{"title":"Roy Eldridge","description":null,"products":[{"product_id":"jazz-at-the-philharmonic-in-europe","title":"\u003ctranscy\u003eJazz At the Philharmonic in Europe (4LP, Coffret)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eLalo Schifrin (Piano) \u003ca data-mce-fragment=\"1\" title=\"vinyl composed by or featuring Lalo Schifrin\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/lalo-schifrin\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/lalo-schifrin\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click to see more vinyl composed by or featuring Lalo Schifrin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Carter (Alto Saxophone) : A1, A2, E1, E2, F1, F2, F3, F4, F5, G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCannonball Adderley (Alto Saxophone) : A1, A2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeo Wright (Alto Saxophone, Flute) : G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Davis (Bass) : A1, A2, B1, E1, E2, F1, F2, F3, F4, F5, G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSam Jones (Bass) : C1, C2, D1, D2, D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCandido (Congas) : H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChuck Lampkin (Drums) : A1, A2, G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJo Jones (Drums) : B1, E1, E2, F1, F2, F3, F4, F5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLouis Hayes (Drums) : C1, C2, D1, D2, D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColeman Hawkins (Tenor Saxophone) : B, E1 to F5 \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" title=\"Vinyl featuring Coleman Hawkins\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Byas (Tenor Saxophone) : B1, E1, E2, F1, F2, F3, F4, F5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStan Getz (Tenor Saxophone) B1, C1, C2, D1, D2 D3, G1, H1, H2 \u003ca title=\"vinyl featuring Stan Getz\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/stan-getz\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Stan Getz]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.J. Johnson (Trombone) : : A1, A2, C1 ; C2, D1, D2 D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDizzy Gillespie (Trumpet) : A1, A2, C1, C2, D1, D2, D3, G1, H1, H2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Eldridge (Trumpet) : B1, E1, E2, F1, F2, F3, F4, F5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVictor Feldman (Vibraphone, Piano) : C1, C2, D1, D2, D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Miller (A1), Leiber (A1), Stoller (A1), Carter (A2), Adderley (A2), Gillespie (A2), Johnson (A2), Kern-Hammerstein, II (B, D2), Bernie (C1), Casey (C1), Pinkard (C1), Dizzy Gillespie (C2), Frank Paparelli (C2), Dameron (D1), Harbach (D2), Zoot Sims (D3), Billy Strayhorn (E1), McDonals (E2), Henley (E2), Harry Link (F1), Holt Marvell (F1), Jack Strachey (F1), Kern (F2), Harbach (F2), Carmichael (F3), Ned Washington (F3), Gillespie (F4), Coots (F4), Benny Carter (F5), Coleman Hawkins (F5), Don Byas (F5), Roy Eldridge (F5), Dizzy Gillespie (G, H2), Duke Ellington (H1), Irving Mills (H1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e4 LPs, Box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRecording : Live at the \u003cspan data-mce-fragment=\"1\"\u003eJazz At The Philharmonic In Europe tour, in the Konserthuset, Stockholm on November 21, 1960 by \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eVal Valentine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducer : Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e : \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBernie's Tune\u003c\/li\u003e\n\u003cli\u003eSwedish Jam\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll The Things You Are\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. Sweet Georgia Brown\u003cbr\u003e2. Bop 'n Boogie\u003c\/p\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. I Waited For You\u003cbr\u003e2. Yesterdays\u003cbr\u003e3. Trotting\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide E :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Take The \"A\" Train\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Indiana (Back Home Again)\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide F :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. These Foolish Things (Remind Me Of You)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Yesterdays\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. The Nearness Of You\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. You Got To My Head\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. A Jazz Portrait of Brigitte Bardot\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eSide G :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Kush\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSide H :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. The Mooch\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Wheatleigh Hall\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eRatings :\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eDiscogs : 4.18 \/ 5\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40376677925015,"sku":"V 8539-V8542","price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jazz-at-the-philharmonic-in-europe-4lp-box-set-audiosoundmusic-1.jpg?v=1719851418"},{"product_id":"jazz-artists-guild-newport-rebels","title":"Jazz Artists Guild (featuring Charles Mingus, Max Roach, Eric Dolphy, Roy Eldridge \u0026 Jo  Jones) - Newport Rebels (Pure Pleasure)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCharles Mingus - bass (A1, B1, B3) \u003ca title=\"All vinyl featuring Charles Mingus\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/charles-mingus\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/charles-mingus\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Charles Mingus]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEric Dolphy - alto saxophone (A1, B2) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-dolphy\" title=\"vinyl featuring Eric Dolphy\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-dolphy\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Eric Dolphy]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTommy Flanagan (A1, B1, B3) \u003ca title=\"vinyl featuring Tommy Flanagan\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/tommy-flanagan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/tommy-flanagan\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Tommy Flanagan]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMax Roach - Drums (A2) \u003ca title=\"Vinyl featuring Max Roach\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/max-roach\" data-mce-fragment=\"1\" target=\"_blank\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/max-roach\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Max Roach]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJo Jones - drums (all tracks)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRoy Eldridge - trumpet (A1, B1, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJimmy Knepper - trombone (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKenny Dorham - piano (B2) \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca title=\"Vinyl featuring Kenny Dorahm\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/kenny-dorham\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/kenny-dorham\"\u003e[click here to see more vinyl featuring Kenny Dorham]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBooker Little - trumpet (A2) \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/booker-little\" title=\"vinyl featuring Booker Little\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/booker-little\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Booker Little]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJulian Priester - trombone (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWalter Benton - tenor saxophone (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn \"Peck\" Morrison - bass (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbbey Lincoln - vocal (B2)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Bailey - trumpet (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn \"Peck\" Morrison - bass (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposed by Charles Mingus (A1, B3), Booker Little (A2), Billy Moll (B1), Harry Barris (B1), Ted Koehler (B1), Everett Robbins (B2), Porter Grainger (B2), Jo Jones (B3), Roy Eldridge (B3), Tommy Flanagan (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive (A2, B2) \u0026amp; Studio (A1, B1, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Candid\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA2, B2 : Recorded at the Newport Jazz Festival, Newport, Rhode Island on November 1\u003csup\u003est\u003c\/sup\u003e 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1, B1, B3 : Recorded at Nola Penthouse Studios, New York City, November 11\u003csup\u003eth\u003c\/sup\u003e 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Bob d’Orléans\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Nat Hentoff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by Nat Hentoff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign by Frank Gauna\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1961\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Mysterious Blues\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Cliff Walk \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Wrap Your Troubles In Dreams (And Dream Your Troubles Away)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. ‘Tain’t Nobody’s Bizness If I Do\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Me and You\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eIncluded in Fred Kaplan's \"Best-Sounding Jazz LPs\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"...The sound has that live excitement. When Lincoln sings, she's not hyped upfront; she seems a part of the band, and her voice breathes through the ensemble. Pure Pleasure is a new label (distributed in the U.S. by Analogue Productions), and this is a splendid reissue.\" - Fred Kaplan, \u003c\/span\u003e\u003cem\u003eThe Absolute Sound\u003c\/em\u003e\u003cspan\u003e, December 2005\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"In 1960 bassist Charles Mingus helped to organize an alternative Newport Jazz Festival in protest of Newport's conservative and increasingly commercial booking policy. The music on this LP (which has been reissued on CD) features some of the musicians who participated in Mingus's worthy if short-lived venture. Trumpeter Roy Eldridge performs three numbers with pianist Tommy Flanagan, Mingus and drummer Jo Jones; of greatest interest is \"Mysterious Blues\" for it adds trombonist Jimmy Knepper and the unique altoist Eric Dolphy successfully to the group. The other selections match up drummers Max Roach and Jo Jones with Roach's quintet (featuring trumpeter Booker Little) on \"Cliff Walk\" and feature singer Abbey Lincoln on \"Tain't Nobody's Bizness If I Do.\" AllMusic Review by Scott Yanow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the original liner notes by  producer Nat Hentoff : \"\u003c\/span\u003eThe one positive accomplishment of the 1960 Newport Festival was the creation in rebellion of a musicians’ festival at Cliff Walk Manor. As the “official” rites were ending because of ugly rioting in the streets several hundred people were listening in calm and pleasure to the rebels at Cliff Walk. The dissidents had been organized by Charles Mingus and Max Roach in protest against the accelerating commercialization of the annual Ben-Hur-with-a-horn production of Freebody Park. It was exhilarating for the musicians involved to realize that for once in their careers, they were capable of formulating and sustaining their own ground rules without booking agents, impressarios, and other middlemen.\u003c\/p\u003e\n\u003cp\u003eThe rebels set up their own tents for sleeping quarters, even stitching the canvas themselves; handled advertising and promotion; alternated as announcers of the rebels; and took tickets. (Mr. Mingus roamed the grounds besides, asking for payment from freeloaders outside the fence).\u003c\/p\u003e\n\u003cp\u003eParticularly heartening was the fact that the protestants included musician of several age groups and many styles, oneof the few times in recent jazz history in which a spontaneous co-operative undertaking had united a broad range of jazzmen. “The big festival forgot about the music,” Jo Jones was explaining between sets at Cliff Walk one night. “But these little kiddies,” he pointed to several modernist on stand, “have to get a chance to be heard. That’s one reason we did this.” But the older men had also deserved longer and freer playing time than the “big festival” had provided, and one of the joys of the Cliff Walk concerts was the presence of Jones, Roy Eldridge, and Coleman Hawkins. Hawkins was one of the more determined rebels. Roy had at first decided not to join in. “My fighting days are over,” he sighed at one point. But the defiant spirits of the others finally bore him along too. I particularly remember Roy and Jo Jones playing an especially relaxed set with the sea and the beach as a backdrop. “Now this,” said Charlie Mingus with satisfaction, “is what Newport jazz was supposed to be”.\u003c\/p\u003e\n\u003cp\u003eThe quartet version of Wrap Your Troubles In Dreams has an incisive but relaxed Roy; and a nimble, soft-shoe-like solo by the former dancer Jo Jones. (“I’ll dance a chorus,” said arranger Jones.) The closing exchange between Roy and Mingus recalls the time many years before when Mingus was at Jefferson High School in Los Angeles and he and Roy had a non-musical conversation that was to influence Mingus strongly. Roy appeared as guest artist with backing by the high school band. “One of the kids in the band, a Negro, was putting down the older guys like Roy,” Mingus remembers. “He said they couldn’t play in tune, couldn’t play in a section, and that they weren’t trained at all. He was impressed by the white technicians. He’d written a little thing for Roy to play, and Roy preferred not to. . I told Roy something of what this guy had said about him, and Roy answered: “You see this horn. I play what I feel on it. That’s jazz. You’d better find out about the music of your people. Someday you’re going to thank me for talking to you like this.” Mingus has.\u003c\/p\u003e\n\u003cp\u003e Also at Cliff Walk was Abbey Lincoln, who in the past year has broken completely free of her former image as a sultry supper club puppet and is now bitingly, boldly herself. Her pungent, proudly self-assertive Tain’t Nobody’s Bizness here is one of her freest performances on record (for more, listen to her album. STRAIGHT AHEAD, CANDID 9015). Note too, the stinging commentary of Eric Dolphy and Benny Bailey. (For a full set of the strikingly expressive Benny Bailey there is BIG BRASS, CANDID 9011.) Me And You was the last number of the Mingus-Eldridge session. Roy, seated at ease, was in a mood to play all night, but Jo Jones had a gig. “O.K.,” said Roy, “let’s just play the blues”.