{"title":"\u003ctc\u003eLes coffrets vinyles\u003c\/tc\u003e","description":"","products":[{"product_id":"zappa-88-the-last-u-s-show-frank-zappa","title":"\u003ctranscy\u003eFranck Zappa - The Last U.S. Show (4LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eFrank Zappa (lead guitar, vocals, Synclavier), Mike Keneally (guitar, synthesizer, vocals), Ike Willis (rhythm guitar, synthesizer, vocals), Scott Thunes (electric bass, Minimoog), Bobby Martin (keyboards, vocals), Ed Mann (vibraphone, marimba, electronic percussion), Chad Wackerman (drums, electronic percussion, liner notes), Walt Fowler (trumpet, flugelhorn, synthesizer), Bruce Fowler (trombone, Paul Carman (alto saxophone, soprano saxophone, baritone saxophone), Albert Wing (tenor saxophone), Kurt McGettrick (baritone saxophone, bass saxophone, contrabass clarinet).\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eWritten by Franck Zappa (A2, A3, A4, B1, B2, B3, C1, C2, C3, C4, C5, D2, D5), \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eJohn Lennon (F2, G2), \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003ePaul McCartney (F2, G2), \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eIgor Stravinsky (D3), \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eBela Bartok (D4), Maurice Ravel (H2), \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eDouglass Cross (B4), \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eGeorge C. Cory Junior (B4), \u003c\/span\u003eRay Evans (D7), Jerry Livingston (D7), Jimmy Page (G1), Robert Plant (G1), Gregg Allman (H1), Katharine Lee \u003cspan data-mce-fragment=\"1\"\u003eBates (H3), Samuel A. Ward (H3).\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003e4 LPs, box set\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eOriginal analog Master tape : YES\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003eRecord Press : Optimal Media\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px; margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px; margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eLabel : Zappa Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px; margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px; margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eOriginal Label : Zappa Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px; margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px; margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll tracks recorded on March 25, 1988 at Nassau Coliseum, Uniondale, New York, except track G1, recorded March 23, 1988 at Tonson Center, Towson, Maryland, \u0026amp; track H1, recorded March 16, 1988 at Civic Center, Providence Rhode Island.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003eReleased in June 2021\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-size: 10.5pt; font-family: 'Segoe UI', sans-serif;\" data-mce-style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eSide A\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eWe Are Doing Voter Registration Here\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eThe Black Page (New Age Version)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eI Ain’t Got No Heart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eLove Of My Life\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eInca Roads\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eSharleena\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eWho Needs The Peace Corps?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eI Left My Heart In San Francisco (Cory\/Cross)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eSide C\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eDickie’s Such An Asshole\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eWhen The Lie’s So Big\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eJesus Thinks You’re A Jerk\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eSofa #1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eOne Man, One Vote\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eSide D\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eHappy Birthday, Chad!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003ePackard Goose Pt. I\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eRoyal March From “L’Histoire Du Soldat” (Stravinsky)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eTheme From The Bartok Piano Concerto #3 (Bartok)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003ePackard Goose Pt. II\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eThe Torture Never Stops Pt. I\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eTheme From “Bonanza” (Evans \u0026amp; Livingston)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eLonesome Cowboy Burt\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eSide E\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eThe Torture Never Stops Pt. II\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eCity Of Tiny Lites\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003ePound For A Brown PT. I\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eSide F\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003ePound For A Brown PT. II\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eThe Beatles Medley (Lennon\/McCartney)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003ePeaches En Regalia\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eSide G\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eStairway To Heaven (Page\/Plant)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eI Am The Walrus (Lennon\/McCartney)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eSide H\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eWhipping Post (Allman)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eBolero (Ravel)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(230, 230, 230);\"\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eAmerica The Beautiful (\u003cspan data-mce-fragment=\"1\"\u003eBates\/Ward\u003c\/span\u003e)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eAs Travers writes in the liner notes, “Start with the fulcrum of the 1981-1984 touring bands (Robert, Scott \u0026amp; Chad), bring back Ike Willis, add the Synclavier digital workstation, a 5-piece horn section with multi-instrumentalist Mike Keneally and you have what FZ famously described as “The Best Band You Never Heard In Your Life.” While saying “never heard” might have been a bit of hyperbole, it wasn’t far off as the short-lived band (four months of rehearsal in 1987\/1988, followed by a tour from February through June 1988) only played a few dozen shows on the East Coast and Europe before disbanding. Nonetheless, the shows they did play together were electrifying and a masterclass in musicianship.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eWith Zappa on lead guitar, vocals, and wielding his new obsession the Synclavier, he led the proceedings through a career-spanning set, backed by a stellar cast of veteran band members and newly added members: Mike Keneally (guitar, synth, vocals), Scott Thunes (electric bass, Minimoog), Ike Willis (rhythm guitar, synth, vocals), Chad Wackerman (drums, electronic percussion), Ed Mann (vibes, marimba, electronic percussion), Robert Martin (keyboards, vocals) and the cracking horn section of Walt Fowler (trumpet, flugel horn, synth), Bruce Fowler (trombone), Paul Carman (alto, soprano and baritone sax), Albert Wing (tenor sax) and Kurt McGettrick (baritone and bass sax, contrabass clarinet). The band prepped nearly 100 songs and the sets were wide ranging, spanning tunes from the first Mothers of Invention albums, but with characteristically updated and often times ever-evolving arrangements (“I Ain’t Got No Heart,” “Love Of My Life,” “Who Needs The Peace Corps?”), to new compositions created for the ‘88 tour (“Jesus Thinks You’re A Jerk” and “When The Lie’s So Big”) as well as classical compositions (Bartók, Ravel, Stravinsky) that Zappa liked to play to expose his audiences to music he appreciated. In addition to the inclusion of the 5-piece horn section and it being Keneally’s only tour, the concerts also included extensive use of sampling through the then current machine, the Synclavier, which Zappa took on the road for the first time, as well as percussionists Mann and Wackerman’s use of electronic sounds in their set ups.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eZappa ’88: The Last U.S. Show includes all of this and many more highlights such as fan favorites, “Peaches En Regalia,” “The Black Page” “Inca Roads,” “Sharleena” “Sofa #1” and “Pound For A Brown.” It also includes a horn-laden cover of The Beatles’ “I Am The Walrus,” and the first official release of the highly sought after “The Beatles Medley,” which features the band performing the music of The Beatles’ “Norwegian Wood,” “Lucy In The Sky With Diamonds” and “Strawberry Fields Forever” with the lyrics completely changed to reflect the then-recent sex scandal of televangelist Jimmy Swaggart. The bawdy lyrics poke fun at the hypocritical minister and was part of Zappa’s agenda to demystify televangelists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eJust how Zappa felt it was important to rail against toxically prude self-appointed culture protectors and whatever hypocrisy or hypocrite rankled him that day, he was also a motivator of positive action, passionate about causes, especially voting rights, making it his mission to get his audiences to register to vote. With a presidential election looming, Zappa offered voter registration on the tour, aided by The League of Women Voters. Fans were encouraged to vote before the show or during a special 20-minute intermission in the middle of the two-hour plus concert, which would start with Zappa triggering the Synclavier to play a piece of music. In Uniondale it was “One Man, One Vote.” Notably, the version here is a different mix than the studio version released on Frank Zappa Meets The Mothers Of Prevention. Zappa 88: The Last U.S. Show kicks off with Zappa extolling the importance of voting and encouraging the unregistered to sign up at the show by registering someone live on stage. It was followed by a representative from Governor Mario Cuomo’s office reading a message congratulating “Mr. Zappa for the important work you are doing encouraging your audiences and others to register and vote.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e“Sadly after the European run was over,” as Travers pens in the liners, “Frank Zappa chose to disband the group and cancel the rest of the tour, reportedly forfeiting $400,000.00 in revenue and depriving additional audiences the opportunity to witness how special this group really was. With all of the time and money spent to prepare and promote the tour, not to mention the potential within the talented band and crew, now in 2021, it’s an even more historic loss considering FZ was to never tour again.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(230, 230, 230);\"\u003eDiscogs : 4.85 \/ 5  ,  Rate your music : 4.0 \/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40376226054295,"sku":"ZR20036-1","price":70.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/franck-zappa-the-last-u-s-show-4lp-box-set-audiosoundmusic-1.jpg?v=1719851418"},{"product_id":"jazz-at-the-philharmonic-in-europe","title":"\u003ctranscy\u003eJazz At the Philharmonic in Europe (4LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eLalo Schifrin (Piano) \u003ca data-mce-fragment=\"1\" title=\"vinyl composed by or featuring Lalo Schifrin\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/lalo-schifrin\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/lalo-schifrin\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click to see more vinyl composed by or featuring Lalo Schifrin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Carter (Alto Saxophone) : A1, A2, E1, E2, F1, F2, F3, F4, F5, G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCannonball Adderley (Alto Saxophone) : A1, A2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeo Wright (Alto Saxophone, Flute) : G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Davis (Bass) : A1, A2, B1, E1, E2, F1, F2, F3, F4, F5, G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSam Jones (Bass) : C1, C2, D1, D2, D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCandido (Congas) : H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChuck Lampkin (Drums) : A1, A2, G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJo Jones (Drums) : B1, E1, E2, F1, F2, F3, F4, F5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLouis Hayes (Drums) : C1, C2, D1, D2, D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColeman Hawkins (Tenor Saxophone) : B, E1 to F5 \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" title=\"Vinyl featuring Coleman Hawkins\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Byas (Tenor Saxophone) : B1, E1, E2, F1, F2, F3, F4, F5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStan Getz (Tenor Saxophone) B1, C1, C2, D1, D2 D3, G1, H1, H2 \u003ca title=\"vinyl featuring Stan Getz\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/stan-getz\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Stan Getz]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.J. Johnson (Trombone) : : A1, A2, C1 ; C2, D1, D2 D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDizzy Gillespie (Trumpet) : A1, A2, C1, C2, D1, D2, D3, G1, H1, H2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Eldridge (Trumpet) : B1, E1, E2, F1, F2, F3, F4, F5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVictor Feldman (Vibraphone, Piano) : C1, C2, D1, D2, D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Miller (A1), Leiber (A1), Stoller (A1), Carter (A2), Adderley (A2), Gillespie (A2), Johnson (A2), Kern-Hammerstein, II (B, D2), Bernie (C1), Casey (C1), Pinkard (C1), Dizzy Gillespie (C2), Frank Paparelli (C2), Dameron (D1), Harbach (D2), Zoot Sims (D3), Billy Strayhorn (E1), McDonals (E2), Henley (E2), Harry Link (F1), Holt Marvell (F1), Jack Strachey (F1), Kern (F2), Harbach (F2), Carmichael (F3), Ned Washington (F3), Gillespie (F4), Coots (F4), Benny Carter (F5), Coleman Hawkins (F5), Don Byas (F5), Roy Eldridge (F5), Dizzy Gillespie (G, H2), Duke Ellington (H1), Irving Mills (H1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e4 LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecording : Live at the \u003cspan data-mce-fragment=\"1\"\u003eJazz At The Philharmonic In Europe tour, in the Konserthuset, Stockholm on November 21, 1960 by \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eVal Valentine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer : Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e : \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBernie's Tune\u003c\/li\u003e\n\u003cli\u003eSwedish Jam\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll The Things You Are\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. Sweet Georgia Brown\u003cbr\u003e2. Bop 'n Boogie\u003c\/p\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. I Waited For You\u003cbr\u003e2. Yesterdays\u003cbr\u003e3. Trotting\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide E :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Take The \"A\" Train\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Indiana (Back Home Again)\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide F :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. These Foolish Things (Remind Me Of You)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Yesterdays\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. The Nearness Of You\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. You Got To My Head\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. A Jazz Portrait of Brigitte Bardot\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eSide G :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Kush\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSide H :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. The Mooch\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Wheatleigh Hall\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eRatings :\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eDiscogs : 4.18 \/ 5\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40376677925015,"sku":"V 8539-V8542","price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jazz-at-the-philharmonic-in-europe-4lp-box-set-audiosoundmusic-1.jpg?v=1719851418"},{"product_id":"bach-beethoven-piano-concertos-glenn-gould-leonard-bernstein","title":"\u003ctranscy\u003eBach, Beethoven - Piano Concertos - Glenn Gould, Leonard Bernstein (3LP, Coffret, Mono \u0026 Stereo)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eJohann Sebastian Bach\u003c\/span\u003e - Keyboard Concertos Nos. 1-5 and 7\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLudwig van Beethoven\u003c\/span\u003e - Piano Concerto No. 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e Glenn Gould, the Columbia Symphony Orchestra conducted by Leonard Bernstein (A1, A2, A3) and Vladimir Golschmann (other tracks)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LPs, box, booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo (B1-F3)  \u0026amp; Mono (\u003cspan data-mce-fragment=\"1\"\u003eA1-3)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: April 1957, April \/ May \/ July 1958, May 1967 and February 1969 at Columbia's 30th Street Studio, New York City, by Fred Plaut\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer : Andrew Kazdin ( B1 to D3, F2 to F4), Howard H. Scott (A1 to A3, D4 to F1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Reissued in Nov 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 1 - Allegro\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 1 - Adagio\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 1 -Allegro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 2 - Allegro\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 2 - Siciliano\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 2 - Allegro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 3 - Allegro\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 3 - Adagio e piano sempre\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 3 - Allegro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 4 - Allegro\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 4 - Largettho\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 4 - Allegro ma non tanto\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 5- Allegro\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 5 - Largo\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach - Keyboard Concertos Nos. 5 - Presto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLudwig Van Beethoven - Piano Concerto No. 1 - Allegro con brio\u003c\/li\u003e\n\u003cli\u003eLudwig Van Beethoven - Piano Concerto No. 1 - Largo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLudwig Van Beethoven - Piano Concerto No. 1 - Allegro\u003c\/li\u003e\n\u003cli\u003eLudwig Van Beethoven - Piano Concerto No. 1 - Andante\u003c\/li\u003e\n\u003cli\u003eLudwig Van Beethoven - Piano Concerto No. 1 - Allegro Assai\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Classical\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe attempts that have been made to describe Glenn Gould’s complex personality are endless in number, as are his surprising and often eccentric interpretations. Whether he is considered to be a sensitive maniac, neurotic individualist or uncompromising genius – Gould polarises, provokes and fascinates us long after his death in 1982. As early as 1964 the Canadian pianist ceased to give concerts, since he found appearing before an audience completely unacceptable and preferred to concentrate on studio recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWay in front of composers of the Viennese Classical era, which he did not take particularly seriously – although his performances keenly reflect Beethoven’s rhythmicity – comes his personal deity: Bach. Gould’s notorious strictness gives form to the minutest of figure in the score. He weaves his way through Bach’s music and thereby articulates its tightly knit and multi-facetted depths. No lecturing keyboard proponent this, but a creative co-composer who imbues the spirit of the music with life and sonority. Upon the release in 1980 of the 80th Birthday Edition with its wealth of visual and tonal material, the music journalist Werner Theurich wrote that \"no one had ever played more raptly, or more intensively. That Gould’s performances are nothing but heavenly can be seen and felt. The rest is pure music.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40418219425943,"sku":"ACOL 71449","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bach-beethoven-piano-concertos-glenn-gould-leonard-bernstein-3lp-box-set-mono-and-stereo-audiosoundmusic-1.jpg?v=1719851716"},{"product_id":"johann-sebastian-bach-suites-1-6-for-solo-cello-janos-starker","title":"\u003ctranscy\u003eJohann Sebastian Bach - Suites 1-6 pour violoncelle seul - Janos Starker (3LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohann Sebastian Bach - Suites 1-6 for solo Cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJanos Starker - cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LPs, box, booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Mercury\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: April 1963, September and December 1965 at ballroom Studio A at Fine Recording Studios, New York, by C. Robert Fine and Robert Eberenz\u003cbr\u003e\u003cbr\u003eProduction: Wilma Cozart\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1965\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued date : June 2004\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : Suite No. 1 In G\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePraeludium 2:23\u003c\/li\u003e\n\u003cli\u003eAllemande 4:27\u003c\/li\u003e\n\u003cli\u003eCourante 2:22\u003c\/li\u003e\n\u003cli\u003eSarabande 3:22\u003c\/li\u003e\n\u003cli\u003eMenuets 2:53\u003c\/li\u003e\n\u003cli\u003eGigue 1:31\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B : Suite No. 2 In D Minor   \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePraeludium 3:14\u003c\/li\u003e\n\u003cli\u003eAllemande 2:44\u003c\/li\u003e\n\u003cli\u003eCourante 1:21\u003c\/li\u003e\n\u003cli\u003eSarabande 3:38\u003c\/li\u003e\n\u003cli\u003eMenuets 2:32\u003c\/li\u003e\n\u003cli\u003eGigue 1:33\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C : Suite No. 3 In C\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePraeludium 4:11\u003c\/li\u003e\n\u003cli\u003eAllemande 2:53\u003c\/li\u003e\n\u003cli\u003eCourante 2:09\u003c\/li\u003e\n\u003cli\u003eSarabande 3:20\u003c\/li\u003e\n\u003cli\u003eBourrées 3:09\u003c\/li\u003e\n\u003cli\u003eGigue 1:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D : Suite No. 4 In E-Flat       \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePraeludium 4:02\u003c\/li\u003e\n\u003cli\u003eAllemande 2:45\u003c\/li\u003e\n\u003cli\u003eCourante 2:30\u003c\/li\u003e\n\u003cli\u003eSarabande 3:23\u003c\/li\u003e\n\u003cli\u003eBourrées 3:52\u003c\/li\u003e\n\u003cli\u003eGigue 1:31\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E : Suite No. 5 In C Minor   \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePraeludium 6:46\u003c\/li\u003e\n\u003cli\u003eAllemande 4:10\u003c\/li\u003e\n\u003cli\u003eCourante 2:04\u003c\/li\u003e\n\u003cli\u003eSarabande 2:42\u003c\/li\u003e\n\u003cli\u003eGavottes 4:02\u003c\/li\u003e\n\u003cli\u003eGigue 2:26\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F : Suite No. 6 In D\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePraeludium 4:39\u003c\/li\u003e\n\u003cli\u003eAllemande 4:32\u003c\/li\u003e\n\u003cli\u003eCourante 2:32\u003c\/li\u003e\n\u003cli\u003eSarabande 3:21\u003c\/li\u003e\n\u003cli\u003eGavottes 3:35\u003c\/li\u003e\n\u003cli\u003eGigue 2:34\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003eAwards :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan size=\"2\" color=\"#ff0000\" face=\"Arial\"\u003e\u003cb\u003eTAS Super LP List! Special Merit: Classical\u003cbr\u003e\u003cbr\u003eTAS Recommended! Rated a 'Best Audiophile Label Recording' in the November 2009 issue of The Absolute Sound!\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan size=\"2\" color=\"#ff0000\" face=\"Arial\"\u003eHI-Fi+ Record of the Year 2004\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"This Mercury release from 1966 has long been treasured by music lovers and audiophiles for both the performances and the sound. Thanks to Speakers Corner, this beautifully produced, three-LP boxed set - mastered by Willem Makke at Universal's Berliner mastering facility in Hanover, Germany, from the original tapes - restores this historic set to the catalog. The updated annotation includes new notes by the 80-year-old Starker.\" - Michael Fremer, Stereophile, February 2005\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\"This is one of those records that seems to hold a magic mirror to sound - in this case the sound of a man playing a violoncello in space, in time, captured forever. This is a near physical manifestation of a performance out of thin air...I have always been a fan of the original records, but this is one of those rare instances, especially of such a highly regarded and sought after set, where the re-issue offers far greater pleasure and insight than the original release...Starker's technique, his touch, his grasp of instrument and line is simply as riveting and utterly convincing as one could ever hope to hear - and hear it you do...the icing on the cake is the memoir concerning Mercury and these particular recording sessions, written by Starker himself, exclusively for this release...Congratulations to Speakers Corner Records who have outdone themselves with this most valuable and masterfully produced set, a sentiment that seems to be becoming a habit.\" - Richard S. Foster,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHi-Fi+,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eIssue 36\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003cspan\u003e\"The sound on this Speakers Corner reissue, mastered by Willem Makke at Universal's Berliner facility in Hanover, from Harold Lawrence's original three-track mastertapes, is superb. The cello, situated to the right of stage center and back a bit from stage front, is gorgeously rich and full in tone color; dynamics are exceptionally impressive...There is music for occasions, and there is music that creates a world to dwell in, rather than merely visit - Bach's Cello Suites are quintessentially the latter. This is a set that all music-loving audiophiles should own.\" - Jonathan Valin, \u003c\/span\u003e\u003cem\u003eThe Absolute Sound\u003c\/em\u003e\u003cspan\u003e, June\/July 2005, Issue 154\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003cspan\u003eToday it is difficult to understand that despite the tremendous Bach renaissance that took place in the 19th century many compositions by the Cantor of St. Thomas’s Church in Leipzig had been underrated. The Cello Suites, for example, have been regarded for almost 300 years as purely a set of tricky etudes that every virtuoso in the making simply must tackle. What recording engineers and their equipment can bring to the ears is quite astounding. So it was back in the Thirties with Pablo Casal’s legendary recording against which every cellist is measured today and to whose perfection he aspires.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003cbr\u003e\u003cspan\u003eJanos Starker’s recording of the Suites from 1965 makes a lasting impression on the listener, even when compared with other recordings from the digital era, and even record producers who are well used to recorded excellence have been highly impressed. For Charlotte Gilbert of the Mercury record label, these recording sessions were one of five truly great events in all her 20 years of recording experience.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003cbr\u003e\u003cspan\u003eWithout a doubt, Starker allows his instrument to resound freely but without forcing the tone. Starker’s full-bodied sound and technical brilliance are complemented by his finely chiselled interpretation that lends immense expression to Bach’s thrilling harmony and verve to the strict rhythmic construction of the movements. Just listen to his organ-like double-stopped passages, the eloquent dialogues, and the pure excitement created by his highly individual treatment of tempo. Then you will surely agree with the often-quoted paradox that Bach’s Cello Suites are ‘polyphony for a solo instrument’.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eRatings\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan class=\"421441414-17032005\"\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\" face=\"Arial\" size=\"2\"\u003e\u003cspan\u003eAllmusic : 5 \/ 5 ,  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,54\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  ,  \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e:  \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e5,00\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40421355126935,"sku":"SR3-9016","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/johann-sebastian-bach-suites-1-6-for-solo-cello-janos-starker-3lp-box-set-audiosoundmusic-1.jpg?v=1719851738"},{"product_id":"bob-dylan-blood-on-the-tracks","title":"\u003ctranscy\u003eBob Dylan - Blood on the Tracks (2LP, 45 tours, Coffret, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob Dylan - vocals, guitar, harmonica (A1 to B3, C2, D2), Hammond organ (B2), mandolin (D1) \u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-dylan\" title=\"vinyl featuring Bob Dylan\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-dylan\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Bob Dylan]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Brown (bass), Paul Griffin (organ), Buddy Cage (steel guitar)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformer : Eric Weissberg And Deliverance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWritten by Bob Dylan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLimited to 9,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eUD1S (UltraDisc One-Step)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHeavy Press : 180g - \u003cspan data-mce-fragment=\"1\"\u003eSuperVinyl\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eMobile Fidelity Sound\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal Label :  Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording: September 16–19 and December 27–30, 1974, at A\u0026amp;R Recording in New York City and Sound 80 studio in Minneapolis by Lou Schlossberg and Phil Giambalvo\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal producer : Bob Dylan\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineer : Phil Ramone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by : Krieg Wunderlich and Shawn R. Britton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer : Murray Krugman, Sandy Pearlman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally released January 1975\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReissued Nov 2019\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou're a Big Girl Now\u003c\/li\u003e\n\u003cli\u003eIdiot Wind\u003c\/li\u003e\n\u003cli\u003eYou're Gonna Make Me Lonesome When You Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMeet Me in the Morning\u003c\/li\u003e\n\u003cli\u003eLily, Rosemary and the Jack of Hearts\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIf You See Her, Say Hello\u003c\/li\u003e\n\u003cli\u003eShelter from the Storm\u003c\/li\u003e\n\u003cli\u003eBuckets of Rain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eRolling Stone \u003c\/em\u003e500 Greatest Albums of All Time - Ranked 9 \/ 500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eInducted into the Grammy Hall of Fame in 2015.