{"title":"Pyotr Ilyich Tchaïkovsky","description":"","products":[{"product_id":"tchaikovsky-symphony-no-6-pathetique-ferenc-fricsay","title":"\u003ctranscy\u003eTchaikovsky - Symphonie No. 6 'Pathétique' - Ferenc Fricsay\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePiotr Ilitch Tchaikovsky - Symphony No. 6 (“Pathétique“)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRadio-Symphony-Orchestra Berlin conducted by Ferenc Fricsay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: 17-19 and 22 September 1959 at Jesus-Christus Kirche, Berlin, by Günter Hermanns and Werner Wolf\u003cbr\u003e\u003cbr\u003eProduction: Otto Gerdes\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 2020\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Satz: Adagio - Allegro non troppo\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Satz: Allegro con grazia\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Satz: Allegro molto vivace\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Satz: Finale. Adagio lamentoso\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eReviews :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMade during the pioneering days of stereo technology when everyone was vying for a piece of the cake, it is hard to believe that this absolutely top-notch recording of Tchaikovsky’s “Pathétique“ has never been brought to the ears of music lovers until today. And it is even more unbelievable since it was made by a first-class orchestra, the Berlin Radio Symphony Orchestra, and conducted by one of the greatest conductors of the 20th century, Ferenc Fricsay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNot even the man behind the microphone, Werner Wolf, can recall making this recording – although a yellowed recording protocol discloses carefully noted details about the recording venue and date. No wonder that the tapes never got made into records. It is not with a little pride and much joyful anticipation that the announcement can be made: the record is spinning on the turntable at last!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnd at long last a gap in Fricsay’s repertoire can be closed. Specially recommended: listen to the wonderful clarity of the upper strings which is preserved even in the softest passages.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRatings :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllMusic 4.5 \/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40421626544279,"sku":"SLPM 138 135","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-symphony-no-6-pathetique-ferenc-fricsay-audiosoundmusic.jpg?v=1719851738"},{"product_id":"tchaikovsky-mendelssohn-concerto-for-violin-and-orchestra-nathan-milstein-claudio-abbado","title":"Tchaikovsky \u0026 Mendelssohn - Concerto for Violin and Orchestra - Nathan Milstein \u0026 Claudio Abbado","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003ePiotr Ilitch Tchaikovsky\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- Concerto for Violin and Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFelix Mendelssohn - Concerto for Violin and Orchestra op. 64\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNathan Milstein (violin) and the Vienna Philharmonic Orchestra conducted by Claudio Abbado\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: September 1972 and March 1973 at Musikvereinssaal, Vienna by Günter Hermanns\u003cbr\u003e\u003cbr\u003eProduction: Rainer Brock\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1973\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A : Concerto for Violin and Orchestra in D major, Op. 35\u003c\/p\u003e\n\u003cp\u003e                1. Allegro Moderato\u003c\/p\u003e\n\u003cp\u003e                2. Canzonetta Andante\u003c\/p\u003e\n\u003cp\u003e                3. Finale Allegro Vivacissimo\u003c\/p\u003e\n\u003cp\u003eSide B :Concerto for Violin and Orchestra in E Minor, Op. 64\u003c\/p\u003e\n\u003cp\u003e                1. Allegro molto Apassionato\u003c\/p\u003e\n\u003cp\u003e                2. Andante\u003c\/p\u003e\n\u003cp\u003e                3. Allegretto non troppo - allegro molto vivace\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReviews :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough he has lived in the USA since 1929 and even took on American citizenship in 1942, Nathan Milstein is often referred to as perhaps the last “Russian” among all Russian violinists due to his art of playing – which is governed wholly by intellect. This does not mean that Milstein plays in an academic or cool manner; his art is thoughtful and controlled – in the very best sense of the meaning. And this should certainly not be equated with “deliberateness”. On the contrary. Milstein’s tremendous virtuosity, particularly in the fiendishly difficult final movements of Tchaikovsky’s and Mendelssohn’s concertos, takes both works to new heights. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough never a forceful presence since he employs relatively little vibrato and thus achieves a slender tone, Milstein’s playing is filled with amazing assertion and luminance, and is quite fascinating for its extraordinary purity. And this is precisely what enhances his interpretation of these two great classical concertos, lending them a legendary grace, a feeling of rightness – that there is no other way. The Vienna Philharmonic with their great tradition provide support of the first order, and Claudio Abbado proves once again that he is a more than circumspect master of the baton.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e5,00\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  ,  \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e: \u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,00\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40421671338135,"sku":"2530 359","price":34.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-and-mendelssohn-concerto-for-violin-and-orchestra-nathan-milstein-and-claudio-abbado-audiosoundmusic-1.jpg?v=1719851749"},{"product_id":"tchaikovsky-swan-lake-ernest-ansermet","title":"Tchaikovsky - Swan Lake - Ernest Ansermet (2LP)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePiotr Ilitch Tchaikovsky - Swan Lake\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOrchestre de la Suisse Romande conducted by Ernest Ansermet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, gatefold sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Decca\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: October\/November 1958 at Victoria Hall, Geneva by Roy Wallace\u003cbr\u003e\u003cbr\u003e Production: James Walker\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1959\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 1998\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003cp\u003e          1. Introduction And Scene (Allegro Giusto)              \u003c\/p\u003e\n\u003cp\u003e          2. Valse    \u003c\/p\u003e\n\u003cp\u003e          3. Pas De Trois, Intrada (Allegro), Allegro Semplice, Moderato, Allegro And Coda (Allegro Vivace)\u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cp\u003e          1. Sujet And Danse Des Coupes     \u003c\/p\u003e\n\u003cp\u003e          2. Scene (Moderato)          \u003c\/p\u003e\n\u003cp\u003e          3. Scene (Allegro Moderato), Scene (Allegro)          \u003c\/p\u003e\n\u003cp\u003e          4. Danse Des Cygnes, Tempo Di Valse        \u003c\/p\u003e\n\u003cp\u003e          5. Andante Non Troppo    \u003c\/p\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003cp\u003e          1. Allegro Moderato           \u003c\/p\u003e\n\u003cp\u003e          2. Temo Di Valse  \u003c\/p\u003e\n\u003cp\u003e          3. Moderato Assai\u003c\/p\u003e\n\u003cp\u003e          4. Coda (Allegro Vivace)    \u003c\/p\u003e\n\u003cp\u003e          5. Allegro Giusto,Scene Et Valse    \u003c\/p\u003e\n\u003cp\u003e          6. Scene (Allegro) \u003c\/p\u003e\n\u003cp\u003e          7. Danse Neapolitaine       \u003c\/p\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003cp\u003e          1. Mazurka             \u003c\/p\u003e\n\u003cp\u003e          2. Danse Hongroise            \u003c\/p\u003e\n\u003cp\u003e          3. Pas De Deux, Intrada (Tempo Di Valse), Andante, Tempo Di Valse, Coda (Allegro Molto Vivace)   \u003c\/p\u003e\n\u003cp\u003e          4. Scene (Allegro Agitato), Scene Finale (Andante-Allegro Agitato)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eReviews :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHere is a true delight for all ballet fans and music-lovers. This recording of what is probably Tchaikovsky’s most popular ballet, Swan Lake, by Ernest Ansermet and his orchestra in a masterly performance is now available as a new pressing in vinyl. The Russian composer’s first ballet is offered here on a double LP and although not a complete recording, this compilation (with a minimum of cuts) certainly comprises the most beautiful and expressive scenes, losing nothing in the process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Ballet specialist“ Ansermet and his wonderfully balanced Orchestre de la Suisse Romande offer here a recording which you’ll want to hear again and again for it captures both the tragic moments of the fairy tale and the festive dance scenes. The precise winds in, for example No. 4, provide a marked contrast to the lively and exciting tutti (No. 5), while the gentle woodwinds blend charmingly with the dreamlike cantilena of the strings (No. 11). The various characteristics of the festive national dances (Polkas, Mazurkas, Hungarian Dance etc.) are performed with temperament, verve and rhythm, but it is the waltzes with their sweet dreaminess which invite the listener most of all to put on their dancing shoes and join in the dance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,80\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e5,00\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40421694144663,"sku":"SXL 2107\/8","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-swan-lake-ernest-ansermet-2lp-audiosoundmusic-1.jpg?v=1719851748"},{"product_id":"duke-ellington-and-his-orchestra-the-nutcracker-suite","title":"\u003ctranscy\u003eDuke Ellington and His Orchestra - The Nutcracker Suite\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePyotr Ilyich Tchaikovsky's Nutcracker adapted by Duke Ellington and Billy Strayhorn\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDuke Ellington, piano\u003cspan lang=\"EN-US\" data-mce-fragment=\"1\"\u003e \u003ca title=\"Vinyl featuring Duke Ellington\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/duke-ellington\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/duke-ellington\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Duke Ellington]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJohnny Hodges, saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHarry Carney, saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaul Gonzalves, saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRussell Procope, saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJimmy Hamilton, saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRay Nance, trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWillie Cook, trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAndrew Meringuito, trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEddie Mullins, trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJuan Tizol, trombone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence Brown, trombone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBritt Woodman, trombone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Booty\" Wood, trombone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSam Woodyard, drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAaron Bell, bass\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eLos Angeles 26 May to 22 June 1960\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by \u003cspan data-mce-fragment=\"1\"\u003eKevin Gray \u0026amp; Steve Hoffman\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in May 2009\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1. Overture\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Toot Toot Tootsie Toot (Dance of the Reed - Pipes)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Peanut Brittle Brigade (March)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Sugar Rum Cherry (Dance of the Sugar Plum Fairy)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. Entr'acte\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan\u003e1. The Volga Vouty (Russian Dance)\u003cbr data-mce-fragment=\"1\"\u003e2. Chinoiserie (Chinese Dance)\u003cbr data-mce-fragment=\"1\"\u003e3. Dance of the Floreadores (Waltz of the Flowers)\u003cbr data-mce-fragment=\"1\"\u003e4. Arabesque Cookie (Arabian Dance)\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"This is a no brainer. Do you really need a sales note for this LP? Stop a second and put on your thinking cap. Duke Ellington plays Tchaikovsky. I play this at my Christmas party every year and you should see my guests groove out to this. It's amazing how swinging and sexy the Nutcracker Suite can sound. 'Sugar Rum Cherry' (Dance of the Sugar Plum Fairy) sounds like strip tease music. I was down to my boxer shorts before my mother walked into the living room. In fact I play this long after the holidays have passed. A real gem!\" - Johnny Zhivago\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.51 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40710448906391,"sku":"PPAN CS8341","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/duke-ellington-and-his-orchestra-the-nutcracker-suite-audiosoundmusic-1.jpg?v=1719852078"},{"product_id":"tchaikovsky-1812-overture-fritz-reiner","title":"Tchaikovsky, Mendelssohn, Liszt, Brahms - Overture - Fritz Reiner (200g)","description":"\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003cbr\u003ePyotr Ilyich Tchaikovsky - \u003c\/b\u003e\u003cb\u003e1812 Overture, Op. 49\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eFelix Mendelssohn - \u003c\/b\u003e\u003cb\u003eFingal's Cave, Op. 26 (The Hebrides Overture)\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eFranz Liszt\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- \u003c\/b\u003e\u003cb\u003eMephisto Waltz (Episode from Lenau's \"Faust\": Dance in the Village Inn)\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eJohannes Brahms - \u003c\/b\u003e\u003cb\u003eTragic Overture, Op. 81\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChicago Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFritz Reiner, conductor\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP,  \u003cspan data-mce-fragment=\"1\"\u003estandard sleeves\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1958\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2019\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide A :\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003ePyotr Ilyich Tchaikovsky - 1812 Overture\n\u003cp\u003e2. Felix Mendelssohn - Fingal's Cave\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide B :\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003eFranz Lizt - Mephisto Waltz\n\u003cp\u003e2. Johannes Brahms - Tragic Overture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eAwards\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cb data-mce-fragment=\"1\"\u003eTAS Super LP List! Special Merit: Classical\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eAnalogue Productions' RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon — from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, \"Living Stereo\" logo, \"Shaded Dog\" label and all!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by Ryan K. Smith at Sterling Sound from the original 3-track master tapes, cut at 33 1\/3, and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 200-gram platters available.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOriginal 1958 \"Shaded Dog\" stereo release. The legendary Reiner 1812 that was only available as a 1S pressing having been deleted soon after the Mercury 1812 featuring live cannon shots was released. The performance on this reissue is mind bending and features the incomparable Chicago Symphony Orchestra brass section.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e : \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscogs : 4.67 \/ 5  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40734414635159,"sku":"AAPC 2241","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-mendelssohn-liszt-brahms-overture-fritz-reiner-200g-audiosoundmusic-1.jpg?v=1719852214"},{"product_id":"monteux-boston-symphony-orchestra-tchaikovsky-symphony-no-4","title":"\u003ctranscy\u003eTchaïkovski - Symphonie n°4 - Pierre Monteux \u0026 Boston Symphony Orchestra (200g)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky - Symphony No. 4 in F minor, Op. 36\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBoston Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePierre Monteux, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP,  standard \u003cspan data-mce-fragment=\"1\"\u003esleeve\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecorded on January 28, 1959 a\u003c\/span\u003et Symphony Hall, Boston by John Crawford\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProduced by John Pfeiffer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1960\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2019\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide A : \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan\u003eFirst Movement: Andante Sostenuto\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide B : \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e\n\u003cp\u003e1. \u003cspan data-mce-fragment=\"1\"\u003eSecond Movement: Andantino In Modo Di Canzone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Third Movement: Scherzo: Pizzicato Ostinato\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Fourth Movement: Finale: Allegro Con Fuoco\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAnalogue Productions' RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon — from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, \"Living Stereo\" logo, \"Shaded Dog\" label and all!\u003c\/p\u003e\n\u003cp\u003eMastered by Ryan K. Smith at Sterling Sound from the original 3-track master tapes, cut at 33 1\/3, and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 200-gram platters available.