{"title":"\u003ctranscy\u003eAutres Labels\u003c\/transcy\u003e","description":"","products":[{"product_id":"katie-mahan-plays-gershwin","title":"\u003ctranscy\u003eKatie Mahan - Plays Gershwin (D2D)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eKatie Mahan (piano)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposed by George Gershwin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect-to-disc recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner BMS (Berliner Meister Schallplaten)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: December 2016 at Meistersaal, Emil Berliner Studios, Berlin, by Stephan Flock\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProduction: Rainer Maillard \u0026amp; Stephan Flock\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReleased in July 2017\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003e1. Rhapsody in Blue (George Gershwin)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003e1. Embraceable You (George Gershwin)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003e2. I Got Rhythm (George Gershwin)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003e3. Our Love Is Here To Stay (George Gershwin)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003e4. Prelude No. 1 (George Gershwin)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003e5. Prelude No. 2 (George Gershwin)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\" data-mce-fragment=\"1\"\u003e6. Prelude No. 3 (George Gershwin)\u003c\/div\u003e\n\u003col start=\"7\"\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGeorge Gershwin is America's most beloved classical composer. His music personifies the ideals of a vastly diverse modern world, like a magic mirror which reflects every aspect of its surroundings. Gershwin is responsible for opening up the concert hall to the popular American composer, and for breaking down the conventional boundaries between popular music and art music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe loved to play the piano, and would sit at the piano and improvise songs for hours. His piano playing was outstanding, characterized not only by its unbridled virtuosity and spontaneity, but also by its intricacy, charm, and sheer inventiveness.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is through the piano that his imagination came to life in composition, and although he was equally at home improvising on the piano at a party, composing popular songs for Broadway, or writing large works for the concert hall, it is as a 'serious' classical composer and pianist that Gershwin most desired to be remembered and respected. The selections on this album pay tribute to the 'classical' Gershwin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKatie Mahan who, at the age of four, was inspired to study the piano after attending a concert of Gershwin given by the Labèque sisters, does not try to imitate Gershwin's singular piano style, nor does she seek to play in a jazz style. Rather, she brings her own unique voice to his works, presenting arrangements that are unabashedly classical, and which reflect her own personality and musical background.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn this live direct-to-disc recording, Mahan not only captures the spontaneity and originality inherent to the fiber of Gershwin's music, but also transports the music into the classical realm where the composer most desired to be.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDirect-to-disc (D2D)\u003c\/strong\u003e recording refers to sound recording methods that record audio directly onto analog disc masters bypassing steps as master tapes, overdubs, and mix downs from multi-tracked masters. This approach avoids problems of analog recording tape such as tape hiss (high frequency noise).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs : 4 \/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40404197638295,"sku":"1706 V","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/katie-mahan-plays-gershwin-d2d-audiosoundmusic-1.jpg?v=1719851503"},{"product_id":"jimi-hendrix-the-cry-of-love","title":"Jimi Hendrix - The Cry Of Love","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eJimi Hendrix – lead vocals, guitar, backing vocals on \"In from the Storm\", piano on \"Freedom\", production, mixing on \"Freedom\", \"Nightbird Flying\", \"Ezy Ryder\", \"Astro Man\", \"Belly Button Window\" \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jimi-hendrix\" title=\"vinyl featuring Jimi Hendrix\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[Click here to see more vinyl featuring Jimi Hendrix]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Cox – bass guitar on all tracks (except \"My Friend\", \"Belly Button Window\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMitch Mitchell – drums on all tracks (except \"Ezy Ryder\", \"My Friend\", \"Belly Button Window\"), posthumous production, mixing on \"Angel\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuma Sultan – percussion on \"Freedom\", \"Astro Man\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Ghetto Fighters a.k.a. Arthur and Albert Allen – backing vocals on \"Freedom\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuzzy Linhart – vibraphone on \"Drifting\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuddy Miles – drums on \"Ezy Ryder\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Armstrong – percussion on \"Ezy Ryder\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Winwood – backing vocals on \"Ezy Ryder\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChris Wood – backing vocals on \"Ezy Ryder\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNoel Redding – bass guitar on \"My Friend\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenny Pine – twelve-string guitar on \"My Friend\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Mayes – drums on \"My Friend\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStephen Stills – piano on \"My Friend\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Caruso a.k.a. Gers – harmonica on \"My Friend\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmeretta Marks – backing vocals on \"In from the Storm\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Jimi Hendrix\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP,  Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Reprise Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Electric Lady Studios, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Eddie Kramer, Jimi Hendrix, Mitch Mitchell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1971\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2015\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide A :\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Freedom\u003cbr data-mce-fragment=\"1\"\u003e2. Drifting\u003cbr data-mce-fragment=\"1\"\u003e3. Ezy Ryder\u003cbr data-mce-fragment=\"1\"\u003e4. Night Bird Flying\u003cbr data-mce-fragment=\"1\"\u003e5. My Friend\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide B :\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Straight Ahead\u003cbr data-mce-fragment=\"1\"\u003e2. Astro Man\u003cbr data-mce-fragment=\"1\"\u003e3. Angel\u003cbr data-mce-fragment=\"1\"\u003e4. In From the Storm\u003cbr data-mce-fragment=\"1\"\u003e5. Belly Button Window\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e« This was the first of the posthumous releases in the Jimi Hendrix catalog and probably the best as it collected most of the studio tracks that were either completed or very near completion before Hendrix died. Some of these tunes, like \"Angel\" and \"Ezy Rider,\" have become well-known pieces in the Hendrix canon, but they sit alongside lesser-known gems like \"Night Bird Flying\" and the Dylanesque \"My Friend.\" Cry of Love as an album has been rendered as a footnote, since the Hendrix estate has recompiled, to Hendrix's specifications, First Rays of the New Rising Sun. This (originally) double-album set contains not only the entire Cry of Love LP, but the best studio tracks from Rainbow Bridge, War Heroes, and Crash Landing, presented in drastically improved sound. » AllMusic Review by Sean Westergaard\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e : \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAllMusic : 4 \/ 5 , Discogs : 4.5 \/ 5 \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40733708386455,"sku":"88843091781","price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jimi-hendrix-the-cry-of-love-audiosoundmusic-1.jpg?v=1719852203"},{"product_id":"patricia-barber-companion-2lp-45rpm","title":"\u003ctranscy\u003ePatricia Barber Companion (2LP, 33 \u0026 45 tours)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatricia Barber - piano, vocal \u003ca title=\"vinyl featuring Patricia Barber\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/patricia-barber\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/patricia-barber\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Patricia Barber]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Michael Arnopol\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Percussion – Eric Montzka\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – John McLean\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Ruben P. Alvarez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Sonny Bono (A1), Bill Withers (A2), Jimmie Davis (A3), Patricia Barber (B1-3, C1), Miles Davis (C2), Peter Green (D1)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LPs, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM (sides 1-3) \u0026amp; 45 RPM (side 4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Premonition Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Premonition Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded July 17-19 1999 at \u003c\/strong\u003e\u003cstrong\u003eChicago's historic Green Mill Jazz Club\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded and mixed by Jim Anderson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Patricia Barber\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered for Vinyl by Doug Sax from the original analog mixes at The Mastering Lab, Ojai, CA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1999\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in April 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThe Beat Goes On\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eUse Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eYou Are My Sunshine\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLike JT\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLet It Rain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eTouch Of Trash\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide C:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eIf This Isn't Jazz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSo What\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide D:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBlack Magic Woman\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Companion was recorded in a special three-night series of shows in July, 1999 at Chicago's famed Green Mill jazz club -- an unusually short amount of time to produce a live album. To mine as much material as possible from those nights the performances were run more like recording sessions than live shows, with the crowd reverently hushed. Patricia Barber is in her element and the only thing that seems to have suffered for the recording circumstances is the album's length -- at seven songs and 40 minutes, it walks the line between standard EP and full-length size. One surmises that it might have been longer had there been more album-quality material from the performances. Recalling the energy that was present on her critically worshipped Café Blue album, there is an ease and creativity on Companion which makes her fans' devotion understandable. Barber has been criticized for being a jazz singer in the loosest sense -- her style borrows heavily from R\u0026amp;B and she often covers pop songs (Sonny Bono's \"The Beat Goes On\" is a sheer stylish delight), and her song \"If This Isn't Jazz\" answers that criticism with a thumb to the nose. What many critics fail to notice, however, is the strength of her musicianship. Sexism within the industry keeps many from seeing female jazz performers playing roles other than those of vocalists -- Barber's warm, breathy voice and creative phrasing are wonderful, for sure, but what really shines are her arrangements. With a talented band behind her, on Companion Barber has made magic with her compositions, her piano playing, and yes, her voice. Intended to be a companion to Modern Cool, this album of mostly previously unrecorded material serves as an excellent introduction to all of her work.” AllMusic Review by Stacia Proefrock\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.69 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41944615911674,"sku":"90762-1","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/patricia-barber-companion-2lp-33-and-45rpm-audiosoundmusic-1.jpg?v=1719855449"},{"product_id":"michael-jackson-history-continues-2lp-picture-disc","title":"Michael Jackson - HISTORY Continues (2LP, Picture Disc)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Jackson - vocal \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"Vinyl featuring Michael Jackson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/michael-jackson\" style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Michael Jackson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal - Janet Jackson (A1), The Notorious B.I.G. (A4), Slash (B2), Shquille O'Neal (C4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Janet Jackson (A1),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChildren Choir – Angela Fisher (A2), Caleena Campbell (A2), Charity Young (A2), Chauna Bryant (A2), Coy Mattison (A2), Crystal Grant (A2), Crystal Jackson (A2), Crystal Pounds (A2), Jania Foxworth (A2), Kandy Johnson (A2), Kimberly Johnson (A2), Nikisha Grier (A2), Rhonda Hoskins (A2), Brandi Stewart (C2), Brian Jones (C2), Caryn Jones (C2), Jonathan Ungar (C2), Natalia Harris (C2), Reeve Carney (C2), Tracy Spindler (C2), Leah Frazier (D1), Markita Prescott (D2),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLyrics by Michael Jackson (A1-4, B1-3, C2-4, D1-2), John Lennon (B4), Paul McCartney (B4), R. Kelly (C1), James Harris III (C3, D1), Terry Lewis (C3, D1), Geoffrey Parsons (D3), John Turner (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusic composed by Michael Jackson (A1-4, B1-3, C2-3, D1-2), James Harris III (A1), Janet Jackson (A1), Terry Lewis (A1), Bruce Swedien (A4, C4), Dallas Austin (A4, C4), Rene (A4, C4), John Lennon (B4), Paul McCartney (B4), R. Kelly (C1), James Harris III (C3, D1), Terry Lewis (C3, D1), Charles Chaplin (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP, Double gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media (Czech Republic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : EPIC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : EPIC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman at Bernie Grundman Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Michael Jackson (A1-4, B1-3, C1, C3, D1-3) Janet Jackson (A1-2), Jimmy Jam (A1, C3-4, D1), Terry Lewis (A1, C3-4, D1), Bruce Swedien (A4, C4), Rene (A4, C4), Dallas Austin (A4), Bill Bottrell (B1, B4), David Foster (B1), R. Kelly (C1), David Foster (C2, D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1995\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eScream\u003c\/li\u003e\n\u003cli\u003eThey Don't Care About Us\u003c\/li\u003e\n\u003cli\u003eStranger In Moscow\u003c\/li\u003e\n\u003cli\u003eThis Time Around\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEarth Song\u003c\/li\u003e\n\u003cli\u003eD.S.\u003c\/li\u003e\n\u003cli\u003eMoney\u003c\/li\u003e\n\u003cli\u003eCome Together\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Are Not Alone\u003c\/li\u003e\n\u003cli\u003eChildhood (theme from 'Free Willy 2')\u003c\/li\u003e\n\u003cli\u003eTabloid Junkie\u003c\/li\u003e\n\u003cli\u003e2Bad\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHIStory\u003c\/li\u003e\n\u003cli\u003eLittle Susie\u003c\/li\u003e\n\u003cli\u003eSmile\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« \"HIStory Continues\" is easily the most personal album Jackson has recorded. References to the scandal permeate almost every song, creating a thick atmosphere of paranoia. If Jackson's music had been the equal of Thriller or Bad, the nervous, vindictive lyrics wouldn't have been quite as overbearing. However, \"HIStory Continues\" reiterates musical ideas Jackson had been exploring since Bad. Jackson certainly tries to stay contemporary, yet he has a tendency to smooth out all of his rougher musical edges with show-biz schmaltz. Occasionally, Jackson produces some well-crafted pop that ranks with his best material: R. Kelly's \"You Are Not Alone\" is seductive, \"Scream\" improves on the slamming beats of his earlier single \"Jam,\" and \"Stranger in Moscow\" is one of his most haunting ballads. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4.56 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42050282914042,"sku":"190758664514","price":97.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/michael-jackson-history-continues-2lp-picture-disc-audiosoundmusic-1.jpg?v=1719855709"},{"product_id":"michael-jackson-thriller-picture-disc","title":"Michael Jackson - Thriller (Picture Disc)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eMichael Jackson - vocal \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"Vinyl featuring Michael Jackson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/michael-jackson\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Michael Jackson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal - Paul McCartney (A3) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/paul-mccartney\" title=\"vinyl featuring Paul McCarney\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Paul McCartney]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal - Vincent Price (A4) \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Becky Lopez (A1, B4), Bunny Hull (A1, B4), Howard Hewett (B4), James Ingram (A1, B4), Janet Jackson (B4), Julia Waters (A1), LaToya Jackson (B4), Maxine Waters (A1), Oren Waters (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Louis Johnson (A1, B5), Louis Johnson (A3, B2, B4), Steve Lukather (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Jeff Porcaro (A3, B1, B3, B5), Ndugu Chancler (A2, B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Eddie Van Halen (B1), David Williams (A1, A2, A4, B2), Dean Parks (A3), Paul Jackson (B1, B4, B5), Steve Lukather (A3, B1, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandclaps – Greg Phillinganes (B4), James Ingram (B4), Louis Johnson (B4), Steven Ray (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Greg Phillinganes (A1 to B2, B4, B5), James Ingram (B4), Tom Bahler (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Paulinho Da Costa (A1, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – David Paich (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone, Flute – Larry Williams (tracks: A1, A2, A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSynthesizer – Anthony Marinelli (tracks: A2, A4), Bill Wolfer (tracks: A1, B1, B2), Brian Banks (tracks: A2, A4), David Foster (tracks: A3), David Paich (tracks: A2, B3, B5), Greg Smith (tracks: B2), Michael Boddicker (tracks: A1, A2, B2 to B5), Rod Temperton (tracks: A4), Steve Porcaro (tracks: A2, A3, B1, B3, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSynthesizer – Greg Smith (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone – Bill Reichenbach (A1, A2, A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet, Flugelhorn – Gary Grant (A1, A2, A4), Jerry Hey (A1, A2, A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media (Czech Republic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sony\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : EPIC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded April 14 – November 8, 1982 at Westlake Studio (Los Angeles)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Bruce Swedien, Don Landee (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Matt Forger\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Bruce Swedien\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Quincy Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman at Bernie Grundman Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1982\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWanna Be Startin' Somethin'\u003c\/li\u003e\n\u003cli\u003eBaby Be Mine\u003c\/li\u003e\n\u003cli\u003eThe Girl Is Mine\u003c\/li\u003e\n\u003cli\u003eThriller            \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeat It\u003c\/li\u003e\n\u003cli\u003eBillie Jean\u003c\/li\u003e\n\u003cli\u003eHuman Nature\u003c\/li\u003e\n\u003cli\u003eP.Y.T. (Pretty Young Thing)\u003c\/li\u003e\n\u003cli\u003eThe Lady in My Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eHas sold more than 70 million copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 508\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTIME deemed it \"the greatest pop album of all time.\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eThe Independent called it \"the most inspiring album of all time.\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 12\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Songs of All Time - \"Beat It\" - Rated 344\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1984 Grammy Awards :\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eAlbum Of The Year\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBest Pop Vocal Performance, Male (for \"Thriller\")\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBest R\u0026amp;B Vocal Performance, Male (for \"Billie Jean\")\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBest Rock Vocal Performance, Male (for \"Beat It\")\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRecord Of The Year (for \"Beat It\")\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eProducer Of The Year (Non-Classical)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBest Engineered Recording, Non-Classical\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGrammy Hall of Fame\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e« Off the Wall was a massive success, spawning four Top Ten hits (two of them number ones), but nothing could have prepared Michael Jackson for Thriller. Nobody could have prepared anybody for the success of Thriller, since the magnitude of its success was simply unimaginable -- an album that sold 40 million copies in its initial chart run, with seven of its nine tracks reaching the Top Ten (for the record, the terrific \"Baby Be Mine\" and the pretty good ballad \"The Lady in My Life\" are not like the others). This was a record that had something for everybody, building on the basic blueprint of Off the Wall by adding harder funk, hard rock, softer ballads, and smoother soul -- expanding the approach to have something for every audience. That alone would have given the album a good shot at a huge audience, but it also arrived precisely when MTV was reaching its ascendancy, and Jackson helped the network by being not just its first superstar, but first black star as much as the network helped him. This all would have made it a success (and its success, in turn, served as a new standard for success), but it stayed on the charts, turning out singles, for nearly two years because it was really, really good. True, it wasn't as tight as Off the Wall -- and the ridiculous, late-night house-of-horrors title track is the prime culprit, arriving in the middle of the record and sucking out its momentum -- but those one or two cuts don't detract from a phenomenal set of music. It's calculated, to be sure, but the chutzpah of those calculations (before this, nobody would even have thought to bring in metal virtuoso Eddie Van Halen to play on a disco cut) is outdone by their success. This is where a song as gentle and lovely as \"Human Nature\" coexists comfortably with the tough, scared \"Beat It,\" the sweet schmaltz of the Paul McCartney duet \"The Girl Is Mine,\" and the frizzy funk of \"P.Y.T. (Pretty Young Thing).\" And, although this is an undeniably fun record, the paranoia is already creeping in, manifesting itself in the record's two best songs: \"Billie Jean,\" where a woman claims Michael is the father of her child, and the delirious \"Wanna Be Startin' Something,\" the freshest funk on the album, but the most claustrophobic, scariest track Jackson ever recorded. These give the record its anchor and are part of the reason why the record is more than just a phenomenon. The other reason, of course, is that much of this is just simply great music. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4.5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42055253983482,"sku":"1907586642111","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/michael-jackson-thriller-picture-disc-audiosoundmusic-1.jpg?v=1719855709"},{"product_id":"michael-jackson-invincible-2lp-picture-disc","title":"Michael Jackson - Invincible (2LP, Picture Disc)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRARITY\u003c\/strong\u003e\u003c\/span\u003e  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Jackson – lead vocals (all tracks), background vocals (A1–B3, C1-4, D3-4), arranger (B4, D2), multiple instruments (A1, A4, B2, D4), programming (A2-3), drum programming (A4, D1), orchestral arrangements and conducting (B4), keyboard programming (C1, B1-2) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/michael-jackson\" title=\"Vinyl featuring Michael Jackson\"\u003e[click here to see more vinyl featuring Michael Jackson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar - Carlos Santana (D3) \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[c\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"Vinyl featuring Carlos Santana\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/carlos-santana\"\u003elick here to see more vinyl featuring Carlos Santana]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRap - The Notorious B.I.G. (A1), Fats (A2-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals (B4) - Maxi Anderson, Gloria Augustus, Valerie Doby, Judy Gossett, Harold Green, Geary Lanier Faggett, Vonciele Faggett, Kevin Dorsey, Marja Dozier, Alfie Silas Durio, Tenika Johns, Angela Johnson, Daniel Johnson, Zaneta M. Johnson, Laquentan Jordan, Howard McCrary, Linda McCrary, Sam McCrary, Alice Jean McRath, Sue Merriett, Patrice Morris, Kristle Murden, Deborah Sharp-Taylor, Ron Taylor, Johnnie Walker, Yvonne Williams, Zandra Williams, John Wittenberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBackground vocals - Brandy (A1), LaShawn Daniels (A2, C3), Mischke (A2), Nora Payne  (A2), Dr. Freeze (A4, B1), Que (B1), Marsha Ambrosius (B3), Tim Brown (B4), Andraé Crouch (B4), Sandra Crouch (B4), Teddy Riley (C1), Babyface (C2), Richard Stites (C4), Mary Brown (D3), Mario Vasquez (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoir (C2) - Jason Edmonds, Lynn Fiddmont-Lindsey, Tabia Ivery, Nathan \"N8\" Walton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYouth choir (D2) - Rose Beatty, Edie Lehmann Boddicker, Robert Bolyard, Martha Cowan, Jonathon Hall, Justine Hall, Scottie Haskell, Micha Haupman, Tess (Teresa) Escoto, Luana Jackman, James Lively, Brandon Lucas, Jonathon Lucas, Ricky Lucchse, Melissa MacKay, Alex Martinez, F. Sheridan, Andrew Snyder, Sally Stevens, Brett Tattersol, Monique Donally\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTom Bahler – youth choir conductor (D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNarrative (D2) - Prince Jackson, Baby Rubba\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhistle solo (D3) - Carlos Santana, Stuart Brawley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin - Peter Kent (B4), Robin Lorentz (B4), Gina Kronstadt (B4), Kirstin Fife (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViola - Novi Novog (B4), Thomas Tally (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar - Slash (C3), Michael Thompson (C3), Michael Landau (D1), Rick Williams (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass guitar - Babyface (C2), Nathan East (C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic guitar - Babyface (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums - Emanuel \"Bucket\" Baker (C3), Gerald Heyward (C3), John Robinson (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHorns - Matt Cappy (B3), Norman Jeff Bradshaw (B3), Matt Cappy (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion - Paulinho da Costa (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards - Babyface (C2), Brad Buxer (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Instruments - Dr. Freeze (A4), Rodney Jerkins (A1, A4, B2, D4), Teddy Riley (B1), Andre Harris (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJeremy Lubbock – orchestral arrangements and conducting (B1, B4, D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LPs, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media (Czech Republic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : EPIC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : EPIC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded October 1997 – September 2001 at The Hit Factory\/Criteria, Miami (A1, C1), Marvin's Room Studio, Los Angeles (A2), The Record Plant, Los Angeles (A3), Future Recording Studios, Norfolk (B1, C1, D3), Sony Studios, New York (B2, C3), Record One, Los Angeles (B2), Touch of Jazz Studios, Philadelphia (B3), Hit Factory\/ Criteria, Miami (B3, C1, C4, D3-4), Future Recording Studios, Nerfolk (C1, C4), Brandon's Way Recording (C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Bruce Swedien (A2-3, B1, B3-4, D2-3), Teddy Riley (B1, C1, C4, D3), Rodney Jerkins (B2, C3), Stuart Brawley (A1–3, B2, B4, D2, D4), Brad Gilderman (A4, B2, C3, D1), Dexter Simmons (A4, B2), George Mayers (A4, B1, C1, C4, D3), Jean-Marie Horvat (B2, C3), Brad Buxer (B4, D2), Mike Ging (A4, D1), Paul Boutin (C2), Andre Harris (B3), Humberto Gatica (A4, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Bruce Swedien (A1–3, B1-C1, C4, D2-4), Teddy Riley (A4, B1, C1, D3), Rodney Jerkins (A1–3, B2, C3, D4), Michael Jackson (D1), Mick Guzauski (D1), Stuart Brawley (C1–3, D4), George Mayers (A4, B1, C1, C4, D3), Jean-Marie Horvat (C3), Jon Gass (C2), Humberto Gatica (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Michael Jackson (all tracks), Rodney Jerkins (A1–3, B2, C3, D4), Dr. Freeze (A4), Teddy Riley (B1, C1, C4, D3), Andre Harris (B3), Babyface (C2), R. Kelly (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman at Bernie Grundman Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 2001\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWanna Be Startin' Somethin'\u003c\/li\u003e\n\u003cli\u003eBaby Be Mine\u003c\/li\u003e\n\u003cli\u003eThe Girl Is Mine\u003c\/li\u003e\n\u003cli\u003eThriller\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeat It\u003c\/li\u003e\n\u003cli\u003eBillie Jean\u003c\/li\u003e\n\u003cli\u003eHuman Nature\u003c\/li\u003e\n\u003cli\u003eP.Y.T. (Pretty Young Thing)\u003c\/li\u003e\n\u003cli\u003eThe Lady in My Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e« Let's get the clichéd bad joke out of the way to begin with: at the time Michael Jackson released Invincible in the fall of 2001, he hardly seemed \"invincible\" -- it was more wishful thinking than anything else, since he hadn't really had a genuine hit in ten years, and even that paled in comparison to his total domination of the '80s. That lack of commercial success, combined with a fading reputation as a trailblazer, a truly ugly public scandal, and swirling rumors about his diminishing finances, along with a huge wait between albums (by teaming his Dangerous follow-up with a hits collection, it wound up being overlooked, despite a gaudy publicity push), resulted in Jackson being deep down in the hole, needing to surge back out with a record that not only proved his talents, but his staying power. So, faced with a make-or-break record, what did Jackson do to save his career? What he did since Dangerous, take a turn toward the street and craft a hard-driving, hard-polished urban soul album, heavy on the dance numbers and sweetened by lugubrious ballads. It's a proven formula for commercial success, but it not only didn't push his music forward, it made his reach seem rather timid when compared to the wildly rich, all-encompassing musical vision of Thriller and Bad. Here, he's reined in by a desire to prove himself, so he keeps his focus sharp and narrow, essentially creating a sparkly, post-hip-hop update of Off the Wall. It's not as good as that sounds, because the infectious joy and layered craft of that masterpiece have been replaced with a dogged, near-maniacal desire to craft something hip enough for the clubs and melodic enough for mainstream radio, thereby confirming his self-proclaimed status as the King of Pop (a really terrible title, btw). Since he was exceptionally talented and smart enough to surround himself with first-rate collaborators, this does pay off on occasion, even when it feels a little too calculated or when it feels a little padded. Ultimately, the record runs too long, losing steam halfway through, as it turns to a series of rants about \"Privacy\" or a deadly stretch of uncomfortably treacly, sub-\"Man in the Mirror\" songs about \"The Lost Children,\" or when he says that he can't change the world by himself on \"Cry.\" Fortunately, Jackson was clever enough to front-load this record, loading the first seven songs with really good, edgy dance numbers -- even the opening \"Unbreakable\" isn't sunk by the creepy resurrection of Biggie Smalls -- and lovely ballads, highlighted by \"Break of Dawn\" and \"Butterflies\" with its Bacharach-styled horns. Even if these are too self-conscious and a little mechanical (which they are), they still have a spark and sound better than anything Jackson had done since Dangerous. That's not enough to make Invincible the comeback Jackson needed -- he really would have had to have an album that sounded free instead of constrained for that to work -- but it does offer a reminder that he could really craft good pop. If only he had been fueled, not constrained, by his obsessions, this could have been really interesting. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4.47 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42055622951162,"sku":"190758664613","price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/michael-jackson-invincible-2lp-picture-disc-audiosoundmusic-1.jpg?v=1719855709"},{"product_id":"michael-jackson-off-the-wall-picture-disc","title":"Michael Jackson - Off The Wall (Picture Disc)","description":"\u003cp\u003e\u003cstrong\u003eVocals, Backing Vocals – Michael Jackson \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"Vinyl featuring Michael Jackson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/michael-jackson\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/michael-jackson\"\u003e[click here to see more vinyl featuring Michael Jackson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Augie Johnson, Jim Gilstrap, Mortonette Jenkins, Paulette McWilliams, Zedric Williams\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto Saxophone, Tenor Saxophone, Flute, Woodwind – Larry Williams (A1 to B2, B4 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBaritone Saxophone, Tenor Saxophone, Flute, Horn – Kim Hutchcroft (A1 to B2, B4 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Louis Johnson (A1, A3 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcertmaster – Gerald Vinci (A1, A2, A4, B3, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – John Robinson (A1 to B2, B4 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – David Williams (A1, A2, B1, B6), Marlo Henderson (A1, A2, B1, B2, B5, B6), Melvin \"Wah Wah\" Watson (A4, B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Michael Boddicker (A2, B1, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards, Clavinet, Piano – Greg Phillinganes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra – The Seawind Horns (A1 to B2, B4 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Paulinho Da Costa (A1, A3, A4, B1, B4, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrings – Gerald Vinci (A1, A2, A4, B3, B4), Johnny Mandel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone – Bill Reichenbach (A1 to B2, B4 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Gary Grant (A1 to B2, B4 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet, Flugelhorn - Jerry Hey (A1 to B2, B4 to B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Michael Jackson (A1, A3, A4), Paul McCartney (B2), Stevie Wonder (B4), Carole Bayer Sager (B5), David Foster (B5), Louis Johnson (A4), Susaye Greene-Browne (B4), Tom Bahler (B3), Rod Temperton (A2, B1, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media (Czech Republic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : EPIC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : EPIC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded December 4, 1978 – June 3, 1979 at Allen Zentz Studio, Westlake, and Cherokee Studios, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Quincy Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCo-produced by Michael Jackson (tracks: A1, A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed and engineered by Bruce Swedien\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman at Bernie Grundman Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Stop 'Til You Get Enough\u003c\/li\u003e\n\u003cli\u003eRock With You\u003c\/li\u003e\n\u003cli\u003eWorkin' Day And Night\u003c\/li\u003e\n\u003cli\u003eGet On The Floor\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOff The Wall\u003c\/li\u003e\n\u003cli\u003eGirlfriend\u003c\/li\u003e\n\u003cli\u003eShe's Out Of My Life\u003c\/li\u003e\n\u003cli\u003eI Can't Help It\u003c\/li\u003e\n\u003cli\u003eIt's The Falling In Love\u003c\/li\u003e\n\u003cli\u003eBurn This Disco Out\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 68\/500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGrammy Hall of Fame\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGrammy award : Best R\u0026amp;B Vocal Performance, Male for \"Don't Stop 'Til You Get Enough\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 450\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e« Michael Jackson had recorded solo prior to the release of Off the Wall in 1979, but this was his breakthrough, the album that established him as an artist of astonishing talent and a bright star in his own right. This was a visionary album, a record that found a way to break disco wide open into a new world where the beat was undeniable, but not the primary focus -- it was part of a colorful tapestry of lush ballads and strings, smooth soul and pop, soft rock, and alluring funk. Its roots hearken back to the Jacksons' huge mid-'70s hit \"Dancing Machine,\" but this is an enormously fresh record, one that remains vibrant and giddily exciting years after its release. This is certainly due to Jackson's emergence as a blindingly gifted vocalist, equally skilled with overwrought ballads as \"She's Out of My Life\" as driving dancefloor shakers as \"Working Day and Night\" and \"Get on the Floor,\" where his asides are as gripping as his delivery on the verses. It's also due to the brilliant songwriting, an intoxicating blend of strong melodies, rhythmic hooks, and indelible construction. Most of all, its success is due to the sound constructed by Jackson and producer Quincy Jones, a dazzling array of disco beats, funk guitars, clean mainstream pop, and unashamed (and therefore affecting) schmaltz that is utterly thrilling in its utter joy. This is highly professional, highly crafted music, and its details are evident, but the overall effect is nothing but pure pleasure. Jackson and Jones expanded this approach on the blockbuster Thriller, often with equally stunning results, but they never bettered it. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4.44 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42056007680250,"sku":"190758664118","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/michael-jackson-off-the-wall-picture-disc-audiosoundmusic-1.jpg?v=1719855741"},{"product_id":"amy-winehouse-back-to-black-picture-disc","title":"\u003ctranscy\u003eAmy Winehouse - Back To Black (Picture Disc)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAmy Winehouse – vocals (all tracks), Backing Vocals (A3, B1, B3, B5), Guitar (A3, A4, B3, B5),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto Saxophone – Andy Macintosh (A1, A5-6), Chris Davies (A1, A5-6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto Saxophone, Flute, Clarinet, Piano, Celesta [Celeste] – Vincent Henry (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBaritone Saxophone – Cochemea Gastelum (tracks: B4), Dave Bishop (tracks: A1, A5, A6), Ian Hendrickson-Smith (tracks: A1, A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Amy Winehouse (A3, A4, B3, B5), Binky Griptite (A1, A2, A5, A6, B2, B4), Thomas Brenneck (A1, A2, A5, A6, B2, B4), Vincent Henry A3, B1, B3, B5), Salaam Remi (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Nick Movshon (A1, A2, A5, A6, B2, B4), Salaam Remi (A4, B1, B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello – Anthony Pleeth (A1, A5, A6), Joely Koos (A1, A5, A6), John Heley (A1, A5, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClarinet, Bass Clarinet – Vincent Henry (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble Bass [Upright Bass], Piano – Salaam Remi (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Homer Steinweiss (A1, A2, A5, A6, B2, B4), Salaam Remi (A3, B5), Troy Auxilly-Wilson (tracks: A4, B1, B5), Salaam Remi (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Piano [Rhodes], Organ – John Adams (A4, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinger Snaps [Snaps] – Mark Ronson (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandclaps [Claps] – Mark Ronson (A1), Vaughan Merrick (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarp – Helen Tunstall (A1, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeader [Orchestra] – Perry Montague-Mason (A1, A5, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan – John Adams (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan [Wurlitzer], Handclaps [Claps] – Victor Axelrod (A1, A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Frank Ricotti (A1, A5, A6), Sam Koppelman (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Victor Axelrod (A1, A2, A5, A6, B2, B4), Salaam Remi (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone– Vincent Henry (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTambourine – Mark Ronson (A5), Troy Auxilly-Wilson (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Jamie Talbot (A1, A5, A6), Mike Smith (A1, A6), Neal Sugarman (A1, A2, B4), Vincent Henry (A3, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone [Tenor] – Richard Edwards (A1, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Bruce Purse (A3, A4, B1, B5), Dave Guy (A1, A2, B4), Steve Sidwell (A1, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViola – Bruce White (A1, A5, A6), Jon Thorne (A1, A5, A6), Katie Wilkinson (A1, A5, A6), Rachel Bolt (A1, A5, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin – Boguslaw Kostecki (A1, A5, A6), Chris Tombling (A1, A5, A6), Liz Edwards (A1, A5, A6), Everton Nelson (A1, A5, A6), Jonathan Rees (A1, A5, A6), Mark Berrow (A1, A5, A6), Perry Montague-Mason (A1, A5, A6), Peter Hanson (A1, A5, A6), Tom Pigott-Smith (A1, A5, A6), Warren Zielinski (A1, A5, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Amy Winehouse, Nickolas Ashford \u0026amp; Valerie Simpson (B1), Mark Ronson (A5), Paul O'Duffy  (B2), Richard Poindexter (B4), Robert Poindexter (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBand Arrangements by Gabriel Roth (A1, A2, A5, A6, B2), Mark Ronson (A1, A2, A5, A6, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor [Orchestra] – Chris Elliott (A1, A5, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Die-cut jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Island\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Island\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 2005–2006 at Instrument Zoo, Miami (A3-4, B1, B3, B5), Daptone, New York City (A1-2, A5-6, B2, B4), Allido, New York City (B4), Chung King New York City (A1-2, A5-6, B2), Metropolis London (A1-2, A5-6, B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Derek Pacuk (B4), Dom Morley (B4), Franklin Socorro (A3, A4, B3, B5), Gabriel Roth (B4), Mark Ronson (A1, A5, A6, B2), Matt Paul (B4), Vaughan Merrick (A1, A5, A6, B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Gary \"G Major\" Noble (A3, A4, B3, B5), Tom Elmhirst (A1, A2, A5, A6, B1, B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Stuart Hawkes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Mark Ronson (A1, A2, A5, A6, B2, B4), Salaam Remi (A3, A4, B1, B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRehab\u003c\/li\u003e\n\u003cli\u003eYou Know I'm No Good\u003c\/li\u003e\n\u003cli\u003eMe \u0026amp; Mr Jones\u003c\/li\u003e\n\u003cli\u003eJust Friends\u003c\/li\u003e\n\u003cli\u003eBack To Black\u003c\/li\u003e\n\u003cli\u003eLove Is A Losing Game\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTears Dry On Their Own\u003c\/li\u003e\n\u003cli\u003eWake Up Alone\u003c\/li\u003e\n\u003cli\u003eSome Unholy War\u003c\/li\u003e\n\u003cli\u003eHe Can Only Hold Her\u003c\/li\u003e\n\u003cli\u003eAddicted\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 33\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e2008 Grammy Award Winner:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBest Pop Vocal Album: Back To Black\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBest New Artist: Amy Winehouse\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBest Female Pop Vocal Performance: \"Rehab\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRecord of the Year: \"Rehab\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSong of the Year: \"Rehab\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eProducer of the Year: Mark Ronson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e 1000 Recordings You Must Hear Before You Die - Ranked 958\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e« The story of Back to Black is one in which celebrity and the potential of commercial success threaten to ruin Amy Winehouse, since the same insouciance and playfulness that made her sound so special when she debuted could easily have been whitewashed right out of existence for this breakout record. (That fact may help to explain why fans were so scared by press allegations that Winehouse had deliberately lost weight in order to present a slimmer appearance.) Although Back to Black does see her deserting jazz and wholly embracing contemporary R\u0026amp;B, all the best parts of her musical character emerge intact, and actually, are all the better for the transformation from jazz vocalist to soul siren. With producer Salaam Remi returning from Frank, plus the welcome addition of Mark Ronson (fresh off successes producing for Christina Aguilera and Robbie Williams), Back to Black has a similar sound to Frank but much more flair and spark to it. Winehouse was inspired by girl group soul of the '60s, and fortunately Ronson and Remi are two of the most facile and organic R\u0026amp;B producers active. (They certainly know how to evoke the era too; Remi's \"Tears Dry on Their Own\" is a sparkling homage to the Motown chestnut \"Ain't No Mountain High Enough,\" and Ronson summons a host of Brill Building touchstones on his tracks.) As before, Winehouse writes all of the songs from her experiences, most of which involve the occasionally riotous and often bittersweet vagaries of love. Also in similar fashion to Frank, her eye for details and her way of relating them are delightful. She states her case against \"Rehab\" on the knockout first single with some great lines: \"They tried to make me go to rehab I won't go go go, I'd rather be at home with Ray\" (Charles, that is). As often as not, though, the songs on Back to Black are universal, songs that anyone, even Joss Stone, could take to the top of the charts, such as \"Love Is a Losing Game\" or the title song (\"We only said good bye with words, I died a hundred times\/You go back to her, and I go back to black\"). » AllMusic Review by John Bush\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4.49 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42058045292794,"sku":"3579647","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/amy-winehouse-back-to-black-picture-disc-audiosoundmusic-1.jpg?v=1719855740"},{"product_id":"james-brown-the-godfather-of-soul-live-at-chastain-park-picture-disc","title":"James Brown - The Godfather Of Soul: Live At Chastain Park (Picture Disc)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eJames Brown – vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/james-brown\" title=\"vinyl featuring james brown\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/james-brown\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeaturing\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJames Brown]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaceo Parker – alto saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRon Laster – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Jones – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Lee Moore – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Moore – keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArthur Dickson – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Cook – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Griggs – percussion, congas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSt. Clair Pinckney – tenor saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Collier – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge \"Haji Ahkba\" Dickerson – flugelhorn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMartha High – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Sweet\" Charles Sherrell – keyboards, band director\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Goldenlane Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Charly Groove\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on January 1, 1985 at Chastain Memorial Park Atlanta, Georgia.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1988\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGive It Up Or Turn It A Loose\u003c\/li\u003e\n\u003cli\u003eIt's Too Funky In Here\u003c\/li\u003e\n\u003cli\u003eGet Up Offa That Thing (Release The Pressure)\u003c\/li\u003e\n\u003cli\u003eGet On The Good Foot\u003c\/li\u003e\n\u003cli\u003eI Got The Feeling\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt's A Man's Man's Man's World\u003c\/li\u003e\n\u003cli\u003eCold Sweat\u003c\/li\u003e\n\u003cli\u003ePapa's Got A Brand New Bag\u003c\/li\u003e\n\u003cli\u003eI Got You (I Feel Good)\u003c\/li\u003e\n\u003cli\u003ePlease, Please, Please\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Recorded at an Atlanta concert in 1985, Live at Chastain Park shows that James Brown had lost nothing even at 52 years of age. Starting with the full-force attack of \"Give It Up or Turnit a Loose,\" Brown goes into a ferocious \"Doing It to Death,\" with a sax solo by the legendary Maceo Parker. From there, the show is brutal, pure high-energy funk delivered by a top-notch outfit, seguing from a gritty \"I Can't Stand Myself (When You Touch Me)\" to a subdued, delicate cover of \"Georgia on My Mind.