003cspan data-mce-fragment=\"1\"\u003eOctober 18, 1946\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Steve Hoffman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Alan Bates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1987\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Sing Me The Blues (Take 1)\u003c\/li\u003e\n\u003cli\u003eDon't Sing Me The Blues (Take 2)\u003c\/li\u003e\n\u003cli\u003eI've Always Got The Blues (Take 1 Incomplete)\u003c\/li\u003e\n\u003cli\u003eI've Always Got The Blues (Take 2)\u003c\/li\u003e\n\u003cli\u003eI've Always Got The Blues (Take 3)\u003c\/li\u003e\n\u003cli\u003eDon't Explain To Me Baby (Take 1)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Explain To Me Baby (Take 2)\u003c\/li\u003e\n\u003cli\u003eDon't Explain To Me Baby (Take 3)\u003c\/li\u003e\n\u003cli\u003eDon't Explain To Me Baby (Take 4)\u003c\/li\u003e\n\u003cli\u003eBaby, Won't You Make Up Your Mind (Take 1)\u003c\/li\u003e\n\u003cli\u003eBaby, Won't You Make Up Your Mind (Take 2)\u003c\/li\u003e\n\u003cli\u003eBaby, Won't You Make Up Your Mind (Take 3)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“When the CD was initially released, it had quite a few jazz collectors scratching their heads wondering why they had never heard of it. Previously unissued, these formerly unknown performances (just four songs with eight alternate takes) feature the vocals of Earl Coleman and Ann Baker in 1946 but the backup group is of great interest for it includes trumpeter Miles Davis and tenor-saxophonist Gene Ammons. It's not essential music but bop collectors will still want to pick it up.” AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003eOne of Miles Davis' earliest recording sessions. The very first known instance of the famed trumpeter playing in an \"open\" style, and in a band with legendary tenor saxophonist Gene Ammons and drummer Art Blakey. Need any more be said? Very few jazz albums possess more historical import and wow-inspiring significance than Bopping the Blues, which documents a 1946 session in which Davis supported a group and two singers, Earl Coleman and Ann Baker, in a splendid bop affair. Yes, it's got that elusive Holy Grail quality.\u003c\/p\u003e\n\u003cp\u003eOriginally released by the U.K. label Black Lion, an imprint that specialized in resurrecting rare gems from U.S. jazz and blues legends, Bopping the Blues marks what are indisputably Davis' initial open-voiced contributions and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music. Orchestrated by ORG, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.\u003c\/p\u003e\n\u003cp\u003eMastered from the original master tapes at Bernie Grundman Studios, cut by Chris Bellman and pressed at Pallas, the 180-gram LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 3.5 \/ 5  ,  Discogs 4.13 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40907002544279,"sku":"MD001048BL-LP00","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/miles-davis-bopping-the-blues-audiosoundmusic-1.jpg?v=1719853367"},{"product_id":"paul-simon-still-crazy-after-all-these-years","title":"\u003ctranscy\u003ePaul Simon - Still Crazy After All These Years (2LPs, Coffret, 45 tours, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Simon – vocals, acoustic guitar (A2, B1, B2, D1), electric guitar (B3), horn and string arrangements \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-simon\" title=\"vinyl featuring Paul Simon\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Paul Simon]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Garfunkel – vocals (A2)\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003ca title=\"audiophile vinyl featuring Art Garfunkel\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/art-garfunkel\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Art Garfunkel]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Tropea – electric guitar (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatti Austin – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhoebe Snow – background vocals, vocals (C1)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Beck – electric guitar (B1, C3, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Brecker – tenor saxophone (A1), saxophone (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob James – piano, Fender Rhodes piano (C2, C3), string and horn arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Sanborn – saxophone (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGrady Tate – drums (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePete Carr – electric guitar (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSivuca – accordion and vocals (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRalph MacDonald – percussion (A2, B1, B2, C1, C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChicago Community Choir – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBarry Beckett – Fender Rhodes (A1), piano (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEddie Daniels – saxophone (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGordon Edwards – bass guitar (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerry Friedman – electric guitar (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Gadd – drums (C1-3, D1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoger Hawkins – drums (A1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hood – bass guitar (A1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Jessy Dixon Singers – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Levin – bass guitar (B1-3, C2-3, D1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHugh McCracken – electric guitar (B2, C2-3), acoustic guitar (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeon Pendarvis – piano (D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Mathews – horn arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eValerie Simpson – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Tee – piano (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eToots Thielemans – harmonica (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhil Woods – alto saxophone (C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenneth Ascher – Hammond organ (B2), Fender Rhodes, piano (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set, gatefold cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step (UD1S)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 8,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g, SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at \u003c\/strong\u003e\u003cstrong\u003eA\u0026amp;R Recording, New York City in 1975 by\u003c\/strong\u003e\u003cstrong\u003e Phil Ramone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Paul Simon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStill Crazy After All These Years\u003c\/li\u003e\n\u003cli\u003eMy Little Town\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B: \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Do It For Your Love\u003c\/li\u003e\n\u003cli\u003e50 Ways To Leave Your Lover\u003c\/li\u003e\n\u003cli\u003eNight Game\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGone At Last\u003c\/li\u003e\n\u003cli\u003eSome Folks' Lives Roll Easy\u003c\/li\u003e\n\u003cli\u003eHave A Good Time\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide D : \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou're Kind\u003c\/li\u003e\n\u003cli\u003eSilent Eyes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGrammy Awards for Album of the Year and Best Male Pop Vocal Performance\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The third new studio album of Paul Simon's post-Simon \u0026amp; Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. Where Simon had taken an eclectic approach before, delving into a variety of musical styles and recording all over the world, Still Crazy found him working for the most part with a group of jazz-pop New York session players, though he did do a couple of tracks (\"My Little Town\" and \"Still Crazy After All These Years\") with the Muscle Shoals rhythm section that had appeared on Rhymin' Simon and another (\"Gone at Last\") returned to the gospel style of earlier songs like \"Loves Me Like a Rock.\" Of course, \"My Little Town\" also marked a return to working with Art Garfunkel, and another Top Ten entry for S\u0026amp;G. But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns. Perhaps more striking, however, was Simon's lyrical approach. Where Rhymin' Simon was the work of a confident family man, Still Crazy came off as a post-divorce album, its songs reeking of smug self-satisfaction and romantic disillusionment. At their best, such sentiments were undercut by humor and made palatable by musical hooks, as on \"50 Ways to Leave Your Lover,\" which became the biggest solo hit of Simon's career. But elsewhere, as on \"Have a Good Time,\" the singer's cynicism seemed unearned. Still, as out of sorts as Simon may have been, he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eUltraDisc One-Step :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003e Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px; margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eMoFi SuperVinyl:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003e The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,07 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40931338584215,"sku":"MFSL45UD1S-014 Box","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/paul-simon-still-crazy-after-all-these-years-2lps-box-set-45rpm-1step-supervinyl-audiosoundmusic-1.jpg?v=1719853489"},{"product_id":"the-b-52s-wild-planet-ultra-analog","title":"The B-52's - Wild Planet (MOFI Silver Label, 140g)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFred Schneider – vocals, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKate