{"title":"Gabriel Fauré","description":"","products":[{"product_id":"steve-kuhn-trio-pavane-for-a-dead-princess","title":"\u003ctranscy\u003eSteve Kuhn Trio - Pavane For A Dead Princess - Ravel, Fauré, Chopin, Tchaikovsky (Edition japonaise)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Kuhn, piano \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/steve-kuhn\" title=\"vinyl featuring Steve Kuhn\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/steve-kuhn\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Steve Kuhn]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Finck, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Drummond, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposed by Maurice Ravel (A1), Gabriel Fauré (A2), Frédéric Chopin (A3, B1, B3), \u003c\/strong\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVenus Hyper Magnum Sound Direct Mix Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Japanese pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Studio in New York on August 18 \u0026amp; 19, 2005\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Katherine Miller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by John Abbott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePavane For A Dead Princess\u003c\/li\u003e\n\u003cli\u003ePavane\u003c\/li\u003e\n\u003cli\u003eNocturne In E Major Op.9, No.2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Always Chasing Rainbows - Fantasy Impromptu\u003c\/li\u003e\n\u003cli\u003eSwan Lake\u003c\/li\u003e\n\u003cli\u003ePrelude In E Minor Op.28, No.4\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Pianist Steve Kuhn, accompanied by David Finck and Billy Drummond, explore classical works by a number of top composers from the 19th and 20th centuries on this Japanese release, though they are used as a launching pad for improvisation. Maurice Ravel's \"Pavane for a Dead Princess\" is recast as a soft samba, also incorporating a bit of an earlier standard that was derived from the French Impressionist's piece, \"The Lamp Is Low.\" Chopin is obviously one of Kuhn's favorite classical composers, as three of his features, highlighted by a dreamy setting of \"Nocturne in E Flat Major, Op. 9, No. 2.\" He brightens the tempo of Claude Debussy's \"Reverie\" while retaining its lyricism, while slowing Johannes Brahms' \"Lullaby\" to a crawl and demonstrating how a master jazz pianist utilizes space as an element of improvisation. Classical purists are always upset with jazz arrangements of \"their\" music, but anyone who loves both musical worlds will appreciate Steve Kuhn's thoughtful arrangements of music that has easily stood the test of time.\" AllMusic Review by Ken Dryden\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4\/5  ,  Discogs 4.45\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40975398043799,"sku":"AVEN 0207","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/steve-kuhn-trio-pavane-for-a-dead-princess-ravel-faure-chopin-tchaikovsky-japanese-edition-audiosoundmusic-1.jpg?v=1719853639"},{"product_id":"pierre-fournier-cello-recital","title":"Pierre Fournier - Cello Recital - Bach, Debussy, Fauré, Gershwin, Nin, Kreisler","description":"\u003cp\u003e\u003cstrong\u003ePierre Fournier (cello)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eErnest Lush (piano)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : London records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eOctober 1952 \u003c\/span\u003ein Decca Studio, Broadhurst Gardens, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Gil Went \u0026amp; Cyril H. Baker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by John Culshaw\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in octobre 1952\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 7 june 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e1. Chorale Prelude \"Herzlich Tut Mich Verlagen\" (Johann Sebastian Bach)\u003cbr\u003e 2. Sonata In G Major, BWV 1027 (Johann Sebastian Bach)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cspan\u003eSide B\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e1. Nigun - Improvisation From \"Baal Shem\" (Ernest Bloch)\u003cbr\u003e 2. Chanson Louis XIII And Pavane (Fritz Kreisler)\u003cbr\u003e 3. Beau Soir (Claude Debussy)\u003cbr\u003e 4. Fileuse, Op. 80 No. 2 (Gabriel Fauré)\u003cbr\u003e 5. Prelude No. 2 (George Gershwin)\u003cbr\u003e 6. Granadina (Joaquin Nin)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Fournier is one of the finest 'cellists before the public today. He is a master stylist, as he demonstrates vividly here, adapting to such varied fare as a Bach sonata, a Bloch improvisation, a Debussy song, and even a blues-like Gershwin prelude. Ernest Lush's accompaniment is well-nigh ideal, and the reproduction is excellent. » \u003cspan\u003eHigh Fidelity\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e« Unlike most 'cellists whose bowing sounds like a runner's breathing after the 100 yard dash, Pierre Fournier possess an unusual and almost uniquely mellifluous tone which, combined with his supremely cultivated musicianship indicates immediately, that he is one of the very few good 'cellists one may hear today…… The majority of his “'Cello Recital\" consists of works not intended for that instrument, but in no instance, if one did not know the origins of the works, would there probably be any doubt that they were all 'cello masterpieces. His version of the Bach Sonata, when compared with Casals', leaves the impression that where Casals is playing the cello, Fournier is playing the Sonata. » The New Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRating\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,86 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41034593108119,"sku":"LP43127","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/pierre-fournier-cello-recital-bach-debussy-faure-gershwin-nin-kreisler-audiosoundmusic-1.jpg?v=1719854022"},{"product_id":"shostakovich-schubert-sonata-for-cello-and-piano-shafran-pecherskaya","title":"Castelnuovo-Tedesco, Vitali, Faure - The Lark - Jascha Heifetz (Mono, Analogphonic)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eTomaso Antonio Vitali - Chaconne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMario Castelnuovo-Tedesco - The Lark\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGabriel Fauré - Sonata No. 1, In A, Op. 13\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJascha Heifetz - violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Allsasser – organ (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuel Bay – piano (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrooks Smith – piano (B1-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal Media GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Living Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Little Bridges Hall, Claremont, California Aug 4, 1950 (A1), Radio Recorders, Hollywood Dec 1, 1953 \u0026amp; Mar 30, 1954 (A2), Radio Recorders, Hollywood Dec 15 \u0026amp; 16, 1955 (B)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered from the original Sony Music masters by \u003c\/strong\u003e\u003cstrong\u003eRainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in Sep. 