\u003c\/p\u003e\n\u003cp\u003eSymphony No. 4 was written during the most tumultuous period of Tchaikovsky's life. It was during a period in his life when he was both recently married and divorced. During this time period he also attempted suicide. Of all his works, Symphony No. 4, is considered by many to have more emotional impact and musical structure then any of his earlier pieces in part due to the personal tragedies he endured while writing this symphonic masterpiece. This important work is performed by the Boston Symphony Orchestra and conducted by Pierre Monteux, the well-known Classical Conductor from Paris, known for the molding of the Boston Symphony Orchestra in the mid-nineteen twenties into an Orchestra who's reputation was known worldwide as having the \"French\" sound and for being the experts in French and Russian repertoire. Musicians: Boston Symphony Orchestra Pierre Monteux, conductor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e : \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscogs : 4.28 \/ 5  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40744236581015,"sku":"AAPC 2369","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-symphony-no-4-pierre-monteux-and-boston-symphony-orchestra-200g-audiosoundmusic-1.jpg?v=1719852304"},{"product_id":"kiril-kondrashin-tchaikovsky-rimsky-korsakoff-capriccio-italien-espagnol","title":"Tchaikovsky \u0026 Rimsky-Korsakoff - Capriccio Italien Espagnol - Kiril Kondrashin (200g)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePyotr Ilyich Tchaikovsky - Capriccio Italien, Op. 45\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNikolai Rimsky-Korsakov - Capriccio Espagnol, Op. 34\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Shumsky, violin (B)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRCA Victor Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKiril Kondrashin, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP,  \u003cspan data-mce-fragment=\"1\"\u003eStoughton tip-on jacket\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer Richard Mohr\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1959\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2019\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Side A : \u003c\/p\u003e\n\u003col\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003ePyotr Ilyich Tchaikovsky - Capriccio Italien\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/ol\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide B : \u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003col\u003e\n\u003col\u003e\n\u003cli\u003eNikolai Rimsky-Korsakov - Capriccio Espagnol\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eReviews :\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eKiril Kondrashin conducts the RCA Victor Symphony Orchestra in a performance of Tchaikovsky's Capriccio Italien. One of the most sought-after titles in the RCA Living Stereo series.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eRatings : \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscogs : 4.75 \/ 5  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40753243259031,"sku":"AAPC 2323","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-and-rimsky-korsakoff-capriccio-italien-espagnol-kiril-kondrashin-200g-audiosoundmusic-1.jpg?v=1719852380"},{"product_id":"steve-kuhn-trio-pavane-for-a-dead-princess","title":"\u003ctranscy\u003eSteve Kuhn Trio - Pavane For A Dead Princess - Ravel, Fauré, Chopin, Tchaikovsky (Edition japonaise)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Kuhn, piano \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/steve-kuhn\" title=\"vinyl featuring Steve Kuhn\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/steve-kuhn\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Steve Kuhn]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Finck, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Drummond, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposed by Maurice Ravel (A1), Gabriel Fauré (A2), Frédéric Chopin (A3, B1, B3), \u003c\/strong\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVenus Hyper Magnum Sound Direct Mix Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Japanese pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Studio in New York on August 18 \u0026amp; 19, 2005\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Katherine Miller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by John Abbott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePavane For A Dead Princess\u003c\/li\u003e\n\u003cli\u003ePavane\u003c\/li\u003e\n\u003cli\u003eNocturne In E Major Op.9, No.2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Always Chasing Rainbows - Fantasy Impromptu\u003c\/li\u003e\n\u003cli\u003eSwan Lake\u003c\/li\u003e\n\u003cli\u003ePrelude In E Minor Op.28, No.4\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Pianist Steve Kuhn, accompanied by David Finck and Billy Drummond, explore classical works by a number of top composers from the 19th and 20th centuries on this Japanese release, though they are used as a launching pad for improvisation. Maurice Ravel's \"Pavane for a Dead Princess\" is recast as a soft samba, also incorporating a bit of an earlier standard that was derived from the French Impressionist's piece, \"The Lamp Is Low.\" Chopin is obviously one of Kuhn's favorite classical composers, as three of his features, highlighted by a dreamy setting of \"Nocturne in E Flat Major, Op. 9, No. 2.\" He brightens the tempo of Claude Debussy's \"Reverie\" while retaining its lyricism, while slowing Johannes Brahms' \"Lullaby\" to a crawl and demonstrating how a master jazz pianist utilizes space as an element of improvisation. Classical purists are always upset with jazz arrangements of \"their\" music, but anyone who loves both musical worlds will appreciate Steve Kuhn's thoughtful arrangements of music that has easily stood the test of time.\" AllMusic Review by Ken Dryden\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4\/5  ,  Discogs 4.45\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40975398043799,"sku":"AVEN 0207","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/steve-kuhn-trio-pavane-for-a-dead-princess-ravel-faure-chopin-tchaikovsky-japanese-edition-audiosoundmusic-1.jpg?v=1719853639"},{"product_id":"erica-morini-plays-vol-1","title":"Erica Morini Plays Vol.1 - Schubert, Tchaikovsky, Gounod, Mozart, …","description":"\u003cp\u003e\u003cstrong\u003eErica Morini (violin)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeon Pommers (piano)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Westminster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Westminster's New York Studios in July 1955\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1955\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in Feb. 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSchubert - Ave Maria\u003c\/li\u003e\n\u003cli\u003eKreisler - Caprice Viennois\u003c\/li\u003e\n\u003cli\u003eKreisler - Schön Rosmarin\u003c\/li\u003e\n\u003cli\u003eHeuberger - Midnight Bells\u003c\/li\u003e\n\u003cli\u003eTchaikovsky - Neapolitan Song, Op. 39, No. 18\u003c\/li\u003e\n\u003cli\u003eGluck - Melodie From \"Orfeo\"\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGounod - Waltz From \"Faust\"\u003c\/li\u003e\n\u003cli\u003eParadis - Sicilienne\u003c\/li\u003e\n\u003cli\u003eTchaikovsky – Chant Sans Paroles, Op. 2, No. 3\u003c\/li\u003e\n\u003cli\u003eGodard - Canzonetta, Op. 35 (From Concerto Romantique)\u003c\/li\u003e\n\u003cli\u003eKreisler - Liebesleid\u003c\/li\u003e\n\u003cli\u003eKreisler - Spanish Dance\u003c\/li\u003e\n\u003cli\u003eMozart - Menuett In D, No. 1\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« This is a collection of typical encore pieces - and even some of these are old- fashioned for such purposes - but no matter what Erica Morini does, she does with care and impeccable artistic taste. Certainly, there is much love lavished on the performances on this disk, and the violinist's warm, smooth tone, as well as that of her expert accompanist, has been most faithfully preserved on exceptionally quiet record surfaces. »  \u003cspan\u003eHigh Fidelity\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRating\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41035432231063,"sku":"LP43129","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/erica-morini-plays-vol-1-schubert-tchaikovsky-gounod-mozart-audiosoundmusic-1.jpg?v=1719854035"},{"product_id":"ernest-ansermet-the-royal-ballet-gala-performances","title":"Ernest Ansermet - The Royal Ballet Gala Performances (2LP)","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky - Nutcracker Suite (A1-A6), Swan Lake (C1-C3), Sleeping Beauty (D1-D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGioacchino Rossini - La Boutique Fantasque (A7-A9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLéo Delibes - Coppelia (B1-B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdolphe C. Adam - Giselle (B5-B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrédéric Chopin - Les Sylphides (D4-D6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra - Orchestra Of The Royal Opera House Covent Garden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor - Ernest Ansermet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Gatefold jacket, Integrated multi-page book inside\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  RCA Victor Red Seal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1957 at Kingsway Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Kenneth Wilkinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Michael Williamson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNutcracker Suite - March\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Dance Of The Sugar Plum Fairy\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Arabian Dance\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Chinese Dance\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Dance Of The Toy Flutes\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Waltz Of The Flowers\u003c\/li\u003e\n\u003cli\u003eLa Boutique Fantasque - Tarantella\u003c\/li\u003e\n\u003cli\u003eLa Boutique Fantasque - Andante Mosso\u003c\/li\u003e\n\u003cli\u003eLa Boutique Fantasque - Can-Can\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCoppelia - Introduction (Allegro Marcato) And Mazurka - Act 1\u003c\/li\u003e\n\u003cli\u003eCoppelia - Introduction (Andante ) And Waltz - Act 1\u003c\/li\u003e\n\u003cli\u003eCoppelia - Czardas - Act 1\u003c\/li\u003e\n\u003cli\u003eCoppelia - Valse De La Poupee - Act 2\u003c\/li\u003e\n\u003cli\u003eGiselle - Introduction And Waltz - Act 1\u003c\/li\u003e\n\u003cli\u003eGiselle - Pas De Deux And Variation - Act 2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSwan Lake - Dance Of The Little Swans (Pas De Quatre) - Act 2\u003c\/li\u003e\n\u003cli\u003eSwan Lake - Pas De Deux - Act 2\u003c\/li\u003e\n\u003cli\u003eSwan Lake - Waltz - Act 2\u003c\/li\u003e\n\u003cli\u003eCarnaval - Pierror\u003c\/li\u003e\n\u003cli\u003eCarnaval - Reconnaissance\u003c\/li\u003e\n\u003cli\u003eCarnaval - Aveu\u003c\/li\u003e\n\u003cli\u003eCarnaval - Pantalon Et Columbine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSleeping Beauty - Introduction - The Lilac Fairy - Prologue\u003c\/li\u003e\n\u003cli\u003eSleeping Beauty - Rose Adagio - Pase D'Action - Act 1\u003c\/li\u003e\n\u003cli\u003eSleeping Beauty - Waltz - Act 1\u003c\/li\u003e\n\u003cli\u003eLes Sylphides - Overture: Prelude In A Major, Opus 28, No. 7\u003c\/li\u003e\n\u003cli\u003eLes Sylphides - Mazurka In C Major, Opus 67, No. 3\u003c\/li\u003e\n\u003cli\u003eLes Sylphides - Grande Valse Brillante In E Flat Major, Opus 18\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Analogue Productions' Classic Records buyout brought with it metal parts for many albums, cut by Bernie Grundman, including for this record. ... AP chose to produce a new stamper using the \"mother\" cut from the original master tape by Bernie Grundman. ... I compared this 33 1\/3 reissue to the Classic 33 1\/3 reissue and to an original pressing that I'm lucky to own. ... The QRP pressing was definitely more open, extended and focused on top and transients were sharper though in a completely natural way. The Classic sounded somewhat softer and veiled. If you've got both, you'll hear it in the percussive transients first and then consistently throughout. ... If this is one of your \"go to\" sonic spectaculars and you have other versions, you ought to consider adding this one, though you'll have to wait for the re-re-press. Both the sound, including dead quiet vinyl, as well as the packaging are first-rate.\" Michael Fremer, AnalogPlanet.com.\u003c\/p\u003e\n\u003cp\u003eIn the hearts of thousands, No. 1 on the Top RCA list. While the bulk of Ansermet's recordings were made with L'Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra and the very occasional foray into recordings with London orchestras, one of these being with the Orchestra of the Royal Opera House, Covent Garden, in 1959.\u003c\/p\u003e\n\u003cp\u003eAnalogue Productions is proud and excited to be bringing back such a classic. Not just for the music, which is superb, but also for the detailed packaging, which in this case takes the form of a 22-page lavishly illustrated book that's integrated into the tip-on gatefold jacket. If you're new to ballet, this pictorial history will introduce you to some of its most famous productions — old favorites such as The Nutcracker, Swan Lake and The Sleeping Beauty, for example — but also less familiar tales such as Carnaval, Les Sylphides and Coppélia. You'll also make the aquaintance of famous ballerinas of the Royal company, such as Margot Fonteyn, Nadia Nerina and Beryl Grey. as well as choreographers such as Jules Perrot and male dancers Alexis Rassine and Michael Somes.\u003c\/p\u003e\n\u003cp\u003eMusically you can't get better than the 180-gram dead-silent platters pressed by Quality Record Pressings, makers of the world's finest-sounding LPs. Of course the best vinyl reflects the best mastering, and that's accomplished here by Bernie Grundman working from the original analog tape. Stoughton Printing expertly handled the intricate gatefold tip-on package.\u003c\/p\u003e\n\u003cp\u003eAudiophilia Online Magazine wrote: \"This is the stuff of which dreams are made. The Royal Ballet Gala is one of the finest RCAs recorded in London's Kingsway Hall. The chunks of great ballet music are well served by orchestra, conductor and engineer. Performances are executed to a very high standard - the Royal Opera House Orchestra, both then and now, rank as one of the finest of opera orchestras.\u003c\/p\u003e\n\u003cp\u003e\"Conductor Ansermet keeps the pace moving, giving the listener the impression of a dance event rather than a dramatic concert hall reading. With the exception of some of the Tchaikovsky scenes, the music is light and remains so under Ansermet's gentle touch. Each ballet is given full attention by the players, something not always attained at Covent Garden during long ballet nights! The threat of eternity does have it's merits. The recorded sound is simply amazing! Lustrous is one word that comes to mind, accurate is another.\u003c\/p\u003e\n\u003cp\u003e\"Tonally, Messrs. Williamson and Wilkinson have used their considerable talents to capture the orchestra superbly. Woodwind and strings glow and resonate, transporting this listener to a time when simpler recording was better. Brass ring out thrillingly and percussion effects are very musical. Be it a bang, swish, rattle, crack or snap, each percussionist is situated perfectly within the beautiful Kingsway soundstage. Even the difficult-to-record sound of the celeste is captured in it's purely mechanical form. It's delicate sound is heard to great effect during the Nutcracker - originating stage left, the sound decays across the stage of Kingsway with sparkling beauty. Wonderful.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.81 \/ 5 ,  Michael Fremer : Music = 11\/11; Sound = 11\/11\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41656255185146,"sku":"AAPC6065","price":129.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ernest-ansermet-the-royal-ballet-gala-performances-2lp-audiosoundmusic-1.jpg?v=1719854815"},{"product_id":"ernest-ansermet-the-royal-ballet-gala-performances-5lp-box-set-45rpm-200g","title":"\u003ctranscy\u003eErnest Ansermet - The Royal Ballet Gala Performances (5LP, Coffret, 45 tours, 200g)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky - Nutcracker Suite, Swan Lake, Sleeping Beauty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGioacchino Rossini - La Boutique Fantasque\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLéo Delibes - Coppelia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdolphe C. Adam - Giselle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrédéric Chopin - Les Sylphides\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra - Orchestra Of The Royal Opera House Covent Garden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor - Ernest Ansermet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5 LPs, Box set, Booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Record Technology Incorporated\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  RCA Victor Red Seal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1957 at Kingsway Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Kenneth Wilkinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Michael Williamson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNutcracker Suite - March\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Dance Of The Sugar Plum Fairy\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Arabian Dance\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNutcracker Suite - Chinese Dance\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Dance Of The Toy Flutes\u003c\/li\u003e\n\u003cli\u003eNutcracker Suite - Waltz Of The Flowers\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLa Boutique Fantasque - Tarantella\u003c\/li\u003e\n\u003cli\u003eLa Boutique Fantasque - Andante Mosso\u003c\/li\u003e\n\u003cli\u003eLa Boutique Fantasque - Can-Can\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCoppelia - Introduction (Allegro Marcato) And Mazurka - Act 1\u003c\/li\u003e\n\u003cli\u003eCoppelia - Introduction (Andante ) And Waltz - Act 1\u003c\/li\u003e\n\u003cli\u003eCoppelia - Czardas - Act 1\u003c\/li\u003e\n\u003cli\u003eCoppelia - Valse De La Poupee - Act 2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGiselle - Introduction And Waltz - Act 1\u003c\/li\u003e\n\u003cli\u003eGiselle - Pas De Deux And Variation - Act 2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSwan Lake - Dance Of The Little Swans (Pas De Quatre) - Act 2\u003c\/li\u003e\n\u003cli\u003eSwan Lake - Pas De Deux - Act 2\u003c\/li\u003e\n\u003cli\u003eSwan Lake - Waltz - Act 2\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide G:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCarnaval - Pierror\u003c\/li\u003e\n\u003cli\u003eCarnaval - Reconnaissance\u003c\/li\u003e\n\u003cli\u003eCarnaval - Aveu\u003c\/li\u003e\n\u003cli\u003eCarnaval - Pantalon Et Columbine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide H:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSleeping Beauty - Introduction - The Lilac Fairy - Prologue\u003c\/li\u003e\n\u003cli\u003eSleeping Beauty - Rose Adagio - Pase D'Action - Act 1\u003c\/li\u003e\n\u003cli\u003eSleeping Beauty - Waltz - Act 1\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide I:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLes Sylphides - Overture: Prelude In A Major, Opus 28, No. 7\u003c\/li\u003e\n\u003cli\u003eLes Sylphides - Mazurka In C Major, Opus 67, No. 3\u003c\/li\u003e\n\u003cli\u003eLes Sylphides - Grande Valse Brillante In E Flat Major, Opus 18\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide J: repeat of Side A \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List - The Absolut Sound\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Analogue Productions' Classic Records buyout brought with it metal parts for many albums, cut by Bernie Grundman, including for this record. ... AP chose to produce a new stamper using the \"mother\" cut from the original master tape by Bernie Grundman. ... I compared this 33 1\/3 reissue to the Classic 33 1\/3 reissue and to an original pressing that I'm lucky to own. ... The QRP pressing was definitely more open, extended and focused on top and transients were sharper though in a completely natural way. The Classic sounded somewhat softer and veiled. If you've got both, you'll hear it in the percussive transients first and then consistently throughout. ... If this is one of your \"go to\" sonic spectaculars and you have other versions, you ought to consider adding this one, though you'll have to wait for the re-re-press. Both the sound, including dead quiet vinyl, as well as the packaging are first-rate.