Pierson – vocals, keyboards, synth bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeith Strickland – drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCindy Wilson – vocals, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRicky Wilson – guitars\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : Silver Label (copy of the Mastertape)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 140g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded April 1980 at Compass Point Studios, Nassau, Bahamas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Rhett Davies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Rhett Davies, The B-52's\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Paul Stubblebine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1980\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eParty Out Of Bounds\u003c\/li\u003e\n\u003cli\u003eDirty Back Road\u003c\/li\u003e\n\u003cli\u003eRunnin' Around\u003c\/li\u003e\n\u003cli\u003eGive Me Back My Man\u003c\/li\u003e\n\u003cli\u003ePrivate Idaho\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDevil In My Car\u003c\/li\u003e\n\u003cli\u003eQuiche Lorraine\u003c\/li\u003e\n\u003cli\u003eStrobe Light\u003c\/li\u003e\n\u003cli\u003e53 Miles West Of Venus\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Conventional wisdom has it that all the B-52's' subsequent releases are highly inferior to their debut. While Wild Planet is not the rarefied wonder their first platter is, it's still darn good. The songs here are generally faster, tighter, and punchier than previously, though production values are not as wonderfully quirky and detailed; fewer songs here are as over-the-top crazy as the first album's \"Rock Lobster\" or \"52 Girls.\" These formless selections continue to exhibit a cunning mix of girl group, garage band, surf, and television theme song influences, all propelled along by an itchy dance beat. \"Give Me Back My Man\" allows Cindy Wilson a unique opportunity to croon a broad, expressive melodic line. Fred Schneider parades his inimitably nervous vocals on chucklesome ditties like \"Quiche Lorraine\" and \"Strobe Light.\" The best songs here are \"Private Idaho,\" a wonderfully jittery number that employs a variant on the famous melodic snippet from the Twilight Zone theme music, and \"Devil in My Car,\" a delightfully loopy hoot that lays the craziness on very thickly. Performances and sound quality are fine. This album is well worth hearing and recommended.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by David Cleary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,16 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40936285307031,"sku":"MOFI1-014","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-b-52-s-wild-planet-mofi-silver-label-140g-audiosoundmusic-1.jpg?v=1719853541"},{"product_id":"eddie-higgins-quartet-my-funny-valentine","title":"\u003ctranscy\u003eEddie Higgins Quartet - My Funny Valentine Volume 1 (Edition japonaise)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEddie Higgins, piano\u003cspan style=\"color: #ff8000;\"\u003e \u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eddie-higgins\" title=\"Vinyl featuring Eddie Higgins\"\u003e[click here to see more vinyl featuring \u003cspan data-mce-fragment=\"1\" color=\"#ff8000\"\u003eEddie Higgins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScott Hamilton, tenor sax\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJay Leonhart, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Ascione, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVenus Hyper Magnum Sound Direct Mix Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Japanese pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at \u003cspan data-mce-fragment=\"1\"\u003eAvatar Studio, New York, on September 11 and 12, 2004\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eProduced by Tetsuo Hara, Todd Barkan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Shuji Kitamura, Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou'd Be So Nice To Come Home To\u003c\/li\u003e\n\u003cli\u003eI'm A Fool To Want You\u003c\/li\u003e\n\u003cli\u003eI Only Have Eyes For You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAlone Together\u003c\/li\u003e\n\u003cli\u003eDon't Explain\u003c\/li\u003e\n\u003cli\u003eWhen Sunny Gets Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThrough his numerous releases from Venus Records, Eddie Higgins has firmly established his position as one of the most celebrated veteran jazz pianists in Japan.\u003c\/p\u003e\n\u003cp\u003eHiggins has performed and recorded with many of the biggest names in jazz, including Coleman Hawkins, Jack Teagarden, Stan Getz, Dizzy Gillespie and Wayne Shorter. His discography as a bandleader include more than 25 recordings.\u003c\/p\u003e\n\u003cp\u003eHere Higgins is joined by his quartet consisting of Scott Hamilton on tenor sax, Jay Leonhart on bass, and Joe Ascione on drums.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 3.83\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40975523184791,"sku":"AVEN 0202","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/eddie-higgins-quartet-my-funny-valentine-volume-1-japanese-edition-audiosoundmusic-1.jpg?v=1719853638"},{"product_id":"frank-sinatra-sing-and-dance-with-frank-sinatra","title":"\u003ctranscy\u003eFrank Sinatra - Sing and dance with Frank Sinatra (Mono)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eFrank Sinatra - Vocals\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/frank-sinatra\" title=\"vinyl \u0026amp; SACD featuring Frank Sinatra\"\u003e \u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more Vinyl\/SACD featuring Frank Sinatra]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA4, B5 : Hugo Winterhalter (conductor), Yank Lawson, Carl Poole, Russ Solomon (trumpets), John D'Agostino, Buddy Morrow aka Moe Zydecoff, William Pritchard (trombones), Ernie Caceres (baritone saxophone\/clarinet\/alto saxophone), Wolf Taninbaum, Henry Ross (tenor saxophone\/clarinet), Toots Mondello, Sid Cooper (alto saxophone\/clarinet), Johnny Guarnieri (piano), Al Caiola (guitar), Trigger Alpert (bass), Terry Snyder (drums)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1-3, A5-8, B3-4 : George Siravo (conductor), Billy Butterfield, Steve Lipkins, Carl Poole, Pinky Savitt (trumpets), George Arus, William Rausch (trombones), Ernie Caceres (baritone saxophone\/clarinet\/alto saxophone), Emmett Callen (alto saxophone), Art Drelinger (alto saxophone\/clarinet\/oboe\/bass clarinet), Leonard Hartman (tenor saxophone\/clarinet\/bass clarinet), Jimmy Horvath (alto saxophone), Jerry Jerome (tenor saxophone\/clarinet), Babe Russin (tenor saxophone), Hymie Schertzer (alto saxophone\/clarinet\/baritone saxophone), Ken Lane (piano\/celeste), Bernie Leighton (piano), Allan Reuss (guitar), Phil Stephens (bass), Johnny Blowers (drums)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 5,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Impex Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eat Columbia 30th Street Studio, New York City on July 10, 1949 (A4, B5), March 10, 1950 (B4), April 14, 1950 (A1, A5-6, B3) and April 24, 1950 (A2-3, A7-8)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eat \u003cspan data-mce-fragment=\"1\"\u003eRadio Recorders, Hollywood on July 19, 1951 (B1-2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Andreas Meyer, Charles L. Granata\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Matt Cavaluzzo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1950\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - The Complete, Original 10-inch Album :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLover\u003c\/li\u003e\n\u003cli\u003eIt's Only A Paper Moon\u003c\/li\u003e\n\u003cli\u003eMy Blue Heaven\u003c\/li\u003e\n\u003cli\u003eIt All Depends On You\u003c\/li\u003e\n\u003cli\u003eYou Do Something To Me\u003c\/li\u003e\n\u003cli\u003eShould I\u003c\/li\u003e\n\u003cli\u003eThe Continental\u003c\/li\u003e\n\u003cli\u003eWhen You're Smiling (The Whole World Smiles With You)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B - Bonus Tracks, Alternate Takes \u0026amp; Sessions :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFarewell, Farewell To Love\u003c\/li\u003e\n\u003cli\u003eDeep Night\u003c\/li\u003e\n\u003cli\u003eYou Do Something To Me\u003c\/li\u003e\n\u003cli\u003eAmerican Beauty Rose\u003c\/li\u003e\n\u003cli\u003eIt All Depends On You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Sing and Dance with Sinatra (as it was originally called) was an incredibly important album by the singer on several counts. The original release was the singing legend's first original LP, but not his debut album -- that honor belongs to The Voice of Frank Sinatra, issued in 1945 as a set of 78-rpm LPs in a genuine \"album\" format (like a photo album), but Sing and Dance with Sinatra marked his first opportunity to work in the 33 1\/3-rpm medium, in modern high-fidelity, and cut an entire body of work in a then-new format that he would later thoroughly dominate. Additionally, the original eight songs on this album marked a serious change of pace for Sinatra who, across most of his history at Columbia and the first decade of his career, focused almost entirely on ballads. Instead, on Sing and Dance with Sinatra, he's doing what were then called \"rhythm numbers\": beat-driven, swinging tracks (hence the change in title of the album upon its reissue). Indeed, according to producer Mitch Miller in the annotation for the CD reissue of the album, this was the record where Sinatra -- then thoroughly identified as a romantic balladeer -- proved he could swing. That's the big surprise that awaits fans who may approach this title a little warily -- they get a good deal more than a glimpse