\u003c\/p\u003e\n\u003cp\u003eThe result is an extraordinarily full-bodied and fiery Eldridge performance. (“Yeah, baby!” exclaims Mingus at the end.) The Newport rebellion is over, but its crackling spirit was caught alive here.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.62 \/ 5 ; AllMusic : 3 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40541855744151,"sku":"CJS9022","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/jazz-artists-guild-featuring-charles-mingus-max-roach-eric-dolphy-roy-eldridge-and-jo-jones-newport-rebels-pure-pleasure-audiosoundmusic-1.jpg?v=1719851868"},{"product_id":"johnny-hodges-blues-a-plenty-2lp-mono-45rpm-180g","title":"\u003ctranscy\u003eJohnny Hodges - Blues A Plenty (2LP, Mono, 45 tours, 200g)\u003c\/transcy\u003e","description":"\u003cp data-mce-fragment=\"1\" style=\"margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eJohnny Hodges, alto saxophone \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/johnny-hodges\" title=\"vinyl featuring Johnny Hodges\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/johnny-hodges\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Johnny Hodges]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBen Webster, tenor saxophone \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" target=\"_blank\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRoy Eldridge, trumpet\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eVic Dickenson, trombone\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBilly Strayhorn, piano\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJimmy Woode, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSam Woodyard, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eApril 5, 1958 in New York City\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003cp\u003e    Do Nothing Till You Hear From Me\u003c\/p\u003e\n\u003cp\u003e    Cheek To Cheek\u003c\/p\u003e\n\u003cp\u003e    Ill Wind\u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cp\u003e    Speak Low\u003c\/p\u003e\n\u003cp\u003e    I Wished On The Moon\u003c\/p\u003e\n\u003cp\u003e    But Not For Me\u003c\/p\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003cp\u003e    All Or Nothing At All\u003c\/p\u003e\n\u003cp\u003e    We'll Be Together Again\u003c\/p\u003e\n\u003cp\u003e    Sophisticated Lady\u003c\/p\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003cp\u003e    April In Paris\u003c\/p\u003e\n\u003cp\u003e    Say It Isn't So\u003c\/p\u003e\n\u003cp\u003e    Our Love Is Here To Stay\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eWinner of a 2012 Positive Feedback Online Writers' Choice Award\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"...the third (Billie Holiday album) to receive the two-disc 45 RPM treatment by Analogue Productions. ... Billie sounds like she's at the microphone in your living room. The instruments are spread out between the speakers and there is plenty of depth. A pristine original has a bit more pronounced vocal sibilance and air, and this reissue smooths that out a bit. That aside, this is a fabulous reissue of essential music. Highest recommendation.\"  Dennis D. Davis, Hi-Fi +, Issue 95\u003c\/p\u003e\n\u003cp\u003e\"...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!\" Danny Kaey, Positive Feedback Online, November\/December 2011\u003c\/p\u003e\n\u003cp\u003eAfter the publication of her autobiography, Lady Sings The Blues, Billie Holiday was doing good business in clubs in what turned out to be a last burst of stardom. We cannot know why she stopped recording for Norman Granz after January 1957 - but the present collection is a magnificent culmination of her years with the producer. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3\/5 , Discogs 4.57 \/ 5  ,   HiFi+ : Recording = 9.5\/10; Music = 10\/10\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41016210227351,"sku":"AVRJ 6123-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/johnny-hodges-blues-a-plenty-2lp-mono-45rpm-200g-audiosoundmusic-1.jpg?v=1719853897"},{"product_id":"duke-ellington-and-johnny-hodges-side-by-side-2lp-mono-45rpm-200g","title":"\u003ctc\u003e\u003ctranscy\u003eDuke Ellington and Johnny Hodges - Side By Side (2LP, 45 tours)\u003c\/transcy\u003e\u003c\/tc\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Hodges – alto saxophone  \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/johnny-hodges\" title=\"vinyl featuring Johnny Hodges\"\u003e[click here to see more vinyl featuring Johnny Hodges]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDuke Ellington – piano (A1-2, B2) \u003ca title=\"Vinyl featuring Duke Ellington\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/duke-ellington\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Duke Ellington]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBen Webster – tenor saxophone (B1, C1-D3) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJo Jones – drums \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarry \"Sweets\" Edison – trumpet (A1-2, B2) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"Vinyl featuring Harry Sweets Edison\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/harry-sweets-edison\"\u003e[click here to see more vinyl featuring Harry Sweets Edison]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLes Spann – flute (B2), guitar (A1-2, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAl Hall – bass (A1-2, B2,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Eldridge – trumpet (B1, C1-D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLawrence Brown – trombone (B1, C1-D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Strayhorn – piano (B1, C1-D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWendell Marshall – bass (B1, C1-D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Duke Ellington (A1, B2), Fats Waller (A2), Clarence Williams (A2), Jimmy Hamilton (B1), Ray Henderson (C1), Lew Brown (C1), Buddy DeSylva (C1), Harold Arlen (C2), Ted Koehler (C2), Mercer Ellington (D1), Johnny Hodges (D1-3) \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on \u003c\/strong\u003e\u003cstrong\u003eAugust 14, 1958 at Nola Studios, New York City and February 20, 1959 at Columbia Studios, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStompy Jones\u003c\/li\u003e\n\u003cli\u003eSqueeze Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBig Shoe\u003c\/li\u003e\n\u003cli\u003eGoing Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJust a Memory\u003c\/li\u003e\n\u003cli\u003eLet's Fall In Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRuint\u003c\/li\u003e\n\u003cli\u003eBend One\u003c\/li\u003e\n\u003cli\u003eYou Need to Rock\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\"Topping off a wealth of full-band recordings, the various stars of Ellington's great outfit recorded many combo sides under their own names. And while not on the same sophisticated level of classic Ellingtonia, the late-'30s material cut by Johnny Hodges, Cootie Williams, and Rex Stewart is packed with tasty solo work and some of the finest examples of early small-group swing. These later examples from 1958-1959 feature Hodges backed by both Ellington and Billy Strayhorn on piano and such non-Duke luminaries as Ben Webster, Roy Eldridge, Harry \"Sweets\" Edison, and Jo Jones. Like its companion album, Back to Back, Side by Side has a loose, jam session feel, with all the soloists stretching out. Hodges is in top form throughout, while Edison and Webster man their spots just fine. Highlights include the sveltely swinging \"Going Up\" and Hodges' bluesy closer, \"You Need to Rock.\" A must for fans of vintage combo swing.\" AllMusic Review by Stephen Cook\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4\/5  ,   Discogs 4.41 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41021283664023,"sku":"AVRJ 6109-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/duke-ellington-and-johnny-hodges-side-by-side-2lp-mono-45rpm-200g-audiosoundmusic-1.jpg?v=1719853911"},{"product_id":"coleman-hawkins-and-confreres-2lp-45rpm-200g","title":"\u003ctranscy\u003eColeman Hawkins and Confreres (2LP, 45 tours, 200g)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone - Coleman Hawkins \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" title=\"Vinyl featuring Coleman Hawkins\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster (A1) \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Hank Jones (B1, B2, C1, D1) \u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Hank Jones\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/hank-jones\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Hank Jones]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano - Oscar Peterson (A1) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"vinyl featuring Oscar Peterson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Roy Eldridge (B1, B2, C1, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – George Duvivier (B1, B2, C1) \u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring George Duvivier\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-duvivier\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring George Duvivier]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass - Ray Brown (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Alvin Stoller (A1), Mickey Sheen (B1, B2, C1, D1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eOctober 16, 1957 and February 7, 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaria\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSunday\u003c\/li\u003e\n\u003cli\u003eHanid\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHoney Flower\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNabob\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBen Webster had long before passed through the ranks of imitator, then pupil and finally master. His \"college attendance,\" as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. \"Hawk\" was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players. Two such JATP ensembles are to be found on the Confrères LP. The relaxed atmosphere is particularly noticeable in the title \"Sunday\" in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in \"Nabab!\") where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in \"Honey Flower.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 3\/5  ,  Discogs 4.62 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41021538533527,"sku":"AVRJ 6110-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/coleman-hawkins-and-confreres-2lp-45rpm-200g-audiosoundmusic-1.jpg?v=1719853916"},{"product_id":"illinois-jacquet-swings-the-thing-2lp-45rpm-200g","title":"\u003ctranscy\u003eIllinois Jacquet - Swing's The Thing (2LP, Mono, 45 tours, 200g)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIllinois Jacquet, tenor saxophone\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRoy Eldridge, trumpet\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eRay Brown, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHerb Ellis, guitar\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJimmy Jones, piano\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJo Jones, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Hollywood, CA, October 16th 1956\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLas Vegas Blues\u003c\/li\u003e\n\u003cli\u003eHarlem Nocturne\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCan't We Be Friends\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAchtung\u003c\/li\u003e\n\u003cli\u003eHave You Met Miss Jones\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLullaby Of The Leaves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e“Communications have so speeded up the process of cultural assimilation in the Western world in the last 20 years that artists such as Roy and Illinois, who, if they had lived in, say, the 18th century, would have spent their entire life spans perfecting their style and getting their message disseminated. Now they find themselves, on the verge of middle age, sort of musical anachronisms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThere is nothing whatsoever wrong with what they play, it is every bit as good as it was when their initial appearance made such an impression. They are every bit the musicians they were 10 years ago, and yet what they have to say no longer seems to have any relevance. It is tragic. They are left stranded on a plateau which they reached when it was important to get there. But now the main stream of history has gone on by, and they are talking in the language of another era to an ever-diminishing audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eIt is good to hear them. Nostalgic, warm-feeling, and evocative of the good old days. But it is impossible to escape the conclusion that they have made their contribution, and unless they manage to grow and develop and keep in touch with the pulse of the times, they will remain without an audience, though not without fans.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThis album offers excellent romantic tenor by Illinois, on Nocturne and Miss Jones (there is a gorgeous typo in the notes on this indicating that Granzville needs a proofreader), and Roy, on Achtung brings back memories of Swing is Here. This is a further indication of the appropriateness of the above remarks.” Down Beat Review by Ralph J. Gleason \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.47 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41021677764759,"sku":"AVRJ 8023-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/illinois-jacquet-swing-s-the-thing-2lp-mono-45rpm-200g-audiosoundmusic-1.jpg?v=1719853917"},{"product_id":"ben-webster-and-associates-2lp-45rpm","title":"\u003ctc\u003eBen Webster And Associates (2LP, 45 tours)\u003c\/tc\u003e","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSide D is a repeat of side A\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBen Webster - tenor sax \u003cspan data-mce-fragment=\"1\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColeman Hawkins - tenor saxophone \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" title=\"Vinyl featuring Coleman Hawkins\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBudd Johnson - tenor saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Eldridge - trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Jones - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLes Spann - guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Brown - bass \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Ray Brown\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ray Brown]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJo Jones – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Ben Webster (B1-2, C2), Duke Ellington (A1, D1), Milt Gabler (A1, D1), Sammy Cahn (C1), Jule Styne (C1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold Jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 2,500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Record Technology Incorporated (RTI)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Original Recordings Group (ORG)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded April 9, 1959 in New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman at Bernie Grundman Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn A Mellow Tone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYoung Bean\u003c\/li\u003e\n\u003cli\u003eBudd Johnson\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTime After Time\u003c\/li\u003e\n\u003cli\u003eDe-Dar\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn A Mellow Tone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"Wow! Look at the front line of saxes!  