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVitali - Chaconne\u003c\/li\u003e\n\u003cli\u003eCastelnuovo-Tedesco - The Lark\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B - Fauré - Sonata No. 1, In A, Op. 13\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFirst Movement: Allegro Molto\u003c\/li\u003e\n\u003cli\u003eSecond Movement: Andante\u003c\/li\u003e\n\u003cli\u003eThird Movement: Allegro Vivo\u003c\/li\u003e\n\u003cli\u003eFourth Movement: Allegro Quasi Presto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« Vitali’s Chaconne is almost as old as the violin itself. Originally written for violin and figured bass, it was rescued from oblivion by this German violinist, Ferdinand David, who edited it for violin and piano and published it in 1867; few violinists since that time have omitted it from their repertory. But we must confess to never having heard Respighi’s transcription of it for violin and organ. It is magnificent! Victor's jacket notes states that this transcription “… explores the technical possibilities of the violin beyond the limits known in Vitali’s time.\" But in the hands of Heifetz, this display piece becomes a thing of great beauty, and the depth of the resplendent organ accompaniment makes the work almost symphonic. Castelnuovo-Tedesco's The Lark is a first recording; although it is a pleasant enough work, it may well be the last recording of it. Many violinists have essayed Faure's Sonata No. 1 on LP discs, and Heifetz’ is as good as any, better than most. » The New Records\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41664197755130,"sku":"S80701P","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/castelnuovo-tedesco-vitali-faure-jascha-heifetz-mono-audiosoundmusic-1.jpg?v=1719854868"},{"product_id":"encore-bravo-da-capo-arthur-grumiaux-plays-his-best-loved-encores-vol-2-schubert-mozart-schumann-dvorak-gounod-paganini-faure-albeniz-sibelius","title":"Encore! Bravo! Da capo! Arthur Grumiaux plays his best-loved encores vol.2 - Schubert, Mozart, Schumann, Dvořák, Gounod, Paganini, Fauré, Albéniz, Sibelius, …","description":"\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArthur Grumiaux – violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIstvan Hajdu - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmil Berliner Studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Philips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on 28 – 4 Dec. 1972 \u0026amp; 12-16 Feb. 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered from the original Universal Music masters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Metal Mastered by Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in Aug. 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLargo – Francesco Maria Veracini\u003c\/li\u003e\n\u003cli\u003eRondino On A Theme Of Beethoven - Fritz Kreisler\u003c\/li\u003e\n\u003cli\u003eAndantino Im Stile Von Padre Martini – Fritz Kreisler\u003c\/li\u003e\n\u003cli\u003eLa Capricieuse – Sir Edward Elgar\u003c\/li\u003e\n\u003cli\u003eApres Un Reve – Gabriel Fauré\u003c\/li\u003e\n\u003cli\u003eTango, Op.165 No.2 – Isaac Albéniz\u003c\/li\u003e\n\u003cli\u003eValse Triste – Franz Von Vecsey\u003c\/li\u003e\n\u003cli\u003eEstrellita – Manuel María Ponce Cuéllar\u003c\/li\u003e\n\u003cli\u003eNocturne, Op. 51 No.3 – Jean Sibelius \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" title=\"vinyl from Jean Sibelius\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/jean-sibelius\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/jean-sibelius\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" color=\"#ff8000\"\u003efrom Jean Sibelius]\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndantino – Giovanni Battista Pergolesi\u003c\/li\u003e\n\u003cli\u003eSerenade, D.957 No.4 – Franz Schubert\u003c\/li\u003e\n\u003cli\u003eMinuet From Diversimento No.17 In D, K.334 – W. A. Mozart\u003c\/li\u003e\n\u003cli\u003eTraumerei – Robert Schumann\u003c\/li\u003e\n\u003cli\u003eLarghetto From Sonatina In G, Op.100 – Antonín Dvořák\u003c\/li\u003e\n\u003cli\u003eAve Maria – Charles Gounod\u003c\/li\u003e\n\u003cli\u003eAndante \u0026amp; Allegro Vivo E Spiritoso – Niccolò Paganini\u003c\/li\u003e\n\u003cli\u003eSongs Of My Mother Taught Me – Antonín Dvořák\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« The good Arthur Grumiaux was in a very sentimental mood when he chose the twenty-nine works for this pair of discs. The prevailing pace is andante, the prevailing mood one of heavy sweetness-the stuff to send an audience out not with pulses pounding. There are, of course, nice moments. a Mozart Rondo is bright, articulate, and well planned: Granados' Danza espa-hola No. 5 (Andaluza) is warm and compelling, with its minor -major cadence as magical as ever: Kreisler's Schon Rosmarin is beguiling. »—High Fidelity\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 3,8 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41665677394170,"sku":"LP43108","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/encore-bravo-da-capo-arthur-grumiaux-plays-his-best-loved-encores-vol-2-schubert-mozart-schumann-dvorak-gounod-paganini-faure-albeniz-sibelius-audiosoundmusic-1.jpg?v=1719854868"},{"product_id":"bernard-michelin-unissued-recordings-vol-1-saint-saens-faure-paradis-mono-japanese-edition","title":"\u003ctranscy\u003eBernard Michelin – Enregistrements inédits Vol.1 - Saint-Saens, Fauré, Paradis, ... 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Saint-Saens - Cello Sonata No. 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003cli\u003eAndante Tranquillo Sostenuto\u003c\/li\u003e\n\u003cli\u003eAllegro moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eParadis - Sicilienne\u003c\/li\u003e\n\u003cli\u003eLyadov - Russian dance for cello and piano\u003c\/li\u003e\n\u003cli\u003eGranados - Spanish Dance No. 2\u003c\/li\u003e\n\u003cli\u003eCassado - Requiebros\u003c\/li\u003e\n\u003cli\u003eFaure - Elegie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42473827205370,"sku":"LPSMBA024","price":169.