\" There are lovely versions of \"Try Me\" and \"It's a Man's Man's Man's World\" interspersed amidst the funk for diversity's sake, but the real treat is the closing \"Jam,\" which shows off the cohesion of the band to full advantage. The sound quality is first-rate and the song selection picks almost every one of Brown's classics (although maybe \"Sex Machine\" might have been squeezed on here). Live at Chastain Park is a classic document of James Brown's stage act and is definitely worth tracking down. » AllMusic Review by Victor W. Valdivia\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3.88 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42058319790330,"sku":"CLO-2179","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/james-brown-the-godfather-of-soul-live-at-chastain-park-picture-disc-audiosoundmusic-1.jpg?v=1719855741"},{"product_id":"phil-collins-face-value-picture-disc","title":"Phil Collins - Face Value (Picture Disc, Half Speed Mastering)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhil Collins – vocals, drums, Roland VP-330 vocoder (A1, A6, B4), CR-78 drum machine (A1, A6, B6), Prophet-5 synthesizer (A1-2, A5–6, B1, B4-6), Fender Rhodes (A1-2, B3, B5), percussion (A2, B5), piano (A4–6, B1-2, B4), handclaps (A5, B3), congas (A5), marimba (A6) \u003cspan data-mce-fragment=\"1\"\u003e \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/phil-collins\" title=\"vinyl featuring Phil Collins\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/phil-collins\"\u003e[click here to see more vinyl featuring Phil Collins]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEric Clapton – guitar (A4, B5) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-clapton\" title=\"vinyl featuring Eric Clapton\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-clapton\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Eric Clapton]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDaryl Stuermer – guitars (A1-3, A6, B1, B3, B5-6), banjo (A4), 12-string guitar (A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Partridge – slide guitar (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Giblin – bass guitar (A1, B3-4, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlphonso Johnson – bass (A2-3, A6, B1, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShankar – violin (A1, A5, B1, B6), tamboura (A5), \"voice drums\" (A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Robinson – Prophet-5 (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStephen Bishop – background vocals (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArif Mardin – string arrangements (B2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Myrick – tenor saxophone (A3, A6, B1, B3, B6), alto sax solo (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLouis Satterfield – trombone (A3, A6, B1, B3, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRahmlee Michael Davis and Michael Harris – trumpets (A3, A6, B1, B3, B6), flugelhorns (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRonnie Scott – tenor saxophone solo (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOther background vocals on A6 and B6 by several children’s choirs in Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrings on B2 and B5 conducted by Martyn Ford\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolins – Gavyn Wright (leader), Bill Benhem, Bruce Dukov, David Woodcock, Liz Edwards, Irvine Arditti, Ken Sillitoe, Peter Oxen and Richard Studt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViola – Roger Best, Brian Hawkins and Simon Whistler\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello – Tony Pleeth, Clive Anstee and Nigel Warren-Green\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble bass – Chris Lawrence\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Phil Collins (all tracks except B6), John Lennon \u0026amp; Paul McCartney (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Tom Tom 84\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Die-cut gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded August - December 1980 at The Village Recorder, Los Angeles, California\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Hugh Padgham and Phil Collins\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Miles Showell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Nick Davis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Phil Collins\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1981\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn The Air Tonight\u003c\/li\u003e\n\u003cli\u003eThis Must Be Love\u003c\/li\u003e\n\u003cli\u003eBehind The Lines\u003c\/li\u003e\n\u003cli\u003eThe Roof Is Leaking\u003c\/li\u003e\n\u003cli\u003eDroned\u003c\/li\u003e\n\u003cli\u003eHand In Hand\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Missed Again\u003c\/li\u003e\n\u003cli\u003eYou Know What I Mean\u003c\/li\u003e\n\u003cli\u003eThunder And Lightning\u003c\/li\u003e\n\u003cli\u003eI'm Not Moving\u003c\/li\u003e\n\u003cli\u003eIf Leaving Me Is Easy\u003c\/li\u003e\n\u003cli\u003eTomorrow Never Knows\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e« Phil Collins' first solo album, 1981's Face Value, was a long time coming, but it proved worth the wait, both for the Genesis drummer\/vocalist himself and fans of thoughtful, emotionally charged pop. He'd been wrestling with the idea of doing a solo record for years, finding great inspiration in the pain caused by an impending divorce and craving artistic independence after years of collaboration. Many of the songs ended up on Genesis' 1980 album Duke -- and \"Against All Odds\" was pocketed for later use -- but he kept enough to make an album that stands as a classic moment of '80s pop\/rock. Collins produced the album himself and played keyboards and drums, calling in friends and the Earth, Wind \u0026amp; Fire horns to fill out the songs. Kicking off with the bitter anthem \"In the Air Tonight,\" rightly considered one of the great heartbreak songs of all time, the album alternates between moody ballads and bouncily soulful tracks that try to put a smile on the pain. On the quieter songs like \"If Leaving Me Is Easy,\" Collins' wracked vocals leave no doubt that he's not sugarcoating his emotional devastation as he sorts through the wreckage of his life. The poppier tracks, like the snappy \"Behind the Lines\" and the impossibly hooky \"I Missed Again,\" show off his skills as a hitmaker and vocalist. The pulsing \"I'm Not Moving\" marries one of Collins' catchiest melodies and airiest productions with the most forceful lyrics on the record. His everyman style of singing translates to both types of songs; he's just as good at wringing every drop of emotion out of the ballads as he is at sailing through the deceptive breezy tunes. His production is very much of the era; fretless bass pops and lush synth pads are very '80s-sounding, as are the huge gated drums. It's also surprisingly subtle at times, though considering that Collins worked with Brian Eno, maybe it's not so shocking. The new agey \"Droned\" and the swinging \"Hand in Hand\" give the album some instrumental texture and allow a break from all the desperate emotion on display. The gently sung, sweet-as-punch \"This Must Be Love,\" which was written post-divorce about a new love, also gives an early respite after the lurching, bruising \"In the Air Tonight.\" This range of sound and emotion is part of what helps the album succeed as much as it does; so does the feeling that Collins felt driven to make this album to help him heal. It's not a career move or a cash grab; it's a transmission from a wounded soul delivered with a soft touch and sensitivity. As such, it's Collins' most honest, most compelling work. He went on to become a huge star, with loads more hits, but Face Value stands as his masterpiece and one of the finest moments of the '80s musical landscape. » AllMusic Review by Tim Sendra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed mastering.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4.34 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42058555293946,"sku":"603497844883","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/phil-collins-face-value-picture-disc-half-speed-mastering-audiosoundmusic-1.jpg?v=1719855741"},{"product_id":"eric-clapton-money-cigarettes-picture-disc","title":"Eric Clapton - Money \u0026 Cigarettes (Picture Disc)","description":"\u003cp\u003e\u003cstrong\u003eEric Clapton – electric guitar, slide guitar, lead vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-clapton\" title=\"vinyl featuring Eric Clapton\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-clapton\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Eric Clapton]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRy Cooder – electric guitar, slide guitar \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Ry Cooder\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ry-cooder\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ry-cooder\"\u003e[click here to see more vinyl featuring Ry Cooder]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlbert Lee – acoustic guitar, electric guitar, keyboards, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Solley – Hammond organ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDonald Dunn – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoger Hawkins – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChuck Kirkpatrick – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Sambataro – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : \u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003eunspecified\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media (Czech Republic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Reprise Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded late 1982 at Compass Point Studios, Nassau, Bahamas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Tom Dowd and Michael Carnavale\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Mike Fuller at Criteria Studios, Miami\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Tom Dowd and Eric Clapton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEverybody Oughta Make A Change\u003c\/li\u003e\n\u003cli\u003eThe Shape You're In\u003c\/li\u003e\n\u003cli\u003eAin't Going Down\u003c\/li\u003e\n\u003cli\u003eI've Got A Rock N' Roll Heart\u003c\/li\u003e\n\u003cli\u003eMan Overboard\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePretty Girl\u003c\/li\u003e\n\u003cli\u003eMan In Love\u003c\/li\u003e\n\u003cli\u003eCrosscut Saw\u003c\/li\u003e\n\u003cli\u003eSlow Down Linda\u003c\/li\u003e\n\u003cli\u003eCrazy Country Hop\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Money and Cigarettes marked several important turning points in Eric Clapton's recording career. It was his debut release on his own Duck imprint within Warner Bros.' Reprise Records subsidiary. It was also the first album he made after coming to terms with his drinking problem by giving up alcohol. Newly focused and having written a batch of new songs, he became dissatisfied with his longtime band and fired them, with the exception of second guitarist Albert Lee. In their place, he hired session pros like Stax Records veteran bassist Donald \"Duck\" Dunn and Muscle Shoals drummer Roger Hawkins, also bringing in guest guitarist Ry Cooder. His new songs reflected on his changed condition, with \"Ain't Going Down,\" a thinly veiled musical rewrite of the Jimi Hendrix arrangement of \"All Along the Watchtower,\" serving as a statement of purpose that declared, \"I've still got something left to say.\" \"The Shape You're In\" was a criticism of his wife for her alcoholism that concluded, \"I'm just telling you baby 'cause I've been there myself,\" while the lengthy acoustic ballad \"Pretty Girl\" and \"Man in Love\" reaffirmed his feelings for her. The album's single was the relatively slight pop tune \"I've Got a Rock n' Roll Heart,\" but Clapton's many blues fans must have been most pleased with the covers of Sleepy John Estes' \"Everybody Oughta Make a Change\" (significantly placed as the album's leadoff track), Albert King's \"Crosscut Saw,\" and Johnny Otis' \"Crazy Country Hop.\" For all the changes and the high-powered sidemen, though, Money and Cigarettes ended up being just an average effort from Clapton, which his audience seems to have sensed since, despite the Top 20 placement for the single, it became his first album in more than six years to miss the Top Ten and fail to go gold. » AllMusic Review by William Ruhlmann\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3.8 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42058656088314,"sku":"093624899846","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/eric-clapton-money-and-cigarettes-picture-disc-audiosoundmusic-1.jpg?v=1719855740"},{"product_id":"prince-the-revolution-purple-rain-picture-disc","title":"Prince \u0026 The Revolution - Purple Rain (Picture Disc)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePerformed by Prince \u0026amp; The Revolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRags by Louis \u0026amp; Vaughn, Marie France, Prince\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass, Voice – Brown Mark\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Voice – Wendy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards, Voice – Lisa Coleman, Matt Fink\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Bobby Z\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin and viola - Novi Novog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello - David Coleman, Suzie Katayama\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApollonia – co-lead vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJill Jones – additional background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposed and arranged by Prince \u0026amp; The Revolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWords \u0026amp; Music by Prince (A1-3, A5 - B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten-by John L. Nelson (A4), Lisa (A4), Prince (A4), Wendy (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eL\u003c\/strong\u003e\u003cstrong\u003eimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : \u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003eunspecified\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media (Czech Republic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded August 1983 – March 1984 at First Avenue, Minneapolis (B2-4), The Warehouse, St. Louis Park, Minnesota (A1, A4), Sunset Sound (Hollywood (A2-3, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by David Leonard (A1, A4), Susan Rogers (A1, A4), David Leonard (A-3, B1-4), David Rivkin (B2 to B4), Peggy Mac (A2, A3, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1984\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLet's Go Crazy\u003c\/li\u003e\n\u003cli\u003eTake Me With U\u003c\/li\u003e\n\u003cli\u003eThe Beautiful Ones\u003c\/li\u003e\n\u003cli\u003eComputer Blue\u003c\/li\u003e\n\u003cli\u003eDarling Nikki\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen Doves Cry\u003c\/li\u003e\n\u003cli\u003eI Would Die 4 U\u003c\/li\u003e\n\u003cli\u003eBaby I'm A Star\u003c\/li\u003e\n\u003cli\u003ePurple Rain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 8\/500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGrammy Awards 1985 : Best Album of Instrumental Score written for a Motion Picture or Television Special\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eAcademy Awards\/Oscars 1985 : Best Music, Original Song Score\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBrit Awards 1985 : Best Soundtrack\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan\u003e1000 Recordings You Must Hear Before You Die - Ranked 538\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Prince designed Purple Rain as the project that would make him a superstar, and, surprisingly, that is exactly what happened. Simultaneously more focused and ambitious than any of his previous records, Purple Rain finds Prince consolidating his funk and R\u0026amp;B roots while moving boldly into pop, rock, and heavy metal with nine superbly crafted songs. Even its best-known songs don't tread conventional territory: the bass-less \"When Doves Cry\" is an eerie, spare neo-psychedelic masterpiece; \"Let's Go Crazy\" is a furious blend of metallic guitars, Stonesy riffs, and a hard funk backbeat; the anthemic title track is a majestic ballad filled with brilliant guitar flourishes. Although Prince's songwriting is at a peak, the presence of the Revolution pulls the music into sharper focus, giving it a tougher, more aggressive edge. And, with the guidance of Wendy and Lisa, Prince pushed heavily into psychedelia, adding swirling strings to the dreamy \"Take Me With U\" and the hard rock of \"Baby I'm a Star.\" Even with all of his new, but uncompromising, forays into pop, Prince hasn't abandoned funk, and the robotic jam of \"Computer Blue\" and the menacing grind of \"Darling Nikki\" are among his finest songs. Taken together, all of the stylistic experiments add up to a stunning statement of purpose that remains one of the most exciting rock \u0026amp; roll albums ever recorded. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4.48 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42058772807930,"sku":"1-557283","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/prince-and-the-revolution-purple-rain-picture-disc-audiosoundmusic-1.jpg?v=1719855768"},{"product_id":"lady-gaga-the-fame-monster-picture-disc","title":"Lady Gaga - The Fame Monster (Picture Disc)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eLady Gaga – vocals (all tracks); vocal arrangement, background vocals (A 1–3, B3); piano (A4); additional instrumentation, arrangement (B1); all instruments, programming (B3) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Lady Gaga\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/lady-gaga\" style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Lady Gaga]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeyoncé – vocals (B2) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/beyonce\" title=\"vinyl featuring Beyoncé\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Beyoncé]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedOne – all instruments, programming, vocal arrangement, background vocals (A 1–3, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpace Cowboy – background vocals (A3); all instruments, programming (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRon Fair – arrangement, conducting (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbraham Laboriel Jr. – drums (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTal Herzberg – bass (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Goux – all guitars (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFernando Garibay – instrumentation, programming, arrangement (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRodney \"Darkchild\" Jerkins – all music (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Regiment Horns – horn (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEric Jackson – guitars (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTeyonie – background vocals (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStacy Dulan – background vocals (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : \u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003eunspecified\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Universal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Streamline Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 2009 at Darkchild (Los Angeles, California), FC Walvisch (Amsterdam, Netherlands), Metropolis (London, United Kingdom), Record Plant (Los Angeles, California), Studio Groove (Osaka, Japan)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTracks :\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBad Romance\u003c\/li\u003e\n\u003cli\u003eAlejandro\u003c\/li\u003e\n\u003cli\u003eMonster\u003c\/li\u003e\n\u003cli\u003eSpeechless\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDance In the Dark\u003c\/li\u003e\n\u003cli\u003eTelephone (feat. Beyonce)\u003c\/li\u003e\n\u003cli\u003eSo Happy I Could Die\u003c\/li\u003e\n\u003cli\u003eTeeth\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e2011 Grammy Award Winner for:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e'Best Pop Vocal Album'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e'Best Short Form Music Video' (Bad Romance)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e'Best Female Pop Vocal Performance' (Bad Romance)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e2010 Grammy Award Winner for:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e'Best Electronic\/Dance Album'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e'Best Dance Recording:' (Poker Face)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it’s tacked onto a now standardized version of her debut. It’s a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of “Bad Romance” and the updated ABBA revision “Alejandro,” as it is on the rock \u0026amp; roll ballad “Speechless” -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march “Teeth.” Even the stuttering splices on “Telephone,” a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that’s become Gaga’s calling card. And even as she’s becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she is still slightly skewed, willing to go so far over the top she goes beyond camp, yet still channeling it through songs that are written, not just hooks. The Fame Monster builds upon those strengths exhibited on The Fame, offering a credible expansion of the debut and suggesting she’s not just a fleeting pop phenomenon. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.39 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42059384488186,"sku":"UNILP72813","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/lady-gaga-the-fame-monster-picture-disc-audiosoundmusic-1.jpg?v=1719855768"},{"product_id":"ac-dc-cleveland-rocks-picture-disc","title":"\u003ctranscy\u003eAC\/DC - Cleveland Rocks (Picture Disc)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Bon Scott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Cliff Williams\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Phil Rudd\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Guitar – Angus Young\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRhythm Guitar – Malcolm Young\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eEdition limited to 2,000 Copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : \u003cspan style=\"color: #ff2a00;\"\u003eunspecified\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 140g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media (Czech Republic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Parachute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Observation Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded live at Agora Ballroom, Cleveland, Ohio on 22nd August 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1991\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLive Wire\u003c\/li\u003e\n\u003cli\u003eShe's Got Balls\u003c\/li\u003e\n\u003cli\u003eProblem Child\u003c\/li\u003e\n\u003cli\u003eThe Jack\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHigh Voltage\u003c\/li\u003e\n\u003cli\u003eBaby, Please Don't Go\u003c\/li\u003e\n\u003cli\u003eRocker\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.53 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42059503632634,"sku":"PARA048PD","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/acdc-cleveland-rocks-picture-disc-audiosoundmusic-1.jpg?v=1719855767"},{"product_id":"mariah-carey-butterfly-picture-disc","title":"Mariah Carey - Butterfly (Picture Disc)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eMariah Carey – lead vocals, background vocals\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Mariah Carey\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/mariah-carey\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/mariah-carey\"\u003e[click here to see more vinyl featuring Mariah Carey]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWalter Afanasieff – keyboards, additional keyboards, synthesizers,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Hall – synthesizers, keyboards, rhythm programming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Cole – keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSean \"Puffy\" Combs – background vocals, keyboards, synthesizers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCory Rooney – drum programming, keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKamaal Fareed – programming, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames T. Alfano – programming, guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnthony Henderson – guitars, background vocals, keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharles Scruggs – bass, background vocals, keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteven Jordan – programming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCindy Mizelle – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMelonie Daniels – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKelly Price – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShanrae Price – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Mariah Carey (all tracks except B5), Elton John (B4), Prince (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eEdition limited to 2,000 numbered Copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media (Czech Republic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January–July 1997 at The Hit Factory, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Vlado Meller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Mariah Carey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1997\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHoney\u003c\/li\u003e\n\u003cli\u003eButterfly\u003c\/li\u003e\n\u003cli\u003eMy All\u003c\/li\u003e\n\u003cli\u003eThe Roof\u003c\/li\u003e\n\u003cli\u003eFourth Of July\u003c\/li\u003e\n\u003cli\u003eBreakdown (feat. Krayzie Bone \u0026amp; Wish Bone)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBabydoll\u003c\/li\u003e\n\u003cli\u003eClose My Eyes\u003c\/li\u003e\n\u003cli\u003eWhenever You Call\u003c\/li\u003e\n\u003cli\u003eFly Away (Butterfly Reprise)\u003c\/li\u003e\n\u003cli\u003eThe Beautiful Ones (feat. Dru Hill)\u003c\/li\u003e\n\u003cli\u003eOutside\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 853\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Upon its release, Butterfly was interpreted as Mariah Carey's declaration of independence from her ex-husband (and label president) Tommy Mottola, and to a certain extent, that's true. Butterfly is peppered with allusions to her troubled marriage and her newfound freedom, and the music is supposed to be in tune with contemporary urban sounds instead of adult contemporary radio. Nevertheless, it feels like a Mariah Carey album, which means that it's a collection of hit singles surrounded by classy filler. What is surprising about Butterfly is the lack of up-tempo dance-pop. Apart from the Puffy Combs-produced \"Honey,\" Butterfly is devoted to ballads, and while they are all well-crafted, many of them blend together upon initial listening. Subsequent plays reveal that Carey's vocals are sultrier and more controlled than ever, and that helps \"Butterfly,\" \"Break Down,\" \"Babydoll,\" and the Prince cover, \"The Beautiful Ones,\" rank among her best; also, the ballads do have a stronger urban feel than before. Even though Butterfly doesn't have as many strong singles as Daydream, it's one of her best records, illustrating that Carey is continuing to improve and refine her music, which makes her a rarity among her '90s peers. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.63 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42059592433914,"sku":"88985456301","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/mariah-carey-butterfly-picture-disc-audiosoundmusic-1.jpg?v=1719855768"},{"product_id":"electric-light-orchestra-out-of-the-blue-picture-disc","title":"\u003ctranscy\u003eElectric Light Orchestra - Out of the Blue (2LP, Picture Disc)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRARITY - SEALED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eJeff Lynne – lead and backing vocals, lead, rhythm and slide guitars (Gibson EDS-1275, Gibson Les Paul Custom, Gibson Marauder, Ovation 1615\/4, Ovation 1619\/4), Wurlitzer electric piano, Minimoog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBev Bevan – Slingerland drums, Remo Rototoms, Avedis Zildjian cymbals, Slingerland Bev Bevan drumsticks, Remo drumheads, gong, various percussion instruments, backing vocals, fire extinguisher on \"Mr. Blue Sky\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Tandy – Yamaha C7B piano, Wurlitzer electric piano, ARP 2600, Minimoog, Polymoog, ARP Omni, ARP Odyssey, Hohner clavinet, SLM Concert Spectrum, Mellotron M400, sequencers, Gibson SG Custom electric guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKelly Groucutt – co-lead vocals on \"Sweet Is the Night\", backing vocals, Gibson G3 bass guitar, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMik Kaminski – violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHugh McDowell – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMelvyn Gale – cello, jangle piano on \"Wild West Hero\" (uncredited)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral and choral arrangements by Jeff Lynne, Richard Tandy and Louis Clark\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra conducted by Louis Clark\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Jeff Lynne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LPs, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media (Czech Republic)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Jet Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded May–August 1977 at Musicland Studios, Munich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Mack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Jeff Lynne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Stan Ricker (USA) and Kevin Metcalfe (UK)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTurn To Stone\u003c\/li\u003e\n\u003cli\u003eIt's Over\u003c\/li\u003e\n\u003cli\u003eSweet Talkin' Woman\u003c\/li\u003e\n\u003cli\u003eAcross The Border\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight In The City\u003c\/li\u003e\n\u003cli\u003eStarlight\u003c\/li\u003e\n\u003cli\u003eJungle\u003c\/li\u003e\n\u003cli\u003eBelieve Me Now\u003c\/li\u003e\n\u003cli\u003eSteppin' Out\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C: Concerto For a Rainy Day:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStandin' In The Rain\u003c\/li\u003e\n\u003cli\u003eBig Wheels\u003c\/li\u003e\n\u003cli\u003eSummer And Lightning\u003c\/li\u003e\n\u003cli\u003eMr. Blue Sky\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweet Is The Night\u003c\/li\u003e\n\u003cli\u003eThe Whale\u003c\/li\u003e\n\u003cli\u003eBirmingham Blues\u003c\/li\u003e\n\u003cli\u003eWild West Hero\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings You Must Hear Before You Die - Ranked 373\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« The last ELO album to make a major impact on popular music, Out of the Blue was of a piece with its predecessor, A New World Record, as the most lavishly produced album in the group's history, but it's a much more mixed bag as an album, suffering from overkill in several departments. For starters, it was a double LP, a format that has proved daunting to all but a handful of rock artists. The songs were flowing fast and freely from Jeff Lynne at the time, however, and the idea of a double LP was probably tempting as a chance to release an album that was irrefutably substantial. And well more than half is very solid, at least as songs, if not necessarily as recordings. \"Sweet Talkin' Woman\" (which is a worthy successor to the previous album's \"Livin' Thing\") and \"Turn to Stone,\" are among the best songs in the group's output. And much of the rest is very entertaining -- \"Across the Border\" sounds like what would result if the Beatles' \"Paperback Writer\" and the Beach Boys' Heroes and Villains\" had somehow produced an offspring, with some synthesizer digressions and phased drumming typical of mid- to late-'70's progressive rock. Those digressions and the heavy sound of the orchestra, as well as the layer upon layer of vocal overdubs, however, also often seem out of place. \"Night in the City\" would be a solid enough rock number without the extensive orchestral overdubbing or the synthesizer effects being as invasive as they are; \"Jungle,\" which might have been a decent little rocking number, just seems pretentious here with its thickly layered vocals, and \"Believe Me Now\" scarcely benefits from its synthesizer voice. All in all, the group was trying too hard to generate a substantial sounding double LP, complete with a suite, \"Concerto for a Rainy Day.\" The latter is the nadir of the album, an effort at conceptual rock that seemed archaic even in 1977, and which is more a vehicle for Jeff Lynne the producer than Jeff Lynne the musician, with the band practically disappearing under the orchestra and overdubs on songs like \"Summer and Lightning.\" The \"suite\" would be unsalvageable except for the catchy \"Mr. Blue Sky,\" which sounds like a weird musical genetic amalgam of various Paul McCartney songs from \"All Together Now\" through \"Another Day\" -- and even it gets too pretentious in its final minute. Another chunk is filled up with what might best be called art rock mood music (\"The Whale\"), before we finally get to the relief of a basic rocker like \"Birmingham Blues,\" which borrows a melodic orchestral phrase from George Gershwin's An American in Paris, but is still the best piece of straight rock \u0026amp; roll on the album. Even here, the group couldn't leave well enough alone -- rather than ending it on that note, they had to finish the album with \"Wild West Hero,\" a piece of ersatz movie music that adds nothing to what we've heard over the previous 65 minutes. In its defense, Out of the Blue was massively popular and did become the centerpiece of a huge worldwide tour for the group which earned them status as a major live attraction for a time. » Review by Bruce Eder\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3.5 \/ 5 , Discogs : 4.24 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42060017434874,"sku":"88985456161","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/electric-light-orchestra-out-of-the-blue-2lp-picture-disc-audiosoundmusic-5.jpg?v=1719855777"},{"product_id":"yes-going-for-the-one-picture-disc","title":"\u003ctranscy\u003eYes - Going for the One (Picture Disc)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/yes\" title=\"vinyl featuring Yes\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/yes\"\u003e[click here to see more vinyl from Yes]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eVocals – Chris Squire, Jon Anderson, Steve Howe (A1, A3, B1, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChorus – Richard Williams Singers (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar – Steve Howe (A2, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Guitar – Steve Howe (A2-3, B1-B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar [Vachalia] – Steve Howe (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass Guitar – Chris Squire (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteel Guitar – Steve Howe (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Alan White (A1, A3, B1, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarp – Jon Anderson (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan [Church] – Rick Wakeman (A3, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePedal Steel Guitar – Steve Howe (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Alan White (A3, B1), Alan White (A2, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Rick Wakeman (A1, A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Rick Wakeman (A1, A2, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSynthesizer [Polymoog] – Rick Wakeman (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Yes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on October 1976–April 1977 at Mountain Studios, Montreux, Switzerland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by John Timperley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExecutive Producer – Brian Lane\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Yes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoing For The One\u003c\/li\u003e\n\u003cli\u003eTurn Of The Century\u003c\/li\u003e\n\u003cli\u003eParallels\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide 2:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWonderous Stories\u003c\/li\u003e\n\u003cli\u003eAwaken\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Going for the One is perhaps the most overlooked item in the Yes catalog. It marked Rick Wakeman's return to the band after a three-year absence, and also a return to shorter song forms after the experimentalism of Close to the Edge, Tales from Topographic Oceans, and Relayer. In many ways, this disc could be seen as the follow-up to Fragile. Its five tracks still retain mystical, abstract lyrical images, and the music is grand and melodic, the vocal harmonies perfectly balanced by the stinging guitar work of Steve Howe, Wakeman's keyboards, and the solid rhythms of Alan White and Chris Squire. The title track features Howe on steel guitar (he's the only prog rocker who bothers with the instrument). \"Turn of the Century\" and the album's single, \"Wonderous Stories,\" are lovely ballads the way only Yes can do them. \"Parallels\" is the album's big, pompous song, so well done that in later years the band opened concerts with it. Wakeman's stately church organ, recorded at St. Martin's Church, Vevey, Switzerland, sets the tone for this \"Roundabout\"-ish track. The concluding \"Awaken\" is the album's nod to the extended suite. Again, the lyrics are spacy in the extreme, but Jon Anderson and Squire are dead-on vocally, and the addition of Anderson's harp and White's tuned percussion round out this evocative track.” AllMusic Review by Ross Boissoneau\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4.03 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42064771055866,"sku":"R1 19106","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/yes-going-for-the-one-picture-disc-audiosoundmusic-1.jpg?v=1719855786"},{"product_id":"the-red-hot-chili-peppers-californication-2lp-picture-disc","title":"The Red Hot Chili Peppers - Californication (2LP, Picture Disc)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAnthony Kiedis – lead vocals, overdubbed backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Frusciante – electric guitar, acoustic guitar on \"This Velvet Glove\" and \"Road Trippin'\", backing vocals, keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlea – bass guitar, acoustic bass guitar on \"Road Trippin'\", backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChad Smith  –  drums, shaker, cowbell, woodblock, tambourine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreg Kurstin – keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatrick Warren – Chamberlin organ on \"Road Trippin'\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Anthony Kiedis, Chad Smith, Flea, John Frusciante\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LPs, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : \u003cspan style=\"color: #ff2a00;\"\u003eunspecified\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eCzech Republic\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded December 1998 – March 1999 at Cello Studios, Los Angeles, California\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed at the Village Recorder, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered at Sony Music Studios, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Jim Scott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Rick Rubin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1999\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSgt. Pepper's Lonely Hearts Club Band\u003c\/li\u003e\n\u003cli\u003eWith A Little Help From My Friends\u003c\/li\u003e\n\u003cli\u003eLucy In the Sky With Diamonds\u003c\/li\u003e\n\u003cli\u003eGetting Better\u003c\/li\u003e\n\u003cli\u003eFixing A Hole\u003c\/li\u003e\n\u003cli\u003eShe's Leaving Home\u003c\/li\u003e\n\u003cli\u003eBeing For The Benefit Of Mr. Kite!\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWithin You Without You\u003c\/li\u003e\n\u003cli\u003eWhen I'm Sixty Four\u003c\/li\u003e\n\u003cli\u003eLovely Rita\u003c\/li\u003e\n\u003cli\u003eGood Morning Good Morning\u003c\/li\u003e\n\u003cli\u003eSgt. Pepper's Lonely Hearts Club Band (Reprise)\u003c\/li\u003e\n\u003cli\u003eA Day In The Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 401\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Many figured that the Red Hot Chili Peppers' days as undisputed alternative kings were numbered after their lackluster 1995 release One Hot Minute, but like the great phoenix rising from the ashes, this legendary and influential outfit returned back to greatness with 1999's Californication. An obvious reason for their rebirth is the reappearance of guitarist John Frusciante (replacing Dave Navarro), who left the Peppers in 1992 and disappeared into a haze of hard drugs before cleaning up and returning to the fold in 1998. Frusciante was a main reason for such past band classics as 1989's Mother's Milk and 1991's Blood Sugar Sex Magik, and proves once and for all to be the quintessential RHCP guitarist. Anthony Kiedis' vocals have improved dramatically as well, while the rhythm section of bassist Flea and drummer Chad Smith remains one of rock's best. The quartet's trademark punk-funk can be sampled on such tracks as \"Around the World,\" \"I Like Dirt,\" and \"Parallel Universe,\" but the more pop-oriented material proves to be a pleasant surprise -- \"Scar Tissue,\" \"Otherside,\" \"Easily,\" and \"Purple Stain\" all contain strong melodies and instantly memorable choruses. And like their 1992 introspective hit \"Under the Bridge,\" there are even a few mellow moments -- \"Porcelain,\" \"Road Trippin',\" and the title track. With the instrumentalists' interplay at an all-time telepathic high and Kiedis peaking as a vocalist, Californication is a bona fide Chili Peppers classic.” Review by Greg Prato\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4.38 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42065010360570,"sku":"0093624900085","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-red-hot-chili-peppers-californication-2lp-picture-disc-audiosoundmusic-1.png?v=1719855787"},{"product_id":"john-fogerty-centerfield-picture-disc","title":"John Fogerty - Centerfield (Picture Disc)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Fogerty - all instruments with overdubbing \u003ca title=\"vinyl featuring John Fogerty\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-fogerty\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-fogerty\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring John Fogerty]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by John Fogerty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : \u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003eunspecified\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : BMG\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded July–September 1984 at The Plant Studios, Sausalito, CA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Jeffrey \"Nik\" Norman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bobby Hata\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1985\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCenterfield\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRock And Roll Girls\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eIn 2010, John Fogerty became the only musician to be celebrated at the Hall of Fame Ceremony when the song \"Centerfield\" was honored by the National Baseball hall of Fame.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.3 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42065090740474,"sku":"4050538365726","price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/john-fogerty-centerfield-picture-disc-audiosoundmusic-1.jpg?v=1719855786"},{"product_id":"david-bowie-space-oddity-picture-disc","title":"David Bowie - Space oddity (Picture Disc)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Bowie – vocals, acoustic guitar, stylophone (\"Space Oddity\"), chord organ (\"Memory of a Free Festival\"), kalimba \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring David Bowie\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-bowie\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring David Bowie]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTim Renwick – electric guitar, flute, recorder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeith Christmas – acoustic guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMick Wayne – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Wakeman – Mellotron, electric harpsichord\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Visconti – bass guitar, flute, recorder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerbie Flowers – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn \"Honk\" Lodge – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Cambridge – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerry Cox – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Marshall and friends – harmonica, backing vocals (\"Memory of a Free Festival\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Buckmaster – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by David Bowie (all tracks),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by David Bowie (A2 to A4, B1 to B5), Tony Visconti (A2 to A4, B1 to B5), Paul Buckmaster (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes a David Bowie poster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : \u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003eunspecified\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal Media GmbH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Parlophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Philips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 20 June, 16 July – 6 October 1969 at Trident Studio, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Barry Sheffield, Ken Scott, Malcolm Toft\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Tony Visconti\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1969\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSpace Oddity\u003c\/li\u003e\n\u003cli\u003eUnwashed And Somewhat Slightly Dazed\u003c\/li\u003e\n\u003cli\u003eLetter To Hermione\u003c\/li\u003e\n\u003cli\u003eCygnet Committee\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJanine\u003c\/li\u003e\n\u003cli\u003eAn Occasional Dream\u003c\/li\u003e\n\u003cli\u003eWild Eyed Boy From Freecloud\u003c\/li\u003e\n\u003cli\u003eGod Knows I'm Good\u003c\/li\u003e\n\u003cli\u003eMemory Of A Free Festival\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“When David Bowie's second album appeared in late 1969, he was riding high. His first ever hit single, the super-topical \"Space Oddity,\" had scored on the back of the moon landing that summer, and so distinctive an air did it possess that, for a moment, its maker really did seem capable of soaring as high as Major Tom. Sadly, it was not to be. \"Space Oddity\" aside, Bowie possessed very little in the way of commercial songs, and the ensuing album (his second) emerged as a dense, even rambling, excursion through the folky strains that were the last glimmering of British psychedelia. Indeed, the album's most crucial cut, the lengthy \"Cygnet Committee,\" was nothing less than a discourse on the death of hippiness, shot through with such bitterness and bile that it remains one of Bowie's all-time most important numbers -- not to mention his most prescient. The verse that unknowingly name-checks both the Sex Pistols (\"the guns of love\") and the Damned is nothing if not a distillation of everything that brought punk to its knees a full nine years later. The remainder of the album struggles to match the sheer vivacity of \"Cygnet Committee,\" although \"Unwashed and Slightly Dazed\" comes close to packing a disheveled rock punch, all the more so as it bleeds into a half minute or so of Bowie wailing \"Don't Sit Down\" -- an element that, mystifyingly, was hacked from the 1972 reissue of the album. \"Janine\" and \"An Occasional Dream\" are pure '60s balladry, and \"God Knows I'm Good\" takes a well-meant but somewhat clumsy stab at social comment. Two final tracks, however, can be said to pinpoint elements of Bowie's own future. The folk epic \"Wild Eyed Boy from Freecloud\" (substantially reworked from the B-side of the hit) would remain in Bowie's live set until as late as 1973, while a re-recorded version of the mantric \"Memory of a Free Festival\" would become a single the following year, and marked Bowie's first studio collaboration with guitarist Mick Ronson. The album itself however, proved another dead end in a career that was gradually piling up an awful lot of such things.” AllMusic Review by Dave Thompson\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 3 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42065139499258,"sku":"0190295468743","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/david-bowie-space-oddity-picture-disc-audiosoundmusic-1.jpg?v=1719855786"},{"product_id":"michael-jackson-bad-picture-disc","title":"Michael Jackson - Bad (Picture Disc)","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eLead and backing vocals: Michael Jackson \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"Vinyl featuring Michael Jackson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/michael-jackson\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/michael-jackson\"\u003e[click here to see more vinyl featuring Michael Jackson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBackground vocals: Siedah Garrett (B2-3), The Winans (B2), and The Andraé Crouch Choir (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass guitar: Nathan East (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHammond organ: Jimmy Smith (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums: John Robinson (A1–4, B4-5), Miko Brando (A3), Ollie E. Brown (A3, A5), Leon \"Ndugu\" Chancler (B3), Bill Bottrell (B5), Bruce Swedien (A5, B5), Humberto Gatica (A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProgramming: Douglas Getschal (A1–4, B4), Cornelius Mims (A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar: David Williams (A1–3, B1, B4-5), Bill Bottrell (3), Eric Gale (A2), Danny Hull, Steve Stevens (solo, B4), Dann Huff (B2-3), Michael Landau (A5), Paul Jackson Jr. (B1, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet: Gary Grant, Jerry Hey (A1–3, A5, B1, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion: Paulinho da Costa (A1–5, B3), Ollie E. Brown (A2, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards: Stefan Stefanovic, Greg Phillinganes (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone: Kim Hutchcroft (A1–3, A5, B1, B5), Larry Williams (A1–2, A5, B1, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSynclavier (A1–5, B1, B3-5), digital guitar (A1), finger snaps (A2), sound effects (A3): Christopher Curre\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSynthesizer: John Barnes (A1–4, B1, B4-5), Michael Boddicker (A1–5, B4-5), Greg Phillinganes (A1–3, A5, B3, B6, solo – A1), Rhett Lawrence (A5, B1), David Paich (A4, B3), Larry Williams (A4–5, B6), Glen Ballard (B2), Randy Kerber (B2), Randy Waldman (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano: John Barnes (B3), Kevin Maloney (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRhythm arrangement: Michael Jackson (A1–4, B1, B4-B6), Quincy Jones (A1, A3–5, B2-3), Christopher Currell (A1), John Barnes (A4, B1, A4-5), Graham Lyle (A5), Terry Britten (A5), Glen Ballard (B1), Jerry Hey (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHorn arrangement: Jerry Hey (A 1–3, A5, B1, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProgramming: Larry Williams (A2), Eric Persing (A3), Steve Porcaro (A4, B3), Casey Young (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMidi saxophone: Larry Williams (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January 1985 – July 1987 at Westlake (Los Angeles)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded and mixed by Bruce Swedien\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Humberto Gatica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Quincy Jones and Michael Jackson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1987\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBad\u003c\/li\u003e\n\u003cli\u003eThe Way You Make Me Feel\u003c\/li\u003e\n\u003cli\u003eSpeed Demon\u003c\/li\u003e\n\u003cli\u003eLiberian Girl\u003c\/li\u003e\n\u003cli\u003eJust Good Friends\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnother Part Of Me\u003c\/li\u003e\n\u003cli\u003eMan In The Mirror\u003c\/li\u003e\n\u003cli\u003eI Just Can’t Stop Loving You\u003c\/li\u003e\n\u003cli\u003eDirty Diana\u003c\/li\u003e\n\u003cli\u003eSmooth Criminal\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Ranked 194\/500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan\u003e1000 Recordings You Must Hear Before You Die - Ranked 607\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“The downside to a success like Thriller is that it's nearly impossible to follow, but Michael Jackson approached Bad much the same way he approached Thriller -- take the basic formula of the predecessor, expand it slightly, and move it outward. This meant that he moved deeper into hard rock, deeper into schmaltzy adult contemporary, deeper into hard dance -- essentially taking each portion of Thriller to an extreme, while increasing the quotient of immaculate studiocraft. He wound up with a sleeker, slicker Thriller, which isn't a bad thing, but it's not a rousing success, either. For one thing, the material just isn't as good. Look at the singles: only three can stand alongside album tracks from its predecessor (\"Bad,\" \"The Way You Make Me Feel,\" \"I Just Can't Stop Loving You\"), another is simply OK (\"Smooth Criminal\"), with the other two showcasing Jackson at his worst (the saccharine \"Man in the Mirror,\" the misogynistic \"Dirty Diana\"). Then, there are the album tracks themselves, something that virtually didn't exist on Thriller but bog down Bad not just because they're bad, but because they reveal that Jackson's state of the art is not hip. And they constitute a near-fatal dead spot on the record -- songs three through six, from \"Speed Demon\" to \"Another Part of Me,\" a sequence that's utterly faceless, lacking memorable hooks and melodies, even when Stevie Wonder steps in for \"Just Good Friends,\" relying on nothing but studiocraft. Part of the joy of Off the Wall and Thriller was that craft was enhanced with tremendous songs, performances, and fresh, vivacious beats. For this dreadful stretch, everything is mechanical, and while the album rebounds with songs that prove mechanical can be tolerable if delivered with hooks and panache, it still makes Bad feel like an artifact of its time instead a piece of music that transcends it.