{"title":"\u003ctranscy\u003eSoul\u003c\/transcy\u003e","description":"","products":[{"product_id":"donny-hathaway-everything-is-everything","title":"\u003ctranscy\u003eDonny Hathaway - Everything Is Everything\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDonny Hathaway  \u003ca title=\"audiophile vinyl featuring Donny Hathaway\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/donny-hathaway\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Donny Hathaway]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals, Piano, Electric Piano: Donny Hathaway (A1, A2, A3, A4, A5, A6, B1, B2, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eElectric Piano [Fender Piano Bass]: Donny Hathaway (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass: Louis Satterfield (A1, A2, A3), Philip Upchurch (A3, A4, A6, B1), Marshall Hawkins (A5, B2), Donny Hathaway (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums: Morris Jennings (A1, A2, A3, A4, A6, B1, B2), Ric Powell (A5, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar: Philip Upchurch (A1, A2, A3, A4, A6, B1, B2), King Curtis (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePercussion: Ric Powell (A1, A2, A3, A4, A6, B1, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBacking Vocals: Eulaulah Hathaway (A2), Vashonettes (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVoice: Lalah Hathaway (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eCongas: Henry Gibson (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by Philip Upchurch (A1), Ric Powell (A1, A5), Richard Evans (A1), Donny Hathaway (A2, A5, A6, B1, B2), Edward Kennedy (A2), Leroy Hutson (A2, A6, B2), Ray Charles (A3), Erroll Garner (A4), Johnny Burke (A4), Nina Simone (B3), Irvine J. Weldon Jr. (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: September 1969 – April 1970 by Murray Allen and Roger S. Anfinsen\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003eProduction: Donny Hathaway and Ric Powell\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVoices Inside (Everything Is Everything)\u003c\/li\u003e\n\u003cli\u003eJe Vous Aime (I Love You)\u003c\/li\u003e\n\u003cli\u003eI Believe To My Soul\u003c\/li\u003e\n\u003cli\u003eMisty\u003c\/li\u003e\n\u003cli\u003eSugar Lee\u003c\/li\u003e\n\u003cli\u003eTryin' Times\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThank You Master (For My Soul)\u003c\/li\u003e\n\u003cli\u003eThe Ghetto\u003c\/li\u003e\n\u003cli\u003eTo Be Young, Gifted And Black\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e« Already a respected arranger and pianist who'd contributed to dozens of records (by artists ranging from the Impressions to Carla Thomas to Woody Herman), with this debut LP Donny Hathaway revealed yet another facet of his genius -- his smoky, pleading voice, one of the best to ever grace a soul record. Everything Is Everything sounded like nothing before it, based in smooth uptown soul but boasting a set of excellent, open-ended arrangements gained from Hathaway's background in classical and gospel music. (Before going to Howard University in 1964, his knowledge of popular music was practically non-existent.) After gaining a contract with Atco through King Curtis, Hathaway wrote and recorded during 1969 and 1970 with friends including drummer Ric Powell and guitarist Phil Upchurch, both of whom lent a grooving feel to the album that Hathaway may not have been able to summon on his own (check out Upchurch's unforgettable bassline on the opener, \"Voices Inside (Everything Is Everything)\"). All of the musical brilliance on display, though, is merely the framework for Hathaway's rich, emotive voice, testifying to the power of love and religion with few, if any, concessions to pop music. Like none other, he gets to the raw, churchy emotion underlying Ray Charles' \"I Believe to My Soul\" and Nina Simone's \"To Be Young, Gifted and Black,\" the former with a call-and-response horn chart and his own glorious vocal, the latter with his own organ lines. \"Thank You Master (For My Soul)\" brings the Stax horns onto sanctified ground, while Hathaway praises God and sneaks in an excellent piano solo. Everything Is Everything was one of the first soul records to comment directly on an unstable period; \"Tryin' Times\" speaks to the importance of peace and community with an earthy groove, while the most familiar track here, a swinging jam known as \"The Ghetto,\" places listeners right in the middle of urban America. Donny Hathaway's debut introduced a brilliant talent into the world of soul, one who promised to take R\u0026amp;B farther than it had been taken since Ray Charles debuted on Atlantic. » AllMusic Review by John Bush\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMany a musical career began in the gospel church choirs of the black communities, but that of Donny Hathaway must certainly be one of the most meteoric. Rolling Stone magazine named him the 49th greatest singer (of 100) of all time, though this might sound somewhat abstract. But just the very first few bars of the opening number \"Voices Inside\" promises a programme in which the instrumental and human voices are on a par. Just listen to the impressively saturate sound and clear phrasing of the wind instruments which range from discreet to brassy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpiced with peppery volleys on the clavinet, Hathaway’s soul sound breaks into new ground with harmonically fresh blues (\"I Believe To My Soul\"), soars passionately upwards (\"Misty\") and ploughs through a percussive, dry and cheerful confusion in the number entitled \"Sugar Lee\". Every single arrangement profits to the full from the excellence of the musicians and each number is therefore quite unique. \u003cbr\u003e\u003cbr\u003eSoftly cushioned, melodious togetherness (\"Trying’ Times\") seems just as natural as prayer-like gospel song (\"Thank You Master For My Soul\"), which ventures into the realms of free jazz harmonies to the glory of God. To round off the album we once again hear Hathaway’s voice, smooth and soaring, right up into the top register, in the short number \"A Dream\" – an apt description of the whole album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllMusic : 4.5 \/ 5 ,  \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,51\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  ,   \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,71\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40406095593623,"sku":"SD33-332","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/donny-hathaway-everything-is-everything-audiosoundmusic-1.jpg?v=1774720771"},{"product_id":"al-green-call-me","title":"\u003ctranscy\u003eAl Green - Call Me\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAl Green - vocals \u003ca title=\"vinyl featuring Al Green\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/al-green\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/al-green\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Al Green]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJames Mitchell (bs, arr); Andrew Love (ts); Jack Hale (tb); Wayne Jackson (tp); Mabon Hodges (g); Charles Hodges (keyb); Archie Turner (p); Leroy Hodges (b); Howard Grimes (dr); The Memphis Strings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Al Green (A1, A2, A3, A5, B1, B3, B4), Al Jackson, Jr. (A1, B3), Willie Mitchell (A1, B3), Hank Williams (A4), Mabon \"Teenie\" Hodges (B1), Willie Nelson (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Hi Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecording: 1973 at Royal Recording Studios, Memphis, TN, by Willie Mitchell\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eProduction: Al Green and Willie Mitchell\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in May 1973\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in March 2012\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCall Me (Come Back Home)\u003c\/li\u003e\n\u003cli\u003eHave You Been Making out O.K.\u003c\/li\u003e\n\u003cli\u003eStand Up\u003c\/li\u003e\n\u003cli\u003eI'm So Lonesome I Could Cry\u003c\/li\u003e\n\u003cli\u003eYour Love Is Like the Morning Sun\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHere I Am (Come and Take Me)\u003c\/li\u003e\n\u003cli\u003eFunny How Time Slips Away\u003c\/li\u003e\n\u003cli\u003eYou Ought to Be with Me\u003c\/li\u003e\n\u003cli\u003eJesus Is Waiting\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 greatest albums of all time - Ranked 427\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e« Al Green reached his creative peak with the brilliant Call Me, the most inventive and assured album of his career. So silky and fluid as to sound almost effortless, Green's vocals revel in the lush strings and evocative horns of Willie Mitchell's superbly intimate production, barely rising above an angelic whisper for the gossamer \"Have You Been Making Out O.K..\" With barely perceptible changes in mood, Call Me covers remarkable ground, spanning from \"Stand Up\" -- a call to arms delivered with characteristic understatement -- to renditions of Hank Williams' \"I'm So Lonesome I Could Cry\" and Willie Nelson's \"Funny How Time Slips Away,\" both of them exemplary fusions of country and soul. Equally compelling are the album's three Top Ten hits -- \"You Ought to Be With Me,\" \"Here I Am (Come and Take Me),\" and the shimmering title cut. A classic. » AllMusic Review by Jason Ankeny\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat connects celebrity chefs and pop stars is their fine nose for ingredients, especially when hot and spicy ones are mixed with milder elements to create an aromatic result. A combination of 'sweet' and 'funky' is the secret of Al Green’s gloriously sentimental and sensual pop songs, which in the sexually free Seventies were often referred to as »songs to make love by«. What swings along gently is, however, Al Green’s subtly controlled falsetto, which he can tone right to the threshold of audibility. But watch out! This music belts out some fiery sounds right from the very first number. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sinuous, swinging request in the brilliant hit single \"Call Me\", the relaxed and groovy \"Stand Up\", with its sharp wind interjections which demand one’s unerring attention, are typical for Green’s style, just as is his almost disturbing capability to gain comfort from loneliness (\"I’m So Lonesome, I Could Cry\"). This rhythmically powered music can best be described as light, intensive, dynamic but never flashy (\"Your Love Is Like The Morning Sun\"). It finds its earthly culmination in soul (\"I’m Waiting\") and spiritual depth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 5 \/ 5 , \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e4,45\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e: \u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,94\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40411310293143,"sku":"XSHL 32077","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/al-green-call-me-audiosoundmusic-1.jpg?v=1774466894"},{"product_id":"elvis-presley-from-elvis-in-memphis","title":"\u003ctranscy\u003eElvis Presley - From Elvis In Memphis\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElvis Presley - vocals, guitar, piano \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\" title=\"vinyl featuring Elvis Presley\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRonnie Milsap (p); Bobby Emmons (org); Reggie Young (g, el-g); Tommy Cogbill, Mike Leech (b); Gene Chrisman (dr); The Memphis Horns and background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWritten by Al Owen (A1), Dallas Frazier (A1), Kenneth Gamble (A2), Leon Huff (A2), Jerry Butler (A2), Horton (A3), Eddy Arnold (A3), Thomas C. Dilbeck (A3), Bobby George (A4), Vern Stovall (A4), Johnny Tillotson (A5), Clarence E. Snow (A6), Bernie Baum (B1), Bill Giant (B1), Florence Kaye (B1), John Hartford (B2), J. Lantz (B3), E.Miller (B3), A. L. Owens (B4), Dallas Frazier (B4), Bob Hilliard (B5), Burt Bacharach (B5), Scott Davis (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January–February 1969 at American Sound Studio, Memphis, Tennessee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eEngineered by Al Pachucki\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduced by Felton Jarvis and Chips Moman\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOriginally released in 1969\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eReissued in August 2003\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eTracks :\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWearin' that Loved Look\u003c\/li\u003e\n\u003cli\u003eOnly the Strong Survive\u003c\/li\u003e\n\u003cli\u003eI'll Hold You in My Heart\u003c\/li\u003e\n\u003cli\u003eLong Black Limousine\u003c\/li\u003e\n\u003cli\u003eIt Keeps Right On A-Hurtin'\u003c\/li\u003e\n\u003cli\u003eI'm Movin On\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePower of My Love\u003c\/li\u003e\n\u003cli\u003eGentle on My Mind\u003c\/li\u003e\n\u003cli\u003eAfter Loving You\u003c\/li\u003e\n\u003cli\u003eTrue Love Travels on a Gravel Road\u003c\/li\u003e\n\u003cli\u003eAny Day Now\u003c\/li\u003e\n\u003cli\u003eIn the Ghetto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Ranked 322\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“After a 14-year absence from Memphis, Elvis Presley returned to cut what was certainly his greatest album (or, at least, a tie effort with his RCA debut LP from early 1956). The fact that From Elvis in Memphis came out as well as it did is something of a surprise, in retrospect -- Presley had a backlog of songs he genuinely liked that he wanted to record and had heard some newer soul material that also attracted him, and none of it resembled the material that he'd been cutting since his last non-soundtrack album, six years earlier. And he'd just come off of the NBC television special which, although a lot of work, had led him to the realization that he could be as exciting and vital a performer in 1969 as he'd been a dozen years before. And for what was practically the last time, the singer cut his manager, Tom Parker, out of the equation, turning himself over to producer Chips Moman. The result was one of the greatest white soul albums (and one of the greatest soul albums) ever cut, with brief but considerable forays into country, pop, and blues as well. Presley sounds rejuvenated artistically throughout the dozen cuts off the original album, and he's supported by the best playing and backup singing of his entire recording history.” AllMusic Review by Bruce Eder\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAllmusic : 5 \/ 5 , \u003c\/span\u003e\u003cspan\u003eDiscogs \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e5,00\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5  , \u003c\/span\u003e\u003cspan\u003eRate Your Music \u003c\/span\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"ratingValue\"\u003e\u003cspan\u003e3,90\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ 5\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40413136879767,"sku":"LSP-4155","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-from-elvis-in-memphis-audiosoundmusic-1.jpg?v=1719851702"},{"product_id":"solomon-burke-king-solomon","title":"\u003ctranscy\u003eSolomon Burke - King Solomon\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eComposed by : Roebuck Staples (A1), Dan Penn (A2), Spooner Oldham (A2), Mickey Newbury (A3), J. W. Alexander (A4), Bert Berns (A5), Dan Dill (A6), Mel Tillis (A6),  Alvertis Isbell (B1), Eddie Floyd (B1), Solomon Burke (B1, B6), Don Covay (B2), Carolyn Varga (B3), Charles Derrick (B4), Belford Hendrix (B5), Brook Benton (B5), Clyde Otis (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducers\u003c\/strong\u003e\u003cspan\u003e \u003cstrong\u003e:\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e Bert Berns (A5), Bob Gallo (A4, B6), Dan Penn (A2), Jerry Wexler (A1, A3, A6, B1 to B5), Lincoln Moman (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRe-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. It's Been A Change\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Take Me (Just As I Am)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Time Is A Thief\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Keep A Light In The Window\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Baby, Come On Home 6. Detroit City\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eSide B : \u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Someone Is Watching\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Party People\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. When She Touches Me (Nothing Else Matters)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Woman, How Do You Make Me Love You Like You Do\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. It's Just A Matter Of Time 6. Presents For Christmas\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Pure Pleasure Records has released a 180-gram re-mastered vinyl of a seminal Atlantic album, \u003ci\u003eKing Solomon\u003c\/i\u003e. Originally recorded in 1968, it represented a comeback for the “King”. This album is a primer for gospel-based r \u0026amp; b. Side 1 gets off to a rousing start with a cover of Pops Staples’ “It’s Been A Change”. Solomon brings a hard-driving “testimony” approach to this interpretation with his emotional vocals. The backup singers contribute to the gospel permeation. With a slow-burning intensity, “Take Me (Just As I Am)” is exemplary “sweet soul music” with organ shading. Solomon bares his soul and manages to give a nod to Wilson Pickett, Joe Tex and Otis Redding before the big wailing finish. “Time Is A Thief” was a hit for country artist Mickey Newbury. The King intermingles soul and country as effectively as Ray Charles. There has always been a link between these genres.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSwitching gears, Don Covey’s “Party People” is a finger-snapping, good-time stroll line. The jaunty tempo is refreshing. Slowing it way down, “When She Touches Me (Nothing Else Matters)” exudes rawness as Burke bares his heart and soul (“…She’s mean to me, but when she touches me, nothing else matters…”) in a superb recreation of the healing power of love. The soul-balladry angst fits Burke’s vocal range. “How Do You Make You Love You Like You Do” is dynamic in its embrace of painful dedication. Burke infuses Brooke Benton’s mellow “It’s Just A Matter Of Time” with palpable gospel roots. The arrangement has great string accents and wonderful back up singing. The overall intensity build up makes this a “King Solomon” translation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is hard to fathom how a singer this talented never became a major star (and legendary producer Jerry Wexler agrees). He did not receive a \u003ci\u003eGrammy\u003c\/i\u003e until 2003. Pure Pleasure Records has done a superior job in re-mastering King Solomon to 180-gram vinyl. The overall mix is balanced with Burke’s soulful voice in the front. Both the grittiness and fluid tonality of Burke are captured with a radiating warmth. All of the instrumentation is folded in to surround the vocals.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLong live the King Of Rock ’N’ Soul!\" \u003c\/em\u003e\u003cem\u003e\u003cspan\u003eAudiophile Audition\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eAugust 2018 by Robbie Gerson\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"With his big, powerful voice and fervent but controlled emotionality, Solomon Burke was one of the early pioneers of soul music, though his contributions were not fully recognized until the new millennium, when he belatedly won his first Grammy.\u003cbr\u003eBy the age of nine, Solomon Burke (b. March 21, 1940, Philadelphia, PA) was a preacher and choir soloist at his family's Philadelphia church, the House of God for All People. At twelve he began hosting his own gospel radio show, \"Solomon's Temple\", and touring the gospel circuits billed as the \"Wonder Boy Preacher\". In 1955 he began recording both religious and secular music for Apollo and Singular before signing with Atlantic Records in 1960.