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bernard-michelin-unissued-recordings-vol-1-saint-saens-faure-paradis-mono-japanese-edition-audiosoundmusic-1.jpg?v=1719858311"},{"product_id":"anne-sophie-mutter-carmen-fantasie-2lp-digital-recording","title":"\u003ctc\u003eAnne-Sophie Mutter - Carmen Fantasie (2LP, Enregistrement Digital)\u003c\/tc\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eViolin – Anne-Sophie Mutter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra – Wiener Philharmoniker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor – James Levine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : NO (Digital Recording Original Master Tape)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Vienna, Musikverein, Grosser Saal on November 1992\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Wolf-Dieter Karwatky, Reinhild Schmidt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Günter Hermanns, Ulrich Vette\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Werner Mayer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Maarten de Boer at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1993\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePablo De Sarasate - Zigeunerweisen op. 20\u003c\/li\u003e\n\u003cli\u003eHenryk Wieniawski - Legende en sol mineur op. 17\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGiuseppe Tartini - Sonata in G Minor \"Devil's Trill\" (arranged by Riccardo Zandonai)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaurice Ravel - Tzigane\u003c\/li\u003e\n\u003cli\u003eJules Massenet - Meditation\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePablo De Sarasate - Fantaisie de Concert sur des motifs de l'opera \"Carmen\"\u003c\/li\u003e\n\u003cli\u003eGabriel Faure - Berceuse en re majeur op. 16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“It is unashamedly a fun record, and even Mutter has rarely played with such freedom and warmth, obviously enjoying these display pieces every bit as much as the repertory concertos and new works that are her staple diet. The gipsy flavours of the two Sarasate pieces, as well as of Ravel's Tzigane, sound even more exotic than usual, and rarely have I heard the brilliant sound section, with its Hungarian fire, sound quite so exciting with a stunning accelerando at the end. The tender repose which she then brings to the Massenet ''Meditation'' is thus all the more affecting.\u003c\/p\u003e\n\u003cp\u003eSarasate's Carmen Fantasy, which provides the whole disc with its title, is as high-powered as the Ravel, and I was fascinated to compare it with Itzhak Perlman's 1972 version with Lawrence Foster and the Royal Philharmonic Orchestra for EMI, which has long been a favourite of mine and which recently reappeared on their four-disc Perlman compilation (5\/93). In all five sections (each given separate tracks) Mutter is even more sharply characterful than Perlman in her expressive inflexions and underlining. Yet Perlman clearly gains in the ease of his performance, seeming to try less hard and therefore to convey more of the fun of the piece. I still prefer it, when over and over again it tickles one's funny-bone. But with James Levine and the Vienna Philharmonic providing Mutter with comparably weighty and committed accompaniment, I have to say her performance thrusts home even more powerfully. Fairly enough Mutter treats the Tartini sonata not as an eighteenth-century work so much as another piece in the same vein as the rest, using the Zandonai arrangement and taking a heavyweight view.\u003c\/p\u003e\n\u003cp\u003eThe recording is almost aggressively up-front, which matches the approach of both soloist and conductor, though the closeness involves quite a number of distracting bumps, presumably caused by one or other artist thumping on the stage in sheer enthusiasm.” Edward Greenfield, Gramophone\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.8 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":43547430519034,"sku":"DGLPI40038","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/anne-sophie-mutter-carmen-fantasie-2lp-digital-recording-audiosoundmusic-1.jpg?v=1719860486"},{"product_id":"bill-evans-trio-with-symphony-orchestra","title":"Bill Evans Trio with Symphony Orchestra (140g)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Bill Evans \u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Bill Evans\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/bill-evans\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/bill-evans\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[\u003cspan data-mce-fragment=\"1\" color=\"#ff8000\"\u003eclick here to see more vinyl featuring \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" color=\"#ff8000\"\u003eBill Evans]\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Chuck Israels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Larry Bunker, Grady Tate\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnidentified strings, woodwinds and brass arranged and conducted by Claus Ogerman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Bill Evans (A4, B3), Alexander Scriabin (A3), Gabriel Fauré (B1), Claus Ogerman (B2), Frédéric Chopin (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1 after The Maiden and the Nightingale by Enrique Granados\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA2 after the 2nd movement Siciliano of the flute sonata BWV 1031 by Johann Sebastian Bach\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, \u003c\/strong\u003e\u003cstrong\u003eGatefold Jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 140g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified (USA)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Elemental Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded October \u0026amp; December 1965 at Van Gelder Studios, Englewood Cliffs, New Jersey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Rudy Van Gelder, Val Valentin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Creed Taylor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIllustration by Lynn Sweat\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by Lewis Freedman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1966\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in December 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGranadas\u003c\/li\u003e\n\u003cli\u003eValse\u003c\/li\u003e\n\u003cli\u003ePrelude\u003c\/li\u003e\n\u003cli\u003eTime Remembered\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePavane\u003c\/li\u003e\n\u003cli\u003eElegia (Elegy)\u003c\/li\u003e\n\u003cli\u003eMy Bells\u003c\/li\u003e\n\u003cli\u003eBlue Interlude\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eIf you want to luxuriate in jazz, then look no further than the Bill Evans Trio with Claus Ogerman conducting a 48-piece orchestra on the appropriately named Bill Evans Trio With Symphony Orchestra. Released in February 1966, the album was the brainchild of Verve’s A\u0026amp;R Director, Creed Taylor.\u003c\/p\u003e\n\u003cp\u003eTaylor was anxious, as perhaps was Evans, to get some crossover success, and so, in 1963, he recorded an album with Claus Ogerman called Bill Evans Plays The Theme From The V.I.P.’s And Other Great Songs. It included a number of popular movie themes that were released as singles to get that all-important airplay.