of the Sinatra who came to redefine and dominate the popular music field in the '50s. The actual circumstances of the recording were unique, however -- according to Miller, the singer's voice had begun to break down during the initial recording sessions in April of 1950, and in order to salvage something from their work, the orchestral accompaniment -- arranged by George Siravo -- was recorded alone, and five months later the singer put down his vocals, in what was not only a first (and very rare) instance of Sinatra not working live in the studio with the orchestra, but also a highly irregular and downright out-of-bounds procedure under existing union rules. This was also a record that was cut during a seeming low point in the singer's career -- his sales were declining and he had begun losing a big chunk of the \"bobby-soxer\" audience whose wild enthusiasm had propelled his wartime and immediate postwar momentum -- and it all coincided with a period in which his film career, after a promising start at mid-decade, and despite the classic On the Town the previous year, had begun to sputter. So when it appeared in late 1950, Sing and Dance with Sinatra was timed badly enough and was also just different enough from what he was known for that it was ignored and overlooked even by the vast majority of fans -- who had turned his prior album into a chart-topper in 1945 -- and went on to become one of the singer's rarest and most obscure LPs. The album was generated from three sessions in April and September of 1950, and they show off Sinatra working in a somewhat harder, more rhythmically bracing mode than he was known for at the time -- in many ways, in sound and style, it anticipates the work on his Capitol albums of the mid-'50s, not only in Sinatra's singing but also in Siravo's arrangements, which are a significant departure from the lush sound that Axel Stordahl aimed for in most of his work with Sinatra at Columbia. The emphasis was on standards, including \"My Blue Heaven,\" \"It's Only a Paper Moon,\" and \"When You're Smiling,\" and though no one could have known it in 1950 -- when it seemed like a trip down a commercial blind alley -- the album did offer a glimpse of Sinatra's future sound and probably could have found an audience if it had been re-marketed. And Columbia would subsequently try to link it to his later work a little more firmly in the purchasing public's mind with his later Capitol sides by reissuing and expanding Sing and Dance with Frank Sinatra on 12\" LP as Swing and Dance with Frank Sinatra. The original is still special to hear today -- the content is so unusual in relation to the music for which he was known -- and the quality so high, and it's also a great showcase for the work of the much-underrated and unjustly overlooked George Siravo.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Unpacking and playing this mono classic were the record-collector's equivalent of enjoying a Michelin-rated meal in my living room. If that sounds like hype, consider the following. The music was transferred, restored and remastered in the analog domain from the original 15ips session tapes by Grammy-winning recording engineer Andres Meyer. Lacquers were then cut by Chris Bellman at Bernie Grundman Mastering in Hollywood, and the limited pressing run of 5000 copies was personally supervised by Rick Hashimoto at RTI. If that wasn't already enough talent, Impex hired the folks at Stoughton Printing (well-known for their stellar work with Intervention Records, among other labels) to reproduce the original cover in a luxuriously laminated tip-on gatefold and create a colorful 24-page liner-note booklet written by Frank Sinatra authority Charles L. Granata. I have a friend in the printing business who said the booklet's textured subheadings and glossy red and yellow paint effects are the result of a spare-no-expense process known as 'spot UV varnish' that must have boosted the production costs considerably. There's even a detailed rundown of each piece of equipment used in the production process, from the Studer tape decks to the Westrex cutter head driven by a refurbished Haeco vacuum-tube amplifier. About the only thing left to the imagination is what color socks Matt Cavaluzzo was wearing when he restored two of the original session lacquers. The obvious love and care invested in this project left me a bit in awe each time I lifted the gold Impex seal to remove the album from its protective vinyl envelope.\" Vance Hiner, The Audio Beat\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"From the original analog tapes, this 70th Anniversary 180 gram commemorative release of Sing and Dance with Frank Sinatra is an absolute gem of a reissue. We have to thank IMPEX for taking on this project. There are many Frank Sinatra fans out there who are just as passionate about his early Columbia years as his later output from Capital and Reprise, but this music never seems to get the respect that it deserves. There has been plenty of excitement generated after the initial announcement. I am happy to say that we have been greatly rewarded after all the anticipation and patience! I also want to offer some big time congrats to Abey Fonn over at IMPEX and Chuck Granata, the acclaimed and highly respected Frank Sinatra historian and archivist. Their superb collaborative effort and leadership on this project has produced something quite memorable and well beyond expectations!\" - Robert S. Youman, Positive Feedback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,59 \/ 5 , The Absolute Sound : 4\/5 Music , 4\/5 Sonics , \u003cspan data-mce-fragment=\"1\"\u003eThe Audio Beat: Music 4\/5, Sound 4\/5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41090170388631,"sku":"IMP6036","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/frank-sinatra-sing-and-dance-with-frank-sinatra-mono-audiosoundmusic-1.png?v=1719854283"},{"product_id":"copy-of-belafonte-sings-the-blues-2lp-45rpm","title":"Carol Kidd - Both Sides Now","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCarol Kidd - Vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Harrison – Piano \u0026amp; arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGraeme Duffin – Guitar, bass, drums, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeonaid Aitken – Violia \u0026amp; violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChristoff Fourie - Cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition of 3,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Impex\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Impex\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded and engineered by Graeme Duffin at Foundry Music Lab FML\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Carol Kidd\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Kevin Gray at Cohearent Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2019 (as a CD)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in June 2020 (first time as an LP)\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnd So It Goes\u003c\/li\u003e\n\u003cli\u003eThe Dimming Of The Day\u003c\/li\u003e\n\u003cli\u003eTalking To The Moon\u003c\/li\u003e\n\u003cli\u003eBla Bla Bla\u003c\/li\u003e\n\u003cli\u003eBoth Sides Now\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen I Dream\u003c\/li\u003e\n\u003cli\u003eIf I Had Any Pride Left At All\u003c\/li\u003e\n\u003cli\u003eI Let My Burden Go\u003c\/li\u003e\n\u003cli\u003eSomething Wonderful\u003c\/li\u003e\n\u003cli\u003eA Rock And A Hard Place\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eCarol Kidd has been named 'Best Vocalist' at the British Jazz Awards on four occasions and was appointed MBE for Services to Jazz. In 2006, Carol was a winner of the prestigious Nordoff-Robbins Tartan Clef Music Award and in 2017 she received a Lifetime Achievement Award at the Scottish Jazz Awards.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.8 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41929835184378,"sku":"IMP6040","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/carol-kidd-both-sides-now-audiosoundmusic-1.jpg?v=1719855336"},{"product_id":"copy-of-foghat-fool-for-the-city-emerald-green-vinyl","title":"Foghat - Fool For The City (Ultra Analog, Half-speed Mastering)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring foghat\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/foghat\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/foghat\"\u003e[Click here to see more vinyl featuring Foghat]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonesome Dave Peverett — lead vocals, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRod \"The Bottle\" Price — electric and acoustic guitars, slide guitar, steel guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoger Earl — drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNick Jameson — bass guitar, keyboards, guitar, vocals, producer, engineer\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Bearsville\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Suntreader Studios by\u003c\/strong\u003e\u003cstrong\u003e Nick Jameson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Rob LoVerde\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Nick Jameson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2008\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Fool For The City\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 My Babe\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Slow Ride\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1 Terraplane Blues\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2 Save Your Loving (For Me)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3 Drive Me Home\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4 Take It Or Leave It\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"After building a