\u003cbr\u003e\u003cbr\u003eAt Atlantic Burke made some of the first soul records by setting his gospel 'preaching' style in song forms borrowed from R\u0026amp;B, rock \u0026amp; roll and other secular music styles. He was a major influence on Mick Jagger, who covered Burke-related songs \"You Can Make It If You Try\", \"Everybody Needs Somebody To Love\", \"If You Need Me\" and \"Cry To Me\" on early Rolling Stones albums. Otis Redding also covered Burke's R\u0026amp;B variation on the traditional folk ballad \"Down In the Valley\".\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.2 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40442415841431,"sku":"PPAN SD18158","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/solomon-burke-king-solomon-audiosoundmusic-1.jpg?v=1719851785"},{"product_id":"bobbie-gentry-ode-to-billie-joe","title":"Bobbie Gentry - Ode To Billie Joe","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN\" mce-data-marked=\"1\"\u003e\u003cspan size=\"3\" mce-data-marked=\"1\"\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBobbie Gentry (Composer, Guitar, Vocals)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eArranged by Jimmie Haskel \u0026amp; Shorty Rogers\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Capitol\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eRecorded in 1967 by \u003cspan data-mce-fragment=\"1\"\u003eJoe Polito\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan size=\"3\" face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003eProduced by \u003cspan data-mce-fragment=\"1\"\u003eKelly Gordon\u003c\/span\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan\u003eRemastered by\u003c\/span\u003e\u003cspan\u003e Sean Magee at Abbey Road Studios\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1967\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in \u003cspan data-mce-fragment=\"1\"\u003eJune 2010\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide A :\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003c\/span\u003eMississippi Delta \u003cbr\u003e2. I Saw an Angel Die\u003cbr\u003e3. Chickasaw County Child\n\u003cp data-mce-fragment=\"1\"\u003e4. Sunday Best \u003cbr\u003e5. Niki Hoeky\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003eSide B :\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1.\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003ePapa, Woncha Let Me Go to Town With You?\u003cbr\u003e 2. Bugs\u003cbr\u003e3. Hurry, Tuesday Child\u003cbr\u003e4. Lazy Willie \u003cbr\u003e5. Ode To Billie Joe\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\"As usual, the Pallas pressing is exceptional -- free from artifacts and quiet to the very depths of the groove. Pure Pleasure has the most wide-ranging catalog among reissue labels, and this album is right at home with other off-the-beaten-track titles.\"\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e- Marc Mickelson, www.theaudiobeat.com\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e« Gentry's debut LP, which went to number one on the pop charts, was a promising but not wholly satisfying disc, with the singer penning all but one of the songs. Inevitably, the title track dwarfed everything else by comparison, but a greater problem was that several of the other tunes recycled variations of the \"Ode to Billie Joe\" riff. On the other hand, \"Mississippi Delta\" is gloriously tough, throaty swamp rock; few other women pop singers have sounded as raw. Other good cuts were \"I Saw an Angel Die,\" an effective mating of Gentry's country-blues guitar riffs and low-key orchestration, and the jazz waltz-timed \"Papa, Woncha Let Me Go to Town With You.\" Her vocals are poised and husky throughout the record, on which she was definitely on the right track -- one that she was quickly diverted from, into more MOR-oriented sounds. » AllMusic Review by Richie Unterberger\u003c\/p\u003e\n\u003cp\u003eGentry's first 1967 album is a masterpiece, it's a simple as that. An album of hauntingly beautiful songs penned by Bobbie herself bar one track. The album is an uncluttered, straight down the line collection of smoky voiced gems, mostly with the simplest guitar accompaniment, but with a quirky, almost psychedelic twist on each track. The album is in a very similar vein and feel to Rodiguez'sstunning Cold fact which came out three years later, and side by side you would imagine the later album may have been inspired by Bobbie's seminal Ode To Billy Joe. This album can also easily compare with Dusty's In Memphis for it's sheer intimacy and soulful feel and is certainly in the same league musically.\u003c\/p\u003e\n\u003cp\u003eAfter this first album, Bobbie moved into a more MOR groove, which in a way makes this such a stand out and important album. Very, very highly recommended especially as it has now been re-mastered at Abbey Road by Sean Magee.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRatings\u003c\/strong\u003e : \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.2 \/ 5 , Audio Beat Rated 3.5\/5 Music, 3.5\/5 Sound\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40694278029463,"sku":"PPAN ST 2830","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bobbie-gentry-ode-to-billie-joe-audiosoundmusic-1.jpg?v=1719851982"},{"product_id":"al-green-gets-next-to-you","title":"\u003ctranscy\u003eAl Green - Gets Next To You\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRARITY - Sealed\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eAl Green, vocals \u003ca title=\"vinyl featuring Al Green\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/al-green\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/al-green\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Al Green]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWayne Jackson, trumpet\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEd Logan, tenor sax\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJames Mitchell, baritone sax\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJack Hale, trombone\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAl Jackson, drums\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLeroy Hodges, bass\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCharles Hodges, keyboards\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMabon \"Teenie\" Hodges, guitar\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Hi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded in 1971 at Royal Recording Studios, South Lauderdale, Memphis, Tennessee\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eEngineered \u0026amp; mixed by Willie Mitchell\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cstrong\u003e\u003cspan\u003eProduced by Willie Mitchell \u0026amp; Al Green\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by \u003cspan data-mce-fragment=\"1\"\u003eRay Staff at Air Mastering, Lyndhurst Hall, London\u003c\/span\u003e\u003c\/strong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in \u003cspan data-mce-fragment=\"1\"\u003eMarch 2013\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan\u003e1. I Can't Get Next To You\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Are You Lonely For Me Baby\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. God Is Standing By\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Tired Of Being Alone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. I'm A Ram\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan\u003e1. Drivin' Wheel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Light My Fire\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. You Say It\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Right Now Right Now\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. All Because\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« After the shaky start of Green Is Blues, Al Green and producer Willie Mitchell established their classic sound with Green's second album, Gets Next to You. The main difference is in the rhythm section. Abandoning the gritty syncopations of deep Southern soul, the Hi Rhythm Section plays it slow and seductive, working a sultry, steady pulse that Green exploits with his remarkable voice. Alternating between Sam Cooke's croon and Otis Redding's shout, Green develops his own distinctive style, and Gets Next to You only touches the surface of its depth. Although the album is filled with wonderful moments, few are as astonishing as Green and Mitchell's reinterpretation of the Temptations' \"I Can't Get Next to You,\" which turns the original inside out. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e\"With the release of the album Al Green Gets Next To You, the music of Hi Records is brought to wholesome fruition. Green, simply, is one of the most highly energetic and intensely expressive... singers around, with a master's ability (notably, Charles and Redding) to subordinate lyrics to the urgent rhythmic primacy of their sounds, while suffusing them with their corresponding emotional feeling.\"\u003cspan\u003e  Aaron Fuchs, Rolling Stone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 , Discogs : 4.45 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40718623867031,"sku":"PPAN SHL32062","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/al-green-gets-next-to-you-audiosoundmusic-1.jpg?v=1719852147"},{"product_id":"daryl-hall-john-oates-our-kind-of-soul","title":"\u003ctranscy\u003eDaryl Hall \u0026 John Oates - Our Kind Of Soul (2LP)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\n\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/daryl-hall-john-oates\" title=\"vinyl featuring Daryl Hall \u0026amp; John Oates\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/daryl-hall-john-oates\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e[click here to see more vinyl featuring Daryl Hall \u0026amp; John Oates]\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eDaryl Hall – lead and backing vocals, keyboards, acoustic guitar,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Oates – lead and backing vocals, electric guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTom \"T-Bone\" Wolk – acoustic and electric guitars, bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreg Bieck – keyboards, synth strings, drum programming, sequencing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Sancious – backing vocals (A3), keyboards (A4, B4, C3-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Eli – electric guitar (A3-4, C4, D2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJeff Catania – electric guitar (B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Jordan – drums (B2, B4, C3-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharles DeChant – horns (B4, C3, D4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenny Pickett – horns (B3, C3, D4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobert Shaw – violin and concertmaster (A1-4, B3, D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCenovia Cummins – violin (A1-4, B3, D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCarol Pool – violin (A1-4, B3, D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStephanie Cummins – cello (A1-4, B3, D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSarah Hewitt-Roth – cello (A1-4, B3, D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrings arrangement and conductor – Daryl Hall (B3), David Spinozza (A1 to B2, B4 to D5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Daryl Hall, Greg Bieck, T Bone Wolk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e2 LPs, Gatefold Cover\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : MPO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : U-Watch Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by \u003c\/strong\u003e\u003cstrong\u003eBob Ludwig\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Daryl Hall, Greg Bieck, T Bone Wolk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso \u0026amp; Joe Gastwirt From The Authorized Hall \u0026amp; Oates U-Watch Recording Masters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in October 2004\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cp\u003e            1. Let Love Take Control\u003c\/p\u003e\n\u003cp\u003e            2. Standing In The Shadows Of Love\u003c\/p\u003e\n\u003cp\u003e           3. I'll Be Around\u003c\/p\u003e\n\u003cp\u003e            4. Used To Be My Girl\u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cp\u003e            1. Soul Violins\u003c\/p\u003e\n\u003cp\u003e            2. I Can Dream About You\u003c\/p\u003e\n\u003cp\u003e            3. Don't You Turn Your Back On Me\u003c\/p\u003e\n\u003cp\u003e            4. Fading Away\u003c\/p\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003cp\u003e            1. Neither One Of Us\u003c\/p\u003e\n\u003cp\u003e            2. After The Dance\u003c\/p\u003e\n\u003cp\u003e            3. Rock Steady\u003c\/p\u003e\n\u003cp\u003e            4. Love TKO\u003c\/p\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003cp\u003e            1. What You See Is What You Get 4:30\u003c\/p\u003e\n\u003cp\u003e            2. Can't Get Enough Of Your Love\u003c\/p\u003e\n\u003cp\u003e            3. You Are Everything\u003c\/p\u003e\n\u003cp\u003e            4. I'm Still In Love With You\u003c\/p\u003e\n\u003cp\u003e            5. Ooh Child\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Considering that soul has been at the foundation of Hall \u0026amp; Oates' sound throughout their career -- even their early folk-rock records had soulful underpinnings -- it only made sense for the duo to eventually cut their own soul tribute album. As the title suggests, that's exactly what 2004's Our Kind of Soul is: Hall \u0026amp; Oates' spin on their favorite soul sounds. This includes, of course, heavy doses of Philly soul and Motown, along with other smooth soul of the '70s. Most of the album is devoted to covers -- usually familiar tunes like \"Standing in the Shadows of Love,\" \"I'll Be Around,\" and \"Used to Be My Girl\" -- yet there are a couple of more obscure entries and a heavily rewritten \"I Can Dream About You\" (in his excellent track-by-track liner notes, Daryl Hall reveals that Dan Hartman wrote the song with the duo in mind), but there is a handful of originals that fit into the vibe quite well, such as the lush \"Soul Violins\" and \"Let Love Take Control.\" All the songs, whether they're covers or originals, are given a clean yet warm production similar to the pair's successful 2003 comeback effort, Do It for Love, but this is a little more laid-back and unassuming. Consequently, it doesn't make as big of an impression, but it's a friendly, mellow affair that finds Hall \u0026amp; Oates in good form. It's not quite as strong as Do It for Love, and its tasteful, relaxed vibe may strike some fans of their '80s hits as being a little sleepy, but for longtime fans who like the folky Atlantic material as much as their blue-eyed soul, this is a nice, enjoyable listen.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3,98 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40813914095767,"sku":"FRM-19148","price":79.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/daryl-hall-and-john-oates-our-kind-of-soul-2lp-audiosoundmusic-1.jpg?v=1719852801"},{"product_id":"earth-wind-fire-gratitude-translucent-blue-vinyl","title":"\u003ctranscy\u003eEarth, Wind \u0026 Fire - Gratitude (2LP, vinyle bleu translucide)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring Earth, Wind \u0026amp; Fire\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/earth-wind-fire\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/earth-wind-fire\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[Click here to see more vinyl featuring Earth, Wind \u0026amp; Fire]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhilip Bailey - vocals, congas, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Dunn - organ, piano, Moog synthesizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Graham - guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Harris - trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRalph Johnson - drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerry Jones - talking voice (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAl McKay - guitar, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Myrick - saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLouis Satterfield - trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFred White - drums, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaurice White - vocals, drums, timbales, kalimba\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdine White - vocals, bass, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndrew Woolfolk - percussion, saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold Cover\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded\u003cspan data-mce-fragment=\"1\"\u003e Live on February 11, 1978, at Hollywood Sunset Sound Recorders in Hollywood, California for a TV Variety Special \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by George Massenburg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Charles Stepney\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfricano \/ Power Medley\u003c\/li\u003e\n\u003cli\u003eYearnin' Learnin'\u003c\/li\u003e\n\u003cli\u003eDevotion\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSun Goddess\u003c\/li\u003e\n\u003cli\u003eReasons\u003c\/li\u003e\n\u003cli\u003eSing A Message To You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eNew World Symphony\u003c\/li\u003e\n\u003cli\u003eSunshine\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSingasong\u003c\/li\u003e\n\u003cli\u003eGratitude\u003c\/li\u003e\n\u003cli\u003eCelebrate\u003c\/li\u003e\n\u003cli\u003eCan't Hide Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eReviews :\u003c\/p\u003e\n\u003cp\u003e\"With That's the Way of the World having made Earth, Wind \u0026amp; Fire one of the best-selling soul bands of the 1970s, Maurice White and co. had no problem filling large arenas. As dynamic as EWF was on-stage, it's a shame that there isn't more documentation of the band's live show. Only one live EWF album was released by a major label in America, the superb Gratitude. First a two-LP set and later reissued on CD, Gratitude brilliantly captures the excitement EWF generated on-stage at its creative peak. Neither hardcore EWF devotees nor more casual listeners should deprive themselves of the joys of the live versions of \"Shining Star\" and \"Yearnin' Learnin'.\" Maurice White is magnificent throughout, and Philip Bailey truly soars on extended versions of \"Reasons\" (which boasts a memorable alto sax solo by guest Don Myrick) and \"Devotion.\" The album also introduced some excellent new studio songs, including the haunting \"Can't Hide Love\" and the uplifting \"Sing a Song.\" One could nitpick and wish for live versions of \"Evil,\" \"Keep Your Head to the Sky,\" and \"Kalimba Song,\" but the bottom line is that Gratitude is one of EWF's finest accomplishments.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Alex Henderso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRatings :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,2 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40883133120663,"sku":"FRM-33694 Translucent Blue","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/earth-wind-and-fire-gratitude-2lp-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719853267"},{"product_id":"right-on-now-the-sounds-of-northern-soul-white-with-red-and-blue-swirl-vinyl","title":"\u003ctranscy\u003eRight On Now! 