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eNumber 7 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 342\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« Following on the heels of an album where he repudiated his past with his greatest backing band, Blood on the Tracks finds Bob Dylan, in a way, retreating to the past, recording a largely quiet, acoustic-based album. But this is hardly nostalgia -- this is the sound of an artist returning to his strengths, what feels most familiar, as he accepts a traumatic situation, namely the breakdown of his marriage. This is an album alternately bitter, sorrowful, regretful, and peaceful, easily the closest he ever came to wearing his emotions on his sleeve. That's not to say that it's an explicitly confessional record, since many songs are riddles or allegories, yet the warmth of the music makes it feel that way. The original version of the album was even quieter -- first takes of \"Idiot Wind\" and \"Tangled Up in Blue,\" available on The Bootleg Series, Vols. 1-3, are hushed and quiet (excised verses are quoted in the liner notes, but not heard on the record) -- but Blood on the Tracks remains an intimate, revealing affair since these harsher takes let his anger surface the way his sadness does elsewhere. As such, it's an affecting, unbearably poignant record, not because it's a glimpse into his soul, but because the songs are remarkably clear-eyed and sentimental, lovely and melancholy at once. And, in a way, it's best that he was backed with studio musicians here, since the professional, understated backing lets the songs and emotion stand at the forefront. Dylan made albums more influential than this, but he never made one better. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003eBob Dylan was at several crossroads in the mid-1970s. Artistically, he was largely written off as being past his prime. Emotionally, he was suffering through a painful divorce from his then-wife Sara Lowndes. Creatively, he appeared at a stalemate, his previous decade's unprecedented run of transformational brilliance finished. Then came\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlood on the Tracks\u003c\/em\u003e. Dylan reached the height of his seminal 1970s work with this confessional 1975 classic featuring \"Tangled Up In Blue,\" \"Simple Twist of Fate,\" \"Idiot Wind,\" \"Lily, Rosemary and the Jack of Hearts,\" and six more classic tunes.\u003c\/p\u003e\n\u003cp\u003e\"Inevitably, when critics praise a new Dylan album, they label it the 'best since\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlood on the Tracks\u003c\/em\u003e,' and with good reason. Inspired by a crumbled marriage, and recorded after a tour with the Band had apparently re-ignited his creativity,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlood\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis among Dylan's masterpieces. The album's epic songs are well known, but its real high points are the shorter numbers — 'You're a Big Girl Now,' the flawless blues 'Meet Me in the Morning,' and the sweetly devastating 'Buckets of Rain.' These are songs of \"images and distorted facts,\" each expressed through tangled points of view, and all of them blue.\" —\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDavid Cantwell\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eInstead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllmusic : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40488780333207,"sku":"MFSL45UD1S-006","price":375.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bob-dylan-blood-on-the-tracks-2lp-45-rpm-box-1step-supervinyl-audiosoundmusic-1.jpg?v=1719851796"},{"product_id":"norah-jones-vinyl-collection-box-set","title":"\u003ctranscy\u003eNorah Jones - Coffret collection vinyles (6LP, 200g)\u003c\/transcy\u003e","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNorah Jones - vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/norah-jones\" title=\"vinyl featuring Norah Jones\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Norah Jones]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e   \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6 LPs,  \u003cspan data-mce-fragment=\"1\"\u003eBox set, heavy cardboard stock, tip-on, old-school gatefold sleeves\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Blue Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray at Cohearent Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReleased in 2012\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eCome Away with Me\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e               Side A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon’t Know Why\u003c\/li\u003e\n\u003cli\u003eSeven Years\u003c\/li\u003e\n\u003cli\u003eCold Cold Heart\u003c\/li\u003e\n\u003cli\u003eFeelin’ the Same Way\u003c\/li\u003e\n\u003cli\u003eCome Away with Me\u003c\/li\u003e\n\u003cli\u003eShoot the Moon\u003c\/li\u003e\n\u003cli\u003eTurn Me On\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e               Side B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLonestar\u003c\/li\u003e\n\u003cli\u003eI’ve Got to See You Again\u003c\/li\u003e\n\u003cli\u003ePainter Song\u003c\/li\u003e\n\u003cli\u003eOne Flight Down\u003c\/li\u003e\n\u003cli\u003eNightingale\u003c\/li\u003e\n\u003cli\u003eThe Long Day is Over\u003c\/li\u003e\n\u003cli\u003eThe Nearness of You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eFeels Like Home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e               Side A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSunrise\u003c\/li\u003e\n\u003cli\u003eWhat Am I to You\u003c\/li\u003e\n\u003cli\u003eThose Sweet Words\u003c\/li\u003e\n\u003cli\u003eCarnival Town\u003c\/li\u003e\n\u003cli\u003eIn The Morning\u003c\/li\u003e\n\u003cli\u003eBe Here to Love Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e               Side B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCreepin' In\u003c\/li\u003e\n\u003cli\u003eToes\u003c\/li\u003e\n\u003cli\u003eHumble Me\u003c\/li\u003e\n\u003cli\u003eAbove Ground\u003c\/li\u003e\n\u003cli\u003eThe Long Way Home\u003c\/li\u003e\n\u003cli\u003eThe Prettiest Thing\u003c\/li\u003e\n\u003cli\u003eDon't Miss You at All            \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eNot Too Late\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e               Side A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWish I Could\u003c\/li\u003e\n\u003cli\u003eSinkin' Soon\u003c\/li\u003e\n\u003cli\u003eThe Sun Doesn't Like You\u003c\/li\u003e\n\u003cli\u003eUntil the End\u003c\/li\u003e\n\u003cli\u003eNot My Friend\u003c\/li\u003e\n\u003cli\u003eThinking About You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e               Side B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBroken\u003c\/li\u003e\n\u003cli\u003eMy Dear Country\u003c\/li\u003e\n\u003cli\u003eWake Me Up\u003c\/li\u003e\n\u003cli\u003eBe My Somebody\u003c\/li\u003e\n\u003cli\u003eLittle Room\u003c\/li\u003e\n\u003cli\u003eRosie's Lullaby\u003c\/li\u003e\n\u003cli\u003eNot Too Late\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eThe Fall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e               Side A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChasing Pirates\u003c\/li\u003e\n\u003cli\u003eEven Though\u003c\/li\u003e\n\u003cli\u003eLight as a Feather\u003c\/li\u003e\n\u003cli\u003eYoung Blood\u003c\/li\u003e\n\u003cli\u003eI Wouldn't Need You\u003c\/li\u003e\n\u003cli\u003eWaiting\u003c\/li\u003e\n\u003cli\u003eIt's Gonna Be\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e               Side B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou've Ruined Me\u003c\/li\u003e\n\u003cli\u003eBack to Manhattan\u003c\/li\u003e\n\u003cli\u003eStuck\u003c\/li\u003e\n\u003cli\u003eDecember\u003c\/li\u003e\n\u003cli\u003eTell Your Mama\u003c\/li\u003e\n\u003cli\u003eMan of the Hour\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eLittle Broken Hearts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e               Side A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGood Morning\u003c\/li\u003e\n\u003cli\u003eSay Goodbye\u003c\/li\u003e\n\u003cli\u003eLittle Broken Hearts\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e               Side B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShe's 22\u003c\/li\u003e\n\u003cli\u003eTake It Back\u003c\/li\u003e\n\u003cli\u003eAfter The Fall\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e               Side C\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBroken Hearts\u003c\/li\u003e\n\u003cli\u003eTravelin' On\u003c\/li\u003e\n\u003cli\u003eOut on the Road\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e               Side D\u003c\/p\u003e\n\u003cp\u003e       1.Happy Pills\u003cbr\u003e       2. Miriam\u003cbr\u003e       3. All a Dream    \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCovers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e               Side A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSleepless Nights\u003c\/li\u003e\n\u003cli\u003eI’ll Be Your Baby Tonight\u003c\/li\u003e\n\u003cli\u003eJesus Etc.\u003c\/li\u003e\n\u003cli\u003eSweet Dreams\u003c\/li\u003e\n\u003cli\u003eCry Cry Cry\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e               Side B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePicture In A Frame\u003c\/li\u003e\n\u003cli\u003eHands on the Wheel (with M. Ward)\u003c\/li\u003e\n\u003cli\u003eShe\u003c\/li\u003e\n\u003cli\u003eMy Blue Heaven\u003c\/li\u003e\n\u003cli\u003ePeace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e2003 Grammy Award Winner :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e~ Record of the Year, Don't Know Why\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e~ Album of the Year, Come Away With Me\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e~ Song of the Year, Don't Know Why\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e~ Best New Artist, Norah Jones\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e~ Best Female Pop Vocal Performance, Don't Know Why\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e~ Best Pop Vocal Album, Come Away With Me\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e~ Best Engineered Album, Non-Classical, S. Husky Höskulds \u0026amp; Jay Newland, engineers\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e~ Producer of the Year, Non-Classical, Arif Mardin, producer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e2005 Grammy Awards: Best Female Pop Vocal Performance (Feels like Home album)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\"The packaging is exquisite, from the textured box to the highest quality graphics and paper on cardboard jackets. All is absolutely first-rate as are the pressings. The records coming out of QRP are definitely living up to the pressing plant's early promise. This kind of drop dead black quiet is precisely what's required for Jones's music and QRP delivers it. Kevin Gray's mastering is equally superb. ... I was surprised how easily and pleasurable it was to go through the whole box numerous times before writing it up. The sonics throughout are superb ...\" Michael Fremer, AnalogPlanet.com, January 24, 2013. \u003c\/p\u003e\n\u003cp\u003e\"As you might expect, (the records) sound excellent. ... This set embodies everything this blog believes in passionately. Holding the music in your hands. A lifetime of listening pleasure from the music is massively enhanced by the pleasure of owning a physical object. The ritual of pulling out the record you want to listen to from a box set, opening the thick gatefold jackets and placing the spotless, heavyweight vinyl record on the turntable platter, is of great value to many - convenience aside, how could a mouse-click on a computer or the swipe of your thumb on your 'smart phone' ever hope to compete when it comes to listening to music?\" - Review of the Norah Jones Vinyl Collection by Paul Sinclair, SuperDeluxeEdition.com, January 2013\u003c\/p\u003e\n\u003cp\u003eNorah Jones is the rare artist who has combined widespread critical acclaim with immense commercial success, winning nine Grammy Awards and selling 40 million albums in just a decade, while collaborating with artists from across the spectrum from jazz to hip hop, rock to country. Her pitch-perfect voice combined with her choice of the finest musicians along with top-flight producers such as Arif Mardin, Danger Mouse and Jacquire King have made her releases go-to demonstration discs for audiophile stereo systems. Now ten years into her already impressive career, she is releasing her fifth studio album Little Broken Hearts on May 1, 2012, produced by and co-written with five-time Producer of the Year Grammy nominee Danger Mouse, and to celebrate, Blue Note Records and Analogue Productions are collaborating to re-issue her entire catalog in limited edition audiophile LP.\u003c\/p\u003e\n\u003cp\u003eThe LP editions of the five albums — 2002's Come Away With Me, 2004's Feels Like Home, 2007's Not Too Late, 2009's The Fall and Norah's new album Little Broken Hearts — have all been re-mastered from the original sources by Kevin Gray at Cohearent Audio. The LPs are pressed on 200 Gram vinyl at Quality Record Pressings (fast gaining popular consensus as the best pressing plant in the world) and, keeping with Analogue Productions' standards, they're packaged in heavy cardboard stock, tip-on, old-school gatefold sleeves.\u003c\/p\u003e\n\u003cp\u003eIn addition to the individual releases, Analogue and Blue Note have produced this limited edition vinyl box set comprising all five titles plus a bonus album titled Covers, exclusive in LP format to this box set only. Covers includes 10 rare or unreleased interpretations of classics recorded throughout Norah's career. Artists covered include Bob Dylan, Johnny Cash, Tom Waits, Horace Silver, Wilco and more. The box set is wrapped in a textured paper that feels like linen.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e: \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDiscogs : 4.62 \/ 5 ,  Michael Fremer Music = 9\/10 Sound = 9\/10\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40742362841239,"sku":"AAPP NJBOX 33","price":550.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/norah-jones-vinyl-collection-box-set-6lp-200g-audiosoundmusic-1.jpg?v=1719852271"},{"product_id":"david-bowie-a-reality-tour-translucent-blue-vinyl","title":"\u003ctranscy\u003eDavid Bowie - A Reality Tour (3LP, Coffret, Vinyle translucide bleu)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e David Bowie - vocals\u003c\/strong\u003e \u003cstrong\u003e\u003ca title=\"vinyl featuring David Bowie\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-bowie\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-bowie\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring David Bowie]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Catherine Russell, Gail Ann Dorsey, Gerry Leonard, Sterling Campbell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass Guitar – Gail Ann Dorsey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Sterling Campbell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Earl Slick\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Leader [Band Leader] – Gerry Leonard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Catherine Russell, Mike Garson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMandolin – Catherine Russell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Catherine Russell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LPs, \u003c\/strong\u003e\u003cstrong\u003eBox Set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : \u003c\/strong\u003e\u003cstrong\u003eTranslucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eNovember 22 and 23, 2003 at the Point Depot in Dublin, Ireland\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e by Mario J. McNulty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bill Lord, Bill Zysblat, Henry Wrenn-Meleck\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2004\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003e            Rebel, Rebel\u003c\/p\u003e\n\u003cp\u003e            New Killer Star\u003c\/p\u003e\n\u003cp\u003e            Reality\u003c\/p\u003e\n\u003cp\u003e            Fame\u003c\/p\u003e\n\u003cp\u003e            Cactus\u003c\/p\u003e\n\u003cp\u003e            Sister Midnight\u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003e            Afraid\u003c\/p\u003e\n\u003cp\u003e            All The Young Dudes\u003c\/p\u003e\n\u003cp\u003e            Be My Wife\u003c\/p\u003e\n\u003cp\u003e            The Loneliest Guy\u003c\/p\u003e\n\u003cp\u003e            The Man Who Sold The World\u003c\/p\u003e\n\u003cp\u003e            Sunday\u003c\/p\u003e\n\u003cp\u003eSide C\u003c\/p\u003e\n\u003cp\u003e            Fantastic Voyage\u003c\/p\u003e\n\u003cp\u003e            Hallo Spaceboy\u003c\/p\u003e\n\u003cp\u003e            Under Pressure\u003c\/p\u003e\n\u003cp\u003e            Life On Mars\u003c\/p\u003e\n\u003cp\u003e            Battle For Britain (The Letter)\u003c\/p\u003e\n\u003cp\u003e            Never Get Old\u003c\/p\u003e\n\u003cp\u003eSide D\u003c\/p\u003e\n\u003cp\u003e            Ashes To Ashes\u003c\/p\u003e\n\u003cp\u003e            The Motel\u003c\/p\u003e\n\u003cp\u003e            Loving The Alien\u003c\/p\u003e\n\u003cp\u003e            Changes\u003c\/p\u003e\n\u003cp\u003e            I’m Afraid Of Americans\u003c\/p\u003e\n\u003cp\u003eSide E\u003c\/p\u003e\n\u003cp\u003e            Heroes\u003c\/p\u003e\n\u003cp\u003e            Bring Me The Disco King\u003c\/p\u003e\n\u003cp\u003e            Slip Away\u003c\/p\u003e\n\u003cp\u003e            Heathen (The Rays)\u003c\/p\u003e\n\u003cp\u003eSide F\u003c\/p\u003e\n\u003cp\u003e            Five Years\u003c\/p\u003e\n\u003cp\u003e            Hang On To Yourself\u003c\/p\u003e\n\u003cp\u003e            Ziggy Stardust\u003c\/p\u003e\n\u003cp\u003e            Fall Dogs Bomb The Moon\u003c\/p\u003e\n\u003cp\u003e            Breaking Glass\u003c\/p\u003e\n\u003cp\u003e            China Girl\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e\"Originally released as a home video in 2004, David Bowie's A Reality Tour saw a two-CD audio release slated for January 2010, with three previously unreleased bonus tracks -- \"Fall Dogs Bombs the Moon,\" \"Breaking Glass,\" \"China Girl\" -- adding value to those hardcore fans who already own this concert as a DVD. In either the video or audio incarnation, this November 2003 Dublin, Ireland show is an entertaining, open-hearted set, finding Bowie running through a generous selection of oldies -- both hits and album tracks, including songs written by Bowie, like \"All the Young Dudes\" and \"Sister Midnight\" -- and new songs that hold up well next to the classics. This is Bowie in his mode as a crowd-pleasing professional, playing with considerable charm and skill, offering no surprises but plenty of pleasure: it's not the first album that will come to mind when thinking of live Bowie, but as it's playing, it's hard to resist.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,56 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40814249803927,"sku":"FRM-88272 Translucent Blue Box","price":179.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/david-bowie-a-reality-tour-3lp-box-set-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719852815"},{"product_id":"yes-the-yes-album-45rpm-2lps-box-set","title":"\u003ctranscy\u003eYes - The Yes Album (2LP, Coffret, 45 tours)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/yes\" title=\"vinyl featuring Yes\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/yes\"\u003e[click here to see more vinyl from Yes]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Anderson – lead vocals, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChris Squire – bass guitars, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Howe – electric and acoustic guitars, vachalia, vocal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Kaye – piano, Hammond organ, Moog synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Bruford – drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold LP jackets, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rhino Entertainment Company\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at 17 July 1970 at The Lyceum, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Eddy Offord\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Yes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYours Is No Disgrace\/Yes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Clap\/Howe\u003c\/li\u003e\n\u003cli\u003eStarship Trooper\u003c\/li\u003e\n\u003cli\u003eLife Seeker\/Anderson\u003c\/li\u003e\n\u003cli\u003eDisillusion\/Squire\u003c\/li\u003e\n\u003cli\u003eWürm\/Howe \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI've Seen All Good People\u003c\/li\u003e\n\u003cli\u003eYour Move\/Anderson\u003c\/li\u003e\n\u003cli\u003eAll Good People\/Squire\u003c\/li\u003e\n\u003cli\u003eA Venture\/Anderson\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePerpetual Change\/Anderson\/Squire\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"On Yes' first two albums, Yes (1969) and Time and a Word (1970), the quintet was mostly searching for a sound on which they could build, losing one of their original members -- guitarist Peter Banks -- in the process. Their third time out proved the charm -- The Yes Album constituted a de facto second debut, introducing the sound that would carry them forward across the next decade or more. Gone are any covers of outside material, the group now working off of its own music from the ground up. A lot of the new material was actually simpler -- in linear structure, at least -- than some of what had appeared on their previous albums, but the internal dynamics of their playing had also altered radically, and much of the empty space that had been present in their earlier recordings was also filled up here -- suddenly, between new member Steve Howe's odd mix of country- and folk-based progressive guitar and the suddenly liberated bass work and drumming of Chris Squire and Bill Bruford, respectively, the group's music became extremely busy. And lead singer Jon Anderson, supported by Squire and Howe, filled whatever was left almost to overflowing. Anderson's soaring falsetto and the accompanying harmonies, attached to haunting melodies drawn from folk tunes as often as rock, applied to words seemingly derived from science fiction, and all delivered with the bravura of an operatic performance -- by the band as well as the singer -- proved a compelling mix. What's more, despite the busy-ness of their new sound, the group wasn't afraid to prove that less could sometimes be more: three of the high points were the acoustic-driven \"Your Move\" and \"The Clap\" (a superb showcase for Howe on solo acoustic guitar), and the relatively low-key \"A Venture\" (oddly enough, the latter was the one cut here that didn't last in the group's repertory; most of the rest, despite the competition from their subsequent work, remained in their concert set for years to come). The Yes Album did what it had to do, outselling the group's first two long-players and making the group an established presence in America where, for the first time, they began getting regular exposure on FM radio. Sad to say, the only aspect of The Yes Album that didn't last much longer was Tony Kaye on keyboards: his Hammond organ holds its own in the group's newly energized sound, and is augmented by piano and other instruments when needed, but he resisted the idea of adding the Moog synthesizer, that hot instrument of the moment, to his repertory. The band was looking for a bolder sound than the Hammond could generate, and after some initial rehearsals of material that ended up on their next album, he was dropped from the lineup, to be replaced by Rick Wakeman.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,35 \/ 5 , Discogs : 4 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40875505156247,"sku":"FRM-8283","price":85.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/yes-the-yes-album-2lp-box-set-45rpm-audiosoundmusic-1.jpg?v=1719853213"},{"product_id":"carole-king-tapestry","title":"\u003ctranscy\u003eCarole King - Tapestry (2LP, Coffret, 1STEP, 45 tours, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCarole King – piano, keyboards, vocals, backing vocals \u003ca title=\"vinyl featuring carole king\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/carole-king\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/carole-king\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Carole King]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurtis Amy – flute; baritone, soprano and tenor saxophone; string quartet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Campbell – cello, viola\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMerry Clayton – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerry King – cello, tenor saxophone, string quartet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDanny Kortchmar – acoustic guitar, conga, electric guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRuss Kunkel – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharles \"Charlie\" Larkey – bass guitar, string bass, string quartet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoni Mitchell – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoel O'Brien – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRalph Schuckett – electric piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBarry Socher – violin, tenor saxophone, viola, string quartet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerry Steinberg – bass guitar, violin, tenor saxophone, string bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Taylor – acoustic guitar, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJulia Tillman – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 10,000 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUD1S (UltraDisc One-Step)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Ode records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January 1971 at A\u0026amp;M Studios\u003c\/strong\u003e\u003cstrong\u003e by Hank Cicalo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Lou Adler\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Feel the Earth Move\u003c\/li\u003e\n\u003cli\u003eSo Far Away\u003c\/li\u003e\n\u003cli\u003eIts Too Late\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHome Again\u003c\/li\u003e\n\u003cli\u003eBeautiful\u003c\/li\u003e\n\u003cli\u003eWay Over Yonder\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou've Got a Friend\u003c\/li\u003e\n\u003cli\u003eWhere You Lead\u003c\/li\u003e\n\u003cli\u003eWill You Love Me Tomorrow?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSmackwater Jack\u003c\/li\u003e\n\u003cli\u003eTapestry\u003c\/li\u003e\n\u003cli\u003e(You Make Me Feel Like) A Natural Woman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 36\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1000 Recordings You Must Hear Before You Die - Ranked 212\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e1972 Grammy awards :\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAlbum of the year\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBest female pop performance\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecord of the year for 'It's too late\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSong of the year for \"You got a friend\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTapestry was inducted in 1988 in the Grammy Hall of Fame\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"You got a friend\" and \"It's too late\" were inducted in 2002 in the Grammy Hall of Fame\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Carole King brought the fledgling singer\/songwriter phenomenon to the masses with Tapestry, one of the most successful albums in pop music history. A remarkably expressive and intimate record, it's a work of consummate craftsmanship. Always a superior pop composer, King reaches even greater heights as a performer; new songs like the hits \"It's Too Late\" and \"I Feel the Earth Move\" rank solidly with past glories, while songs like \"Will You Still Love Me Tomorrow,\" and \"(You Make Me Feel Like) A Natural Woman\" take on added resonance when delivered in her own warm, compelling voice. With its reliance on pianos and gentle drumming, Tapestry is a light and airy work on its surface, occasionally skirting the boundaries of jazz, but it's also an intensely emotional record, the songs confessional and direct; in its time it connected with listeners like few records before it, and it remains an illuminating experience decades later.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Jason Ankeny\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eInstead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,29 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40885017739415,"sku":"MFSL45UD1S-030","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/carole-king-tapestry-2lp-box-set-1step-45-rpm-supervinyl-audiosoundmusic-1.jpg?v=1719853281"},{"product_id":"eagles-eagles","title":"\u003ctranscy\u003eEagles - Eagles (2LP, Coffret, 1STEP, 45 tours, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring Eagles\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eagles\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/eagles\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Eagles]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlenn Frey – vocals, guitars, slide guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Henley – vocals, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBernie Leadon – vocals, guitars, banjo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRandy Meisner – vocals, bass guitar \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 7,500 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUD1S (UltraDisc One-Step)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Asylum Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded February 1972 at Olympic Studios, London, except \"Nightingale\" recorded at Wally Heider Recording, Hollywood, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; produced by Glyn Johns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake It Easy\u003c\/li\u003e\n\u003cli\u003eWitchy Woman\u003c\/li\u003e\n\u003cli\u003eChug All Night\u003c\/li\u003e\n\u003cli\u003eMost Of Us Are Sad\u003c\/li\u003e\n\u003cli\u003eNightingale\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTrain Leaves Here This Morning\u003c\/li\u003e\n\u003cli\u003eTake The Devil\u003c\/li\u003e\n\u003cli\u003eEarlybird\u003c\/li\u003e\n\u003cli\u003ePeaceful Easy Feeling\u003c\/li\u003e\n\u003cli\u003eTryin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb data-mce-fragment=\"1\"\u003eRolling Stone 500 Greatest Albums of All Time - Ranked 207\/500\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 262\u003c\/strong\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Balance is the key element of the Eagles' self-titled debut album, a collection that contains elements of rock \u0026amp; roll, folk, and country, overlaid by vocal harmonies alternately suggestive of doo wop, the Beach Boys, and the Everly Brothers. If the group kicks up its heels on rockers like \"Chug All Night,\" \"Nightingale,\" and \"Tryin',\" it is equally convincing on ballads like \"Most of Us Are Sad\" and \"Train Leaves Here This Morning.\" The album is also balanced among its members, who trade off on lead vocal chores and divide the songwriting such that Glenn Frey, Bernie Leadon, and Randy Meisner all get three writing or co-writing credits. (Fourth member Don Henley, with only one co-writing credit and two lead vocals, falls a little behind, while Jackson Browne, Gene Clark, and Jack Tempchin also figure in the writing credits.) The album's overall balance is worth keeping in mind because it produced three Top 40 hit singles (all of which turned up on the massively popular Eagles: Their Greatest Hits 1971-1975) that do not reflect that balance. \"Take It Easy\" and \"Peaceful Easy Feeling\" are similar-sounding mid-tempo folk-rock tunes sung by Frey that express the same sort of laid-back philosophy, as indicated by the word \"easy\" in both titles, while \"Witchy Woman,\" a Henley vocal and co-composition, initiates the band's career-long examination of supernaturally evil females. These are the songs one remembers from Eagles, and they look forward to the eventual dominance of the band by Frey and Henley. But the complete album from which they come belongs as much to Leadon's country-steeped playing and singing and to Meisner's melodic rock \u0026amp; roll feel, which, on the release date, made it seem a more varied and consistent effort than it did later, when the singles had become overly familiar.