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.38 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42065185439994,"sku":"19075866431I1","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/michael-jackson-bad-picture-disc-audiosoundmusic-1.jpg?v=1719855807"},{"product_id":"george-michael-freedom-90-picture-disc","title":"\u003ctranscy\u003eGeorge Michael - Freedom 90 (45 tours, Picture Disc)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eGeorge Michael - Lead Vocal \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-michael\" title=\"vinyl featuring George Michael\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-michael\"\u003e[click here to see more vinyl featuring George Michael]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten and arranged by George Michael\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : \u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003eunspecified\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Epic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Chris Porter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by George Michael\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1990\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFreedom! '90 (LP Version)                       6:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFreedom! '90 (Back To Reality Mix)         6:15\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.45 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42065519116538,"sku":"LEGLP45331-45","price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/george-michael-freedom-90-45rpm-picture-disc-audiosoundmusic-1.jpg?v=1719855806"},{"product_id":"taylor-swift-reputation-picture-disc","title":"Taylor Swift - Reputation (2LP, Picture Disc)","description":"\u003cp\u003e\u003cstrong\u003eTaylor Swift – all vocals; backing vocals (A1, A4, C2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMax Martin –keyboards, programming (A1–4, B1, B3-4, C2-3); piano (A4, B1); backing vocals (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShellback – keyboards, programming (A1–4, B1, B2, C2-3); drums (A2, A4, C2); bass (A2, C2); guitars (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAli Payami – keyboards, programming (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJack Antonoff – programming, instruments (B2, B3, C4, D2); backing vocals (B2, C1, D2); piano, bass, guitar, synths (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Görres – keyboards, programming, piano (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Holter –keyboards, programming (C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVictoria Parker – violins (B2, C1, D1); viola (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhillip A. Peterson – cellos (B2, C1, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvan Smith – saxophones (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Reynolds – baby voice intro (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSean Hutchinson – drums (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Taylor Swif\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Big Machine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Big Machine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Conway (Los Angeles), MXM (Los Angeles), Rough Customer (Brooklyn), Seismic Activities (Portland), Tree Sound (Atlanta)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Michael Ilbert (A2–4, B1, B3-4, C2-3), Noah Passovoy (C2), Sam Holland (A2–4, B1, B3, B4, C3), Laura Sisk (B2, C1, C4, D1, D3), Noah Passovoy (C2), Seth Ferkins (A 2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Serban Ghenea\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Randy Merrill\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExecutive Producer – Taylor Swift\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Jack Antonoff (B2, C1, C4, D3), Max Martin (A1-4, B1, B3-4, C2-3), Shellback (A1-4, B1, B3-4, C2-3), Taylor Swift (B2, C1, C4, D1-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e...Ready For It?\u003c\/li\u003e\n\u003cli\u003eEnd Game (feat. Ed Sheeran and Future)\u003c\/li\u003e\n\u003cli\u003eI Did Something Bad\u003c\/li\u003e\n\u003cli\u003eDon't Blame Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDelicate\u003c\/li\u003e\n\u003cli\u003eLook What You Made Me Do\u003c\/li\u003e\n\u003cli\u003eSo It Goes...\u003c\/li\u003e\n\u003cli\u003eGorgeous\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGetaway Car\u003c\/li\u003e\n\u003cli\u003eKing Of My Heart\u003c\/li\u003e\n\u003cli\u003eDancing With Our Hands Tied\u003c\/li\u003e\n\u003cli\u003eDress\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThis Is Why We Can't Have Nice Things\u003c\/li\u003e\n\u003cli\u003eCall It What You Want\u003c\/li\u003e\n\u003cli\u003eNew Year's Day\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e2019 Grammy Award Nominee: Best Pop Vocal Album\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eOne of Rolling Stone's 50 Best Albums of 2017!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"The bad blood is coming from inside the house! After laying low for months, Taylor made a spectacularly bold return with this glittering palace of luxurious grudges and crystalline trap beats. The heel turn of \"Look What You Made Me Do\" is one for the history books, and pop scholars will likely debate for generations whether it was a brilliant P.R. coup or an epically tone-deaf move. Luckily, the singles are only half the story with Reputation, whose ultra-polished surface conceals some of Swift's realest, most lived-in songs ever. On \"Dress,\" she's high on the rush of a new romantic thrill; on \"New Year's Day,\" she's trying to figure out what she has after the party's over. It adds up to a pointed reminder that Her Royal Swiftness can reclaim her place at pop's cutting edge whenever she feels like it.\" - Rolling Stone magazine\u003c\/p\u003e\n\u003cp\u003e“Taylor Swift never hesitated to place a veiled version of herself at the center of her songs, but reputation is her first record specifically about \"Taylor Swift Superstar,\" not the singer\/songwriter who grew up in public. reputation dispenses with the notion that Swift is a babe in the woods, swapping naivete for calculation, leaning hard into the idea that she plots her every move. In that light, it's difficult not to read reputation as Swift's first self-consciously \"adult\" record, one preoccupied with sex, betrayal, and the scars they leave behind. Appropriately, she dresses reputation in dark, moody sounds, dwelling on drum loops and synthesizers. Working with Jack Antonoff, Max Martin, and Shellback -- all veterans of 2014's 1989 -- her official pop makeover -- Swift achieves a steely, nocturnal sound, one that appears to exist on a gray scale: Apart from the delicate closer \"New Year's Day,\" every song on reputation has a cool, gleaming patina that's designed to put an alluring distance between Swift and the listener. That sense of remove can highlight how clumsy Swift can be in regard to carnality -- whenever she writes about sex, she tends to be a bit on the nose -- and occasionally her attempts at villainy veer toward the absurd (\"This Is Why We Can't Have Nice Things\"), an awkwardness that's distracting upon first listen but less so on revisits. Upon repeated plays, these lyrics fade, as does the monochromatic production, and what's left is a coming of age album anchored by some strong Swift songs, most of which are bunched at the end of the record. \"Getaway Car,\" \"Delicate,\" \"Dress,\" and especially \"New Year's Day\" carry Swift's trademark blend of vulnerability, melody, and confidence, but they are deeply felt and complex, signs that all of the heavy-handed persona plays of reputation were a necessary exercise for her to mature as a singer\/songwriter.” Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3.8 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42065558700282,"sku":"BMRCO0600F","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/taylor-swift-reputation-2lp-picture-disc-audiosoundmusic-1.jpg?v=1719855807"},{"product_id":"dexter-gordon-a-day-in-copenhagen","title":"Dexter Gordon - A Day In Copenhagen (MPS)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDexter Gordon - tenor sax \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"Vinyl featuring Dexter Gordon\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/dexter-gordon\" style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Dexter Gordon]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKenny Drew - piano \u003cspan size=\"2\" data-mce-fragment=\"1\"\u003e\u003cspan face=\"Times New Roman\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/kenny-drew\" title=\"vinyl featuring Kenny Drew\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Kenny Drew]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlide Hampton - trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiels-Henning Ørsted Pedersen - bass \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/niels-henning-orsted-pederson\" title=\"vinyl featuring Niels Henning Orsted Pederson\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Niels Henning Orsted Pedersen]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDizzy Reece - trumpet \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/dizzy-reece\" title=\"vinyl featuring Dizzy Reece\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Dizzy Reece]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Taylor - drums \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/art-taylor\" title=\"Vinyl featuring Art Taylor\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" target=\"_blank\"\u003eClick here to see more vinyl featuring Art Taylor\u003c\/a\u003e]\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold cover.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : optimal media GmbH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : MPS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Metronome Studio, Copenhagen on \u003cspan data-mce-fragment=\"1\"\u003eMarch 10th 1969\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Birger Swan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Joachim E. Berendt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1969\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Blues\u003c\/li\u003e\n\u003cli\u003eYou Don't Know What Love Is\u003c\/li\u003e\n\u003cli\u003eA New Thing\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhat's New\u003c\/li\u003e\n\u003cli\u003eThe Shadow Of Your Smile\u003c\/li\u003e\n\u003cli\u003eA Day In Vienna\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"Unlike many other American expatriates living in Europe, tenor saxophonist Dexter Gordon always managed to play and record with the top musicians while overseas. This excellent sextet session (with trombonist Slide Hampton, trumpeter Dizzy Reece, pianist Kenny Drew, bassist Niels Pedersen and drummer Art Taylor) finds him exploring three Slide Hampton compositions and a trio of standard ballads. The other soloists are fine but Gordon easily dominates the set, playing his brand of hard-driving bop.\" AllMusic\u003cspan data-mce-fragment=\"1\"\u003e Review by Scott Yanow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,52 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42137739690234,"sku":"AMPS 215478","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/dexter-gordon-a-day-in-copenhagen-audiosoundmusic-1.jpg?v=1719856494"},{"product_id":"chasing-the-dragon-ii-audiophile-recordings-test-lp","title":"\u003ctranscy\u003eChasing The Dragon II Audiophile Recordings (Vinyle de Test)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Chasing The Dragon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :\u003c\/strong\u003e \u003cstrong\u003eChasing The Dragon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; 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Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cb\u003e\u003cspan class=\"421441414-17032005\"\u003e\u003cspan size=\"2\" color=\"#ff0000\" face=\"Arial\"\u003eStereophile Records to Die For - 2012 : \"The Best Jazz Recording of the Century!\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Here’s the thing: If you who are reading this consider yourself an audiophile but you don’t own some version of Jazz at the Pawnshop, trust me, you’re not really an audiophile. It’s been around now in various formats for some four decades, so you’ve had plenty of chance to hear and obtain it. The recording has developed something of a cult following among those in the know, and for good reason. (…)\u003c\/p\u003e\n\u003cp\u003eSo, what’s the fuss all about? Jazz at the Pawnshop is some pretty good jazz in some pretty astounding sound. The album’s producer and engineer visited one of Sweden’s most-celebrated jazz venues, the Stampen (or The Pawnshop because of a pawnshop that used to be there), and found its acoustics ideal for recording. Then they set up their equipment to record live several of Sweden’s most-celebrated jazz musicians, a quintet that included Arne Dominerus, alto sax and clarinet; Bengt Hallberg, piano; Larss Erstrand, vibes; Georg Riedel, bass; and Egil Johansen, drums. After two evenings of recording, they came out with tapes of some of the best and most realistic-sounding jazz that anyone had ever heard. The subsequent LP and CD releases took off among audiophiles eager to demonstrate just how accurate their stereo equipment was when playing back music that live would have been largely unamplified.\u003c\/p\u003e\n\u003cp\u003e(…) The numbers run high to jazz standards, starting with Philip Braham’s “Limehouse Blues.” The quintet play well together, with Dominerus’s sax tending to dominate the ensemble but with plenty of room for the other members to shine and solo as well. Because it’s live, in the background we hear quite a lot of room noise, the clinking of glasses, shuffling of feet, occasional applause, audience comments, and conversation. One goes into Jazz at the Pawnshop for the music, certainly, but also for the vivid sound, which involves experiencing the ambience of the small club itself.\u003c\/p\u003e\n\u003cp\u003eAnd so it goes throughout the eighteen selections, like the traditional “High Life,” Louis Armstrong’s “Struttin’ with Some Barbeque,” Johnny Hodges’s “Jeep’s Blues,” George Gershwin’s “Lady Be Good,” Charlie Parker’s “Barbados,” Morgan Lewis’s “How High the Moon,” Matt Dennis’s “Everything Happens to Me,” Harold Arlen’s “Over the Rainbow,” Charlie Parker’s “Now’s the Time,” Duke Ellington’s “In a Mellow Mood,” Bill Strayhorn’s “Take the ‘A’ Train,” and Harry Warren’s “Jeepers Creepers,” among others. (…)\u003c\/p\u003e\n\u003cp\u003eProducer Jacob Boethius and recording engineer Gert Palmcrantz made the album on location at the Stampen (Pawnshop) Jazz Club in Stockholm, Sweden in December of 1976. The club’s excellent acoustics and the simplicity of the miking probably led to the results that have been pleasing audiophiles all these years: Neumann U47, KM56, and M49 microphones, two Dolby A361 noise-reductions units, two Nagra IV recorders, a Studer mixing board, and two old Ampex loudspeakers with built-in amplifiers. Remarkable, given that sonically this antique array puts most of today’s state-of-the-art digital equipment to shame.” John J. Puccio, Classical Candor\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,54 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42230452027642,"sku":"PROP 7778-79","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jazz-at-the-pawnshop-2lp-audiosoundmusic-1.jpg?v=1719857120"},{"product_id":"schubert-beethoven-violin-sonatas-johanna-martzy-jean-antonietti","title":"\u003ctranscy\u003eSchubert \u0026 Beethoven – Violin Sonatas - Johanna Martzy \u0026 Jean Antonietti (2LP, Mono, Edition japonaise)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFranz Schubert - Rondo in B Minor, Op. 70, D. 895, \"Rondo brilliant\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLudwig van Beethoven - Violin Sonata No.8 in G Major, Op. 30, No. 3 \u0026amp; Violin Sonata No.5 in F Major, Op. 24, \"Spring\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohanna Martzy, Violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJean Antonietti, Piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP, gatefold jacket, Japanese liner notes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified (Japan)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Weitblick\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Weitblick\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 18th May 1957 at Körner Rundfunk 2nd Hall, Köln\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Keisuke Saito, Takao Suga\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFranz Schubert - Rondo in B Minor, Op. 70, D. 895, \"Rondo brilliant\"\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B : Ludwig van Beethoven - Violin Sonata No.8 in G Major, Op. 30, No. 3\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro Assai\u003c\/li\u003e\n\u003cli\u003eTempo di Minuetto Ma Moldo Moderato E Grazioso\u003c\/li\u003e\n\u003cli\u003eAllegro vivace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C : Ludwig van Beethoven - Violin Sonata No.5 in F Major, Op. 24, \"Spring\"\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003cli\u003eAdagio Molto Espressivo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D : \u003cspan data-mce-fragment=\"1\"\u003eLudwig van Beethoven - Violin Sonata No.5 in F Major, Op. 24, \"Spring\"\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eScherzo, Allegro molto\u003c\/li\u003e\n\u003cli\u003eRondo, Allegro Ma Non Troppo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e  \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42253494288634,"sku":"WEITLP001\/2","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/schubert-and-beethoven-violin-sonatas-johanna-martzy-and-jean-antonietti-2lp-mono-japanese-edition-audiosoundmusic-1.jpg?v=1719857267"},{"product_id":"leonid-kogan-rtf-recordings-in-1959-strauss-shostakovitch-prokofiev-ravel","title":"\u003ctranscy\u003eLeonid Kogan – RTF Recordings in 1959 – Strauss, Shostakovitch, Prokofiev, Ravel (Mono, Edition japonaise)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Strauss - Violin Sonata in E flat major op.18\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDmitri Shostakovich - 24 Preludes Op.34 (Arr. For Violin And Piano By Dmitri Tsiganov)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSergei Prokofiev - 3 Pieces From Romeo And Juliet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaurice Ravel – Tzigane \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/maurice-ravel\" title=\"vinyl with Maurice Ravel's music\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl with Maurice Ravel's music]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeonid Kogan – violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndrei Mytnik - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 500 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified (Japan)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Belle Ame (Japanese Label)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Spectrum Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 26\u003csup\u003eth\u003c\/sup\u003e November 1959 at Studios de la Radiodiffusion Television Francaise in Paris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : Strauss - Violin Sonata\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro Ma Non Troppo         \u003c\/li\u003e\n\u003cli\u003eImprovisation. Andante Cantabile      \u003c\/li\u003e\n\u003cli\u003eFinale. Andante, Allegro         \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShostakovich - 24 Preludes - No.10 In C Sharp Minor. Moderato Non Troppo          \u003c\/li\u003e\n\u003cli\u003eShostakovich - 24 Preludes - No. 15 In D Flat Major. Allegretto         \u003c\/li\u003e\n\u003cli\u003eShostakovich - 24 Preludes - No. 16 In B Flat Minor. Andantino        \u003c\/li\u003e\n\u003cli\u003eShostakovich - 24 Preludes - No. 24 In D Minor. Allegretto   \u003c\/li\u003e\n\u003cli\u003eProkofiev - 3 Pieces From Romeo And Juliet - The Montagues And The Capulets\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eProkofiev - 3 Pieces From Romeo And Juliet - \u003c\/span\u003eDances Of The Girls From The Antilles\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eProkofiev - 3 Pieces From Romeo And Juliet - \u003c\/span\u003eMasks \u003c\/li\u003e\n\u003cli\u003eRavel - Tzigane\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42253719109882,"sku":"LPSMBA029","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/leonid-kogan-rtf-recordings-in-1959-strauss-shostakovitch-prokofiev-ravel-mono-japanese-edition-audiosoundmusic-1.jpg?v=1719857267"},{"product_id":"tsuyoshi-yamamoto-trio-misty-for-direct-cutting-45rpm-japanese-edition","title":"\u003ctranscy\u003eTsuyoshi Yamamoto Trio – Misty For Direct Cutting (Edition japonaise, Direct to DSD, 45 tours)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Tsuyoshi Yamamoto\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/fr\/collections\/tsuyoshi-yamamoto\" title=\"vinyl featuring tsuyoshi yamamoto\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/fr\/collections\/tsuyoshi-yamamoto\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see other vinyl featuring Tsuyoshi Yamamoto]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Hiroshi Kagawa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Toshio Osumi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : NO (Direct to DSD 11.2MHz master cutting)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified (Japan)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Something’ Cool\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Something’ Cool\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in February 2021 at King Sekiguchidai Studio in Tokyo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMisty (Erroll Garner)\u003c\/li\u003e\n\u003cli\u003eMidnight Sugar (Tsuyoshi Yamamoto)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe In Crowd (Billy Page)\u003c\/li\u003e\n\u003cli\u003eGirl Talk (Neal Hefti)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Stream Digital (DSD) is a trademark used by Sony and Philips for their system for digitally encoding audio signals for the Super Audio CD (SACD)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5 \/ 5\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42402358919418,"sku":"SCLP-1056","price":155.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tsuyoshi-yamamoto-trio-misty-for-direct-cutting-japanese-edition-direct-to-dsd-45rpm-audiosoundmusic-1.jpg?v=1719858203"},{"product_id":"lola-bobesco-prokofiev-brahms-violin-sonatas-mono-japanese-edition","title":"\u003ctranscy\u003eLola Bobesco - Prokofiev \u0026 Brahms Violin Sonatas (Mono, Edition japonaise)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003eRarity - Sealed \u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSergei Prokofiev - Violin Sonata No.2 In D Major Op.94a\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohannes Brahms - Violin Sonata No.3 in D minor op.108\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLola Bobesco – violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJacques Genty - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio (live radio broadcasting)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified (Japan)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Belle Ame (Japanese Label)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Spectrum Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January 23, 1960 (side A) and June 20, 1957 (side B) at Studios de la Radiodiffusion Television Francaise in Paris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - 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(Mono, Edition japonaise)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eRARITY - Sealed\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCamille Saint-Saens - Cello Sonata No. 1 in C minor Op. 32\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaria Theresia von Paradis - Sicilienne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnatoly Lyadov - Russian dance for cello and piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnrique Granados - Spanish Dance No. 