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Feel Good All Over\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Don’t Forget About Me Baby\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. With My Love and What You’ve Got\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Burning Fire\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Git It\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. Never Let Me Go\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e7. Tired of Being Nobody\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e8. Coming Home To You Baby\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. I’m Through with Love\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Don’t You Even Care\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. You’re Such a Sweet Thing\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. That Ain’t Right\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. What’s Gonna Happen to Me\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. Across the Street\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e7. Bella Dalena\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e8. Good Lovin’\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGangway! Open the dance floor! This record is sure to get you on your feet. From Ike \u0026amp; Tina to Bettye LaVette, your Cuban heeled soles are sure to be worn through by the end of side B. This essential collection of rare northern soul tracks was curated from catalogs like Calla, Atco, Loma, and Jubilee. 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We Are Neighbors\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. I Want To Pay You Back (For Loving Me)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Have You Seen Her\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. (For God's Sake) Give More Power To The People\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Love Uprising\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Troubles A' Comin'\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. You Got Me Walkin'\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. What Do I Wish For\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\"Though they boasted one of the sweetest voices in soul music with Eugene Record, the Chi-Lites broke away from that format -- thankfully, only slightly -- for 1971's (For God's Sake) Give More Power to the People. Influenced by the growing social consciousness of soul music during the early '70s (especially Sly \u0026amp; the Family Stone and the solo debut of fellow Chicagoan Curtis Mayfield), Record wrote a pair of songs (the title track and \"We Are Neighbors\") evoking not only deep frustration but also a plea for hope and unity that challenging times demanded. It certainly didn't hurt that both were monster productions with raw, aggressive synthesizers, intense lead vocals, and some of the strongest, loudest harmonizing ever heard on a soul record. Doubly ironic and doubly fortunate too that (For God's Sake) Give More Power to the People also featured a pair of the Chi-Lites' sweetest soul ballads, \"Have You Seen Her?\" and \"I Want to Pay You Back,\" plus the excellent strollers \"Love Uprising\" and \"You Got Me Walkin'.\" The Chi-Lites weren't exactly album artists, but (For God's Sake) Give More Power to the People was a powerful example of early-'70s soul and the best record they ever released.\" AllMusic Review by John Bush\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4,5 \/ 5  ,   Discogs 4.14 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40909118767255,"sku":"TCHIGMPPBL-LP00","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-chilites-for-god-s-sake-give-more-power-to-the-people-audiosoundmusic-1.jpg?v=1719853382"},{"product_id":"david-hillyard-the-rocksteady-7-the-giver-green-vinyl","title":"\u003ctranscy\u003eDavid Hillyard \u0026 The Rocksteady 7 - The Giver (Vinyle vert) \u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDavid Hillyard – Tenor and Baritone Saxophones, Backing Vocals (A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSean Wheeler – Lead Vocals (A2-5, B1-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry McDonald – Percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Boom – Drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChiquis Lozoya – Bass, Backing Vocals (A2-5, B2-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDevin Morrison – Guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Jacildo – Organ, Piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlex Desert – Backing Vocals (A2-5, B2-4)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlen Pine – Trombone (A1-3, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuford O’Sullivan – Trombone (A5, B2, B4-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuigi De Gaspari – Trombone, Bass Trombone (A4, A6, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRich Graiko – Trumpet (A1, A6, B1-2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRolf Langsjoen – Trumpet (A2, A4, A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTommy Mattioli – Balafon (A6), Vibraphone BA, B3-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJayson Nugent – Pick Guitar (A4 , B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicah Nelson – Harmonica (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 300 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Green\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Hen House Studios by Harlan Steinberger.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by David Hillyard, Andrew Rossiter, and Harlan Steinberger.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. More Than 2 Sides (Hillyard)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Measure of a Man (Sherley)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Now That You Know (Wheeler \/ Pitman)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. The Giver (Hillyard \/ Wheeler)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Somebody Done Changed The Lock on My Door (Weldon)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. Song of the Underground Railroad (Traditional arr. Hillyard)\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Home is Where the Hatred Is (Scott-Heron)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Take a Chance on Me (Hillyard)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Ulysses (Hillyard)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Someone Else’s Love Song (Hillyard)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Dark Before Dawn (Hillyard)\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Giver is the fifth album from David Hillyard \u0026amp; The Rocksteady 7, following Hillyard's 2014 solo album, California. Based out of New York but relying on a global cast of musicians, David has been directing the group's mix of Jamaican roots music with American jazz, soul, and R\u0026amp;B since 1997.\u003c\/p\u003e\n\u003cp\u003eThe Giver features Jamaican percussion legend and Rocksteady 7 regular Larry McDonald. Also featured prominently is vocalist Sean Wheeler, best known as frontman of Throwrag. The album features renditions of John Coltrane's \"Song of the Underground Railroad\" and Gil Scott Heron's \"Home is Where the Hatred Is.\" It was recorded at Hen House Studios in Venice, Calif., mastered by Bernie Grundman, and pressed at Pallas Group in Germany.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.53 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40909994000535,"sku":"DVRSGIVEGN-LP00 Green","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/david-hillyard-and-the-rocksteady-7-the-giver-green-vinyl-audiosoundmusic-1.jpg?v=1719853397"},{"product_id":"copy-of-david-hillyard-the-rocksteady-7-the-giver-green-vinyl","title":"\u003ctranscy\u003eDavid Hillyard \u0026 The Rocksteady 7 - The Giver\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eDavid Hillyard – Tenor and Baritone Saxophones, Backing Vocals (A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSean Wheeler – Lead Vocals (A2-5, B1-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry McDonald – Percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Boom – Drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChiquis Lozoya – Bass, Backing Vocals (A2-5, B2-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDevin Morrison – Guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Jacildo – Organ, Piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlex Desert – Backing Vocals (A2-5, B2-4)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlen Pine – Trombone (A1-3, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuford O’Sullivan – Trombone (A5, B2, B4-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuigi De Gaspari – Trombone, Bass Trombone (A4, A6, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRich Graiko – Trumpet (A1, A6, B1-2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRolf Langsjoen – Trumpet (A2, A4, A5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTommy Mattioli – Balafon (A6), Vibraphone BA, B3-4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJayson Nugent – Pick Guitar (A4 , B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicah Nelson – Harmonica (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Hen House Studios by Harlan Steinberger.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by David Hillyard, Andrew Rossiter, and Harlan Steinberger.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. More Than 2 Sides (Hillyard)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Measure of a Man (Sherley)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Now That You Know (Wheeler \/ Pitman)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. The Giver (Hillyard \/ Wheeler)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Somebody Done Changed The Lock on My Door (Weldon)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e6. Song of the Underground Railroad (Traditional arr. Hillyard)\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e1. Home is Where the Hatred Is (Scott-Heron)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e2. Take a Chance on Me (Hillyard)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e3. Ulysses (Hillyard)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e4. Someone Else’s Love Song (Hillyard)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e5. Dark Before Dawn (Hillyard)\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Giver is the fifth album from David Hillyard \u0026amp; The Rocksteady 7, following Hillyard's 2014 solo album, California. Based out of New York but relying on a global cast of musicians, David has been directing the group's mix of Jamaican roots music with American jazz, soul, and R\u0026amp;B since 1997.\u003c\/p\u003e\n\u003cp\u003eThe Giver features Jamaican percussion legend and Rocksteady 7 regular Larry McDonald. Also featured prominently is vocalist Sean Wheeler, best known as frontman of Throwrag. The album features renditions of John Coltrane's \"Song of the Underground Railroad\" and Gil Scott Heron's \"Home is Where the Hatred Is.\" It was recorded at Hen House Studios in Venice, Calif., mastered by Bernie Grundman, and pressed at Pallas Group in Germany.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.53 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40910178287767,"sku":"DVRSGIVEGN-LP00 Black","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/david-hillyard-and-the-rocksteady-7-the-giver-black-vinyl-audiosoundmusic-1.jpg?v=1719853396"},{"product_id":"sister-rosetta-tharpe-live-in-1960","title":"\u003ctranscy\u003eSister Rosetta Tharpe - Live In 1960\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSister Rosetta Tharpe - vocals, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Reverend Thomas A. Dorsey or traditional songs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Southland Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in Europe in 1960\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Andrew Rossiter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by David Gardner at Infrasonic Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1991\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCan't Sit Down\u003c\/li\u003e\n\u003cli\u003eHe's Got The Whole World In His Hands\u003c\/li\u003e\n\u003cli\u003eVacation In The Sky\u003c\/li\u003e\n\u003cli\u003eDidn't It Rain\u003c\/li\u003e\n\u003cli\u003eCan't No Grave Hold My Body Down\u003c\/li\u003e\n\u003cli\u003eTwo Little Fishes, Five Loaves Of Bread\u003c\/li\u003e\n\u003cli\u003eThe Gospel Train\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePrecious Lord\u003c\/li\u003e\n\u003cli\u003eDown By The Riverside\u003c\/li\u003e\n\u003cli\u003eMansion In The Sky\u003c\/li\u003e\n\u003cli\u003eIs Everybody Happy?\u003c\/li\u003e\n\u003cli\u003ePeace In The Valley\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Sister Rosetta Tharpe was a talented jazz guitarist and vocalist who, although she spent most of her later years finding fame as a gospel singer, never turned her back on her jazz roots. On this 1991 CD taken from a previously unreleased European concert, Tharpe is heard solo, entertaining and uplifting the audience. Although there are a few more ballads than usual, the set has plenty of variety, lots of sincere feeling, and high levels of musicianship from the unique performer. Highlights include \"He's Got the Whole World In His Hands,\" \"Didn't It Rain,\" \"The Gospel Train\" and \"Down By the Riverside.\"\"\" AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 3\/5 , Discogs 4.5\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40921303613591,"sku":"SRT0LIVEBL-LP00","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/sister-rosetta-tharpe-live-in-1960-audiosoundmusic-1.jpg?v=1719853439"},{"product_id":"the-ad-libs-presenting-the-ad-libs-purple-vinyl","title":"\u003ctranscy\u003eThe Ad Libs - Presenting… The Ad Libs (Vinyle violet)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCOMPILATION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHugh Harris, \u003c\/span\u003e\u003cspan\u003eDanny Austin, \u003c\/span\u003e\u003cspan\u003eDave Watt, \u003c\/span\u003e\u003cspan\u003eNorman Donegan, \u003c\/span\u003e\u003cspan\u003eMary Ann Thomas\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 1,500 copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : purple \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Pallas \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  ORG Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e1. Bottom of My Soul\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e2. Appreciation\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e3. Oo Wee Oo Gee\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e4. Giving Up\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e5. He Ain’t No Angel\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e6. If She Wants Him\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e1. Boy From New York City\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e2. Kicked Around\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e3. Johnny My Boy\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e4. Ask Anybody\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e5. Nothings Worse Than Being Alone\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e6. I’m Just A Down Home Girl\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e7. The Slime\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ad Libs, a phenomenal yet under-appreciated American vocal group hailing from Hudson County, NJ, had their first and only smash hit within their first year as a group, with ‘The Boy From New York City.’ Though several other singles from the doo-wop group landed on the Billboard R\u0026amp;B chart’s, The Ad Libs never released a full length album. Presenting The Ad Libs is the group’s debut album that never happened. A collection of singles, b-sides, and unused studio cuts come together to show the 1960’s soul singers in a whole new light. The tracks were remastered for vinyl at Infrasonic Mastering and pressed at Pallas Group in Germany on purple color vinyl.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40926109008023,"sku":"ADLIPTALPP-LP00 Purple","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-ad-libs-presenting-the-ad-libs-purple-vinyl-audiosoundmusic-1.jpg?v=1719853453"},{"product_id":"dezron-douglas-quartet-soul-jazz","title":"\u003ctranscy\u003eDezron Douglas Quartet - Soul Jazz (Edition japonaise)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Greene, tenor \u0026amp; soprano saxophones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDonald Brown, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDezron Douglas, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWillie Jones III, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Japanese Pressing \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Venus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Tedesco Studios, Paramus, New Jersey on December 11, 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Dezron Douglas and Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Tetsuo Hara\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Want You\u003c\/li\u003e\n\u003cli\u003eTears Of A Clown\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003cli\u003eOoh, Baby, Baby\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Make Me Feel Brand New\u003c\/li\u003e\n\u003cli\u003eCupid\u003c\/li\u003e\n\u003cli\u003eSo Amazing\u003c\/li\u003e\n\u003cli\u003eLove You Madly\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJazz covers of classic R\u0026amp;B and soul!\u003c\/p\u003e\n\u003cp\u003eKnown for his musical versatility, bassist Dezron Douglas is one of the most in demand young bassists in jazz today. Composer, bandleader, sideman and educator, Dezron has established himself as a musician’s musician, respected not only for his talent but also for his dedication to the authenticity of the music\u003c\/p\u003e\n\u003cp\u003eBorn and raised in Hartford, Connecticut, Dezron grew up surrounded by music. His first musical influences weren’t actually jazz, even though he is the nephew of the legendary drummer and composer, Walter Bolden (Nancy Wilson). The sounds that filled his home were of Stevie Wonder, George Benson, Minnie Ripperton, Diana Ross, Gregory Isaacs, Peter Tosh, The Clark Sisters, Mahalia Jackson, Commissioned, and the list goes on. As he explains, \"Jazz was always around, but not at my House.\" He was influenced by the music, moved by the way sound expressed emotion. At the age of 12, he was determined to harness that ability.\u003c\/p\u003e\n\u003cp\u003eWith the encouragement of his mentor, the late saxophonist, composer, and educator Jackie McLean, he enrolled in the Jackie McLean Institute of African American Music at the Hartt School of Music. Studying at Hartt offered him the opportunity to learn from and work with such notable jazz musicians such as Nat Reeves, Steve Davis, and of course Jackie McLean.\u003c\/p\u003e\n\u003cp\u003eTranscribing music into emotion was an effortless process for the young bassist. The years at Hartt helped Dezron to form his own technical approach to the bass, further developing his versatility. Natural talent combined with his ability to swing made Dezron one of the most sought after young bassists. While still in school he routinely performed with: Rene McLean, Steve Davis, Jimmy Greene, Alan Jay Palmer, Abraham Burton and Eric McPherson, Nita Zarif, and Montenia Shider.\u003c\/p\u003e\n\u003cp\u003eDezron is currently a member of Louis Hayes Jazz Communicators, Ravi Coltrane Quartet, Papo Vazquez Mighty Pirates, and he is also a long standing member of The Cyrus Chestnut Trio among many other associations within the music scene. He has recorded four albums as a leader; two on the Venus music label, one on the Smallslive label and one independent.