\" Michael Fremer, AnalogPlanet.com.\u003c\/p\u003e\n\u003cp\u003eIn the hearts of thousands, No. 1 on the Top RCA list. While the bulk of Ansermet's recordings were made with L'Orchestre de la Susise Romande, there were a few with the Paris Conservatoire Orchestra and the very occasional foray into recordings with London orchestras, one of these being with the Orchestra of the Royal Opera House, Covent Garden, in 1959.\u003c\/p\u003e\n\u003cp\u003eAnalogue Productions is proud and excited to be bringing back such a classic. Not just for the music, which is superb, but also for the detailed packaging, which in this case takes the form of a 22-page lavishly illustrated book that's integrated into the tip-on gatefold jacket. If you're new to ballet, this pictorial history will introduce you to some of its most famous productions — old favorites such as The Nutcracker, Swan Lake and The Sleeping Beauty, for example — but also less familiar tales such as Carnaval, Les Sylphides and Coppélia. You'll also make the aquaintance of famous ballerinas of the Royal company, such as Margot Fonteyn, Nadia Nerina and Beryl Grey. as well as choreographers such as Jules Perrot and male dancers Alexis Rassine and Michael Somes.\u003c\/p\u003e\n\u003cp\u003eMusically you can't get better than the 180-gram dead-silent platters pressed by Quality Record Pressings, makers of the world's finest-sounding LPs. Of course the best vinyl reflects the best mastering, and that's accomplished here by Bernie Grundman working from the original analog tape. Stoughton Printing expertly handled the intricate gatefold tip-on package.\u003c\/p\u003e\n\u003cp\u003eAudiophilia Online Magazine wrote: \"This is the stuff of which dreams are made. The Royal Ballet Gala is one of the finest RCAs recorded in London's Kingsway Hall. The chunks of great ballet music are well served by orchestra, conductor and engineer. Performances are executed to a very high standard - the Royal Opera House Orchestra, both then and now, rank as one of the finest of opera orchestras.\u003c\/p\u003e\n\u003cp\u003e\"Conductor Ansermet keeps the pace moving, giving the listener the impression of a dance event rather than a dramatic concert hall reading. With the exception of some of the Tchaikovsky scenes, the music is light and remains so under Ansermet's gentle touch. Each ballet is given full attention by the players, something not always attained at Covent Garden during long ballet nights! The threat of eternity does have it's merits. The recorded sound is simply amazing! Lustrous is one word that comes to mind, accurate is another.\u003c\/p\u003e\n\u003cp\u003e\"Tonally, Messrs. Williamson and Wilkinson have used their considerable talents to capture the orchestra superbly. Woodwind and strings glow and resonate, transporting this listener to a time when simpler recording was better. Brass ring out thrillingly and percussion effects are very musical. Be it a bang, swish, rattle, crack or snap, each percussionist is situated perfectly within the beautiful Kingsway soundstage. Even the difficult-to-record sound of the celeste is captured in it's purely mechanical form. It's delicate sound is heard to great effect during the Nutcracker - originating stage left, the sound decays across the stage of Kingsway with sparkling beauty. Wonderful.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.81 \/ 5 ,  Michael Fremer : Music = 11\/11; Sound = 11\/11\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41656390582522,"sku":"AAPC 6065-45","price":240.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ernest-ansermet-the-royal-ballet-gala-performances-5lp-box-set-45rpm-audiosoundmusic-1.png?v=1719854816"},{"product_id":"festival-fritz-reiner","title":"Fritz Reiner - Festival (200g)","description":"\u003ch4\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eDmitry Kabalevsky - Colas Breugnon (opera in three acts), Op.24: Overture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky - Marche slave in B-flat minor, Op. 31 (orchestral tone poem) \u0026amp; Suite No. 1 in D Minor, Op.43 : Marche miniature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlexander Borodin - Prince Igor (opera in four acts) Act III: Polovski March\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModest Moussorgsky - A Night on Bare Mountain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMikhail Glinka - Ruslan and Lyudmilla (opera in five acts) : Overture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChicago Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFritz Reiner, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  RCA Victor Red Seal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 13 - 14 March 1959 in Orchestra Hall, Chicago\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Lewis Layton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Richard Mohr\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eColas Breugnon, Op.24: Overture\u003c\/li\u003e\n\u003cli\u003eMarche slave\u003c\/li\u003e\n\u003cli\u003ePrince Igor: Act III: Polovski March\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Night on Bare Mountain\u003c\/li\u003e\n\u003cli\u003eMarche miniature (from Suite No. 1 in D Minor, Op.43)\u003c\/li\u003e\n\u003cli\u003eRussian and Ludmilla: Overture - Glinka\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eWinner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! 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Sonata No.3 In C Major\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorg Friedrich Händel - Sonata In A Major For Violin \u0026amp; Piano, Op.1 No.3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePablo de Sarasate - Introduction Et Tarantelle Op.43\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003ePiotr Ilitch \u003c\/span\u003eTchaikovsky - Maria's Aria From Mazeppa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSergei Prokofiev - The Tales Of The Old Grandmother\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNicolò Paganini - Caprice For Violin Solo, Op.1 No.13\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFranz Liszt - Consolation No.3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTranscription by Nathan Milstein (C6, D3, D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNathan Milstein, violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorges Pludermacher, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Gatefold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst time ever on vinyl records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Teldec\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Benwaldhallen, Stockholm on June 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Olle Bolander\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Steven Andersson\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Metal Mastered by Hans-Jörg Mauksch at Pauler Acoustics from the original masters of Warner Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Thomas Ölscher at Railroad Tracks Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1994 in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in Nov. 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeethoven - Violin Sonata No.9 - Adagio Sostenuto - Presto\u003c\/li\u003e\n\u003cli\u003eBeethoven - Violin Sonata No.9 - Andante Con Variazioni\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeethoven - Violin Sonata No.9 - Presto\u003c\/li\u003e\n\u003cli\u003eBach - Partita II In D Minor - No.5 Chaconne\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHändel - Sonata In A Major - Larghetto (Andante)\u003c\/li\u003e\n\u003cli\u003eHändel - Sonata In A Major - Allegro\u003c\/li\u003e\n\u003cli\u003eHändel - Sonata In A Major - Adagio\u003c\/li\u003e\n\u003cli\u003eHändel - Sonata In A Major - Allegro\u003c\/li\u003e\n\u003cli\u003eBach - Sonata No.3 In C Major - No.3 Allegro Assai\u003c\/li\u003e\n\u003cli\u003eSarasate - Introduction Et Tarantelle - Moderato \u0026amp; Allegro Vivace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eProkofiev - The Tales Of The Old Grandmother - No.2 Andantino\u003c\/li\u003e\n\u003cli\u003eProkofiev - The Tales Of The Old Grandmother - No.3 Andante Assai\u003c\/li\u003e\n\u003cli\u003eTchaikovsky - Maria's Aria From Mazeppa\u003c\/li\u003e\n\u003cli\u003ePaganini - Caprice For Violin Solo\u003c\/li\u003e\n\u003cli\u003eLiszt - Consolation No.3 - Lento Placido\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« What most astonished was the sheer facility of the 82-year-old violinist’s playing; its agility, quick reflexes and tonal lustre... it is without doubt the pre-eminent recorded example of a great violinist giving of his best in old age. The Kreutzer Sonata is dapper, suave and tirelessly athletic: the first movement’s central development has real drama and temperament, the variations have plenty of colourful ikncident and the finale gallops along energetically. The Handel Sonata is cool and tastefully moulded; the Bach Chaconne, endlessly resourceful and superbly built. This is very much the Milstein of old – a highly cultivated artist and a supremely accomplished violinist. The sound is admirably clear » Gramophone\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41663509266682,"sku":"PWC2L-0008","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/milstein-and-pludermacher-the-last-recital-beethoven-bach-handel-sarasate-tchaikovsky-prokofiev-paganini-liszt-2lp-audiosoundmusic-1.jpg?v=1719854859"},{"product_id":"vengerov-virtuosi-rachmaninov-ponce-schubert-brahms-novacek-dvorak-tchaikovsky-bazzini-massenet-monti-2lp","title":"Vengerov \u0026 Virtuosi – Rachmaninov, Ponce, Schubert, Brahms, Novacek, Dvorak, Tchaikovsky, Bazzini, Massenet, Monti (2LP)","description":"\u003cp\u003e\u003cstrong\u003eSergei Rachmaninov - Vocalise Op.34, No.14\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManuel Ponce - Estrellita\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFranz Schubert - Ave Maria (Ellens Gesang III), D.839\/Op.52 No.6\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohannes Brahms - Hungarian Dances\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOttokar Novacek - Perpetuum Mobile, Op.5, No.4\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAntonin Dvorak - Humoreske in G flat major, Op.101 No.7\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePyotr Il'yich Tchaikovsky - Souvenir D'un lieu cher (Three Pieces for Violin and Piano), Op.42\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAntonio Bazzini - La Ronde des Lutins (Scherzo fantastique), Op.25\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAram Khachaturian - Sabre Dance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJules Massenet - Meditation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVittorio Monti - Csardas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaxim Vengerov - violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVirtuosi (11 violins)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVag Papian – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMikhail Parhamovsky - conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Gatefold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst time on vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Classics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on 28-30 April, 2001 at Großer Musikvereinsaal, Wien\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Arne Akselberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by  John Fraser\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered from the original Warner Music masters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Metal Mastered by Hans-Jorg Mauksch at Pauler Acoustics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2001\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in Nov. 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRachmaninov - Vocalise\u003c\/li\u003e\n\u003cli\u003ePonce - Estrellita\u003c\/li\u003e\n\u003cli\u003eSchubert - Ave Maria\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrahms - Hungarian Dances - No. 7 in A major\u003c\/li\u003e\n\u003cli\u003eBrahms - Hungarian Dances - No. 1 in G minor\u003c\/li\u003e\n\u003cli\u003eBrahms - Hungarian Dances - No. 5 in G minor\u003c\/li\u003e\n\u003cli\u003eNovacek - Perpetuum Mobile\u003c\/li\u003e\n\u003cli\u003eDvorak - Humoreske\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide C: Tchaikovsky - Souvenir D'un lieu cher\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMeditation\u003c\/li\u003e\n\u003cli\u003eMelodie\u003c\/li\u003e\n\u003cli\u003eScherzo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBazzini - La Ronde des Lutins\u003c\/li\u003e\n\u003cli\u003eKhachaturian - Sabre Dance\u003c\/li\u003e\n\u003cli\u003eJules Massenet - Meditation\u003c\/li\u003e\n\u003cli\u003eMonti – Csardas\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« This is above all a fun record – even more than most collections of violin lollipops a disc for those with a very sweet tooth... Here is a young violinist at the peak of his form enjoying himself from first to last in music undemanding on the ear if not the technique, outrageously showing off in a way that for most will be very endearing. Not that the playing is extrovert all th time... ‘Méditationi’ from Massenet’s Thaïs conveys a rare depth of feeling, making it more than just a lyrical interlude. With full, open recording, this winning young violinist’s many devotees will no doubt have the same response as the enthusiastic Vienna audience. » - Gramophone\u003c\/p\u003e\n\u003cp\u003e\"He's supported by a pianist and the 11 violins of Virtuosi, who back him in this selection of encore pieces whose arrangements are sometimes clever, sometimes corny. At times, it all gets a bit much (innocent bystanders can be smothered in vibrato); at other times listeners who suspend their critical faculties can just enjoy it. Vengerov certainly seems to and so does the Viennese audience.\" — Amazon.com\u003c\/p\u003e\n\u003cp\u003e\"Vengerov continues his well-earned reputation for violin wizardry as he sets off fireworks in the more festive and volatile pieces (Novácek's Perpetuum Mobile, Monti's Csárdás), and displays a warm, lush lyricism for the gentler items, such as Rachmaninov's Vocalise, played as a duo at the start of the program. The live recording was made in Vienna's Musikvereinsaal, a location that is considerably more reverberant than was probably necessary for such a small ensemble. But given Vengerov's popularity, a smaller space, however suitable for recording, would not have accommodated so large a crowd. This collection holds appeal for classical specialists and novices alike, and especially for aficionados of fine violin playing.\" - Victor Carr Jr., ClassicsToday.com\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllmusics : 4 \/ 5 , Discogs : 4.13 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41664011075834,"sku":"PWC2L-0005","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/vengerov-and-virtuosi-rachmaninov-ponce-schubert-brahms-novacek-dvorak-tchaikovsky-bazzini-massenet-monti-2lp-audiosoundmusic-1.jpg?v=1719854859"},{"product_id":"rendez-vous-musical-avec-pierre-fournier-haydn-chopin-rimsky-korsakov-schumann-tchaikovsky-brahms-dvorak","title":"\u003ctranscy\u003eRendez vous Musical avec Pierre Fournier - Haydn, Chopin, Rimsky-Korsakov, Schumann, Tchaikovsky, Brahms, Dvorak, … (2LP, 45 tours)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003ePierre Fournier - cello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLamar Crowson - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStéréo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at München Plenar-Saal der Akademie der Wissenschaften on 8-10, Jan, 1969\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Karl Faust\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios from the original masters of Universal Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1974 in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio Cantabile • Allegro Vivo (Francoeur)\u003c\/li\u003e\n\u003cli\u003eTempo di Minuetto (Haydn)\u003c\/li\u003e\n\u003cli\u003eLarghetto • Rondo (Weber)\u003c\/li\u003e\n\u003cli\u003eNocturne Op. 9 Nr. 2 (Chopin)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHymne An Die Sonne (Rimski-Korssakoff)\u003c\/li\u003e\n\u003cli\u003eHummelflug (Rimski-Korssakoff)\u003c\/li\u003e\n\u003cli\u003eAdagio Und Allegro Op. 70 (Schumann)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAve Maria (Méditation) (Gounod)\u003c\/li\u003e\n\u003cli\u003eValse Sentimentale Op. 51 Nr. 6 (Tchaikowsky)\u003c\/li\u003e\n\u003cli\u003eFeldeinsamkeit Op. 86 Nr. 2 (Brahms)\u003c\/li\u003e\n\u003cli\u003eElfentanz Op. 39 (Popper)\u003c\/li\u003e\n\u003cli\u003eRondo Op. 94 (Dvořák)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDer Schwan (Saint-Saëns)\u003c\/li\u003e\n\u003cli\u003eVariationen Über Ein Thema Aus Der Oper »Moses« (Paganini)\u003c\/li\u003e\n\u003cli\u003ePezzo Cappriccioso op.62 (Tchaikowsky) - Bonus track (Previously Unreleased)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« Fournier’s tone is a constant delight, warmly lyrical yet with a plangent edge that does wonders for the more pleading episodes of Dvořak’s Rondo — a work written for the cello, and making the fact very clear. His phrasing is beautifully shapely in cantabile. And when scurrying around in Francoeur’s Allegro vivo, Rimsky-Korsakov’s Bumble-bee and Pop-per’s Elfentanz, he brings a bite to the accentuation which keeps the rhythm both tingling and disciplined. The Weber is a pleasant surprise, but I particularly enjoyed the Dvořak, the Schumann (meant for the horn but with cello as an op-tional alternative) and the Brahms... Brhams’s particular brand of deep-hued sentiment is wholly at one with the soul of the cello. » Gramophone\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,62 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41665957691642,"sku":"LP43110","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/rendez-vous-musical-avec-pierre-fournier-haydn-chopin-rimsky-korsakov-schumann-tchaikovsky-brahms-dvorak-2lp-45rpm-audiosoundmusic-1.jpg?v=1719854885"},{"product_id":"tchaikovsky-sinfonies-n-4-5-6-pathetique-evgeny-mravinsky-the-leningrader-philharmonie-3lp","title":"\u003ctranscy\u003eTchaikovsky - Symphonies N° 4, 5 \u0026 6 “Pathétique”- Evgeny Mravinsky \u0026 The Leningrader Philharmonie (3LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003ePiotr Ilitch Tchaikovsky:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eSymphony No.4, F minor op.36\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSymphony No.5, E minor op.64\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSymphony No.6 H minor op.74\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLeningrader Philharmonie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvgeny Mravinsky - conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 LP, Box set \u003cspan data-mce-fragment=\"1\"\u003e with individual original cover jackets\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eOne-time limited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in \u003c\/strong\u003e\u003cstrong\u003eWembley Town Hall, London on14-15 September 1960 (A1-B3) and G\u003c\/strong\u003e\u003cstrong\u003eroßer Saal, Musikverein, Vienna on 9-10 November 1960 (C1-D2) and\u003c\/strong\u003e\u003cstrong\u003e 7-9 November 1960 (E1-F2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered from the original masters of Universal Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1962 in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A : Sinfonie Nr. 4 F \u003cspan data-mce-fragment=\"1\"\u003eminor \u003c\/span\u003eOp. 36\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndante Sostenuto - Moderato Con Anima\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B : \u003cspan data-mce-fragment=\"1\"\u003eSinfonie Nr. 4 F minor Op. 36\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndantino In Modo Di Canzona\u003c\/li\u003e\n\u003cli\u003eSatz: Scherzo: Pizzicato Ostinato - Allegro\u003c\/li\u003e\n\u003cli\u003eFinale: Allegro Con Fuoco\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C : Symphonie Nr. 5 E \u003cspan data-mce-fragment=\"1\"\u003eminor \u003c\/span\u003eOp. 64\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndante – Allegro Con Anima\u003c\/li\u003e\n\u003cli\u003eAndante Cantabile, Con Alcuna Licenza\u003c\/li\u003e\n\u003cli\u003eHeidenröslein, D. 257 (Op.3\/3)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D : S\u003cspan data-mce-fragment=\"1\"\u003eymphonie Nr. 5 E minor Op. 64\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eValse: Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eFinale: Andante Maestoso – Allegro Vivace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E : Symphonie Nr. 6 H \u003cspan data-mce-fragment=\"1\"\u003eminor \u003c\/span\u003eOp. 74 \"Pathétique\"\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio - Allegro Non Troppo\u003c\/li\u003e\n\u003cli\u003eSatz: Allegro Con Grazia\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F : \u003cspan data-mce-fragment=\"1\"\u003eSymphonie Nr. 6 H \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eminor \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOp. 74 \"Pathétique\"\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro Molto Vivace\u003c\/li\u003e\n\u003cli\u003eFinale: Adagio Lamentoso\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« Incendiary’ is just the right word – this is a recording that catches fire so early in the first movement, I’m gripped each time I listen. I enjoy the stereo sound picture, which spotlights the utterly distinctive Soviet-Russian quality of the Leningrad Phil... the frenetic energy and snarling hysteria that Mravinsky draws from his players are still capable of shredding nerves. The Pathétique contains deeply personal, deeply troubling music; this DG recording may prove too theatrical for some, but it gnaws away at my soul like no other » – Mark Pullinger (Gramophone)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,67 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41666252341498,"sku":"LP43092","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-sinfonies-n-4-5-and-6-pathetique-evgeny-mravinsky-and-the-leningrader-philharmonie-3lp-box-set-audiosoundmusic-1.jpg?v=1719854890"},{"product_id":"tchaikovsky-violin-concerto-in-d-major-op-35-ida-haendel","title":"Tchaikovsky - Violin Concerto in D Major Op.35 - Ida Haendel (Mono)","description":"\u003cp\u003e\u003cstrong\u003ePyotr Ilych Tchaikovsky - Violin Concerto in D Major Op.35\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIda Haendel - violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStuttgart Radio Symphony Orchestra (Radio-Sinfonieorchester Stuttgart des SWR)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHans Müller-Kray - conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginal Label : SWR Music\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst time ever on vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Liederhalle Stuttgart on 8 January 1960,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Erich Primmer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios from the original masters of Universal Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro Moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCanzonetta. Andante\u003c\/li\u003e\n\u003cli\u003eFinale. Allegro Vivacissimo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eIda Haendel, “Grande Dame of the Violin”, is one of the greatest violinists of the 20th century, and her concert career – spanning almost seven decades - was among the longest running in music history. Starting the violin playing at the age of three, she became a laureate of the very first Wieniawski Competition in 1935, at the age of seven. She was one of the best pupils of the legendary pedagogue Carl Flesch(along with Szeryng, Neveu and Szymon Goldberg), who was so impressed by the child prodigy’s talent that he taught her free of charge, and received further tuition from another legendary player, George Enescu. Since her debut in 1937, she delighted audiences all over the world with her vital and inspired playing and was a particular favorite of the British audiences. Always very self-critical, she made relatively few commercial recordings in her prime, but they are of the highest quality and impeccable both in interpretation and technique. Among her concerti recordings, the Beethoven, Sibelius and Tchaikovsky have been especially praised and still stand up well against the top versions. Although Ida Haendel, born to a Polish-Jew family, accepted an invitation to perform in Germany after a considerable period of hesitance, she had a long and fruitful collaboration with SWR(then SDR) from 1952-67.\u003c\/p\u003e\n\u003cp\u003eAlthough Ida Haendel, born to a Polish-Jew family, accepted an invitation to perform in Germany after a considerable period of hesitance, she had a long and fruitful collaboration with SWR(then SDR) from 1952-67. Her broadcast recordings with the then Principal conductor, Hans Müller-Kray are among the most valuable treasures in today’s SWR archive. The Tachikovsky concerto was always one of her ‘pièces de résistance’, and this broadcast recording from 1960 is a great document.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41666495840506,"sku":"CNLR1635","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-violin-concerto-in-d-major-op-35-ida-haendel-mono-audiosoundmusic-1.jpg?v=1719854890"},{"product_id":"nathan-milstein-vignettes-falla-ravel-schumann-bach-tchaikovsky-debussy-mono","title":"Nathan MIlstein – Vignettes - Falla, Ravel, Schumann, Bach, Tchaikovsky, Debussy (Mono)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNathan Milstein - violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeon Pommers - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Capitol\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Capitol Studio A, New York City on 22, 24 \u0026amp; 26 April 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Frank Abbey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Richard C. Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios from the original masters of Universal Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePolonaise In D, Op. 4 (Wieniawski)\u003c\/li\u003e\n\u003cli\u003eAsturiana Jota (Falla)\u003c\/li\u003e\n\u003cli\u003eBerceuse On The Name Of Gabriel Fauré (Ravel)\u003c\/li\u003e\n\u003cli\u003eRomanza Andaluza (Sarasate)\u003c\/li\u003e\n\u003cli\u003eTräumerei (Schumann)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAir (J.S. Bach)\u003c\/li\u003e\n\u003cli\u003ePerpetuum Mobile (Nováček)\u003c\/li\u003e\n\u003cli\u003eMelodie, Op. 42, No. 3 (Tchaikovsky)\u003c\/li\u003e\n\u003cli\u003eThe Maid With The Flaxen Hair (Debussy)\u003c\/li\u003e\n\u003cli\u003eScherzo-Tarantelle, Op. 16 (Wieniawski)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« At his best Milstein is superb; for instance in the Wieniawski pieces, Träumerei, and the delightful Sarasate dance. He seems right on top of the listener; one can hear him breathing... and Novácek Perpetuum mobile is magically played. » The Gramophone Magazine\u003c\/p\u003e\n\u003cp\u003e« Milstein recorded many of these pieces more than once; and although his stylings remained remarkably consistent, these recordings, made in 1957, when Milstein was in his early fifties, are the locus classicus. There's no release of any kind I've more eagerly awaited, and none that I could recommend more highly. When all's said and done,...it would come as no surprise to me if Milstein were to be recognized as the premiere violinist of the 20th century. If anything can hasten that judgment, these recordings can. » Fanfare\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,25 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41666534244602,"sku":"LP43080","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/nathan-milstein-vignettes-falla-ravel-schumann-bach-tchaikovsky-debussy-mono-audiosoundmusic-1.jpg?v=1719854913"},{"product_id":"eiji-oue-exotic-dances-rimsky-korsakov-strauss-mussorgsky-tchaikovsky-45rpm-200g-half-speed-mastering","title":"Eiji Oue - Exotic Dances from The Opera - Rimsky-Korsakov, Strauss, Mussorgsky, Tchaikovsky, ... (200g, Half-speed Mastering)","description":"\u003cp\u003e\u003cstrong\u003eMinnesota Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEiji Oue, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-Speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Reference Recordings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Reference Recordings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January 18-20, 1996 at Orchestra Hall, Minneapolis, MN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Keith O. 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Tamblyn Henderson, Jr.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1996 (as a HDCD)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012 (for the first time as an LP).\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNikolai Rimsky-Korsakov - Dance of the Tumblers from The Snow Maiden\u003c\/li\u003e\n\u003cli\u003e Richard Strauss - Dance of the Seven Veils from Salome\u003c\/li\u003e\n\u003cli\u003eModest Petrovich Mussorgsky - Dance of the Persian Slaves from Khovanshchina\u003c\/li\u003e\n\u003cli\u003ePyotr Ilyich Tchaikovsky - Hopak from Mazeppa\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHenri Rabaud - Dances from Marouf, Cobbler of Cairo\u003c\/li\u003e\n\u003cli\u003eCamille Saint-Saens - Bacchanale from Samson and Delilah\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Collections\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Reference Recordings' new edition of Exotic Dances From The Opera is a very guilty pleasure indeed. Pressed at Analogue Productions' Quality Record Pressing plant, this is Exotic's first time on vinyl. Among the excerpts are are Strauss' 'Dance of the Seven Veils,' Sain-Saens' 'Bacchanale,' and Rabaud's 'Dances from Marouf.' While Oue and his orchestra play well, the performances lack a certain tension. But the sound offers classic Keith Johnson excellence: A you-are-there perspective, stunning air and clarity, ideal instrumental texture, tone, and balance, and powerful, wide-ranging dynamics. Go ahead, indulge, you know you want to.\" Wayne Garcia, The Absolute Sound, January 2013\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn half-speed mastering, the whole mastering process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.55 \/ 5 , Audiophile Audition : 5 Stars , The Absolute Sound : Sonics = 4.5\/5; Music = 3.5\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41939887784186,"sku":"RM-1505","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/eiji-oue-exotic-dances-from-the-opera-rimsky-korsakov-strauss-mussorgsky-tchaikovsky-200g-half-speed-mastering-audiosoundmusic-1.jpg?v=1719855419"},{"product_id":"tchaikovsky-in-jazz","title":"Tchaikovsky in Jazz - Sergey Zhilin Trio","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePyotr Tchaikovsky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Yuri Markin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSergey Zhilin Trio :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003ePiano – Sergey Zhilin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eContrabass – Pavel Protasov\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDrums – Leonid Gusev\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 200 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Melodiya\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Melodiya\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded and mixed at Fonograf Records Studios on 15-30 August 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by S. Volkov\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by U. Bogdanof\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Elena Rastegaeva\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2009 (as a CD)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014 (first time on LP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDecember. Christmas\u003c\/li\u003e\n\u003cli\u003eJanuray. At The Fireside\u003c\/li\u003e\n\u003cli\u003eJune. Barcarolle\u003c\/li\u003e\n\u003cli\u003eMarch. Song Of The Lark\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOctober. The Autumn Song\u003c\/li\u003e\n\u003cli\u003eApril. A Snowdrop\u003c\/li\u003e\n\u003cli\u003eFebruary. Carnival\u003c\/li\u003e\n\u003cli\u003eNovember. Troika\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42100883456250,"sku":"MELLP 0033","price":37.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-in-jazz-sergey-zhilin-trio-audiosoundmusic-1.jpg?v=1719855934"},{"product_id":"tchaikovsky-piano-concerto-n-2","title":"\u003ctranscy\u003eEmil Gilels Volume 1 - Tchaikovsky - Piano Concerto N°2\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky - Piano concerto No. 2 in G major, Op. 44\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Emil Gilels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe USSR State Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor – Evgeni Svetlanov\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Melodiya\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Melodiya\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded live at the Grand Hall of Moscow Conservatory on the 18th December, 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Michail Pachter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Maxim Pilipov\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Elena Rastegaeva\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1985\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro brilliante e molto vivace              \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndante non troppo\u003c\/li\u003e\n\u003cli\u003eAllegro con fuoco\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReview\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eFirma Melodiya continues a series of concert and studio recordings of one of the greatest pianists of the past era Emil Gilels. The musical world watched his career for half a century, from his first victory at the All-Union Competition of Performing Musicians in Moscow in 1933 to his last concert in Helsinki in 1985. His concerts in his home country and overseas, triumphant appearances at the world's most prestigious concert venues featuring famous orchestras and outstanding conductors, numerous recordings made in the USSR and beyond - in his lifetime, Gilels was a living legend for hundreds of thousands of listeners and millions of record collectors.\u003c\/p\u003e\n\u003cp\u003eAs a pianist of an apparent romantic nature, Emil Gilels exerted himself to the limit when he played live. Although these recordings may seem technically imperfect at times, they are of special interest to music lovers and connoisseurs.\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42100970717434,"sku":"MELLP 0032","price":37.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/emil-gilels-volume-1-tchaikovsky-piano-concerto-n2-audiosoundmusic-1.jpg?v=1719855934"},{"product_id":"evgeni-svetlanov-vol-1-tchaikovsky-winter-dreams","title":"Evgeni Svetlanov Vol.1 - Tchaikovsky - Winter Dreams","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePyotr Tchaikovsky - Symphony No. 1 In G Minor, Op. 13 \"Winter Dreams\"           \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe USSR State Academic Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEvgeni Svetlanov - Conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecord Press : unspecified (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLabel : Melodiya\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginal label : Melodiya\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecorded in 1967\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngineered by Alexander Grosman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRemastered by Maxim Pilipov\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProduced by Elena Rastegaeva\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOriginally released in 1967\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDaydreams on a Winter Journey. Allegro Tranquillo\u003c\/li\u003e\n\u003cli\u003eLand of Gloom, Land of Mist: Adagio Cantabile ma mon tanto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eScherzo. Allegro scherzando giocoso\u003c\/li\u003e\n\u003cli\u003eFinale. Andante lugubre - Allegro maestoso\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42101084553466,"sku":"MELLP 0015","price":37.