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGaspar Cassado - Requiebros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGabriel Fauré - Elegie Op. 24\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello – Bernard Michelin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – André Collard (B1-4), Germaine Devèze (B5), Tasso Janopoulo (A1-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES (Digital Transfer)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio (live radio broadcasting)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Toyokasei Co. ltd in Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Belle Ame (Japanese Label)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Spectrum Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 17 November 1962 (A1-3), 2 January 1959 (B1-4), 5 July 1961 (B5) at Radiodiffusion-Télévision Francaise studio, Paris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - Saint-Saens - Cello Sonata No. 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e\n\u003cli\u003eAndante Tranquillo Sostenuto\u003c\/li\u003e\n\u003cli\u003eAllegro moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eParadis - Sicilienne\u003c\/li\u003e\n\u003cli\u003eLyadov - Russian dance for cello and piano\u003c\/li\u003e\n\u003cli\u003eGranados - Spanish Dance No. 2\u003c\/li\u003e\n\u003cli\u003eCassado - Requiebros\u003c\/li\u003e\n\u003cli\u003eFaure - Elegie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42473827205370,"sku":"LPSMBA024","price":169.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bernard-michelin-unissued-recordings-vol-1-saint-saens-faure-paradis-mono-japanese-edition-audiosoundmusic-1.jpg?v=1719858311"},{"product_id":"henri-lewkowicz-rtf-recordings-bartok-saint-saens-nin-paganini-mono-japanese-edition","title":"\u003ctc\u003e\u003ctranscy\u003eHenri Lewkowicz – RTF Recordings - Bartok, Saint-Saëns, Nin, Paganini (Mono, Edition japonaise, Numéro 405)\u003c\/transcy\u003e\u003c\/tc\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003eRARITY - Sealed\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBéla Bartók - Violin Sonata No. 2, Sz 76\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaint-Saëns - Introduction And Rondo Capriccioso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoaquin Nin - Suite Espagnole\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNiccolo Paganini - La Campanella \u0026amp; 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(B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 500 numbered copies - Number 405\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio (live radio broadcasting)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Toyokasei Co. ltd in Japan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Belle Ame (Japanese Label)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Spectrum Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 6 December 1961 (Side A), 22 December 1956 (Side B1) at Radiodiffusion-Télévision Francaise studio, Paris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - Bartók - Violin Sonata No. 2\u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSaint-Saëns – Introduction\u003c\/li\u003e\n\u003cli\u003eSaint-Saëns – Rondo Capriccioso\u003c\/li\u003e\n\u003cli\u003eJoaquin Nin - Suite Espagnole\u003c\/li\u003e\n\u003cli\u003eNiccolo Paganini - La Campanella\u003c\/li\u003e\n\u003cli\u003eNiccolo Paganini - Mouvement Perpetuel\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42473885663482,"sku":"LPSMBA019","price":130.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/henri-lewkowicz-rtf-recordings-bartok-saint-saens-nin-paganini-mono-japanese-edition-audiosoundmusic-1.jpg?v=1719858310"},{"product_id":"van-halen-the-japanese-singles-1978-1984-13-x-7-vinyl-45rpm-box-set","title":"\u003ctranscy\u003eVan Halen - The Japanese Singles 1978-1984 (13 x 7'' vinyles, 45 tours, Coffret, Edition japonaise)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/van-halen\" title=\"AUDIOPHILE vinyl featuring Van Halen\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Van Halen]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEddie Van Halen – guitar, keyboards, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlex Van Halen – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Anthony – bass guitar, backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Lee Roth – lead vocals, acoustic guitar \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/david-lee-roth\" title=\"Audiophile vinyl featuring David Lee Roth\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring David Lee Roth]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e13 LPs, cigarette pack style box set, including a 7'' adapter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 7'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal Media GmbH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Warner Bros Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Donn Landee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ted Templeman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1984\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTo be reissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A: You Really Got Me\u003c\/p\u003e\n\u003cp\u003eSide B: Atomic Punk\u003c\/p\u003e\n\u003cp\u003eSide C: Ain't Talkin' 'Bout Love\u003c\/p\u003e\n\u003cp\u003eSide D: Runnin' With The Devil\u003c\/p\u003e\n\u003cp\u003eSide E: On Fire\u003c\/p\u003e\n\u003cp\u003eSide F: Jamie's Cryin'\u003c\/p\u003e\n\u003cp\u003eSide G: Dance The Night Away\u003c\/p\u003e\n\u003cp\u003eSide I: Spanish Fly\u003c\/p\u003e\n\u003cp\u003eSide J: Somebody Get Me A Doctor\u003c\/p\u003e\n\u003cp\u003eSide K: Women In Love\u003c\/p\u003e\n\u003cp\u003eSide L: And The Cradle Will Rock...\u003c\/p\u003e\n\u003cp\u003eSide M: Could This Be Magic?\u003c\/p\u003e\n\u003cp\u003eSide N: Unchained\u003c\/p\u003e\n\u003cp\u003eSide O: So This Is Love?\u003c\/p\u003e\n\u003cp\u003eSide P: (Oh) Pretty Woman\u003c\/p\u003e\n\u003cp\u003eSide Q: Happy Trails\u003c\/p\u003e\n\u003cp\u003eSide R: Dancing In The Street\u003c\/p\u003e\n\u003cp\u003eSide S: The Full Bug\u003c\/p\u003e\n\u003cp\u003eSide T: Jump\u003c\/p\u003e\n\u003cp\u003eSide U: House Of Pain\u003c\/p\u003e\n\u003cp\u003eSide V: I'll Wait\u003c\/p\u003e\n\u003cp\u003eSide W: Girl Gone Bad\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVan Halen released 13 singles in Japan between 1978 and 1984 that are collected in this new 7\" vinyl set. Each replica single features the original sleeve artwork and comes housed in a cigarette-style box.\u003c\/p\u003e\n\u003cp\u003eTHE JAPANESE SINGLES 1978-1984 encompasses the first six albums released by Van Halen, which featured guitarist Eddie Van Halen, drummer Alex Van Halen, singer David Lee Roth, and bassist Michael Anthony. Those albums include the band's self-titled debut and 1984, which were both certified Diamond for U.S. sales in excess of 10 million. This rare feat places them on an elite short list of double RIAA-certified Diamond Award honorees.\u003c\/p\u003e\n\u003cp\u003eThe original album version of each song is featured in this set except for: \"Hot For Teacher\", which has a unique single edit that was issued exclusively in Japan; along with the single edit versions of \"(Oh) Pretty Woman\" and \"I'll Wait\".\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,3 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42510043709690,"sku":"WPKR-10001\/13","price":199.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/van-halen-the-japanese-singles-1978-1984-13-x-7-vinyl-45rpm-box-set-japanese-edition-audiosoundmusic-1.jpg?v=1719858447"},{"product_id":"benny-carter-jazz-giant","title":"\u003ctranscy\u003eBenny Carter - Jazz Giant\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBenny Carter - Alto Saxophone (A1, A3 to B4), Trumpet (A2, B3)\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/Benny-Carter\" title=\"vinyl featuring Benny Carter\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Benny Carter]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster (A1 to B3) \u003cspan size=\"2\"\u003e\u003cspan face=\"Times New Roman\"\u003e \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Leroy Vinnegar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Shelly Manne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Barney Kessel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – André Previn (A1, B1 to B3), Jimmy Rowles (A2, A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone – Frank Rosolino (A1 to B1, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold old-style tip-on jackets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Craft Recordings Acoustic Sounds Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Contemporary Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded June 11, July 22 and October 7, 1957 and April 21, 1958 at Contemporary's Studio, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Roy DuNann\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Lester Koenig\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in December 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOld Fashioned Love\u003c\/li\u003e\n\u003cli\u003eI'm Coming Virginia\u003c\/li\u003e\n\u003cli\u003eA Walkin' Thing\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlue Lou\u003c\/li\u003e\n\u003cli\u003eAin't She Sweet\u003c\/li\u003e\n\u003cli\u003eHow Can You Lose\u003c\/li\u003e\n\u003cli\u003eBlues My Naughty Sweetie Gives To Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“Benny Carter had already been a major jazz musician for nearly 30 years when he recorded this particularly strong septet session for Contemporary. With notable contributions from tenor saxophonist Ben Webster, trombonist Frank Rosolino and guitarist Barney Kessel, Carter (who plays a bit of trumpet on \"How Can You Lose\") is in superb form on a set of five standards and two of his originals. This timeless music is beyond the simple categories of \"swing\" or \"bop\" and should just be called \"classic.\"” AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4,46 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42590348214522,"sku":"ACONC 384","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/benny-carter-jazz-giant-audiosoundmusic-1.jpg?v=1719858573"},{"product_id":"jennifer-warnes-famous-blue-raincoat-3lp-45rpm-box-set","title":"\u003ctranscy\u003eJennifer Warnes - Famous Blue Raincoat (3LP, 45 tours, Coffret)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eJennifer Warnes – vocals, harmony vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jennifer-warnes\" title=\"vinyl featuring Jennifer Warnes\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Jennifer Warnes]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeonard Cohen – vocals (on \"Joan of Arc\"), sketches\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoscoe Beck – bass, fretless bass, synthesizer, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Brown – tambourine, shakers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWilliam D. \"Smitty\" Smith – synthesizer, Hammond organ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJorge Calderón – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenny Castro – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGary Chang – synthesizer, programming, synthesizer arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinnie Colaiuta – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Corbett – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRussell Ferrante – piano, synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Feves – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobben Ford – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVan Dyke Parks – synthesizer, accordion, arranger\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Landau – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Lindley – lap steel guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFred Tackett – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStevie Ray Vaughan – guitar \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Stevie Ray Vaughan\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/stevie-ray-vaughan-1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/stevie-ray-vaughan-1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Stevie Ray Vaughan]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Forman – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Ginn – synthesizer, piano, percussion, arranger, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKal David – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge Ball – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerry Evans – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWillie Green, Jr. – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWilliam \"Bill\" Greene – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby King – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArnold McCuller – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoseph Powell – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Lasley – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTim Stone – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreg Prestopino – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharon Robinson – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReverend Dave Boruff – saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Ostermayer – tenor saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovi Novog – viola\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuzie Katayama – cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSid Page – violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBarbara Porter – violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusic by Bill Elliott (C2), John Lissauer (D1), Leonard Cohen (all except C2 \u0026amp; D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e3 LP, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 6,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Cisco Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Ariola\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded i\u003c\/strong\u003e\u003cstrong\u003en 1986 at The Complex, Amigo Studios, Hollywood Sound, The Enterprise, Mama Jo's, Salty Dog Recording, The Record Plant\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Bill Youdelman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Jennifer Warnes, C. Roscoe Beck\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2007\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFirst We Take Manhattan\u003c\/li\u003e\n\u003cli\u003eBird On A Wire\u003c\/li\u003e\n\u003cli\u003eFamous Blue Raincoat\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJoan Of Arc\u003c\/li\u003e\n\u003cli\u003eAin't No Cure For Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eComing Back To You\u003c\/li\u003e\n\u003cli\u003eSong Of Bernadette\u003c\/li\u003e\n\u003cli\u003eA Singer Must Die\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCame So Far For Beauty\u003c\/li\u003e\n\u003cli\u003eNight comes on\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e Side E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBallad of the running horse\u003c\/li\u003e\n\u003cli\u003eIf it will be your will\u003c\/li\u003e\n\u003cli\u003eA singer must die\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJoan of Arc (live version)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Jennifer Warnes was familiar with Leonard Cohen from a tour of duty as one of his backup singers in the early '70s, but this collection of Cohen's songs must have shocked her AM radio fans who knew her from her '70s country-pop hits and her movie themes, if they were even able to connect the woman who sang \"It's the right time of the night for makin' love\" with the one who declared \"First we take Manhattan, then we take Berlin\" over stinging guitar work by Stevie Ray Vaughan on the opening track here. As that pairing suggests, Warnes wisely took a tougher, more contemporary approach to the arrangements than such past Cohen interpreters as Judy Collins used to. Where other singers tended to geld Cohen's often disturbingly revealing poetry, Warnes, working with the composer himself and introducing a couple of great new songs (\"First We Take Manhattan\" and \"Song of Bernadette,\" which she co-wrote), matched his own versions. The high point may have been the Warnes-Cohen duet on \"Joan of Arc,\" but the album was consistently impressive. And it went a long way toward reestablishing Cohen, whose reputation was in a minor eclipse in the mid-'80s. A year later, with the way paved for him, he released his brilliant comeback album I'm Your Man. For Warnes, the album meant her first taste of real critical success: suddenly a singer who had seemed like a second-rate Linda Ronstadt now appeared to be a first-class interpretive artist.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by William Ruhlmann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,35 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42613500117242,"sku":"CLP7060-45","price":320.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jennifer-warnes-famous-blue-raincoat-3lp-45rpm-box-set-audiosoundmusic-1.png?v=1719858608"},{"product_id":"bryan-adams-waking-up-the-neighbours","title":"\u003ctranscy\u003eBryan Adams – Waking Up The Neighbours (2LP)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBryan Adams – vocals, rhythm guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobbie King – Hammond organ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTommy Mandel – organ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhil Nicholas – keyboards, programming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Payne – acoustic piano, Hammond organ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEd Shearmur – keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeith Scott – lead guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Klein – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Taylor – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMickey Curry – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Tuck Back Twins (Bryan Adams and Mutt Lange) – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e20th Anniversary l\u003c\/strong\u003e\u003cstrong\u003eimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g \u003cspan data-mce-fragment=\"1\"\u003eVirgin Vinyl\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eunspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003c\/strong\u003e\u003cstrong\u003eAudio Fidelity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : A\u0026amp;M\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded March 1990 – June 1991 at Battery Studios, England and the Warehouse Studios, Canada\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Nigel Green\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Ron Obvious (technical engineer)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Bob Clearmountain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Brian Adams and \u003c\/strong\u003e\u003cstrong\u003eRobert John \"Mutt\" Lange\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in September 1991\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in January 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIs Your Mama Gonna Miss Ya?\u003c\/li\u003e\n\u003cli\u003eHey Honey - I'm Packin' You In!\u003c\/li\u003e\n\u003cli\u003eCan't Stop This Thing We Started\u003c\/li\u003e\n\u003cli\u003eThought I'd Died And Gone To Heaven\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNot Guilty\u003c\/li\u003e\n\u003cli\u003eVanishing\u003c\/li\u003e\n\u003cli\u003eHouse Arrest\u003c\/li\u003e\n\u003cli\u003eDo I Have To Say The Words?\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThere Will Never Be Another Tonight\u003c\/li\u003e\n\u003cli\u003eAll I Want Is You\u003c\/li\u003e\n\u003cli\u003eDepend On Me\u003c\/li\u003e\n\u003cli\u003e(Everything I Do) I Do It For You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIf You Wanna Leave Me (Can I Come Too)\u003c\/li\u003e\n\u003cli\u003eTouch The Hand\u003c\/li\u003e\n\u003cli\u003eDon't Drop That Bomb On Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e“Waking up the Neighbours' will, with no sweat, reestablish Bryan Adams as the radio's hoarse purveyor of energy and fun. A scrupulously careful yet adamantly alive piece of work, this collaboration between the Canadian singer-guitarist and the Midas-touch songwriter-producer Robert John \"Mutt\" Lange alternates half-tamed sonic raunch like \"Is Your Mama Gonna Miss Ya?\" and \"Hey Honey – I'm Packin' You In!\" with eloquent mall ballads such as \"(Everything I Do) I Do It for You,\" Adams's current planet-wide phenomenon, and the even moodier \"Do I Have to Say the Words?\" For further balance there is fairly soulful midtempo rock (\"Depend on Me\") and an oddly toned state-of-the-world finale called \"Don't Drop That Bomb on Me.\"\u003c\/p\u003e\n\u003cp\u003eLike most capable pop craftsmen hellbent on seizing the airwaves, Adams and Lange walk a fine line between familiarity and derivativeness, between the blazingly immediate and the outright stale. So some tunes on Waking Up the Neighbours have turned out too broad for anyone's taste. \"House Arrest\" doesn't convey much of the atmosphere of \"justa havin' a ball,\" and the hectoring sing-along \"There Will Never Be Another Tonight\" collapses into silliness in no time flat. More often, however, all Adams and Lange's high-impact verses and choruses and bridges and subbridges work like charms. The arrangements are only faintly dressed up with well-chosen bits of keyboard and percussion, and Bob Clearmountain's mix emphasizes Adams's vocals and Keith Scott's memorable guitar hooks – not, as per current market fashion, the rhythm section.\u003c\/p\u003e\n\u003cp\u003eBryan Adams became a superstar on the basis of Reckless, from 1984, an album released just as Bruce Springsteen's Born in the U.S.A. was beginning to exert its enormous influence over how guitar-defined popsters should think, sound and wear their denim. Three years later, with his dull Into the Fire, Adams let his always believable passion for melody and crunch lead him into attempts at the sort of topical, introspective songwriting that Springsteen and John Cougar Mellencamp sometimes can pull off. But between 1987 and right now, the Traveling Wilburys restored humor and the Black Crowes embraced vulgarity. However you may feel about this turn of events in the evolution of nonmetal, bestselling guitar pop, one thing seems certain: It's coaxed Bryan Adams back toward his natural calling”. Rolling Stone Magazine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,5 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42638827585786,"sku":"AFZLP2 130","price":125.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bryan-adams-waking-up-the-neighbours-2lp-audiosoundmusic-1.jpg?v=1719858715"},{"product_id":"don-randi-and-quest-new-baby-d2d","title":"\u003ctranscy\u003eDon Randi And Quest – New Baby (Coffret, D2D)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Don Randi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar, Bass Guitar – Frank Fabio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Miles Robinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlugelhorn – Ralf Rickert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlute, Saxophone\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e – Chuck Camper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Bobby Torres\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Ralf Rickert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect-to-Disc Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eunspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sheffield Lab\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded October 18, 1979 - October 22, 1979 in Sheffield Lab Studios at MGM, Cluver City, California\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Doug Sax\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in \u003c\/strong\u003e\u003cstrong\u003e1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEasy\u003c\/li\u003e\n\u003cli\u003eNew Baby\u003c\/li\u003e\n\u003cli\u003eIf You Need It\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNorwegian Wood\u003c\/li\u003e\n\u003cli\u003eLittle Children\u003c\/li\u003e\n\u003cli\u003eFunkin' Around \u003c\/li\u003e\n\u003cli\u003eSalsalido\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect-to-disc (D2D)\u003c\/strong\u003e\u003cspan\u003e recording refers to sound recording methods that record audio directly onto analog disc masters bypassing steps as master tapes, overdubs, and mix downs from multi-tracked masters. This approach avoids problems of analog recording tape such as tape hiss (high frequency noise).