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 5\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40975644065943,"sku":"AVEN 0137","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/dezron-douglas-quartet-soul-jazz-japanese-edition-audiosoundmusic-1.jpg?v=1719853639"},{"product_id":"the-wonderful-sounds-of-female-vocals","title":"\u003ctranscy\u003eThe Wonderful Sounds of Female Vocals - Nina Simone, Diana Krall, Patricia Barber (2LP)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, Gatefold, Deluxe, Stoughton Tip-On Jacket with l\u003c\/strong\u003e\u003cstrong\u003einer Notes by Michael Fremer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCry Me A River - Julie London \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/julie-london\" title=\"vinyl featuring Julie London\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/julie-london\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Julie London]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlack Coffee - Ella Fitzgerald \u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ella-fitzgerald\" title=\"vinyl featuring Ella Fitzgerald\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ella-fitzgerald\"\u003e[click here to see more vinyl featuring Ella Fitzgerald]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003ePoetry Man - Phoebe Snow\u003c\/li\u003e\n\u003cli\u003eSon Of A Preacher Man - Dusty Springfield\u003c\/li\u003e\n\u003cli\u003eJust A Little Lovin' - Shelby Lynne \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/shelby-lynne\" title=\"vinyl featuring Shelby Lynne\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/shelby-lynne\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Shelby Lynne]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eShow Biz Kids - Rickie Lee Jones \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/rickie-lee-jones\" title=\"vinyl featuring Rickie Lee Jones\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/rickie-lee-jones\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Rickie Lee Jones]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCrazy – Patsy Cline\u003c\/li\u003e\n\u003cli\u003eTennessee Waltz – Holly Cole \u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"vinyl featurin Holly Cole\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/holly-cole\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/holly-cole\"\u003e[click here to see more vinyl featuring Holly Cole]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eBreaking Silence – Janis Ian \u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Janis Ian\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/janis-ian\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/janis-ian\"\u003e[click here to see more vinyl featuring Janis Ian]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eHey There – Myra Taylor\u003c\/li\u003e\n\u003cli\u003eWhat a Shame – Patricia Barber \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/patricia-barber\" title=\"vinyl featuring Patricia Barber\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/patricia-barber\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Patricia Barber]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003ePlain Gold Ring - Nina Simone \u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Nina Simone\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/nina-simone\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/nina-simone\"\u003e[click here to see more vinyl featuring Nina Simone]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Moon Is Made Of Gold - Rickie Lee Jones \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Rickie Lee Jones\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/rickie-lee-jones\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/rickie-lee-jones\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Rickie Lee Jones]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlue Moon - Julie London\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/julie-london\" title=\"vinyl featuring Julie London\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/julie-london\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Julie London]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlame It on the Moon - Nancy Bryan\u003c\/li\u003e\n\u003cli\u003eDiamonds and Rust - Joan Baez \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/joan-baez\" title=\"Vinyl featuring Joan Baez\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/joan-baez\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Joan Baez]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eSomebody Who Loves You - Joan Armatrading\u003c\/li\u003e\n\u003cli\u003eSend In the Clowns - Judy Collins\u003cspan style=\"color: #ff8000;\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff8000;\" title=\"vinyl featuring Judy Collins\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/judy-collins\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/judy-collins\"\u003e[click here to see more vinyl featuring Judy Collins]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBallad Of The Runaway Horse - Jennifer Warnes \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/jennifer-warnes\" title=\"vinyl featuring Jennifer Warnes\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/jennifer-warnes\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Jennifer Warnes]\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eA Case of You - Diana Krall\u003cspan style=\"color: #ff8000;\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" style=\"color: #ff2a00;\" title=\"Vinyl featuring Diana Krall\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/diana-krall\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/diana-krall\" data-mce-style=\"color: #ff2a00;\"\u003e[click here to see more vinyl featuring Diana Krall]\u003c\/a\u003e\u003c\/strong\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Look of Love - Dusty Springfield\u003c\/li\u003e\n\u003cli\u003eBrothers In Arms - Joan Baez \u003cstrong data-mce-fragment=\"1\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/joan-baez\" title=\"Vinyl featuring Joan Baez\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/joan-baez\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Joan Baez]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eHi-Fi News \"Album Choice\" for October 2019!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTAS Super LP List! Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\"Humungous conflict of interest alert! I wrote this compilation’s liner notes and created the 22 song track order. Chad Kassem selected the female artists and the individual tracks sourced from albums he’d previously licensed and released on vinyl, SACD and high resolution download (maybe even R2R tape).\u003c\/p\u003e\n\u003cp\u003eThe concept was simple enough: a collection of well-recorded female vocalists revered by audio enthusiasts as well as by music lovers in general.\u003c\/p\u003e\n\u003cp\u003eSince Kassem’s licensing choices hit sonic and musical bullseyes, all were guaranteed to sound good. But since they weren’t selected mindful of any particular concept, ordering them into a coherent “story” was the difficult if not impossible task I faced.\u003c\/p\u003e\n\u003cp\u003eThe sources all were high-resolution files, some DSD, some PCM, depending upon what Kassem was originally given in the digital domain, or in most cases what Gus Skinas produced in DSD using the original analog tapes. Anyone thinking why wasn’t this cut from tape is either insane or ignorant.\u003c\/p\u003e\n\u003cp\u003eCutting from tape would have necessitated getting the originals, which would be both costly and time consuming (if at all still possible), and making a copy from the master of each song and then splicing them all together.\u003c\/p\u003e\n\u003cp\u003eSpeaking of “splicing them together” here’s what I did to order the tracks: the set begins with Julie London’s “Cry Me a River”, arguably the first female vocalist at the beginning of the “hi-fi” era to appear as if in the listener’s room and backed simply by bass and guitar. Why not segue into another intimately recorded, track, Ella Fitzgerald ‘s “Black Coffee”, on which she’s backed by solo piano.\u003c\/p\u003e\n\u003cp\u003eAfter copping out in the notes by writing “there’s no way to thematically link….” the 22 tunes, the compilation moves to Phoebe Snow’s “Poetry Man”, the excuse being she’s backed by jazz musicians. Works for me!\u003c\/p\u003e\n\u003cp\u003eNext up is Dusty Springfield’s “Son of a Preacher Man” just because, but it’s an easy call to move from there to Shelby Lynne’s “Just a Little Lovin’”. The side ends with Rickie Lee Jones’s cover of Steely Dan’s “Show Biz Kids”, with backing by some jazz greats. Pretty good side if you axe me!\u003c\/p\u003e\n\u003cp\u003eSide two opens with Patsy Cline’s enduring cover of Willie Nelson’s “Crazy” recorded at Bradley’s Barn followed for obvious reasons by Holly Cole’s cover of “Tennessee Waltz” and then by Nashville resident Janis Ian’s “Breaking Silence.”\u003c\/p\u003e\n\u003cp\u003eI’m not going to continue the “play by play”. However, there are three “moon” songs on side three: RLJ’s “The Moon is Made of Gold”, Julie London’s “Blue Moon” and Nancy Bryan’s “Blame it on the Moon”.\u003c\/p\u003e\n\u003cp\u003eOther artist faves include Joan Baez, Judy Collins, Jennifer Warnes, Patricia Barber, Nina Simone and Diana Krall.\u003c\/p\u003e\n\u003cp\u003eIf you’re unfamiliar with Myra Taylor, after you hear her take on “Hey There”, you might want to buy the album My Night to Dream.\u003c\/p\u003e\n\u003cp\u003eThis double LP set works well as entertainment and as a great sampler of the LPs mostly released by Analogue Productions and mostly AAA (where there’s tape to begin with). You can’t go wrong.\u003c\/p\u003e\n\u003cp\u003eAs for my liner notes: I used “great” a great many times when I shouldn’t have (sorry!) but worse: no one in the editing caught where I accidentally uses “rolls” instead of “roles”. I hate when that happens though it’s not as bad as the time in The Tracking Angle where I wrote about “Billy” Holiday (the \"roll\" era will be fixed on the second pressing now being being produced—at the recently Hong Kong Audio Show 1600 copies were sold just about evenly split between LPs and SACDs).\u003c\/p\u003e\n\u003cp\u003eThis is a great sampler! (there I go again). Easy to recommend for the music and the consistently fine sound. And yes, the album title sounds like either Reader's Digest lives or something hatched by Time-Life in the 1970s!\" By Michael Fremer @ AnalogPlanet.com\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDiscogs 4.72\/5  ,  Hifi News : \u003cspan data-mce-fragment=\"1\"\u003eSound Quality = 90%\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichael Fremer : Music = 10\/11; Sound = 10\/11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDennis David : Music = 4.5\/5; Sound = 5\/5; Pressing = 5\/5; Jacket = 3\/5 \u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":40986641596567,"sku":"AAPP 122","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-wonderful-sounds-of-female-vocals-nina-simone-diana-krall-patricia-barber-2lp-audiosoundmusic-1.jpg?v=1719853719"},{"product_id":"lightnin-hopkins-soul-blues-2lp-45rpm","title":"Lightnin' Hopkins - Soul Blues","description":"\u003cdiv\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstrong\u003eLightnin' Hopkins, vocals \u0026amp; guitar \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/lightnin-hopkins\" title=\"vinyl featuring Lightnin' Hopkins\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/lightnin-hopkins\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Lightnin' Hopkins]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eLeonard Gaskin, bass\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eHerbie Lovelle, drums\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tabs-contents\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Prestige \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Van Gelder Studio, Englewood Cliffs, New Jersey\u003c\/strong\u003e\u003cstrong\u003e by Rudy Van Gelder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1965\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :       \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Going To Build Me A Heaven Of My Own\u003c\/li\u003e\n\u003cli\u003eMy Babe\u003c\/li\u003e\n\u003cli\u003eToo Many Drivers\u003c\/li\u003e\n\u003cli\u003eI'm A Crawling Black Snake\u003c\/li\u003e\n\u003cli\u003eRocky Mountain Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Mean Goodbye\u003c\/li\u003e\n\u003cli\u003eThe Howling Wolf\u003c\/li\u003e\n\u003cli\u003eBlack Ghost Blues\u003c\/li\u003e\n\u003cli\u003eDarling, Do You Remember Me?\u003c\/li\u003e\n\u003cli\u003eLonesome Graveyard\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"A true poet of the blues, Lightnin' Hopkins was a master of tall, tongue-in-cheek tales, often made up on the spot in the recording studio. The first song on this album, \"I'm Going to Build Me a Heaven of My Own,\" adescribes an encounter with a bearded man claiming to be Jesus Christ. Hopkins also puts his personal stamp on Willie Dixon's \"My Babe\" and Smokey Hogg's \"Too Many Drivers,\" among others.\" Review by Roundup Newsletter\u003c\/p\u003e\n\u003cp\u003e\"Five of the six selections on this (album) reissue feature drummer Art Taylor in an all-star sextet of mostly young players comprised of trumpeter Donald Byrd, altoist Jackie McLean, Charlie Rouse on tenor, pianist Ray Bryant, and bassist Wendell Marshall.  Among the high points of the 1957 hard bop date are the original version of Bryant's popular \"Cubano Chant\" and strong renditions of two Thelonious Monk tunes (\"Off Minor\" and \"Well, You Needn't\") cut just prior to the pianist\/composer's discovery by the jazz public.  Bryant is the most mature of the soloists, but the three horn players were already starting to develop their own highly individual sounds.  The remaining track (a version of Jimmy Heath's \"C.T.A.\") is played by the quartet of Taylor, tenor saxophonist John Coltrane, pianist Red Garland, and bassist Paul Chambers and is a leftover (although a good one) from another session.\" AllMusic Review by Scott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 3\/5  ,  Discogs  4.61 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41002719903895,"sku":"APRJ 7377","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Lightnin_Hopkins_-_Soul_Blues.png?v=1739635057"},{"product_id":"ben-webster-the-soul-of-ben-webster-2lp-45rpm-200g","title":"\u003ctranscy\u003eBen Webster - The Soul Of Ben Webster (2LP, 45 tours, 200g)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" title=\"Vinyl featuring Ben Webster\" target=\"_blank\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Harold Ashby\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Milt Hinton \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/milt-hinton\" title=\"Vinyl featuring Milt Hinton\"\u003e[Click here to see more vinyl featuring Milt Hinton]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Dave Bailey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Mundell Lowe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Jimmy Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Art Farmer \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" title=\"Vinyl featuring Art Farmer\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/art-farmer\" target=\"_blank\"\u003e[click here to see more vinyl featuring Art Farmer]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eRecorded July 1958 in New York City, New York.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt Direction by Merle Shore\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1960 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFajista\u003c\/li\u003e\n\u003cli\u003eChelsea Bridge\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCharlotte’s Piccolo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCoal Train\u003c\/li\u003e\n\u003cli\u003eWhen I Fall In Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEv’s Mad\u003c\/li\u003e\n\u003cli\u003eAsh\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e            \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\"Recorded in 1958 and released the following year on Verve, The Soul of Ben Webster is a superb example of swinging mainstream jazz and bop. Webster is in fine form throughout, as are his fellow musicians including trumpeter Art Farmer, bassist Milt Hinton, pianist Jimmy Jones, and others.\" AllMusic Review by Matt Collar\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 4\/5 ,  Discogs 4.84 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41020788899991,"sku":"AVRJ 6124-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ben-webster-the-soul-of-ben-webster-2lp-45rpm-200g-audiosoundmusic-1.jpg?v=1719853911"},{"product_id":"ben-webster-quintet-soulville-2lp-mono-45rpm-200g","title":"\u003ctranscy\u003eBen Webster Quintet - Soulville (2LP, Mono, 45 tours, 200g)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Ben Webster \u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring Ben Webster\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\" target=\"_blank\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-webster\"\u003e[click here to see more vinyl featuring Ben Webster]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Oscar Peterson \u003cspan style=\"color: #ff8000;\"\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\" title=\"vinyl featuring Oscar Peterson\" style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/oscar-peterson\"\u003e[click here to see more vinyl featuring Oscar Peterson]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Ray Brown\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Ray Brown\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ray-brown\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see other vinyl featuring Ray Brown]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Stan Levey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Herb Ellis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 200g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12''\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press :  Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Analogue Productions\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label :  Verve records \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eOctober 15, 1957\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Norman Granz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by George Marino at Sterling Sound \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1958\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Side A:\u003c\/p\u003e\n\u003cp\u003e    Soulville\u003c\/p\u003e\n\u003cp\u003e    Late Date\u003c\/p\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003cp\u003e    Time On My Hands\u003c\/p\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003cp\u003e    Lover, Come Back To Me\u003c\/p\u003e\n\u003cp\u003e    Where Are You\u003c\/p\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003cp\u003e    Makin' Whoopee\u003c\/p\u003e\n\u003cp\u003e    Ill Wind\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The by turns grizzled and vaporous-toned Webster really hit his stride on the Verve label. During a stretch from roughly 1953-1959, the Ellington alumnus showcased his supreme playing with both combos and string sections, swingers and ballads -- and lurking beneath his blustery and hulking sound were solo lines brimming with sophistication and wit. This 1957 date with the Oscar Peterson Trio is one of the highlights of that golden '50s run. After starting off with two bluesy originals -- the slow burning title track and gutsy \"Late Date\" -- Webster gets to the heart of things on five wistful ballads: Here, his exquisitely sly \"Makin' Whoopee\" is only outdone by an incredibly nuanced \"Where Are You.\" Providing sympathetic counterpoint, Peterson forgoes his usual pyrotechnics for some leisurely compact solos; his cohorts -- guitarist Herb Ellis, bassist Ray Brown, and drummer Stan Levey -- are equally assured and splendid. And ending the set with flair, Webster takes over the piano for three somewhat middling yet still impressive stride and boogie-woogie-styled numbers (these are his only piano recordings). Newcomers shouldn't hesitate to start here.