This early stereo recording happened almost by accident, putting the two oldsters who had really paid their dues together with the youngest of the trio, Budd Johnson, who even had one track named for him. Ben Webster had walked into a grill just off Broadway, and ran into Budd. He told him of the impending date in the studio with Hawkins and said “What are you doing at 2:30 tomorrow?” Johnson had no plans, so Webster said “OK, bring your sax and we’ll all be on the date together.”\u003c\/p\u003e\n\u003cp\u003eAnd this is it! In spite of the tendency of early stereo sessions to be all left and right with a big hole in the middle, the three saxes are evenly laid out across the terrific soundstage. (Perhaps some judicious mixing was done in the remastering.) There’s little difficulty in identifying the unique styles of the three saxists. Ben was playing in the Ellington band when In a Mellow Tone was premiere in 1940. It’s my personal favorite of the five tracks. There’s a knockout bass solo by steadfast Ray Brown, and Leslie Spann achieves Django-like octave playing on his great solo. Ben’s deep and rich solo near the end is something to behold. And the sonics…What can I say? You can easily ignore the fine print on the album: “Unfortunately, some technical defects made cannot be completely eliminated with diminishing parts of the music.” Certainly couldn’t hear a one in this 53-year-old recording.\u003c\/p\u003e\n\u003cp\u003eWhile beautifully remastered at the ultimate two-channel format of 45 rpm vinyl, and presented with completely readable jacket notes as on the original LP, the ORG listing of the tracks is completely fouled up. The order of the tracks is as I’ve listed in the heading above, and Side D does not contain two tracks but a repeat of Side A:  In a Mellow Tone, since only three sides were required to convert the original 33⅓ material to 45 rpm. As with all these 45 rpm audiophile vinyl, is the high cost worth it? If you have a high-end turntable and the music is on your “can’t miss” list, Yes!” John Henry, Audiophile Audition, July 2012\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Ben Webster and Associates is a 1959 session that took full advantage of the long-playing LP format. Highlighted by the 20-minute version of Ellington's \"In a Mellow Tone\" in which tenor titans Ben Webster, Coleman Hawkins, and Budd Johnson plus trumpeter Roy Eldridge stretch out, not so much in a cutting contest as a laid-back jam session amongst friends. This summit meeting turned out to be a tribute to another tenor master of the same generation, Lester Young, who had died less than four weeks before this session. The chosen rhythm section of Jimmy Jones on piano, Les Spann on guitar, Ray Brown on bass, and Jo Jones on drums equally matches the performance of the featured horns. Also tackled for this session were three Webster originals: \"De-Dar,\" \"Young Bean,\" and \"Budd Johnson\" and the standard \"Time After Time.\" Unfortunately no bonus tracks are included (if they even exist) but the excellent sound restoration more than makes up for it.” AllMusic Review by Al Campbell\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4,86 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":43079632027898,"sku":"ORG 116","price":169.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ben-webster-and-associates-2lp-45rpm-audiosoundmusic-1.jpg?v=1719859905"},{"product_id":"the-sound-of-jazz-mono","title":"The Sound Of Jazz  - featuring Count Basie, Billie Holiday, Milt Hinton, Coleman Hawkins, Mal Waldron, Ben Webster, … (Mono)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eBass – Milt Hinton (A1-2)  \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/milt-hinton\" title=\"Vinyl featuring Milt Hinton\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/milt-hinton\"\u003e[Click here to see more vinyl featuring Milt Hinton]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClarinet – Pee Wee Russell (A1-2, A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Jo Jones (A1-4, B1, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Nat Pierce (A1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColeman Hawkins - Tenor Saxophone (A1-3), Saxophone (B1, B4) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" title=\"Vinyl featuring Coleman Hawkins\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone – Vic Dickenson (A1-3, B1, B4), Dickie Wells (B1, B4), Frank Rehak (B1, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Henry \"Red\" Allen (A1-2), Rex Stewart (A1-2), Doc Cheatham (B1, B4), Emmett Berry (B1, B4), Joe Newman (B1, B4), Roy Eldridge (B1, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBillie Holiday – Vocals (A3) \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Billie Holiday\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/billie-holiday\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/billie-holiday\"\u003e[click here to see more vinyl featuring Billie Holiday]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Jim Atlas (A3, B2), Eddie Jones (B1, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Danny Barker (A3-4), Freddy Green (B1, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Mal Waldron (A3, B3) \u003ca title=\"vinyl featuring Mal Waldron\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/mal-waldron\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/mal-waldron\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Mal Waldron]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster (A3) \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" target=\"_blank\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Giuffre - Clarinet (A4, B2), Baritone Saxophone (B2), Tenor Saxophone (B2) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Jimmy Giuffre\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/jimmy-giuffre\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/jimmy-giuffre\"\u003e[click here to see more vinyl featuring Jimmy Giuffre]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Count Basie (B1, B4) \u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/count-basie\" title=\"Vinyl featuring Count Basie\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/count-basie\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Count Basie]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone – Earl Warren (B1, B4), Harry Carney (B1, B4), Lester Young (A3, B1, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Jimmy Rushing (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Jim Hall (B2)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Jim Hall\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/jim-hall\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/jim-hall\"\u003e[click here to see more vinyl featuring Jim Hall]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten-By – F. J. Morton (A1), L. Armstrong (A1), E. Hines (A2), W. H. Woode (A2), B. Holiday (A3), A. Gibson (B1), Basie (B1, B4), Rushing (B1), Jimmy Giuffre (B2), Mal Waldron (B3), L. Young (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive Studio recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Columbia’s 30th Street Studios, New York. December 4th 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Irving Townsend\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by Eric Larrabee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in December 2022\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWild Man Blues - Henry \"Red\" Allen All-Stars\u003c\/li\u003e\n\u003cli\u003eRosetta - Henry \"Red\" Allen All-Stars\u003c\/li\u003e\n\u003cli\u003eFine And Mellow - Billie Holiday, Mal Waldron All-Stars\u003c\/li\u003e\n\u003cli\u003eBlues - Jimmy Giuffre, Pee Wee Russell, Jo Jones, Danny Barker\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Left My Baby - Jimmy Rushing, Count Basie All-Stars\u003c\/li\u003e\n\u003cli\u003eThe Train And The River - Jimmy Giuffre Trio\u003c\/li\u003e\n\u003cli\u003eNervous - Mal Waldron\u003c\/li\u003e\n\u003cli\u003eDickie's Dream - Count Basie All-Stars\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Sound of Jazz\" is a 1957 edition of the CBS television series Seven Lively Arts, and was one of the first major programmes featuring jazz to air on American network television.\u003c\/p\u003e\n\u003cp\u003eThe one-hour program aired on Sunday, December 8, 1957, at 5 p.m. Eastern Time, live from CBS Studio 58, the Town Theater at 851 Ninth Avenue in New York City. The show was hosted by New York Herald-Tribune media critic John Crosby, directed by Jack Smight, and produced by Robert Herridge. Jazz writers Nat Hentoff and Whitney Balliett were the primary music consultants.\u003c\/p\u003e\n\u003cp\u003eThe Sound of Jazz brought together 32 leading musicians from the swing era including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones and Coleman Hawkins; the Chicago style players of the same era, like Henry \"Red\" Allen, Vic Dickenson, and Pee Wee Russell; and younger 'modernist' musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots (see the song list below), but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on \"Fine and Mellow\".\u003c\/p\u003e\n\u003cp\u003eThe show's performance of \"Fine and Mellow\" reunited Billie Holiday with her estranged long-time friend Lester Young for the final time. Jazz critic Nat Hentoff, who was involved in the show, recalled that during rehearsals, they kept to opposite sides of the room. Young was very weak, and Hentoff told him to skip the big band section of the show and that he could sit while performing in the group with Holiday.\u003c\/p\u003e\n\u003cp\u003eDuring the performance of \"Fine and Mellow\", Webster played the first solo. \"Then\", Hentoff remembered:\u003c\/p\u003e\n\u003cp\u003eLester got up, and he played the purest blues I have ever heard, and [he and Holiday] were looking at each other, their eyes were sort of interlocked, and she was sort of nodding and half–smiling. It was as if they were both remembering what had been—whatever that was. And in the control room we were all crying. When the show was over, they went their separate ways.\u003c\/p\u003e\n\u003cp\u003eWithin two years, both Young and Holiday had died.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.45 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":43825938858234,"sku":"PPAN CL1098","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-sound-of-jazz-featuring-count-basie-billie-holiday-milt-hinton-coleman-hawkins-mal-waldron-ben-webster-mono-audiosoundmusic-1.jpg?v=1719860794"},{"product_id":"billie-holiday-lady-day-mono","title":"\u003ctc\u003eBillie Holiday - Lady Day (mono)\u003c\/tc\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN\" mce-data-marked=\"1\"\u003e\u003cspan size=\"3\" mce-data-marked=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan lang=\"EN\"\u003e\u003cspan size=\"3\"\u003eCOMPILATION\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBillie Holiday, vocals \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/billie-holiday\" title=\"vinyl featuring Billie Holiday\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/billie-holiday\"\u003e[click here to see more vinyl featuring Billie Holiday]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Eldridge, trumpet (A1-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Goodman, clarinet (A1-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBen Webster, tenor saxophone (A1-3) \u003cspan data-mce-fragment=\"1\" size=\"2\"\u003e\u003cspan data-mce-fragment=\"1\" face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" target=\"_blank\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTeddy Wilson, piano (A1-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Truehart, guitar (A1-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Kirby, bass (A1-4, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCozy Cole, drums (A1-6, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Morton, trombone (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChu Berry, tenor saxophone (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDave Barbour, guitar (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBunny Berigan, trumpet (A5-6),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Shaw, clarinet (A5-6),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Bushkin, piano (A5-6),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDick McDonough, guitar (A5-6),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePete Peterson, bass (A5-6),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTeddy Wilson, piano (B1-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuck Clayton, trumpet (B1-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Goodman, clarinet (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLester Young, tenor saxophone (B1-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFreddie Green, guitar (B1-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWalter Page, bass (B1-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJo Jones, drums (B1-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuster Bailey, clarinet (B2-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Sherman, piano (B4-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEd Hall, clarinet (B4-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTeddy Wilson, piano (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJonah Jones, trumpet (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Hodges, alto saxophone (B6)\u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Johnny Hodges\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/johnny-hodges\"\u003e [click here to see more vinyl featuring Johnny Hodges]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarry Carney, baritone saxophone (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLawrence Lucie, guitar (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded July 2, 1935 (A1-3), October 25, 1935 (A4), July 10, 1936 (A5-6), January 25, 1937 (B1), June 1, 1937 (B2-3), June 15, 1937 (B4-5), June 30, 1936 (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ray Staff at Air Mastering, Lyndhurst Hall, London.