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eInstead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,08 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40885182955671,"sku":"MFSL45UD1S-024","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/eagles-eagles-2lp-box-set-1step-45-rpm-supervinyl-audiosoundmusic-1.jpg?v=1719853281"},{"product_id":"janis-joplin-pearl","title":"\u003ctranscy\u003eJanis Joplin - Pearl (2LP, Coffret, 1STEP, 45 tours, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJanis Joplin, vocals, acoustic guitar \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/janis-joplin\" title=\"vinyl featuring Janis Joplin\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/janis-joplin\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Janis Joplin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrad Campbell, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKen Pearson, organ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Till, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Bell, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSandra Crouch, tambourine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobbie Hall, conga, bongos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Womack, acoustic guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 10,000 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUD1S (UltraDisc One-Step)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eJuly 27 – October 4, 1970 at \u003c\/strong\u003e\u003cstrong\u003eStudio Sunset Sound Recorders, Hollywood, California\u003c\/strong\u003e \u003cstrong\u003eby Phil Macy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Paul A. Rothchild\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMove Over\u003c\/li\u003e\n\u003cli\u003eCry Baby\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Woman Left Lonely\u003c\/li\u003e\n\u003cli\u003eHalf Moon\u003c\/li\u003e\n\u003cli\u003eBuried Alive In The Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Baby\u003c\/li\u003e\n\u003cli\u003eMe \u0026amp; Bobby McGee\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMercedes Benz\u003c\/li\u003e\n\u003cli\u003eTrust Me\u003c\/li\u003e\n\u003cli\u003eGet It While You Can\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cb\u003eTAS Super LP List! Special Merit: Informal\u003c\/b\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 125\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 231\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Janis Joplin's second masterpiece (after Cheap Thrills), Pearl was designed as a showcase for her powerhouse vocals, stripping down the arrangements that had often previously cluttered her music or threatened to drown her out. Thanks also to a more consistent set of songs, the results are magnificent -- given room to breathe, Joplin's trademark rasp conveys an aching, desperate passion on funked-up, bluesy rockers, ballads both dramatic and tender, and her signature song, the posthumous number one hit \"Me and Bobby McGee.\" The unfinished \"Buried Alive in the Blues\" features no Joplin vocals -- she was scheduled to record them on the day after she was found dead. Its incompleteness mirrors Joplin's career: Pearl's power leaves the listener to wonder what else Joplin could have accomplished, but few artists could ask for a better final statement.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Steve Huey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,33 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40885293842583,"sku":"MFSL45UD1S-013","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/janis-joplin-pearl-2lp-box-set-1step-45rpm-supervinyl-audiosoundmusic-1.jpg?v=1719853281"},{"product_id":"paul-simon-still-crazy-after-all-these-years","title":"\u003ctranscy\u003ePaul Simon - Still Crazy After All These Years (2LPs, Coffret, 45 tours, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Simon – vocals, acoustic guitar (A2, B1, B2, D1), electric guitar (B3), horn and string arrangements \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-simon\" title=\"vinyl featuring Paul Simon\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Paul Simon]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Garfunkel – vocals (A2)\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e \u003ca title=\"audiophile vinyl featuring Art Garfunkel\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/art-garfunkel\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more products featuring Art Garfunkel]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Tropea – electric guitar (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatti Austin – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhoebe Snow – background vocals, vocals (C1)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Beck – electric guitar (B1, C3, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Brecker – tenor saxophone (A1), saxophone (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob James – piano, Fender Rhodes piano (C2, C3), string and horn arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Sanborn – saxophone (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGrady Tate – drums (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePete Carr – electric guitar (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSivuca – accordion and vocals (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRalph MacDonald – percussion (A2, B1, B2, C1, C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChicago Community Choir – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBarry Beckett – Fender Rhodes (A1), piano (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEddie Daniels – saxophone (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGordon Edwards – bass guitar (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerry Friedman – electric guitar (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Gadd – drums (C1-3, D1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoger Hawkins – drums (A1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Hood – bass guitar (A1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Jessy Dixon Singers – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Levin – bass guitar (B1-3, C2-3, D1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHugh McCracken – electric guitar (B2, C2-3), acoustic guitar (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeon Pendarvis – piano (D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Mathews – horn arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eValerie Simpson – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Tee – piano (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eToots Thielemans – harmonica (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhil Woods – alto saxophone (C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenneth Ascher – Hammond organ (B2), Fender Rhodes, piano (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set, gatefold cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step (UD1S)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 8,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g, SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at \u003c\/strong\u003e\u003cstrong\u003eA\u0026amp;R Recording, New York City in 1975 by\u003c\/strong\u003e\u003cstrong\u003e Phil Ramone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Paul Simon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStill Crazy After All These Years\u003c\/li\u003e\n\u003cli\u003eMy Little Town\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B: \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Do It For Your Love\u003c\/li\u003e\n\u003cli\u003e50 Ways To Leave Your Lover\u003c\/li\u003e\n\u003cli\u003eNight Game\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGone At Last\u003c\/li\u003e\n\u003cli\u003eSome Folks' Lives Roll Easy\u003c\/li\u003e\n\u003cli\u003eHave A Good Time\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide D : \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou're Kind\u003c\/li\u003e\n\u003cli\u003eSilent Eyes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGrammy Awards for Album of the Year and Best Male Pop Vocal Performance\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The third new studio album of Paul Simon's post-Simon \u0026amp; Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. Where Simon had taken an eclectic approach before, delving into a variety of musical styles and recording all over the world, Still Crazy found him working for the most part with a group of jazz-pop New York session players, though he did do a couple of tracks (\"My Little Town\" and \"Still Crazy After All These Years\") with the Muscle Shoals rhythm section that had appeared on Rhymin' Simon and another (\"Gone at Last\") returned to the gospel style of earlier songs like \"Loves Me Like a Rock.\" Of course, \"My Little Town\" also marked a return to working with Art Garfunkel, and another Top Ten entry for S\u0026amp;G. But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns. Perhaps more striking, however, was Simon's lyrical approach. Where Rhymin' Simon was the work of a confident family man, Still Crazy came off as a post-divorce album, its songs reeking of smug self-satisfaction and romantic disillusionment. At their best, such sentiments were undercut by humor and made palatable by musical hooks, as on \"50 Ways to Leave Your Lover,\" which became the biggest solo hit of Simon's career. But elsewhere, as on \"Have a Good Time,\" the singer's cynicism seemed unearned. Still, as out of sorts as Simon may have been, he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eUltraDisc One-Step :\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003e Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; word-spacing: 0px; margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003eMoFi SuperVinyl:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 10.5pt; font-family: 'Segoe UI',sans-serif; color: #212b36;\"\u003e The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,07 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40931338584215,"sku":"MFSL45UD1S-014 Box","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/paul-simon-still-crazy-after-all-these-years-2lps-box-set-45rpm-1step-supervinyl-audiosoundmusic-1.jpg?v=1719853489"},{"product_id":"yes-fragile-2lps-45-rpm-box-ud1s-supervinyl","title":"\u003ctranscy\u003eYes - Fragile (2LP, 45 tours, Coffret, One Step, SuperVinyl)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring Yes\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/yes\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/yes\"\u003e[click here to see more vinyl from Yes]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJon Anderson – lead vocals, percussion, acoustic guitar on “We Have Heaven”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Howe – electric and acoustic guitars, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChris Squire – bass guitars, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Wakeman – Hammond organ, grand piano, RMI 368 Electra-Piano and Harpsichord, Mellotron, Minimoog synthesiser\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Bruford – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by \u003c\/strong\u003e\u003cstrong\u003eJon Anderson (A1, B1-2, C2, D1), Johannes Brahms (A2 extracts from Brahms' 4th Symphony In E Minor, Third Movement), Chris Squire (B2, C3, D1), Bill Bruford (C1, D1), Steve Howe (A1, C4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e2 LPs, box set, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLimited to 7,500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eUD1S (UltraDisc One-Step)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHeavy Press : 180g - \u003cspan data-mce-fragment=\"1\"\u003eSuperVinyl\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003e11 August - 5 September 1971 \u003c\/span\u003eat Advision Studios, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Eddy Offord\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Yes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoundabout\u003c\/li\u003e\n\u003cli\u003eCans And Brahms\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B: \u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWe Have Heaven\u003c\/li\u003e\n\u003cli\u003eSouth Side Of The Sky\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFive Per Cent For Nothing\u003c\/li\u003e\n\u003cli\u003eLong Distance Runaround\u003c\/li\u003e\n\u003cli\u003eThe Fish (Schindleria Praematurus)\u003c\/li\u003e\n\u003cli\u003eMood For A Day\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeart Of The Sunrise\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 218\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon; not coincidentally, it also marked the point where all of the elements of the music (and more) that would define their success for more than a decade fell into place fully formed. The science-fiction and fantasy elements that had driven the more successful songs on their preceding record, The Yes Album, were pushed much harder here, and not just in the music but in the packaging of the album: the Roger Dean-designed cover was itself a fascinating creation that seemed to relate to the music and drew the purchaser's attention in a manner that few records since the heyday of the psychedelic era could match. Having thrown original keyboard player Tony Kaye overboard early in the sessions -- principally over his refusal to accept the need for the Moog synthesizer in lieu of his preferred Hammond organ -- the band welcomed Rick Wakeman into its ranks. His use of the Moog, among other instruments, coupled with an overall bolder and more aggressive style of playing, opened the way for a harder, hotter sound by the group as a whole; bassist Chris Squire sounds like he's got his amp turned up to \"12,\" and Steve Howe's electric guitars are not far behind, although the group also displayed subtlety where it was needed. The opening minute of \"Roundabout,\" the album opener -- and the basis for the edited single that would reach number 13 on the Billboard charts and get the group onto AM radio in a way that most other prog rock outfits could only look upon with envy -- was dominated by Howe's acoustic guitar and Bill Bruford's drums, and only in the middle section did the band show some of what they could do with serious amperage. Elsewhere on the record, as on \"South Side of the Sky,\" they would sound as though they were ready to leave the ground (and the planet), between the volume and intensity of their playing. \"Long Distance Runaround,\" which also served as the B-side of the single, was probably the most accessible track here apart from \"Roundabout,\" but they were both ambitious enough to carry most listeners on to the heavier sides at the core of this long-player. The solo tracks by the members were actually a necessity: they needed to get Fragile out in a hurry to cover the cost of the keyboards that Wakeman had added to the group's sonic arsenal. But they ended up being more than filler. Each member, in effect, took a \"bow\" in mostly fairly serious settings, and Squire's \"The Fish\" and Howe's \"Mood for a Day\" pointed directly to future, more substantial projects as well as taking on a life of their own on-stage. If not exactly their peak, Fragile was as perfect a record as the group would ever make, and just as flawless in its timing as its content.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"...The overall breadth of this One-Step offering brings into further focus both the collective and singular strengths of this definitive Yes incarnation. In fact, that's how you should listen to it - first to enjoy the compositional prowess of the whole, next to zero in on the contributions of the individual band members. That way, each successive spin will bear additional aural witness to Jon Anderson's clever \"sharp, distance\" whisper-to-a-scream lead-vocal choices saturating \"Heart of the Sunrise\", Bill Bruford's deft cymbal and stickwork throughout \"Roundabout\", Rick Wakeman's piano-key resonance during the transitional break in \"South Side of the Sky\", Steve Howe's adroit acoustic-string touches on \"Mood for a Day\", and Chris Squire's low-end thunder percolating the transition from \"Long Distance Runaround\" into \"The Fish (Shindleria Praematurus).\" There's no roundabout way of saying it: MoFi's One Step \u003ci\u003eFragile\u003c\/i\u003e is a true heavyweight SuperVinyl champion.\"\u003cstrong\u003e \u003c\/strong\u003e- Mike Mettler, \u003ci\u003eThe Absolute Sound Magazine, \u003c\/i\u003eApril 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eInstead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,4 \/ 5  ,  The Absolute Sound : 5\/5 Music, 5\/5 Sonics\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40936615542935,"sku":"MFSL45UD1S-012","price":495.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/yes-fragile-2lp-45-rpm-box-1step-supervinyl-audiosoundmusic-1.jpg?v=1719853552"},{"product_id":"hugh-masekela-hope-4lp-box-set-45rpm","title":"\u003ctc\u003eHugh Masekela - Hope (4LP, Coffret, 45 tours)\u003c\/tc\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHugh Masekela – flugelhorn, trumpet \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Hugh Masakela\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/hugh-masekela\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Hugh Masakela]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDamon Duewhite – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBakithi Kumalo – bass, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLawrence Matshiza – guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThemba Mkhize – keyboards, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemi Kabaka – percussion, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNgenekhaya Mahlanghu – saxophone, flute, vocals, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLos Ballederos Hornas Africanos De Townsheep – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 LPs, Box set, \u003cspan data-mce-fragment=\"1\"\u003eGatefold tip-on jacket by Stoughton Printing\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Triloka Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Blues Alley, Washington DC 30th July - 1rst August 1993\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by David Hewitt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray at Cohearent Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Lee Gillette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1994\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003cp\u003e    Abangoma (The Healers)\u003c\/p\u003e\n\u003cp\u003e    Uptownship\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cp\u003e    Mandela (Bring Him Back Home!)\u003c\/p\u003e\n\u003cp\u003e    Grazin' In The Grass\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003cp\u003e    Lady\u003c\/p\u003e\n\u003cp\u003e   \u003c\/p\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003cp\u003e    Languta\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003cp\u003e    Nomali\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003cp\u003e    Marketplace\u003c\/p\u003e\n\u003cp\u003e    Ntyilo Ntyilo (The Love Bird)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide G:\u003c\/p\u003e\n\u003cp\u003e    Ha Le Se (The Dowry Song)\u003c\/p\u003e\n\u003cp\u003e    Until When\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide H:\u003c\/p\u003e\n\u003cp\u003e    Stimela (The Coal Train)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"tabs-contents\"\u003e\n\u003cdiv id=\"tab-description\" class=\"tab-content is-active\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Now happily resettled in South Africa, Masekela assembled a seven-piece group there and recorded an informal guided tour of his life and repertoire live in Washington D.C.'s Blues Alley. The songs stretch over a period of nearly five decades and several countries and composers -- from an incantatory Alexandria township tune, \"Languta,\" which he learned in 1947, to a fairly ordinary piece written by keyboardist Themba Mkhize in 1993, \"Until When.\" \"Abangoma\" starts the CD out on the right track, hearkening back to the early fusion of African music and jazz that Masekela was playing back in 1966. \"Mandela (Bring Him Back Home)\" may have lost some of its political raison d'etre by 1993, but it remains a good tune, and the band plays it with enthusiasm. Yet Masekela's biggest hit, \"Grazing in the Grass,\" sounds a bit tired in this live rendition. There are two songs by the prolific South African composer Caiphus Semenya, \"Nomali\" and the driving \"Ha Le Se,\" and the late Nigerian idol Fela Anikulapo-Kuti is represented by \"Lady.\" Clearly the resolution of the political struggle in South Africa had mellowed Masekela; he sounds happier, perhaps less fiery, certainly more polished and refined on the trumpet and flugelhorn than when he started out. But when you hear his bitter narration on \"Stimela,\" describing the life of formerly conscripted coal miners, you suspect that not all of the old wounds have healed.\" AllMusic Review by Richard S. Ginell\u003c\/p\u003e\n\u003cp\u003e\"How sad, if timely: this stunning reissue of the 1994 live album arrived in the very week that trumpeter Masekela passed away. One of the most successful ambassadors ever for African music, his fusing of the continent's rhythms and instruments with contemporary jazz and rock proved irresistible. Nearly every one of you has heard him, thanks to guess spots with The Byrds and Paul Simon. His breakthough hit from 1968 — the infectious \"Grazing In The Grass\" — is here, along with another 11 tracks recorded at Blues Alley, the U.S. club that gave us Eva Cassidy. Notably, despite its early-1990s origins, this is all-analogue.\" Ken Kessler, HiFi News, May 2018\u003c\/p\u003e\n\u003cp\u003e\"...Hope is one of those intensely visceral, large as life, and immediately present recordings that will make pretty much any system sound at least very good, and will cause better ones to raise goose bumps.\" - Wayne Garcia, The Absolute Sound, August 2008\u003c\/p\u003e\n\u003cp\u003e\"...The high quality original mix plus Analogue Productions' superb mastering has resulted in a terrific, very transparent sonic with great impact.\" - John Henry, Audiophile Audition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4 \/ 5  ,   Discogs 4.66 \/ 5  ,  \u003cspan data-mce-fragment=\"1\"\u003eHiFi News :\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Sound Quality = 90%\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40987698823319,"sku":"AAPJ 117-45 Box","price":225.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/hugh-masekela-hope-4lp-box-set-45rpm-audiosoundmusic-1.jpg?v=1719853749"},{"product_id":"copy-of-nils-lofgren-acoustic-live-2lp-180g-33rpm","title":"\u003ctc\u003e\u003ctranscy\u003eNils Lofgren - Acoustic Live (4LP, 45 tours, Coffret, 200g)\u003c\/transcy\u003e\u003c\/tc\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eAcoustic Guitar, Vocals – Mark Lofgren (D3), Michael Lofgren (D4, D5), Paul Bell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals, Acoustic Guitar, Piano – Nils Lofgren\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano, Synth, Acoustic Guitar, Vocals – Tom Lofgren\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold jacket \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Demon Records \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Barns Of Wolftrap, \u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eVienna, VA, on \u003c\/span\u003e\u003cspan\u003eJanuary 18, 1997\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1997\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou\u003c\/li\u003e\n\u003cli\u003eSticks and Stone\u003c\/li\u003e\n\u003cli\u003eSome Must Dream\u003c\/li\u003e\n\u003cli\u003eLittle On Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKeith Don't Go\u003c\/li\u003e\n\u003cli\u003eWonderland\u003c\/li\u003e\n\u003cli\u003eBig Tears Fall\u003c\/li\u003e\n\u003cli\u003eBelieve\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlack Books\u003c\/li\u003e\n\u003cli\u003eTo Your Heart\u003c\/li\u003e\n\u003cli\u003eMan In The Moon\u003c\/li\u003e\n\u003cli\u003eI’ll Arise\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlue Skies\u003c\/li\u003e\n\u003cli\u003eTears On Ice\u003c\/li\u003e\n\u003cli\u003eAll Out\u003c\/li\u003e\n\u003cli\u003eMud In Your Eye\u003c\/li\u003e\n\u003cli\u003eNo Mercy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\"Acoustic Live is a small treasure for longtime Nils Lofgren fans. Capturing Lofgren alone in front of an appreciative audience, knocking out such favorites as \"You,\" \"No Mercy\" and \"Keith Don't Go,\" plus six new songs. Even with the new songs, there are no real revelations, only a selection of little gems that will certainly bring a smile to the face of any longtime Lofgren fan.\" AllMusic Review by Thom Owens\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003eLofgren, no stranger to audiophiles, has standard recordings so good — the music, of course, warrants attention regardless of the sound quality — that 'Keith Don't Go' has long been a show demo fave. This set from 1997, recorded when 'unplugged' was cool, is exactly what you'd want from a stellar guitarist with a distinctive voice, backed by piano and other guitars: an airy feel, a sense of space, all the requisite woodiness, the twang accounted for in a vivid manner that will make you wish you owned Quad '57s.\" Ken Kessler, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHiFi News\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, August 2016\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Acoustic Live\u003c\/em\u003e is an interesting and charming album from Nils Lofgren in 1997 as he follow on in the Unplugged tradition that became popular in the 1990s. It was actually recorded at The Barns Of Wolftrap, Vienna in Virginia on January 18th, 1997.\" — \u003cem\u003ebestlivealbums.com\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4\/5  ,  Discogs 4.69\/5  ,  HiFi News : \u003cspan data-mce-fragment=\"1\"\u003eSound Quality = 89%\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40987848278167,"sku":"AAPP 090-45 Box","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/nils-lofgren-acoustic-live-4lp-box-set-45rpm-audiosoundmusic-1.jpg?v=1719853749"},{"product_id":"harry-belafonte-belafonte-at-carnegie-hall-5lp-box-set-45rpm-200g","title":"\u003ctranscy\u003eHarry Belafonte - Belafonte At Carnegie Hall (5LP, 200g, 45 tours, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003eHarry Belafonte (voc) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/harry-belafonte\" title=\"Vinyl featuring Harry Belafonte\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/harry-belafonte\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Harry Belafonte]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMillard Thomas, Raphael Boguslav (g); Norman Keenan (b); Danny Barrajanos (perc) \u0026amp; orchestra conducted by Robert Corman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5 LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: April 1959 live at Carnegie Hall, New York, by Bob Simpson\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduction: Bob Bollard\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide A :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003eAct 1: The Moods of the American Negro\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e              1.  Introduction – Darlin’ Cora\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e              2.  Sylvie\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e              3.  Cotton Fields\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide B :\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e               1.  John Henry\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e               2.  Take My Mother Home\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide C :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003eAct 1: The Moods of the American Negro\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\" data-mce-fragment=\"1\"\u003e1. The Marching Saints\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003eAct 2: In The Caribbean\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e               2. Day O\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e               3. Jamaica Farewell\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eSide D :\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\" data-mce-fragment=\"1\"\u003e1. Man Piaba\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e               2. All My Trials\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide E :\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAct 2: In The Caribbean\u003c\/span\u003e               \u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\" data-mce-fragment=\"1\"\u003e1 Mama Look A Boo Boo\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\" data-mce-fragment=\"1\"\u003e2 Come Back Liza\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\" data-mce-fragment=\"1\"\u003e3 Man Smart (woman smarter)\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide F :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003eAct 3: Round The World\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e                1 Hava Nageela\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e                2 Danny Boy \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e                3  Merci Bon Dieu (From The \"Haitian Suite\")\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide G :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eAct 3: Round The World\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\" data-mce-fragment=\"1\"\u003e1 Cu Cu Ru Cu Cu Paloma\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e                2 Shenandoah\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide H:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e                1 Matilda\u003c\/p\u003e\n\u003cp\u003eSide I:\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e1 Spoken entro (Harry Belafonte)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e2 Scarlett Ribbons\u003c\/p\u003e\n\u003cp\u003eSide J:\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e1 Ouverture (instrumenntal) \u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Belafonte brought 'world' music to the masses, starting with 'Calypso.' ... By the time these two benefit concerts were performed on April 19th and 20th 1959, Belafonte had amassed a catalog of hits familiar to a wide swath of Americans. ... One can argue that originals are the best but not here. No way! Unlike the original pressings mastered from 2-track mix down from the 3-track original tape, Classic Records' reissue on both 33 1\/3 and single-sided 45 RPM records and this new mastering are sourced directly from the 3-track tape. ... However, while I didn't think there was more to get from the tape than what Bernie Grundman got for Classic Records, I think Ryan K. Smith and the Sterling team have done just that, showcased by the utter black QRP backgrounds. ... it is among the greatest, if not the greatest live concert recordings ever made and Belafonte's and the orchestra's performances make it well-worth revisiting.\" \u003c\/span\u003e\u003cspan class=\"blurb\"\u003eMichael Fremer, \u003cem\u003eAnalogPlanet.com\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e« The granddaddy of all live albums, this double-LP set captured the excitement of a Harry Belafonte concert at the height of his popularity. Sampled from two consecutive performances of identical material, Belafonte at Carnegie Hall was an anomaly at a time when only comedy albums were recorded outside of the studio environment. It wasn't the first live album ever made, but it was certainly the first to be a major financial and artistic success. It stayed on the best-selling album charts for over three years and remained in print until RCA discontinued pressing LPs. From the opening trumpet fanfare and brief orchestral overture to the epic 12-minute version of \"Matilda\" (which set a standard for audience participation), the album never lets up. It is exciting, poignant, thrilling, intimate, and at times, spontaneously hilarious. Belafonte's mastery in front of an audience was never better displayed than here, a mastery that resulted in him becoming one of the most popular concert draws in history. Producer Bob Bollard and orchestra leader Bob Corman deftly integrated the 47-piece orchestra into the performance but knew when to lie back to let Belafonte sing, accompanied by a small combo of two guitars, bass, and percussion. The concert is divided in three sections: \"Moods of the American Negro,\" \"In the Caribbean,\" and \"Around the World.