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/evgeni-svetlanov-vol-1-tchaikovsky-winter-dreams-audiosoundmusic-1.jpg?v=1719855941"},{"product_id":"tchaikovsky-violin-concerto-in-d-major-op-35-alfredo-campoli","title":"Tchaikovsky - Violin Concerto In D Major, Op. 35 - Alfredo Campoli","description":"\u003cp\u003e\u003cstrong\u003ePeter Ilyich Tchaikovsky - Concerto In D Major For Violin And Orchestra, Opus 35\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlfredo Campoli - violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe London Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAtaulfo Argenta (cond)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : AnalogPhonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : DECCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at  Kingsway Hall 27-28 Dec 1956\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Kenneth Wilkinson,Gordon Parry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by James Walker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFirst Movement: Allegro Moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSecond Movement: Canzonetta (Andante)\u003c\/li\u003e\n\u003cli\u003eThird Movement: Allegro Vivacissimo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« This is an outstandingly good record. Campoli brings to the Tchaikovsky a quite ravishing sweetness; and he brings to also, of course, a fabulous technique... In its comnbination of sweetness and display this is an entirely convincing reading; and Campoli is by no means alone in the skill he brings to bear on the music. For Argenta persuades the L.S.O. into being simultaneously a sympathetic accompanist and a dashing exponent of the tuttis; and Decca, too, have turned on one of their best recording, with a satisfying balance between soloist and orchestra, and brilliance and richness of tone to spare. Campoli allows himself that touch of lingering here, of Viennese Liebesleid there, which, allied with an easiergoing movement, make for a very different reading from Heifetz. » - The Gramophone magazine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,62 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42110839292154,"sku":"LP43061","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-violin-concerto-in-d-major-op-35-alfredo-campoli-audiosoundmusic-1.jpg?v=1719856344"},{"product_id":"to-my-friends-arthur-grumiaux-plays-his-best-loved-encores-schubert-mozart-vivaldi-dvorak-beethoven-tchaikovsky-massenet","title":"To My Friends, Arthur Grumiaux plays his best-loved encores - Schubert, Mozart, Vivaldi, Dvořák, Beethoven, Tchaikovsky, Massenet …","description":"\u003cp\u003e\u003cstrong\u003eArthur Grumiaux – violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIstvan Hajdu - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEmil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Philips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on 28 Nov. – 4 Dec.1972 \u0026amp; 12-16 Feb. 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at Emil Berliner Studios from the original masters of Universal Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in Aug. 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSicilienne – Maria Theresia von Paradis\u003c\/li\u003e\n\u003cli\u003eRondo – Wolfgang Amadeus Mozart\u003c\/li\u003e\n\u003cli\u003eMelodie – Christoph Willibald Gluck\u003c\/li\u003e\n\u003cli\u003eDanza Espanola No. 5 – Enrique Granados\u003c\/li\u003e\n\u003cli\u003eSchon Rosmarin - Liebesleid - Liebesfreud – Fritz Kreisler\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro – Francesco Maria Veracini\u003c\/li\u003e\n\u003cli\u003eSicliano, Op. 3 No. 11 – Antonio Vivaldi\u003c\/li\u003e\n\u003cli\u003eTambourin – Jean-Marie Leclair\u003c\/li\u003e\n\u003cli\u003eMinuette In G Major – Ludwig van Beethoven\u003c\/li\u003e\n\u003cli\u003eAve Maria, Op. 52 No. 6 – Franz Schubert\u003c\/li\u003e\n\u003cli\u003eHumoresque Op. 101 No. 7 – Antonín Dvořák\u003c\/li\u003e\n\u003cli\u003eMeditation De Thais – Jules Massenet\u003c\/li\u003e\n\u003cli\u003eValse Sentimentale Op. 51 No. 6 – Pyotr Ilyich Tchaikovsky\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« The good Arthur Grumiaux was in a very sentimental mood when he chose the twenty-nine works for this pair of discs. The prevailing pace is andante, the prevailing mood one of heavy sweetness-the stuff to send an audience out not with pulses pounding. There are, of course, nice moments. a Mozart Rondo is bright, articulate, and well planned: Granados' Danza espa-hola No. 5 (Andaluza) is warm and compelling, with its minor -major cadence as magical as ever: Kreisler's Schon Rosmarin is beguiling. » High Fidelity\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.4 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42110842634490,"sku":"LP43107","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/to-my-friends-arthur-grumiaux-plays-his-best-loved-encores-schubert-mozart-vivaldi-dvorak-beethoven-tchaikovsky-massenet-audiosoundmusic-1.jpg?v=1719856344"},{"product_id":"tchaikovsky-symphony-no-5-valery-gergiev","title":"\u003ctranscy\u003eTchaïkovski - Symphonie n° 5 - Valery Gergiev\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003ePiotr Ilitch Tchaikovsky - Symphony No. 5 In E Minor, Op. 64\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWiener Philharmoniker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eValery Gergiev, Conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Philips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded live during the \"Salzburg Festival\" at \"Grosses Festspielhaus\", Salzburg, Austria on July 1998 by the O.R.F.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Maarten de Boer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Wolfgang Danzmayer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1999\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndante - Allegro con anima\u003c\/li\u003e\n\u003cli\u003eAndante cantabile, con alcuna licenza - Moderato con anima\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eValse. Allegro moderato\u003c\/li\u003e\n\u003cli\u003eFinale. Andante maestoso - Allegrovivace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“This is the genuine article – live and alive – an unpatched one-off performance bursting at the seams with passion, presence, theatre and vitality. ‘Love at first sight’, as Gergiev’s collaboration with the (Vienna Philharmonic) orchestra has been described, translates here into body-and-soul compliance with the conductor’s expressive intentions... and for its own part the orchestra does what it does best: strings lacing the lyricism with their famed vibrato-rich playing, and bouncing the outer sections of the third movement Waltz as only they know how to do.” The Gramophone magazine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42111286345978,"sku":"LP43050","price":85.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-symphony-no-5-valery-gergiev-audiosoundmusic-1.jpg?v=1719856361"},{"product_id":"ruggiero-ricci-the-glory-of-cremona-brahms-mozart-vivaldi-tchaikovsky","title":"Ruggiero Ricci - The Glory Of Cremona – Brahms, Mozart, Vivaldi, Tchaikovsky, …","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRuggiero Ricci, violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeon Pommers, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Brunswick\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Rainer Maillard at at Emil Berliner Studios in Berlin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1963\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntrada (Desplanes)\u003c\/li\u003e\n\u003cli\u003eLarghetto (Nardini)\u003c\/li\u003e\n\u003cli\u003ePraeludium (Vivaldi)\u003c\/li\u003e\n\u003cli\u003eCantabile And Waltz (Paganini)\u003c\/li\u003e\n\u003cli\u003eAdagio (Mozart)\u003c\/li\u003e\n\u003cli\u003eImprovisation, Op. 21, No.1 (Kabalevsky)\u003c\/li\u003e\n\u003cli\u003eMelodie Op. 42, No. 3 (Tchaikovsky)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLargo (Veracini)\u003c\/li\u003e\n\u003cli\u003eSicilienne (Paradies)\u003c\/li\u003e\n\u003cli\u003eThe Violin Maker Of Cremona (Hubay)\u003c\/li\u003e\n\u003cli\u003eLarghetto (Handel)\u003c\/li\u003e\n\u003cli\u003eRomance In A Major (Schumann)\u003c\/li\u003e\n\u003cli\u003eHungarian Dance No. 20 (Brahms)\u003c\/li\u003e\n\u003cli\u003eHungarian Dance No. 17 (Brahms)\u003c\/li\u003e\n\u003cli\u003eMay Breeze (Song Without Words, Op. 62, No. 1) (Mendelssohn)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Nobody who attended the session at which Ricci made this unusual recording is likely to forget the sight which greeted one on entering the studio: the long table, flanked by two pistol-packing Pinkerton detectives, bearing no fewer than fifteen of the world's highest pedigreed violins... Ricci took up the violins one by one, planted his feet firmly on the yellow chalk marks sketched at the prescribed distance from the microphones, and played on each instrument a selection chosen to show it to best advantage. It was a fascinating parade of pieces that are fiddle music par excellence, and Ricci's masculine, unmincing approach suited most of them very well indeed.” High Fidelity\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,84 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42210816590074,"sku":"LP43155","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ruggiero-ricci-the-glory-of-cremona-brahms-mozart-vivaldi-tchaikovsky-audiosoundmusic-1.jpg?v=1719857068"},{"product_id":"tchaikovsky-symphony-no-5-sir-malcolm-sargent-2lp-45rpm-200g","title":"\u003ctranscy\u003eTchaikovsky - Symphony No. 5 - Sir Malcolm Sargent (2LP, 45 tours, 200g)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003ePiotr Ilitch Tchaikovsky - Symphony No. 5 in E Major, Op. 64\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLondon Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor – Sir Malcolm Sargent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Classic Records (now part of Analogue Productions)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Everest\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e1st Movement: Andante: Allegro Con Anima  \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e2nd Movement: Andante Cantabile, Con Alcuna Licenza (Part One)   \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e2nd Movement: Andante Cantabile, Con Alcuna Licenza (Part Two)   \u003c\/li\u003e\n\u003cli\u003e3rd Movement: Valse: Allegro Moderato       \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e4th Movement: Andante Maestoso: Allegro Vivace    \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,32 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42332053963002,"sku":"AEVC 3039-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-symphony-no-5-sir-malcolm-sargent-2lp-45rpm-200g-audiosoundmusic-1.jpg?v=1719857828"},{"product_id":"tchaikovsky-sibelius-violin-concertos-viktoria-mullova-seiji-ozawa-2lp","title":"Tchaikovsky \u0026 Sibelius - Violin Concertos - Viktoria Mullova \u0026 Seiji Ozawa (2LP)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePyotr Ilyich Tchaikovksy - Violin Concerto in D, Op. 35 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJean Sibelius - Violin Concerto No. 1 in D Minor, Op. 47 \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/jean-sibelius\" title=\"vinyl from Jean Sibelius\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/jean-sibelius\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan color=\"#ff8000\" style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003efrom Jean Sibelius]\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViktoria Mullova - violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBoston Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeiji Ozawa - conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Gatefold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst time ever on vinyl records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analog Phonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Philips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 17-19 October 1985 at the Symphony Hall, Boston\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Sidney Claire Meyer at Emil Berliner Studios in Berlin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTo be reissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - Tchaikovksy - Violin Concerto in D\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B - Tchaikovksy - Violin Concerto in D\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCanzonetta (Andante)\u003c\/li\u003e\n\u003cli\u003eFinale (Allegro vivacissimo)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C - Sibelius Violin Concerto No. 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D - Sibelius Violin Concerto No. 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdagio di molto\u003c\/li\u003e\n\u003cli\u003eAllegro, ma non tanto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eGrand Prix International du Disque de l'Académie Charles Cros 1987\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Listening to the Mullova again confirms my earlier impression. The Sibelius is magnificent: stern, vigorous and entirely free from the kind of sentimental inflation that has distorted our view of this work. Her Tchaikovsky is harder to take: here I definitely prefer Nigel Kennedy's genial and warm approach, even though it sounds a little low-powered after the intensity and energy of Mullova. The sound on the Mullova disc is magnificently spacious with the soloist well forward, though on CD the sense of distance between solo violin and various instrumental groups tends to sound wider than on LP, especially in the Sibelius: the stopped horns at fig. 4 in the finale sound as if they're coming from a completely different part of the hall. Kennedy's recording sounds entirely natural, so that for the most part one is hardly aware of it. the soloist is reasonably close, but the violin\/orchestra perspective is nicely judged. In both recordings the violin tone is well captured: even Mullova's terrifying crescendo molto at fig. 6 in the first movement of the Sibelius is contained without loss of impact.\u003c\/p\u003e\n\u003cp\u003eComparing the listed recordings, Mullova, I think, wins outright in the Sibelius, though the Amoyal (Erato) is certainly agreeable without being too sentimental; it's also well recorded—violin forward again, but with a firm presence. Kremer's EMI performance (coupled with the Schumann) is well thought out, but most of the time it runs at a rather low voltage. For the Tchaikovsky it's not so easy. Kennedy's is an appealing performance, though Amoyal's affetuoso has a truly natural quality that makes Kennedy sound a trifle arch. Chung's combination of sweetness and technical super-accomplishment (Decca) has endeared her to many; I find her Tchaikovsky somewhat characterless in comparison, and the sound tends to thinness in orchestral tuttis.” Stephen Johnson, Gramophone\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.69 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42433781039354,"sku":"APHI 43174","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-and-sibelius-violin-concertos-viktoria-mullova-and-seiji-ozawa-2lp-audiosoundmusic-1.jpg?v=1719858284"},{"product_id":"tchaikovsky-symphony-no-6-pathetique-dimitri-mitropoulos","title":"\u003ctranscy\u003eTchaikovsky - Symphonie No. 6 Pathétique - Dimitri Mitropoulos\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRarity - Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky - Symphony No. 6 In B Minor Op. 74 (\"Pathétique\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew York Philharmonic Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConducted by Dimitri Mitropoulos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded November 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in 2016\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eI- Adagio - Allegro Non Troppo\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eII - Allegro Con Grazia\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eIII - Allegro Molto Vivace\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eIV - Finale: Adagio Lamentoso – Andante\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Let them rack their brains over a program that shall remain a mystery to everyone.\" These words coming from Tchaikovsky himself gave ample grounds for a myriad of extra-musical interpretations of his last symphony, his swan song. For example, the slow, doleful final movement instead of a fiery allegro was a daring break with traditional musical form and sparked conjectures about the composer's approaching death, which overtook him only nine days later.\u003c\/p\u003e\n\u003cp\u003eBut even without such biographical references and programs, the \"Pathétique\" has stirred people's hearts and minds. The impression left by the first movement, in which the hectic main theme struggles to assert itself against threatening chords on the strings and where the open end is calmed by a grandiose consolatory song on the violins, is as indelible as a watermark in Tchaikovsky's composition. Among all the various recordings of this work, this particular reading by Dimitri Mitropoulos is a sure favorite. His masterly interpretation of the highly sensitive score finds the ideal path between sentiment and sentimentality. The maestro conveys the sharp contrasts coherently and in a well-balanced manner, allowing the melodies to flow powerfully but restrainedly. This conductor is no magistrate, but an advocate of the written notes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e:\u003cspan\u003e 4\u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42530680602874,"sku":"ACOL 6006","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-symphony-no-6-pathetique-dimitri-mitropoulos-audiosoundmusic-1.jpg?v=1719858465"},{"product_id":"tschaikowsky-violin-concerto-jascha-heifetz-fritz-reiner-chicago-symphony-orchestra","title":"\u003ctranscy\u003eTchaikowsky - Violin Concerto - Jascha Heifetz, Fritz Reiner, Chicago Symphony Orchestra\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003ePyotr Ilyich Tchaikovsky - Violin Concerto in D Major, Opus 35\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJascha Heifetz – violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChicago Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFritz Reiner\u003c\/strong\u003e\u003cstrong\u003e - conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Classic Records (now part of Analogue Productions)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Chicago in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 1998\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A: First Movement Allegro Moderato         \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSecond Movement Canzonetta: Andante             \u003c\/li\u003e\n\u003cli\u003eThird Movement Finale: Allegro Vivacissimo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"The Tchaikovsky offers some intensely vibrated tone, some Heifetz slides and some brilliant passagework. He too finds the “intimacy” that Joshua Bell sought in his latest recording of this work, unsuccessfully in my view, but of a wholly different kind. The drive here is dynamic, rhythms are sharply etched, and there is abundant sentiment and coruscating drama. A bit too much however toward the end of the first movement where Heifetz adds some of his own amendments to the solo part (I think it’s pure Heifetz, it could be Auer-Heifetz). The slow movement is effortlessly lyric and contoured and the finale is buoyant, brilliant and blistering but full too of the subtlest inflexions and accelerandi. My own preference however remains the 1935 Barbirolli for its greater degree of warmth.