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner notes by George Avakian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhotography by Gjon Mili\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1954\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in July 2010\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMiss Brown To You\u003c\/li\u003e\n\u003cli\u003eI Wished On the Moon\u003c\/li\u003e\n\u003cli\u003eWhat A Little Moonlight Can Do\u003c\/li\u003e\n\u003cli\u003eIf You Were Mine\u003c\/li\u003e\n\u003cli\u003eSummertime\u003c\/li\u003e\n\u003cli\u003eBillie's Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Must Have That Man!\u003c\/li\u003e\n\u003cli\u003eFoolin' Myself\u003c\/li\u003e\n\u003cli\u003eEasy Living\u003c\/li\u003e\n\u003cli\u003eMe, Myself and I\u003c\/li\u003e\n\u003cli\u003eA Sailboat In the Moonlight\u003c\/li\u003e\n\u003cli\u003eI Cried For You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.48 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":46499776397647,"sku":"PPAN CL 637","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/billie-holiday-lady-day-mono-audiosoundmusic-1.jpg?v=1719861223"},{"product_id":"jazz-artists-guild-featuring-charles-mingus-max-roach-eric-dolphy-roy-eldridge-jo-jones-newport-rebels-candid","title":"Jazz Artists Guild (featuring Charles Mingus, Max Roach, Eric Dolphy, Roy Eldridge \u0026 Jo  Jones) - Newport Rebels (Candid)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCharles Mingus - bass (A1, B1, B3) \u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/charles-mingus\" title=\"All vinyl featuring Charles Mingus\" data-mce-style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/charles-mingus\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Charles Mingus]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEric Dolphy - alto saxophone (A1, B2) \u003ca title=\"vinyl featuring Eric Dolphy\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-dolphy\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-dolphy\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Eric Dolphy]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTommy Flanagan (A1, B1, B3) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/tommy-flanagan\" title=\"vinyl featuring Tommy Flanagan\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/tommy-flanagan\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Tommy Flanagan]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMax Roach - Drums (A2) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/max-roach\" title=\"Vinyl featuring Max Roach\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/max-roach\" target=\"_blank\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Max Roach]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJo Jones - drums (all tracks)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRoy Eldridge - trumpet (A1, B1, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJimmy Knepper - trombone (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKenny Dorham - piano (B2) \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/kenny-dorham\" title=\"Vinyl featuring Kenny Dorahm\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/kenny-dorham\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Kenny Dorham]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBooker Little - trumpet (A2) \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca title=\"vinyl featuring Booker Little\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/booker-little\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/booker-little\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Booker Little]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJulian Priester - trombone (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWalter Benton - tenor saxophone (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn \"Peck\" Morrison - bass (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbbey Lincoln - vocal (B2)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Bailey - trumpet (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Charles Mingus (A1, B3), Booker Little (A2), Billy Moll (B1), Harry Barris (B1), Ted Koehler (B1), Everett Robbins (B2), Porter Grainger (B2), Jo Jones (B3), Roy Eldridge (B3), Tommy Flanagan (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive (A2, B2) \u0026amp; Studio (A1, B1, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Candid\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Candid\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA2, B2 : Recorded at the Newport Jazz Festival, Newport, Rhode Island on November 1\u003csup\u003est\u003c\/sup\u003e 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1, B1, B3 : Recorded at Nola Penthouse Studios, New York City, November 11\u003csup\u003eth\u003c\/sup\u003e 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Bob d’Orléans\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Nat Hentoff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLiner Notes by Nat Hentoff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign by Frank Gauna\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1961\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Mysterious Blues\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Cliff Walk \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Wrap Your Troubles In Dreams (And Dream Your Troubles Away)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. ‘Tain’t Nobody’s Bizness If I Do\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Me and You\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"In 1960 bassist Charles Mingus helped to organize an alternative Newport Jazz Festival in protest of Newport's conservative and increasingly commercial booking policy. The music on this LP (which has been reissued on CD) features some of the musicians who participated in Mingus's worthy if short-lived venture. Trumpeter Roy Eldridge performs three numbers with pianist Tommy Flanagan, Mingus and drummer Jo Jones; of greatest interest is \"Mysterious Blues\" for it adds trombonist Jimmy Knepper and the unique altoist Eric Dolphy successfully to the group. The other selections match up drummers Max Roach and Jo Jones with Roach's quintet (featuring trumpeter Booker Little) on \"Cliff Walk\" and feature singer Abbey Lincoln on \"Tain't Nobody's Bizness If I Do.\" AllMusic Review by Scott Yanow.\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eFrom the original liner notes by  producer Nat Hentoff : \"\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThe one positive accomplishment of the 1960 Newport Festival was the creation in rebellion of a musicians’ festival at Cliff Walk Manor. As the “official” rites were ending because of ugly rioting in the streets several hundred people were listening in calm and pleasure to the rebels at Cliff Walk. The dissidents had been organized by Charles Mingus and Max Roach in protest against the accelerating commercialization of the annual Ben-Hur-with-a-horn production of Freebody Park. It was exhilarating for the musicians involved to realize that for once in their careers, they were capable of formulating and sustaining their own ground rules without booking agents, impressarios, and other middlemen.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe rebels set up their own tents for sleeping quarters, even stitching the canvas themselves; handled advertising and promotion; alternated as announcers of the rebels; and took tickets. (Mr. Mingus roamed the grounds besides, asking for payment from freeloaders outside the fence).\u003c\/p\u003e\n\u003cp\u003eParticularly heartening was the fact that the protestants included musician of several age groups and many styles, oneof the few times in recent jazz history in which a spontaneous co-operative undertaking had united a broad range of jazzmen. “The big festival forgot about the music,” Jo Jones was explaining between sets at Cliff Walk one night. “But these little kiddies,” he pointed to several modernist on stand, “have to get a chance to be heard. That’s one reason we did this.” But the older men had also deserved longer and freer playing time than the “big festival” had provided, and one of the joys of the Cliff Walk concerts was the presence of Jones, Roy Eldridge, and Coleman Hawkins. Hawkins was one of the more determined rebels. Roy had at first decided not to join in. “My fighting days are over,” he sighed at one point. But the defiant spirits of the others finally bore him along too. I particularly remember Roy and Jo Jones playing an especially relaxed set with the sea and the beach as a backdrop. “Now this,” said Charlie Mingus with satisfaction, “is what Newport jazz was supposed to be”.\u003c\/p\u003e\n\u003cp\u003eThe quartet version of Wrap Your Troubles In Dreams has an incisive but relaxed Roy; and a nimble, soft-shoe-like solo by the former dancer Jo Jones. (“I’ll dance a chorus,” said arranger Jones.) The closing exchange between Roy and Mingus recalls the time many years before when Mingus was at Jefferson High School in Los Angeles and he and Roy had a non-musical conversation that was to influence Mingus strongly. Roy appeared as guest artist with backing by the high school band. “One of the kids in the band, a Negro, was putting down the older guys like Roy,” Mingus remembers. “He said they couldn’t play in tune, couldn’t play in a section, and that they weren’t trained at all. He was impressed by the white technicians. He’d written a little thing for Roy to play, and Roy preferred not to. . I told Roy something of what this guy had said about him, and Roy answered: “You see this horn. I play what I feel on it. That’s jazz. You’d better find out about the music of your people. Someday you’re going to thank me for talking to you like this.” Mingus has.\u003c\/p\u003e\n\u003cp\u003e Also at Cliff Walk was Abbey Lincoln, who in the past year has broken completely free of her former image as a sultry supper club puppet and is now bitingly, boldly herself. Her pungent, proudly self-assertive Tain’t Nobody’s Bizness here is one of her freest performances on record (for more, listen to her album. STRAIGHT AHEAD, CANDID 9015). Note too, the stinging commentary of Eric Dolphy and Benny Bailey. (For a full set of the strikingly expressive Benny Bailey there is BIG BRASS, CANDID 9011.) Me And You was the last number of the Mingus-Eldridge session. Roy, seated at ease, was in a mood to play all night, but Jo Jones had a gig. “O.K.,” said Roy, “let’s just play the blues”.\u003c\/p\u003e\n\u003cp\u003eThe result is an extraordinarily full-bodied and fiery Eldridge performance. (“Yeah, baby!” exclaims Mingus at the end.) The Newport rebellion is over, but its crackling spirit was caught alive here.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.62 \/ 5 ; AllMusic : 3 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48693871608143,"sku":"ACAN 32131","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/jazz-artists-guild-featuring-charles-mingus-max-roach-eric-dolphy-roy-eldridge-and-jo-jones-newport-rebels-candid-audiosoundmusic-1.jpg?v=1719863923"},{"product_id":"charles-mingus-incarnations","title":"Charles Mingus – Incarnations","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBass - Charles Mingus \u003ca data-mce-fragment=\"1\" title=\"All vinyl featuring Charles Mingus\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/charles-mingus\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/charles-mingus\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Charles Mingus]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto saxophone, Bass clarinet - Eric Dolphy (B2) \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-dolphy\" title=\"vinyl featuring Eric Dolphy\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/eric-dolphy\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003eclick here to see more vinyl featuring Eric Dolphy]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano - Tommy Flanagan (A2, B3) \u003cspan data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/tommy-flanagan\" title=\"vinyl featuring Tommy Flanagan\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/tommy-flanagan\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Tommy Flanagan]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor saxophone - Booker Ervin (A1, B1-2) \u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/booker-erwin\" title=\"vinyl featuring Booker Ervin\" data-mce-style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/booker-erwin\"\u003e[click here to see more vinyl featuring Booker Ervin]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet - Roy Eldridge (A2, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto saxophone - Charles McPherson (A1, B1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums - Dannie Richmond (A1, B1-2), Jo Jones (A2, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano - Nico Bunick (B1), Paul Bley (A1, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone - Britt Woodman (B1), Jimmy Knepper (A2, B1, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet - Lonnie Hillyer (A1, B1-2), Ted Curson (B1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Charles Mingus (A1, B2), Ray Brown (A2), Roy Eldridge (A2), Oscar Hammerstein II (B1), Jerome Kern (B1), John Green (B3), Edward Heyman (B3), Robert Sour (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Candid\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Candid\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Nola Recording Studios in New York City on November 11, 1960 (A1-2, B2-3) \u0026amp; October 20, 1960 (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Bob d’Orléans\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Nat Hentoff\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign by David Gorman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Notes by Hank Shteamer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in March 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBugs\u003c\/li\u003e\n\u003cli\u003eR\u0026amp;R\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll the Things You Are (All)\u003c\/li\u003e\n\u003cli\u003eReincarnation of a Love Bird (2nd Version)\u003c\/li\u003e\n\u003cli\u003eBody and Soul \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"A collection of recordings culled from Charles Mingus' 1960 sessions on the Candid label, 2024's Incarnations is a swinging yet still heady album that finds the bassist bridging the mainstream jazz of the '40s and '50s with the avant-garde post-bop and third-stream explorations he would pursue just a few years later. By the time he entered the studio for Candid with producer\/label owner Nat Hentoff, Mingus had already started to embrace, or at least respond to, free jazz players like Ornette Coleman. Though still rooted in blues, bop, and hard swing, Mingus had put together several line-ups of both younger and veteran players whose conflagration of styles worked to both expand and deconstruct the sound of standards-based modern jazz. Putting a swing-era star like trumpeter Roy Eldridge alongside a burgeoning iconoclast like saxophonist Eric Dolphy (as he does here on several tracks) may seem odd at first, but the clash of styles proves electric, underscoring how the lineage and language of jazz are passed down through the generations. It also grabs the listener's ear and makes you pay deeper attention.