\" Soulville Review by Stephen Cook\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRating:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic 5\/5  ,  Discogs 4.49\/5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41021076504727,"sku":"AVRJ 8274-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ben-webster-quintet-soulville-2lp-mono-45rpm-200g-audiosoundmusic-1.jpg?v=1719853911"},{"product_id":"bill-withers-live-at-carnegie-hall-2lp-ultra-analog-45-rpm","title":"\u003ctranscy\u003eBill Withers - Live at Carnegie Hall (2LP, Ultra Analog)\u003c\/transcy\u003e","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Withers – vocals, guitar, piano \u003cspan style=\"color: #ff8000;\"\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/bill-withers\" title=\"vinyl featuring Bill Withers\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" target=\"_blank\"\u003e[click here to see other vinyl featuring Bill Withers]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenorce Blackmon – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMelvin Dunlap – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRay Jackson – piano, string and horn arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Gadson – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobbye Hall – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eNumbered limited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Sussex\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded live on \u003cspan data-mce-fragment=\"1\"\u003eOctober 6, 1972 \u003c\/span\u003eat Carnegie Hall, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Phil Schier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bernorce Blackman, Bill Withers, James Gadson, Melvin Dunlap, Ray Jackson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUse Me\u003c\/li\u003e\n\u003cli\u003eFriend of Mine\u003c\/li\u003e\n\u003cli\u003eAin’t No Sunshine\u003c\/li\u003e\n\u003cli\u003eGrandma’s Hands\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e Side B:\u003c\/p\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003eWorld Keeps Going Around\u003c\/li\u003e\n\u003cli\u003eLet Me In Your Life\u003c\/li\u003e\n\u003cli\u003eBetter Off Dead\u003c\/li\u003e\n\u003cli\u003eFor My Friend\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e Side C:\u003c\/p\u003e\n\u003col start=\"9\"\u003e\n\u003cli\u003eI Can’t Write Left Handed\u003c\/li\u003e\n\u003cli\u003eLean on Me\u003c\/li\u003e\n\u003cli\u003eLonely Town, Lonely Street\u003c\/li\u003e\n\u003cli\u003eHope She’ll Be Happier\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e Side D:\u003c\/p\u003e\n\u003col start=\"13\"\u003e\n\u003cli\u003eLet Us Love\u003c\/li\u003e\n\u003cli\u003eHarlem\/Cold Baloney\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"A wonderful live album that capitalizes on Withers' trademark melancholy soul sound while expanding the music to fit the room granted by a live show. Lovely versions of \"Grandma's Hands\" and \"Lean on Me\" are balanced by heartfelt downbeat numbers like \"Better Off Dead\" and \"I Can't Write Left-Handed,\" the latter being an anti-war song with a chilling message. The set finishes off with the lengthy \"Harlem\/Cold Baloney,\" with lots of audience-pleased call-and-response going on. One of the best live releases from the '70s.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Steven McDonald\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,61 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41054853333143,"sku":"MFSL2-446","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bill-withers-live-at-carnegie-hall-2lp-ultra-analog-half-speed-mastering-audiosoundmusic-1.jpg?v=1719854134"},{"product_id":"the-spinners-spinners-ultra-analog","title":"The Spinners - Spinners (Ultra Analog, Half-speed Mastering)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Henderson, Bobby Smith, Philippé Wynne, Henry Fambrough, Pervis Jackson – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoland Chambers, Norman Harris, Bobby Eli – guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThom Bell – pianos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRonnie Baker – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Renaldo – strings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEarl Young – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Washington – congas, bongos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVince Montana – vibes, marimbas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMFSB – orchestration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJack Faith – alto saxophone, flute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRocco Bene, Bobby Hartzell – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe DeAnglis, Robert Martin– French horn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFreddie Joiner, Bobby Moore, Richie Genevese, Eddie Keskarella – trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinda Creed, Barbara Ingram, Carla Benson, Yvette Benton – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Sigma Sound Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Joe Tarsia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Thom Bell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1973\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJust Can’t Get You Out of My Mind\u003c\/li\u003e\n\u003cli\u003eJust You and Me Baby\u003c\/li\u003e\n\u003cli\u003eDon’t Let the Green Grass Fool You\u003c\/li\u003e\n\u003cli\u003eI Could Never (Repay Your Love)\u003c\/li\u003e\n\u003cli\u003eI’ll Be Around\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003eOne of a Kind (Love Affair)\u003c\/li\u003e\n\u003cli\u003eWe Belong Together\u003c\/li\u003e\n\u003cli\u003eGhetto Child\u003c\/li\u003e\n\u003cli\u003eHow Could I Let You Get Away\u003c\/li\u003e\n\u003cli\u003eCould It Be I’m Falling In Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"A superb album, arguably their finest, though not their biggest, crossover work. The Spinners teamed with Thom Bell and outpaced Motown with this album of glorious anthems. \"I'll Be Around\" and \"Could It Be I'm Falling in Love\" ended any discussions, mentions, or even thoughts of their former lead singer G.C. Cameron, as Philippe Wynne was emerging as the king of immaculate, sophisticated soul. They had three R\u0026amp;B chart-toppers from this album and were now dominating the Motown acts they once idolized.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Ron Wynn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,13 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41070556086423,"sku":"MFSL1-450","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-spinners-spinners-ultra-analog-half-speed-mastering-audiosoundmusic-1.jpg?v=1719854208"},{"product_id":"hall-and-oates-rock-n-soul-part-1-ultra-analog","title":"\u003ctranscy\u003eDaryl Hall and John Oates - Rock 'n Soul Part 1 (Ultra Analog, Half-speed Mastering)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca title=\"vinyl featuring Daryl Hall \u0026amp; John Oates\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/daryl-hall-john-oates\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/daryl-hall-john-oates\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Daryl Hall \u0026amp; John Oates]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDaryl Hall – vocals, keyboards, synthesizers, guitars, vibraphone, arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Oates – vocals, guitars, keyboards, synthesizers, arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eE. Smith - Lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTom \"T-Bone\" Wolk – bass, guitars, keyboards, additional backing vocals, arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMickey Curry – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharlie DeChant – keyboards, saxophone, additional backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWells Christy – synthesizers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClive Smith – synthesizers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Bralower – drum programming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobbie Kilgore – keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBashiri Johnson – percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1973 \u0026amp;  September 1983 at Electric Lady Studios, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich, Rob LoVerde, Shawn R. Britton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSay It Ain't So\u003c\/li\u003e\n\u003cli\u003eSara Smile\u003c\/li\u003e\n\u003cli\u003eShe's Gone\u003c\/li\u003e\n\u003cli\u003eRich Girl\u003c\/li\u003e\n\u003cli\u003eKiss On My List\u003c\/li\u003e\n\u003cli\u003eYou Make My Dreams\u003c\/li\u003e\n\u003cli\u003ePrivate Eyes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdult Education\u003c\/li\u003e\n\u003cli\u003eI Can't Go For That (No Can Do)\u003c\/li\u003e\n\u003cli\u003eManeater\u003c\/li\u003e\n\u003cli\u003eOne on One\u003c\/li\u003e\n\u003cli\u003eWait for Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Released at the peak of Hall \u0026amp; Oates' popularity in the early '80s, 1983's Rock 'n Soul, Pt. 1: Greatest Hits effectively chronicles the time when the duo could do no wrong -- namely, the period between 1980's Voices and 1982's H2O, which includes only one other album, 1981's excellent Private Eyes. While this reaches back to their early-'70s work for Atlantic for \"She's Gone,\" the only big hit they had at the label, and also has their two other big hits from that decade, \"Sara Smile\" and \"Rich Girl,\" the bulk of Rock 'n Soul, Pt. 1 derives from those three albums: \"Kiss on My List,\" \"You Make My Dreams,\" \"Private Eyes,\" \"I Can't Go for That (No Can Do),\" \"Maneater,\" and \"One on One.\" That's a long list of singles, but it still misses some terrific singles from this era, including \"How Does It Feel to Be Back,\" \"Did It in a Minute,\" \"Family Man,\" and \"You've Lost That Lovin' Feeling\" (the latter two were included as bonus tracks on RCA\/Legacy's 2006 reissue). As good as those songs may be, Rock 'n Soul, Pt. 1 doesn't necessarily miss them: with the exception of a live version of \"Wait for Me\" (good, but not essential), this is the cream of the crop of Hall \u0026amp; Oates' best period, and it makes for a tight, excellent listen, and it's bolstered by the sublime \"Say It Isn't So\" and the good rocker \"Adult Education.\" Latter-day compilations like 2001's Very Best of Daryl Hall \u0026amp; John Oates and 2004's Ultimate (which was reissued a year later under the title Essential) may cover their entire career in more detail -- and the duo certainly made great music before and after this era -- but as a snapshot of Hall \u0026amp; Oates at their finest, Rock 'n Soul, Pt. 1: Greatest Hits can't be beat.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,23 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41075900547223,"sku":"MFSL1-447","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/daryl-hall-and-john-oates-rock-n-soul-part-1-ultra-analog-half-speed-mastering-audiosoundmusic-1.jpg?v=1719854217"},{"product_id":"bill-withers-bill-withers-greatest-hits-ultra-analog","title":"Bill Withers - Bill Withers' Greatest Hits (Ultra Analog, Half-speed Mastering)","description":"\u003cdiv\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Withers – vocals, guitar, acoustic piano \u003c\/strong\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e\u003ca style=\"color: #ff8000;\" title=\"vinyl featuring Bill Withers\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/bill-withers\" target=\"_blank\"\u003e[click here to see other vinyl featuring Bill Withers]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1981\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003cp\u003e            Just the Two of Us\u003c\/p\u003e\n\u003cp\u003e            Use Me\u003c\/p\u003e\n\u003cp\u003e            Ain't No Sunshine\u003c\/p\u003e\n\u003cp\u003e            Lovely Day\u003c\/p\u003e\n\u003cp\u003e            I Want to Spend the Night\u003c\/p\u003e\n\u003cp\u003e           \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003cp\u003e            Soul Shadows\u003c\/p\u003e\n\u003cp\u003e            Lean on Me\u003c\/p\u003e\n\u003cp\u003e            Grandma's Hands\u003c\/p\u003e\n\u003cp\u003e            Hello Like Before\u003c\/p\u003e\n\u003cp\u003e            Who Is He (And What Is He to You)?\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"At only ten tracks, Greatest Hits is a little brief and doesn't contain much of his earliest material, but it remains a first-rate compilation of Bill Withers' prime hits, featuring \"Use Me,\" \"Ain't No Sunshine,\" \"Lean on Me,\" \"Who Is He (And What Is He to You),\" and \"Just the Two of Us.\" The latter-day Legacy compilation is a bit more thorough, but this remains a good basic overview.\" AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,49 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41075992264855,"sku":"MFSL1-445","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bill-withers-bill-withers-greatest-hits-ultra-analog-half-speed-mastering-audiosoundmusic-1.jpg?v=1719854217"},{"product_id":"bob-dylan-planet-waves-ultra-analog","title":"\u003ctranscy\u003eBob Dylan - Planet Waves (Ultra Analog, Half-speed Mastering)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eBob Dylan – guitar, piano harmonica, vocals, cover artwork\u003c\/strong\u003e\u003cstrong\u003e \u003ca title=\"vinyl featuring Bob Dylan\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-dylan\" style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/bob-dylan\"\u003e[click here to see more vinyl featuring Bob Dylan]\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Danko – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevon Helm – drums, mandolin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGarth Hudson – Hammond organ, accordion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Manuel – piano, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobbie Robertson – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKen Lauber – conga (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastering\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Asylum Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003cspan data-mce-fragment=\"1\"\u003eNovember 2, 5, 6, 8, 9 and 14, 1973 \u003c\/span\u003eat The Village Recorder, Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Rob Fraboni\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1974\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOn a Night Like This\u003c\/li\u003e\n\u003cli\u003eGoing, Going, Gone\u003c\/li\u003e\n\u003cli\u003eTough Mama\u003c\/li\u003e\n\u003cli\u003eHazel\u003c\/li\u003e\n\u003cli\u003eSomething There Is About You\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eForever Young (Continued)\u003c\/li\u003e\n\u003cli\u003eDirge\u003c\/li\u003e\n\u003cli\u003eYou Angel You\u003c\/li\u003e\n\u003cli\u003eNever Say Goodbye\u003c\/li\u003e\n\u003cli\u003eWedding Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Reteaming with the Band, Bob Dylan winds up with an album that recalls New Morning more than The Basement Tapes, since Planet Waves is given to a relaxed intimate tone -- all the more appropriate for a collection of modest songs about domestic life. As such, it may seem a little anticlimactic since it has none of the wildness of the best Dylan and Band music of the '60s -- just an approximation of the homespun rusticness. Considering that the record was knocked out in the course of three days, its unassuming nature shouldn't be a surprise, and sometimes it's as much a flaw as a virtue, since there are several cuts that float into the ether. Still, it is a virtue in places, as there are moments -- \"On a Night Like This,\" \"Something There Is About You,\" the lovely \"Forever Young\" -- where it just gels, almost making the diffuse nature of the rest of the record acceptable.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Stephen Thomas Erlewine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3,5 \/ 5 , Discogs : 3,95 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41076059635863,"sku":"MFSL1-443","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/bob-dylan-planet-waves-ultra-analog-half-speed-mastering-audiosoundmusic-1.jpg?v=1719854217"},{"product_id":"miles-davis-a-tribute-to-jack-johnson-ultra-analog","title":"\u003ctranscy\u003eMiles Davis - A Tribute to Jack Johnson (Ultra Analog, Half-speed Mastering)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eMiles Davis – trumpet \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Miles Davis\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/miles-davis\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/miles-davis\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Miles Davis]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn McLaughlin – electric guitar \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring john mclaughlin\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-mclaughlin\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/john-mclaughlin\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring John McLaughlin]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerbie Hancock – organ \u003ca title=\"vinyl featuring Herbie Hancock\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/herbie-hancock\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Herbie Hancock]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Henderson – electric bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Grossman – soprano saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Cobham – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrock Peters – narration\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited numbered edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHalf-speed Mastered\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain 2™ Ultra Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia Masterworks \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded February 18 and April 7th 1970, \u003c\/strong\u003e\u003cstrong\u003eat Columbia Recording Studios B, New York City\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Arthur Kendy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Teo Macero\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Krieg Wunderlich\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRight Off\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003eYesternow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003eIf you have never experienced this staggeringly creative moment in Miles Davis's (and producer Teo Macero's) art played loud, with absolute clarity and unfettered transient-prowess, you might have only a partial understanding of what a god-walking-the-earth Miles Davis was. I am currently obsessed with this delirious musical construction because it reminds me that in order to make art at the highest levels, one must first give oneself permission to emancipate and explore the uncharted.\" Stereophile\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Davis' promise that he could form the \"greatest rock band you ever heard.\" Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970 and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, \"Right Off,\" the band is Davis, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes. This was from the musicians' point of view, in a single take, recorded as McLaughlin began riffing in the studio while waiting for Davis; it was picked up on by Henderson and Cobham, Hancock was ushered in to jump on a Hammond organ (he was passing through the building), and Davis rushed in at 2:19 and proceeded to play one of the longest, funkiest, knottiest, and most complex solos of his career. Seldom has he cut loose like that and played in the high register with such a full sound. In the meantime, the interplay between Cobham, McLaughlin, and Henderson is out of the box, McLaughlin playing long, angular chords centering around E. This was funky, dirty rock \u0026amp; roll jazz. The groove gets nastier and nastier as the track carries on and never quits, though there are insertions by Macero of two Davis takes on Sly Stone tunes and an ambient textured section before the band comes back with the groove, fires it up again, and carries it out. On \"Yesternow,\" the case is far more complex. There are two lineups, the one mentioned above, and one that begins at about 12:55. The second lineup was Davis, McLaughlin, Jack DeJohnette, Chick Corea, Bennie Maupin, Dave Holland, and Sonny Sharrock. The first 12 minutes of the tune revolve around a single bass riff lifted from James Brown's \"Say It Loud, I'm Black and I'm Proud.\" The material that eases the first half of the tune into the second is taken from \"Shhh\/Peaceful,\" from In a Silent Way, overdubbed with the same trumpet solo that is in the ambient section of \"Right Off.\" It gets more complex as the original lineup is dubbed back in with a section from Davis' tune \"Willie Nelson,\" another part of the ambient section of \"Right Off,\" and an orchestral bit of \"The Man Nobody Saw\" at 23:52, before the voice of Jack Johnson (by actor Brock Peters) takes the piece out. The highly textured, nearly pastoral ambience at the end of the album is a fitting coda to the chilling, overall high-energy rockist stance of the album. Jack Johnson is the purest electric jazz record ever made because of the feeling of spontaneity and freedom it evokes in the listener, for the stellar and inspiring solos by McLaughlin and Davis that blur all edges between the two musics, and for the tireless perfection of the studio assemblage by Miles and producer Macero.\" \u003cspan data-mce-fragment=\"1\"\u003eAllMusic Review by Thom Jurek\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eUltra Analog™\u003c\/strong\u003e\u003cspan\u003e : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHalf-speed mastering. \u003c\/strong\u003eIn half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1\/3 rpm record is cut at 16 2\/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,64 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41081699205271,"sku":"MFSL1-440","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/miles-davis-a-tribute-to-jack-johnson-ultra-analog-half-speed-mastering-audiosoundmusic-1.jpg?v=1719854217"},{"product_id":"vanessa-fernandez-use-me","title":"\u003ctranscy\u003eVanessa Fernandez - Use Me (Edition limitée, 2LP, 45 tours, One Step)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVanessa Fernandez, vocals\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/vanessa-fernandez\" title=\"vinyl featuring Venessa Fernandez\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/vanessa-fernandez\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see vinyl featuring Venessa Fernandez]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTim Pierce, guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeland Sklar, electric bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVictor Indrizzo, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRafael Padilla, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim Cox, keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStanley Behrens, harmonica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 2,500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne-Step Plating\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Groove Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Groove Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded and Mixed at Oceanway Recording 18th, 19th, 20th, 21st and 22nd January 2014 by Michael C. Ross\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ying Tan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman \u003cspan data-mce-fragment=\"1\"\u003eat Grundman Mastering\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Just Wanna Be With You\u003c\/li\u003e\n\u003cli\u003eBe Thankful For What You Got\u003c\/li\u003e\n\u003cli\u003eDistant Lover       \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHard Times\u003c\/li\u003e\n\u003cli\u003eThat Loving Feeling\u003c\/li\u003e\n\u003cli\u003eSimply Beautiful         \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUse Me\u003c\/li\u003e\n\u003cli\u003eI Love You More Than You'll Ever Know\u003c\/li\u003e\n\u003cli\u003eCool Cat\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHere But I'm Gone\u003c\/li\u003e\n\u003cli\u003eBe Thankful For What You Got (Alternate Mix)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Tasty as is the back up band and are the outstanding acoustic arrangements, Ms. Fernandez steals the show with a voice that is as unlikely as her cover photo would have you thinking \"funky black chick\"...While the cover shot makes her look somewhat academic and perhaps reserved, trust me, there's no governor on her voice or the rawness of the emotions she pours forth. When appropriate she dials it down to a simmer as on a great cover of Al Kooper's BS\u0026amp;T classic \"More Than You'll Ever Know\". She even covers the somewhat obscure John Deacon- Freddie Mercury track \"Cool Cat\" from Queen's Hot Space album...Ms. Fernandez's performance on this slow simmer will have to convince you that she's the real deal.\"\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eMichael Fremer, analogplanet.com\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"...the all-analog pedigree is evident. The sound is smooth, dynamic and big, with massive weight and presence. I listened first to the SACD, thinking that it would be hard to improve upon, but the RTI-pressed 45rpm LPs offered even greater resolution and naturalness, neither to the detriment of everything the SACD does so well. Use Me is demo material in either format, but if your analog rig is up to digging everything out of the groove, you won't hear a better-sounding record this year or next.\"\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eMarc Mickelson, The Audio Beat\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Fernandez explodes on the scene with a captivating set of performances covering everything from Barry White to Curtis Mayfield to Al Kooper. Sounding more like she hails from Nashville or Detroit than Singapore, Fernandez easily escapes the 'female vocalist' genre - that dreaded music played at shows to make an audio system sound sweet without disclosing its weaknesses.\"\u003c\/p\u003e\n\u003cp\u003e\"Recorded with a crack group of Los Angeles studio musicians at Oceanway Recording, Use Me combines a truly outstanding set of performances with some of the best sound you could hope for. Recorded analogue to 30 ips 1\/4 inch tape and mastered by Bernie Grundman, Al Green's \"Simply Beautiful\" as sung by Fernandez creates the illusion of having the master tape at home. Jaw-dropping sound.\" - HiFi+\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne Step\u003c\/strong\u003e. Instead of utilizing the industry-standard three-step lacquer process, one-step plating uses only one step, bypassing two processes of generational loss. One-step plating skip the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass. Reducing production complexity to just a single \"convert\" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,64 \/ 5  ,  \u003cspan data-mce-fragment=\"1\"\u003eHiFi+, 10\/10 Recording, 10\/10 Music , Michael Fremer : Music 10\/11, Sound 11\/11 , The Audio Beat : 4\/5 Music, 5\/5 Sound\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41106378129559,"sku":"GRV1050-45-1S Limited Edition","price":135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/vanessa-fernandez-use-me-limited-edition-2lp-45rpm-1step-audiosoundmusic-1.jpg?v=1719854361"},{"product_id":"copy-of-vanessa-fernandez-use-me-2lp-45rpm-one-step","title":"\u003ctranscy\u003eVanessa Fernandez - Use Me (2LP, 45 tours)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eVanessa Fernandez, vocals \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/vanessa-fernandez\" title=\"vinyl featuring Venessa Fernandez\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/vanessa-fernandez\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see vinyl featuring Venessa Fernandez]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTim Pierce, guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeland Sklar, electric bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVictor Indrizzo, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRafael Padilla, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim Cox, keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStanley Behrens, harmonica\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Groove Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Groove Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded and Mixed at Oceanway Recording 18th, 19th, 20th, 21st and 22nd January 2014 by Michael C. Ross\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ying Tan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman \u003cspan data-mce-fragment=\"1\"\u003eat Grundman Mastering\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Just Wanna Be With You\u003c\/li\u003e\n\u003cli\u003eBe Thankful For What You Got\u003c\/li\u003e\n\u003cli\u003eDistant Lover       \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHard Times\u003c\/li\u003e\n\u003cli\u003eThat Loving Feeling\u003c\/li\u003e\n\u003cli\u003eSimply Beautiful         \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUse Me\u003c\/li\u003e\n\u003cli\u003eI Love You More Than You'll Ever Know\u003c\/li\u003e\n\u003cli\u003eCool Cat\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHere But I'm Gone\u003c\/li\u003e\n\u003cli\u003eBe Thankful For What You Got (Alternate Mix)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Tasty as is the back up band and are the outstanding acoustic arrangements, Ms. Fernandez steals the show with a voice that is as unlikely as her cover photo would have you thinking \"funky black chick\"...While the cover shot makes her look somewhat academic and perhaps reserved, trust me, there's no governor on her voice or the rawness of the emotions she pours forth. When appropriate she dials it down to a simmer as on a great cover of Al Kooper's BS\u0026amp;T classic \"More Than You'll Ever Know\". She even covers the somewhat obscure John Deacon- Freddie Mercury track \"Cool Cat\" from Queen's Hot Space album...Ms. Fernandez's performance on this slow simmer will have to convince you that she's the real deal.\"\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eMichael Fremer, analogplanet.com\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"...the all-analog pedigree is evident. The sound is smooth, dynamic and big, with massive weight and presence. I listened first to the SACD, thinking that it would be hard to improve upon, but the RTI-pressed 45rpm LPs offered even greater resolution and naturalness, neither to the detriment of everything the SACD does so well. Use Me is demo material in either format, but if your analog rig is up to digging everything out of the groove, you won't hear a better-sounding record this year or next.\"\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eMarc Mickelson, The Audio Beat\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Fernandez explodes on the scene with a captivating set of performances covering everything from Barry White to Curtis Mayfield to Al Kooper. Sounding more like she hails from Nashville or Detroit than Singapore, Fernandez easily escapes the 'female vocalist' genre - that dreaded music played at shows to make an audio system sound sweet without disclosing its weaknesses.\"\u003c\/p\u003e\n\u003cp\u003e\"Recorded with a crack group of Los Angeles studio musicians at Oceanway Recording, Use Me combines a truly outstanding set of performances with some of the best sound you could hope for. Recorded analogue to 30 ips 1\/4 inch tape and mastered by Bernie Grundman, Al Green's \"Simply Beautiful\" as sung by Fernandez creates the illusion of having the master tape at home. Jaw-dropping sound.\" - HiFi+\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,64 \/ 5  ,  \u003cspan data-mce-fragment=\"1\"\u003eHiFi+, 10\/10 Recording, 10\/10 Music , Michael Fremer : Music 10\/11, Sound 11\/11 , The Audio Beat : 4\/5 Music, 5\/5 Sound\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41106755911831,"sku":"GRV 150-1","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/vanessa-fernandez-use-me-2lp-45rpm-audiosoundmusic-1.jpg?v=1719854361"},{"product_id":"vanessa-fernandez-i-want-you-2lp-45rpm-one-step","title":"\u003ctranscy\u003eVanessa Fernandez - I Want You (2LP, 45 tours)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eVanessa Fernandez, vocals \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/vanessa-fernandez\" title=\"vinyl featuring Venessa Fernandez\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/vanessa-fernandez\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see vinyl featuring Venessa Fernandez]\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTim Pierce, guitars, arrangements\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAlex Al, bass\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eVictor Indrizzo, drums\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJeff Babko, keyboards\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eLuis Conte, percussion\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCharlie Bisharat, violin\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRicky Woodard, tenor saxophone, alto saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Groove Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Groove Note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at \u003cspan data-mce-fragment=\"1\"\u003eUnited Studio B \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e(former Oceanway), Hollywood by Michael C Ross\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed at Sphere in Burbank\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRight On For The Darkness\u003c\/li\u003e\n\u003cli\u003eI Want You\u003c\/li\u003e\n\u003cli\u003eHuman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEvery Time You Go Away\u003c\/li\u003e\n\u003cli\u003eHey Stranger (Album Mix)\u003c\/li\u003e\n\u003cli\u003eAngel Dust\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTripping Out\u003c\/li\u003e\n\u003cli\u003eBillie Jean\u003c\/li\u003e\n\u003cli\u003eCreep\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Will Survive!\u003c\/li\u003e\n\u003cli\u003eBack To Black\u003c\/li\u003e\n\u003cli\u003eHey Stranger (Alternate Mix)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"As he usually does, engineer Ross splits the difference between an audiophile-savvy, band-in-the-room perspective and the pop and slam of a great commercial studio recording. Mastering is Bernie Grundman. The sound picture is well-organized, and images are solid and three-dimensional, within a supertransparent soundstage. From the first center-fill drum smack on the opener, \"Right On For the Darkness\", you know you're in for an exciting, live-in-the-studio ride, captured with minimal processing and dynamic range intact. A jacket sticker says Ms. Fernandez's voice was recorded without Auto-Tune. The analog recording, on 2\" 30ips tape, produces the smooth, naturally flowing, artifact-free sound analog lovers always hope for but don't often get...\" \u003cspan\u003eMichael Fremer, Stereophile, July 2019\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\"There are few recordings you can buy today that equal the sound of Fernandez's Groove Note releases in any parameter you can think of, including deep bass, explosive dynamics, unlimited headroom, expansive soundstaging and spot-on tone color. This time out, backed by a band of top Los Angeles session players, Fernandez sings eleven covers, with something from Michael Jackson ('Billie Jean'), Amy Winehouse ('Back to Black'), Radiohead ('Creep') Curtis Mayfield ('Tripping Out'), Daryl Hall ('Every Time You Go Away') and others, all pop and soul grooves that continue her record of unique interpretations while avoiding the plodding dullness of most female vocalists on audiophile recordings. Watching Claire Denis's Let The Sunshine In recently, in which Juliette Binoche dances to Etta James's 'At Last' (and keeps the album cover on the wall in her home), I was struck by how much of James's energy Vanessa Fernandez brings to her renditions. Nobody is going to mistake the two for each other, but there's an authenticity that both share. That's high praise indeed.\"\u003cspan\u003e Dennis Davis, The Audio Beat\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4,65 \/ 5  ,  \u003cspan data-mce-fragment=\"1\"\u003eThe Audio Beat, Music 4\/5, Sound 5\/5 , Michael Fremer : 4 Stars for Performance \/ 5 Stars for Sonics\u003c\/span\u003e\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":41107114295447,"sku":"GRV 1200-1","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/vanessa-fernandez-i-want-you-2lp-45rpm-audiosoundmusic-1.jpg?v=1719854389"},{"product_id":"amy-winehouse-back-to-black-picture-disc","title":"\u003ctranscy\u003eAmy Winehouse - Back To Black (Picture Disc)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eAmy Winehouse – vocals (all tracks), Backing Vocals (A3, B1, B3, B5), Guitar (A3, A4, B3, B5),\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto Saxophone – Andy Macintosh (A1, A5-6), Chris Davies (A1, A5-6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto Saxophone, Flute, Clarinet, Piano, Celesta [Celeste] – Vincent Henry (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBaritone Saxophone – Cochemea Gastelum (tracks: B4), Dave Bishop (tracks: A1, A5, A6), Ian Hendrickson-Smith (tracks: A1, A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Amy Winehouse (A3, A4, B3, B5), Binky Griptite (A1, A2, A5, A6, B2, B4), Thomas Brenneck (A1, A2, A5, A6, B2, B4), Vincent Henry A3, B1, B3, B5), Salaam Remi (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Nick Movshon (A1, A2, A5, A6, B2, B4), Salaam Remi (A4, B1, B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello – Anthony Pleeth (A1, A5, A6), Joely Koos (A1, A5, A6), John Heley (A1, A5, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClarinet, Bass Clarinet – Vincent Henry (A4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble Bass [Upright Bass], Piano – Salaam Remi (A3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Homer Steinweiss (A1, A2, A5, A6, B2, B4), Salaam Remi (A3, B5), Troy Auxilly-Wilson (tracks: A4, B1, B5), Salaam Remi (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectric Piano [Rhodes], Organ – John Adams (A4, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinger Snaps [Snaps] – Mark Ronson (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandclaps [Claps] – Mark Ronson (A1), Vaughan Merrick (A1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarp – Helen Tunstall (A1, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeader [Orchestra] – Perry Montague-Mason (A1, A5, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan – John Adams (B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan [Wurlitzer], Handclaps [Claps] – Victor Axelrod (A1, A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Frank Ricotti (A1, A5, A6), Sam Koppelman (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Victor Axelrod (A1, A2, A5, A6, B2, B4), Salaam Remi (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone– Vincent Henry (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTambourine – Mark Ronson (A5), Troy Auxilly-Wilson (B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Jamie Talbot (A1, A5, A6), Mike Smith (A1, A6), Neal Sugarman (A1, A2, B4), Vincent Henry (A3, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone [Tenor] – Richard Edwards (A1, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Bruce Purse (A3, A4, B1, B5), Dave Guy (A1, A2, B4), Steve Sidwell (A1, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViola – Bruce White (A1, A5, A6), Jon Thorne (A1, A5, A6), Katie Wilkinson (A1, A5, A6), Rachel Bolt (A1, A5, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin – Boguslaw Kostecki (A1, A5, A6), Chris Tombling (A1, A5, A6), Liz Edwards (A1, A5, A6), Everton Nelson (A1, A5, A6), Jonathan Rees (A1, A5, A6), Mark Berrow (A1, A5, A6), Perry Montague-Mason (A1, A5, A6), Peter Hanson (A1, A5, A6), Tom Pigott-Smith (A1, A5, A6), Warren Zielinski (A1, A5, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by Amy Winehouse, Nickolas Ashford \u0026amp; Valerie Simpson (B1), Mark Ronson (A5), Paul O'Duffy  (B2), Richard Poindexter (B4), Robert Poindexter (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBand Arrangements by Gabriel Roth (A1, A2, A5, A6, B2), Mark Ronson (A1, A2, A5, A6, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor [Orchestra] – Chris Elliott (A1, A5, A6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Die-cut jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Island\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Island\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 2005–2006 at Instrument Zoo, Miami (A3-4, B1, B3, B5), Daptone, New York City (A1-2, A5-6, B2, B4), Allido, New York City (B4), Chung King New York City (A1-2, A5-6, B2), Metropolis London (A1-2, A5-6, B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Derek Pacuk (B4), Dom Morley (B4), Franklin Socorro (A3, A4, B3, B5), Gabriel Roth (B4), Mark Ronson (A1, A5, A6, B2), Matt Paul (B4), Vaughan Merrick (A1, A5, A6, B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Gary \"G Major\" Noble (A3, A4, B3, B5), Tom Elmhirst (A1, A2, A5, A6, B1, B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Stuart Hawkes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Mark Ronson (A1, A2, A5, A6, B2, B4), Salaam Remi (A3, A4, B1, B3, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 2006\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRehab\u003c\/li\u003e\n\u003cli\u003eYou Know I'm No Good\u003c\/li\u003e\n\u003cli\u003eMe \u0026amp; Mr Jones\u003c\/li\u003e\n\u003cli\u003eJust Friends\u003c\/li\u003e\n\u003cli\u003eBack To Black\u003c\/li\u003e\n\u003cli\u003eLove Is A Losing Game\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTears Dry On Their Own\u003c\/li\u003e\n\u003cli\u003eWake Up Alone\u003c\/li\u003e\n\u003cli\u003eSome Unholy War\u003c\/li\u003e\n\u003cli\u003eHe Can Only Hold Her\u003c\/li\u003e\n\u003cli\u003eAddicted\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 33\/500!