\u003c\/p\u003e\n\u003cp\u003e“Although dismissed by some critics, this LP, with arrangements by Claus Ogermann, is very lovely. Evans was very proud of this album. Ogermann's charts are sweetly romantic rather than overbearing, and this gives Evans and his trio (with bassist Chuck Israels and drummer Grady Tate) room to maneuver. Evans' composition \"My Bells\" is one of the stronger cuts.” All About Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic: 2 \/ 5 ; Discogs : 4.16 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48298969923919,"sku":"620905","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/bill-evans-trio-with-symphony-orchestra-140g-audiosoundmusic-1.jpg?v=1719863481"},{"product_id":"jascha-heifetz-the-lark","title":"Castelnuovo-Tedesco, Vitali, Faure - The Lark - Jascha Heifetz (Mono, Impex)","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJascha Heifetz - Violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Ellsasser – Organ (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmanuel Bay – Piano (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrooks Smith - Piano (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve with full-color insert \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g H\u003c\/strong\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eigh-Quality Audiophile Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Impex Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Bridges Hall of Music, Pomona College, \u003c\/strong\u003e\u003cstrong\u003eClaremont, California on \u003c\/strong\u003e\u003cstrong\u003eAug 4, 1950 (A1) ; Dec 1, 1953 \u0026amp; Mar 30, 1954 (A2) ; Dec 15 \u0026amp; 16, 1955 (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman \u003c\/strong\u003e\u003cstrong\u003eat Bernie Grundman Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner notes by Charles L. Granata \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTomaso Antonio Vitali - Chaconne\u003c\/li\u003e\n\u003cli\u003eMario Castelnuovo-Tedesco (1895-1968) - The Lark (Poem in the form of a Rondo)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGabriel Fauré -  Sonata No. 1, In A, 0p. 13 with Brooks Smith at the Piano\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“There are far too few classical vinyl reissues released these days so it is with great pleasure I bring you a review of Impex’s new reissue of a Jascha Heifetz masterpiece, The Lark. Impex Records’ head Abey Fonn deserves special thanks for painstakingly bringing back not only an RCA classic but in the original mono.\u003c\/p\u003e\n\u003cp\u003eIf you know Impex’s products, you appreciate the care they take with both the pressings and jackets. And no matter the genre, the remastering is always done with the best engineers. Here we have Bernie Grundman cutting from a 1-to-1 flat transfer of the original analog master tapes. The Lark is pressed on an all-analog LP for the first time in almost 50 years and on RTI’s HQ-180 vinyl.\u003c\/p\u003e\n\u003cp\u003e(…) Jascha Heifetz (1901-1987) was entering his 50s when he recorded The Lark and at the height of his powers. His intense tone (described as a “tornado”) and flawless technique (regarded as the greatest since Paganini) made his records best sellers and the artist a fortune.\u003c\/p\u003e\n\u003cp\u003eAlthough Heifetz is famed for his recordings of the great Central European concerto repertoire, he was not averse to recording smaller, more intimate works of various styles, including solo works, sonatas and chamber music. The Lark is an especially fine example of this type of intimate, eclectic repertoire.\u003c\/p\u003e\n\u003cp\u003eMixing and matching Tomaso Antonio Vitali’s “Chaconne in g minor for Violin and Continuo”, a classic of the Baroque period (although there is some discussion of its provenance) with the late Romantic “Violin Sonata No. 1 in A Major, Op. 13” by French composer Gabriel Fauré (1845–1924) and Mario Castelnuovo-Tedesco’s “The Lark: Poem for Violin and Piano” (a 20th-century modern tone poem) is adventurous programming. Here accomplished by the amazing musical skill of Heifetz and his ability to weave and connect the different styles. He is accompanied by very sympathetic collaborative artists.\u003c\/p\u003e\n\u003cp\u003eIt’s no surprise that Heifetz can play all the works in his sleep, one-handed. But the recording captures his wonderful musicality in concert with his intense tone and perfect technique. So, even though a mono recording, the original engineers were able to record the essence of a Heifetz recital. Do not let the mono put you off. I find more often than not, smaller-scale works and solo and chamber groups sound more immersive when recorded in mono. It certainly is the case here.\u003c\/p\u003e\n\u003cp\u003eIt’s often written about John Coltrane’s “sheets of sound”; the same may be written of Heifetz. He preferred his Guarnari violin miked very close. This recording is a perfect example of the tornado, the torrents of perfectly vibrated sound. It’s an overwhelming experience. And when the music requires subtlety, Heifetz’s exquisite musicianship is there with nothing lost because of the super accurate recut.\u003c\/p\u003e\n\u003cp\u003eThe Vitali “Chaconne” uses Respighi’s arrangement with organ accompaniment. It’s very effective in highlighting Heifetz’s dramatic presentation.\u003c\/p\u003e\n\u003cp\u003eNext on Side 1, we jump a couple of centuries to “The Lark”. A lovely piece with Heifetz emphasizing the delicate nature of the subject. It’s one more example of his exemplary bow control. Listen to the opening trills, the control and the dynamic shading.\u003c\/p\u003e\n\u003cp\u003eSide 2 brings us the meat of the program, an exceptionally assured, passionate performance of  Fauré‘s “1st Sonata” (1875). Now so famous for its elegance and beauty, but dispatched without publication at the time by every French publisher.\u003c\/p\u003e\n\u003cp\u003eHeifetz holds back when Fauré requires and then sings above Brooks Smith’s superb piano accompaniment when the line gets intense. At the famous Scherzo, we hear Heifetz’s venerated quicksilver bow work with articulation that is head-shaking in its accuracy.\u003c\/p\u003e\n\u003cp\u003eAs for the recording, an artistic triumph for all involved; Bernie Grundman mastered and cut the record, Impex producer Bob Donnelly oversaw the project, with Andreas Meyer restoring the tape and Abey Fonn as Executive Producer. For a bonus, an excellent, lengthy analysis by Charles L. Granata is included with photos. It takes a village!