\u003c\/p\u003e\n\u003cp\u003eFeatured here are many of the same musicians that appeared on 1960's Mingus! and 1961's Newport Rebels, including Booker Ervin, Charles McPherson, Ted Curson, Lonnie Hillyer, Jimmy Knepper, Britt Woodman, Tommy Flanagan, Paul Bley, Dannie Richmond, and Jo Jones. Essentially, Incarnations is an alternate version of Reincarnation of a Love Bird, which was also recorded on Candid in 1960 but not released until 1988. Here, we get a very similar track listing, with alternate takes on the frenetic Charlie Parker bop contrafact \"Bugs\" and the swinging \"R\u0026amp;R\" featuring some tasty, muted trumpet work by Eldridge. There are also equally engaging versions of \"Body and Soul,\" also featuring Eldridge, and the noir-ish \"Reincarnation of a Love Bird,\" both of which compete favorably with the versions released in 1988. Most intriguing, however, is the inclusion of the previously unreleased \"All the Things You Are (All).\" Notably, we hear Mingus introduce the song and explain that it is a reworking of the standard \"All the Things You Are\" based on chord changes he picked up when playing the song with Art Tatum in the '40s. Mingus' arrangement, a polyphonic chamber ballad with modern classical intimations, bears little resemblance to the source material and prefigures the ambitious, third stream ensemble sound he would soon explore on landmark albums like Black Saint and the Sinner Lady. Although Incarnations is more of an alternate takes collection than a lost album, the inclusion of \"All the Things You Are (All)\" makes it essential listening for Mingus fans, showcasing just how boundary-pushing he was.\" AllMusic review by Matt Collar\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"One of the most creative labels of the 1950s-60s was Candid Records, and they’ve reissued on vinyl some of their most provocative creations. Hang on tight!\u003c\/p\u003e\n\u003cp\u003eIncarnations is a collection of tunes from Mingus’ 1960 recordings, with an impressive guest list that includes Eric Dolphy, Booker Ervin, Roy Eldridge, Charles McPherson, Tommy Flanagan, and of course Dannie Richmond. Most of the tunes are alternate takes not found on his albums from this period, but there is nothing here that isn’t less than stellar, with an almost classical feel given on “All The Things You Are” and a dark shadowed “Reincarnation Of A Love Bird”. Eldridge shines on “Body And Soul” and swings hard with his Harmon Mute on “R\u0026amp;R” with Ervin and McPherson going deep on  “Bugs”. Mingus moves.\u003c\/p\u003e\n\u003cp\u003eMingus Rebels was a recording in protest to the “commercial” aspects of the Newport Jazz Festival, with the wide range of Mingus guests including Roy Eldridge\/tp, Eric Dolphy\/as, Jimmy Knepper\/tb, TommY Flanagan\/p, Jo Jones\/dr Max Roach\/dr, Abbey Lincoln\/voc and Kenny Dorham\/tp among others. The disparate mix of swingers and left of center boppers works amazingly well, with Lincoln belting out “’Tain’ Nobody’s Bizness If I Do” and Roach joyfully sparing with J ones with Booker Little’s horn out front on “Cliff Walk”. MIngus regulars Knepper and Dolphy are glorious foils on “Mysterios Blues” and the team goes into a cocktail lounge act on a sublime “Wrap Your Troubles In Dreams”. Mingus moods\u003c\/p\u003e\n\u003cp\u003eEven the cover photo for Max Roach’s We Insist! tells you that this album is a story about civil rights. The centerpiece  of this album (in it’s original mono format), the “Freedom Now Suite” starring Abbey Lincoln and  singing lyrics by Oscar Brown, is supported by a wide range of artists including Coleman Hawkins, Walter Benton, Booker Little, Julian Priester, James Schenck, Babatunde Olatunji, Ray Mantilla and Tomas DuVall. There are earthy blues like “Driva’ Man” with Lincoln belting it out and Hawkins  getting deep into the gut bucket. A duet between Roach and Lincoln results in a riveting “Tryptich” and some agonizing wordless vocals by Lincoln on “Tears For Johannesburg” are riveting. WHEW! \" Jazz Weekly Review by George W. Harris.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.51 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48739226059087,"sku":"ACAN 33121","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/charles-mingus-incarnations-audiosoundmusic-1.jpg?v=1719864003"},{"product_id":"johnny-hodges-blues-a-plenty","title":"Johnny Hodges - Blues A Plenty","description":"\u003cp data-mce-fragment=\"1\" style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eJohnny Hodges, alto saxophone \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Johnny Hodges\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/johnny-hodges\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Johnny Hodges]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBen Webster, tenor saxophone \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRoy Eldridge, trumpet\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eVic Dickenson, trombone\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBilly Strayhorn, piano\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJimmy Woode, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSam Woodyard, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket by Stoughton Printing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Verve Acoustic Sounds Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eApril 5, 1958 in New York City\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal session produced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissue produced by Chad Kassem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eI Didn't Know About You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eCool Your Motor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGone with the Wind\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHoney Hill\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBlues-A-Plenty\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDon't Take Your Love from Me\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSaturday Afternoon Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSatin Doll\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eReeling and Rocking\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"...the third (Billie Holiday album) to receive the two-disc 45 RPM treatment by Analogue Productions. ... Billie sounds like she's at the microphone in your living room. The instruments are spread out between the speakers and there is plenty of depth. A pristine original has a bit more pronounced vocal sibilance and air, and this reissue smooths that out a bit. That aside, this is a fabulous reissue of essential music. Highest recommendation.\"  Dennis D. Davis, Hi-Fi +, Issue 95\u003c\/p\u003e\n\u003cp\u003e\"...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!\" Danny Kaey, Positive Feedback Online, November\/December 2011\u003c\/p\u003e\n\u003cp\u003eAfter the publication of her autobiography, Lady Sings The Blues, Billie Holiday was doing good business in clubs in what turned out to be a last burst of stardom. We cannot know why she stopped recording for Norman Granz after January 1957 - but the present collection is a magnificent culmination of her years with the producer. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs 4.57 \/ 5  \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48853427388751,"sku":"AVER 512456","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/johnny-hodges-blues-a-plenty-audiosoundmusic-1.jpg?v=1719864146"},{"product_id":"duke-ellington-and-johnny-hodges-side-by-side-sacd","title":"Duke Ellington and Johnny Hodges - Side By Side (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Hodges – alto saxophone \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDuke Ellington – piano (1-3) \u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Duke Ellington\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/duke-ellington\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/duke-ellington\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Duke Ellington]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBen Webster – tenor saxophone (3, 4-9) \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" target=\"_blank\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJo Jones – drums \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarry \"Sweets\" Edison – trumpet (1-2, 4) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"Vinyl featuring Harry Sweets Edison\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/harry-sweets-edison\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/harry-sweets-edison\"\u003e[click here to see more vinyl featuring Harry Sweets Edison]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLes Spann – flute (4), guitar (1-2, 4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAl Hall – bass (1-2, 4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Eldridge – trumpet (3, 5-9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLawrence Brown – trombone (3, 5-9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Strayhorn – piano (3, \u003cmeta charset=\"utf-8\"\u003e5-9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWendell Marshall – bass (3, \u003cmeta charset=\"utf-8\"\u003e5-9)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e (Verve)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on \u003c\/strong\u003e\u003cstrong\u003eAugust 14, 1958 at Nola Studios, New York City and February 20, 1959 at Columbia Studios, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStompy Jones\u003c\/li\u003e\n\u003cli\u003eSqueeze Me\u003c\/li\u003e\n\u003cli\u003eBig Shoe\u003c\/li\u003e\n\u003cli\u003eGoing Up\u003c\/li\u003e\n\u003cli\u003eJust a Memory\u003c\/li\u003e\n\u003cli\u003eLet's Fall In Love\u003c\/li\u003e\n\u003cli\u003eRuint\u003c\/li\u003e\n\u003cli\u003eBend One\u003c\/li\u003e\n\u003cli\u003eYou Need to Rock\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\"Topping off a wealth of full-band recordings, the various stars of Ellington's great outfit recorded many combo sides under their own names. And while not on the same sophisticated level of classic Ellingtonia, the late-'30s material cut by Johnny Hodges, Cootie Williams, and Rex Stewart is packed with tasty solo work and some of the finest examples of early small-group swing. These later examples from 1958-1959 feature Hodges backed by both Ellington and Billy Strayhorn on piano and such non-Duke luminaries as Ben Webster, Roy Eldridge, Harry \"Sweets\" Edison, and Jo Jones. Like its companion album, Back to Back, Side by Side has a loose, jam session feel, with all the soloists stretching out. Hodges is in top form throughout, while Edison and Webster man their spots just fine. Highlights include the sveltely swinging \"Going Up\" and Hodges' bluesy closer, \"You Need to Rock.\" A must for fans of vintage combo swing.\" AllMusic Review by Stephen Cook\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.3 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":48909979550031,"sku":"CVRJ 6109 SA","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/duke-ellington-and-johnny-hodges-side-by-side-sacd-audiosoundmusic.png?v=1719864232"},{"product_id":"coleman-hawkins-and-confreres-hybrid-sacd","title":"Coleman Hawkins and Confreres (Hybrid SACD)","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone - Coleman Hawkins \u003ca title=\"Vinyl featuring Coleman Hawkins\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster  \u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\" target=\"_blank\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Hank Jones  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/hank-jones\" title=\"Vinyl featuring Hank Jones\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/hank-jones\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Hank Jones]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano - Oscar Peterson  \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Roy Eldridge \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – George Duvivier  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-duvivier\" title=\"Vinyl featuring George Duvivier\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-duvivier\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring George Duvivier]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass - Ray Brown \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Alvin Stoller, Mickey Sheen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eOctober 16, 1957 and February 7, 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaria\u003c\/li\u003e\n\u003cli\u003eSunday\u003c\/li\u003e\n\u003cli\u003eHanid\u003c\/li\u003e\n\u003cli\u003eHoney Flower\u003c\/li\u003e\n\u003cli\u003eNabob\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBen Webster had long before passed through the ranks of imitator, then pupil and finally master. His \"college attendance,\" as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. \"Hawk\" was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players. Two such JATP ensembles are to be found on the Confrères LP. The relaxed atmosphere is particularly noticeable in the title \"Sunday\" in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in \"Nabab!\") where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in \"Honey Flower.