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e2008 Grammy Award Winner:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBest Pop Vocal Album: Back To Black\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBest New Artist: Amy Winehouse\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eBest Female Pop Vocal Performance: \"Rehab\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRecord of the Year: \"Rehab\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSong of the Year: \"Rehab\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eProducer of the Year: Mark Ronson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e 1000 Recordings You Must Hear Before You Die - Ranked 958\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e« The story of Back to Black is one in which celebrity and the potential of commercial success threaten to ruin Amy Winehouse, since the same insouciance and playfulness that made her sound so special when she debuted could easily have been whitewashed right out of existence for this breakout record. (That fact may help to explain why fans were so scared by press allegations that Winehouse had deliberately lost weight in order to present a slimmer appearance.) Although Back to Black does see her deserting jazz and wholly embracing contemporary R\u0026amp;B, all the best parts of her musical character emerge intact, and actually, are all the better for the transformation from jazz vocalist to soul siren. With producer Salaam Remi returning from Frank, plus the welcome addition of Mark Ronson (fresh off successes producing for Christina Aguilera and Robbie Williams), Back to Black has a similar sound to Frank but much more flair and spark to it. Winehouse was inspired by girl group soul of the '60s, and fortunately Ronson and Remi are two of the most facile and organic R\u0026amp;B producers active. (They certainly know how to evoke the era too; Remi's \"Tears Dry on Their Own\" is a sparkling homage to the Motown chestnut \"Ain't No Mountain High Enough,\" and Ronson summons a host of Brill Building touchstones on his tracks.) As before, Winehouse writes all of the songs from her experiences, most of which involve the occasionally riotous and often bittersweet vagaries of love. Also in similar fashion to Frank, her eye for details and her way of relating them are delightful. She states her case against \"Rehab\" on the knockout first single with some great lines: \"They tried to make me go to rehab I won't go go go, I'd rather be at home with Ray\" (Charles, that is). As often as not, though, the songs on Back to Black are universal, songs that anyone, even Joss Stone, could take to the top of the charts, such as \"Love Is a Losing Game\" or the title song (\"We only said good bye with words, I died a hundred times\/You go back to her, and I go back to black\"). » AllMusic Review by John Bush\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4.49 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42058045292794,"sku":"3579647","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/amy-winehouse-back-to-black-picture-disc-audiosoundmusic-1.jpg?v=1719855740"},{"product_id":"james-brown-the-godfather-of-soul-live-at-chastain-park-picture-disc","title":"James Brown - The Godfather Of Soul: Live At Chastain Park (Picture Disc)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eJames Brown – vocals \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/james-brown\" title=\"vinyl featuring james brown\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/james-brown\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeaturing\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJames Brown]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaceo Parker – alto saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRon Laster – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Jones – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Lee Moore – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarry Moore – keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArthur Dickson – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Cook – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohnny Griggs – percussion, congas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSt. Clair Pinckney – tenor saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Collier – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge \"Haji Ahkba\" Dickerson – flugelhorn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMartha High – background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Sweet\" Charles Sherrell – keyboards, band director\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, transparent standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Picture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Goldenlane Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal label : Charly Groove\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded on January 1, 1985 at Chastain Memorial Park Atlanta, Georgia.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginaly released in 1988\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2021 (first time as a picture disc)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGive It Up Or Turn It A Loose\u003c\/li\u003e\n\u003cli\u003eIt's Too Funky In Here\u003c\/li\u003e\n\u003cli\u003eGet Up Offa That Thing (Release The Pressure)\u003c\/li\u003e\n\u003cli\u003eGet On The Good Foot\u003c\/li\u003e\n\u003cli\u003eI Got The Feeling\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt's A Man's Man's Man's World\u003c\/li\u003e\n\u003cli\u003eCold Sweat\u003c\/li\u003e\n\u003cli\u003ePapa's Got A Brand New Bag\u003c\/li\u003e\n\u003cli\u003eI Got You (I Feel Good)\u003c\/li\u003e\n\u003cli\u003ePlease, Please, Please\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e« Recorded at an Atlanta concert in 1985, Live at Chastain Park shows that James Brown had lost nothing even at 52 years of age. Starting with the full-force attack of \"Give It Up or Turnit a Loose,\" Brown goes into a ferocious \"Doing It to Death,\" with a sax solo by the legendary Maceo Parker. From there, the show is brutal, pure high-energy funk delivered by a top-notch outfit, seguing from a gritty \"I Can't Stand Myself (When You Touch Me)\" to a subdued, delicate cover of \"Georgia on My Mind.\" There are lovely versions of \"Try Me\" and \"It's a Man's Man's Man's World\" interspersed amidst the funk for diversity's sake, but the real treat is the closing \"Jam,\" which shows off the cohesion of the band to full advantage. The sound quality is first-rate and the song selection picks almost every one of Brown's classics (although maybe \"Sex Machine\" might have been squeezed on here). Live at Chastain Park is a classic document of James Brown's stage act and is definitely worth tracking down. » AllMusic Review by Victor W. Valdivia\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings \u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 3.88 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42058319790330,"sku":"CLO-2179","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/james-brown-the-godfather-of-soul-live-at-chastain-park-picture-disc-audiosoundmusic-1.jpg?v=1719855741"},{"product_id":"taj-mahal-recycling-the-blues-other-related-stuff","title":"\u003ctranscy\u003eTaj Mahal - Recycling The Blues \u0026 Other Related Stuff (2LP, 45 tours)\u003c\/transcy\u003e","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTaj Mahal, steel-bodied guitar, kalimba, banjo, conch, hand claps, upright bass \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring Taj Mahal\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/taj-mahal\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/taj-mahal\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Taj Mahal]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHoward Johnson, hand claps, tuba\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Pointer Sisters, background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Gatefold Jackets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 2,500 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio (C1-D1) \u0026amp; Live (A1-B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : ORG\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by David Brown, George Engfer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Taj Mahal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Bernie Grundman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1972\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eConch Intro\u003c\/li\u003e\n\u003cli\u003eKalimba\u003c\/li\u003e\n\u003cli\u003eBound To Love Me Some\u003c\/li\u003e\n\u003cli\u003eRicochet\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Free Song (Rise Up Children Shake the Devil Out Of Your Soul)\u003c\/li\u003e\n\u003cli\u003eCorinna\u003c\/li\u003e\n\u003cli\u003eConch: Close\u003c\/li\u003e\n\u003cli\u003eCakewalk Into Town\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweet Home Chicago\u003c\/li\u003e\n\u003cli\u003eTexas Woman Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGitano Negro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eTAS Super LP List! Special Merit: Informal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"...I’m convinced that someone at ORG knows how to pick Them. As a 45rpm record with four sides instead of two, Recycling contains inspired performances matched with impressive sonics on every side. The live cuts do a fine job of capturing the timbre of the instruments and the energy of a concert, especially when Taj rips into a National steel-bodied guitar solo on ‘Bound to Love Me Some’ and tears into the banjo on ‘Ricochet.’ Like all the studio cuts, the classic ‘Cakewalk into Town’ is improved, with a crisp and remarkably realistic sound. Both songs with the Pointer Sisters are a delight, and the upright bass on ‘Texas Woman Blues’ startlingly clear and sharp. At times I wish ‘Gitano Negro’ had higher recording levels, but again the timbre of the steel-bodied guitar comes through nicely. \" - Jeff Wilson, The Absolute Sound, May\/June 2012,\u003c\/p\u003e\n\u003cp\u003e\"ORG Recordings Group re-mastered 45 rpm vinyl is superior to most digital reproductions. Pressed at RTI and mastered by Bernie Grundman from the original analogue master tapes, every nuanced detail, including the rarely used kalimba is pristinely clear. The tones of the steel guitar are rich in texture. Audiophiles and Taj Mahal enthusiasts will want to add Recycling The Blues \u0026amp; Other Related Stuff to their collections.\" Robbie Gerson, Audiophile Audition\u003c\/p\u003e\n\u003cp\u003e“The title Recycling the Blues \u0026amp; Other Related Stuff certainly sums up the album quite well -- that's exactly what Taj Mahal has been doing for several years by this point. The first side features laidback in-the-studio work with some nice gospel-inflected back-up from the Pointer Sisters. The second (and preferable) side offers a good look at Mahal's stage show.” AllMusic Review by Rovi Staff\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 , Discogs : 4,01 \/ 5 , TAS : 3.5\/5 Music, 4\/5 Sonics\u003c\/p\u003e\n\u003c\/div\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42183092732154,"sku":"ORGLP0112-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/taj-mahal-recycling-the-blues-and-other-related-stuff-2lp-45rpm-audiosoundmusic-1.jpg?v=1719856873"},{"product_id":"elvis-presley-from-elvis-in-memphis-1","title":"\u003ctranscy\u003eElvis Presley - From Elvis in Memphis (2LP, 45 tours, Coffret, 1STEP, SuperVinyl)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eElvis Presley – vocals, guitar, piano on \"I'll Hold You In My Heart (Till I Can Hold You In My Arms)\" \u003ca title=\"vinyl featuring Elvis Presley\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/elvis-presley\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Elvis Presley]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlen Spreen – string and horn arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEd Kollis – harmonica on \"Power of My Love\" and \"True Love Travels on a Gravel Road\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Hughey – pedal steel guitar (on \"In the Ghetto\")\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReggie Young – lead guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Wood – piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby Emmons – Hammond organ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTommy Cogbill – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMike Leech – bass guitar, string and horn arrangements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGene Chrisman – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWayne Jackson – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDick Steff – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eR.F. Taylor – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEd Logan – trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJack Hale – trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGerald Richardson – trombone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTony Cason – French horn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe D'Gerolamo – French horn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndrew Love – saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJackie Thomas – saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlen Spreen – saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.P. Luper – saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Babcock – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDolores Edgin – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMary Greene – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharlie Hodge – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGinger Holladay – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMary Holladay – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMillie Kirkham – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRonnie Milsap – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSonja Montgomery – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJune Page – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSusan Pilkington – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSandy Posey – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDonna Thatcher – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHurschel Wiginton – backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LPs, box set\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited to 10,000 numbered copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step (UDS1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g SuperVinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : MOFI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded January–February 1969 at American Sound Studio, Memphis, Tennessee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Al Pachucki\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Felton Jarvis and Chips Moman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1969\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in September 2023\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWearin' That Loved On Look\u003c\/li\u003e\n\u003cli\u003eOnly the Strong Survive\u003c\/li\u003e\n\u003cli\u003eI'll Hold You in My Heart\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLong Black Limousine\u003c\/li\u003e\n\u003cli\u003eIt Keeps Right On A-Hurtin'\u003c\/li\u003e\n\u003cli\u003eI'm Movin' On\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePower of My Love\u003c\/li\u003e\n\u003cli\u003eGentle on My Mind\u003c\/li\u003e\n\u003cli\u003eAfter Loving You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTrue Love Travels on a Gravel Road\u003c\/li\u003e\n\u003cli\u003eAny Day Now\u003c\/li\u003e\n\u003cli\u003eIn the Ghetto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Ranked 322\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e1000 Recordings you must hear before you die - Ranked 152\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“After a 14-year absence from Memphis, Elvis Presley returned to cut what was certainly his greatest album (or, at least, a tie effort with his RCA debut LP from early 1956). The fact that From Elvis in Memphis came out as well as it did is something of a surprise, in retrospect -- Presley had a backlog of songs he genuinely liked that he wanted to record and had heard some newer soul material that also attracted him, and none of it resembled the material that he'd been cutting since his last non-soundtrack album, six years earlier. And he'd just come off of the NBC television special which, although a lot of work, had led him to the realization that he could be as exciting and vital a performer in 1969 as he'd been a dozen years before. And for what was practically the last time, the singer cut his manager, Tom Parker, out of the equation, turning himself over to producer Chips Moman. The result was one of the greatest white soul albums (and one of the greatest soul albums) ever cut, with brief but considerable forays into country, pop, and blues as well. Presley sounds rejuvenated artistically throughout the dozen cuts off the original album, and he's supported by the best playing and backup singing of his entire recording history.” AllMusic Review by Bruce Eder\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltraDisc One-Step\u003c\/strong\u003e : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a \"convert.