\" All the hits are here: \"Day O,\" \"Jamaica Farewell,\" \"Mama Look a Boo Boo,\" and others, plus calypso, folk songs, chain gang songs, spirituals, and songs from other lands, representing a veritable best-of package of his first decade with RCA Victor. For sheer scope and genius of performance, this is the quintessential Belafonte package. » AllMusic Review by Cary Ginell\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eAllmusic : 5 \/5 , \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,40\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e: \u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,81\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40988165472407,"sku":"AAPF 6006-45 Box","price":259.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/harry-belafonte-belafonte-at-carnegie-hall-5lp-45rpm-box-set-audiosoundmusic-1.jpg?v=1719853778"},{"product_id":"holly-cole-temptation-4lp-box-set-45rpm","title":"\u003ctranscy\u003eHolly Cole - Temptation (4LP, Coffret, 45 tours, 180g)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eHolly Cole – vocals \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"vinyl featurin Holly Cole\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/holly-cole\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/holly-cole\"\u003e[click here to see more vinyl featuring Holly Cole]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCyro Baptista – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnne Bourne – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDougie Bowne – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKevin Breit – guitar, national steel guitar, slide guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Colettes – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharles Daellenbach – tuba\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAaron Davis – arranger, brass arrangement, piano, string arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRhoda Dog – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhil Dwyer – horn arrangements, alto sax, baritone sax\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnne Lederman – violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHoward Levy – harmonica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFred Mills – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Ohanian – french horn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouglas Perry – viola\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Piltch – arranger, bass, acoustic bass, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRonald Romm – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEarl Seymour – horn arrangements, baritone sax\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEugene Watts – trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerry White – horn arrangements, tenor sax\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 LP, Vinyl Box Sets, Old-style tip-on jackets by Stoughton Printing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Metro Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Grant Avenue Studio and McClear Pathé\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Craig Street\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Doug Sax\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1995\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake Me Home\u003c\/li\u003e\n\u003cli\u003eTrain Song\u003c\/li\u003e\n\u003cli\u003eJersey Girl\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTemptation\u003c\/li\u003e\n\u003cli\u003eFalling Down\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e Invitation To The Blues\u003c\/li\u003e\n\u003cli\u003e Cinny's Waltz\u003c\/li\u003e\n\u003cli\u003e Frank's Theme\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLittle Boy Blue\u003c\/li\u003e\n\u003cli\u003eI Don't Wanna Grow Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e Tango Til They're Sore\u003c\/li\u003e\n\u003cli\u003e (Looking For) The Heart Of Saturday Night\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e Soldiers Things\u003c\/li\u003e\n\u003cli\u003e I Want You\u003c\/li\u003e\n\u003cli\u003e Good Old World\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide G:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e The Briar And The Rose\u003c\/li\u003e\n\u003cli\u003e (Looking For) The Heart Of Saturday Night (Bonus Track)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide H:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e Shiver Me Timbers (Bonus Track)\u003c\/li\u003e\n\u003cli\u003e Last Rose Of Summer\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\"On her third American album, Holly Cole turned in a set of Tom Waits songs recorded with an augmented version of her trio; in addition to piano and bass, there are drums and guitar, as well as the occasional contribution from The Canadian Brass and harmonica player Howard Levy. The result puts a welcome twist on the songs, which include numbers from each stage of Waits's career, and reasserts Cole's talent as an interpreter.\" AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 3.5\/5  ,  Discogs 4.5\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40996620697751,"sku":"AAPP 048-45 Box","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/holly-cole-temptation-4lp-box-set-45rpm-180g-audiosoundmusic-1.jpg?v=1719853826"},{"product_id":"bach-partitas-sonatas-for-unaccompanied-violin-nathan-milstein","title":"\u003ctranscy\u003eBach - Partitas \u0026 Sonatas for unaccompanied violin - Nathan Milstein (3LP, Coffret, Mono)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eJohann Sebastian Bach - Partitas \u0026amp; Sonatas for unaccompanied violin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNathan Milstein - violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LP, \u003cspan data-mce-fragment=\"1\"\u003eBox set with 4 page panel insert\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Capitol Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Capitol Studio A, 46th Street, New York City on 26 \u0026amp; 31 March 1954 (Sonata No. 1 ), 6 February 1956 (Partita No. 1 ), 27 December 1956 (Sonata No.2), 23-24 March 1954 (Partita No.2), 5 \u0026amp; 16-17 March 1956 (Sonata No.3), 28 December 1955 (Partita No.3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Frank Abbey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Richard C. Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in June. 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eSonata No. 1 In G Minor, BWV 1001\u003cbr\u003e 1. Adagio\u003cbr\u003e 2. Fuga. Allegro\u003cbr\u003e 3. Sicilana\u003cbr\u003e 4. Presto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Side B\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003ePartita No. 1 In B Minor, BWV 1002\u003cbr\u003e 1. Allemanda\u003cbr\u003e 2. Double\u003cbr\u003e 3. Corrente\u003cbr\u003e 4. Double. Presto\u003cbr\u003e 5. Sarabanda\u003cbr\u003e 6. Double\u003cbr\u003e 7. Tempo Di Borea\u003cbr\u003e 8. Double\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Side C:\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eSonata No. 2 In A Minor, BWV 1003\u003cbr\u003e 1. Grave\u003cbr\u003e 2. Fuga\u003cbr\u003e 3. Andante\u003cbr\u003e 4. Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Side D:\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003ePartita No. 2 In D Minor, BWV 1004\u003cbr\u003e 1. Allemanda\u003cbr\u003e 2. Corrente\u003cbr\u003e 3. Sarabanda\u003cbr\u003e 4. Giga\u003cbr\u003e 5. Ciaccona\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Side E:\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eSonata No. 3 In C Major, BWV 1005\u003cbr\u003e 1. Adagio\u003cbr\u003e 2. Fuga\u003cbr\u003e 3. Largo\u003cbr\u003e 4. Allegro Assai\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003ePartita No. 3 In E Major, BWV 1006\u003cbr\u003e 1. Preludio\u003cbr\u003e 2. Loure\u003cbr\u003e 3. Gavotte En Rondeau\u003cbr\u003e 4. Menuet I\u003cbr\u003e 5. Menuet II - Menuet I Da Capo\u003cbr\u003e 6. Bourrée\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Classical\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Milstein’s interpretation of these difficult works is at once brilliant and satisfying – although because of its very brilliance it is not perhaps as deeply satisfying as Johanna Martzy’s. It depends rather on what you imagine to be the ideal surroundings for a performance: a public recital or your own room. The music itself seems to me capable of supporting both interpretations, for it combines the rhetoric of extreme technical difficulty with a richness of detail that seems to call for more intimacy than a recital-hall can give us. Perhaps the ideal performance would retain Martzy’s inwardness, but infuse it with a little of Milstein’s sheer physical vigour and impact. For him the technical difficulties hardly seem to exist, or rather, exist only as a stimulus to bravura; by her they are accepted as an essential, organic part of the music, a result of the complexity of Bach’s thought. I suppose one could generalize on the masculine and feminine approaches to music with this as one’s text, but I don’t feel tempted to do so. Nor do I feel tempted to plump dogmatically for one or the other as “best available version”. Both are exceptionally distin-guished presentations of music that is not nearly as austere as its reputation might suggest. I do suggest, though, that before buying either set it might be a good idea to sample both. \u003cspan\u003e» Gramophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRating\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5\/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41034557194391,"sku":"LP43130","price":130.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bach-partitas-and-sonatas-for-unaccompanied-violin-nathan-milstein-3lp-box-set-mono-audiosoundmusic-1.jpg?v=1719854022"},{"product_id":"bach-6-suites-for-unaccompanied-cello-daniil-shafran-4lp-box-set","title":"\u003ctranscy\u003eBach - 6 Suites for Unaccompanied Cello - Daniil Shafran (4LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eJohann Sebastian Bach - 6 Suites for Unaccompanied Cello\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDaniil Shafran (Cello)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 LP (box set), gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas Group GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Editions De l’Oiseau-Lyre, London Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1970 \u003c\/strong\u003e\u003cstrong\u003e(Suite No.1), 1973 (Suite No.2, 5), 1969 (Suite No.3), 1974 (Suite No.4, 6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by David Gaklin (Suite No.1, 3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Yuri Kokzhayan (Suite No. 2, 4, 5, 6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered from original masters of Firma Melodiya\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Maxim Pilipov\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eCello Suite No. 1 G major, BWV1007\u003cbr\u003e 1. I. Prélude 2.37\u003cbr\u003e 2. II. Allemande 5.14\u003cbr\u003e 3. III Courante 2.26\u003cbr\u003e 4. IV. Sarabande 3.47\u003cbr\u003e 5. V.Menuett1, 2 3.01\u003cbr\u003e 6. VI. Gigue 1.45\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cspan\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eCello Suite No.2 D minor, BWV1008\u003cbr\u003e 1. I. Prélude 4.20\u003cbr\u003e 2. II. Allemande 4.26\u003cbr\u003e 3. III. Courante 2.11\u003cbr\u003e 4. IV. Sarabande 6.35\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cspan\u003eSide C\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. V. Menuett1, 2 3.20\u003cbr\u003e 2. VI. Gigue 2.48\u003cbr\u003e\u003cbr\u003e Cello Suite No.3 C major, BWV1009\u003cbr\u003e 3. I. Prélude 4.06\u003cbr\u003e 4. II. Allemande 3.30\u003cbr\u003e 5. III. Courante 3.02\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cspan\u003eSide D\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. IV. Sarabande 5.09\u003cbr\u003e 2. V. Bourrée1, 2 3.36\u003cbr\u003e 3. VI. Gigue 2.46\u003cbr\u003e\u003cbr\u003e Cello Suite No.4 E-flat major, BWV1010\u003cbr\u003e 4. I. Prélude 4.47\u003cbr\u003e 5. II. Allemande 4.01\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cspan\u003eSide E\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. III. Courante 4.38\u003cbr\u003e 2. IV. Sarabande 5.23\u003cbr\u003e 3. V. Bourrée1, 2 5.43\u003cbr\u003e 4. VI. Gigue 2.34\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cspan\u003eSide F\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eCello Suite No.5 C minor, BWV1011\u003cbr\u003e 1. I. Prélude 8.02\u003cbr\u003e 2.II. Allemande 7.15\u003cbr\u003e 3. III. Courante 2.15\u003cbr\u003e 4. IV. Sarabande 3.48\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cspan\u003eSIde G\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. V. Gavotte 1, 2 5.04\u003cbr\u003e 2. VI. Gigue 3.13\u003cbr\u003e\u003cbr\u003e Cello Suite No.6 D major, BWV1012\u003cbr\u003e 3. I. Prélude 4.55\u003cbr\u003e 4. II. Allemande 5.46\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cspan\u003eSide H\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. III.Courante 3.28\u003cbr\u003e 2. IV. Sarabande 3.40\u003cbr\u003e 3. V. Gavotte 1, 2 4.01\u003cbr\u003e 4. VI. Gigue 4.0\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Shafran’s interpretation of Bach’s cello suites is marked by his original approach to the music of the great composer, his bold and novel rendition. The musician is a stranger to retrospection, false adherence to tradition and museum-like restoration of Bach’s music as well as to its unwarrant-ed modernization. Skillfully making use of the rich expressive potentialities of the cello, of subtle shades of bow “touche” and vibrato technique and dynamizing the dance element of the pieces, he utilized diverse strokes and accentuation, ranging from well nigh indistinguishable emphasis to sharp and forceful bowing. Shafran seems to translate the logical language of Bach’s music into the language of our time. In the cellist’s rendi-tion we hear not the Bach of the clavichord and thorough-bass period but Bach as read by a contemporary musician. And listening to Shafran’s playing we perceive these works as music full of life and fervency. »  \u003cspan\u003eI. 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Mowrey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : Act 1 (Part 1)\u003c\/p\u003e\n\u003cp\u003eSide B : Act 1 (Part 2)\u003c\/p\u003e\n\u003cp\u003eSide C : Act 2 (Part 1)\u003c\/p\u003e\n\u003cp\u003eSide D : Act 2 (Part 2) \u0026amp; Act 3 (Part 1)\u003c\/p\u003e\n\u003cp\u003eSide E : Act 3 (Part 2)\u003c\/p\u003e\n\u003cp\u003eSide F : Act 4 \u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Operas and Oratorios\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"The superb cast, headed by Mariln Home at her most glorious-how nice to have a Carmne with a voice of real womanly depth and body... Dynamic, vivid, and spectacular, fully worthy of a great performance that belongs in every serious opera collection.\" - Paul Seydor, The Absolute Sound, October 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e« Even by their normally excellent standards, Speakers Corner have done a superb job on this Carmen. Surfaces are ghostly quiet, the outer box is beautifully solid and produced with precision, but it’s the booklet that’s most impressive. It would have been easy to cut corners here, but it is reproduced in all its original glory: heavy stock, gatefolds and beautifully reproduced photography complement the crystal-clear typography in a model example of what makes a perfect libretto.\u003c\/p\u003e\n\u003cp\u003eThis Carmen is both a perfect introduction to the piece and opera as a whole, and it is a fascinating alternative for those more familiar with other versions. Exposed to its individuality and the integrity of its artistic vision, you find yourself calling other readings into question, and this is a recording that should be welcomed and enjoyed by opera debutantes and hardened aficionados with a library full of performances alike. Somewhat to my surprise but also considerable pleasure, Bernstein, Horne et al. have quickly become firm favorites in a house that already contains more competing copies of Carmen than it probably should. » The Audio Beat, Roy Gregory, February 22, 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e« There are so many tales surrounding Leonard Bernstein’s Carmen that it is hard to believe we still think of it as Leonard Bernstein’s Carmen. This Met production, which opened the season in September 1972, was to have been directed by Göran Gentele, who had just succeeded Rudolf Bing as the company’s general manager — but Gentele was killed in a car accident in July. (His concept was ultimately realized by Bodo Igesz.) The studio recording had its own challenges, including the inability of Deutsche Grammophon to reach an agreement with the Met’s chorus, who (reasonably enough) wanted to be paid the same rate as the Met’s orchestra. They were replaced by the Thomas Pyle Chorus, under the invented name Manhattan Opera Chorus. The whole saga was enough to fill a book, The Carmen Chronicle, by Harvey E. Phillips.\u003c\/p\u003e\n\u003cp\u003eBernstein conducted this production of Carmen only six times in the opera house, and never for a Saturday matinée radio broadcast, but he certainly put his stamp on the recording. His interpretation is remembered as wayward, but to revisit it is to discover that he chose only a few big moments for self-aggrandizement. One comes at the very start, when the allegro giocoso of the Prelude is played at high-school-band rehearsal tempo, neither allegro nor giocoso. But in Bernstein’s defense, this music is then played faster each time it recurs in the opera, making an appropriately tawdry and frenzied offstage accompaniment to the life-or-death finale. The toreador song is achingly flat-footed (it might have worked with an Escamillo other than the amiable Tom Krause, who is more a pleasant hometown outfielder than a dashing daredevil) and later becomes excruciating in its ponderousness in Act IV. The quintet is far too fast for any sense of conspiracy, or playfulness, or persuasion. But it is a surprise to rediscover how little else about the performance is self-referential. The tempo for the “Quant au douanier” ensemble is brilliantly apt (although it turns into Joplin’s “A Real Slow Drag” near the end), and Bernstein’s Act IV yields to no other in sheer excitement. For most of Act III one hardly thinks about the conducting at all, which would have distressed the conductor.\u003c\/p\u003e\n\u003cp\u003eAll in all, this is the rare performance that takes Carmen seriously as a music drama rather than a tourist attraction. » WILLIAM R. BRAUN, Opera News\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs: 4,48 \/ 5 ,  The Absolute Sound : 4\/5 Music, 4\/5 Sonics , The Audio Beat : Music 5\/5 , Sound 4\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41038553743511,"sku":"2709 043","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bizet-carmen-leonard-bernstein-3lps-box-set-audiosoundmusic-1.jpg?v=1719854042"},{"product_id":"bob-dylan-blonde-on-blonde","title":"\u003ctranscy\u003eBob Dylan - Blonde on Blonde (3LP, Coffret, Ultra Analog, Half-speed Mastering, 45 tours)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob Dylan – vocals, guitar, harmonica, piano \u003ca title=\"vinyl featuring Bob Dylan\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-dylan\" style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Bob Dylan]\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Aikins – keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWayne Butler – trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenneth Buttrey – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Danko or Bill Lee – bass guitar (New York)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Gregg – drums (New York)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Griffin – piano (New York)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerry Kennedy – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAl Kooper – organ, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharlie McCoy – bass guitar, guitar, harmonica, trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWayne Moss – guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHargus \"Pig\" Robbins – piano, keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobbie Robertson – guitar, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHenry Strzelecki – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe South – bass guitar, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eGAIN 2 Ultra Analog™ LP \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eJanuary – June 1966 \u003c\/span\u003eat Columbia Recording Studios, Nashville\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by \u003c\/strong\u003e\u003cstrong\u003eAl Kooper, '\u003c\/strong\u003e\u003cstrong\u003ePig'\u003c\/strong\u003e\u003cstrong\u003e Robbins, Joe South, Kenny Buttrey, and The Band'\u003c\/strong\u003e\u003cstrong\u003es Rick Danko and Robbie Robertson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bob Johnston\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1966\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRainy Day Women #12 \u0026amp; 35\u003c\/li\u003e\n\u003cli\u003ePledging My Time\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVisions of Johanna\u003c\/li\u003e\n\u003cli\u003eOne of Must Know (Sooner or Later)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Want You\u003c\/li\u003e\n\u003cli\u003eStuck Inside of Mobile with the Memphis Blues Again\u003c\/li\u003e\n\u003cli\u003eLeopard-Skin Pill-Box Hat\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJust Like a Woman\u003c\/li\u003e\n\u003cli\u003eMost Likely You Go Your Way and I’ll Go Mine\u003c\/li\u003e\n\u003cli\u003eTemporary Like Achilles\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAbsolutely Sweet Marie\u003c\/li\u003e\n\u003cli\u003e4th Time Around\u003c\/li\u003e\n\u003cli\u003eObviously 5 Believers\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSad Eyed Lady of the Lowlands\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 38\/500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Songs of All Time - \"Visions of Johanna\" - Rated 413\/500, \"Just Like A Woman\" - Rated 232\/500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan\u003eWinner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are \u003c\/span\u003e\u003cspan\u003emusically and sonically outstanding and are also well mastered and pressed.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan\u003e\u003cb\u003eMichael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 67\/100!\u003c\/b\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan color=\"#B12704\"\u003e\u003cb\u003eTAS Super LP List! Special Merit: Informal\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#B12704\"\u003e\u003cb\u003e2014 Stereophile Magazine Record to Die For!\u003c\/b\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings you must hear before you die - Ranked 64\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks and session musicians through his richest set of songs. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like \"Visions of Johanna,\" \"Just Like a Woman,\" and \"Sad Eyed Lady of the Lowlands.\" Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands (\"Rainy Day Women #12 \u0026amp; 35\"). It's the culmination of Dylan's electric rock \u0026amp; roll period -- he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,57 \/ 5  ,  \u003cspan data-mce-fragment=\"1\"\u003eMichael Fremer : 10\/11 Music, 10\/11 Sound\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41047117463703,"sku":"MFSL3-45009","price":139.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bob-dylan-blonde-on-blonde-3lp-box-set-ultra-analog-half-speed-mastering-45rpm-audiosoundmusic-1.jpg?v=1719854078"},{"product_id":"miles-davis-kind-of-blue-2lp-ultra-analog-45-rpm","title":"\u003ctranscy\u003eMiles Davis - Kind of Blue (2LP, Coffret, Ultra Analog, Half-speed Mastering, 45 tours)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMiles Davis, trumpet, band leader \u003ca title=\"vinyl featuring Miles Davis\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/miles-davis\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/miles-davis\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Miles Davis]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJulian \"Cannonball\" Adderley, alto sax (except on \"Blue in Green\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Coltrane, tenor sax \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-coltrane\" title=\"vinyl featuring John Coltrane\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-coltrane\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring John Coltrane]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Chambers, double bass \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-chambers\" title=\"vinyl featuring Paul Chambers\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-chambers\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Paul Chambers]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Evans, piano (except \"Freddie Freeloader\") \u003ca title=\"Vinyl featuring Bill Evans\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/bill-evans\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/bill-evans\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[\u003cspan style=\"color: #ff8000;\" color=\"#ff8000\" data-mce-fragment=\"1\"\u003eclick here to see more vinyl featuring \u003c\/span\u003e\u003cspan color=\"#ff8000\" data-mce-fragment=\"1\"\u003eBill Evans]\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWynton Kelly, piano (\"Freddie Freeloader\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Cobb, drums \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jimmy-cobb\" title=\"Vinyl featuring Jimmy Cobb\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/jimmy-cobb\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see other vinyl featuring Jimmy Cobb]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Miles Davis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eNumbered limited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at \u003cspan data-mce-fragment=\"1\"\u003eColumbia 30th Street Studio, New York City on March 2, 1959 (A1 to B2) and April 22, 1959 (C1 \u0026amp; D1)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Fred Plaut\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Irving Townsend\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1.So What\u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003eFreddie Freeloader\u003c\/li\u003e\n\u003cli\u003eBlue in Green\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col start=\"4\"\u003e\n\u003cli\u003eAll Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003eFlamenco Sketches\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eMichael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 17\/100!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cb\u003eThe Absolute Sound 40th Anniversary Best Sounding Music!\u003c\/b\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 31\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings you must hear before you die - Ranked 21\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eStereophile Records To Die For - 2007\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz -- an accepted work of greatness that's innovative and entertaining. That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps it's that this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of \"So What.\" From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from chords, not the overall key, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band - Miles, Coltrane, Bill Evans, Cannonball Adderly, Paul Chambers, Jimmy Cobb, and Wynton Kelly -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes and chords before the tape rolled, and then the band improvised. The end results were wondrous, filled with performances that still crackle with vitality. Few albums of any genre manage to work on so many different levels, but Kind of Blue does. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003e\u003cspan\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,75 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41054470111383,"sku":"MFSL2-45-011","price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/miles-davis-kind-of-blue-2lp-box-set-ultra-analog-half-speed-mastering-45-rpm-audiosoundmusic-1.jpg?v=1719854110"},{"product_id":"copy-of-miles-davis-miles-smiles-2lp-ultra-analog-45-rpm","title":"\u003ctranscy\u003eStevie Ray Vaughan - Texas Flood (2LP, Coffret, 1STEP, 45 tours, SuperVinyl)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eStevie Ray Vaughan : guitar and vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/stevie-ray-vaughan-1\" title=\"vinyl featuring Stevie Ray Vaughan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/stevie-ray-vaughan-1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Stevie Ray Vaughan]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTommy Shannon : bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChris “Whipper” Layton : drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 7,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u0026amp; Live (B1, C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eB1, C2  recorded live at The Palace, Hollywood, California on September 23\u003csup\u003erd\u003c\/sup\u003e 1983. Other tracks recorded at Down Town Studio, Los Angeles, CA and Riverside Sound, Austin, Texas, on November 22\u003csup data-mce-fragment=\"1\"\u003end\u003c\/sup\u003e, 23\u003csup data-mce-fragment=\"1\"\u003erd\u003c\/sup\u003e \u0026amp; 24\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e 1982.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRecording Engineer: Richard Mullen. Recording Assistant : James Geddes.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan size=\"2\"\u003e\u003cspan face=\"Times New Roman\"\u003eMixed at: Media Sound, NYC\u003c\/span\u003e\u003c\/span\u003e by \u003c\/strong\u003e\u003cspan size=\"2\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cstrong\u003eLincoln Clapp\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cstrong\u003e\u003cspan\u003eVocals on “I’m Cryin’” recorded at \u003c\/span\u003eMedia Sound with Lincoln Clapp\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Richard Mullen, Stevie Ray Vaughan And Double Trouble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove Struck Baby \u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePride And Joy\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTexas Flood\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTell Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTestify (live)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide C:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRude Mood\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMary Had A Little Lamb (live)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDirty Pool\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eSide D:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eI’m Cryin’ \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLenny\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\" color=\"#B12704\"\u003e\u003cb\u003eTAS Super LP List! Special Merit: Informal\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e« It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it was in the '60s. Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. Vaughan became a genuine star and, in doing so, sparked a revitalization of the blues. This was a monumental impact, but his critics claimed that, no matter how prodigious Vaughan's instrumental talents were, he didn't forge a distinctive voice; instead, he wore his influences on his sleeve, whether it was Albert King's pinched yet muscular soloing or Larry Davis' emotive singing. There's a certain element of truth in that, but that was sort of the point of Texas Flood. Vaughan didn't hide his influences; he celebrated them, pumping fresh blood into a familiar genre. When Vaughan and Double Trouble cut the album over the course of three days in 1982, he had already played his set lists countless times; he knew how to turn this material inside out or goose it up for maximum impact. The album is paced like a club show, kicking off with Vaughan's two best self-penned songs, \"Love Struck Baby\" and \"Pride and Joy,\" then settling into a pair of covers, the slow-burning title track and an exciting reading of Howlin' Wolf's \"Tell Me,\" before building to the climax of \"Dirty Pool\" and \"I'm Crying.