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.62 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49171382370639,"sku":"CVRJ 6110 SA","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/coleman-hawkins-and-confreres-hybrid-sacd-audiosoundmusic.png?v=1719864703"},{"product_id":"johnny-hodges-blues-a-plenty-hybrid-sacd","title":"Johnny Hodges - Blues A Plenty (Hybrid SACD)","description":"\u003cp data-mce-fragment=\"1\" style=\"margin: 0cm 0cm 12.0pt 0cm;\" data-mce-style=\"margin: 0cm 0cm 12.0pt 0cm;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eJohnny Hodges, alto saxophone \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Johnny Hodges\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/johnny-hodges\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/johnny-hodges\"\u003e[click here to see more Vinyl \/ SACD featuring Johnny Hodges]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBen Webster, tenor saxophone \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" target=\"_blank\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\"\u003e[click here to see more Vinyl \/ SACD featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRoy Eldridge, trumpet\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eVic Dickenson, trombone\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBilly Strayhorn, piano\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJimmy Woode, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSam Woodyard, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions Verve \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eApril 5, 1958 in New York City\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal session produced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissue produced by Chad Kassem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eI Didn't Know About You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eCool Your Motor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eGone with the Wind\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHoney Hill\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBlues-A-Plenty\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eDon't Take Your Love from Me\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSaturday Afternoon Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSatin Doll\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eReeling and Rocking\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"...the third (Billie Holiday album) to receive the two-disc 45 RPM treatment by Analogue Productions. ... Billie sounds like she's at the microphone in your living room. The instruments are spread out between the speakers and there is plenty of depth. A pristine original has a bit more pronounced vocal sibilance and air, and this reissue smooths that out a bit. That aside, this is a fabulous reissue of essential music. Highest recommendation.\"  Dennis D. Davis, Hi-Fi +, Issue 95\u003c\/p\u003e\n\u003cp\u003e\"...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!\" Danny Kaey, Positive Feedback Online, November\/December 2011\u003c\/p\u003e\n\u003cp\u003eAfter the publication of her autobiography, Lady Sings The Blues, Billie Holiday was doing good business in clubs in what turned out to be a last burst of stardom. We cannot know why she stopped recording for Norman Granz after January 1957 - but the present collection is a magnificent culmination of her years with the producer. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs 4.57 \/ 5  \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49579373953359,"sku":"CVRJ 6123 SA","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2024-09-02a15.51.16.png?v=1725285122"},{"product_id":"illinois-jacquet-swings-the-thing-hybrid-sacd","title":"Illinois Jacquet  - Swing's The Thing (Hybrid SACD)","description":"\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIllinois Jacquet, tenor saxophone\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRoy Eldridge, trumpet\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eRay Brown, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHerb Ellis, guitar\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJimmy Jones, piano\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJo Jones, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Hollywood, CA, October 16th 1956\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLas Vegas Blues\u003c\/li\u003e\n\u003cli\u003eHarlem Nocturne\u003c\/li\u003e\n\u003cli\u003eCan't We Be Friends\u003c\/li\u003e\n\u003cli\u003eAchtung\u003c\/li\u003e\n\u003cli\u003eHave You Met Miss Jones\u003c\/li\u003e\n\u003cli\u003eLullaby Of The Leaves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e“Communications have so speeded up the process of cultural assimilation in the Western world in the last 20 years that artists such as Roy and Illinois, who, if they had lived in, say, the 18th century, would have spent their entire life spans perfecting their style and getting their message disseminated. Now they find themselves, on the verge of middle age, sort of musical anachronisms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThere is nothing whatsoever wrong with what they play, it is every bit as good as it was when their initial appearance made such an impression. They are every bit the musicians they were 10 years ago, and yet what they have to say no longer seems to have any relevance. It is tragic. They are left stranded on a plateau which they reached when it was important to get there. But now the main stream of history has gone on by, and they are talking in the language of another era to an ever-diminishing audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eIt is good to hear them. Nostalgic, warm-feeling, and evocative of the good old days. But it is impossible to escape the conclusion that they have made their contribution, and unless they manage to grow and develop and keep in touch with the pulse of the times, they will remain without an audience, though not without fans.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThis album offers excellent romantic tenor by Illinois, on Nocturne and Miss Jones (there is a gorgeous typo in the notes on this indicating that Granzville needs a proofreader), and Roy, on Achtung brings back memories of Swing is Here. This is a further indication of the appropriateness of the above remarks.” Down Beat Review by Ralph J. Gleason \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.47 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":49579423596879,"sku":"CVRJ 8023 SA","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2024-09-02a15.57.12.png?v=1725285551"},{"product_id":"illinois-jacquet-swings-the-thing-test-pressing","title":"\u003ctranscy\u003eIllinois Jacquet - Swing's The Thing (2LP, Mono, 45 tours, 200g)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eTest pressing - Rarity - Unsealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eIllinois Jacquet, tenor saxophone\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRoy Eldridge, trumpet\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eRay Brown, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHerb Ellis, guitar\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJimmy Jones, piano\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJo Jones, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, \u003cmeta charset=\"utf-8\"\u003eTest pressing sleeve \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eLimited Edition (\u003cmeta charset=\"utf-8\"\u003eTest Pressing only 30 records pressed)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Hollywood, CA, October 16th 1956\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2010\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLas Vegas Blues\u003c\/li\u003e\n\u003cli\u003eHarlem Nocturne\u003c\/li\u003e\n\u003cli\u003eCan't We Be Friends\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAchtung\u003c\/li\u003e\n\u003cli\u003eHave You Met Miss Jones\u003c\/li\u003e\n\u003cli\u003eLullaby Of The Leaves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“On May 26th, 1942, a teenaged tenor saxophonist from Texas took the featured solo on Lionel Hampton’s recording of a riff tune called “Flying Home,” and planted the seed from which not only a lot of bebop jazz but basically all R\u0026amp;B and rock sax playing would grow. Illinois Jacquet was among the first tenormen to graft elements of Lester Young’s forward- looking approach onto the template established by Coleman Hawkins, and his defining “Flying Home” solo pointed the way for thousands of aspiring bar-walkers, who learned it note-for-note. But there was more to Jacquet than extroverted honking and swaggering swing; he could improvise melodically, build his solos, and interpret ballads with great tenderness. These qualities came to the fore on the fine series of LP’s he waxed during the 1950s. Matching Jacquet’s brilliance on Swing’s The Thing is trumpet great Roy Eldridge, and the rhythm section of Jimmy Jones (piano), Ray Brown (bass), Herb Ellis (guitar), and Jo Jones (drums). It’s hard to believe that anything short of a time machine and front-row seat in a great listening room could deliver better sound fidelity than this beautifully remastered LP reissue.” The Absolute Sound Review by Duck Baker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e“Communications have so speeded up the process of cultural assimilation in the Western world in the last 20 years that artists such as Roy and Illinois, who, if they had lived in, say, the 18th century, would have spent their entire life spans perfecting their style and getting their message disseminated. Now they find themselves, on the verge of middle age, sort of musical anachronisms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThere is nothing whatsoever wrong with what they play, it is every bit as good as it was when their initial appearance made such an impression. They are every bit the musicians they were 10 years ago, and yet what they have to say no longer seems to have any relevance. It is tragic. They are left stranded on a plateau which they reached when it was important to get there. But now the main stream of history has gone on by, and they are talking in the language of another era to an ever-diminishing audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eIt is good to hear them. Nostalgic, warm-feeling, and evocative of the good old days. But it is impossible to escape the conclusion that they have made their contribution, and unless they manage to grow and develop and keep in touch with the pulse of the times, they will remain without an audience, though not without fans.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThis album offers excellent romantic tenor by Illinois, on Nocturne and Miss Jones (there is a gorgeous typo in the notes on this indicating that Granzville needs a proofreader), and Roy, on Achtung brings back memories of Swing is Here. This is a further indication of the appropriateness of the above remarks.” Down Beat Review by Ralph J. Gleason \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.64 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54620951118159,"sku":"Verve MG V-8023","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Capture_d_ecran_2025-03-14_a_18.45.34.png?v=1741974394"},{"product_id":"duke-ellington-and-johnny-hodges-side-by-side-mono","title":"Duke Ellington and Johnny Hodges - Side By Side","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Hodges – alto saxophone  \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/johnny-hodges\" title=\"vinyl featuring Johnny Hodges\"\u003e[click here to see more vinyl featuring Johnny Hodges]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDuke Ellington – piano (A1-2, A4) \u003ca title=\"Vinyl featuring Duke Ellington\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/duke-ellington\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Duke Ellington]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBen Webster – tenor saxophone (A3, B1-5) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJo Jones – drums \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarry \"Sweets\" Edison – trumpet (A1-2, A4) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"Vinyl featuring Harry Sweets Edison\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/harry-sweets-edison\"\u003e[click here to see more vinyl featuring Harry Sweets Edison]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLes Spann – flute (A4), guitar (A1-2, A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAl Hall – bass (A1-2, A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Eldridge – trumpet (A3, B1-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLawrence Brown – trombone (A3, B1-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Strayhorn – piano (A3, B1-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWendell Marshall – bass (A3, B1-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eWritten by Duke Ellington (A1, A4), Fats Waller (A2), Clarence Williams (A2), Jimmy Hamilton (A3), Ray Henderson (B1), Lew Brown (B1), Buddy DeSylva (B1), Harold Arlen (B2), Ted Koehler (B2), Mercer Ellington (B3), Johnny Hodges (B3-5) \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Verve Acoustic Sounds Series\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve Records \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on \u003c\/strong\u003e\u003cstrong\u003eAugust 14, 1958 at Nola Studios, New York City and February 20, 1959 at Columbia Studios, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRemastered by Matthew Lutthans at The Mastering Lab\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStompy Jones\u003c\/li\u003e\n\u003cli\u003eSqueeze Me\u003c\/li\u003e\n\u003cli\u003eBig Shoe\u003c\/li\u003e\n\u003cli\u003eGoing Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJust a Memory\u003c\/li\u003e\n\u003cli\u003eLet's Fall In Love\u003c\/li\u003e\n\u003cli\u003eRuint\u003c\/li\u003e\n\u003cli\u003eBend One\u003c\/li\u003e\n\u003cli\u003eYou Need to Rock\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\"Topping off a wealth of full-band recordings, the various stars of Ellington's great outfit recorded many combo sides under their own names. And while not on the same sophisticated level of classic Ellingtonia, the late-'30s material cut by Johnny Hodges, Cootie Williams, and Rex Stewart is packed with tasty solo work and some of the finest examples of early small-group swing. These later examples from 1958-1959 feature Hodges backed by both Ellington and Billy Strayhorn on piano and such non-Duke luminaries as Ben Webster, Roy Eldridge, Harry \"Sweets\" Edison, and Jo Jones. Like its companion album, Back to Back, Side by Side has a loose, jam session feel, with all the soloists stretching out. Hodges is in top form throughout, while Edison and Webster man their spots just fine. Highlights include the sveltely swinging \"Going Up\" and Hodges' bluesy closer, \"You Need to Rock.\" A must for fans of vintage combo swing.