\u003c\/p\u003e\n\u003cp\u003eThe surfaces are silent so the full impact of the Heifetz sound is heard from bar 1. By the final bar of the Vitali, after Heifetz has had his way with you, if you are not completely emotionally wrung out, well, I don’t know!” Audiophilia Review by Anthony Kershaw\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs :  4.8 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48358307856719,"sku":"IMXLP6052","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/jascha-heifetz-the-lark-mono-audiosoundmusic-1.jpg?v=1719863580"},{"product_id":"steve-kuhn-trio-pavane-for-a-dead-princess-ravel-faure-chopin-tchaikovsky-2lp-japanese-edition","title":"Steve Kuhn Trio - Pavane For A Dead Princess - Ravel, Fauré, Chopin, Tchaikovsky (2LP, Japanese edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Kuhn, piano \u003ca title=\"vinyl featuring Steve Kuhn\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/steve-kuhn\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/steve-kuhn\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Steve Kuhn]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Finck, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Drummond, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Sergueï Rachmaninov (A1), Pyotr Ilyich Tchaikovsky (A2, B1), Johannes Brahms (A3), Gabriel Fauré (B3), Frederic Chopin (C1, D1), Maurice Ravel (C2), Edvard Grieg (C3), Claude Debussy (D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVenus Hyper Magnum Sound Direct Mix Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Japanese pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Studio in New York on August 18 \u0026amp; 19, 2005\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Katherine Miller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by John Abbott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFull Moon And Empty Arms - Piano Concerto #2 3rd Movement (S. Rachmaninov)\u003c\/li\u003e\n\u003cli\u003eMoon Love - Symphony #5 2nd Movement (P. Tchaikovsky)\u003c\/li\u003e\n\u003cli\u003eLullaby (J. Brahms)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSwan Lake (P. Tchaikovsky)\u003c\/li\u003e\n\u003cli\u003eIn E Minor Op.28, No4\u003c\/li\u003e\n\u003cli\u003ePavane (G. Faure)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNocturne In E Flat Major Op.9, No.2 (F. Chopin)\u003c\/li\u003e\n\u003cli\u003ePavane For A Dead Princess (M. Ravel)\u003c\/li\u003e\n\u003cli\u003eOne Red Rose Forever (E. Grieg)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Always Chasing Rainbows - Fantasy Impromptu (F. Chopin)\u003c\/li\u003e\n\u003cli\u003eReverie (C. Debussy)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“A highly regarded jazz pianist and composer, Steve Kuhn is known for his sophisticated ear for harmony and lyrical, motivic approach to improvisation. Emerging from the Boston jazz scene of the late '50s, Kuhn gained early exposure playing with legends like Kenny Dorham, John Coltrane, and Art Farmer. He came to wider prominence in 1966 with his albums Three Waves, with bassist Steve Swallow and drummer Pete La Roca, and The October Suite, with vibraphonist Gary McFarland. Those recordings led to a series of highly regarded albums for ECM including 1974's Trance, with Swallow and drummer Jack DeJohnette. An adaptive, forward-thinking performer, Kuhn's subsequent albums like 1987's Life's Magic, 1995's Remembering Tomorrow, and 2012's Wisteria have found him moving across various genres, from swinging acoustic post-bop to classical-influenced chamber jazz and the avant-garde.\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn, New York in 1938 to Hungarian immigrant parents, Kuhn first became interested in music at a young age while listening to his father's jazz record collection on 78s. Starting piano lessons at age five, he quickly displayed his gift for perfect pitch. After moving to Boston with his family, Kuhn began taking lessons with the legendary Boston-area pedagogue Margaret Chaloff, whom he credits with engendering his strong classical piano technique. Also during this time, he befriended Chaloff's son, saxophonist Serge Chaloff, who encouraged his interest in jazz.\u003c\/p\u003e\n\u003cp\u003eBy his teens, Kuhn had developed into an adept jazz pianist, influenced by the recordings of jazz luminaries like Duke Ellington, Bud Powell, Fats Waller, and Art Tatum. He formed his own trio with drummer Arnold Wise and bassist Chuck Israels and began playing local clubs. Even while attending Harvard, Kuhn held down a six-nights-a-week gig in Harvard Square and gained valuable experience working with the myriad jazz stars who came through the city, including Chet Baker, Coleman Hawkins, and Vic Dickenson, among others. After graduating Harvard, Kuhn continued his studies at the Lenox School of Music, where he rubbed shoulders with fellow students Ornette Coleman and Don Cherry and studied under esteemed jazz scholars like Gunther Schuller and George Russell. It was also while at Lenox that he met trumpeter Kenny Dorham, who hired the pianist for a year-long tour.\u003c\/p\u003e\n\u003cp\u003eParting ways with Dorham in 1960, Kuhn next joined legendary saxophonist John Coltrane's quartet for a stint at New York's Jazz Gallery. While brief (Kuhn was replaced by McCoy Tyner after eight weeks), the experience inspired Kuhn and would inform much of his later work. Also during the '60s, Kuhn began appearing on recording dates with artists like Stan Getz, Oliver Nelson, and Art Farmer; he also spent a year touring with Farmer and future collaborators bassist Steve Swallow and drummer Pete La Roca.\u003c\/p\u003e\n\u003cp\u003eCountry and Western Sound of Jazz Pianos\u003c\/p\u003e\n\u003cp\u003eAs a leader, Kuhn debuted alongside pianist Toshiko Akiyoshi on 1963's The Country and Western Sound of Jazz Pianos. He then followed up with 1966's Three Waves, featuring Swallow and La Roca. Also in 1966, he paired with fellow Lenox student Gary McFarland for the landmark chamber jazz album The October Suite.\u003c\/p\u003e\n\u003cp\u003eIn the late '60s, Kuhn relocated to Stockholm, Sweden, where he lived and performed until 1971. Ironically, it wasn't until returning to the States that Kuhn signed with Manfred Eicher's then-fledgling European jazz label ECM. Notably, Kuhn's work on The October Suite had been one of Eicher's early inspirations in founding the label. With ECM, Kuhn released several probing and atmospheric albums including Ecstasy (1974), Trance (1974), Motility (1977), Non-Fiction (1978), Playground, featuring vocalist Sheila Jordan (1979), and Last Year's Waltz (1981) .In the '80s, Kuhn continued to refine his sound, often playing in a trio with bassist Ron Carter and drummer Al Foster.\u003c\/p\u003e\n\u003cp\u003eMany of his albums from this period, including 1984's Mostly Ballads, 1987's Life's Magic, and 1988's Porgy, showcase a mix of well-curated standards along with his inventive original compositions. It was a template that Kuhn would stick with throughout the next decade as he found himself working in various trio settings with artists like David Finck, George Mraz, Buster Williams, Billy Drummond, Lewis Nash, Bill Stewart, Kenny Washington, and others.