\" Vaughan caps the entire thing with \"Lenny,\" a lyrical, jazzy tribute to his wife. It becomes clear that Vaughan's true achievement was finding something personal and emotional by fusing different elements of his idols. Sometimes the borrowing was overt, and other times subtle, but it all blended together into a style that recalled the past while seizing the excitement and essence of the present. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step\u003c\/strong\u003e : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl\u003c\/strong\u003e: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4.56 \/ 5 , The Absolute Sound : 4\/5 Music, 4.5\/5 Sonics\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41068084789399,"sku":"UD1S 2-005,","price":395.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/stevie-ray-vaughan-texas-flood-2lp-box-set-1step-45-rpm-supervinyl-audiosoundmusic-1.jpg?v=1719854172"},{"product_id":"ernest-ansermet-the-royal-ballet-gala-performances-5lp-box-set-45rpm-200g","title":"\u003ctranscy\u003eErnest Ansermet - The Royal Ballet Gala Performances (5LP, Coffret, 45 tours, 200g)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky - Nutcracker Suite, Swan Lake, Sleeping Beauty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGioacchino Rossini - La Boutique Fantasque\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLéo Delibes - Coppelia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdolphe C. Adam - Giselle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrédéric Chopin - Les Sylphides\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra - Orchestra Of The Royal Opera House Covent Garden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor - Ernest Ansermet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5 LPs, Box set, Booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Record Technology Incorporated\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  RCA Victor Red Seal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1957 at Kingsway Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Kenneth Wilkinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Michael Williamson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNutcracker Suite - March\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Dance Of The Sugar Plum Fairy\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Arabian Dance\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNutcracker Suite - Chinese Dance\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Dance Of The Toy Flutes\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Waltz Of The Flowers\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa Boutique Fantasque - Tarantella\u003c\/li\u003e\n\u003cli\u003eLa Boutique Fantasque - Andante Mosso\u003c\/li\u003e\n\u003cli\u003eLa Boutique Fantasque - Can-Can\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCoppelia - Introduction (Allegro Marcato) And Mazurka - Act 1\u003c\/li\u003e\n\u003cli\u003eCoppelia - Introduction (Andante ) And Waltz - Act 1\u003c\/li\u003e\n\u003cli\u003eCoppelia - Czardas - Act 1\u003c\/li\u003e\n\u003cli\u003eCoppelia - Valse De La Poupee - Act 2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGiselle - Introduction And Waltz - Act 1\u003c\/li\u003e\n\u003cli\u003eGiselle - Pas De Deux And Variation - Act 2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSwan Lake - Dance Of The Little Swans (Pas De Quatre) - Act 2\u003c\/li\u003e\n\u003cli\u003eSwan Lake - Pas De Deux - Act 2\u003c\/li\u003e\n\u003cli\u003eSwan Lake - Waltz - Act 2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide G:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCarnaval - Pierror\u003c\/li\u003e\n\u003cli\u003eCarnaval - Reconnaissance\u003c\/li\u003e\n\u003cli\u003eCarnaval - Aveu\u003c\/li\u003e\n\u003cli\u003eCarnaval - Pantalon Et Columbine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide H:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSleeping Beauty - Introduction - The Lilac Fairy - Prologue\u003c\/li\u003e\n\u003cli\u003eSleeping Beauty - Rose Adagio - Pase D'Action - Act 1\u003c\/li\u003e\n\u003cli\u003eSleeping Beauty - Waltz - Act 1\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide I:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLes Sylphides - Overture: Prelude In A Major, Opus 28, No. 7\u003c\/li\u003e\n\u003cli\u003eLes Sylphides - Mazurka In C Major, Opus 67, No. 3\u003c\/li\u003e\n\u003cli\u003eLes Sylphides - Grande Valse Brillante In E Flat Major, Opus 18\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide J: repeat of Side A \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List - The Absolut Sound\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Analogue Productions' Classic Records buyout brought with it metal parts for many albums, cut by Bernie Grundman, including for this record. ... AP chose to produce a new stamper using the \"mother\" cut from the original master tape by Bernie Grundman. ... I compared this 33 1\/3 reissue to the Classic 33 1\/3 reissue and to an original pressing that I'm lucky to own. ... The QRP pressing was definitely more open, extended and focused on top and transients were sharper though in a completely natural way. The Classic sounded somewhat softer and veiled. If you've got both, you'll hear it in the percussive transients first and then consistently throughout. ... If this is one of your \"go to\" sonic spectaculars and you have other versions, you ought to consider adding this one, though you'll have to wait for the re-re-press. Both the sound, including dead quiet vinyl, as well as the packaging are first-rate.\" Michael Fremer, AnalogPlanet.com.\u003c\/p\u003e\n\u003cp\u003eIn the hearts of thousands, No. 1 on the Top RCA list. While the bulk of Ansermet's recordings were made with L'Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra and the very occasional foray into recordings with London orchestras, one of these being with the Orchestra of the Royal Opera House, Covent Garden, in 1959.\u003c\/p\u003e\n\u003cp\u003eAnalogue Productions is proud and excited to be bringing back such a classic. Not just for the music, which is superb, but also for the detailed packaging, which in this case takes the form of a 22-page lavishly illustrated book that's integrated into the tip-on gatefold jacket. If you're new to ballet, this pictorial history will introduce you to some of its most famous productions — old favorites such as The Nutcracker, Swan Lake and The Sleeping Beauty, for example — but also less familiar tales such as Carnaval, Les Sylphides and Coppélia. You'll also make the aquaintance of famous ballerinas of the Royal company, such as Margot Fonteyn, Nadia Nerina and Beryl Grey. as well as choreographers such as Jules Perrot and male dancers Alexis Rassine and Michael Somes.\u003c\/p\u003e\n\u003cp\u003eMusically you can't get better than the 180-gram dead-silent platters pressed by Quality Record Pressings, makers of the world's finest-sounding LPs. Of course the best vinyl reflects the best mastering, and that's accomplished here by Bernie Grundman working from the original analog tape. Stoughton Printing expertly handled the intricate gatefold tip-on package.\u003c\/p\u003e\n\u003cp\u003eAudiophilia Online Magazine wrote: \"This is the stuff of which dreams are made. The Royal Ballet Gala is one of the finest RCAs recorded in London's Kingsway Hall. The chunks of great ballet music are well served by orchestra, conductor and engineer. Performances are executed to a very high standard - the Royal Opera House Orchestra, both then and now, rank as one of the finest of opera orchestras.\u003c\/p\u003e\n\u003cp\u003e\"Conductor Ansermet keeps the pace moving, giving the listener the impression of a dance event rather than a dramatic concert hall reading. With the exception of some of the Tchaikovsky scenes, the music is light and remains so under Ansermet's gentle touch. Each ballet is given full attention by the players, something not always attained at Covent Garden during long ballet nights! The threat of eternity does have it's merits. The recorded sound is simply amazing! Lustrous is one word that comes to mind, accurate is another.\u003c\/p\u003e\n\u003cp\u003e\"Tonally, Messrs. Williamson and Wilkinson have used their considerable talents to capture the orchestra superbly. Woodwind and strings glow and resonate, transporting this listener to a time when simpler recording was better. Brass ring out thrillingly and percussion effects are very musical. Be it a bang, swish, rattle, crack or snap, each percussionist is situated perfectly within the beautiful Kingsway soundstage. Even the difficult-to-record sound of the celeste is captured in it's purely mechanical form. It's delicate sound is heard to great effect during the Nutcracker - originating stage left, the sound decays across the stage of Kingsway with sparkling beauty. Wonderful.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.81 \/ 5 ,  Michael Fremer : Music = 11\/11; Sound = 11\/11\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41656390582522,"sku":"AAPC 6065-45","price":240.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ernest-ansermet-the-royal-ballet-gala-performances-5lp-box-set-45rpm-audiosoundmusic-1.png?v=1719854816"},{"product_id":"bach-suites-for-cello-suites-enrico-mainardi-4lp-box-set","title":"\u003ctranscy\u003eBach - Suites for Cello - Enrico Mainardi (4LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eJohann Sebastian Bach :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSuite für Violoncello Solo Nr. 1 G-Dur, BWV 1007\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSuite für Violoncello Solo Nr. 2 D-Moll, BWV 1008\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSuite für Violoncello Solo Nr. 3 C-dur, BWV 1009\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSuite für Violoncello Solo Nr. 4 Es-dur, BWV 1010\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSuite für Violoncello Solo Nr. 5 C-moll, BWV 1011\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSuite für Violoncello Solo Nr. 6 D-Dur, BWV 1012\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEnrico Mainardi - cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 LP, Side-slip box set with individual jackets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVery first box set of Mainardi’s Bach cello suites of legendary recordings from Archiv Produktion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Deutschen Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Beethoven-Saal, Hannover, Germany on 12~13 April 1954 (\u003c\/strong\u003e\u003cstrong\u003eA1-B6), 29 October 1954\u003c\/strong\u003e\u003cstrong\u003e (C1-6), 15~20 November 1954 (D1-6), 23-25 February 1955 (E1-F4), 24-28 October1955 (G1-H3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Heinz Wildhagen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Karl-Heinz Schneider\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered from the original Universal Music masters \u003c\/strong\u003e\u003cstrong\u003eby Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased \u003c\/strong\u003e\u003cstrong\u003ein Aug. 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : Suite Nr. 1 G-Dur, \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude\u003c\/li\u003e\n\u003cli\u003eAllemande\u003c\/li\u003e\n\u003cli\u003eCourante\u003c\/li\u003e\n\u003cli\u003eSarabande\u003c\/li\u003e\n\u003cli\u003eMenuet\u003c\/li\u003e\n\u003cli\u003eGigue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B : Suite Nr. 2 D-Moll\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude\u003c\/li\u003e\n\u003cli\u003eAllemande\u003c\/li\u003e\n\u003cli\u003eCourante\u003c\/li\u003e\n\u003cli\u003eSarabande\u003c\/li\u003e\n\u003cli\u003eMenuet\u003c\/li\u003e\n\u003cli\u003eGigue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C : Suite Solo Nr. 3 C-Dur,\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude\u003c\/li\u003e\n\u003cli\u003eAllemande\u003c\/li\u003e\n\u003cli\u003eCourante\u003c\/li\u003e\n\u003cli\u003eSarabande\u003c\/li\u003e\n\u003cli\u003eBourree I\/II\/I\u003c\/li\u003e\n\u003cli\u003eGigue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D : Suite für Violoncello Solo Nr. 4 Es-dur\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude\u003c\/li\u003e\n\u003cli\u003eAllemande\u003c\/li\u003e\n\u003cli\u003eCourante\u003c\/li\u003e\n\u003cli\u003eSarabande\u003c\/li\u003e\n\u003cli\u003eBourree I\/II\/I\u003c\/li\u003e\n\u003cli\u003eGigue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E : \u003cspan data-mce-fragment=\"1\"\u003eSuite für Violoncello Solo Nr. 5 C-moll\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude\u003c\/li\u003e\n\u003cli\u003eAllemande\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F : \u003cspan data-mce-fragment=\"1\"\u003eSuite für Violoncello Solo Nr. 5 C-moll\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCourante\u003c\/li\u003e\n\u003cli\u003eSarabande\u003c\/li\u003e\n\u003cli\u003eGavotte I\/II\/I\u003c\/li\u003e\n\u003cli\u003eGigue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide G : \u003cspan data-mce-fragment=\"1\"\u003eSuite für Violoncello Solo Nr. 6 D-Dur\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude\u003c\/li\u003e\n\u003cli\u003eAllemande\u003c\/li\u003e\n\u003cli\u003eCourante\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide H - \u003cspan data-mce-fragment=\"1\"\u003eSuite für Violoncello Solo Nr. 6 D-Dur\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSarabande\u003c\/li\u003e\n\u003cli\u003eGavotte I\/II\/I\u003c\/li\u003e\n\u003cli\u003eGigue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« As can be easily inferred from his career path, Enrico Mainardi was a cellist whose artistic viewpoint was a grafting of the German school of cello playing influenced by Neue Sachlichkeit to the musical background of his motherland Italy. He record-ed the monaural cycle for the Archiv label between April 1950 and October 1955. Mainardi's Bach is leisurely and contempla-tive. His playing meditates on the auspicious meaning of the work - it is a musical delta of courteous low notes, a magical prayer of an aged monk. This is a masterful performance, and its value is somewhat different from the performances of today. »-Analogphonic\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41664369983738,"sku":"LP43104","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bach-suites-for-cello-enrico-mainardi-4lp-box-set-audiosoundmusic-1.jpg?v=1719854868"},{"product_id":"brahms-the-complete-symphonies-herbert-von-karajan-the-berliner-philharmoniker-4lp","title":"\u003ctranscy\u003eBrahms - The Complete Symphonies - Herbert von Karajan \u0026 The Berliner Philharmoniker (4LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eJohannes Brahms:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSymphony No.1 C minor op.68\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSymphony No.2 D major op.73\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSymphony No.3 F major op.90\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSymphony No.4 E minor op.98\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTragic Overture op.81\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Berliner Philharmoniker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerbert von Karajan - conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmil Berliner Studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at the Berlin Philharmonic in January 1987 (A1-B2), February 1987 (F2), June 1987 (C1-D2),  October 1988 (E1-F1, G1-H2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Günther Breest Recording \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupervision: Michel Glotz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineer: Günter Hermanns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios from the original masters of Universal Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1965\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 1988\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A : Symphony No.1 C minor op.68\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUn Poco Sostenuto - Allegro\u003c\/li\u003e\n\u003cli\u003eAndante Sostenuto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B : Symphony No.1 C minor op.68\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUn Poco Allegretto E Grazioso\u003c\/li\u003e\n\u003cli\u003eAdagio - Piu Andante - Allegro Non Troppo, Ma Con Brio\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C : Symphonie Nr. 2 D-dur Op. 73\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro Non Troppo\u003c\/li\u003e\n\u003cli\u003eAdagio Non Troppo - L'istesso tempo, ma grazioso\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D : Symphonie Nr. 2 D-dur Op. 73\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegretto Grazioso (Quasi Andantino) - Presto Ma Non Assai\u003c\/li\u003e\n\u003cli\u003eAllegro Con Spirito\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E : Symphonie Nr.3 F-Dur Op. 90\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro Con Brio\u003c\/li\u003e\n\u003cli\u003eAndante\u003c\/li\u003e\n\u003cli\u003ePoco Allegretto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSymphonie Nr.3 F-Dur Op. 90 - Allegro\u003c\/li\u003e\n\u003cli\u003eTragische Ouvertüre Op. 81 - Allegro Non Troppo - Motto Piü Moderato - Tempo Primo - Un Poco Sostenuto - In Tempo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide G : Symphonie Nr. 4 E-Moll Op. 98\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro Non Troppo\u003c\/li\u003e\n\u003cli\u003eAndante Moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide H : Symphonie Nr. 4 E-Moll Op. 98\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro Giocoso - Poco Meno Presto - Tempo I\u003c\/li\u003e\n\u003cli\u003eAllegro Energico E Passionato - Piu Allegro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« Karajan’s interpretations are orthodox and exemplary. He has intellectual mastery over every symphony, even the difficult Third, which clearly presents him with no difficulties at all... the performance of the Second Symphony has a beautifully lyrical, golden quality, with rich, warm phrasing, and plenty of vigour in the last movements. » Gramophone\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 3 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41666150629626,"sku":"LP43073","price":165.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/brahms-the-complete-symphonies-herbert-von-karajan-and-the-berliner-philharmoniker-4lp-box-set-audiosoundmusic-1.jpg?v=1719854890"},{"product_id":"tchaikovsky-sinfonies-n-4-5-6-pathetique-evgeny-mravinsky-the-leningrader-philharmonie-3lp","title":"\u003ctranscy\u003eTchaikovsky - Symphonies N° 4, 5 \u0026 6 “Pathétique”- Evgeny Mravinsky \u0026 The Leningrader Philharmonie (3LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003ePiotr Ilitch Tchaikovsky:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSymphony No.4, F minor op.36\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSymphony No.5, E minor op.64\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSymphony No.6 H minor op.74\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLeningrader Philharmonie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvgeny Mravinsky - conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LP, Box set \u003cspan data-mce-fragment=\"1\"\u003e with individual original cover jackets\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eOne-time limited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in \u003c\/strong\u003e\u003cstrong\u003eWembley Town Hall, London on14-15 September 1960 (A1-B3) and G\u003c\/strong\u003e\u003cstrong\u003eroßer Saal, Musikverein, Vienna on 9-10 November 1960 (C1-D2) and\u003c\/strong\u003e\u003cstrong\u003e 7-9 November 1960 (E1-F2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered from the original masters of Universal Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1962 in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A : Sinfonie Nr. 4 F \u003cspan data-mce-fragment=\"1\"\u003eminor \u003c\/span\u003eOp. 36\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndante Sostenuto - Moderato Con Anima\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B : \u003cspan data-mce-fragment=\"1\"\u003eSinfonie Nr. 4 F minor Op. 36\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndantino In Modo Di Canzona\u003c\/li\u003e\n\u003cli\u003eSatz: Scherzo: Pizzicato Ostinato - Allegro\u003c\/li\u003e\n\u003cli\u003eFinale: Allegro Con Fuoco\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C : Symphonie Nr. 5 E \u003cspan data-mce-fragment=\"1\"\u003eminor \u003c\/span\u003eOp. 64\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndante – Allegro Con Anima\u003c\/li\u003e\n\u003cli\u003eAndante Cantabile, Con Alcuna Licenza\u003c\/li\u003e\n\u003cli\u003eHeidenröslein, D. 257 (Op.3\/3)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D : S\u003cspan data-mce-fragment=\"1\"\u003eymphonie Nr. 5 E minor Op. 64\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eValse: Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eFinale: Andante Maestoso – Allegro Vivace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E : Symphonie Nr. 6 H \u003cspan data-mce-fragment=\"1\"\u003eminor \u003c\/span\u003eOp. 74 \"Pathétique\"\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio - Allegro Non Troppo\u003c\/li\u003e\n\u003cli\u003eSatz: Allegro Con Grazia\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F : \u003cspan data-mce-fragment=\"1\"\u003eSymphonie Nr. 6 H \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eminor \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOp. 74 \"Pathétique\"\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro Molto Vivace\u003c\/li\u003e\n\u003cli\u003eFinale: Adagio Lamentoso\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« Incendiary’ is just the right word – this is a recording that catches fire so early in the first movement, I’m gripped each time I listen. I enjoy the stereo sound picture, which spotlights the utterly distinctive Soviet-Russian quality of the Leningrad Phil... the frenetic energy and snarling hysteria that Mravinsky draws from his players are still capable of shredding nerves. The Pathétique contains deeply personal, deeply troubling music; this DG recording may prove too theatrical for some, but it gnaws away at my soul like no other » – Mark Pullinger (Gramophone)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,67 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41666252341498,"sku":"LP43092","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-sinfonies-n-4-5-and-6-pathetique-evgeny-mravinsky-and-the-leningrader-philharmonie-3lp-box-set-audiosoundmusic-1.jpg?v=1719854890"},{"product_id":"copy-of-patricia-barber-cafe-blue-2lp-45rpm-one-step","title":"\u003ctranscy\u003eThe Three Blind Mice 45 Box (6LP, Coffret, 45 tours)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eThree of the all-time great jazz albums from Three Blind Mice :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eIsao Suzuki Trio\/Quartet - Blow Up \u003cspan\u003e \u003c\/span\u003e\u003ca title=\"vinyl featuring Isao Suzuki]\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/isao-suzuki\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Isao Suzuki]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTsuyoshi Yamamoto Trio - Midnight Sugar \u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/fr\/collections\/tsuyoshi-yamamoto\" title=\"vinyl featuring tsuyoshi yamamoto\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see other vinyl featuring Tsuyoshi Yamamoto]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTsuyoshi Yamamoto Trio - Misty\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6LPs, box, includes a deluxe four-color insert with session photos and brand-new liner notes by radio personality and audio enthusiast Tom Schnabel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eLimited to 3,000 numbered copies\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Impex\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Three Blind Mice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginal sessions produced by Takeshi “Tee” Fujii\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Tohru Kotetsu (Misty, Midnight Sugar) and Kevin Gray (Blow Up)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe box set was originally released in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAlbum 1 - Blow Up:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Aqua Marine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Everything Happens To Me\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Blow Up\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide C:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Like It Is\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. I Can't Get Started\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide D:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Low Flight\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAlbum 2 - Midnight Sugar:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Midnight Sugar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. I'm A Fool To Want You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide C:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. The Nearness of You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide D:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. It Could Happen To You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Sweet Georgia Blues\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAlbum 3 - Misty:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Misty\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Blues\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Yesterdays\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide C:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Honeysuckle Rose\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Smoke Gets In Your Eyes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide D:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. I Didn't Know What Time It Was\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Angel Eyes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eMidnight Sugar earned the Best Engineering Award and Jazz Disc Award of Swing Journal in 1974\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eMisty earned both the \"Best Engineering\" Award and Jazz Dick Award of Swing Journal in 1974\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eFinally available again after an all-too-brief release by BoxStar Records in 2012, the Three Blind Mice 45 RPM Box is the highly desirable collection of Misty, Midnight Sugar, and Blow Up in one awesome package — six discs in all! The box has received a high-classs upgrade: a full-cover box, remade LP jackets with improved clarity and color, a deluxe four-color insert with session photos and brand-new liner notes by radio personality and audio enthusiast Tom Schnabel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDue to Impex's close affiliation with Three Blind Mice, dating back to the 1990's, the label has worked dilligently to not only bring these audiophile classics back, but to do so in a super-deluxe way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Tohru Kotetsu (Misty, Midnight Sugar) and Kevin Gray (Blow Up) and pressed at RTI, this limited edition surpasses all of your most demanding judgments. Just another way Impex Records is redefining definitive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThese LPs preserve the original sonic magnificance while presenting the three LP sets in top-quality packaging. The jackets follow the original Cisco\/TBM 45's of 2003 but have been cleaned up, clarified and color-corrected to original glory. The labels now match the accent color of the jackets. Included is a 4-page insert with archival photographs and a new essay by Schnabel (\"Rhythm Planet, KCRW 89.9, Los Angeles). Topping it all, literally, is a new lift-top box with black lining and special spot UV coating.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eIsao Suzuki's Blow Up is virtuosity and class all rolled up into one. A great combination of upbeat blues and mellow grooves! The album was awarded the Jazz of Japan Award and the Jazz Disc Award from Japan's Swing Journal in 1973.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTouring with the Micky Curtis Band, Tsuyoshi Yamamoto had the chance to explore several international experiences that he would later use on his 1974 album, Misty, as he worked with this band in France, England and Switzerland. On Midnight Sugar the Tsuyoshi Yamamoto Trio plays two of Tsuyoshi's own blues improvisations followed by jazz ballads that became standards for the Trio. The combination of these titles is nothing but exceptional.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThe Yamamoto Trio's Midnight Sugar was recorded March 1, 1974 at Aoi Studio, Tokyo. It earned the Best Engineering Award and Jazz Disc Award from Swing Journal in 1974. It is Yamamoto's unmistakable skill and his jazz feeling which adds that certain touch of liveliness and spontaneity and makes Midnight Sugar a unique experience. This piano trio will mesmerize you with this great collection of standards, superb musicianship and awesome sonics. You are sure to listen to this one over and over.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMisty also earned both the Best Engineering Award and Jazz Disc Award from Swing Journal in 1974. Recorded at Aoi Studio, Tokyo, on August 7, 1974. Tsuyoshi Yamamoto is highly musical and his expressions natural, neither overly technical nor serious, his performance is relaxed and melodious.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThis audiophile 180-gram 45 RPM 6LP Collector's Box Set is an absolute must have for jazz and music lovers alike!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRating\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs: 4.83\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41929180086522,"sku":"IMP6022-45","price":329.