solid core audience through relentless touring and a string of hard-rocking albums, Foghat finally hit the big time in 1975 with Fool for the City. It still stands out as the best album in the group's catalog because it matched their road-tested abilities as hard rockers to a consistent set of tunes that were both well-crafted and ambitious. The tone for the album is set by its title track: This hard-rocking gem not only pairs riff-driven verses with an effective shout-along chorus, but also throws in a few surprising moments where the guitars are taken out of the mix completely and Nick Jameson's bass is allowed to take the lead in a funky breakdown. Fool for the City also produced an enduring rock radio favorite in \"Slow Ride,\" a stomping rock tune that transcends the inherent clichés of its \"love is like a car ride\" lyrics with a furious performance from the band and a clever arrangement that works in well-timed automotive sound effects during the verses and plays up the band's ability to work an R\u0026amp;B-styled groove into their hard-rocking sound (again, note the thumping bassline from Jameson). Further radio play was earned with \"Take It or Leave It,\" an acoustic-based ballad that worked synthesizers into its subtle yet carefully layered arrangement to become one of the group's finest slow numbers. The album's other songs don't stand like the aforementioned selections, but they all flow together nicely thanks to a consistently inspired performance from the band and clever little arrangement frills that keep the group's boogie-oriented rock fresh (example: the witty spoken word bit at the end of \"Drive Me Home\"). All in all, Fool for the City is both Foghat's finest achievement in the studio and one of the high points of 1970s hard rock.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Donald A. Guarisco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. 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Mr. Wicks is clearly the Stephane Grappelli of the bass. Mr. Boyle's atomic clock accuracy was outshone only by his remarkable sensitivity and nuanced 'drumist' vocabulary. Mr. Kirkpatrick's winsome lines... took us beyond the trumpet and through the gamut of melody-instrument domains. And Mr. Bigos' hands fell lacelike over his ivories with the finesse... of traditional Portuguese tatting amid a rainbow of colored threads.” Peter Rutenberg\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42169588154618,"sku":"YARLP95816-45","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-sophisticated-lady-jazz-quartet-left-coastin-45rpm-audiosoundmusic-1.jpg?v=1719856806"},{"product_id":"the-sophisticated-lady-jazz-quartet-simpler-times","title":"\u003ctranscy\u003eThe Sophisticated Lady Jazz Quartet - Simpler Times (45 tours)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThe Sophisticated Lady Jazz Quartet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMisha Adair Bigos, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJJ Kirkpatrick, trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGary Wicks, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndrew James Boyle, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Yarlung\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Yarlung\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in the Brain and Creativity Institute's Cammilleri Hall at USC, October 24-26, 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; produced by Bob Attiyeh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBicycles\u003c\/li\u003e\n\u003cli\u003eLos Barriles\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlue Corn Moon\u003c\/li\u003e\n\u003cli\u003eFor Sebastian\u003c\/li\u003e\n\u003cli\u003eSketches Of A Melancholy Bass\u003c\/li\u003e\n\u003cli\u003eSimpler Times\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“More jazz recordsshouldbe like SophisticatedLady Quartet—relaxedyetfocused,tradition-basedyet modern, elegant yet conveying a sure sense of swing. The recording is so pure that you almost feel as if you’re eavesdropping on four musicians who seem completely in their element while performing, in a one-take environment, a set that’s evenly split between previously rehearsed arrangements and performances where they had one chance to turn a composition into a memorable piece of music. No splicing or editing here—just a live-in-the-studio recording where the mood, playing and sonics are so solid that jazz lovers will wish that the mostly-classical label Yarlung wandered over to this side of the street more often.” Jeff Wilson, The Absolute Sound\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42169929433338,"sku":"YARLP77612-45","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-sophisticated-lady-jazz-quartet-simpler-times-45rpm-audiosoundmusic-1.jpg?v=1719856812"},{"product_id":"the-sophisticated-lady-jazz-quartet-volume-1","title":"\u003ctranscy\u003eThe Sophisticated Lady Jazz Quartet Volume 1 (45 tours)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eThe Sophisticated Lady Jazz Quartet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJJ Kirkpatrick, trumpet, flugelhorn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndrew James Boye, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMisha Adair Bigos, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGary Wicks, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Yarlung\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Yarlung\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in the Brain and Creativity Institute's Cammilleri Hall at USC, on October 24-26, 2013.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Bob Attiyeh, Steve Hoffman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Steve Hoffman, Bob Attiyeh, \u0026amp; Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bob Attiyeh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJerome Kern - I'm Old Fashioned\u003c\/li\u003e\n\u003cli\u003eAbel Meeropol - Strange Fruit\u003c\/li\u003e\n\u003cli\u003eGary Wicks - Night Night\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDuke Ellington \u0026amp; Billy Strayhorn - Isfahan\u003c\/li\u003e\n\u003cli\u003eGary Wicks - Weightless\u003c\/li\u003e\n\u003cli\u003eDuke Ellington - Sophisticated Lady\u003c\/li\u003e\n\u003cli\u003eAndrew Boyle - Gone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eThe Absolute Sound Super LP List 2020\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"The Sophisticated Lady Jazz Quartet’s debut recording should be of great interest to fans of forwardlooking straight ahead jazz. Each of the four musicians is excellent both as soloists and in ensembles, the music that they perform ranges from melodic versions of standards to lyrical originals and freer explorations, and their subtle playing keeps one guessing. This [album] is well worth exploring and I certainly recommend it.\" Scott Yanow, Los Angeles Jazz Scene\u003c\/p\u003e\n\u003cp\u003e\"Look out Brubeck, Sophisticated Lady's remarkable debut should perhaps be re-titled TAKE ONE. Why? Each tune was captured in one take! The [album] also celebrates Yarlung's audiophile venture into JAZZ with a splatter of Chet Baker's seductive, kicked-back Californication daubed with a drizzle of Miles at his mellowest. No matter how busy your day, an evening spin through this one will definitely move your mood.\" David Thomson, Record Collector News\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,21 \/ 5\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42169962561786,"sku":"YARLP92720","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-sophisticated-lady-jazz-quartet-volume-1-45rppm-audiosoundmusic-1.jpg?v=1719856811"},{"product_id":"yuko-mabuchi-plays-miles-davis-volume-3","title":"\u003ctranscy\u003eYuko Mabuchi Plays Miles Davis Volume 2 (45 tours)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eYuko Mabuchi, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJJ Kirkpatrick, trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDel Atkins, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Breton, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Yarlung\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Yarlung\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in The Brain and Creativity Institute's Cammilleri Hall \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Craig and Diane Martin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMilestones (Miles Davis)\u003c\/li\u003e\n\u003cli\u003eNardis (Miles Davis)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSo What (Miles Davis)\u003c\/li\u003e\n\u003cli\u003eIkumi's Lullaby (Yuko Mabuchi)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"I think this album is a tribute to the musical spirit of Miles Davis. After these four jazz musicians digested the master's work, they reprised the songs from their own musical frames of reference. There is a strong sense of improvisation. It is undeniable that Yuko Mabuchi, who has been training since the age of 4, has a solid technical foundation. However, I admire her freedom even more. The sound of the piano expresses self-confidence and unrestrained spontaneity. She and her colleagues inspire each other and play off of each other's musical sparks. The Japanese female pianists I know always have extreme styles. They either follow the rules or focus on flamboyant virtuosity; it is very difficult to compete in the classical music world otherwise. Jazz pianists likewise feel these same pressures. In my opinion and in fact, Yuko Mabuchi exudes a sunny sense of charm in this concert.