\u003c\/p\u003e\n\u003cp\u003eI’ve not mentioned Reiner. He responds to Heifetz with sang froid and elevated professionalism, drawing out the lines of the Tchaikovsky slow movement for instance with great feeling and accommodating the fast tempi in the Brahms with nerveless control, even if he would, with another soloist, doubtless have relaxed and modified many of the tempi.” Jonathan Woolf, Musicweb\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.42 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42631488078074,"sku":"LSC-2129","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikowsky-violin-concerto-jascha-heifetz-fritz-reiner-chicago-symphony-orchestra-audiosoundmusic-1.jpg?v=1719858716"},{"product_id":"tchaikovsky-violin-concerto-anne-sophie-mutter-herbert-von-karajan-digital-recording","title":"\u003ctc\u003eTchaikovsky - Concerto pour violon - Anne-Sophie Mutter \u0026 Herbert von Karajan (Enregistrement Digital)\u003c\/tc\u003e","description":"\u003cp\u003e\u003cstrong\u003ePeter Tchaikovsky - Concerto for Violin and Orchestra in D major, op. 35\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnne-Sophie Mutter, violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWiener Philharmoniker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerbert von Karajan, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : NO (Digital Recording Original Master Tape)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas (Germany)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive recording from the Salzburg Festival (Salzburg, Großes Festspielhaus), 15.8.1988.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Günter Hermanns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Günther Breest\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Maarten de Boer at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1988\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAllegro moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCanzonetta. Andante - attacca\u003c\/li\u003e\n\u003cli\u003eFinale. 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They finally got their chance with Tchaikovsky's emotionally enigmatic and structurally sophisticated concerto. Written during a period of great personal turmoil, every memorable melody and sharply dynamic contrast teems with yearning, purpose and subtext. It's also easy on the ears. Milstein's silvery tone and respectful phrasing illuminates the rich orchestral detailing and majestic themes Tchaikovsky labored over in 1878. Milstein's Capitol Records partner William Steinberg and the Pittsburgh Symphony Orchestra provide typically outstanding support. Cisco's all-analog mastering rewards listeners with powerful dynamic variation, rich sound stage and that inimitable Milstein tone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4.43\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 \u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":43982923596026,"sku":"ACIS 8512","price":139.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-violin-concerto-in-d-major-william-steinberg-and-nathan-milstein-audiosoundmusic-1.jpg?v=1719861006"},{"product_id":"tchaikovsky-mendelssohn-lizt-brahms-overture-fritz-reiner-limited-numbered-edition-number-140","title":"\u003ctc\u003eTchaikovsky, Mendelssohn, Lizt, Brahms - Overture - Fritz Reiner (Edition limitée numérotée - Numéro 140)\u003c\/tc\u003e","description":"\u003cp\u003e\u003cb\u003ePyotr Ilyich Tchaikovsky - \u003c\/b\u003e\u003cb\u003e1812 Overture, Op. 49\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eFelix Mendelssohn - \u003c\/b\u003e\u003cb\u003eFingal's Cave, Op. 26 (The Hebrides Overture)\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eFranz Lizt\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e- \u003c\/b\u003e\u003cb\u003eMephisto Waltz (Episode from Lenau's \"Faust\": Dance in the Village Inn)\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eJohannes Brahms - \u003c\/b\u003e\u003cb\u003eTragic Overture, Op. 81\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChicago Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFritz Reiner, conductor\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP,  \u003cspan data-mce-fragment=\"1\"\u003estandard sleeves\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition - number 140\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1958\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2023\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide A :\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003ePyotr Ilyich Tchaikovsky - 1812 Overture\n\u003cp\u003e2. Felix Mendelssohn - Fingal's Cave\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide B :\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003eFranz Lizt - Mephisto Waltz\n\u003cp\u003e2. Johannes Brahms - Tragic Overture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eAwards\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cb data-mce-fragment=\"1\"\u003eTAS Super LP List! Special Merit: Classical\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eAnalogue Productions' RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon — from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, \"Living Stereo\" logo, \"Shaded Dog\" label and all!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by Ryan K. Smith at Sterling Sound from the original 3-track master tapes, cut at 33 1\/3, and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 200-gram platters available.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOriginal 1958 \"Shaded Dog\" stereo release. The legendary Reiner 1812 that was only available as a 1S pressing having been deleted soon after the Mercury 1812 featuring live cannon shots was released. The performance on this reissue is mind bending and features the incomparable Chicago Symphony Orchestra brass section.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e : \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscogs : 4.67 \/ 5  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":46456750309711,"sku":"AAPC 2241 number 140","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-mendelssohn-lizt-brahms-overture-fritz-reiner-limited-numbered-edition-number-140-audiosoundmusic-1.jpg?v=1719861146"},{"product_id":"tchaikovsky-rimsky-korsakoff-capriccio-italien-espagnol-kiril-kondrashin-limited-numbered-edition-number-140","title":"\u003ctc\u003eTchaikovsky \u0026 Rimsky-Korsakoff - 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number 140\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan data-mce-fragment=\"1\"\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer Richard Mohr\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1959\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2023\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Side A : \u003c\/p\u003e\n\u003col\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003ePyotr Ilyich Tchaikovsky - 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Third Movement: Scherzo: Pizzicato Ostinato\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Fourth Movement: Finale: Allegro Con Fuoco\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eAnalogue Productions' RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon — from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, \"Living Stereo\" logo, \"Shaded Dog\" label and all!\u003c\/p\u003e\n\u003cp\u003eMastered by Ryan K. Smith at Sterling Sound from the original 3-track master tapes, cut at 33 1\/3, and plated and pressed at Quality Record Pressings — makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 200-gram platters available.\u003c\/p\u003e\n\u003cp\u003eSymphony No. 4 was written during the most tumultuous period of Tchaikovsky's life. It was during a period in his life when he was both recently married and divorced. During this time period he also attempted suicide. 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Musicians: Boston Symphony Orchestra Pierre Monteux, conductor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e : \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiscogs : 4.28 \/ 5  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":46457531531599,"sku":"AAPC 2369 number 140","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/tchaikovsky-symphony-no-4-pierre-monteux-and-boston-symphony-orchestra-limited-numbered-edition-number-140-audiosoundmusic-1.jpg?v=1719861153"},{"product_id":"kyung-wha-chung-con-amore-digital-recording","title":"\u003ctc\u003eKyung-Wha Chung – Con Amore (Enregistrement digital)\u003c\/tc\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin – Kyung-Wha Chung\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Philip Moll\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : NO (Digital Recording Original Master Tape)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogphonic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Decca\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Simon Eadon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Christopher Raeburn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Maarten de Boer at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1987\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFritz Kreisler - La Gitana\u003c\/li\u003e\n\u003cli\u003eFritz Kreisler - Liebesleid\u003c\/li\u003e\n\u003cli\u003eEde Poldini \u0026amp; Fritz Kreisler - Dancing Doll\u003c\/li\u003e\n\u003cli\u003eHenri Wieniawski - Scherzo-Tarantella, Op.16\u003c\/li\u003e\n\u003cli\u003eEdward Elgar - Salut D'Amour, Op.12\u003c\/li\u003e\n\u003cli\u003eEdward Elgar - La Capricieuse, Op.17\u003c\/li\u003e\n\u003cli\u003ePyotr Ilyich Tchaikovsky - Valse Sentimentale, Op.51 No.6\u003c\/li\u003e\n\u003cli\u003ePyotr Ilyich Tchaikovsky - Praeludium Und Allegro (In The Style Of Gaetano Pugnani)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOttokar Novacek - Moto Perpetuo\u003c\/li\u003e\n\u003cli\u003eClaude Debussy - Beau Soir\u003c\/li\u003e\n\u003cli\u003eFrederic Chopin - Nocturne In C Sharp Minor Ut Diese Mineur Cis-Moll\u003c\/li\u003e\n\u003cli\u003eHenri Wieniawski - Caprice In A Minor - La Mineur - A-Moll\u003c\/li\u003e\n\u003cli\u003eFrancois-Joseph Gossec - Gavotte\u003c\/li\u003e\n\u003cli\u003eFritz Kreisler - Liebesfreud\u003c\/li\u003e\n\u003cli\u003eCecile Chaminade - Serenade Espagnole\u003c\/li\u003e\n\u003cli\u003eCamille Saint-Saens - Caprice (After \"Etude En Forme De Valse\", Op.52 No.6)\u003c\/li\u003e\n\u003cli\u003eJohannes Brahms - Hungarian Dance No.1\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.72 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":46499934372175,"sku":"DD41018","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/kyung-wha-chung-con-amore-digital-recording-audiosoundmusic-1.jpg?v=1719861223"},{"product_id":"tchaikovsky-scene-from-swan-lake-anatole-fistoulari-concertgebouw-orchestra-of-amsterdam","title":"\u003ctc\u003eTchaikovsky - Scene from Swan Lake - Anatole Fistoulari \u0026 Concertgebouw Orchestra Of Amsterdam (Edition Japonaise)\u003c\/tc\u003e","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan style=\"color: #ff2a00;\"\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Ilyich Tchaikovsky - Swan Lake, Op.20 (Highlights)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConcertgebouw Orchestra Of Amsterdam\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello [Solo] – Tibor De Machula\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarp [Solo] – Phia Berghout\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin [Solo] – Steven Staryk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor – Anatole Fistoulari\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified (Japan)\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Esoteric\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Decca\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 22 - 23 February 1961 in the Concertgebouw, Amsterdam\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRecorded by Gordon Parry, Kenneth Wilkinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEngineered by Tetsuya Kato\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProduced by Motoaki Ohmachi, Ray Minshull\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRemastered by Masaya Touno\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eLacquer cut by Katsutoshi Kitamura\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1961\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in May 2023\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide A\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIntroduction (Moderato assai)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct I - No.1: Scène (Allegro giusto)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct I - No.2: Valse\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct I - No.8: Danse des coupes (Tempo di polacca)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct II - No.10: Scène (Modeato)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct II - No.11: Scène (Allegro moderato)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct II - No.13d: Danses des cygnes (Allegro moderato)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide B\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct II - No.13e: Pas d'action (Andante)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct III - No.20: Danse hongroise (Czardas: Moderato assai)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct III - No.5b: Pas de deux (Tempo di valse - Andante - Tempo di valse - Allegro molto vivace)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct III - No.24: Scène (Allegro)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct IV - No.27: Danse des petits cygnes (Moderato)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAct IV - No.29: Scène final (Andante - Allegro agitato)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“The 1961 analogue recording of Swan Lake with the Concertgebouw Orchestra is of outstanding quality – a hi-fi spectacular in its time and comparable with some of today’s best digital presentations.  Detail is immaculate and attention is at once gripped by the exciting forte that succeeds the gentle introduction – I noted in particular the realistic bass drum.  Steven Staryk provides a superb violin solo in the extensive Pas d’action scene in Act II, and throughout there is expressive playing.  Colouration and dynamic contrast abound; how subtly the colours change in the Waltz where the early pizzicatos ring through delicately;  the final scene commences with magnificent introductory horn playing,  and Fistoulari then builds towards one of music’s great moments as the plaintive theme, first heard as an oboe solo and subtly evident during the drama, blazes into to the major key.  This, together with the magnificent orchestral sound of these final pages is spine-chilling.” Antony Hodgson, Classical Source\u003c\/p\u003e\n\u003cp\u003eThe Tchaikovsky “Scenes” (Highlights) from his ballet masterpiece Swan Lake give the listener satisfying chunks of the famous scenes played with great virtuosity and tonal splendour. Unlike the Esoteric Dvořák, where I heard only a fleeting moment of congestion in the very loud sections of the opening movement, I heard none of that here. My only digital flinch, yes, I flinch, was a very slight edge to the trumpets a few bars in band 1. If it was the LSO playing, they use what they call “front” on the leading edge of trumpet notes, but the more mellow rotary valve German trumpets the Concertgebouw players use do not echo the LSO style. So, maybe a little digital sound on a few notes. Nothing bothersome and the only giveaway to experienced ears there may be digital in the chain. And nothing to stop this from being an Audiophilia Dream List candidate.\u003c\/p\u003e\n\u003cp\u003eWhither Anatole Fistoulari? Mahler’s son-in-law was always admired by musicians, but the Ukranian\/British conductor is having a grand old time displaying his gifts on masterful recuts of his work on Analogue Productions and other leading reissue companies. He was renowned as a ballet conductor and fine orchestral accompanist. Here, you have beautiful interpretive touches of someone intimate with the world of dance. Perfect, danceable tempos. So many conductors who have never set foot in a ballet pit go for speed and effects. Try that in the theatre and the conductor and ballet master will be having a chat.\u003c\/p\u003e\n\u003cp\u003eThe timbre of solo instruments is very realistic and scurrying, virtuosic violins are very effective. In “Danse Des Coupes” listen out for the flute section’s virtuosity and later a cute two-piccolo solo with bobbing eighth notes—here’s where the clarity of the recut and vinyl quality show very well; the piccs don’t quite agree on the pitch. It’s very subtle and Fistoulari would not have thrown his baton at them, but heard clearly on this pressing, nonetheless. Also, a brief violin section passage is played on the G string. Marvellous differentiated sound. There are many different subtle analogue tells like that. As such, the entire orchestra tuttis and solo instruments (including the Royal Philharmonic’s Canadian superstar violinist Steven Staryk as Leader) sound straight from the analogue tape with no digital “corruption”.” Audiophilia\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRatings :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e 4.\u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e71 \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":47923322257743,"sku":"ESLD-10002","price":159.