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-three-blind-mice-45-box-6lp-box-45rpm-audiosoundmusic-1.jpg?v=1719855321"},{"product_id":"jennifer-warnes-the-well-3lp-45rpm","title":"\u003ctranscy\u003eJennifer Warnes - The Well (3LP, Coffret, 45 tours)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eJennifer Warnes - vocals, background vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jennifer-warnes\" title=\"vinyl featuring Jennifer Warnes\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/jennifer-warnes\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Jennifer Warnes]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMartin Davich – piano, synthesizer, harmonium, keyboards, background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoyle Bramhall II – guitar, vocals, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDean Parks – guitar, mandolin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinnie Colaiuta – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge Doering – guitar, mandolin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbraham Laboriel – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Cunha – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArmando Compean – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Stone – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreg Leisz – pedal steel guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeland Sklar – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimeon Pillich – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlex Acuña – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Porcaro – synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDenny Freeman – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMatt Cartsonis – mandolin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVan Dyke Parks – accordion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenny Castro – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Spooner – field drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEric Rigler – bagpipe, Uilleann pipes, whistles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMax Carl – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlondie Chaplin – vocals, background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenny Edwards – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArlo Guthrie – vocals, background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LPs, Box set including a 12-page, large format booklet with notes, complete lyrics and new insights from Jennifer Warnes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition of 6,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eIncludes three exclusive bonus tracks, \"La Luna Brilla,\" \"Fool For The Look (In Your Eyes)\" and \"Born In Time\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Impex\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Music Force\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Jennifer Warnes, Martin Davich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2001\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Fool For You\u003c\/li\u003e\n\u003cli\u003eLosing Hand\u003c\/li\u003e\n\u003cli\u003eOne For My Baby\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn the Evenin' Mama\u003c\/li\u003e\n\u003cli\u003eHallelujah I Love Her So\u003c\/li\u003e\n\u003cli\u003eThe Way That I Feel\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCotton Fields\u003c\/li\u003e\n\u003cli\u003eGod Bless the Child\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMary Ann\u003c\/li\u003e\n\u003cli\u003eSinner's Prayer\u003c\/li\u003e\n\u003cli\u003eFare Thee Well\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Jennifer Warnes became a household name in the '70s with her hit \"Right Time of the Night\" and scored equally big with the Righteous Brothers' Bill Medley on \"The Time of My Life\" from the film Dirty Dancing. She also wowed critics and fans alike with Famous Blue Raincoat, her album of Leonard Cohen songs. In all, she's sold over 35 million records worldwide, but she's hardly a household name. Warnes has returned to the recording scene for the first time since 1992 with The Well, a collection ten songs co-produced with Martin Davich. And what a collection it is. As a singer and a songwriter, Warnes knows her strengths well. She understates lyrics and musical phrases as a way of getting them to open up on their own through her gorgeously wrought singing. She's no acrobat; she doesn't reach for the note that breaks the pitch-meter. Instead, she allows her voice to come up from the heart of the lyric she's singing. She wears the song and allows the song to adorn her as well, whether plaintively, as on the title track, one of her co-writes with Texas legend Doyle Bramhall, or her lilting, haunting, spiritual tome \"Prairie Melancholy.\" When doing takes on the songs of others, such as Tom Waits' nugget \"Invitation to the Blues,\" she imbues them with the soft, bluesy swing inherent in the original, but adds depth and dimension with her dry, reportorial storytelling (with fine guitar work from Doyle Bramhall). The songs on The Well seem spare and open, layered lightly, and full of room for Warnes' warm voice to reveal the wealth of emotions in the tunes themselves. But what's interesting is without it being noticeable to the listener, there are small but lush string sections, a few horns here and there, and a full-on four-piece rock band. Her reading of Billy Joel's \"So It Goes\" is virtually a reinvention of the song. She offers this song from a heart that has been cracked enough times, to paraphrase her friend Cohen, that it has been flooded with light. But it's the songs with Bramhall that are the masterpieces here; they reveal the subtle, bluesy textures of Texas and the strength in expressing one's vulnerability to forces one does not understand, such as on \"The Panther.\" As if to underline the evidence, there is a vocal duet between them on Eddy Arnold's country swing gem \"You Don't Know Me\" that rivals Ray Charles' version for pure, expressive passion. With her stunning rendition of Arlo Guthrie's \"Patriot's Dream,\" she is backed by a folk music symphony orchestra, with Guthrie himself lending a guest vocal as well as Blondie Chaplin and Kenny Edwards, with a Carmen accordion appearance by Van Dyke Parks. The set ends with a piano trio reprise of the title track that wraps all the magic up into a circle, as if these songs were a cycle of mystery, sensuality, and imagination from the very beginning. And, of course they were; Warnes isn't capable of anything less. Welcome back, Jennifer Warnes, you've been missed. » AllMusic Review by Thom Jurek\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e« Jennifer Warnes is one of the most underrated pop singers of her generation. Her albums, though few and far between, brim with melody and craft–and lyrics both intelligent and emotionally weighted. The Well was originally released in 2001 but time hasn’t dulled its spirit. Along with the title track, standouts include “Patriots Dream” in duet with Arlo Guthrie, a stunning cover of Tom Waits’ “Invitation to the Blues,” and Dylan’s classic [exclusive to this 45 rpm release] “Born In Time.” The songs are lovingly produced, inventively orchestrated, and stocked with a who’s who of studio musicians. But Warnes’ expressive vocals overshadow all. She’s a singer who asks a lot of her gifts, always seraching for finer degrees of nuance and dynamics like a painter mixing color on a palette. The reissue from Impex Records is a model for the premium LP industry. Its three-disc, 45 rpm 180-gram pressings are presented in an individually numbered wood box with a twelve-page, large format booklet that includes notes and lyrics. Bernie Grundman presided over the all-tube remastering. Sonically this is about as good as it gets from a studio-bred multitrack–fabulous acoustic textures, deep bass, and awesome ambience. A vinyl-lover’s dream come true. » NEIL GADER – ABSOLUTE SOUNDS MAGAZINE, DECEMBER 2011\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e« Jennifer Warnes? Some will know her from her seventies hit “Right Time of the Night” while others will be more familiar with her duet with the Righteous Brothers’ Bill Medley on “(I’ve Had) The Time of My Life” from the film Dirty Dancing. The cognoscenti will also know her from her critically acclaimed LP release, Famous Blue Raincoat, her album of Leonard Cohen songs. This album, originally released in 2001, scores in three ways: as a creative project, sonically and as a piece of art. As a vehicle for her carefully crafted songs, The Well is haunting, spiritual, lilting and innovative with a story to tell. As an object in itself, the album is a work of beauty. Presented within a wooden box, custom made for this release, with updated artwork and a numbered brass plaque positioned on the front, the package contains the album – which spans three discs – and a 12-page, large format book that features lyrics, notes plus words of wisdom from Warnes herself on each and every track. You also receive a piece of art presented on a card with a pearlescent finish and an article on the flip side penned by Texes author Brad Buccholz about The Well. The box set includes the original album tracks plus three bonus tracks: “La Luna Brilla,” “Fool For the Look (In Your Eyes)” and a Bob Dylan cover of “Born in Time.” Sonically, the album has been mastered on an all valve-based system via Bernie Grundman, known for his long term work with the now defunct Classic Records label. Mastered onto 45rpm disks, the album has that valve “glow” that coats the music with a rich analogue warmth. A dynamic recording, the vinyl provides an appreciably low, powerful bass with detailed upper frequencies. Easily the best recording of the album out there. » HI FI WORLD, MAY 2012\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e« The first thing you notice about this box set is its museum quality packaging. Instead of cardboard, the box is constructed of wood and impeccably finished in the highest quality paper stock. It’s easily one of the most beautiful record boxes ever. Inside the box, an equally gorgeous booklet and photo insert provide lyrics and production notes. How can the audio live up to such gorgeous packaging, I wondered.\u003c\/p\u003e\n\u003cp\u003eBest known for her standard Famous Blue Raincoat and her hit duet with Joe Cocker for the soundtrack to An Officer and a Gentleman, Warnes has had a wonderful and varied career. She originally released The Well on CD in 2001 and retained all rights to the masters, an in 2010 Impex released a [remastered and expanded] gold CD of the album. The title tune refers to Jacob’s Well, an artisan spring in Texas hill country. Warnes’ singing is captivating on each number, but her rendition of “You Don’t Know Me” with Doyle Bramhall stand comparison with Ray Charles’ classic version. The LPs were mastered by Bernie Grundman and the sound is to die for. If my usual scale goes up to 10, I’m giving this an 11. It’s so good sounding its hard to listen to anything else afterwards. A home run that gets my highest recommendation. » DENNIS DAVIS, HIFI+, ISSUE 872\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4,57 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41929668722938,"sku":"IMP 6001-45","price":159.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jennifer-warnes-the-well-3lp-box-set-45rpm-audiosoundmusic-1.jpg?v=1719855336"},{"product_id":"copy-of-blood-sweat-tears-2lp-45rpm","title":"\u003ctranscy\u003eBlood Sweat \u0026 Tears (2LP, 45 tours, Coffret, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/blood-sweat-tears\" title=\"Blood, Sweat and Tears vinyl\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/blood-sweat-tears\" data-mce-style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e[click here to see Blood, Sweat \u0026amp; Tears' vinyl]\u003c\/strong\u003e\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals – David Clayton-Thomas (A1-2, B1 to D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Harmonica, Vocals – Steve Katz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto Saxophone, Piano – Fred Lipsius\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Jim Fielder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChorus [BS\u0026amp;T Chorus] – Bobby Colomby, Dick Halligan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Percussion, Vocals – Bobby Colomby\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan, Piano, Flute, Trombone, Vocals – Dick Halligan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone, Recorder – Jerry Hyman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet, Flugelhorn [Flügelhorn] – Chuck Winfield, Lew Soloff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Al Kooper (A2, B1, C2), Blood, Sweat And Tears, Dick Halligan (A1-3, B2-3, D2), Fred Lipsius (A2, B1, C2)\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Box set\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUD1S (UltraDisc One-Step)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by : Fred Catero, Roy Halee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by James William Guercio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVariations On A Theme By Erik Satie\u003c\/li\u003e\n\u003cli\u003eSmiling Phases\u003c\/li\u003e\n\u003cli\u003eSometimes in Winter\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMore and More\u003c\/li\u003e\n\u003cli\u003eAnd When I Die\u003c\/li\u003e\n\u003cli\u003eGod Bless The Child\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSpinning Wheel\u003c\/li\u003e\n\u003cli\u003eYou've Made Me So Very Happy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues - Part II\u003c\/li\u003e\n\u003cli\u003eVariations On A Theme By Erik Satie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eWinner of three Grammy Awards in 1970 : \"Album of the Year\", Best Arrangment for \"Spinning Wheel\" and Best Contemporary Instrumental Perfomance for \"Variations on a Theme by Erik Satie\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"A classical feeling is imparted by the opening and closing tracks, which are adapted from one of Erik Satie’s Trois Gymnopedies by arranger Dick Halligan. They bookend this album—one of the most original in pop music ever—most successfully. This has always seemed to me one of the best-designed and performed of all the ‘60s rock efforts, and it’s great to have it in the ultimate fidelity of this newly-remastered 45 rpm version... In comparison with the Columbia SACD, the vinyl 45s win out. They have much more deep bass end and a warmer overall feeling than the SACD. On the 45s, there is absolutely no surface noise or distortion, except where intended on some of the instruments... ORG has established itself as the Rolls-Royce of the audiophile vinyl reissue genre.\" - John Henry, Audiophile Audition\u003c\/p\u003e\n\u003cp\u003e\"The difference between Blood, Sweat \u0026amp; Tears and the group's preceding long-player, Child Is Father to the Man, is the difference between a monumental seller and a record that was \"merely\" a huge critical success. Arguably, the Blood, Sweat \u0026amp; Tears that made this self-titled second album -- consisting of five of the eight original members and four newcomers, including singer David Clayton-Thomas -- was really a different group from the one that made Child Is Father to the Man, which was done largely under the direction of singer\/songwriter\/keyboard player\/arranger Al Kooper. They had certain similarities to the original: the musical mixture of classical, jazz, and rock elements was still apparent, and the interplay between the horns and the keyboards was still occurring, even if those instruments were being played by different people. Kooper was even still present as an arranger on two tracks, notably the initial hit \"You've Made Me So Very Happy.\" But the second BS\u0026amp;T, under the aegis of producer James William Guercio, was a less adventurous unit, and, as fronted by Clayton-Thomas, a far more commercial one. Not only did the album contain three songs that neared the top of the charts as singles -- \"Happy,\" \"Spinning Wheel,\" and \"And When I Die\" -- but the whole album, including an arrangement of \"God Bless the Child\" and the radical rewrite of Traffic's \"Smiling Phases,\" was wonderfully accessible. It was a repertoire to build a career on, and Blood, Sweat \u0026amp; Tears did exactly that, although they never came close to equaling this album.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eInstead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,06 \/ 5 \u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42084078682362,"sku":"UD1S 2-016","price":215.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/blood-sweat-and-tears-2lp-45rpm-1step-supervinyl-audiosoundmusic-1.jpg?v=1719855874"},{"product_id":"the-thelonious-monk-quartet-monk-s-dream-2lp-45rpm-1step-supervinyl","title":"\u003ctranscy\u003eThe Thelonious Monk Quartet - Monk’s Dream (2LP, 45 tours, Coffret, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThelonious Monk, piano \u003cspan data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Thelonious Monk\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/thelonious-monk\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/thelonious-monk\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Thelonious Monk]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharlie Rouse, tenor sax \u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Charlie Rouse\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/charlie-rouse\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/charlie-rouse\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Charlie Rouse]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Ore, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrankie Dunlop, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, \u003cspan data-mce-fragment=\"1\"\u003eBox\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 6,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eUD1S (UltraDisc One-Step)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eOctober 31, November 1, 2 \u0026amp; 6, 1962 at  Columbia 30th Street Studio, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Teo Macero\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1963\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMonk’s Dream\u003c\/li\u003e\n\u003cli\u003eBody and Soul\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBright Mississippi\u003c\/li\u003e\n\u003cli\u003eFive Spot Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBolivar Blues\u003c\/li\u003e\n\u003cli\u003eJust a Gigolo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBye-Ya\u003c\/li\u003e\n\u003cli\u003eSweet and Lovely\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Monk's Dream is the Columbia Records debut release featuring the Thelonious Monk Quartet: Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), and Frankie Dunlop (drums). Jazz scholars and enthusiasts alike also heralded this combo as the best Monk had been involved with for several years. Although he would perform and record supported by various other musicians, the tight -- almost telepathic -- dimensions that these four shared has rarely been equalled in any genre. By the early '60s, bop had become considered passé by artists as well as fans looking for the next musical trend. This is coupled with the fact that discerning Monk fans would have undoubtedly recognized many of these titles from several live recordings issued at the end of his tenure on Riverside. Not to belabor the point, however, but precious few musicians understood the layer upon layer of complexities and challenges that Monk's music created. On tracks such as \"Five Spot Blues\" and \"Bolivar Blues,\" Rouse and Dunlop demonstrate their uncanny abilities by squeezing in well-placed instrumental fills, while never getting hit by the unpredictable rhythmic frisbees being tossed about by Monk. Augmenting the six quartet recordings are two solo sides: \"Just a Gigolo\" and \"Body and Soul.\" Most notable about Monk's solo work is how much he retained the same extreme level of intuition throughout the nearly two decades that separate these recordings from his initial renderings in the late '40s. Monk's Dream is recommended, with something for every degree of Monk enthusiast.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Lindsay Planer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eInstead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,82 \/ 5  \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42084167450874,"sku":"UD1S 2-011","price":395.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-thelonious-monk-quartet-monk-s-dream-2lp-45rpm-box-set-1step-supervinyl-audiosoundmusic-1.jpg?v=1719855905"},{"product_id":"mozart-the-great-sonatas-for-piano-and-violin-walter-klien-arthur-grumiaux-5lp-box","title":"\u003ctranscy\u003eMozart - The Great Sonatas for Piano and Violin - Walter Klien \u0026 Arthur Grumiaux (5LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eWalter Klien, Piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArthur Grumiaux, Violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Philips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on 1981 – 1983 at La Chaux-de-Fonds, Switzerland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Maarten de Boer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1985\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonate B-dur KV 454\u003c\/li\u003e\n\u003cli\u003eSechs Variationen g-moll über das französische Lied: «Au bord d’une fontaine» KV360\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonate e-moll KV 304\u003c\/li\u003e\n\u003cli\u003eSonate F-dur KV 376\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonate Es-dur KV 302\u003c\/li\u003e\n\u003cli\u003eSonate A-dur KV 305\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D : Sonate A-dur KV 526\u003c\/p\u003e\n\u003cp\u003eSide E :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonate G-dur KV 379\u003c\/li\u003e\n\u003cli\u003eSonate Es-dur KV 380 - Allegro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonate Es-dur KV 380 - Andante Con Moto\u003c\/li\u003e\n\u003cli\u003eSonate Es-dur KV 380 - Rondeau (Allegro)\u003c\/li\u003e\n\u003cli\u003eSonate G-dur KV 301\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide G :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonate F-dur KV 377\u003c\/li\u003e\n\u003cli\u003eSonate C-dur KV 303\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide H :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonate Es-dur KV 481\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide I :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonate D-dur KV 306\u003c\/li\u003e\n\u003cli\u003eSonate C-dur KV 296\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide J :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonate B-dur KV 378\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Arthur Grumiaux and Walter Klien offer playing with spring in its step and a lyrical yet unsentimental warmth in the slow movements, though that of K296 might with advantage have lingered a little more. These are stylish artists who are also eloquent in the unusually wistful Andante con moto of K380... Perhaps a touchstone for Grumiaux's qualities is the great slow movement of K454, where he is sensitive to the extraordinary harmonic design and yet over-reliant on the same tricks of tone-colour to project it.” The Gramophone Magazine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42111259410682,"sku":"LP43054","price":395.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/mozart-the-great-sonatas-for-piano-and-violin-walter-klien-and-arthur-grumiaux-5lp-box-audiosoundmusic-1.jpg?v=1719856361"},{"product_id":"bruckner-symphony-no-8-strauss-metamorphosen-giuseppe-sinopoli-2lp-box-set","title":"\u003ctranscy\u003eBruckner - Symphony No.8 \u0026 Strauss - Metamorphosen - Giuseppe Sinopoli (2LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAnton Bruckner - Symphony No. 8, in C minor (Version: 1890 Edition: Leopold Nowak)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Strauss - Metamorphosen av. 142 Study for 23 Solo Strings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStaatskapelle Dresden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGiuseppe Sinopoli, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in December 1994 at Lukaskirche, Dresden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Oliver Rogalla\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Klaus Hiemann\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Maarten de Boer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Werner Mayer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1996\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : Bruckner - Symphony No. 8\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro moderato\u003c\/li\u003e\n\u003cli\u003eScherzo. Allegro moderato Trio. Langsam\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B : Bruckner - Symphony No. 8\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio. Feierlich langsam, doch nicht schleppend\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C: Bruckner - Symphony No. 8\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFinale. Feierlich, nicht schnell\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D : Richard Strauss - Metamorphosen av. 142 Study for 23 Solo Strings\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio ma non troppo\u003c\/li\u003e\n\u003cli\u003eAgitato\u003c\/li\u003e\n\u003cli\u003ePiu allegro\u003c\/li\u003e\n\u003cli\u003eAdagio, tempo primo - molto lento\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“The new recording under Giuseppe Sinopoli is a thing to treasure. Here is music-making of tact and sensibility, free of all taint of bombast\u003c\/p\u003e\n\u003cp\u003eor saccharine self-pity, a lament sufficient unto itself that can only serve, surely, to help purify and heal. (About) this Dresden account of\u003c\/p\u003e\n\u003cp\u003eBruckner’s Eighth Symphony... I have never heard the work more lucidly recorded, more clearly played or more exactly conducted than it is\u003c\/p\u003e\n\u003cp\u003ehere. It is Sinopoli’s amazingly exact calibration of dynamics and dynamic levels that the extraordinarily precise realization of this by the Dresden players. They are great performances, summa cum laude, a term of approbation the new Dresden performances of Strauss and Bruckner also richly deserve.” Richard Osborne \/ The Gramophone Magazine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42111502450938,"sku":"LP43042","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bruckner-symphony-no-8-and-strauss-metamorphosen-giuseppe-sinopoli-2lp-box-set-audiosoundmusic-1.jpg?v=1719856367"},{"product_id":"mahler-symphony-no-9-leonard-bernstein-2lp-box-set","title":"\u003ctranscy\u003eMahler - Symphony N°9 - Leonard Bernstein (2LP, Coffret, Enregistrement Digital)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eGustav Mahler - Symphony No.9\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcertgebouworkest Amsterdam\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeonard Bernstein, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : NO (Digital Recording Original Master Tape)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in June 1985 at Concertgebouw, Amsterdam\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Hans Weber\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Klaus Scheibe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Kevin Gray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Hanno Rinke\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndante comodo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIm Tempo eines gemächlichen Ländlers\u003c\/li\u003e\n\u003cli\u003eEtwas täppisch und sehr derb\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRondo-Burleske\u003c\/li\u003e\n\u003cli\u003eAllegro assai. Sehr trotzig\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio.Sehr langsam und noch zurückhaltend\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Leonard Bernstein is still Gustav Mahler’s most famous and, controversially, most significant interpreter. It was he who really popularised the composer’s music in the USA and he invented a whole new performing tradition for Mahler. The vast Andante comodo feels expansive and well paced, and Bernstein manages the transitions through consolation and tragedy very effectively... The finale is controversial but I still found it utterly involving and never did I find it indulgent or wilful. In fact the final bars moved me immensely. The key to his interpretation was his stated view that the Adagio finale takes the form of a prayer, Mahler’s last chorale,his closing hymn so to speak, and it prays for the restoration of life, of tonality, of faith.” Music Web International\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.74 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42111586861306,"sku":"LP43015","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/mahler-symphony-n9-leonard-bernstein-2lp-box-set-digital-recording-audiosoundmusic-1.jpg?v=1719856366"},{"product_id":"mahler-symphony-n-7-leonard-bernstein-2lp-box-set","title":"\u003ctranscy\u003eMahler - Symphony N°7 – Leonard Bernstein (2LP, Coffret, Enregistrement Digital)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eGustav Mahler - Symphony N°7 -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew York Philharmonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeonard Bernstein, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : NO (Digital Recording Original Master Tape)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Kevin Gray at Cohearent Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLangsam (Adagio)\u003c\/li\u003e\n\u003cli\u003eAllegroRisoluto, Ma Non Troppo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNachtmusik - Allegro Moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eScherzo – Shattenhaft\u003c\/li\u003e\n\u003cli\u003eNachtmusik - Allegro Moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRondo - Finale Tempo I (Allegro Ordinario)\u003c\/li\u003e\n\u003cli\u003eTempo II (Allegro Moderato Ma Energico\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“The slow tempo for the opening of the Seventh lends bounding energy to the Allegro when it arrives but there is a beautiful stillness for the central interlude. The ending is clamorous and fundamentally optimistic. The first Nachtmusik is full of light and shade with expertly played solo contributions, and you really get the feeling that Bernstein is enjoying himself for the first trio section. The scherzo is dark but not especially threatening and the second Nachtmusik has well played solos but lacks humour. However, the ebullient, eclectic finale could well have been written for this conductor’s personality, and the closing bars seem to embrace the vulgarity enthusiastically.” Music Web-International\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.38 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42111823479034,"sku":"LP43014","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/mahler-symphony-n7-leonard-bernstein-2lp-box-set-digital-recording-audiosoundmusic-1.jpg?v=1719856376"},{"product_id":"rossini-sonate-a-quattro-2lp-box-set-dmm","title":"\u003ctranscy\u003eRossini - Sonate a Quattro - Salvatore Accardo \u0026 Sylvie Cazeau (2LP, Coffret, DMM)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eGioachino Rossini - Sonate a Quattro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSalvatore Accardo, Violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSylvie Cazeau, Violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlain Meunier, Cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFranco Petracchi, Contrabass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBruno Canino, Piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Metal Mastering (DMM)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Decca\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in October 1978\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Metal Mastering by Hans-Jörg Maucksch at Pauler Acoustics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNo.1 in G - 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Andante assai\u003c\/li\u003e\n\u003cli\u003eNo.6 in D - Tempesta (Allegro)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDuetto per violoncello e contrabbasso – Allegro\u003c\/li\u003e\n\u003cli\u003eDuetto per violoncello e contrabbasso - Andante molto\u003c\/li\u003e\n\u003cli\u003eDuetto per violoncello e contrabbasso - Allegro\u003c\/li\u003e\n\u003cli\u003eUn mot à Paganini\u003c\/li\u003e\n\u003cli\u003eUne larme pour basse : per contrabasso e pianoforte\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Metal Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Direct Metal Mastering, the cutting lathe engraves the audio signal directly onto a copper-plated master disc, instead of engraving the groove into a lacquer-coated aluminum disc.\u003c\/p\u003e\n\u003cp\u003eThe direct metal mastering technology addresses the lacquer mastering technology's issue of pre-echoes during record play, caused by the cutting stylus unintentionally transferring some of the subsequent groove wall's impulse signal into the previous groove wall. In particular, a quiet passage followed by a loud sound often clearly revealed a faint pre-echo of the loud sound occurring 1.8 seconds ahead of time (the duration of one revolution at 33 rpm). This problem could also appear as post-echo, 1.8 seconds after a peak in volume.\u003c\/p\u003e\n\u003cp\u003eAnother improvement is noise reduction. The lacquer mastering method bears a higher risk of adding unwanted random noise to the recording, caused by the enclosure of small dust particles when spraying the silvering on the lacquer master, which is the necessary first step of the electroplating process for reproduction of the master disc. As the DMM master disc is already made of metal (copper), this step is not required, and its faults are avoided.\u003c\/p\u003e\n\u003cp\u003eWith the groove being cut straight into a metal foil, this removed a number of plating stages in the manufacturing process. This gave rise to more upper frequency levels and less surface noise. 