\u003c\/p\u003e\n\u003cp\u003eWhile the trio remained Kuhn's preferred format, his 1995 album Seasons of Romance found him working in an all-star quintet with tenor saxophonist Bob Mintzer and trumpeter Tom Harrell. Even more expansive was his 2004 return to ECM, Promises Kept, which found him backed by a small string orchestra. Kuhn also retained his exploratory edge, returning to his love of classical composers like Debussy and Ravel on 2006's Pavane for a Dead Princess. Jazz reworkings of classical compositions were featured on his 2008 trio album, Baubles, Bangles and Beads.In 2009, Kuhn revisited his time as a member of John Coltrane's quartet with Mostly Coltrane, featuring saxophonist Joe Lovano, on ECM. Also for ECM, Kuhn paired in a trio with bassist Swallow and drummer Joey Baron for 2012's Wisteria. His trio with Swallow and Baron was also the focus of 2016's At This Time... and 2018's To and from the Heart.” AllMusic Reviews by Matt Collar\u003c\/p\u003e\n\u003cp\u003e\"Anything that pianist Steve Kuhn does is likely to be beautifully executed and tasteful, and Pavane for a Dead Princess is no exception. Here, he and his empathic collaborators David Finck (bass) and Billy Drummond (drums) address themselves to the stock classical repertoire, jazzing up eleven popular pieces from Debussy, Rachmaninov, Tchaikowsky, Grieg, Brahms and Chopin. (There are actually two \"Pavane\"s—the title track, by Ravel, and Faure's version.)\u003c\/p\u003e\n\u003cp\u003eThe result is nothing less than terrific. These are not classical melodies sitting stiffly on a jazz beat; instead, the trio digs deep into the structure of these well-worn compositions and thoroughly explores and expands them. Who knew \"Swan Lake\" or \"Fantasy Impromptu\" could swing like that? Or that Brahms's treacly \"Lullaby\" would make such a moving ballad?\u003c\/p\u003e\n\u003cp\u003eListeners familiar with this music in its original form will get the biggest kick out of this release, and those who've been intimate with Chopin's piano scores will especially appreciate the brilliance of Kuhn's improvisations. But any listener can enjoy what happens to strong, beautiful melodies in expert hands like these.\u003c\/p\u003e\n\u003cp\u003eThe recording is clear and warm, the pacing ideal. The musicians are in peak form, sounding positively inspired, and they swing like mad. What a delight!\" All About Jazz Review by Dr. Judith Schlesinger\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4 \/ 5  ,  Discogs 4.45 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48788673659215,"sku":"AVEN 0284","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/steve-kuhn-trio-pavane-for-a-dead-princess-ravel-faure-chopin-tchaikovsky-2lp-japanese-edition-audiosoundmusic.jpg?v=1719864037"},{"product_id":"gabriel-faure-germaine-thyssens-valentin-et-le-quatuor-de-lortf-premier-quintette-andante-en-si-bemol-berceuse","title":"\u003ctc\u003eGabriel Fauré – Premier Quintette \/ Andante En Si Bémol \/ Berceuse - Germaine Thyssens-Valentin Et Le Quatuor De L'ORTF (non scellé)\u003c\/tc\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003eRARITY - Uns\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003eealed \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003ePiano : Germaine Thyssens-Valentin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eQuatuor De L'O.R.T.F. :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eCello : Robert Salles (A1 to B1)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eViola : Marc Carles (A1 to B1)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eViolin [1rst Violon] : Jacques Dumont\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cstrong\u003eViolin [2nd Violon] : Louis Perlemuter (A1 to B1)\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginal Master Tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  D.S.D Distribution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginal Label : \u003cmeta charset=\"utf-8\"\u003eDisques A. Charlin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003ePressed by Pathé Marconi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally released in 1966\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eReissued in 1984\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003ePremier Quintette\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eMolto Moderato\u003cspan style=\"mso-tab-count: 1;\"\u003e        \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eAdagio\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eAllegretto Moderato\u003cspan style=\"mso-tab-count: 1;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eAndante En Si Bémol\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBerceuse\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Dinah Washington was accompanied by an orchestra organized and conducted by Quincy Jones on this 1957 album, and she was singing to arrangements mostly written by the young bandleader, swing charts of pop standards by the likes of Cole Porter, George Gershwin, and Duke Ellington. The result had much in common with the swing albums of Frank Sinatra in the same period, especially because Jones' arrangements were heavily influenced by Billy May and Nelson Riddle. Sinatra's records were regarded as \"pop, \" of course, and Washington's, at least when released on the EmArcy subsidiary of Mercury Records, as \"jazz, \" but her precise articulation and attention to lyrical meaning left little room for improvisation, and while Jones allowed for brief solos from a band that included Charlie Shavers, Clark Terry, Urbie Green, and Milt Hinton, the jazz categorization was actually arbitrary. Whatever musical genre you assign it to, however, this is an excellent Washington album.” AllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDiscogs : 5 \/ 5 \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49079712874831,"sku":"CL12","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/gabriel-faure-premier-quintette-andante-en-si-bemol-berceuse-germaine-thyssens-valentin-et-le-quatuor-de-l-ortf-unsealed-audiosoundmusic.png?v=1719864637"},{"product_id":"faure-ravel-piano-trio-andre-levy-genevieve-joy-jeanne-gautier-mono","title":"Fauré \u0026 Ravel – Piano Trio - André Levy, Geneviève Joy, Jeanne Gautier (Mono \u0026 Stereo)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRarity - Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGabriel Faure - Piano Trio in D minor, Op. 120\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMaurice Ravel - Piano Trio in A minor Op. 70-1 \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/maurice-ravel\" title=\"vinyl with Maurice Ravel's