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/tchaikovsky-scene-from-swan-lake-anatole-fistoulari-and-concertgebouw-orchestra-of-amsterdam-japanese-edition-audiosoundmusic-1.jpg?v=1719862703"},{"product_id":"tchaikovsky-violin-concerto-leonid-kogan-constantin-silvestri-orchestre-de-la-societe-des-concerts-du-conservatoire","title":"Tchaikovsky - Violin concerto - Leonid Kogan \u0026 Constantin Silvestri, Orchestre De La Société Des Concerts Du Conservatoire","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky - Concerto in D Major, Op. 35 \u0026amp; Meditation in D minor, Op. 42\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeonid Kogan, violin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eParis Conservatoire Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConstantin Silvestri, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Columbia\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1959 by Les Industries Musicales Et Electriques Pathé Marconi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Pete Hutchison\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Notes by Martin Cooper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eConcerto in D Major - First Movement: Allegro moderato - Cadenza - Allegro moderato\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eConcerto in D Major - Second Movement: Canzonetta (Andante)\u003c\/li\u003e\n\u003cli\u003eConcerto in D Major - Third Movement: Finale (Allegro\u003c\/li\u003e\n\u003cli\u003eMeditation in D minor\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e“To Western eyes and ears, Leonid Kogan was always in Oistrakh’s shadow, yet Russian friends express a sneaking preference for Kogan, the connoisseur’s choice. Born in what is now Dnipro, Ukraine, he studied in Moscow, where he first heard Heifetz, whom he idolised. There is an intensity to Kogan’s sound that I find compelling. It is flamboyant and incisive, with rustic double-stopping, a chewy tone and delicious portamento. Kogan recorded the concerto twice with the Paris Conservatoire, just a year apart. The latter recording (1959), brilliantly conducted by Constantin Silvestri, is the one to go for. It contains some hot fiddling – a bold, cheeky cadenza, tasty trills, fierce pizzicatos and bags of character. The Canzonetta swoons and in the finale Kogan’s playing in alt is so sweet that there’s a sense of reverie or blissful reminiscence.” Gramophone Review by Mark Pullinger\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,59 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48119246487887,"sku":"ACOL 2323","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/tchaikovsky-violin-concerto-leonid-kogan-and-constantin-silvestri-orchestre-de-la-societe-des-concerts-du-conservatoire-audiosoundmusic-1.jpg?v=1719863056"},{"product_id":"the-colour-of-classics-the-conductors-herbert-von-karajan-ferenc-fricsay-carlos-kleiber-3lp-box-set","title":"\u003ctc\u003eThe Colour Of Classics - The Conductors : Herbert von Karajan, Ferenc Fricsay, Carlos Kleiber (3LP, Coffret)\u003c\/tc\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePierre Fournier - cello (C1 to D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGiusto Cappone - viola (C1 to D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRadio Symphonie Orchester Berlin conducted by Ferenc Fricsay (A1 to B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBerliner Philharmoniker conducted by Herbert von Karajan (C1 to D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWiener Philharmoniker conducted by Carlos Kleiber (E1 to F2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3LP, Box set, 16\u003c\/strong\u003e\u003cstrong\u003e page booklet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003c\/strong\u003e\u003cstrong\u003eSpeakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 17-29 September and 22 September 1959 at Jesus-Christus-Kirche, Berlin by Werner Wolf, Production: Otto Gerdes (A1 to B2) ; 27, 28 and 30 December 1965 at Jesus-Christus-Kirche, Berlin (C1 to D2) ; 26-29 November 1975 and 16 January 1976 at Musikvereinssaal, Vienna (E1 to F2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Werner Wolf (A1 to B2), Günter Hermanns (C1 to D2), Klaus Scheibe (E1 to F2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Jobst Eberhardt and Jürgen Bulgrin (E1 to F2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Otto Gerdes (A1 to D2), Dr. Hans Hirsch (E1 to F2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally r\u003c\/strong\u003e\u003cstrong\u003eeleased in October \u003c\/strong\u003e\u003cstrong\u003e1999\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePyotr Ilyich Tchaikovsky - Sinfonie Nr. 6 H-Moll Op. 74 \"Pathétique\" - Adagio - Allegro non troppo\u003c\/li\u003e\n\u003cli\u003ePyotr Ilyich Tchaikovsky - Sinfonie Nr. 6 H-Moll Op. 74 \"Pathétique\" - Allegro con grazia\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePyotr Ilyich Tchaikovsky - Sinfonie Nr. 6 H-Moll Op. 74 \"Pathétique\" - Allegro molto vivace\u003c\/li\u003e\n\u003cli\u003ePyotr Ilyich Tchaikovsky - Sinfonie Nr. 6 H-Moll Op. 74 \"Pathétique\" - Finale, Adagio lamentoso\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRichard Strauss - Don Quixote - Introduktion\u003c\/li\u003e\n\u003cli\u003eRichard Strauss - Don Quixote – Thema\u003c\/li\u003e\n\u003cli\u003eRichard Strauss - Don Quixote - Variationen I-III\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRichard Strauss - Don Quixote - Variationen IV-X\u003c\/li\u003e\n\u003cli\u003eRichard Strauss - Don Quixote - Finale\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide E:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLudwig van Beethoven - Symphonie Nr. 7 - Poco Sostenuto – Vivace\u003c\/li\u003e\n\u003cli\u003eLudwig van Beethoven - Symphonie Nr. 7 - Allegretto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide F:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLudwig van Beethoven - Symphonie Nr. 7 - Presto - Assai Meno Presto\u003c\/li\u003e\n\u003cli\u003eLudwig van Beethoven - Symphonie Nr. 7 - Allegro Con Brio\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eThe Colour of Classics series was created in 1998 to celebrate the centenary of the Deutsche Grammophon label. This 1999 box set features Ferenc Fricay conducting the Radio-Symphonie-Orchester Berlin in Tchaikovsky's Symphony No. 6; Herber von Karajan leading the Berliner Philharmoniker in Strauss' Don Quixote; and Carlos Kleiber conducting the Vienna Philharmonic in Beethoven's 7th Symphony.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48327914684751,"sku":"SLPM 138 135","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/the-colour-of-classics-the-conductors-herbert-von-karajan-ferenc-fricsay-carlos-kleiber-3lp-box-set-audiosoundmusic-1.jpg?v=1719863520"},{"product_id":"tchaikovsky-symphony-no-5-evgeny-mravinsky-leningrad-philharmonic-orchestra-japanese-edition","title":"\u003ctc\u003eTchaikovsky - Symphony No.5 - Evgeny Mravinsky, Leningrad Philharmonic Orchestra (Edition japonaise)\u003c\/tc\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Ilyich Tchaikovsky - Symphony No.5 in E minor, Op.64\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeningrad Philharmonic Orchestra conducted by Evgeny Mravinsky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES (\u003c\/strong\u003e\u003cstrong\u003eDigitally remaster + analog cutting)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified (Japan)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Esoteric - \u003c\/strong\u003e\u003cstrong\u003eThe Masterpiece Collection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 9th November 1960 at Musikverein, Grosser Saal, Vienna\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Harald Baudis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal session produced by Karl-Heinz Schneider\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued produced by Motoaki Ohmachi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigitally remastered by Masaya Tohno using Esoteric mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog cutting by Mr. Katsutoshi Kitamura at Mixer's Lab in Tokyo \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1974\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in September 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAndante – Allegro con Anima\u003c\/li\u003e\n\u003cli\u003eAndante cantabile, con alcuna licenza\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eValse: Allegro moderato\u003c\/li\u003e\n\u003cli\u003eFinale: Andante maestoso – Allegro vivace\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn terms of both sound and performance, this recording boasts the highest quality of all Mravinsky-Leningrad Philharmonic recordings, and has been remastered by Esoteric Mastering and is now available on vinyl record. Recorded at Grosser-Saal, Musikverein, Wien on November 9, 1960.\u003c\/p\u003e\n\u003cp\u003eThe analog vinyl records of the \"Masterpiece Collection\" have been reissued by re-mastering the original master tapes, exclusive for the vinyl records. The mastering process employs the newly established \"Esoteric Mastering\" system, including Esoteric’s top-of-the-line equipment \"Master Sound Discrete DAC\" and \"Master Sound Discrete Clock.\" In addition, the Mexcel cables are sparingly employed to achieve flawless high quality sound as the master data\u003c\/p\u003e\n\u003cp\u003eThe Analog cutting process has been performed at Mixer's Lab in Tokyo employing the Neumann VMS80 cutting lathe, a famous machine manufactured in West Germany in the golden era of the analog audio, of which only two remain in Japan.\u003c\/p\u003e\n\u003cp\u003eThe \"Esoteric Mastering\" equipment is also employed to send out master data for analog cutting machine. Collaborating with the Mixer's Lab, the \"Esoteric Mastering\" equipment was brought into their cutting room and connected the output directly to the Neumann SP79C cutting console. The \"Esoteric Mastering\" sound is sent directly to the cutting process bypassing the equalizer section of the console. The cutting process is performed by Mr. Katsutoshi Kitamura, a cutting engineer at Mixer's Lab, and he put his master craftsman skills into the master disc.\u003c\/p\u003e\n\u003cp\u003eToday, it is rare to cut a lacquer disc just for audition purposes, only master discs are cut for record pressing. However, in order to pursue sound quality, Esoteric created a number of lacquer discs with different transmission methods to the console.\u003c\/p\u003e\n\u003cp\u003eThose lacquer discs created were taken back to the Esoteric Mastering Center to be auditioned and sound quality checked on Esoteric’s Grandioso T1 analog turntable to determine the best transmission method.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.86 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48330221650255,"sku":"ESOLP10004","price":149.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/tchaikovsky-symphony-no-5-evgeny-mravinsky-leningrad-philharmonic-orchestra-japanese-edition-audiosoundmusic-1.jpg?v=1719863554"},{"product_id":"tchaikovsky-symphony-no-4-in-f-minor-claudio-abbado-the-wiener-philharmoniker","title":"Tchaikovsky - Symphony No. 4 - Claudio Abbado \u0026 The Wiener Philharmoniker","description":"\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePyotr Ilyich Tchaikovsky - Symphony No. 4 In F Minor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestra – Wiener Philharmoniker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor – Claudio Abbado\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 2,800 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Optimal Media GmbH in Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Deutsche Grammophon - The Original Source series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Deutsche Grammophon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Günter Hermanns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Hans Weber \u0026amp; Günter Hermanns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed By Rainer Maillard at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Sidney Meyer at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCover by Wassily Kandinsky\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtistic Supervisor - Rainer Brock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign by Nikolaus Boddin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditor - Annette Nubbemeyer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by H.-J. Winterhof\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in January 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI. Andante sostenuto - Moderato con anima\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eII. Andantino in modo di Canzona\u003c\/li\u003e\n\u003cli\u003eIII. Scherzo. Pizzicato ostinato. Allegro\u003c\/li\u003e\n\u003cli\u003eIV. Finale. Allegro con fuoco\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eFor its 125th anniversary, Deutsche Grammophon is releasing legendary recordings in the highest sound quality: the new audiophile vinyl series The Original Source presents outstanding recordings of the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4-track tapes in 100% analogue quality (AAA) using technologies specially developed for the production of the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\u003c\/p\u003e\n\u003cp\u003eReleased on 180-gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are limited and numbered. They are accompanied by additional photos and facsimiles of the recording logs and tape boxes, and an article explains the exact technical background.\u003c\/p\u003e\n\u003cp\u003eShortly after its first release in 1975, it was already a classic: Claudio Abbado's interpretation of Tchaikovsky's 4th Symphony with the Vienna Philharmonic. \"The pull and concision, the electrifying control of tension immediately (...) put it at the top of a long list,\" Gramophone judged many years later.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.67 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48629917319503,"sku":"ADGR 43919","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/tchaikovsky-symphony-no-4-claudio-abbado-and-the-wiener-philharmoniker-audiosoundmusic-1.png?v=1719863856"},{"product_id":"steve-kuhn-trio-pavane-for-a-dead-princess-ravel-faure-chopin-tchaikovsky-2lp-japanese-edition","title":"Steve Kuhn Trio - Pavane For A Dead Princess - Ravel, Fauré, Chopin, Tchaikovsky (2LP, Japanese edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Kuhn, piano \u003ca title=\"vinyl featuring Steve Kuhn\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/steve-kuhn\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/steve-kuhn\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Steve Kuhn]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Finck, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Drummond, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Sergueï Rachmaninov (A1), Pyotr Ilyich Tchaikovsky (A2, B1), Johannes Brahms (A3), Gabriel Fauré (B3), Frederic Chopin (C1, D1), Maurice Ravel (C2), Edvard Grieg (C3), Claude Debussy (D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVenus Hyper Magnum Sound Direct Mix Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Japanese pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at The Studio in New York on August 18 \u0026amp; 19, 2005\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Katherine Miller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by John Abbott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFull Moon And Empty Arms - Piano Concerto #2 3rd Movement (S. Rachmaninov)\u003c\/li\u003e\n\u003cli\u003eMoon Love - Symphony #5 2nd Movement (P. Tchaikovsky)\u003c\/li\u003e\n\u003cli\u003eLullaby (J. Brahms)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSwan Lake (P. Tchaikovsky)\u003c\/li\u003e\n\u003cli\u003eIn E Minor Op.28, No4\u003c\/li\u003e\n\u003cli\u003ePavane (G. Faure)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNocturne In E Flat Major Op.9, No.2 (F. Chopin)\u003c\/li\u003e\n\u003cli\u003ePavane For A Dead Princess (M. Ravel)\u003c\/li\u003e\n\u003cli\u003eOne Red Rose Forever (E. Grieg)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Always Chasing Rainbows - Fantasy Impromptu (F. Chopin)\u003c\/li\u003e\n\u003cli\u003eReverie (C. Debussy)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“A highly regarded jazz pianist and composer, Steve Kuhn is known for his sophisticated ear for harmony and lyrical, motivic approach to improvisation. Emerging from the Boston jazz scene of the late '50s, Kuhn gained early exposure playing with legends like Kenny Dorham, John Coltrane, and Art Farmer. He came to wider prominence in 1966 with his albums Three Waves, with bassist Steve Swallow and drummer Pete La Roca, and The October Suite, with vibraphonist Gary McFarland. Those recordings led to a series of highly regarded albums for ECM including 1974's Trance, with Swallow and drummer Jack DeJohnette. An adaptive, forward-thinking performer, Kuhn's subsequent albums like 1987's Life's Magic, 1995's Remembering Tomorrow, and 2012's Wisteria have found him moving across various genres, from swinging acoustic post-bop to classical-influenced chamber jazz and the avant-garde.\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn, New York in 1938 to Hungarian immigrant parents, Kuhn first became interested in music at a young age while listening to his father's jazz record collection on 78s. Starting piano lessons at age five, he quickly displayed his gift for perfect pitch. After moving to Boston with his family, Kuhn began taking lessons with the legendary Boston-area pedagogue Margaret Chaloff, whom he credits with engendering his strong classical piano technique. Also during this time, he befriended Chaloff's son, saxophonist Serge Chaloff, who encouraged his interest in jazz.\u003c\/p\u003e\n\u003cp\u003eBy his teens, Kuhn had developed into an adept jazz pianist, influenced by the recordings of jazz luminaries like Duke Ellington, Bud Powell, Fats Waller, and Art Tatum. He formed his own trio with drummer Arnold Wise and bassist Chuck Israels and began playing local clubs. Even while attending Harvard, Kuhn held down a six-nights-a-week gig in Harvard Square and gained valuable experience working with the myriad jazz stars who came through the city, including Chet Baker, Coleman Hawkins, and Vic Dickenson, among others. After graduating Harvard, Kuhn continued his studies at the Lenox School of Music, where he rubbed shoulders with fellow students Ornette Coleman and Don Cherry and studied under esteemed jazz scholars like Gunther Schuller and George Russell. It was also while at Lenox that he met trumpeter Kenny Dorham, who hired the pianist for a year-long tour.\u003c\/p\u003e\n\u003cp\u003eParting ways with Dorham in 1960, Kuhn next joined legendary saxophonist John Coltrane's quartet for a stint at New York's Jazz Gallery. While brief (Kuhn was replaced by McCoy Tyner after eight weeks), the experience inspired Kuhn and would inform much of his later work. Also during the '60s, Kuhn began appearing on recording dates with artists like Stan Getz, Oliver Nelson, and Art Farmer; he also spent a year touring with Farmer and future collaborators bassist Steve Swallow and drummer Pete La Roca.\u003c\/p\u003e\n\u003cp\u003eCountry and Western Sound of Jazz Pianos\u003c\/p\u003e\n\u003cp\u003eAs a leader, Kuhn debuted alongside pianist Toshiko Akiyoshi on 1963's The Country and Western Sound of Jazz Pianos. He then followed up with 1966's Three Waves, featuring Swallow and La Roca. Also in 1966, he paired with fellow Lenox student Gary McFarland for the landmark chamber jazz album The October Suite.\u003c\/p\u003e\n\u003cp\u003eIn the late '60s, Kuhn relocated to Stockholm, Sweden, where he lived and performed until 1971. Ironically, it wasn't until returning to the States that Kuhn signed with Manfred Eicher's then-fledgling European jazz label ECM. Notably, Kuhn's work on The October Suite had been one of Eicher's early inspirations in founding the label. With ECM, Kuhn released several probing and atmospheric albums including Ecstasy (1974), Trance (1974), Motility (1977), Non-Fiction (1978), Playground, featuring vocalist Sheila Jordan (1979), and Last Year's Waltz (1981) .In the '80s, Kuhn continued to refine his sound, often playing in a trio with bassist Ron Carter and drummer Al Foster.\u003c\/p\u003e\n\u003cp\u003eMany of his albums from this period, including 1984's Mostly Ballads, 1987's Life's Magic, and 1988's Porgy, showcase a mix of well-curated standards along with his inventive original compositions. It was a template that Kuhn would stick with throughout the next decade as he found himself working in various trio settings with artists like David Finck, George Mraz, Buster Williams, Billy Drummond, Lewis Nash, Bill Stewart, Kenny Washington, and others.