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Double       \u003c\/li\u003e\n\u003cli\u003eCorrente - Double (Presto)        \u003c\/li\u003e\n\u003cli\u003eSarabande - Double       \u003c\/li\u003e\n\u003cli\u003eTempo Di Borea - Double            \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E : Partita No. 2 In D Minor, BWV 1004        \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllemanda         \u003c\/li\u003e\n\u003cli\u003eCorrente            \u003c\/li\u003e\n\u003cli\u003eSarabanda         \u003c\/li\u003e\n\u003cli\u003eGiga      \u003c\/li\u003e\n\u003cli\u003eCiaccona             \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F : Partita No. 3 In E, BWV 1006      \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePreludio             \u003c\/li\u003e\n\u003cli\u003eLoure   \u003c\/li\u003e\n\u003cli\u003eGavotte En Rondeau     \u003c\/li\u003e\n\u003cli\u003eMenuet I-ll        \u003c\/li\u003e\n\u003cli\u003eBourrée              \u003c\/li\u003e\n\u003cli\u003eGigue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Metal Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn Direct Metal Mastering, the cutting lathe engraves the audio signal directly onto a copper-plated master disc, instead of engraving the groove into a lacquer-coated aluminum disc.\u003c\/p\u003e\n\u003cp\u003eThe direct metal mastering technology addresses the lacquer mastering technology's issue of pre-echoes during record play, caused by the cutting stylus unintentionally transferring some of the subsequent groove wall's impulse signal into the previous groove wall. In particular, a quiet passage followed by a loud sound often clearly revealed a faint pre-echo of the loud sound occurring 1.8 seconds ahead of time (the duration of one revolution at 33 rpm). This problem could also appear as post-echo, 1.8 seconds after a peak in volume.\u003c\/p\u003e\n\u003cp\u003eAnother improvement is noise reduction. The lacquer mastering method bears a higher risk of adding unwanted random noise to the recording, caused by the enclosure of small dust particles when spraying the silvering on the lacquer master, which is the necessary first step of the electroplating process for reproduction of the master disc. As the DMM master disc is already made of metal (copper), this step is not required, and its faults are avoided.\u003c\/p\u003e\n\u003cp\u003eWith the groove being cut straight into a metal foil, this removed a number of plating stages in the manufacturing process. This gave rise to more upper frequency levels and less surface noise. Additionally, groove pre-echo problems are significantly diminished. Bass is typically tight and well defined, even described as more accurate than the fat, mushy sound of lacquered vinyl pressings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.56 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42119776665850,"sku":"LP43031","price":130.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bach-the-sonatas-and-partitas-for-solo-violi-gidon-kremer-3lp-box-set-dmm-audiosoundmusic-1.jpg?v=1719856386"},{"product_id":"oscar-peterson-exclusively-for-my-friends","title":"\u003ctranscy\u003eOscar Peterson - Exclusively For My Friends (6LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Peterson - piano \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Brown - bass (Vol I \u0026amp; II)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEd Thigpen - drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSam Jones - bass (Vol II, III, V, VI)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLouis Hayes - drums (Vol II)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Durham drums (Vol II, III, V, VI)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6 LP, Box set \u0026amp; Booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal Media GmbH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 1963 - 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  MPS Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Polydor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1970 (4LPs)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVol. I - Action\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAt Long Last Love\u003c\/li\u003e\n\u003cli\u003eEasy Walker\u003c\/li\u003e\n\u003cli\u003eTin Tin Deo\u003c\/li\u003e\n\u003cli\u003eI've Got a Crush On You\u003c\/li\u003e\n\u003cli\u003eFoggy Day\u003c\/li\u003e\n\u003cli\u003eLike Someone In Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eVol. II - Girl Talk\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOn a Clear Day\u003c\/li\u003e\n\u003cli\u003eI'm In the Mood For Love\u003c\/li\u003e\n\u003cli\u003eGirl Talk\u003c\/li\u003e\n\u003cli\u003eMedley: Concentrate On You\/Moon river\u003c\/li\u003e\n\u003cli\u003eRobbins Nest\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eVol. III - The Way I Really Play\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaltzing Is Hip\u003c\/li\u003e\n\u003cli\u003eSatin Doll\u003c\/li\u003e\n\u003cli\u003eLove Is Here To Stay\u003c\/li\u003e\n\u003cli\u003eSandy's Blues\u003c\/li\u003e\n\u003cli\u003eAlice In Wonderland\u003c\/li\u003e\n\u003cli\u003eNoreen's Nocturne\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eVol. IV - My Favorite Instrument (solo)\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSomeone To Watch Over Me\u003c\/li\u003e\n\u003cli\u003ePerdido\u003c\/li\u003e\n\u003cli\u003eBody and Soul\u003c\/li\u003e\n\u003cli\u003eWho Can I Turn To\u003c\/li\u003e\n\u003cli\u003eBye, Bye Blackbird\u003c\/li\u003e\n\u003cli\u003eI Should Care\u003c\/li\u003e\n\u003cli\u003eLulu's Back In Town\u003c\/li\u003e\n\u003cli\u003eLittle Girl Blue\u003c\/li\u003e\n\u003cli\u003eTake the \"A\" Train\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eVol. V - Mellow Mood\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn A Mellotone\u003c\/li\u003e\n\u003cli\u003eNica's Dream\u003c\/li\u003e\n\u003cli\u003eGreen Dolphin Street\u003c\/li\u003e\n\u003cli\u003eSummertime\u003c\/li\u003e\n\u003cli\u003eSometimes I'm Happy\u003c\/li\u003e\n\u003cli\u003eWho Can I Turn To\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eVol. VI - Travelin' On\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTravelin' On\u003c\/li\u003e\n\u003cli\u003eEmily\u003c\/li\u003e\n\u003cli\u003eQuiet Nights\u003c\/li\u003e\n\u003cli\u003eSax No End\u003c\/li\u003e\n\u003cli\u003eWhen Lights Are Low\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"The German audiophile journalist\/producer Dirk Sommer commenced work on a project to reissue a six LP set of these extraordinary private sessions, working from the original master tapes....The sound varies somewhat from record to record, but the quality is generally very high with Peterson appearing between center and right speaker and Thigpen and Brown to your left....Peterson's playing dazzles with speed, intensity, eclecticism and inventiveness....Dynamics are explosive and the cutting engineer, knowing his audience, kept his hands off the limiter.\" Michael Fremer, AnalogPlanet\u003c\/p\u003e\n\u003cp\u003e\"Oscar Peterson has stated that he feels his MPS recordings are his finest. That is quite a statement considering the huge amount of records that the pianist has produced through the past 50 years. This four-CD set reissues the music from six of his MPS LPs: Action, Girl Talk, The Way I Really Play, My Favorite Instrument, Mellow Mood, and Travelin' On. While some of the performances feature the 1963 trio he had with bassist Ray Brown and drummer Ed Thigpen, most of the music dates from 1967-1968 and matches Peterson with bassist Sam Jones and either Louis Hayes or Bobby Durham on drums. A special treat is Peterson's first unaccompanied solo album, which fills up the final CD. Peterson's many fans know what to expect in this set, while other listeners need to discover him to realize what all of the fuss was about. Quite simply, Oscar Peterson has long been one of the greatest pianists the world has ever known; this reissue offers plenty of proof.\" AllMusic\u003cspan data-mce-fragment=\"1\"\u003e Review by Scott Yanow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,84 \/ 5 , Michael Fremer : Music = 10\/11; Sound = 10\/11\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42132288241914,"sku":"AMPS 20821","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/oscar-peterson-exclusively-for-my-friends-6lp-box-set-audiosoundmusic-1.jpg?v=1719856426"},{"product_id":"george-duke-the-era-will-prevail-the-mps-studio-years-1973-1976","title":"\u003ctranscy\u003eGeorge Duke - The Era Will Prevail - The MPS Studio Years 1973-1976 (7LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-duke\" title=\"vinyl featuring George Duke\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-duke\"\u003e[click here to see more vinyl featuring George Duke]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7 LP, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : optimal media GmbH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1973-76\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Inner Source (1973) (2LP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAu-Right\u003c\/li\u003e\n\u003cli\u003eLove Reborn\u003c\/li\u003e\n\u003cli\u003ePeace\u003c\/li\u003e\n\u003cli\u003eMy Soul\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFeels So Good\u003c\/li\u003e\n\u003cli\u003eManya\u003c\/li\u003e\n\u003cli\u003eSweet Bite\u003c\/li\u003e\n\u003cli\u003eThe Followers\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Inner Source\u003c\/li\u003e\n\u003cli\u003eLife\u003c\/li\u003e\n\u003cli\u003eSome Time Ago\u003c\/li\u003e\n\u003cli\u003eSo There You Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSolus\u003c\/li\u003e\n\u003cli\u003eNigerian Numberuma\u003c\/li\u003e\n\u003cli\u003eTwenty-Five\u003c\/li\u003e\n\u003cli\u003eAlways Constant\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eFeel (1974)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide E :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFunny Funk\u003c\/li\u003e\n\u003cli\u003eLove\u003c\/li\u003e\n\u003cli\u003eThe Once Over\u003c\/li\u003e\n\u003cli\u003eFeel\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCora Joberge\u003c\/li\u003e\n\u003cli\u003eOld Slipper\u003c\/li\u003e\n\u003cli\u003eTzina (Theme from The Oper \"Tzina\")\u003c\/li\u003e\n\u003cli\u003eYana Aminah\u003c\/li\u003e\n\u003cli\u003eRashid\u003c\/li\u003e\n\u003cli\u003eStatement\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFaces In Reflection (1974)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide G :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Opening\u003c\/li\u003e\n\u003cli\u003eCapricorn\u003c\/li\u003e\n\u003cli\u003ePiano Solo No. 1 + 2\u003c\/li\u003e\n\u003cli\u003ePsychocomatic Dung\u003c\/li\u003e\n\u003cli\u003eFaces In Reflection No. 1 (instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide H :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaria Tres Filhos\u003c\/li\u003e\n\u003cli\u003eNorth Beach\u003c\/li\u003e\n\u003cli\u003eDa Somba\u003c\/li\u003e\n\u003cli\u003eFaces In Reflection No. 2 (vocal)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI Love the Blues, She Heard Me Cry (1975)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide I :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChariot\u003c\/li\u003e\n\u003cli\u003eLook Into Her Eyes\u003c\/li\u003e\n\u003cli\u003eSister Serene\u003c\/li\u003e\n\u003cli\u003eThat's What She Said\u003c\/li\u003e\n\u003cli\u003eMashavu\u003c\/li\u003e\n\u003cli\u003eRokkinrowl\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide J :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrepare Yourself\u003c\/li\u003e\n\u003cli\u003eGiant Child Within Us - Ego\u003c\/li\u003e\n\u003cli\u003eSomeday\u003c\/li\u003e\n\u003cli\u003eI Love the Blues, She Heard Me Cry\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Aura Will Prevail (1975)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide K :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDawn\u003c\/li\u003e\n\u003cli\u003eFor Love (I Come Your Friend)\u003c\/li\u003e\n\u003cli\u003eFoosh\u003c\/li\u003e\n\u003cli\u003eFloop De Loop\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide L :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMalibu\u003c\/li\u003e\n\u003cli\u003eFools\u003c\/li\u003e\n\u003cli\u003eEchidna's Arf\u003c\/li\u003e\n\u003cli\u003eUncle Remus\u003c\/li\u003e\n\u003cli\u003eThe Aura\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiberated Fantasies (1976)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide M :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Be Shy\u003c\/li\u003e\n\u003cli\u003eSeeing You\u003c\/li\u003e\n\u003cli\u003eBack To Where We Never Left\u003c\/li\u003e\n\u003cli\u003eWhat The...\u003c\/li\u003e\n\u003cli\u003eTryin' \u0026amp; Cryin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide N :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI C'n Hear That\u003c\/li\u003e\n\u003cli\u003eAfter The Love\u003c\/li\u003e\n\u003cli\u003eTzina (Excerpts from Act II Scene II)\u003c\/li\u003e\n\u003cli\u003eLiberated Fantasies\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Musically the high point of the ten-year collaboration with Brunner-Schwer occurred during the MPS years, which saw six full-length releases...the albums from that period comprise The Era Will Prevail...Cut from original mastertapes, this stylish-looking set boasts polished sound that skillfully blends Duke's richly-layered keyboards with the intricacies of first-rate rhythm sections...Duke created music that was heady yet soulful and sophisticated yet accessible. Unlike some 1970s musicians surrounded by racks of keyboards, Duke focused less on flash, pyrotechnics, and displays or virtuousity than colorful soundscapes that could mezmerize the listener...” Jeff Wilson, The Absolute Sound\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,62 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42136998019322,"sku":"AMPS 21375","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/george-duke-the-era-will-prevail-the-mps-studio-years-1973-1976-7lp-box-set-audiosoundmusic-1.jpg?v=1719856466"},{"product_id":"friedrich-gulda-message-from-g","title":"\u003ctranscy\u003eFriedrich Gulda - Message From G - Bach, Mozart, Debussy, ... (6LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eFriedrich Gulda – Piano (B3 to L), Clavichord (A1 to B3, E1), Double Clavichord (I to L), Recorder [Bass] (H to L), Alto Recorder (I to L), Vocals (H to L), Whistling (H to L), Vocals [Recitation] (H to L), \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUrsula Anders - Drums (H to L), Cymbal-string (H to L), Alto Recorder (I to L), Vocals (H to L), Vocals [Recitation] (I to L)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.A. Rettenbacher - Bass (G1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManfred Josel - Drums (G1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Fuchs - Electric Saw (H)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6 LP, Box set, Booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal Media GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded live at Grosser Musikvereinssaal Vienna - Oct. 12th, 13th, 15th, 1978 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Ernst Mack, Reinhard Haberfellner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Friedrich Gulda\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Christoph Stickel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst Concert:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChromatic Fantasy and Fugue (Bach)\u003c\/li\u003e\n\u003cli\u003eArabic-Gipyish Fantasy (Gulda)\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue from the Well-Tempered Clavier, Part II, in D minor (Bach)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFor Rico (Gulda)\u003c\/li\u003e\n\u003cli\u003eItalian Concerto (Bach)\u003c\/li\u003e\n\u003cli\u003eAria - Version I (Gulda)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction and Dance (Gulda)\u003c\/li\u003e\n\u003cli\u003eFor Paul (Gulda)\u003c\/li\u003e\n\u003cli\u003eVariation (Gulda)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrelude and Fugue (Gulda)\u003c\/li\u003e\n\u003cli\u003eVariations on \"Light My Fire\" (Gulda)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSecond Concert:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003cp\u003eBlues for Joe Venuti (Gulda)\u003c\/p\u003e\n\u003cp\u003eFantasy in D minor (Mozart)\u003c\/p\u003e\n\u003cp\u003eFantasy in C minor (Mozart)\u003c\/p\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003cp\u003eSonata in B-flat Major\u003c\/p\u003e\n\u003cp\u003eAria - Version II (Gulda)\u003c\/p\u003e\n\u003cp\u003eSide G:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSelbstgesprach im Kasgraben (Gulda)\u003c\/li\u003e\n\u003cli\u003eLes sons et les parfums tournent dans l'air du soir (Debussy)\u003c\/li\u003e\n\u003cli\u003eOndine (Debussy)\u003c\/li\u003e\n\u003cli\u003eLa terrasse des audiences du claire du lune (Debussy)\u003c\/li\u003e\n\u003cli\u003eBrouillards (Debussy)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide H: Poem (Pauer, Gulda, Anders, Kiwus, Fuchs)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThird Concert: Besuch vom alten G (Gulda \/ Goeth \/ Anders)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide I: Part I\u003c\/p\u003e\n\u003cp\u003eSide J: Part I (cont.)\u003c\/p\u003e\n\u003cp\u003eSide K: Part II\u003c\/p\u003e\n\u003cp\u003eSide L: Part II (conclusion)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"My aim in remastering 'Message from G' was not to change anything in the recordings of the three concerts of 1978; not to adapt them to today's listening habits or to modify them; on the contrary, the aim was to capture that special beauty of musicality and tone and to achieve a sound as close to the original recordings as possible. To that end, the master tape was comprehensively reworked: on the one hand by careful selection and the finest calibration of the tape equipment and the subsequent signal chain, and on the other hand by making very sensitive adjustments to the frequency range and the amplitude level. The theoretical basis for this was, among other things, an original vinyl disc that I used frequently for comparison purposes. We worked exclusively with analogue technology to produce the re-release. Despite an intensive search, the original master tapes of LP 1, B-side — \"For Rico\", \"Italian Concerto\", \"Aria\" (Version 1) and LP 3, B-side \"Sonata in B flat major\", \"Aria\" (Version 2) — were not to be found either in the MPS Archives in Villingen as backup copies or in the original tape archives and must therefore be considered as lost.\"\"  Producer's comment, Christoph Stickel, July 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,38 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42142789304570,"sku":"AMPS 300671","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/friedrich-gulda-message-from-g-bach-mozart-debussy-6lp-box-set-audiosoundmusic-1.jpg?v=1719856531"},{"product_id":"rolf-kuhn-the-best-is-yet-to-come","title":"\u003ctranscy\u003eRolf Kuhn - The Best Is Yet To Come (9LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe boxset contains 7 albums:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eTotal Space (1975)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSymphonic Swampfire (1979)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCucu Ear (1980)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStereo (2015)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpotlights (2016)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eYellow + Blue (2018)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRolf + Joachim Kühn – Live: Berlin ’66 \/ Newport ’67 (2019 – exclusive to this box set)\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e9 LPs, Box set, 12 page Booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 1,000 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u0026amp; Live\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal Media Gmbh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Rolf Kühn Group - Total Space (1975) - 1LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUncle Archibald\u003c\/li\u003e\n\u003cli\u003eBuzz\u003c\/li\u003e\n\u003cli\u003eLopes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTotal Space\u003c\/li\u003e\n\u003cli\u003eMiss Maggie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eThe Rolf Kühn Orchestra - Symphonic Swampfire (1979) - 1LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSwampfire Part 1\u003c\/li\u003e\n\u003cli\u003eSwampfire Part 2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa Canal\u003c\/li\u003e\n\u003cli\u003eJust Call\u003c\/li\u003e\n\u003cli\u003eJudy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRolf Kühn - Cucu Ear (1980) - 1LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOne More Bass Hit (Dedicated To My Mother)\u003c\/li\u003e\n\u003cli\u003eKey-Alliance\u003c\/li\u003e\n\u003cli\u003eTo Zbiggi\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCucu Ear\u003c\/li\u003e\n\u003cli\u003eBeverly Hills Party\u003c\/li\u003e\n\u003cli\u003eSultans of Jazz\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRolf Kühn Unit - Stereo (2015) (never released on vinyl before) - 1LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide G:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDistrict 7\u003c\/li\u003e\n\u003cli\u003eBlack Jasmine\u003c\/li\u003e\n\u003cli\u003eQ11\u003c\/li\u003e\n\u003cli\u003eDescendants\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide H:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStereo\u003c\/li\u003e\n\u003cli\u003eHusky\u003c\/li\u003e\n\u003cli\u003eA Little Circus\u003c\/li\u003e\n\u003cli\u003eShogun\u003c\/li\u003e\n\u003cli\u003eOpen Windows\u003c\/li\u003e\n\u003cli\u003eGoodbye (For Buddy)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRolf Kühn - Spotlights (2016 - never released on vinyl before) - 2LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide I:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eConversation One\u003c\/li\u003e\n\u003cli\u003ePinnochio's Dream\u003c\/li\u003e\n\u003cli\u003ePinnochio's Dance\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide J:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Forget\u003c\/li\u003e\n\u003cli\u003eChoro Do Portina\u003c\/li\u003e\n\u003cli\u003eBroken City\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide K:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLaura\u003c\/li\u003e\n\u003cli\u003eFingerprints\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide L:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Strange Sunrise\u003c\/li\u003e\n\u003cli\u003eX-Ray\u003c\/li\u003e\n\u003cli\u003eFlip-Flop\u003c\/li\u003e\n\u003cli\u003eAutumn Leaves\u003c\/li\u003e\n\u003cli\u003eDexter’s tune  \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRolf Kühn - Yellow + Blue (2018) - 2LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide M:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBoth Sides Now\u003c\/li\u003e\n\u003cli\u003eAngel Eyes\u003c\/li\u003e\n\u003cli\u003eYellow And Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide N:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eImpulse\u003c\/li\u003e\n\u003cli\u003eThe Second Time\u003c\/li\u003e\n\u003cli\u003eTrain To Norway\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide O:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Through With Love\u003c\/li\u003e\n\u003cli\u003eConversation III\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide P:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMela's Interplay\u003c\/li\u003e\n\u003cli\u003eBody And Soul\u003c\/li\u003e\n\u003cli\u003eWhat Are You Doing The Rest Of Your Life?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eRolf + Joachim Kühn – Berlin ’66 \/ Newport ’67 Live (2019 - exclusive to this box set) - 1LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide Q: A Berliner Jazzstage 1966 - Rolf \u0026amp; Joachim Kühn Quartet\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalkie Talkie\u003c\/li\u003e\n\u003cli\u003eEncore\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide R: a Newport Jazz Festival 1967 – Rolf Kühn Quartet\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTurning point\u003c\/li\u003e\n\u003cli\u003eBut Strokes of Folk\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eIn cooperation with Rolf Kühn, MPS has put together a limited-edition 9LP box set to celebrate the 90th birthday and the life of this true German jazz icon. The box set contains seven albums, including a first-time live recording of the \"Rolf + Joachim Kühn Quartet\" from the Berlin Jazz Days 1966 and Newport Festival 1967 — all newly mastered for vinyl. In addition, a box-sized 12-page booklet is included.\u003c\/p\u003e\n\u003cp\u003eA world-class German jazz musician was and remains a rare exception. The clarinetist Rolf Kühn belongs to this premier class. And in other ways, he is one of the exceptional artists: like no other, he managed to profile himself on his instrument with a tone that remains completely unmistakable — warm, round and perfect. The experiences of a long and rich musical life lived resonate with, maturity and wisdom.\u003c\/p\u003e\n\u003cp\u003eBut Rolf Kühn is easily driven by an unbridled curiosity that leaves him leaving the well-known, even the proven paths again and again. Sovereignty and perfection are as intrinsic to his work as daring and risk-taking. (Bert Noglik) Kühn, born on September 9, 1929 in Cologne and raised in Leipzig, was in the early years a sought after musician and soloist. He played with the most famous big bands and made the leap to New York in the '50s after three awards as Europe's best clarinetist and in 1957, Down Beat named him \"Clarinet New Star.\" He soon became a clarinetist in Benny Goodman's Big Band and was its leader even in the bandleader's absence. He succeeded Buddy DeFranco in the Tommy Dorsey Big Band and was slowly creating his own modern clarinet tone.\u003c\/p\u003e\n\u003cp\u003eKühn relocated to Germany in 1962 and, in addition to the management of the NDR television orchestra, also took on numerous other jobs. Many recordings as Leader and Sidemen were written during this epoch. When his younger brother Joachim Kühn seized the opportunity in 1966 through a piano competition in the West, followed a long collaboration with him, which lasts until today. For the first time on the 90th birthday of Rolf Kühn, MPS is releasing the two concert recordings of the 1966 Berlin Jazz Festival and the 1967 Newport Festival.\u003c\/p\u003e\n\u003cp\u003eVitality and wisdom, maturity and brilliance — Rolf Kühn's music is his gift for his intermittent intergenerational crowd of fans and admirers in the jazz world and beyond. His decades-long presence as a powerful creative force continues with no end in sight. With the help of Rolf Kühn, MPS has put together the limited edition 90th Birthday and the Life of a True Jazz icon. The box contains a selection of Rolf Kühn's MPS albums as well as new and exclusive vinyl recordings from the '60s — all newly mastered for vinyl.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,6 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42143624495354,"sku":"AMPS 214250","price":179.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/rolf-kuhn-the-best-is-yet-to-come-9lp-box-set-audiosoundmusic-1.jpg?v=1719856588"},{"product_id":"bob-dylan-blood-on-the-tracks-japanese-edition-2lp-45-rpm-box-1step-supervinyl","title":"\u003ctranscy\u003eBob Dylan - Blood on the Tracks (Edition Japonaise, 2LP, 45 tours, Coffret, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eBob Dylan - \u003c\/strong\u003e\u003cstrong\u003evocals, guitar, harmonica (A1 to B3, C2, D2), Hammond organ (B2), mandolin (D1) \u003c\/strong\u003e\u003cstrong\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-dylan\" title=\"vinyl featuring Bob Dylan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-dylan\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Bob Dylan]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Brown (bass), Paul Griffin (organ), Buddy Cage (steel guitar)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformer : Eric Weissberg And Deliverance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWritten by Bob Dylan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJapanese edition limited to 9,000 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eUD1S (UltraDisc One-Step)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHeavy Press : 180g - \u003cspan data-mce-fragment=\"1\"\u003eSuperVinyl\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eMobile Fidelity Sound\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal Label :  Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording: September 16–19 and December 27–30, 1974, at A\u0026amp;R Recording in New York City and Sound 80 studio in Minneapolis by Lou Schlossberg and Phil Giambalvo\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal producer : Bob Dylan\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineer : Phil Ramone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by : Krieg Wunderlich and Shawn R. Britton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer : Murray Krugman, Sandy Pearlman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally released January 1975\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReissued Nov 2019\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou're a Big Girl Now\u003c\/li\u003e\n\u003cli\u003eIdiot Wind\u003c\/li\u003e\n\u003cli\u003eYou're Gonna Make Me Lonesome When You Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMeet Me in the Morning\u003c\/li\u003e\n\u003cli\u003eLily, Rosemary and the Jack of Hearts\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIf You See Her, Say Hello\u003c\/li\u003e\n\u003cli\u003eShelter from the Storm\u003c\/li\u003e\n\u003cli\u003eBuckets of Rain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003eRolling Stone \u003c\/em\u003e500 Greatest Albums of All Time - Ranked 9 \/ 500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eInducted into the Grammy Hall of Fame in 2015.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 342\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« Following on the heels of an album where he repudiated his past with his greatest backing band, Blood on the Tracks finds Bob Dylan, in a way, retreating to the past, recording a largely quiet, acoustic-based album. But this is hardly nostalgia -- this is the sound of an artist returning to his strengths, what feels most familiar, as he accepts a traumatic situation, namely the breakdown of his marriage. This is an album alternately bitter, sorrowful, regretful, and peaceful, easily the closest he ever came to wearing his emotions on his sleeve. That's not to say that it's an explicitly confessional record, since many songs are riddles or allegories, yet the warmth of the music makes it feel that way. The original version of the album was even quieter -- first takes of \"Idiot Wind\" and \"Tangled Up in Blue,\" available on The Bootleg Series, Vols. 1-3, are hushed and quiet (excised verses are quoted in the liner notes, but not heard on the record) -- but Blood on the Tracks remains an intimate, revealing affair since these harsher takes let his anger surface the way his sadness does elsewhere. As such, it's an affecting, unbearably poignant record, not because it's a glimpse into his soul, but because the songs are remarkably clear-eyed and sentimental, lovely and melancholy at once. And, in a way, it's best that he was backed with studio musicians here, since the professional, understated backing lets the songs and emotion stand at the forefront. Dylan made albums more influential than this, but he never made one better. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003eBob Dylan was at several crossroads in the mid-1970s. Artistically, he was largely written off as being past his prime. Emotionally, he was suffering through a painful divorce from his then-wife Sara Lowndes. Creatively, he appeared at a stalemate, his previous decade's unprecedented run of transformational brilliance finished. Then came\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlood on the Tracks\u003c\/em\u003e. Dylan reached the height of his seminal 1970s work with this confessional 1975 classic featuring \"Tangled Up In Blue,\" \"Simple Twist of Fate,\" \"Idiot Wind,\" \"Lily, Rosemary and the Jack of Hearts,\" and six more classic tunes.