\" Audiotechnique Magazine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,8 \/ 5\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42170072400122,"sku":"YARLP45591-45","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/yuko-mabuchi-plays-miles-davis-volume-2-45rpm-audiosoundmusic-1.jpg?v=1719856817"},{"product_id":"kenny-rogers-greatest-love-songs-3lp","title":"Kenny Rogers - Greatest Love Songs (3LP)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenny Rogers - Vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDana King, Lisa Silver, Bergen White - Vocals (Background)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePat Bergeson - Guitar (Electric), Harmonica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob Burns, Jr. - Bass (Acoustic), Bass (Electric), Guitar (Bass)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Glassmeyer - Piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGene Golden - Synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLynn Hammann - Drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRicky Harper - Guitar (Electric)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarren Hartman - String Arrangements, Synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim Horn - Flute, Saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShane Keister - Organ (Hammond), Piano, Piano (Electric), Synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Leim - Drums, Percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThomas McAninch - French Horn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFarrell Morris - Percussion, Timpani, Vibraphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Nashville String Machine - Strings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby G. Taylor - Horn (English), Oboe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge Tidwell - Flugelhorn, Trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Wills - Guitar (Acoustic), Guitar (Electric)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCindy Reynolds Wyatt - Harp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged and conducted by Bergen White\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eLimited edition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eGermany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Evosound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Evosound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Mark Lambert, Mills Logan, Jim McKell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bergen White and Jim McKell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed and mastered by Jim McKell\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 1996 (as a CD) under the title \"Vote for Love\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in August 2015 (first time as an LP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThrough the Years\u003c\/li\u003e\n\u003cli\u003eLady\u003c\/li\u003e\n\u003cli\u003eYou Are So Beautiful\u003c\/li\u003e\n\u003cli\u003eI Swear\u003c\/li\u003e\n\u003cli\u003eI Will Always Love You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove Me Tender\u003c\/li\u003e\n\u003cli\u003eUnchained Melody\u003c\/li\u003e\n\u003cli\u003eYou Light Up My Life\u003c\/li\u003e\n\u003cli\u003eThe Wind Beneath My Wings\u003c\/li\u003e\n\u003cli\u003eI Can’t Help Falling In Love With You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen I Fall In Love\u003c\/li\u003e\n\u003cli\u003eSomewhere My Love\u003c\/li\u003e\n\u003cli\u003eYou Send Me\u003c\/li\u003e\n\u003cli\u003eCrazy\u003c\/li\u003e\n\u003cli\u003eUnforgettable\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEndless Love\u003c\/li\u003e\n\u003cli\u003eHave I Told You Lately That I Love You\u003c\/li\u003e\n\u003cli\u003eEvergeen\u003c\/li\u003e\n\u003cli\u003eShe Believes In Me\u003c\/li\u003e\n\u003cli\u003eAlways\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAs Time Goes By\u003c\/li\u003e\n\u003cli\u003eLove is a Many Splendored Thing\u003c\/li\u003e\n\u003cli\u003eIt Had to Be You\u003c\/li\u003e\n\u003cli\u003eMisty\u003c\/li\u003e\n\u003cli\u003eI Only Have Eyes For You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Funny Valentine\u003c\/li\u003e\n\u003cli\u003eAlways and Forever\u003c\/li\u003e\n\u003cli\u003eStardust\u003c\/li\u003e\n\u003cli\u003eWhen a Man Loves a Woman\u003c\/li\u003e\n\u003cli\u003eYou Decorated My Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42501603164410,"sku":"EVLP014","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/kenny-rogers-greatest-love-songs-3lp-audiosoundmusic-1.jpg?v=1719858358"},{"product_id":"the-poll-winners-barney-kessel-with-shelly-manne-ray-brown","title":"\u003ctranscy\u003eThe Poll Winners - Barney Kessel with Shelly Manne \u0026 Ray Brown\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBass – Ray Brown \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\" title=\"vinyl featuring Ray Brown\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ray Brown]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Shelly Manne \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/shelly-manne\" title=\"Vinyl featuring shelly manne\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/shelly-manne\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Shelly Manne]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Barney Kessel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold old-style tip-on jackets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Acoustic Sounds Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Contemporary Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded March 18 \u0026amp; 19, 1957 at Contemporary's Studio, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Howard Holzer, Roy DuNann\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Lester Koenig\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJordu\u003c\/li\u003e\n\u003cli\u003eSatin Doll\u003c\/li\u003e\n\u003cli\u003eIt Could Happen to You\u003c\/li\u003e\n\u003cli\u003eMean to Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Worry 'bout Me\u003c\/li\u003e\n\u003cli\u003eOn Green Dolphin Street\u003c\/li\u003e\n\u003cli\u003eYou Go to My Head\u003c\/li\u003e\n\u003cli\u003eMinor Mood\u003c\/li\u003e\n\u003cli\u003eNagasaki\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“If the picture of three grown men hanging onto giant, colored swirl sticks looks a bit odd, or if the title The Poll Winners seems a bit conceited, the music, nonetheless -- recorded in 1957 -- still sounds great in 2002. Besides, guitarist Barney Kessel, bassist Ray Brown, and drummer Shelly Manne really did win polls in Down Beat, Playboy, and Metronome in 1956, and this is precisely what brought the players together. Here, on their first outing, they interpret nine pieces for 40 lovely minutes of modern jazz. After kicking off with a fine take on Duke Jordan's \"Jordu,\" the group delivers an emotionally warm, six-minute version of \"Satin Doll,\" one the album's highlights. While each player is always fully engaged in this small setting, Kessel's guitar supplies the lead voice. His expressive style has more in common with bluesy players like Kenny Burrell than cool ones like Tal Farlow. This quality leads to sensitive interpretations of melody-filled standards like \"On Green Dolphin Street\" and \"It Could Happen to You.\" As is traditional in small settings, both Manne and Brown are also given a piece of the action, usually near the end of a tune. The choice of material, the interplay between the three players, and the lead work all meld together beautifully on The Poll Winners, making it a classic guitar album in a small-group setting.” AllMusic Review by Ronnie D. Lankford, Jr.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMuskogee native Barney Kessel is widely considered to be among the greatest jazz guitarists. A noted band leader, Kessel was renowned for session work that included Charlie Parker, Oscar Peterson, Billie Holiday, Sonny Rollins, Chet Baker, Ella Fitzgerald and Roy Eldridge. Additionally, he was an integral member of the iconic pop music studio ensemble, The Wrecking Crew. A self-taught musician, Kessel had a unique grasp of straightforward and complex structures that made him an expressive soloist and group musician. A certain apex of his career was his Poll Winners album series with Ray Brown and Shelly Manne. These reflected the Downbeat and Metronome magazine annual polls.\u003c\/p\u003e\n\u003cp\u003eCraft Recordings has released a re-mastered 180-gram vinyl of the debut of this trio. The Poll Winners: Barney Kessel With Shelly Manne And Ray Brown is a solid representation of a creatively interactive trio. Side 1 opens with the Duke Jordan composition, “Jordu”. The trio opens strong with a syncopated vamp featuring Kessel on lead and Brown’s propulsive bass. Manne’s subtle brush technique is excellent. Brown and Manne exchange with great timing while Kessel brings a deft touch to his chord-laden play. This dynamic small ensemble capture the innate, swaying elegance of Duke Ellington on the classic standard, “Satin Doll”. Kessel’s first solo glows with melodic articulation and bluesy touches. Brown accompanies in counterpoint while Kessel cuts loose. Brown’s concise solo is erudite and Manne’s turn in the spotlight is brief but memorable for its unique execution. “It Could Happen To You” (Van Heusen \u0026amp; Burke) is one of those popular tunes that has become a jazz touchstone (including covers by Miles Davis. Bud Powell, Ahmad Jamal, Dave Brubeck, Keith Jarrett and Sonny Rollins). Here the depth and fluidity of Kessel’s lyrical approach is translated. His delicate articulation infuses the opening and when the trio engages, the tempo uptick Is compelling. In a surprising arrangement, the torch ballad, “Mean To Me” gets a heavy dose of swing. Kessel’s exuberant play is palpable and the rhythm section responds in lockstep.