\u003c\/p\u003e\n\u003cp\u003eWhile the trio remained Kuhn's preferred format, his 1995 album Seasons of Romance found him working in an all-star quintet with tenor saxophonist Bob Mintzer and trumpeter Tom Harrell. Even more expansive was his 2004 return to ECM, Promises Kept, which found him backed by a small string orchestra. Kuhn also retained his exploratory edge, returning to his love of classical composers like Debussy and Ravel on 2006's Pavane for a Dead Princess. Jazz reworkings of classical compositions were featured on his 2008 trio album, Baubles, Bangles and Beads.In 2009, Kuhn revisited his time as a member of John Coltrane's quartet with Mostly Coltrane, featuring saxophonist Joe Lovano, on ECM. Also for ECM, Kuhn paired in a trio with bassist Swallow and drummer Joey Baron for 2012's Wisteria. His trio with Swallow and Baron was also the focus of 2016's At This Time... and 2018's To and from the Heart.” AllMusic Reviews by Matt Collar\u003c\/p\u003e\n\u003cp\u003e\"Anything that pianist Steve Kuhn does is likely to be beautifully executed and tasteful, and Pavane for a Dead Princess is no exception. Here, he and his empathic collaborators David Finck (bass) and Billy Drummond (drums) address themselves to the stock classical repertoire, jazzing up eleven popular pieces from Debussy, Rachmaninov, Tchaikowsky, Grieg, Brahms and Chopin. (There are actually two \"Pavane\"s—the title track, by Ravel, and Faure's version.)\u003c\/p\u003e\n\u003cp\u003eThe result is nothing less than terrific. These are not classical melodies sitting stiffly on a jazz beat; instead, the trio digs deep into the structure of these well-worn compositions and thoroughly explores and expands them. Who knew \"Swan Lake\" or \"Fantasy Impromptu\" could swing like that? Or that Brahms's treacly \"Lullaby\" would make such a moving ballad?\u003c\/p\u003e\n\u003cp\u003eListeners familiar with this music in its original form will get the biggest kick out of this release, and those who've been intimate with Chopin's piano scores will especially appreciate the brilliance of Kuhn's improvisations. But any listener can enjoy what happens to strong, beautiful melodies in expert hands like these.\u003c\/p\u003e\n\u003cp\u003eThe recording is clear and warm, the pacing ideal. The musicians are in peak form, sounding positively inspired, and they swing like mad. What a delight!\" All About Jazz Review by Dr. Judith Schlesinger\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4 \/ 5  ,  Discogs 4.45 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48788673659215,"sku":"AVEN 0284","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/steve-kuhn-trio-pavane-for-a-dead-princess-ravel-faure-chopin-tchaikovsky-2lp-japanese-edition-audiosoundmusic.jpg?v=1719864037"},{"product_id":"tchaikovsky-dvorak-violin-concerto-ruggiero-ricci-malcolm-sargent-2lp","title":"Tchaikovsky \u0026 Dvorak - Violin Concerto - Ruggiero Ricci \u0026 Malcolm Sargent (2LP)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePyotr Ilyich Tchaikovsky - Violin Concerto In D Major, Op. 35\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAntonín Dvorák - Violin Concerto In A Minor, Op. 53\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eViolin – Ruggiero Ricci\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOrchestra – The London Symphony Orchestra\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eConductor - Sir Malcolm Sargent\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Standard sleeve \u003cspan lang=\"EN-GB\" style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Aptos',sans-serif; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: Aptos; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-GB; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eby Clout \u0026amp; Baker Ltd\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecord Press : Optimal Media GmbH in Germany\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eLabel : Analogphonic\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOriginal Label : Decca\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded at Kingsway Hall 5, 6 \u0026amp; 11 1961\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eEngineered by Kenneth Wilkinson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMastered by John Webber at Air Studios in London\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOriginally released in 1961\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eReissued in 2024\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A: Pyotr Ilyich Tchaikovsky - Violin Concerto In D Major, Op. 35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e1. Allegro Moderato\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B: Pyotr Ilyich Tchaikovsky - Violin Concerto In D Major, Op. 35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e1. Canzonetta: Andante\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e2. Finale: Allegro Vivacissimo\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide C: Antonín Dvorák - Violin Concerto In A Minor, Op. 53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e1. Allegro Ma Non Troppo\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide D: Antonín Dvorák - Violin Concerto In A Minor, Op. 53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e1. Adagio Ma Non Troppo\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"padding-left: 40px;\"\u003e2. Finale (Allegro Giocoso, Ma Non Troppo)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRuggiero Ricci plays two wonderful violin concertos with his usual technical brilliance: Tchaikovsky's \"Violin Concerto in D Major, Op. 35\" and Dvořák's \"Violin Concerto in A Minor, Op. 53\". He is accompanied by the London Symphony Orchestra under Sir Malcolm Sargent; the recordings were made in 1961 at London's Kingsway Hall. The remastering for this audiophile release was carried out by John Webber at Air Studios in London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.67 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48961098875215,"sku":"ADEC 43194","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/tchaikovsky-and-dvorak-violin-concerto-ruggiero-ricci-and-malcolm-sargent-2lp-audiosoundmusic-1.jpg?v=1719864277"},{"product_id":"tchaikovsky-excerpts-from-swan-lake-jean-morel-royal-opera-house-orchestra-covent-garden","title":"Tchaikovsky – Excerpts From Swan Lake - Jean Morel, Royal Opera House Orchestra, Covent Garden","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRarity - Sealed\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePyotr Ilyich Tchaikovsky - Swan Lake, Op. 20\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoyal Opera House Orchestra, Covent Garden\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eConductor – Jean Morel\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Classic Records (now part of Analogue Productions)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victrola\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded in England\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eArtwork by Eugene Karlin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLiner Notes by John Martin\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally released in 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eReissued in 2001\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Introduction\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Act I - No. 1) Scène\u003cspan style=\"mso-tab-count: 1;\"\u003e   \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e3. Act I - No. 2) Valse\u003cspan style=\"mso-tab-count: 1;\"\u003e    \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e4. Act I - No. 8) Danse Des Coupes\u003cspan style=\"mso-tab-count: 1;\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e5. Act II - No. 10) Scène\u003cspan style=\"mso-tab-count: 1;\"\u003e              \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e6. Act II - No. 12) Scène\u003cspan style=\"mso-tab-count: 1;\"\u003e              \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e7.\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003e \u003cspan lang=\"EN-GB\"\u003eAct II - \u003c\/span\u003e\u003c\/span\u003eNo. 13) Danses Des Cygnes (Part 1)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e1. Act II - No. 13) Danses Des Cygnes (Concluded)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e2. Act III - No. 15) Allegro Giusto\u003cspan style=\"mso-tab-count: 1;\"\u003e            \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e3. Act III - No. 20) Danse Hongroise\u003cspan style=\"mso-tab-count: 1;\"\u003e      \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e4. Act III - No. 22) Danse Napolitaine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e5. Act IV - No. 27) Danse Des Petits Cygnes\u003cspan style=\"mso-tab-count: 1;\"\u003e     \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\" class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e6. Act IV - No. 29) Scène Finale\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.19 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49299393610063,"sku":"VICS-1002","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Tchaikovsky_ExcerptsFromSwanLake-JeanMorel_RoyalOperaHouseOrchestra_CoventGarden1.jpg?v=1720886134"},{"product_id":"edouard-lalo-symphonie-espagnole-henryk-szeryng-walter-hendl-testament-records","title":"Edouard Lalo - Symphonie Espagnole \u0026 Tchaikovsky - Serenade Melancolique - Leonid Kogan \u0026 Kyril Kondrashin","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eÉdouard Lalo  - Symphonie espagnole in D minor, Op. 21 for violin and 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lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePiano Concerto No. 1 in B-flat minor, Op. 23 – Andantino semplice\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePiano Concerto No. 1 in B-flat minor, Op. 23 – Allegro con fuoco\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReview :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003e\"All you get in this Tchaikovsky Piano Concerto No. 1 is warmth, detail, power, a concert hall acoustics with proper soundstage and imaging.\" – Audiophilia (audiophilia.com)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDiscogs : 4.44 \/ 5\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54465221755215,"sku":"ESOLP10007","price":105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Tchaikovsky_-_Piano_Concerto_No.1_-_Martha_Argerich_1.png?v=1745152858"},{"product_id":"tchaikovsky-1812-overture-capriccio-italien-marche-slave-kenneth-alwyn-the-london-symphony-orchestra","title":"Tchaikovsky – 1812 Overture \/ Capriccio Italien \/ Marche Slave - Kenneth Alwyn, The London Symphony Orchestra (Speakers Croner)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRarity Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eComposed by Pyotr Ilyich Tchaikovsky\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eOrchestra – London Symphony Orchestra\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eConductor – Kenneth Alwyn\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Decca\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded on 2 \u0026amp; 8 May 1958 in Kingsway Hall, London\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eEngineered by Kenneth Wilkinson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by Michael Williamson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSleeve Notes by Michael Williamson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in August 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in August 1993\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e1812 Overture\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCapriccio Italien\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMarche Slave\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4.32\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  \u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55543994155343,"sku":"SXL2001","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Tchaikovsky_1812Overture1.webp?v=1752423479"},{"product_id":"daniel-gaede-xuesu-liu-the-tube-only-violin","title":"Daniel Gaede, Xuesu Liu – The Tube Only Violin","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRarity - Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePiano – Xuesu Liu\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eViolin – Daniel Gaede\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP,  Standard Sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Record Industry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Tacet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Tacet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMixed by Andreas Spreer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by Andreas Spreer\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMastered by Andreas Spreer, Robin Schmidt\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in \u003c\/strong\u003e\u003cstrong\u003e2003\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePeter I. Tchaikovsky – Melody Op. 42 No. 3\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRodion Chtchedrin – In The Style Of Albéniz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJules Massenet – Méditation From Thaïs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eFranz Schubert – Ave Maria Op. 52 No. 6\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRichard Drigo – Valse Bluette, Air De Ballet\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMoritz Moszkowski –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSpanish Dance No. 2 Op. 12\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eEdward Elgar – Salut D'Amour Op. 12\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eCharles-Auguste De Bériot – Scène De Ballett Op. 100\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eManuel M. Ponce \u0026amp; Jascha Heifetz – Estrellita (My Little Star), Mexican Serenade\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eA veritable audiophile delicacy - lovingly preserved historic microphones, a mixing desk consisting of nostalgic V72 amplifiers and W85 regulators, the analogue M5 Telefunken tape recorder - each item a legend in itself! Tacet proudly presents this illustrious combination of equipment, here to preserve beautiful music TUBE ONLY, in other words without transistors. The leafle\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003et is illustrated with impressive color photos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAnd what about the music? Answer: nothing but the best! As is always the case with this violinist, whether he is acting as leader of the Gaede Trio or solo. With skill and discernment, Daniel Gaede serves us a unique encore menu of virtuoso prize exhibits and enjoyable dream-pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.56 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55764334412111,"sku":"L117","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/DanielGaede_XuesuLiu_TheTubeOnlyViolin1.webp?v=1755620448"},{"product_id":"tchaikovsky-piano-concerto-no-1-clifford-curzon-georg-solti-vienna-philharmonic-orchestra","title":"Tchaikovsky – Piano Concerto No. 1 - Clifford Curzon, Georg Solti, Vienna Philharmonic Orchestra","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRarity - Sealed \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePyotr Ilyich Tchaikovsky - Piano Concerto No. 1 In B Blat Minor, Op. 23\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eConcert Grand Piano – Clifford Curzon\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOrchestra – Vienna Philharmonic Orchestra\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eConductor – Georg Solti\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : London Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded October 1958 at Sofiensaal, Wien\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eEngineered by James Brown\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eProduced by John Culshaw\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003ePhotography by Hans Wild\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSleeve Notes by Michael Williamson\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in November 1993\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A: \u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e1st Movement: Allegro Non Troppo E Molto Maestoso—Allegro Con Spirito (Cadenza)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003cspan style=\"mso-tab-count: 1;\"\u003e              \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e2nd Movement: Andantino Semplice—Prestissimo—Tempo Primo\u003cspan style=\"mso-tab-count: 1;\"\u003e              \u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e3rd Movement: Allegro Con Fuoco\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBy the end of February 1875, Tchaikovsky had completed the orchestration of his Piano Concerto No. 1 which was given its first performance in the same year in Boston by Hans von Bülow. In St. Petersburg the composer himself conducted his concert on the first of December.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThe main theme of the first movement is based upon a Russian folksong, and the finale takes the form of a splendid \u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family: Aptos; mso-hansi-font-family: Aptos; mso-bidi-font-family: Aptos; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e‘\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003edanse russe\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family: Aptos; mso-hansi-font-family: Aptos; mso-bidi-font-family: Aptos; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e’\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e, while the middle section takes up motifs of a french chansonette from Bizet\u003c\/span\u003e\u003cspan style=\"mso-ascii-font-family: Aptos; mso-hansi-font-family: Aptos; mso-bidi-font-family: Aptos; mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e’\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003es Carmen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAmong the many pianists who have recorded this piano concert, Clifford Curzon is remarkable for dispensing with exaggerations and mannerisms in his interpretation. His outstanding technique and analytic skills combine to produce a rendering of impeccable homogeneity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThe fine sound quality is yet another attractive feature of this impressive recording. Curzon, as always, plays thoughtfully and intelligently, and this album will obviously give a great deal of pleasure. Awesome!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4.44\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5 \u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55784705524047,"sku":"SXL2114","price":85.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Tchaikovsky_PianoConcertoNo.1-CliffordCurzon_GeorgSolti_ViennaPhilharmonicOrchestra1.webp?v=1755973952"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/collections\/Tchaikovski.png?v=1746206154","url":"https:\/\/www.audiosoundmusic.com\/fr\/collections\/pyotr-ilyich-tchaikovsky.oembed","provider":"AudioSoundMusic","version":"1.0","type":"link"}