\" AllMusic Review by Stephen Cook\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4 \/ 5  ,   Discogs 4.41 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54745828491599,"sku":"AVER 68105","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/DukeEllingtonandJohnnyHodges-SideBySide1.jpg?v=1742993417"},{"product_id":"ben-webster-and-associates","title":"Ben Webster And Associates","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBen Webster - tenor sax \u003cspan size=\"2\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColeman Hawkins - tenor saxophone \u003ca title=\"Vinyl featuring Coleman Hawkins\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBudd Johnson - tenor saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Eldridge - trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Jones - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLes Spann - guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Brown - bass \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\" title=\"vinyl featuring Ray Brown\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ray Brown]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJo Jones – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Duke Ellington (A1), Milt Gabler (A1), Ben Webster (B1-2, B4), Sammy Cahn (B3), Jule Styne (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold Jacket by Stoughton printing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Verve Acoustic Sounds Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded April 9, 1959 in New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal session produced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissue produced by \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eChad Kassem\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRemastered by Matthew Lutthans at The Mastering Lab\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn A Mellow Tone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYoung Bean\u003c\/li\u003e\n\u003cli\u003eBudd Johnson\u003c\/li\u003e\n\u003cli\u003eTime After Time\u003c\/li\u003e\n\u003cli\u003eDe-Dar\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"Wow! Look at the front line of saxes!  This early stereo recording happened almost by accident, putting the two oldsters who had really paid their dues together with the youngest of the trio, Budd Johnson, who even had one track named for him. Ben Webster had walked into a grill just off Broadway, and ran into Budd. He told him of the impending date in the studio with Hawkins and said “What are you doing at 2:30 tomorrow?” Johnson had no plans, so Webster said “OK, bring your sax and we’ll all be on the date together.”\u003c\/p\u003e\n\u003cp\u003eAnd this is it! In spite of the tendency of early stereo sessions to be all left and right with a big hole in the middle, the three saxes are evenly laid out across the terrific soundstage. (Perhaps some judicious mixing was done in the remastering.) There’s little difficulty in identifying the unique styles of the three saxists. Ben was playing in the Ellington band when In a Mellow Tone was premiere in 1940. It’s my personal favorite of the five tracks. There’s a knockout bass solo by steadfast Ray Brown, and Leslie Spann achieves Django-like octave playing on his great solo. Ben’s deep and rich solo near the end is something to behold.” John Henry, Audiophile Audition, July 2012\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Ben Webster and Associates is a 1959 session that took full advantage of the long-playing LP format. Highlighted by the 20-minute version of Ellington's \"In a Mellow Tone\" in which tenor titans Ben Webster, Coleman Hawkins, and Budd Johnson plus trumpeter Roy Eldridge stretch out, not so much in a cutting contest as a laid-back jam session amongst friends. This summit meeting turned out to be a tribute to another tenor master of the same generation, Lester Young, who had died less than four weeks before this session. The chosen rhythm section of Jimmy Jones on piano, Les Spann on guitar, Ray Brown on bass, and Jo Jones on drums equally matches the performance of the featured horns. Also tackled for this session were three Webster originals: \"De-Dar,\" \"Young Bean,\" and \"Budd Johnson\" and the standard \"Time After Time.\" Unfortunately no bonus tracks are included (if they even exist) but the excellent sound restoration more than makes up for it.” AllMusic Review by Al Campbell\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4,86 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54747988066639,"sku":"AVER68124","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/BenWebsterAndAssociates1.jpg?v=1743415906"},{"product_id":"jazz-at-the-philharmonic-in-europe-4lp-test-pressing","title":"\u003ctranscy\u003eJazz At the Philharmonic in Europe (4LP, Coffret)\u003c\/transcy\u003e","description":"\u003ch3\u003e\n\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eTest pressing - Unsealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLalo Schifrin (Piano) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/lalo-schifrin\" title=\"vinyl composed by or featuring Lalo Schifrin\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click to see more vinyl composed by or featuring Lalo Schifrin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Carter (Alto Saxophone) : A1, A2, E1, E2, F1, F2, F3, F4, F5, G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCannonball Adderley (Alto Saxophone) : A1, A2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeo Wright (Alto Saxophone, Flute) : G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Davis (Bass) : A1, A2, B1, E1, E2, F1, F2, F3, F4, F5, G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSam Jones (Bass) : C1, C2, D1, D2, D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCandido (Congas) : H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChuck Lampkin (Drums) : A1, A2, G1, H1, H2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJo Jones (Drums) : B1, E1, E2, F1, F2, F3, F4, F5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLouis Hayes (Drums) : C1, C2, D1, D2, D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColeman Hawkins (Tenor Saxophone) : B, E1 to F5 \u003ca title=\"Vinyl featuring Coleman Hawkins\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Byas (Tenor Saxophone) : B1, E1, E2, F1, F2, F3, F4, F5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStan Getz (Tenor Saxophone) B1, C1, C2, D1, D2 D3, G1, H1, H2 \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/stan-getz\" title=\"vinyl featuring Stan Getz\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Stan Getz]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.J. Johnson (Trombone) : : A1, A2, C1 ; C2, D1, D2 D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDizzy Gillespie (Trumpet) : A1, A2, C1, C2, D1, D2, D3, G1, H1, H2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Eldridge (Trumpet) : B1, E1, E2, F1, F2, F3, F4, F5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVictor Feldman (Vibraphone, Piano) : C1, C2, D1, D2, D3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Miller (A1), Leiber (A1), Stoller (A1), Carter (A2), Adderley (A2), Gillespie (A2), Johnson (A2), Kern-Hammerstein, II (B, D2), Bernie (C1), Casey (C1), Pinkard (C1), Dizzy Gillespie (C2), Frank Paparelli (C2), Dameron (D1), Harbach (D2), Zoot Sims (D3), Billy Strayhorn (E1), McDonals (E2), Henley (E2), Harry Link (F1), Holt Marvell (F1), Jack Strachey (F1), Kern (F2), Harbach (F2), Carmichael (F3), Ned Washington (F3), Gillespie (F4), Coots (F4), Benny Carter (F5), Coleman Hawkins (F5), Don Byas (F5), Roy Eldridge (F5), Dizzy Gillespie (G, H2), Duke Ellington (H1), Irving Mills (H1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 LPs, \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong\u003eTest pressing sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eLimited Edition (\u003cmeta charset=\"utf-8\"\u003eTest Pressing only 30 records pressed)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded Live at the \u003cspan\u003eJazz At The Philharmonic In Europe tour, in the Konserthuset, Stockholm on November 21, 1960 by \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eVal Valentine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks\u003c\/strong\u003e : \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBernie's Tune\u003c\/li\u003e\n\u003cli\u003eSwedish Jam\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll The Things You Are\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. Sweet Georgia Brown\u003cbr\u003e2. Bop 'n Boogie\u003c\/p\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e1. I Waited For You\u003cbr\u003e2. Yesterdays\u003cbr\u003e3. Trotting\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide E :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Take The \"A\" Train\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Indiana (Back Home Again)\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide F :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. These Foolish Things (Remind Me Of You)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Yesterdays\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. The Nearness Of You\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. You Got To My Head\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. A Jazz Portrait of Brigitte Bardot\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eSide G :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Kush\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSide H :\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. The Mooch\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Wheatleigh Hall\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDiscogs : 4.18 \/ 5\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54765639991631,"sku":"Verve V 8539 - 8542","price":395.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-03-28a21.40.10.png?v=1743194472"},{"product_id":"fred-wesley-a-blow-for-me-a-toot-to-you-test-pressing","title":"Herb Ellis - Nothing But The Blues (Test Pressing)","description":"\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eTest pressing - Rarity - Unsealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis  \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/herb-ellis\" title=\"audiophile vinyl featuring Herb Ellis\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Herb Ellis]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – Ray Brown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Stan Levey\u003c\/strong\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/herb-ellis\" title=\"audiophile vinyl featuring Herb Ellis\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTenor Saxophone – Stan Getz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTrumpet – Roy Eldridge\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by Ray Brown (A1, B3, B4), Don Ellis (A2, B2, B3), George Brunies (A3), Paul Mares (A3), Ben Pollack (A3), Leon Roppolo (A3), Mel Stitzel (A3), Walter Melrose (A3), Benny Goodman (A4), Clarence Williams (B1), Spencer Williams (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong\u003eTest pressing sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eLimited Edition (\u003cmeta charset=\"utf-8\"\u003eTest Pressing only 30 records pressed)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in October 1957 in \u003c\/strong\u003e\u003cstrong\u003eLos Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1957\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003ePap's Blues\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBig Red's Boogie Woogie\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eTin Roof Blues\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSoft Winds\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eRoyal Garden Blues\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003ePatti Cake\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBlues For Janet\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eBlues For Junio\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.45 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54772239761743,"sku":"Verve MG V-8252","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2025-03-31a10.33.05.png?v=1743410171"},{"product_id":"ben-webster-and-associates-test-pressing","title":"Ben Webster And Associates (Test Pressing)","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eTest pressing - Rarity - Unsealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBen Webster - tenor sax \u003cspan size=\"2\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColeman Hawkins - tenor saxophone \u003ca title=\"Vinyl featuring Coleman Hawkins\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBudd Johnson - tenor saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoy Eldridge - trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Jones - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLes Spann - guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Brown - bass \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\" title=\"vinyl featuring Ray Brown\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Ray Brown]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJo Jones – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Duke Ellington (A1), Milt Gabler (A1), Ben Webster (B1-2, B4), Sammy Cahn (B3), Jule Styne (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cstrong\u003eTest pressing sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eLimited Edition (\u003cmeta charset=\"utf-8\"\u003eTest Pressing only 30 records pressed)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded April 9, 1959 in New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal session produced by Norman Granz\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in March 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn A Mellow Tone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYoung Bean\u003c\/li\u003e\n\u003cli\u003eBudd Johnson\u003c\/li\u003e\n\u003cli\u003eTime After Time\u003c\/li\u003e\n\u003cli\u003eDe-Dar\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"Wow! Look at the front line of saxes!  This early stereo recording happened almost by accident, putting the two oldsters who had really paid their dues together with the youngest of the trio, Budd Johnson, who even had one track named for him. Ben Webster had walked into a grill just off Broadway, and ran into Budd. He told him of the impending date in the studio with Hawkins and said “What are you doing at 2:30 tomorrow?” Johnson had no plans, so Webster said “OK, bring your sax and we’ll all be on the date together.”