\u003c\/p\u003e\n\u003cp\u003eSide 2 kicks off with another pop\/jazz standard, “Don’t Worry ‘Bout Me”. Against sparkling drum fills, Kessel’s lead is forcefully rhythmic with brilliant jazz intonation, and Brown trades off stylishly. “Green Dolphin Street’ was written for the 1947 film of the same name. Miles Davis re-invented it for the jazz idiom in 1958…now it is an iconic part of jazz lore. The trio percolates on this one, distilling the moodiness and exotic motifs, but instilling it with Latin flair. Slowing things down, another Great American Songbook tune (“You Go To My Head”) is exquisitely translated. This major-minor transition key opus is perfect for this group. Kessel embraces the wistful longing of the melody, with some additional flourish. Brown is equally adroit at interpreting the melancholic accents and Manne’s understated drum work is graceful. Kessel and Brown counter vamps at the beginning of a new Kessel composition, “Minor Moods”. Then a buoyant swing break permeates this jam as guitar and double bass exchange riffs before a return to the intro. The finale, “Nagasaki” is a high-octane performance that combines freewheeling instrumentation and precision. The pedigree of this song is mainly associated with big band jazz, and the dynamic trio emulates the late 20’s vibe.\u003c\/p\u003e\n\u003cp\u003eCraft Recordings had done an excellent job in re-mastering The Poll Winners to 180-gram vinyl. The ORP pressing is meticulous with little surface noise and no hisses or pops. Bernie Grumman’s stereo mix is precise with guitar in one speaker and double bass\/drums in another. It is nicely balanced. For audiophiles, the original liner notes include a lot of technical information about the Western 45-45 “StereoDisk” cutting system.” Robbie Gerson, Audiophile Audition, June 2022\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4,37 \/ 5 ; Audiophile Audition : 4.5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42590276911354,"sku":"ACONC 386","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-poll-winners-barney-kessel-with-shelly-manne-and-ray-brown-audiosoundmusic-1.jpg?v=1719858573"},{"product_id":"the-young-rascals-groovin-2lp-mono-ultra-analog-half-speed-mastering-45-rpm","title":"\u003ctranscy\u003eThe Young Rascals - Groovin' (2LP, Mono, Ultra Analog, Half-speed Mastering, 45 tours)\u003c\/transcy\u003e","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eFelix Cavaliere – lead vocals (A1, B2, C1-2, C4, D3), keyboards, organ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEddie Brigati – lead vocals (A2, B3, C2, D1), percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGene Cornish – lead vocals (B1, C3), guitar, bass, harmonica; percussion on \"Groovin'\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDino Danelli – drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Brigati – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHubert Laws – flute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChuck Rainey - bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral Arrangements by Arif Mardin (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Eddie Brigati (A1-2, B2-3, C1-2, C4, D2-3), Felix Cavaliere (A1-2, B2-3, C1-2, C4, D2-3), Gene Cornish (B1, C3), Brian Wells (D1), Ronald Miller (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, gatefold sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded May 9, 1966 - June 22, 1967\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Chris Huston, Tom Dowd\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by The Young Rascals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Krieg Wunderlich by Mobile Fidelity Sound Lab\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in July 1967\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in May 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Girl Like You\u003c\/li\u003e\n\u003cli\u003eFind Somebody\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI’m So Happy Now\u003c\/li\u003e\n\u003cli\u003eSueno\u003c\/li\u003e\n\u003cli\u003eHow Can I Be Sure\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGroovin’\u003c\/li\u003e\n\u003cli\u003eIf You Knew\u003c\/li\u003e\n\u003cli\u003eI Don’t Love You Any More\u003c\/li\u003e\n\u003cli\u003eYou Better Run\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Place in the Sun\u003c\/li\u003e\n\u003cli\u003eIt’s Love\u003c\/li\u003e\n\u003cli\u003eA Beautiful Morning\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col start=\"10\"\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“The Rascals move into the era of psychedelia with a vengeance on this album -- the best of their entire history -- which also retains a soulful core and adds a bit of a Latin beat. The original album on Atlantic was a monster seller thanks to the title track, practically the group's signature tune (number one on the pop charts, number three on R\u0026amp;B), but \"Groovin'\" was only one small strong point on the album of the same name. \"Find Somebody\" marked a return to the group's garage band sound with a psychedelic twist, including phased fuzztone guitars and some catchy lyrics and choruses. \"How Can I Be Sure\" is the second best-known song off of this album, but it has a fully successful companion piece, \"I'm So Happy Now,\" that applies similar instrumentation to very different (but pleasing) effect. Gene Cornish's \"I Don't Love You Anymore\" could be the finest pop song in the band's repertory apart from \"How Can I Be Sure,\" with a delectable guitar part, scrumptious melody, and delicious chorus. \"You Better Run\" was more than a year old when it turned up on this album, and its garage band sensibilities are a bit more primitive than those of \"Find Somebody,\" but it's a great piece of rock \u0026amp; roll. The band turns in one superb Motown cover, \"A Place in the Sun,\" done in a surprisingly subdued fashion. And for a finale, Cavaliere and Brigati turn in an exultant period piece, \"It's Love,\" whose soaring lyrics are matched by guest artist Hubert Laws' flute -- alas, his presence would point the way toward less effective, more disjointed work in the Rascals' future, as they moved more deeply into psychedelia.” AllMusic Review by Bruce Eder\u003c\/p\u003e\n\u003col start=\"4\"\u003e\u003c\/ol\u003e\n\u003col start=\"5\"\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 3.99 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42801723736314,"sku":"MFSL 2-503","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-young-rascals-groovin-2lp-mono-ultra-analog-half-speed-mastering-45-rpm-audiosoundmusic-1.jpg?v=1719859083"},{"product_id":"steely-dan-countdown-to-ecstasy-2lp-box-set-45rpm-uhqr-200g-clear-vinyl","title":"\u003ctc\u003eSteely Dan - Countdown To Ecstasy (2LP, Coffret, 45 tours, UHQR, 200g, vinyle translucide)\u003c\/tc\u003e","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/steely-dan\" title=\"vinyl featuring Steely Dan\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/steely-dan\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl from Steely Dan]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003ePiano, Electric Piano, Synthesizer, Vocals – Donald Fagen\u003c\/span\u003e \u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"Vinyl featuring Donald Fagen\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/donald-fagen\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/donald-fagen\"\u003e[click here to see more vinyl featuring Donald Fagen]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – David Palmer (4), James Rolleston, Michael Fenelly*, Myrna Matthews, Patricia Hall, Royce Jones, Sherlie Matthews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVibraphone, Marimba, Percussion – Victor Feldman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass Guitar, Harmonica, Vocals – Walter Becker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar – Ben Benay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Percussion, Vocals – Jim Hodder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Denny Dias\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Pedal Steel Guitar – Jeff \"Skunk\" Baxter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll songs written by Walter Becker and Donald Fagen \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set, gatefold \u003cspan data-mce-fragment=\"1\"\u003eon heavy cardboard stock, \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003epremium slipcase with a wooden dowel spine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 15,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUHQR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Clear vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : ABC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Caribou Ranch in The Nederlands and The Village Recorder in West Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Roger Nichols\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Denny Dias\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Gary Katz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in July 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in December 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBodhisattva\u003c\/li\u003e\n\u003cli\u003eRazor Boy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Boston Rag\u003c\/li\u003e\n\u003cli\u003eYour Gold Teeth\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShow Biz Kids\u003c\/li\u003e\n\u003cli\u003eMy Old School\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePearl Of The Quarter\u003c\/li\u003e\n\u003cli\u003eKing Of The World\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eColin Larkin’s All Time Top 1000 Albums - Ranked 307\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eIncluded in the book 1001 Albums You Must Hear Before You Die\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“Can't Buy a Thrill became an unexpected hit, and as a response, Donald Fagen became the group's full-time lead vocalist, and he and Walter Becker acted like Steely Dan was a rock \u0026amp; roll band for the group's second album, Countdown to Ecstasy. The loud guitars and pronounced backbeat of \"Bodhisattva,\" \"Show Biz Kids,\" and \"My Old School\" camouflage the fact that Countdown is a riskier album, musically speaking, than its predecessor. Each of its eight songs have sophisticated, jazz-inflected interludes, and apart from the bluesy vamps \"Bodhisattva\" and \"Show Biz Kids,\" which sound like they were written for the stage, the songs are subtly textured. \"Razor Boy,\" with its murmuring vibes, and the hard bop tribute \"Your Gold Teeth\" reveal Becker and Fagen's jazz roots, while the country-flavored \"Pearl of the Quarter\" and the ominous, skittering \"King of the World\" are both overlooked gems. Countdown to Ecstasy is the only time Steely Dan played it relatively straight, and its eight songs are rich with either musical or lyrical detail that their album rock or art rock contemporaries couldn't hope to match.” Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUHQR :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUHQR pressing is inspired from JVC Japan, which 30 years ago was the pinnacle of high-quality vinyl. Each UHQR vinyl is pressed, using hand-selected vinyl, on a manual Finebilt press with attention paid to every single detail of every single record. The 200-gram records feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing your stylus to play truly perpendicular to the grooves from edge to center. Every UHQR is hand-inspected upon pressing completion, and only the truly flawless are allowed to go to market.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4.28 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":43384403755258,"sku":"AUHQR 0010-45","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/steely-dan-countdown-to-ecstasy-2lp-box-set-45rpm-uhqr-200g-clear-vinyl-audiosoundmusic-1.jpg?v=1719860308"},{"product_id":"elvis-presley-blue-hawaii-2lp-45rpm-ultra-analog","title":"\u003ctc\u003eElvis Presley - Blue Hawaii (2LP, 45 tours, Ultra Analog)\u003c\/tc\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElvis Presley – lead vocals  \u003ca title=\"vinyl featuring Elvis Presley\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Surfers – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Jordanaires – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBoots Randolph – saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge Field – harmonica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFreddie Tavares – ukulele\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBernie Lewis – ukulele\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHank Garland – acoustic guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTiny Timbrell – acoustic guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScotty Moore – electric guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlvino Rey – pedal steel guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFloyd Cramer – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDudley Brooks – piano, celeste\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob Moore – double bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eD.J. Fontana – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBernie Mattinson – drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHal Blaine – drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlue Hawaii\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdapted and arranged by Elvis Presley (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten-By – Leo Robin (A1), Ralph Rainger (A1), Fred Wise (A2, B2), Ben Weisman (A2, B2-3), Don Robertson (A4), Hal Blair (A4), George David Weiss (B1, C1), Hugo Peretti (B1, C1), Luigi Creatore (B1, C1), Dolores Fuller (B2), Sylvia Dee (B3), Sid Tepper and Roy C. Bennett (C2 to D2), Al Hoffman (D3), Charles E. King (D3), Dick Manning (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g \u003c\/strong\u003e\u003cstrong\u003eHigh-Definition Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded March 21–23, 1961 at Radio Recorders (Hollywood)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Steve Sholes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Krieg Wunderlich, Assisted by Rob LoVerde at Mobile Fidelity Sound Lab ®, Sebastopol\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in October 1961\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in September 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlue Hawaii\u003c\/li\u003e\n\u003cli\u003eAlmost Always True\u003c\/li\u003e\n\u003cli\u003eAloha Oe\u003c\/li\u003e\n\u003cli\u003eNo More\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCan't Help Falling in Love\u003c\/li\u003e\n\u003cli\u003eRock-A-Hula Baby\u003c\/li\u003e\n\u003cli\u003eMoonlight Swim\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKu-u-i-po\u003c\/li\u003e\n\u003cli\u003eIto Eats\u003c\/li\u003e\n\u003cli\u003eSlicin' Sand\u003c\/li\u003e\n\u003cli\u003eHawaiian Sunset\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeach Boy Blues\u003c\/li\u003e\n\u003cli\u003eIsland of Love\u003c\/li\u003e\n\u003cli\u003eHawaiian Wedding Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Elvis movies never came bigger than Blue Hawaii, the 1961 romantic musical comedy whose success helped push Presley into near full-time filmmaking for the bulk of the '60s. Not only was the flick a hit but so was the soundtrack, going Gold by the end of 1961, a success partially fueled by the ballad \"Can't Help Falling in Love,\" a song so good it suggests the rest of the record might contain other gems. That's not the case. The record has its moments, including the dreamy title track, but as an album, Blue Hawaii is undone by a film that demands a good chunk of its tunes carry a Hawaiian flavor. Often, this mid-century Polynesian exotica has its charms -- Elvis croons sweetly on the swaying luaus and everybody involved has the good sense to embrace the project's inherent silliness, letting themselves josh around on deliberate fluff like \"Rock-A-Hula Baby\" and the vaudevillian rhumba that's \"Beach Boy Blues.\" Both of these are ridiculous but on record, they're slightly preferable to the steady march of island tunes (\"Aloha Oe,\" \"Ku-U-I-Po,\" \"Island of Love,\" \"Hawaiian Love Song\"), all silver screen corn performed with a bit more panache than they deserve.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3.94 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":43549740499194,"sku":"MFSL 2-504","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-blue-hawaii-2lp-45rpm-ultra-analog-audiosoundmusic-1.jpg?v=1719860487"},{"product_id":"bob-dylan-good-as-i-been-to-you-supervinyl","title":"Bob Dylan - Good As I Been To You (SuperVinyl)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eBob Dylan – guitar, harmonica, vocals\u003c\/strong\u003e\u003cstrong\u003e \u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-dylan\" title=\"vinyl featuring Bob Dylan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-dylan\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Bob Dylan]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Walter Vinson and Lonnie Chatmon (A5), Stephen Foster (A7), Sam Coslow (B2), Will Grosz (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA2-3, A6, B1, B4-6 are traditional songs arranged by Bob Dylan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1 is a traditional song arranged by Mississippi John Hurt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA4 is a traditional song arranged by Nic Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB3 is a traditional song arranged by Paul Brady\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve printed by Stoughton printing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded June-July 1992 at Bob Dylan's garage studio, Malibu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Micajah Ryan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Debbie Gold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Stephen Marcussen at Precision Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront cover photography by Jimmy Wachtel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1974\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFrankie \u0026amp; Albert\u003c\/li\u003e\n\u003cli\u003eJim Jones\u003c\/li\u003e\n\u003cli\u003eBlackjack Davey\u003c\/li\u003e\n\u003cli\u003eCanadee-I-O\u003c\/li\u003e\n\u003cli\u003eSittin' on Top of the World\u003c\/li\u003e\n\u003cli\u003eLittle Maggie\u003c\/li\u003e\n\u003cli\u003eHard Times\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStep It Up and Go\u003c\/li\u003e\n\u003cli\u003eTomorrow Night\u003c\/li\u003e\n\u003cli\u003eArthur McBride\u003c\/li\u003e\n\u003cli\u003eYou're Gonna Quit Me\u003c\/li\u003e\n\u003cli\u003eDiamond Joe\u003c\/li\u003e\n\u003cli\u003e Froggie Went a Courtin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“Given the acclaim of The Bootleg Series and the perceived disappointment of Under the Red Sky, it seemed like it was time for Dylan to bounce back with a convincing album of original material. Instead, he delivered a record of folk songs, his first straight covers album ever, not to mention his first guitar, harmonica, and voice record since the early '60s. That alone would make it an anomaly, but Good as I Been to You is more than that, because it's a really good traditional folk album, having just enough familiar tunes -- \"Frankie and Albert,\" \"Blackjack Davey,\" \"Sitting on Top of the World,\" \"Froggie Went A-Courtin'\" -- to provide an entryway to the less familiar numbers, which are delivered equally well. Yes, this could be seen as a rather unassuming record, but that's what's special about it. In 1992, not even folksingers were working with this material, but Dylan did, reviving folk's (and rock's) ties to the past at an unexpected time and with unexpectedly strong results. A minor high point in his catalog.