\u003c\/p\u003e\n\u003cp\u003e\"Inevitably, when critics praise a new Dylan album, they label it the 'best since\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlood on the Tracks\u003c\/em\u003e,' and with good reason. Inspired by a crumbled marriage, and recorded after a tour with the Band had apparently re-ignited his creativity,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlood\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis among Dylan's masterpieces. The album's epic songs are well known, but its real high points are the shorter numbers — 'You're a Big Girl Now,' the flawless blues 'Meet Me in the Morning,' and the sweetly devastating 'Buckets of Rain.' These are songs of \"images and distorted facts,\" each expressed through tangled points of view, and all of them blue.\" —\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDavid Cantwell\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step :\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eInstead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllmusic : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42157124911354,"sku":"SIJP-88-9","price":495.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bob-dylan-blood-on-the-tracks-japanese-edition-2lp-45-rpm-box-1step-supervinyl-audiosoundmusic-1.jpg?v=1719856695"},{"product_id":"charles-mingus-mingus-ah-um-1","title":"\u003ctranscy\u003eCharles Mingus - Mingus Ah Um (2LP, 45 tours, Coffret, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCharles Mingus, bass, piano \u003ca style=\"color: #ff8000;\" title=\"All vinyl featuring Charles Mingus\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/charles-mingus\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/charles-mingus\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Charles Mingus]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Handy, alto \u0026amp; tenor sax, clarinet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBooker Ervin, tenor sax \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/booker-erwin\" title=\"vinyl featuring Booker Ervin\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/booker-erwin\"\u003e[click here to see more vinyl featuring Booker Ervin]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShafi Hadi, tenor \u0026amp; alto sax\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWillie Dennis, trombone (\u003cspan data-mce-fragment=\"1\"\u003eA2 to B3)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Knepper, trombone (\u003cspan data-mce-fragment=\"1\"\u003eA1, C1 to D2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHorace Parlan, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDannie Richmond, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 6,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step (UDS1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Columbia 30th Street Studio, New York City on May 5, 1959 \u0026amp; May 12, 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Teo Macero\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBetter Git It In Your Soul\u003c\/li\u003e\n\u003cli\u003eGoodbye Pork Pie Hat\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBoogie Stop Shuffle\u003c\/li\u003e\n\u003cli\u003eSelf-Portrait In Three Colors\u003c\/li\u003e\n\u003cli\u003eOpen Letter To Duke\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBird Calls\u003c\/li\u003e\n\u003cli\u003eFables Of Faubus\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePussy Cat Dues\u003c\/li\u003e\n\u003cli\u003eJelly Roll\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eThe album was inducted into the Grammy Hall of Fame in 2013\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e Rolling Stone Greatest Albums of All Time - Ranked 380\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cb\u003eTAS Super LP List! Special Merit: Informal\u003c\/b\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a strong case for The Black Saint and the Sinner Lady as his best work overall, it lacks Ah Um's immediate accessibility and brilliantly sculpted individual tunes. Mingus' compositions and arrangements were always extremely focused, assimilating individual spontaneity into a firm consistency of mood, and that approach reaches an ultra-tight zenith on Mingus Ah Um. The band includes longtime Mingus stalwarts already well versed in his music, like saxophonists John Handy, Shafi Hadi, and Booker Ervin; trombonists Jimmy Knepper and Willie Dennis; pianist Horace Parlan; and drummer Dannie Richmond. Their razor-sharp performances tie together what may well be Mingus' greatest, most emotionally varied set of compositions. At least three became instant classics, starting with the irrepressible spiritual exuberance of signature tune \"Better Get It in Your Soul,\" taken in a hard-charging 6\/8 and punctuated by joyous gospel shouts. \"Goodbye Pork Pie Hat\" is a slow, graceful elegy for Lester Young, who died not long before the sessions. The sharply contrasting \"Fables of Faubus\" is a savage mockery of segregationist Arkansas governor Orval Faubus, portrayed musically as a bumbling vaudeville clown (the scathing lyrics, censored by skittish executives, can be heard on Charles Mingus Presents Charles Mingus). The underrated \"Boogie Stop Shuffle\" is bursting with aggressive swing, and elsewhere there are tributes to Mingus' most revered influences: \"Open Letter to Duke\" is inspired by Duke Ellington and \"Jelly Roll\" is an idiosyncratic yet affectionate nod to jazz's first great composer, Jelly Roll Morton. It simply isn't possible to single out one Mingus album as definitive, but Mingus Ah Um comes the closest.” AllMusic Review by Steve Huey\u003c\/p\u003e\n\u003cp\u003e\"At a memorial following Mingus' death, Steve Schlesinger of the Guggenheim Foundation commented that Mingus was one of the few artists who received two grants and added: 'I look forward to the day when we can transcend labels like jazz and acknowledge Charles Mingus as the major American composer that he is.' The New Yorker wrote: 'For sheer melodic and rhythmic and structural originality, his compositions may equal anything written in western music in the twentieth century.'\" All About Jazz\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step\u003c\/strong\u003e : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl\u003c\/strong\u003e: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,64 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42183721779450,"sku":"MFSL45UD1S-010","price":390.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/charles-mingus-mingus-ah-um-2lp-45rpm-box-set-1step-supervinyl-audiosoundmusic-1.jpg?v=1719856880"},{"product_id":"bach-three-sonatas-and-three-partitas-for-unaccompanied-violin-emil-talmanyi","title":"\u003ctranscy\u003eBach - Three Sonatas and Three Partitas For Unaccompanied Violin - Emil Talmanyi (3LP, Coffret, Mono)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eJohann Sebastian Bach - Sonata No. 1 in G minor, Partita No. 1 in B minor, Sonata No. 2 in A minor, Partita No. 2 in D minor, Sonata No. 3 in C Major, Partita No. 3 in E Major\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmil Telmanyi - violin (using the Vega Bach Bow)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LPs, Box Set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : London Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in November 1953 and April 1954 at West Hampested Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at \u003c\/strong\u003e\u003cstrong\u003eEmil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1954\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : Sonata No. 1 in G minor\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio\u003c\/li\u003e\n\u003cli\u003eFuga. Allegro\u003c\/li\u003e\n\u003cli\u003eSicilana\u003c\/li\u003e\n\u003cli\u003ePresto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B : Partita No. 1 in B minor\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllemanda\u003c\/li\u003e\n\u003cli\u003eDouble\u003c\/li\u003e\n\u003cli\u003eCorrente\u003c\/li\u003e\n\u003cli\u003eDouble. Presto\u003c\/li\u003e\n\u003cli\u003eSarabanda\u003c\/li\u003e\n\u003cli\u003eDouble\u003c\/li\u003e\n\u003cli\u003eTempo Di Borea\u003c\/li\u003e\n\u003cli\u003eDouble\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C : Sonata No. 2 in A minor\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGrave\u003c\/li\u003e\n\u003cli\u003eFuga\u003c\/li\u003e\n\u003cli\u003eAndante\u003c\/li\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D : Partita No. 2 in D minor\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllemanda\u003c\/li\u003e\n\u003cli\u003eCorrente\u003c\/li\u003e\n\u003cli\u003eSarabanda\u003c\/li\u003e\n\u003cli\u003eGiga\u003c\/li\u003e\n\u003cli\u003eCiaccona\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E: Sonata No. 3 in C Major\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio\u003c\/li\u003e\n\u003cli\u003eFuga\u003c\/li\u003e\n\u003cli\u003eLargo\u003c\/li\u003e\n\u003cli\u003eAllegro Assai\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F : Partita No. 3 in E Major\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePreludio\u003c\/li\u003e\n\u003cli\u003eLoure\u003c\/li\u003e\n\u003cli\u003eGavotte En Rondeau\u003c\/li\u003e\n\u003cli\u003eMenuet I\u003c\/li\u003e\n\u003cli\u003eMenuet II - Menuet I Da Capo\u003c\/li\u003e\n\u003cli\u003eBourrée\u003c\/li\u003e\n\u003cli\u003eGigue\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“There are at least three major virtues: the recording and surfaces are faultless, Telmányi's performances range from good to superlative, and a most interesting endeavour has been made to approximate to the instrument Bach had in mind when originally writing the works... Broadly, then, the effect of the bow is to make the audible music correspond much more closely to its appearance on paper; and the works really do, in the places concerned, take on a new lease of life. But Telmányi goes beyond just demonstrating the new bow; he has mastered it and made it his servant. And he uses it to give wonderful performances of the exhaustingly difficult works. Telmányi, again following the shape of his bow, presents it (Chaconne) as an enormous arch; it is wholly satisfying.” Gramophone\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42208541606138,"sku":"LP43126","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bach-three-sonatas-and-three-partitas-for-unaccompanied-violin-emil-talmanyi-3lp-box-set-mono-audiosoundmusic-1.jpg?v=1719857048"},{"product_id":"beethoven-sonatas-for-violincello-and-piano-enrico-mainardi-carlo-zecchi-3lp-box","title":"\u003ctranscy\u003eBeethoven - Sonatas For Violincello and Piano - Enrico Mainardi \u0026 Carlo Zecchi (3LP, Coffret)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eLudwig van Beethoven - Sonate for Violoncello and Piano in F Major Op. 5 N°1, in  G Minor Op. 5 N°2, in A Major Op. 69, in C Major Op. 102 N°1, in D Major Op. 102 N°2 \u0026amp; Seven variations from the duet “bei Mannern, welche liebe fuhlen” from Mozart’s Magic Flute Opera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnrico Mainard, violoncello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCarlo Zecchi, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :\u003c\/strong\u003e \u003cstrong\u003eDeutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded October 17-20, 1955 (A1-B3), May 27-30, 2956 (C1-D1), January 6-10, 1957 (E1-F3) at Beethovensaal, Hanover, Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : Sonate für Violoncello und Klavier F-dur op. 5 Nr. 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio sostenuto\u003c\/li\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003cli\u003eAllegro vivace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B : Sonate für Violoncello und Klavier g-moll op. 5 Nr. 2\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio sostenuto ed espressivo\u003c\/li\u003e\n\u003cli\u003eAllegro mollo piu tosto presto\u003c\/li\u003e\n\u003cli\u003eRondo: Allegro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C : Sonate für Violoncello und Klavier A-dur op. 69\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro, ma non tanto\u003c\/li\u003e\n\u003cli\u003eScherzo: Allegro molto\u003c\/li\u003e\n\u003cli\u003eAdagio cantabile\u003c\/li\u003e\n\u003cli\u003eAllegro vivace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D : Sieben Variationen über das Duett »Bei Männern, welche Liebe fühlen« aus der Oper »Die Zauberflöte« von Mozart\u003c\/p\u003e\n\u003cp\u003eSide E: Sonate für Violoncello und Klavier C-dur op. 102 Nr. 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndante - Allegro vivace\u003c\/li\u003e\n\u003cli\u003eAdagio - Tempo d'Andante - Allegro vivace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F : Sonate für Violoncello und Klavier D-dur op. 102 Nr. 2\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro con brio\u003c\/li\u003e\n\u003cli\u003eAdagio con molto sentimento d'affetto\u003c\/li\u003e\n\u003cli\u003eAllegro fugato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Classical\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Enrico Mainardi's talents were nurtured from an early age. He was given a small cello at the age of three, had his initial lessons a year later, and made his recital début at the age of eight, playing a Beethoven sonata. His father put him into the bruising life of a touring child prodigy at that point, touring Europe. When he appeared in Bologna, his accompanist was the esteemed Italian composer Ottorino Respighi. He débuted in London at the age of 13 at a Promenade Concert conducted by Sir Henry Wood. One of the most important of his early appearances was at the Bach-Reger Festival in Heidelberg, where he astonished the audience with his playing of the Cello Suite in C major by Bach. He was 16 at the time.\u003c\/p\u003e\n\u003cp\u003eIn 1924 he went to Berlin to study with one of the leading teachers of the day, Hugo Becker. He was able to re-establish his concert career and this time he added performance in chamber music to his activities. He made notable solo appearances in recital and with the leading orchestras and conductors. In 1933, he was appointed professor of cello at Santa Cecilia and in 1941, succeeded his teacher Becker at the Hochschule für Musik in Berlin on the latter's death. It took him a while to re-establish his career internationally after World War II. He became especially known for his chamber music performances. He extended his fame in Germany through much of the rest of Europe. He insisted that his pupils learn the entire score for whatever pieces they were playing, not just their own part. This included knowing what all the instruments of the orchestra were doing at any given moment in a concerto.\u003c\/p\u003e\n\u003cp\u003eMainardi was a charismatic performer with very handsome looks and a flair for dressing well. He said he chose his clothing for a concert with a view to what was appropriate for the particular music. Despite this, he did not indulge in platform histrionics to showcase the music or its particular difficulties. His repertoire was especially known for its high quality and intellectual content. Thus, he became known as a reserved performer lacking showmanship, which was, by all accounts, at odds with his off-stage personality. Consequently, he went into history as a musician's musician, rather than a crowd-pleasing one.\" Joseph Stevenson, AllMusic\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42210419605754,"sku":"ADGR 43153","price":195.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/beethoven-sonatas-for-violincello-and-piano-enrico-mainardi-and-carlo-zecchi-3lp-mono-box-set-audiosoundmusic-1.jpg?v=1719857058"},{"product_id":"van-halen-women-and-children-first","title":"\u003ctranscy\u003eVan Halen - Women and Children First (2LP, 45 tours, Coffret, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/van-halen\" title=\"AUDIOPHILE vinyl featuring Van Halen\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Van Halen]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlex Van Halen - drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEddie Van Halen - guitars, keyboards, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Lee Roth - vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-lee-roth\" title=\"Audiophile vinyl featuring David Lee Roth\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-lee-roth\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring David Lee Roth]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Anthony - bass, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNicolette Larson – backing vocals (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Alex Van Halen, David Lee Roth, Edward Van Halen, Michael Anthony\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition (7500 copies)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step (UDS1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eFidelity Record Pressing\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded December 1979 – February 1980 at Sunset Sound, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Donn Landee \u0026amp; Gene Meros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ted Templeman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1980\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTo be reissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTora! Tora!\u003c\/li\u003e\n\u003cli\u003eAnd The Cradle Will Rock…\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRomeo Delight\u003c\/li\u003e\n\u003cli\u003eFool Is\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn A Simple Rhyme\u003c\/li\u003e\n\u003cli\u003eCould This Be Magic?\u003c\/li\u003e\n\u003cli\u003eLoss Of Control\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake Your Whiskey Home\u003c\/li\u003e\n\u003cli\u003eEverybody Wants Some!!\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 100 Greatest Metal Albums of All Time - ranked 36\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eKerrang Magazine 100 Greatest Heavy Metal Albums of All Time - ranked 30\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“After two pure party albums, the inevitable had to happen: it was time for Van Halen to mature, or at least get a little serious. And so, Women and Children First, a record where the group started to get heavier, both sonically and, to a lesser extent, thematically, changing the feel of the band ever so slightly. Where the first two records were nothing but nonstop parties, there's a bit of a dark heart beating on this record, most evident on the breakneck metal of \"Romeo Delight,\" but also the pair of opening party anthems, \"And the Cradle Will Rock\" and \"Everybody Wants Some!!,\" which don't fly quite as high as \"Dance the Night Away\" or \"Runnin' with the Devil\" because of the tense, roiling undercurrents in Eddie's riffs, especially the thudding, circular keyboard riff propelling \"And the Cradle Will Rock.\" The very fact that a keyboard drives this song, not a guitar, is a signal of Eddie's burgeoning ambition (which would soon become inseparable from his desire for respectability), and there are already some conflicts between this somber musicality and David Lee Roth's irrepressible hunger for fun. Where that tension would eventually tear the band apart, here it just makes for compelling music, adding richness and depth to this half-hour blast of rock \u0026amp; roll. This is the first Van Halen album to consist entirely of original material and there's some significant growth here to the writing, evident in the winding, cynical neo-boogie \"Fools\" and also in the manic \"Loss of Control,\" which gallops by with the ferocity of hardcore punk. These, along with all previously mentioned songs, are the heaviest music Van Halen has made (or would ever make), but as the album rushes toward the end Diamond Dave pulls them toward his country-blues jive fixation with \"Take Your Whiskey Home\" and the all-acoustic \"Could This Be Magic?\" giving the album a dose of levity that is welcome if not necessarily needed. Then, before the album comes a close, the band unleashes its first stab at a power ballad with \"In a Simple Rhyme,\" where the group's attempts at melodic grace are undercut by their compulsion to rock. This may not make for a full-fledged power ballad, but this tension between the two extremes -- by their increasing songcraft and their unhinged rock \u0026amp; roll -- makes for dynamic music, and captures all the contrasting glories of the album in one song.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step\u003c\/strong\u003e : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl\u003c\/strong\u003e: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,05 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42238573379834,"sku":"MFSL45UD1S-034","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/van-halen-women-and-children-first-2lp-45rpm-box-set-1step-supervinyl-audiosoundmusic-1.jpg?v=1719857183"},{"product_id":"van-halen-van-halen","title":"\u003ctranscy\u003eVan Halen - Van Halen (2LP, 45 tours, Coffret, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/van-halen\" title=\"AUDIOPHILE vinyl featuring Van Halen\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Van Halen]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Alex Van Halen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Edward Van Halen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – David Lee Roth \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-lee-roth\" title=\"Audiophile vinyl featuring David Lee Roth\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-lee-roth\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring David Lee Roth]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Michael Anthony\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Alex Van Halen, David Lee Roth, Edward Van Halen, Michael Anthony\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 15,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step (UDS1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Sunset Sound Recorders, Hollywood on August 30 – September 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Donn Landee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ted Templeman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1978\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTo be reissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Really Got Me\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJamie's Cryin'\u003c\/li\u003e\n\u003cli\u003eOn Fire\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRunnin' With The Devil\u003c\/li\u003e\n\u003cli\u003eI'm The One\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAin't Talkin' 'Bout Love\u003c\/li\u003e\n\u003cli\u003eLittle Dreamer\u003c\/li\u003e\n\u003cli\u003eFeel Your Love Tonight\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAtomic Punk\u003c\/li\u003e\n\u003cli\u003eEruption\u003c\/li\u003e\n\u003cli\u003eIce Cream Man\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 415\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eNumber eight in Colin Larkin's Top 50 Heavy Metal Albums\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGuitar World’s Greatest Guitar Albums of All Time - ranked number 7\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 100 Best Debut Albums of All Time – ranked number 27\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Among revolutionary rock albums, Van Halen's debut often gets short shrift. Although it altered perceptions of what the guitar could do, it is not spoken of in the same reverential tones as Are You Experienced? and although it set the template for how rock \u0026amp; roll sounded for the next decade or more, it isn't seen as an epochal generational shift, like Led Zeppelin, The Ramones, The Rolling Stones, or Never Mind the Bollocks Here's the Sex Pistols, which was released just the year before. But make no mistake, Van Halen is as monumental, as seismic as those records, but part of the reason it's never given the same due is that there's no pretension, nothing self-conscious about it. In the best sense, it is an artless record, in the sense that it doesn't seem contrived, but it's also a great work of art because it's an effortless, guileless expression of what the band is all about, and what it would continue to be over the years. The band did get better, tighter, over the years -- peaking with their sleek masterpiece 1984, where there was no fat, nothing untidy -- but everything was in place here, from the robotic pulse of Michael Anthony and Alex Van Halen, to the gonzo shtick of David Lee Roth to the astonishing guitar of Eddie Van Halen. There may have been antecedents to this sound -- perhaps you could trace Diamond Dave's shuck-n-jive to Black Oak Arkansas' Jim Dandy, the slippery blues-less riffs hearken back to Aerosmith -- but Van Halen, to this day, sounds utterly unprecedented, as if it was a dispatch from a distant star. Some of the history behind the record has become rock lore: Eddie may have slowed down Cream records to a crawl to learn how Clapton played \"Crossroads\" -- the very stuff legends are made of -- but it's hard to hear Clapton here. It's hard to hear anybody else really, even with the traces of their influences, or the cover of \"You Really Got Me,\" which doesn't seem as if it were chosen because of any great love of the Kinks, but rather because that riff got the crowd going. And that's true of all 11 songs here: they're songs designed to get a rise out of the audience, designed to get them to have a good time, and the album still crackles with energy because of it.\u003c\/p\u003e\n\u003cp\u003eSheer visceral force is one thing, but originality is another, and the still-amazing thing about Van Halen is how it sounds like it has no fathers. Plenty other bands followed this template in the '80s, but like all great originals Van Halen doesn't seem to belong to the past and it still sounds like little else, despite generations of copycats. Listen to how \"Runnin' with the Devil\" opens the record with its mammoth, confident riff and realize that there was no other band that sounded this way -- maybe Montrose or Kiss were this far removed from the blues, but they didn't have the down-and-dirty hedonistic vibe that Van Halen did; Aerosmith certainly had that, but they were fueled by blooze and boogie, concepts that seem alien here. Everything about Van Halen is oversized: the rhythms are primal, often simple, but that gives Dave and Eddie room to run wild, and they do. They are larger than life, whether it's Dave strutting, slyly spinning dirty jokes and come-ons, or Eddie throwing out mind-melting guitar riffs with a smile. And of course, this record belongs to Eddie, just like the band's very name does. There was nothing, nothing like his furious flurry of notes on his solos, showcased on \"Eruption,\" a startling fanfare for his gifts. He makes sounds that were unimagined before this album, and they still sound nearly inconceivable. But, at least at this point, these songs were never vehicles for Van Halen's playing; they were true blue, bone-crunching rockers, not just great riffs but full-fledged anthems, like \"Jamie's Cryin',\" \"Atomic Punk,\" and \"Ain't Talkin' Bout Love,\" songs that changed rock \u0026amp; roll and still are monolithic slabs of rock to this day. They still sound vital, surprising, and ultimately fun -- and really revolutionary, because no other band rocked like this before Van Halen, and it's still a giddy thrill to hear them discover a new way to rock on this stellar, seminal debut.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step\u003c\/strong\u003e : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl\u003c\/strong\u003e: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,39 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42238797218042,"sku":"MFSL45UD1S-032","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/van-halen-van-halen-2lp-45rpm-box-set-1step-supervinyl-audiosoundmusic-1.jpg?v=1719857183"},{"product_id":"van-halen-fair-warning","title":"\u003ctranscy\u003eVan Halen - Fair Warning (2LP, 45 tours, Coffret, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVan Halen \u003ca title=\"AUDIOPHILE vinyl featuring Van Halen\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/van-halen\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Van Halen]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – David Lee Roth \u003ca title=\"Audiophile vinyl featuring David Lee Roth\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-lee-roth\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring David Lee Roth]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Alex Van Halen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Edward Van Halen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Michael Anthony\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Alex Van Halen, David Lee Roth, Edward Van Halen, Michael Anthony\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step (UDS1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros Records \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded March–April 1981 at Sunset Sound, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Donn Landee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ted Templeman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1981\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMean Street\u003c\/li\u003e\n\u003cli\u003eSo This Is Love?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePush Comes To Shove\u003c\/li\u003e\n\u003cli\u003eSinner's Swing!\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUnchained\u003c\/li\u003e\n\u003cli\u003e\"Dirty Movies\"\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHear About It Later\u003c\/li\u003e\n\u003cli\u003eSunday Afternoon In The Park\u003c\/li\u003e\n\u003cli\u003eOne Foot Out The Door\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eListed by Esquire as one of the 75 Albums Every Man Should Own\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Of all the early Van Halen records, Fair Warning often gets overlooked -- partially because it's a dark, strange beast, partially because it lacks any song as purely fun as the hits from the first three records. Because of that, there were no hits from Fair Warning that turned into radio anthems; only \"Unchained\" and, to a lesser extent, the grinding opener, \"Mean Street,\" rank among the group's best-known songs, and they're not as monumental as \"And the Cradle Will Rock,\" from the preceding album, Women and Children First. There's a reason for that: this album ain't a whole lotta fun. Fair Warning is the first Van Halen album that doesn't feel like a party. This may be a reflection of the band's relentless work schedule, it may be a reflection of the increasing tension between Eddie Van Halen and David Lee Roth -- the cause isn't important, because whatever the reason, Fair Warning winds up as a dark, dirty, nasty piece of work. Gloomy it may be, but dull it is not and Fair Warning contains some of the fiercest, hardest music that Van Halen ever made. There's little question that Eddie Van Halen won whatever internal skirmishes they had, since his guitar dominates this record, even with the lack of a single dedicated instrumental showcase (the first time he lacked one on a VH album). Eddie sounds restless here, pushing and pulling the group toward different rhythms and textures, from the disco beat that pulsates on \"Push Comes to Shove\" to the swinging rhythms on \"So This Is Love?\" and, especially, the murky synths that comprise the instrumental \"Sunday Afternoon in the Park\" and the grimy, gunky closing rocker, \"One Foot Out the Door.\" Either inspired or spurred on by the gloomy rock Eddie cranked out, David Lee Roth casts his net far wider than his usual litany of girls and good times. He spits and swears, swaggering without his usual joie de vivre, with even his sex songs feeling weary and nasty. Whatever spawned it, that nastiness is the defining characteristic of Fair Warning, which certainly doesn't make it bunches of fun, but it showcases the coiled power of Van Halen better than any other album, which makes it worth visiting on occasion.” AllMusic Review by Stephen Thomas Erlewine \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step\u003c\/strong\u003e : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl\u003c\/strong\u003e: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,17 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42239054512378,"sku":"MFSL45UD1S-035","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/van-halen-fair-warning-2lp-45rpm-box-set-1step-supervinyl-audiosoundmusic-1.jpg?v=1719857195"}],"url":"https:\/\/www.audiosoundmusic.com\/fr\/collections\/box-set-vinyl.oembed?page=5","provider":"AudioSoundMusic","version":"1.0","type":"link"}