music\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl with Maurice Ravel's music]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePiano - Genevieve Joy\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eCello - Andre Levy\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eViolin - Jeanne Gautier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLimited Edition to 500 copies\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES (Digital Transfer)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Pure Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono (A1) \u0026amp; Stereo (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio (A1) \u0026amp; Live (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Aptos; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-GB; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" lang=\"EN-GB\"\u003eToyokasei\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/span\u003e(Japan)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLabel : \u003cspan style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Aptos; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-GB; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\" lang=\"EN-GB\"\u003eBelle Ame\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginal Label : Pretoria\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eA1 recorded in Radiodiffusion Française Studio, Paris on January 9, 1960 ; B1 recorded in salons de l'hotel du palais d'Orsay, Paris on March 13, 1965\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally released in 1959\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eReissued in 2016\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A - Gabriel Faure - Piano Trio in D minor, Op. 120\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAllegro ma non troppo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAndantino\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e3.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAllegro vivo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B - Maurice Ravel - Piano Trio in A minor Op. 70-1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e1.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eModere\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e2.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003ePantoum\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e3.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003ePassacaille. Tres large\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e4.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eFinale. Anime\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-variant-ligatures: normal; font-variant-caps: normal; orphans: 2; text-align: start; widows: 2; -webkit-text-stroke-width: 0px; word-spacing: 0px; margin: 0cm 0cm 12pt;\"\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDiscogs : 4.5 \/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49375976390991,"sku":"LPSMBA016","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Faure_Ravel_PianoTrio-AndreLevy_GenevieveJoy_JeanneGautier1.jpg?v=1722066233"},{"product_id":"rafal-blechacz-bomsori-kim-faure-debussy-szymanowski-chopin","title":"Rafal Blechacz \u0026 Bomsori Kim - Fauré\/Debussy\/Szymanowski\/Chopin (2LP)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePiano: Rafal Blechacz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eViolin: Bomsori Kim\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eArranged by Nathan Milstein (Chopin’s Nocturne No. 20 in C-sharp minor)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eComposers: \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eGabriel Fauré, \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eClaude Debussy , \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eKarol Szymanowski, \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eFrédéric Chopin \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, gatefold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal \u003cmeta charset=\"utf-8\"\u003eLabel :  Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMastered of Universal Music by Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOriginally released in 2012\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eReissued in 2024\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eSide A: \u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eGabriel Fauré – Sonata for Violin And Piano No. 1 in A Major Op. 13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1. Allegro Molto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e2. Andante\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e3. Allegro Vivo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e4. Allegro Quasi Presto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eSide B: \u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFrédéric Chopin – Nocturne No. 20 in C Sharp Minor Op. \u003c\/span\u003ePosth.\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eLento Con Gran Espressione\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eSide C: Claude Debussy – Sonata For Violin And Piano IN G Minor L148\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e1. Allegro Vivo\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e2. Intermède. Fantasque Et Léger\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e3. Finale. Très Animé\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide D: Karol Szymanowski – Sonata For Piano And Violin In D Minor Op. 9\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e1. Allegro Moderato. Patetico\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e2. Andantino Tranquillo E Dolce\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e3. Finale. Allegro Molto Quasi Presto\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDiscogs : 4.5 \/ 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54465132626255,"sku":"ANAP LP43195","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-02-17a15.44.56.png?v=1739803540"},{"product_id":"victoria-de-los-angels-dietrich-fischer-dieskau-gabriel-faure-requiem-cluytens","title":"\u003ctc\u003eVictoria de los Angels \u0026 Dietrich Fischer-Dieskau - Gabriel Fauré : Requiem Cluytens (Pressage Japonais)\u003c\/tc\u003e","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSoprano: Victoria de los Ángeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBaritone: Dietrich Fischer-Dieskau\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eChorus: Chorale Élisabeth Brasseur\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOrchestra: Orchestre de la Société des Concerts du Conservatoire\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eConductor: André Cluytens\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eComposed by Gabriel Fauré\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginal Master Tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRecord Press: Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel :  Esoteric\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginal Label : \u003cmeta charset=\"utf-8\"\u003eEMI\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003ePressed by Pathé Marconi\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003eRecorded in 1963, Église Saint-Roch, Paris\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally released in 1963\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eReissued in 2024\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eIntroit and Kyrie\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eOffertoire\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSanctus\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePie Jesu\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eAgnus Dei\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLibera me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eIn Paradisum\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Dinah Washington was accompanied by an orchestra organized and conducted by Quincy Jones on this 1957 album, and she was singing to arrangements mostly written by the young bandleader, swing charts of pop standards by the likes of Cole Porter, George Gershwin, and Duke Ellington. The result had much in common with the swing albums of Frank Sinatra in the same period, especially because Jones' arrangements were heavily influenced by Billy May and Nelson Riddle. Sinatra's records were regarded as \"pop, \" of course, and Washington's, at least when released on the EmArcy subsidiary of Mercury Records, as \"jazz, \" but her precise articulation and attention to lyrical meaning left little room for improvisation, and while Jones allowed for brief solos from a band that included Charlie Shavers, Clark Terry, Urbie Green, and Milt Hinton, the jazz categorization was actually arbitrary. Whatever musical genre you assign it to, however, this is an excellent Washington album.” AllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDiscogs : 4.36 \/ 5 \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54468005298511,"sku":"ESLW-10008","price":105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-02-17a19.14.28.png?v=1739816125"},{"product_id":"anne-sophie-mutter-carmen-fantasie-45rpm","title":"\u003ctc\u003eAnne-Sophie Mutter - Carmen Fantasie (2LP, 45 tours, Pressage japonais)\u003c\/tc\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eViolin – Anne-Sophie Mutter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra – Wiener Philharmoniker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor – James Levine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eNumbered \u0026amp; Limited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified (Japanese pressing)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDeutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Deutsche Grammophon\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt; line-height: 115%; font-family: 'Calibri',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: FR; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRecorded in Vienna, Musikverein \u003c\/strong\u003e\u003cstrong\u003eGrosser Saal, November 1992\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1992\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePablo De Sarasate - Zigeunerweisen op. 20\u003c\/li\u003e\n\u003cli\u003eHenryk Wieniawski - Legende en sol mineur op. 17\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGiuseppe Tartini - Sonata in G Minor \"Devil's Trill\" (arranged by Riccardo Zandonai)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaurice Ravel - Tzigane\u003c\/li\u003e\n\u003cli\u003eJules Massenet - Meditation\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePablo De Sarasate - Fantaisie de Concert sur des motifs de l'opera \"Carmen\"\u003c\/li\u003e\n\u003cli\u003eGabriel Faure - Berceuse en re majeur op. 16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“It is unashamedly a fun record, and even Mutter has rarely played with such freedom and warmth, obviously enjoying these display pieces every bit as much as the repertory concertos and new works that are her staple diet. The gipsy flavours of the two Sarasate pieces, as well as of Ravel's Tzigane, sound even more exotic than usual, and rarely have I heard the brilliant sound section, with its Hungarian fire, sound quite so exciting with a stunning accelerando at the end. The tender repose which she then brings to the Massenet ''Meditation'' is thus all the more affecting.\u003c\/p\u003e\n\u003cp\u003eSarasate's Carmen Fantasy, which provides the whole disc with its title, is as high-powered as the Ravel, and I was fascinated to compare it with Itzhak Perlman's 1972 version with Lawrence Foster and the Royal Philharmonic Orchestra for EMI, which has long been a favourite of mine and which recently reappeared on their four-disc Perlman compilation (5\/93). In all five sections (each given separate tracks) Mutter is even more sharply characterful than Perlman in her expressive inflexions and underlining. Yet Perlman clearly gains in the ease of his performance, seeming to try less hard and therefore to convey more of the fun of the piece. I still prefer it, when over and over again it tickles one's funny-bone. But with James Levine and the Vienna Philharmonic providing Mutter with comparably weighty and committed accompaniment, I have to say her performance thrusts home even more powerfully. Fairly enough Mutter treats the Tartini sonata not as an eighteenth-century work so much as another piece in the same vein as the rest, using the Zandonai arrangement and taking a heavyweight view.\u003c\/p\u003e\n\u003cp\u003eThe recording is almost aggressively up-front, which matches the approach of both soloist and conductor, though the closeness involves quite a number of distracting bumps, presumably caused by one or other artist thumping on the stage in sheer enthusiasm.” Edward Greenfield, Gramophone\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.8 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55111710179663,"sku":"DGLPI484427-45","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-05-15a16.27.19.png?v=1747319285"},{"product_id":"faure-debussy-pelleas-et-melissande-penelope-prelude-masques-et-bergamasques-petite-suite-ernest-ansermet-lorchestre-de-la-suisse-romande","title":"Fauré, Debussy -– Pelléas Et Mélissande, Pénélope Prelude, Masques Et Bergamasques \/ Petite Suite - Ernest Ansermet, L'Orchestre De La Suisse Romande","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRARITY\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGabriel Fauré - Pelléas Et Mélissande - Incidental Music, Op. 80 ; 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