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3,94 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48090675511631,"sku":"MFSV1-532","price":76.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/bob-dylan-good-as-i-been-to-you-supervinyl-audiosoundmusic-1.webp?v=1719862951"},{"product_id":"santana-blues-for-salvador","title":"Santana - Blues For Salvador","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eCarlos Santana – guitar  \u003cspan style=\"color: #ff8000;\"\u003e[c\u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/carlos-santana\" title=\"Vinyl featuring Carlos Santana\" style=\"color: #ff8000;\"\u003elick here to see more Vinyl\/SACD featuring Carlos Santana]\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eVocals - Greg Walker\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePercussion, vocals - Alex Ligertwood\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eGuitar, vocals - Chris Solberg\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eBacking vocals - Buddy Miles\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eKeyboards - Chester D. Thompson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eKeyboards, synthesizer - Sterling Crew\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eFlute, percussion, timbales, backing vocals - Orestes Vilató\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eBass - Alphonso Johnson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePercussion, drums - Graham Lear\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eDrums - Tony Williams\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePercussion, bongos, vocals - Armando Peraza\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePercussion, conga, vocals, backing vocals - Raul Rekow\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eWritten by Alan Pasqua (B3), Alex Ligertwood (B3), Buddy Miles (A5), Carlos Santana, Chester Thompson (A1-3, A5, B1, B4), Orestes Vilato (A1), Raul Rekow (B3), Sterling Crew (A2-3, A5, B1)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited to 3,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cmeta charset=\"utf-8\"\u003e \u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eFidelity Record Pressing\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eLabel : MOFI\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eOriginal Label : CBS\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eRecorded at Sound City Studios (Van Nuys, California)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eEngineered by Keith Olsen, Bryan Bell, Dana Chappelle, Jim Gaines, Jim Scott, Maureen Droney\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eMixed by Keith Olsen\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eProduced by Carlos Santana\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eExecutive-Producer -Jim Gaines\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePhotography by Ken Friedman,\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e Erik Weber,\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e Carlos Santana\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eOriginally released in October 1987\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eReissued in 2024\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eBailando\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eAquatic Park\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eBella\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eI’m Gone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eTrane\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eDeeper, Dig Deeper\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eMingus\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eNow That You Know\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eHannibal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eBlues For Salvador\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReview :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"On previous “solo” albums, Carlos Santana had made noticeable stylistic changes and worked with jazz, pop, and even country musicians. On this, his fourth Carlos Santana release, the line between a “solo” and a “group” project is blurred; this record is really a catchall of Santana band outtakes and stray tracks. For example, included are an instrumental version of “Deeper, Dig Deeper” from Freedom, and an alternate take of “Hannibal” from Zebop!, as well as “Now That You Know” from the group’s 1985 tour. Given the variety of material, the album is somewhat less focused than most Santana band albums, but there are individual tracks that are impressive, notably “trane” which features Tony Williams on drums.\" by William Ruhlmann - \u003cmeta charset=\"utf-8\"\u003eAllmusic.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAward\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1989 Grammy Award for Best Rock Instrumental Performance\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eAllMusic : 4.5 \/ 5 ; Discogs : 3.85 \/ 5 ; New Musical Express : 6 \/ 10\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49758870602063,"sku":"MFSL1-560","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2024-09-27a17.42.30.png?v=1727451805"},{"product_id":"fleetwood-mac-tango-in-the-night-2lp-45rpm-ultra-analog-copy","title":"Fleetwood Mac - Tango in the Night (2LP, 45RPM, Ultra Analog)","description":"\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFleetwood Mac \u003c\/strong\u003e\u003ca title=\"audiophile vinyl and CD featuring Fleetwood Mac\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/fleetwood-mac-1\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e[click here to see more vinyl\/CD featuring Feetwood Mac]\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eDrums, Percussion - Mick Fleetwood\u003c\/span\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring Mick Fleetwood\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/fleetwood-mac\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more products featuring Mick Fleetwood]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eBass Guitar - John McVie\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eLead and backing vocals : Stevie Nicks\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eKeyboards, synthesizers, lead and backing vocals - Christine McVie\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eGuitars, lead and backing vocals, keyboards, synthesizers, programming - Lindsey Buckingham\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eArranged by Lindsey Buckingham\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eWritten by Christine McVie, Lindsey Buckingham, Stevie Nicks, Eddy Quintela, Richard Dashut, Sandy Stewart\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, \u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eStoughton printing jacket\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Fidelity Record Pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros. Records\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eCo-Produced by Lindsey Buckingham and Richard Dashut\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eOriginally released in 1987\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eReissued in 2024\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eBig Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eSeven Wonders\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\n\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eEverywhere\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eCaroline\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eTango in the Night\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eMystified\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide C:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eLittle Lies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFamily Man\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eWelcome to the Room…Sara\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide D:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eIsn’t It Midnight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eWhen I See You Again\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eYou and I, Part II\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e“Artistically and commercially, the Stevie Nicks\/Lindsey Buckingham\/Mick Fleetwood\/Christine and John McVie edition of Fleetwood Mac had been on a roll for over a decade when Tango in the Night was released in early 1987. This would, unfortunately, be Buckingham's last album with the pop\/rock supergroup -- and he definitely ended his association with the band on a creative high note. Serving as the album's main producer, Buckingham gives an edgy quality to everything from the haunting \"Isn't It Midnight\" to the poetic \"Seven Wonders\" to the dreamy \"Everywhere.\" Though Buckingham doesn't over-produce, his thoughtful use of synthesizers is a major asset. Without question, \"Family Man\" and \"Caroline\" are among the best songs ever written by Buckingham, who consistently brings out the best in his colleagues on this superb album.” AllMusic Review by Alex Henderson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eUltra Analog™\u003c\/strong\u003e\u003cspan\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.16 \/ 5, AllMusic : 4.5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49821400367439,"sku":"MFSL2-569","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2024-10-08a08.34.28.png?v=1728369297"}],"url":"https:\/\/www.audiosoundmusic.com\/fr\/collections\/black-friday-selection.oembed","provider":"AudioSoundMusic","version":"1.0","type":"link"}