\u003c\/p\u003e\n\u003cp\u003eAnd this is it! In spite of the tendency of early stereo sessions to be all left and right with a big hole in the middle, the three saxes are evenly laid out across the terrific soundstage. (Perhaps some judicious mixing was done in the remastering.) There’s little difficulty in identifying the unique styles of the three saxists. Ben was playing in the Ellington band when In a Mellow Tone was premiere in 1940. It’s my personal favorite of the five tracks. There’s a knockout bass solo by steadfast Ray Brown, and Leslie Spann achieves Django-like octave playing on his great solo. Ben’s deep and rich solo near the end is something to behold.” John Henry, Audiophile Audition, July 2012\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Ben Webster and Associates is a 1959 session that took full advantage of the long-playing LP format. Highlighted by the 20-minute version of Ellington's \"In a Mellow Tone\" in which tenor titans Ben Webster, Coleman Hawkins, and Budd Johnson plus trumpeter Roy Eldridge stretch out, not so much in a cutting contest as a laid-back jam session amongst friends. This summit meeting turned out to be a tribute to another tenor master of the same generation, Lester Young, who had died less than four weeks before this session. The chosen rhythm section of Jimmy Jones on piano, Les Spann on guitar, Ray Brown on bass, and Jo Jones on drums equally matches the performance of the featured horns. Also tackled for this session were three Webster originals: \"De-Dar,\" \"Young Bean,\" and \"Budd Johnson\" and the standard \"Time After Time.\" Unfortunately no bonus tracks are included (if they even exist) but the excellent sound restoration more than makes up for it.” AllMusic Review by Al Campbell\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4 \/ 5\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":54776450416975,"sku":"Verve MGVS-6056","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Capture_d_ecran_2025-03-31_a_12.03.06.png?v=1743415906"},{"product_id":"roy-eldridge-and-his-orchestra-rockin-chair","title":"Roy Eldridge And His Orchestra – Rockin' Chair (Mono)","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRARITY Sealed\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoy Eldridge – trumpet \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/roy-eldridge\" title=\"vinyl featuring Roy Eldridge\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e[click here to see more vinyl featuring Roy Eldridge]\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBuddy Tate – tenor saxophone (B3-6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOscar Peterson (A2, A5, B1-2) – piano\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eTeddy Brannon (B3-6) - piano\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHerb Ellis – guitar (tracks 2, 5, 7 \u0026amp; 8)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eClyde Lombardi (B3-6), Ray Brown (A2, A5, B1-2) – bass\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eCharlie Smith (B3-6), J. C. Heard (A2, A5, B1-2) – drums\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eUnidentified orchestra conducted by George Williams (A1, A3-4, A6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eArranged by George Williams (A1, A3, A4, A6)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Robert Dade (A1), George Williams (A1, A4), Roy Eldridge (A2, A4, B1, B4, B6), Buster Harding (A2, B4), Spencer Williams (A3), Bob Astor (A4, B6),Hoagy Carmichael (A5), Irving Berlin (A6), Harry Barris (B2), Ted Koehler (B2), Billy Moll (B2), Teddy Brannon (B3), Sam Theard (B3), Cliff Burwell (B5), Mitchell Parish (B5)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g Virgin Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Clef\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded in New York City in August 1951 (B3-6), December 1951 (A1, A3-4, A6) and on December 13, 1952 (A2, A5, B1-2)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Kevin Gray \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eat AcousTech Mastering\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePhotography by Alex De Paola, Phil Stern, David Hecht\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1955\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in July 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide A:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eI See Everybody's Baby\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLittle Jazz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBasin' Street Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eI Remember Harlem\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRockin' Chair\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEaster Parade\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSide B:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoy's Riff\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWrap Your Troubles In Dreams\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eBaby What's The Matter With You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eYard Dog\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eSweet Lorraine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eJumbo The Elephant\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.27 \/ 5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55437773406543,"sku":"MGC-704","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/RoyEldridgeAndHisOrchestra_Rockin_Chair1.webp?v=1751123899"},{"product_id":"coleman-hawkins-and-confreres","title":"Coleman Hawkins and Confreres","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone - Coleman Hawkins \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/coleman-hawkins\" title=\"Vinyl featuring Coleman Hawkins\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Coleman Hawkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster (A1) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Hank Jones (A2-3, B1-2) \u003ca title=\"Vinyl featuring Hank Jones\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/hank-jones\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Hank Jones]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano - Oscar Peterson (A1) \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Oscar Peterson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Roy Eldridge (A2-3, B1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – George Duvivier (A2-3, B1) \u003ca title=\"Vinyl featuring George Duvivier\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-duvivier\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring George Duvivier]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass - Ray Brown (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Alvin Stoller (A1), Mickey Sheen (A2-3, B1-2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Verve - Acoustic Sounds Series\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan\u003eOctober 16, 1957 and February 7, 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRemastered by Matthew Lutthans at The Mastering Lab\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaria\u003c\/li\u003e\n\u003cli\u003eSunday\u003c\/li\u003e\n\u003cli\u003eHanid\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHoney Flower\u003c\/li\u003e\n\u003cli\u003eNabob\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBen Webster had long before passed through the ranks of imitator, then pupil and finally master. His \"college attendance,\" as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. \"Hawk\" was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players. Two such JATP ensembles are to be found on the Confrères LP. The relaxed atmosphere is particularly noticeable in the title \"Sunday\" in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in \"Nabab!\") where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in \"Honey Flower.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 3 \/ 5  ,  Discogs 4.62 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":55957606728015,"sku":"AVER77260","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Coleman_Hawkins_and_Confreres_0.webp?v=1766334237"},{"product_id":"illinois-jacquet-swings-the-thing-mono","title":"Illinois Jacquet  - Swing's The Thing (Mono)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIllinois Jacquet, tenor saxophone\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRoy Eldridge, trumpet\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eRay Brown, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHerb Ellis, guitar\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJimmy Jones, piano\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJo Jones, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket by \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eStoughton Printing\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Verve Acoustic Sounds Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Hollywood, CA, October 16th 1956\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal session produced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMastered by Matthew Lutthans at The Mastering Lab \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eReissue produced by Chad Kassem\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1959\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLas Vegas Blues\u003c\/li\u003e\n\u003cli\u003eHarlem Nocturne\u003c\/li\u003e\n\u003cli\u003eCan't We Be Friends\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAchtung\u003c\/li\u003e\n\u003cli\u003eHave You Met Miss Jones\u003c\/li\u003e\n\u003cli\u003eLullaby Of The Leaves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e“Communications have so speeded up the process of cultural assimilation in the Western world in the last 20 years that artists such as Roy and Illinois, who, if they had lived in, say, the 18th century, would have spent their entire life spans perfecting their style and getting their message disseminated. Now they find themselves, on the verge of middle age, sort of musical anachronisms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThere is nothing whatsoever wrong with what they play, it is every bit as good as it was when their initial appearance made such an impression. They are every bit the musicians they were 10 years ago, and yet what they have to say no longer seems to have any relevance. It is tragic. They are left stranded on a plateau which they reached when it was important to get there. But now the main stream of history has gone on by, and they are talking in the language of another era to an ever-diminishing audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eIt is good to hear them. Nostalgic, warm-feeling, and evocative of the good old days. But it is impossible to escape the conclusion that they have made their contribution, and unless they manage to grow and develop and keep in touch with the pulse of the times, they will remain without an audience, though not without fans.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eThis album offers excellent romantic tenor by Illinois, on Nocturne and Miss Jones (there is a gorgeous typo in the notes on this indicating that Granzville needs a proofreader), and Roy, on Achtung brings back memories of Swing is Here. This is a further indication of the appropriateness of the above remarks.” Down Beat Review by Ralph J. Gleason \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.47 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":56077325664591,"sku":"AVER78843","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Illinois_Jacquet_-_Swing_s_The_Thing_1.webp?v=1766333431"},{"product_id":"lester-young-laughin-to-keep-from-cryin","title":"Lester Young - Laughin' To Keep From Cryin'","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLester Young – clarinet, tenor saxophone \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Lester Young\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/lester-young\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Lester Young]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarry \"Sweets\" Edison – trumpet \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Harry Sweets Edison\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/harry-sweets-edison\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Harry \"Sweets\" Edison]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRoy Eldridge – trumpet\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHank Jones – piano\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eHerb Ellis – guitar\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eGeorge Duvivier – bass\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMickey Sheen – drums\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eWritten by Lester Young (A1, B1), George \u0026amp; Ira Gershwin (A2), Clay Boland (B2), Moe Jaffe (B2), Sam H. Stept (B3), Sidney Clare (B3)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, tip-on gatefold jacket by Stoughton Printing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12’’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings (QRP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Verve - Acoustic Sounds Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Verve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded at Fine Sound Studios, New York City, on February 8, 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eProduced by Norman Granz\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Matthew Lutthans at The Mastering Lab\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries supervised by Chad Kassem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePhotography by Burt Goldblatt\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eDesign by Sheldon Marks (art direction)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eOriginally released in 1958\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSalute To Benny\u003c\/li\u003e\n\u003cli\u003eThey Can't Take That Away From Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRomping\u003c\/li\u003e\n\u003cli\u003eGypsy In My Soul\u003c\/li\u003e\n\u003cli\u003ePlease Don't Talk About Me When I'm Gone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e“One of tenor-saxophonist Lester Young's final studio sessions (he died a year later), this date apparently had a lot of difficulties but the recorded results are excellent. Prez was joined by two great swing trumpeters (Roy Eldridge and Harry \"Sweets\" Edison) and a fine rhythm section for two standards, two originals and the ballad \"Gypsy in My Soul.\" Young takes rare clarinet solos on two of the selections with his emotional statement on \"They Can't Take That Away from Me\" being one of the highpoints of his career.” AllMusic Review by Scott Yanow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.49 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":59027940573519,"sku":"AVER 40306","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Lester_Young_-_Laughin_To_Keep_From_Cryin_1.webp?v=1794103076"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/collections\/Roy_Eldridge.png?v=1794422300","url":"https:\/\/www.audiosoundmusic.com\/fr\/collections\/roy-eldridge.oembed","provider":"AudioSoundMusic","version":"1.0","type":"link"}