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,08 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42639392538874,"sku":"LAB 12","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/don-randi-and-quest-new-baby-box-d2d-audiosoundmusic-1.jpg?v=1719858723"},{"product_id":"fleetwood-mac-rumours-2lp-45rpm","title":"\u003ctranscy\u003eFleetwood Mac - Rumours (2LP, 45 tours)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFleetwood Mac \u003c\/strong\u003e\u003ca title=\"audiophile vinyl and CD featuring Fleetwood Mac\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/fleetwood-mac-1\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003e[click here to see more vinyl\/CD featuring Feetwood Mac]\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMick Fleetwood – drums (A1-2, B1-2, C1-D2), shakers (A1), marching snare drum (A1), maracas (B2), cymbals (B2), tambourine (C1, C3), wind chimes (C2), castanets (C2, D1), gong (D1), cowbell (D2), processed electric harpsichord (D2), sound effects (D2) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/fleetwood-mac\" title=\"vinyl featuring Mick Fleetwood\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Mick Fleetwood]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLindsey Buckingham – lead vocals (A1, A3-B2, C3), backing vocals (A2, B3, C2, D1-2), electric guitars (A1-2, B1-2, C1, D1), acoustic guitars (A 1-3, D1), 12-string acoustic guitar (B2), 12 string guitar (C3), guitars (C2, D2), chair percussion (A1), tom toms (A1, C2), dobro (C1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStevie Nicks – lead vocals (A2, C1, D2), backing vocals (A1-2, B1-2, C2), harmony vocals (C1), tambourine (B1, C2), hand claps (C3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChristine McVie – lead vocals (B1, B3, C2, D1), backing vocals (A1-2, B1, D2), harmony vocals (C1), organ (A1-2), vibraphone (A2), Fender Rhodes (A2, D2), piano (B1, B3, D1), tack piano (B1), Vox Continental (B1), Hammond organ (B2, C1), harmonium (C1), electric piano (C2), clavinet (C2), Hammond B3 (C2, D1), Wurlitzer (C3), Moog (D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn McVie – bass guitar (A1-2, B1-2, C2-D2), fretless bass guitar (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Lindsey Buckingham (A1, A3, B2, C1), Stevie Nicks (A2, C1, C3, D2), Christine McVie (B1, B3, C1, C2, D1), Mick Fleetwood (C1), John McVie (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Deluxe Edition Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Furnace\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Reprise Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded February–August 1976 at Criteria (Miami), Record Plant (Sausalito and Los Angeles), Zellerbach Auditorium (Berkeley), Wally Heider's Studio 3 (Hollywood), Davlen Studio (North Hollywood)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Ken Caillat, Richard Dashut\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Fleetwood Mac, Ken Caillat, Richard Dashut\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray and Steve Hoffman at AcousTech Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in February 1977\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in November 2020\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSecond Hand News\u003c\/li\u003e\n\u003cli\u003eDreams\u003c\/li\u003e\n\u003cli\u003eNever Going Back Again\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Stop\u003c\/li\u003e\n\u003cli\u003eGo Your Own Way\u003c\/li\u003e\n\u003cli\u003eSongbird\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003eThe Chain\u003c\/li\u003e\n\u003cli\u003eYou Make Loving Fun\u003c\/li\u003e\n\u003cli\u003eI Don't Want To Know\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOh Daddy\u003c\/li\u003e\n\u003cli\u003eGold Dust Woman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 7\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eAlbum of the Year at the 1977 Grammy Awards ; inducted in 2003 into the Grammy Hall of Fame\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e40 million copies sold worldwide, making it one of the best-selling albums of all time\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"The band's two romantic couples - bassist John and singer-keyboard player Christine McVie, who were married; guitarist Lindsey Buckingham and vocalist Stevie Nicks, who were not - broke up during the protracted sessions for Rumours. This lent a highly charged, confessional aura to such songs as Buckingham's \"Go Your Own Way,\" Nicks' \"Dreams,\" Christine's \"Don't Stop\" and the group-composed anthem to betrayal, \"The Chain.\" The Mac's catchy exposes, produced with California-sunshine polish, touched a nerve; Rumours, a landmark Seventies pop album, ruled Billboard's album chart for thirty-one weeks.\" Rolling Stone\u003c\/p\u003e\n\u003cp\u003e“Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend -- it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era. Prior to this LP, Fleetwood Mac were moderately successful, but here they turned into a full-fledged phenomenon, with Rumours becoming the biggest-selling pop album to date. While its chart success was historic, much of the legend surrounding the record is born from the group's internal turmoil. Unlike most bands, Fleetwood Mac in the mid-'70s were professionally and romantically intertwined, with no less than two couples in the band, but as their professional career took off, the personal side unraveled. Bassist John McVie and his keyboardist\/singer wife Christine McVie filed for divorce as guitarist\/vocalist Lindsey Buckingham and vocalist Stevie Nicks split, with Stevie running to drummer Mick Fleetwood, unbeknown to the rest of the band. These personal tensions fueled nearly every song on Rumours, which makes listening to the album a nearly voyeuristic experience. You're eavesdropping on the bandmates singing painful truths about each other, spreading nasty lies and rumors and wallowing in their grief, all in the presence of the person who caused the heartache. Everybody loves gawking at a good public breakup, but if that was all that it took to sell a record, Richard and Linda Thompson's Shoot Out the Lights would be multi-platinum. No, what made Rumours an unparalleled blockbuster is the quality of the music. Once again masterminded by producer\/songwriter\/guitarist Buckingham, Rumours is an exceptionally musical piece of work -- he toughens Christine McVie and softens Nicks, adding weird turns to accessibly melodic works, which gives the universal themes of the songs haunting resonance. It also cloaks the raw emotion of the lyrics in deceptively palatable arrangements that made a tune as wrecked and tortured as \"Go Your Own Way\" an anthemic hit. But that's what makes Rumours such an enduring achievement -- it turns private pain into something universal. Some of these songs may be too familiar, whether through their repeated exposure on FM radio or their use in presidential campaigns, but in the context of the album, each tune, each phrase regains its raw, immediate emotional power -- which is why Rumours touched a nerve upon its 1977 release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 5 \/ 5 , \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,91\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 \u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42656104284410,"sku":"517787-1","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/fleetwood-mac-rumours-2lp-45rpm-audiosoundmusic-1.jpg?v=1719858779"},{"product_id":"louis-armstrong-louis-under-the-stars-200g","title":"\u003ctranscy\u003eLouis Armstrong – Louis under The Stars (200g)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRarity - Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLouis Armstrong – trumpet, vocals \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/louis-armstrong\" title=\"vinyl featuring Louis Armstrong\"\u003e[click here to see more vinyl featuring Louis Armstrong]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRussell Garcia – arranger, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWitten by Irving Berlin (A1), Richard Rodgers (A2), Lorenz Hart (A2), Al Dubin (A3), Harry Warren (A3), Harold Arlen (A4), Geoffrey Clarkson (B1), Harry Clarkson (B1), Peter van Steeden (B1), Brooks Bowman (B2), Ord Hamilton (B3), Bruce Sievier (B3), Frank Eyton (B4), Johnny Green (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Classic Records \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded August 14, 1957 at Capitol Studio, Hollywood\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in November 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in January 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTop Hat, White Tie And Tails\u003c\/li\u003e\n\u003cli\u003eHave You Met Miss Jones\u003c\/li\u003e\n\u003cli\u003eI Only Have Eyes For You\u003c\/li\u003e\n\u003cli\u003eStormy Weather\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHome\u003c\/li\u003e\n\u003cli\u003eEast Of The Sun (And West Of The Moon)\u003c\/li\u003e\n\u003cli\u003eYou're Blasé\u003c\/li\u003e\n\u003cli\u003eBody And Soul\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“One of the lesser-known Louis Armstrong sets, this album was recorded on the same day that resulted in the similar I've Got the World on a String. The great trumpeter\/singer is backed by a string orchestra arranged and conducted by Russ Garcia. He performs eight veteran standards, only one of which (\"Body and Soul\") had been associated with him in the past. Although the accompaniment is pretty straight and unadventurous, it is enjoyable to hear Satch's interpretations of such songs as \"Have You Met Miss Jones,\" \"I Only Have Eyes for You,\" \"Home,\" and \"East of the Sun.\" Many of his trumpet solos in the medium-tempo material are brief but dramatic, and his singing is typically expressive and good-humored.” AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3\/ 5 ; Discogs : 4.42 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42702203879674,"sku":"MG V-4012","price":379.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/louis-armstrong-louis-under-the-stars-200g-audiosoundmusic-1.jpg?v=1719858871"},{"product_id":"dave-grusin-discovered-again","title":"\u003ctranscy\u003eDave Grusin – Discovered Again!\u003c\/transcy\u003e","description":"\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eRARITY – Sealed\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003ePiano, Electric Piano [Rhodes] – Dave Grusin\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Ron Carter \u003ca title=\"Vinyl featuring Ron Carter\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ron-carter\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ron Carter]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Lee Ritenour\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Harvey Mason\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Larry Bunker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Thad Jones (A1), Dave Grusin (A2-3, B2), Morgan Ames (A2), Antonio Carlos Jobim (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Dave Grusin (B1-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES (produced from the live stereo tape recorded during the original direct disc session)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eunspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sheffield Lab\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Hollywood at The Producers Workshop  \u0026amp; The Mastering Lab, June 1st, 2nd \u0026amp; 3rd, 1976\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Bill Schnee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Doug Sax, Lincoln Mayorga\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in \u003c\/strong\u003e\u003cstrong\u003e1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Child Is Born\u003c\/li\u003e\n\u003cli\u003eKeep Your Eye On The Sparrow\u003c\/li\u003e\n\u003cli\u003eSun Song\u003c\/li\u003e\n\u003cli\u003eCaptain Bacardi\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThree Cowboy Songs: Git Along Little Dogies\u003c\/li\u003e\n\u003cli\u003eThree Cowboy Songs: The Colorado Trail\u003c\/li\u003e\n\u003cli\u003eThree Cowboy Songs: Cripple Creek Breakdown\u003c\/li\u003e\n\u003cli\u003eAdeus a Papai\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4,28 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42702334361850,"sku":"ST500","price":179.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/dave-grusin-discovered-again-audiosoundmusic-1.jpg?v=1719858871"},{"product_id":"jacques-brel-amsterdam-45rpm-beige-vinyl","title":"\u003ctranscy\u003eJacques Brel - Amsterdam (45 tours, Vinyle beige)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cbr\u003e\u003cbr\u003ePreviously unreleased recordings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eJacques Brel - vocal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGérard Jouannest – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePierre Sim - double bass\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve, limited time download card\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : beige\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Diggers Factory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded Maison de la Radio, Paris\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-details-module product-details__general-info\"\u003e\n\u003cdiv class=\"product-details-module__content\"\u003e\n\u003cdiv id=\"productDescription\" class=\"product-details__product-description\" itemprop=\"description\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in May 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAmsterdam\u003c\/li\u003e\n\u003cli\u003eNe me quitte pas\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAu suivant\u003c\/li\u003e\n\u003cli\u003eLe Plat Pays\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default 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CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocal and piano - Serge Gainsbourg \u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/serge-gainsbourg\" title=\"audiophile vinyl \u0026amp; SACD featuring Serge Gainsbourg\" style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Serge Gainsbourg]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLyrics by Serge Gainsbourg (A2 to B4), Gérard De Nerval (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusic by Serge Gainsbourg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve, limited time download card\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 3,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Pink\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Diggers Factory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded Maison de la Radio, Paris\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRestored and mixed by Thomas Monteil\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-details-module product-details__general-info\"\u003e\n\u003cdiv class=\"product-details-module__content\"\u003e\n\u003cdiv id=\"productDescription\" class=\"product-details__product-description\" itemprop=\"description\"\u003e\n\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in May 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLe Rock de Nerval\u003c\/li\u003e\n\u003cli\u003eLa Recette de l'amour fou\u003c\/li\u003e\n\u003cli\u003eLes Goemons\u003c\/li\u003e\n\u003cli\u003eLa Javanaise\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLe Talkie Walkie\u003c\/li\u003e\n\u003cli\u003eElaeudanla Teiteia\u003c\/li\u003e\n\u003cli\u003eIntoxicated Man\u003c\/li\u003e\n\u003cli\u003eCes petits riens\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eRatings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs: 4.62 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42787182772474,"sku":"DFLP012-45","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/serge-gainsbourg-a-la-maison-de-la-radio-45rpm-pink-vinyl-audiosoundmusic-1.jpg?v=1719859020"},{"product_id":"lincoln-mayorga-and-distinguished-colleagues-the-missing-linc-volume-ii-d2d","title":"\u003ctranscy\u003eLincoln Mayorga And Distinguished Colleagues – The Missing Linc Volume II (D2D)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar – Mike Deasy (B1-6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto Saxophone – Plas Johnson (A1-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass [Fender] – Jerry Scheff (A1-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello – Daniel Rothmuller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor – Jack Feierman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble Bass – Chuck Berghofer (B1-6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Jim Keltner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Guitar – Mike Deasy (A1-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan [Estey Reed Pump Organ] – Joanne Grauer (B1-6), Victor Feldman (A1-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Gary Coleman (A1-7), Victor Feldman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRhythm Guitar – Mike Anthony\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Plas Johnson (A1-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViola – Alan De Vertich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin [First] – Eliot Chapo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin [Second] – José Madera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano and Harpsichord arranged by Lincoln Mayorga\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Frederic Chopin (A1: Prelude In C Major Opus 28, A5 : Prelude In E Major Opus 28), Douglas Furber (A2), Philip Braham (A2), Ronny Shannon (A3), Joni Mitchell (A4), Lincoln Mayorga (A6, B6), Bacharach And David (A7), John Lennon (B1, B5), Paul McCartney (B1), Paul Williams (B2), Roger Nichols (B2), Cat Stevens (B3), David Gates (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect-to-Disc Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eunspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Sheffield Lab\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Sheffield Lab\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Mastering Lab (Ojai, California) and The Producers Workshop (Hollywood, California)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Ed Cobb (B1-6), Larry Brown (A1-7)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Douglas Sax, Lincoln Mayorga\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in \u003c\/strong\u003e\u003cstrong\u003e1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChopin - Prelude In C Major (Opus 28)\u003c\/li\u003e\n\u003cli\u003eLimehouse Blues\u003c\/li\u003e\n\u003cli\u003eI Never Loved A Woman The Way I Love You\u003c\/li\u003e\n\u003cli\u003eBoth Sides Now\u003c\/li\u003e\n\u003cli\u003eChopin - Prelude In E Major (Opus 28)\u003c\/li\u003e\n\u003cli\u003eBrasil' 57\u003c\/li\u003e\n\u003cli\u003eThe April Fools\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNorwegian Wood\u003c\/li\u003e\n\u003cli\u003eWe've Only Just Begun\u003c\/li\u003e\n\u003cli\u003ePeace Train\u003c\/li\u003e\n\u003cli\u003eIf\u003c\/li\u003e\n\u003cli\u003eBlackbird\u003c\/li\u003e\n\u003cli\u003eLove Rach\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“The musicianship and overall recording on this disc was a definite step up from Sheffield Lab S9 . It was quite tight and it felt like they had rehearsed the numbers before committing them to disc, and were having a good time doing so. There is a request in the sleeve to brighten side one by 2-4dB but I really did not find that necessary on my system. The surface noise only achieved a fair rating, as did the overall dynamics. The instruments and recording were all very clean; at times a little too clean and I felt that the piano was a little lacking in the lower registers. The saxophone in particular really stood out on several tracks and sounded like it was actually in the room with me. As it was a studio based, panned image recording, it lacked the warmth of a room’s acoustics and only the drum kit had any sense of depth perspective appearing behind all the performers who all appeared as if in a straight line at the front of a stage.\u003c\/p\u003e\n\u003cp\u003eThe performance and recording was consistent from track to track and side to side. The album has seven tracks on side one and six on side two. This meant that the groove cut amplitude was not very great and I believe that this may have been the cause of the restricted dynamics. I would assume that on these earlier albums everybody was still being a little cautious and finding their feet as to what could and could not be achieved so no chances seemed to have been taken on really letting the cutting head “rip”.\u003c\/p\u003e\n\u003cp\u003eOverall a very clean sounding album showing what real instruments should sound like and one that I have listened to many times.” From Vinyl to Plastic, September 2017\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect-to-disc (D2D)\u003c\/strong\u003e\u003cspan\u003e recording refers to sound recording methods that record audio directly onto analog disc masters bypassing steps as master tapes, overdubs, and mix downs from multi-tracked masters. This approach avoids problems of analog recording tape such as tape hiss (high frequency noise).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,03 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42790856130810,"sku":"Sheffield – S10","price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/lincoln-mayorga-and-distinguished-colleagues-the-missing-linc-volume-ii-d2d-audiosoundmusic-1.jpg?v=1719859044"},{"product_id":"the-complete-capitol-recordings-of-the-nat-king-cole-trio-27lp-box","title":"\u003ctranscy\u003eThe Complete Capitol Recordings Of The Nat King Cole Trio (27LP, Coffret, Mono \u0026 Stereo)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Nat King Cole Trio:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNat King Cole - piano \u0026amp; vocals\u003cspan style=\"color: #ff8000;\"\u003e \u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Nat King Cole\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/nat-king-cole\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Nat King Cole]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Moore - guitar \u0026amp; vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Miller - bass \u0026amp; vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e27 LPs, box set, booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis boxset including packaging is 5.2kg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLimited to 10,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono (Sides A to AAA) \u0026amp; Stereo (Side BBB)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Mosaic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Capitol\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e91 recording sessions from October 11, 1942 to March 23, 1961 in Los Angeles at C.P. MacGregor Studios, Radio Recorders (West Hollywood), Capitol Studios and New York City at WOR Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by John Palladino\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal sessions produced by Alan Livingston, Carl Kress, Jim Conkling, Johnny Mercer, Lee Gillette, Leon Rene, Paul Weston, Pete Rugolo, Robert Scherman, Walter Rivers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Joe Brescio at Master Cutting Room (New York)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissue Produced by Michael Cuscuna\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 1991\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVom, Vim, Veedle\u003c\/li\u003e\n\u003cli\u003eAll For You\u003c\/li\u003e\n\u003cli\u003eLet's Spring One\u003c\/li\u003e\n\u003cli\u003eBeautiful Moons Ago\u003c\/li\u003e\n\u003cli\u003ePitchin' Up A Boogie\u003c\/li\u003e\n\u003cli\u003eI'm Lost\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFST (Fine, Sweet \u0026amp; Tasty) (Instrumental)\u003c\/li\u003e\n\u003cli\u003eMy Lips Remember Your Kisses\u003c\/li\u003e\n\u003cli\u003eGot A Penny\u003c\/li\u003e\n\u003cli\u003eLet's Pretend\u003c\/li\u003e\n\u003cli\u003eStraighten Up And Fly Right\u003c\/li\u003e\n\u003cli\u003eGee Baby, Ain't I Good To You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJumpin' At Capitol (Instrumental)\u003c\/li\u003e\n\u003cli\u003eIf You Can't Smile And Say Yes\u003c\/li\u003e\n\u003cli\u003eSweet Lorraine\u003c\/li\u003e\n\u003cli\u003eEmbraceable You\u003c\/li\u003e\n\u003cli\u003eEmbraceable You (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eIt's Only A Paper Moon\u003c\/li\u003e\n\u003cli\u003eI Just Can't See For Lookin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Man I Love (Instrumental)\u003c\/li\u003e\n\u003cli\u003eBody And Soul (Instrumental)\u003c\/li\u003e\n\u003cli\u003ePrelude In C Sharp Minor (Instrumental)\u003c\/li\u003e\n\u003cli\u003eWhat Is This Thing Called Love (Instrumental)\u003c\/li\u003e\n\u003cli\u003eAfter You Get What You Want, You Don't Want It\u003c\/li\u003e\n\u003cli\u003eLook What You've Done To Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEasy Listening Blues (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI Realize Now\u003c\/li\u003e\n\u003cli\u003ePlease Consider Me\u003c\/li\u003e\n\u003cli\u003eBring Another Drink\u003c\/li\u003e\n\u003cli\u003eI'd Love To Make Love To You\u003c\/li\u003e\n\u003cli\u003eI'm A Shy Guy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKatusha\u003c\/li\u003e\n\u003cli\u003eIt Only Happens Once\u003c\/li\u003e\n\u003cli\u003eYou're Nobody 'Til Somebody Loves You\u003c\/li\u003e\n\u003cli\u003eDon't Blame Me\u003c\/li\u003e\n\u003cli\u003eI'm In The Mood For Love\u003c\/li\u003e\n\u003cli\u003eWhat Can I Say After I Say I'm Sorry\u003c\/li\u003e\n\u003cli\u003eI'm Thru With Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide G:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBarcarole (Instrumental)\u003c\/li\u003e\n\u003cli\u003eTo A Wild Rose (Instrumental)\u003c\/li\u003e\n\u003cli\u003eSweet Georgia Brown (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI Tho't You Ought To Know\u003c\/li\u003e\n\u003cli\u003eIt Only Happens Once\u003c\/li\u003e\n\u003cli\u003e(I Call My Papa) Fla-Fa-La-Pa\u003c\/li\u003e\n\u003cli\u003eIt Is Better To Be By Yourself (Version 1)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide H:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt Is Better To Be By Yourself (Version 2)\u003c\/li\u003e\n\u003cli\u003eCome To Baby, Do\u003c\/li\u003e\n\u003cli\u003eThe Frim Fram Sauce\u003c\/li\u003e\n\u003cli\u003eHomeward Bound\u003c\/li\u003e\n\u003cli\u003eI'm An Errand Boy For Rhythm\u003c\/li\u003e\n\u003cli\u003eThis Way Out (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide I:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Know That You Know (Instrumental)\u003c\/li\u003e\n\u003cli\u003eBut She's My Buddy's Chick (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eBut She's My Buddy's Chick\u003c\/li\u003e\n\u003cli\u003eOh, But I Do\u003c\/li\u003e\n\u003cli\u003eHow Does It Feel\u003c\/li\u003e\n\u003cli\u003eYou Must Be Blind\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide J:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLoan Me Two Till Tuesday\u003c\/li\u003e\n\u003cli\u003eI'm In The Mood For Love\u003c\/li\u003e\n\u003cli\u003eI Don't Know Why (I Just Do) (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eI Don't Know Why (I Just Do)\u003c\/li\u003e\n\u003cli\u003e(Get Your Kicks On) Route 66\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide J:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEveryone Is Sayin' Hello Again (Why Must We Say Goodbye-)\u003c\/li\u003e\n\u003cli\u003eSide K:\u003c\/li\u003e\n\u003cli\u003eFST (Opening Theme)\u003c\/li\u003e\n\u003cli\u003eFST (Closing Theme)\u003c\/li\u003e\n\u003cli\u003eJust You, Just Me (Alternate Take) (Instrumental)\u003c\/li\u003e\n\u003cli\u003eJust You, Just Me (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI've Got The World On A String\u003c\/li\u003e\n\u003cli\u003eRex Rhumba (Aka Rhumba a La King) (Instrumental)\u003c\/li\u003e\n\u003cli\u003eBut She's My Buddy's Chick\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide L:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChant Of The Blues (Dog-Gone Unlucky Blues)\u003c\/li\u003e\n\u003cli\u003eRock-A-Bye Basie (Instrumental)\u003c\/li\u003e\n\u003cli\u003eLester Leaps In (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI Don't Know Why (I Just Do)\u003c\/li\u003e\n\u003cli\u003eI Want To Be Happy (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI Know That You Know (Instrumental)\u003c\/li\u003e\n\u003cli\u003eWhat Can I Say After I'm Sorry (Alternate Take)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide M:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhat Can I Say After I'm Sorry\u003c\/li\u003e\n\u003cli\u003eTo A Wild Rose(Alternate Take) (Instrumental)\u003c\/li\u003e\n\u003cli\u003eTo A Wild Rose (Instrumental)\u003c\/li\u003e\n\u003cli\u003eBaby, Baby All The Time\u003c\/li\u003e\n\u003cli\u003eI Don't Know Why (I Just Do)\u003c\/li\u003e\n\u003cli\u003eThis Way Out (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide N:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBaby, Baby All The Time\u003c\/li\u003e\n\u003cli\u003eSomebody Loves Me (Instrumental)\u003c\/li\u003e\n\u003cli\u003eToo Marvelous For Words\u003c\/li\u003e\n\u003cli\u003eHoneysuckle Rose (Instrumental)\u003c\/li\u003e\n\u003cli\u003eHow Does It Feel\u003c\/li\u003e\n\u003cli\u003eLoan Me Two Till Tuesday\u003c\/li\u003e\n\u003cli\u003eWhat Can I Say After I Say I'm Sorry\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide O:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Name It (Instrumental)\u003c\/li\u003e\n\u003cli\u003eCould-'Ja (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eCould-'Ja\u003c\/li\u003e\n\u003cli\u003eBaby, Baby All The Time (Alternate Take)\u003c\/li\u003e\n\u003cli\u003eBaby, Baby All The Time\u003c\/li\u003e\n\u003cli\u003eOh, But I Do\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide P:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRex Rhumba (Aka Rhumba a La King) (Instrumental)\u003c\/li\u003e\n\u003cli\u003eHow High The Moon (Instrumental)\u003c\/li\u003e\n\u003cli\u003eYou Call It Madness (But I Call It Love)\u003c\/li\u003e\n\u003cli\u003eTiny's Exercise (Instrumental)\u003c\/li\u003e\n\u003cli\u003eAfter You Get What You Want, You Don't Want It\u003c\/li\u003e\n\u003cli\u003eBody And Soul (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Q:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOn The Sunny Side Of The Street\u003c\/li\u003e\n\u003cli\u003eI'd Love To Make Love To You\u003c\/li\u003e\n\u003cli\u003eHomeward Bound (Instrumental)\u003c\/li\u003e\n\u003cli\u003eWhat Is This Thing Called Love (Instrumental)\u003c\/li\u003e\n\u003cli\u003eMabel, Mabel\u003c\/li\u003e\n\u003cli\u003eSwingin' The Blues (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide R:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeautiful Moons Ago\u003c\/li\u003e\n\u003cli\u003eI Got Rhythm (Instrumental)\u003c\/li\u003e\n\u003cli\u003eCould-'Ja\u003c\/li\u003e\n\u003cli\u003eOne O'Clock Jump (Instrumental)\u003c\/li\u003e\n\u003cli\u003eHow Deep Is The Ocean\u003c\/li\u003e\n\u003cli\u003e(Get Your Kicks On) Route 66\u003c\/li\u003e\n\u003cli\u003eCole Slaw (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide S:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBut She's My Buddy's Chick\u003c\/li\u003e\n\u003cli\u003eYou Call It Madness (But I Call It Love)\u003c\/li\u003e\n\u003cli\u003eHomeward Bound (Instrumental)\u003c\/li\u003e\n\u003cli\u003eChant Of The Blues (Dog-Gone Unlucky Blues)\u003c\/li\u003e\n\u003cli\u003eThe Christmas Song\u003c\/li\u003e\n\u003cli\u003eYou Should Have Told Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide T:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Best Man\u003c\/li\u003e\n\u003cli\u003eThe Christmas Song\u003c\/li\u003e\n\u003cli\u003eYou Should Have Told Me\u003c\/li\u003e\n\u003cli\u003e(I Love You) For Sentimental Reasons\u003c\/li\u003e\n\u003cli\u003eIn The Cool Of The Evening\u003c\/li\u003e\n\u003cli\u003eThat's The Beginning Of The End\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide U:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIf You Don't Like My Apples\u003c\/li\u003e\n\u003cli\u003eSmoke Gets in Your Eyes (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI Want To Thank Your Folks\u003c\/li\u003e\n\u003cli\u003eYou're The Cream in My Coffee\u003c\/li\u003e\n\u003cli\u003eCome In Out Of The Rain\u003c\/li\u003e\n\u003cli\u003eYou Don't Learn That In School\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide V:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Be You (But Let Me Be Me)\u003c\/li\u003e\n\u003cli\u003eCan You Look Me In The Eyes (And Say We're Through)\u003c\/li\u003e\n\u003cli\u003eGive Me Twenty Nickels\u003c\/li\u003e\n\u003cli\u003eMeet Me At No Special Place (And I'll Be There At No Particular Time)\u003c\/li\u003e\n\u003cli\u003eIf You Don't Like My Apples\u003c\/li\u003e\n\u003cli\u003eNaughty Angeline\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide W:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Miss You So\u003c\/li\u003e\n\u003cli\u003eThat's What\u003c\/li\u003e\n\u003cli\u003eHoneysuckle Rose (Instrumental)\u003c\/li\u003e\n\u003cli\u003eThanks For You\u003c\/li\u003e\n\u003cli\u003eIt's Kind Of Lonesome Out Tonight\u003c\/li\u003e\n\u003cli\u003eFor Once In Your Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide X:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Think You Get What I Mean\u003c\/li\u003e\n\u003cli\u003e(Everyone Has Someone) But All I've Got Is Me\u003c\/li\u003e\n\u003cli\u003eNow He Tells Me\u003c\/li\u003e\n\u003cli\u003eI Can't Be Bothered\u003c\/li\u003e\n\u003cli\u003eWhen I Take My Sugar To Tea\u003c\/li\u003e\n\u003cli\u003eRhumba Azul (Instrumental)\u003c\/li\u003e\n\u003cli\u003eWhat'll I Do\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Y:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Never Had A Chance\u003c\/li\u003e\n\u003cli\u003eThis Is My Night To Dream\u003c\/li\u003e\n\u003cli\u003eMakin' Whoopee\u003c\/li\u003e\n\u003cli\u003eThere I've Said It Again\u003c\/li\u003e\n\u003cli\u003eI'll String Along With You\u003c\/li\u003e\n\u003cli\u003eOoh, Kickeroonie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide Z:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e(It's Easy To See) The Trouble With Me Is You\u003c\/li\u003e\n\u003cli\u003eToo Marvelous For Words\u003c\/li\u003e\n\u003cli\u003eThree Little Words (Instrumental)\u003c\/li\u003e\n\u003cli\u003eMoonlight In Vermont (Instrumental)\u003c\/li\u003e\n\u003cli\u003ePoor Butterfly (Instrumental)\u003c\/li\u003e\n\u003cli\u003eHow High The Moon (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI'll Never Be The Same (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide AA:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThese Foolish Things (Instrumental)\u003c\/li\u003e\n\u003cli\u003eCole Capers (Instrumental)\u003c\/li\u003e\n\u003cli\u003eBlues In My Shower (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI Wanna Be A Friend Of Yours\u003c\/li\u003e\n\u003cli\u003eKe Mo Ki Mo (The Magic Song)\u003c\/li\u003e\n\u003cli\u003eThree Blind Mice\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide BB:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSave The Bones For Henry Jones ('Cause Henry Don't Eat No Meat)\u003c\/li\u003e\n\u003cli\u003eMy Baby Likes To Be-Bop (And I Like To Be-Bop Too)\u003c\/li\u003e\n\u003cli\u003eHarmony\u003c\/li\u003e\n\u003cli\u003eYou Can't Make Money Dreamin'\u003c\/li\u003e\n\u003cli\u003eThere's A Train Out For Dreamland\u003c\/li\u003e\n\u003cli\u003e(Go To Sleep) My Sleepy Head\u003c\/li\u003e\n\u003cli\u003eNature Boy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide CC:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWildroot Charlie\u003c\/li\u003e\n\u003cli\u003eNursery Rhymes\u003c\/li\u003e\n\u003cli\u003eOld MacDonald Had A Farm\u003c\/li\u003e\n\u003cli\u003eThe Three Trees\u003c\/li\u003e\n\u003cli\u003eLaguna Mood (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI'm A Little Ashamed\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide DD:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNow He Tells Me\u003c\/li\u003e\n\u003cli\u003eThat's A Natural Fact\u003c\/li\u003e\n\u003cli\u003eLament In Chords\u003c\/li\u003e\n\u003cli\u003eYou've Got Another Heart On Your Hands\u003c\/li\u003e\n\u003cli\u003eBaby, I Need You\u003c\/li\u003e\n\u003cli\u003eThose Things Money Can't Buy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide EE:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove Nest\u003c\/li\u003e\n\u003cli\u003eDream A Little Dream Of Me\u003c\/li\u003e\n\u003cli\u003eThen I'll Be Tired Of You\u003c\/li\u003e\n\u003cli\u003eMoney Is Honey\u003c\/li\u003e\n\u003cli\u003eLittle Girl\u003c\/li\u003e\n\u003cli\u003eWho's Telling You Lies\u003c\/li\u003e\n\u003cli\u003eNo Moon At All\u003c\/li\u003e\n\u003cli\u003eI Feel So Smoochie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide FF:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Boy From Texas - A Girl From Tennessee\u003c\/li\u003e\n\u003cli\u003eWhen You Walked Out With Shoes On\u003c\/li\u003e\n\u003cli\u003eThat's The Kind Of Girl I Dream Of\u003c\/li\u003e\n\u003cli\u003eIt's The Sentimental Thing To Do\u003c\/li\u003e\n\u003cli\u003eI've Only Myself To Blame\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide GG:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt's Like Taking Candy From A Baby\u003c\/li\u003e\n\u003cli\u003eYou've Changed\u003c\/li\u003e\n\u003cli\u003eThe Geek (Instrumental)\u003c\/li\u003e\n\u003cli\u003eConfess\u003c\/li\u003e\n\u003cli\u003eIf I Had You\u003c\/li\u003e\n\u003cli\u003eFlo And Joe\u003c\/li\u003e\n\u003cli\u003eIf You Stub Your Toe On The Moon\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide HH:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Gonna Spank My Heart\u003c\/li\u003e\n\u003cli\u003eI See By The Papers\u003c\/li\u003e\n\u003cli\u003eReturn Trip (Instrumental)\u003c\/li\u003e\n\u003cli\u003eA Woman Always Understands\u003c\/li\u003e\n\u003cli\u003ePut 'Em In A Box, Tie 'Em With A Ribbon (And Throw 'Em In The Deep...)\u003c\/li\u003e\n\u003cli\u003eBlue And Sentimental\u003c\/li\u003e\n\u003cli\u003eI've Got A Way With Women\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide II:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Fair Lady\u003c\/li\u003e\n\u003cli\u003eI Wish I Had The Blues Again\u003c\/li\u003e\n\u003cli\u003eDidn't I Tell You So\u003c\/li\u003e\n\u003cli\u003eLost April\u003c\/li\u003e\n\u003cli\u003eLost April\u003c\/li\u003e\n\u003cli\u003eLillette\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide JJ:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMonday Again\u003c\/li\u003e\n\u003cli\u003eLulubelle\u003c\/li\u003e\n\u003cli\u003eIt's So Hard To Laugh (It's So Easy To Cry)\u003c\/li\u003e\n\u003cli\u003ePortrait Of Jennie\u003c\/li\u003e\n\u003cli\u003eIt Only Happens Once\u003c\/li\u003e\n\u003cli\u003eMy Mother Told Me\u003c\/li\u003e\n\u003cli\u003eBang Bang Boogie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide KK:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePortrait Of Jennie\u003c\/li\u003e\n\u003cli\u003eDon't Cry, Cry Baby\u003c\/li\u003e\n\u003cli\u003eAn Old Piano Plays The Blues\u003c\/li\u003e\n\u003cli\u003eHow Lonely Can You Get\u003c\/li\u003e\n\u003cli\u003eLaugh! Cool Clown (Instrumental)\u003c\/li\u003e\n\u003cli\u003eBop-Kick (Instrumental)\u003c\/li\u003e\n\u003cli\u003eFor All We Know\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide LL:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLand Of Love (Come My Love And Live With Me)\u003c\/li\u003e\n\u003cli\u003eLush Life\u003c\/li\u003e\n\u003cli\u003eLillian\u003c\/li\u003e\n\u003cli\u003e'Tis Autumn\u003c\/li\u003e\n\u003cli\u003eYes Sir, That's My Baby\u003c\/li\u003e\n\u003cli\u003eI Used To Love You (But It's All Over Now)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide MM:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEtymology (The Language Of Love)\u003c\/li\u003e\n\u003cli\u003ePeaches (Instrumental)\u003c\/li\u003e\n\u003cli\u003eLast But Not Least (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI Wake Up Screaming Dreaming Of You\u003c\/li\u003e\n\u003cli\u003eIt Was So Good While It Lasted\u003c\/li\u003e\n\u003cli\u003eI Get Sentimental Over Nothing\u003c\/li\u003e\n\u003cli\u003eWho Do You Know In Heaven (That Made You The Angel You Are)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide NN:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYour Voice\u003c\/li\u003e\n\u003cli\u003eA Little Yellow Ribbon (In Her Hair)\u003c\/li\u003e\n\u003cli\u003eMy Mother Told Me\u003c\/li\u003e\n\u003cli\u003eExactly Like You\u003c\/li\u003e\n\u003cli\u003ePart Of Me\u003c\/li\u003e\n\u003cli\u003eWhat Have You Got In Those Eyes\u003c\/li\u003e\n\u003cli\u003eTop Hat Bop (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide OO:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGo Bongo (Instrumental)\u003c\/li\u003e\n\u003cli\u003eRhumba Blues (Instrumental)\u003c\/li\u003e\n\u003cli\u003eBoulevard Of Broken Dreams\u003c\/li\u003e\n\u003cli\u003eAll I Want For Christmas (Is My Two Front Teeth)\u003c\/li\u003e\n\u003cli\u003eYou Can't Lose A Broken Heart\u003c\/li\u003e\n\u003cli\u003eBang Bang Boogie\u003c\/li\u003e\n\u003cli\u003e(Here Is My Heart) Nalani\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide PP:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Horse Told Me\u003c\/li\u003e\n\u003cli\u003eDon't Shove, I'm Leaving\u003c\/li\u003e\n\u003cli\u003eCalypso Blues\u003c\/li\u003e\n\u003cli\u003eMule Train\u003c\/li\u003e\n\u003cli\u003eMy Baby Just Cares For Me\u003c\/li\u003e\n\u003cli\u003eFor You My Love\u003c\/li\u003e\n\u003cli\u003eCan I Come In For A Second\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide QQ:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBaby Won't You Say You Love Me\u003c\/li\u003e\n\u003cli\u003eI Almost Lost My Mind\u003c\/li\u003e\n\u003cli\u003eA Little Bit Independent\u003c\/li\u003e\n\u003cli\u003eI'll Never Say 'Never Again' Again\u003c\/li\u003e\n\u003cli\u003eTwisted Stockings\u003c\/li\u003e\n\u003cli\u003eIf I Were You, Baby, I'd Love Me\u003c\/li\u003e\n\u003cli\u003eThird Finger, Left Hand\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide RR:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfter My Laughter Came Tears\u003c\/li\u003e\n\u003cli\u003eCalico Sal\u003c\/li\u003e\n\u003cli\u003ePeaches (Instrumental)\u003c\/li\u003e\n\u003cli\u003eDon't Let Your Eyes Go Shopping (For Your Heart)\u003c\/li\u003e\n\u003cli\u003eAll Aboard (Instrumental)\u003c\/li\u003e\n\u003cli\u003eOoh Kickeroonie\u003c\/li\u003e\n\u003cli\u003e'Deed I Do\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide SS:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Greatest Inventor Of Them All\u003c\/li\u003e\n\u003cli\u003eWho's Who\u003c\/li\u003e\n\u003cli\u003eTime Out For Tears\u003c\/li\u003e\n\u003cli\u003eOrange-Colored Sky\u003c\/li\u003e\n\u003cli\u003eJam-Bo (Instrumental)\u003c\/li\u003e\n\u003cli\u003eGet To Gettin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide TT:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePaint Yourself A Rainbow\u003c\/li\u003e\n\u003cli\u003eDestination Moon\u003c\/li\u003e\n\u003cli\u003eThat's My Girl\u003c\/li\u003e\n\u003cli\u003eWish I Were Somebody Else\u003c\/li\u003e\n\u003cli\u003eYou Can't Make Me Love You\u003c\/li\u003e\n\u003cli\u003ePoor Jenny Is A Weepin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide UU:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Robin And A Rainbow And A Red, Red Rose\u003c\/li\u003e\n\u003cli\u003eThe Lighthouse In The Sky\u003c\/li\u003e\n\u003cli\u003ePigtails And Freckles\u003c\/li\u003e\n\u003cli\u003eIt's Crazy\u003c\/li\u003e\n\u003cli\u003eYou Stepped Out Of A Dream\u003c\/li\u003e\n\u003cli\u003eWhere Were You\u003c\/li\u003e\n\u003cli\u003eSummer Is A Comin' In\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide VV:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFunny (Not Much)\u003c\/li\u003e\n\u003cli\u003ePenthouse Serenade (Instrumental)\u003c\/li\u003e\n\u003cli\u003eRose Room (Instrumental)\u003c\/li\u003e\n\u003cli\u003eDown By The Old Mill Stream (Instrumental)\u003c\/li\u003e\n\u003cli\u003eLaura (Instrumental)\u003c\/li\u003e\n\u003cli\u003ePolka Dots And Moonbeams\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide WW:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSomebody Loves Me (Instrumental)\u003c\/li\u003e\n\u003cli\u003eOnce In A Blue Moon (Instrumental)\u003c\/li\u003e\n\u003cli\u003eIf I Should Lose You (Instrumental)\u003c\/li\u003e\n\u003cli\u003eDon't Let Your Eyes Go Shopping (For Your Heart)\u003c\/li\u003e\n\u003cli\u003eAlmost Like Being In Love\u003c\/li\u003e\n\u003cli\u003eThis Can't Be Love\u003c\/li\u003e\n\u003cli\u003eDon't Hurt The Girl\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide XX:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Christmas Song\u003c\/li\u003e\n\u003cli\u003eDon't Blame Me (Instrumental)\u003c\/li\u003e\n\u003cli\u003eIt Could Happen To You (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI Surrender Dear (Alternate Take) (Instrumental)\u003c\/li\u003e\n\u003cli\u003eI Surrender Dear (Instrumental)\u003c\/li\u003e\n\u003cli\u003eLittle Girl (Instrumental)\u003c\/li\u003e\n\u003cli\u003eYou Can Depend On Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide YY:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCandy\u003c\/li\u003e\n\u003cli\u003eSweet Lorraine\u003c\/li\u003e\n\u003cli\u003eIt's Only A Paper Moon\u003c\/li\u003e\n\u003cli\u003e(Get Your Kicks On) Route 66\u003c\/li\u003e\n\u003cli\u003eDon't Let It Go To Your Head\u003c\/li\u003e\n\u003cli\u003eYou're Lookin' At Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide ZZ:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJust You, Just Me\u003c\/li\u003e\n\u003cli\u003eI Was A Little Too Lonely And You Were A Little Too Late\u003c\/li\u003e\n\u003cli\u003eCaravan\u003c\/li\u003e\n\u003cli\u003eThe Lonely One\u003c\/li\u003e\n\u003cli\u003eBlame It On My Youth\u003c\/li\u003e\n\u003cli\u003eWhat Is There To Say\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide AAA:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSometimes I'm Happy\u003c\/li\u003e\n\u003cli\u003eI Know That You Know\u003c\/li\u003e\n\u003cli\u003eWhen I Grow Too Old To Dream\u003c\/li\u003e\n\u003cli\u003eTwo Loves Have I\u003c\/li\u003e\n\u003cli\u003eWhatcha' Gonna Do (Instrumental)\u003c\/li\u003e\n\u003cli\u003eIn A Mellow Tone (Instrumental)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide BBB:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhere Or When (Instrumental) (Live)\u003c\/li\u003e\n\u003cli\u003eIt's Only A Paper Moon\u003c\/li\u003e\n\u003cli\u003eSweet Lorraine\u003c\/li\u003e\n\u003cli\u003e(Get Your Kicks On) Route 66\u003c\/li\u003e\n\u003cli\u003eStraighten Up And Fly Right\u003c\/li\u003e\n\u003cli\u003e(I Love You) For Sentimental Reasons\u003c\/li\u003e\n\u003cli\u003eEmbraceable You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Music fans born after 1960 are less likely to be aware that Nat King Cole began his career as an influential jazz pianist, so much so that the great Art Tatum and the up-and-coming Oscar Peterson formed trios similar to Cole's. What this comprehensive limited-edition boxed set does is put all of Cole's jazz trio recordings, including later groups that added a conga player, selected tracks from sessions that sometimes border on easy listening, and nearly the complete contents of his well-known After Midnight album from the mid-'50s, where he was joined by guests including violinist Stuff Smith, saxophonist Willie Smith, trumpeter Harry \"Sweets\" Edison, and trombonist Juan Tizol. But the main emphasis is onCole's recordings from the early days, including masterpieces like \"Straighten Up and Fly Right,\" \"Sweet Lorraine,\" \"Body and Soul,\" and \"Sweet Georgia Brown.\" By listening to sessions in order, one can hear Cole gradually transform from an instrumentalist into a friendly singing pianist and eventually, a master balladeer. Of course, there are forgettable novelty tunes sprinkled in among the gems, but there are also valuable unissued tracks that appear for the first time in this set. Also, the early recordings have been pitch-corrected, as all issues prior to this 1991 Mosaic issue were slightly off. The 18-CD set is accompanied by a detailed booklet with vintage photos, excellent liner notes by Will Friedwald, and a complete discography of the contents. Unfortunately, this Mosaic box has been out of print since the mid-'90s, so it will typically fetch several times its original price when it pops up occasionally on auction lists.” AllMusic Review by Ken Dryden\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 ; Discogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42803785236730,"sku":"MOSAIC 138","price":1399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-complete-capitol-recordings-of-the-nat-king-cole-trio-27lp-box-mono-and-stereo-audiosoundmusic-1.jpg?v=1719859083"},{"product_id":"lou-donaldson-with-the-three-sounds-ld-3-200g-mono","title":"\u003ctranscy\u003eLou Donaldson With The Three Sounds – LD+3 (200g, Mono)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRarity - Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto Saxophone – Lou Donaldson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Andrew Simpkins\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Bill Dowdy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Gene Harris  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/gene-harris\" title=\"vinyl featuring Gene Harris\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see other vinyl featuring Gene Harris]\u003c\/span\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\" title=\"vinyl featuring Ray Brown\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Lou Donaldson (A2, B1), Bert Kalmar (A1), Harry Ruby (A1), John Klenner (A3), Lewis (A3), Hart (A4), Rodgers (A4), Henry Nemo (B2), Parker (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : \u003c\/strong\u003e\u003cstrong\u003e200 Gram Quiex SV-P\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Classic Records \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Blue Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at the Rudy Van Gelder Studio, Hackensack, New Jersey on February 18, 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Rudy Van Gelder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Alfred Lion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLacquer cut by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in October 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2008\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThree Little Words\u003c\/li\u003e\n\u003cli\u003eSmooth Groove\u003c\/li\u003e\n\u003cli\u003eJust Friends\u003c\/li\u003e\n\u003cli\u003eBlue Moon\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJump Up\u003c\/li\u003e\n\u003cli\u003eDon't Take Your Love From Me\u003c\/li\u003e\n\u003cli\u003eConfirmation\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Lou Donaldson and the Three Sounds both had a tendency to slip into low-key grooves, which is what makes the hard-driving bop of the opener \"Three Little Words\" a little startling. Donaldson is at a fiery peak, spinning out Bird-influenced licks that nevertheless illustrate that he's developed a more rounded, individual style of his own. The Three Sounds are equally as impressive, working bop rhythms with a dexterity that their first albums only hinted at. That high standard is maintained throughout the album, one of the finest in either of their catalogs. Albums like this and Blues Walk established Donaldson's reputation as a first-rate alto saxophonist, since he flaunts a full, robust tone, a fondness for melody, and nimble solos over the course of the record. LD + 3 is pretty much straight bop and hard bop, with little of the soul-jazz the two artists would later explore, but this collection of swinging standards, bop staples, and a pair of Donaldson originals ranks as one of Lou's finest straight bop sessions.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4.31 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42807985602810,"sku":"BLP 4012","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/lou-donaldson-with-the-three-sounds-ld-3-mono-200g-audiosoundmusic-1.jpg?v=1719859110"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/collections\/other-labels-vinyl-audiosoundmusic.jpg?v=1719851065","url":"https:\/\/www.audiosoundmusic.com\/fr\/collections\/other-label.oembed?page=29","provider":"AudioSoundMusic","version":"1.0","type":"link"}