\" Delicate \"converts\" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoFi SuperVinyl\u003c\/strong\u003e: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,36 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42239659147514,"sku":"MFSL45UD1S-017","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/elvis-presley-from-elvis-in-memphis-2lp-45rpm-box-set-1step-supervinyl-audiosoundmusic-1.jpg?v=1719857207"},{"product_id":"otis-redding-otis-blue-2lp-45rpm","title":"\u003ctranscy\u003eOtis Redding - Otis Blue (2LP, 45 tours)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eOtis Redding – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBooker T. Jones, Isaac Hayes – keyboards, piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Cropper – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDonald Dunn – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAl Jackson Jr. – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWayne Jackson, Gene \"Bowlegs\" Miller – trumpet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndrew Love – tenor saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFloyd Newman – baritone saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWilliam Bell – backing vocals (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEarl Sims – backing vocals (A2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, Tip-on gatefold jacket from Stoughton Printing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Quality Record Pressings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Volt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded April 19 and July 9–10, 1965 at Stax, Memphis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Tom Dowd\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Jim Stewart, Steve Cropper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray at Cohearent Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1965\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOle Man Trouble\u003c\/li\u003e\n\u003cli\u003eRespect\u003c\/li\u003e\n\u003cli\u003eChange Gonna Come\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDown In The Valley\u003c\/li\u003e\n\u003cli\u003eI've Been Loving You Too Long\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShake\u003c\/li\u003e\n\u003cli\u003eMy Girl\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRock Me Baby\u003c\/li\u003e\n\u003cli\u003eSatisfaction\u003c\/li\u003e\n\u003cli\u003eYou Don't Miss Your Water\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone 500 Greatest Albums of All Time - Rated 178\/500\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Otis Redding's third album, and his first fully realized album, presents his talent unfettered, his direction clear, and his confidence emboldened, with fully half the songs representing a reach that extended his musical grasp. More than a quarter of this album is given over to Redding's versions of songs by Sam Cooke, his idol, who had died the previous December, and all three are worth owning and hearing. Two of them, \"A Change Is Gonna Come\" and \"Shake,\" are every bit as essential as any soul recordings ever made, and while they (and much of this album) have reappeared on several anthologies, it's useful to hear the songs from those sessions juxtaposed with each other, and with \"Wonderful World,\" which is seldom compiled elsewhere. Also featured are Redding's spellbinding renditions of \"(I Can't Get No) Satisfaction\" (a song epitomizing the fully formed Stax\/Volt sound and which Mick Jagger and Keith Richards originally wrote in tribute to and imitation of Redding's style), \"My Girl,\" and \"You Don't Miss Your Water.\" \"Respect\" and \"I've Been Loving You Too Long,\" two originals that were to loom large in his career, are here as well; the former became vastly popular in the hands of Aretha Franklin and the latter was an instant soul classic. Among the seldom-cited jewels here is a rendition of B.B. King's \"Rock Me Baby\" that has the singer sharing the spotlight with Steve Cropper, his playing alternately elegant and fiery, with Wayne Jackson and Gene \"Bowlegs\" Miller's trumpets and Andrew Love's and Floyd Newman's saxes providing the backing. Redding's powerful, remarkable singing throughout makes Otis Blue gritty, rich, and achingly alive, and an essential listening experience.” AllMusic Review by Bruce Eder\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,6 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42291072598266,"sku":"AAPP095-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/otis-redding-otis-blue-2lp-45rpm-audiosoundmusic-1.jpg?v=1766251036"},{"product_id":"robert-cray-strong-persuader","title":"\u003ctranscy\u003eRobert Cray - Strong Persuader\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cstrong\u003eRobert Cray - vocals, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Cousins - bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePeter Boe - keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDavid Olson - drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : QRP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Mercury\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at\u003c\/strong\u003e \u003cstrong\u003eSage \u0026amp; Sound and Haywood's in Los Angeles\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered and mixed by Bill Dashiell (A5, B3 to B5), Jeff Hendrickson (A1 to A4, B1, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Bruce Bromberg, Dennis Walker\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide 1\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSmoking Gun\u003c\/li\u003e\n\u003cli\u003eI Guess I Showed Her\u003c\/li\u003e\n\u003cli\u003eRight Next Door (Because Of Me)\u003c\/li\u003e\n\u003cli\u003eNothin' But A Woman\u003c\/li\u003e\n\u003cli\u003eStill Around\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide 2\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMore Than I Can Stand\u003c\/li\u003e\n\u003cli\u003eFoul Play\u003c\/li\u003e\n\u003cli\u003eI Wonder\u003c\/li\u003e\n\u003cli\u003eFantasized\u003c\/li\u003e\n\u003cli\u003eNew Blood\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“The set that made Cray a pop star, despite its enduring blues base. Cray's smoldering stance on \"Smoking Gun\" and \"Right Next Door\" rendered him the first sex symbol to emerge from the blues field in decades, but it was his innovative expansion of the genre itself that makes this album a genuine 1980s classic. \"Nothing but a Woman\" boasts an irresistible groove pushed by the Memphis Horns and some metaphorically inspired lyrics, while \"I Wonder\" and \"Guess I Showed Her\" sizzle with sensuality.” AllMusic Review by Bill Dahl\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,06 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42291121062138,"sku":"AAPB051","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/robert-cray-strong-persuader-audiosoundmusic-1.jpg?v=1719857626"},{"product_id":"sam-cooke-the-best-of-sam-cooke-2lp-45rpm","title":"\u003ctranscy\u003eSam Cooke - The Best Of Sam Cooke (2LP, 45 tours)\u003c\/transcy\u003e","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSam Cooke - Vocals\u003ca title=\"vinyl featuring Sam Cooke\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/sam-cooke\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e [click here to see more vinyl featuring Sam Cooke]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : QRP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Analogue Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA Victor \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Hugo \u0026amp; Luigi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Kevin Gray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1962\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Send Me\u003c\/li\u003e\n\u003cli\u003eOnly Sixteen\u003c\/li\u003e\n\u003cli\u003eEverybody Loves To Cha Cha Cha\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e(I Love You) For Sentimental Reasons\u003c\/li\u003e\n\u003cli\u003e(What A) Wonderful World\u003c\/li\u003e\n\u003cli\u003eSummertime\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide C:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChain Gang\u003c\/li\u003e\n\u003cli\u003eCupid\u003c\/li\u003e\n\u003cli\u003eTwistin' The Night Away\u003c\/li\u003e\n\u003cli\u003eSad Mood\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide D:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHaving A Party\u003c\/li\u003e\n\u003cli\u003eBring It On Home To Me\u003c\/li\u003e\n\u003cli\u003eAnother Saturday Night (Alternate Take)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRolling Stone magazine's 100 Greatest Singers Of All Time – Ranked No. 4\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\"...He had an incomparable voice. Sam Cooke could sing anything and make it work. But when you're talking about his strength as a singer, range is not relevant. It was his power to deliver — it was about his phrasing, the totality of his singing,\" Van Morrison, Rolling Stone magazine\u003c\/p\u003e\n\u003cp\u003e“Originally released in August 1962 under the title The Best of Sam Cooke, Volume 1 [RCA 2625], this album was reissued in 1965 as The Best of Sam Cooke [RCA 3466, later RCA 3863]. An above-average greatest hits collection, although no sampler could fully convey Sam Cooke's genius.” AllMusic Review by Ron Wynn\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3,5 \/ 5 , Discogs : 4,5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42293530198266,"sku":"AAPP 2625-45","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/sam-cooke-the-best-of-sam-cooke-2lp-45rpm-audiosoundmusic-1.jpg?v=1719857636"},{"product_id":"paul-revere-and-the-raiders-just-like-us","title":"\u003ctranscy\u003ePaul Revere and The Raiders - Just Like Us (Vinyle blanc)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Revere – keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMark Lindsay – vocals, saxophone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrake Levin – guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhilip \"Fang\" Volk – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMike \"Smitty\" Smith – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : RTI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Columbia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1965\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Terry Melcher\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1967\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSteppin’ Out\u003c\/li\u003e\n\u003cli\u003eDoggone\u003c\/li\u003e\n\u003cli\u003eOut Of Sight\u003c\/li\u003e\n\u003cli\u003eBaby, Please Don’t Go\u003c\/li\u003e\n\u003cli\u003eI Know\u003c\/li\u003e\n\u003cli\u003eNight Train\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJust Like Me\u003c\/li\u003e\n\u003cli\u003eCatch The Wind\u003c\/li\u003e\n\u003cli\u003eI Can’t Get No Satisfaction\u003c\/li\u003e\n\u003cli\u003eI’m Cryin’\u003c\/li\u003e\n\u003cli\u003eNew Orleans\u003c\/li\u003e\n\u003cli\u003eAction\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Although Just Like Us! was Paul Revere \u0026amp; the Raiders' fourth album overall, it marked a number of firsts. It was their first album to appear since they had become TV stars (and therefore AM radio staples and teenage magazine heartthrobs, especially Mark Lindsay) as a result of Where the Action Is; it was their first album to be produced entirely by Terry Melcher, a powerful influence and significant contributor to their sound; it was their first Top Ten album and their first to go gold. Actually, it's only a gradual development from their previous album, the half-live (in the studio) Here They Come! The group still had a tough R\u0026amp;B edge and still favored R\u0026amp;B covers like \"Night Train,\" \"Doggone,\" and, by way of England, \"(I Can't Get No) Satisfaction\" and \"I'm Crying.\" (Melcher was already steering a stylistic course for the Raiders between the Rolling Stones and the Animals.) Even the two hit singles, \"Steppin' Out\" and \"Just Like Me,\" were intense, bluesy rockers. Unlike later albums, Just Like Us! highlighted the whole band -- guitarist Drake Levin, bassist Phil \"Fang\" Volk, and drummer Mike Smith each took turns on lead vocals. (That would change as Lindsay's profile rose in the band.) Each was competent and entertaining, but Just Like Us! was still an album by a group feeling its way from the dancehall circuit to the different and more creative demands of mass popularity.” AllMusic Review by William Ruhlmann\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 3,88 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42341954715898,"sku":"FRM-9451","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/paul-revere-and-the-raiders-just-like-us-white-vinyl-audiosoundmusic-1.jpg?v=1719857903"},{"product_id":"percy-sledge-best-of-percy-sledge","title":"Percy Sledge - Best Of Percy Sledge","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Marlin Greene, Quin Ivy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso, Ron McMaster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1969\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2012\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhen A Man Loves A Woman\u003c\/li\u003e\n\u003cli\u003eOut Of Left Field\u003c\/li\u003e\n\u003cli\u003eTake Time To Know Her\u003c\/li\u003e\n\u003cli\u003eWarm And Tender Love\u003c\/li\u003e\n\u003cli\u003eJust Out Of Reach (Of My Two Empty Arms)\u003c\/li\u003e\n\u003cli\u003eThe Dark End Of The Street\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCover Me\u003c\/li\u003e\n\u003cli\u003eSudden Stop\u003c\/li\u003e\n\u003cli\u003eBaby Help Me\u003c\/li\u003e\n\u003cli\u003eIt Tears Me Up\u003c\/li\u003e\n\u003cli\u003eMy Special Prayer\u003c\/li\u003e\n\u003cli\u003eYou're All Around Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“This nice, 12-song budget reissue of Percy's vinyl album for Atlantic features the hits \"When a Man Loves a Woman,\" \"Take Time to Know Her,\" and \"It Tears Me Up,\" along with interesting covers like \"The Dark End of the Street\" and \"Just Out of Reach.\" If you're only going to buy one Percy Sledge best-of package, this is it.” AllMusic Review by Cub Koda\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 3,92 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42344570749178,"sku":"FRM 8210","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/percy-sledge-best-of-percy-sledge-audiosoundmusic-1.jpg?v=1719857912"},{"product_id":"the-best-of-booker-t-and-the-mgs","title":"The Best Of Booker T. And The MG's","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBooker T. Jones – organ, piano, keyboards, guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve Cropper – guitars\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAl Jackson Jr. – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLewie Steinberg – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDonald \"Duck\" Dunn – bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Rainbo Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel :  Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Atlantic Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Joe Reagoso \u0026amp; Kevin Gray\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHip Hug-Her [1967]\u003c\/li\u003e\n\u003cli\u003eSlim Jenkins’ Place [1967]\u003c\/li\u003e\n\u003cli\u003eGreen Onions [1962]\u003c\/li\u003e\n\u003cli\u003eSoul Dressing [1964]\u003c\/li\u003e\n\u003cli\u003eJelly Bread [1963]\u003c\/li\u003e\n\u003cli\u003eGroovin’ [1967]\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMo’ Onions [1963]\u003c\/li\u003e\n\u003cli\u003eSummertime [1967]\u003c\/li\u003e\n\u003cli\u003eBoot-leg [1965]\u003c\/li\u003e\n\u003cli\u003eCan’t Be Still [1964]\u003c\/li\u003e\n\u003cli\u003e Tic-Tac-Toe [1963]\u003c\/li\u003e\n\u003cli\u003eRed, Beans And Rice [1967]\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“The Stax Records catalog ended up partially in the hands of Atlantic Records and partially with Fantasy Records, and the dividing point is 1968. That's why there are two Booker T. \u0026amp; the MG's hits compilations. This one, The Best Of..., presents the material owned by Atlantic. There are 12 tracks, covering the group's popular instrumental hits from \"Green Onions\" in the summer of 1962 to \"Groovin'\" in the summer of 1967. Booker T. and the MG's scored some of their biggest hits, including \"Hang 'em High\" and \"Time Is Tight,\" in 1968-1969, and for those you will have to look to the Stax\/Fantasy Greatest Hits, originally released in October 1970. Just to be confusing, in 1991 Fantasy released an album called The Best Of that again contains only the later material. (Rhino's Very Best Of finally combined the two eras.)” AllMusic Review by William Ruhlmann\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 , Discogs : 4,27 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42348996100346,"sku":"FRM 8202","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/the-best-of-booker-t-and-the-mg-s-audiosoundmusic-1.jpg?v=1719857945"},{"product_id":"esther-phillips-from-a-whisper-to-a-scream","title":"Esther Phillips - From A Whisper To A Scream","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eEsther Phillips - vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – Barbara Massey, Hilda Harris, Joshie Armstead, Louis St. Louis, Tasha Thomas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto Saxophone – Hank Crawford\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBaritone Saxophone – David Liebman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Gordon Edwards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCello – Alan Shulman, Charles McCracken\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Bernard Purdie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlugelhorn – John Eckert, John Gatchell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlute – David Liebman, Frank Vicari\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar – Cornell Dupree, Eric Gale\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarp – Margaret Ross\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrgan – Richard Tee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Airto Moreira\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Richard Tee\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTenor Saxophone – Frank Vicari\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrombone – Dick Griffin, Sam Burtis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – John Eckert, John Gatchell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViola – Harold Coletta, Harry Zaratzian\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin – Alvin Rogers, Charles Libove, Guy Lumia, Jack Zayde, Leo Kahn, Max Hollander, Max Pollikoff, Michael Comins, Paul Winter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Pee Wee Ellis, Jack Wilson (A5, B3, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrings arranged by Don Sebesky (A1, A2, A3, A4, B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConductor – Pee Wee Ellis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Kudu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded December 1971 at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Rudy Van Gelder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Creed Taylor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1971\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHome Is Where the Hatred Is\u003c\/li\u003e\n\u003cli\u003eFrom A Whisper To A Scream\u003c\/li\u003e\n\u003cli\u003eTo Lay Down Beside You\u003c\/li\u003e\n\u003cli\u003eThat's All Right With Me\u003c\/li\u003e\n\u003cli\u003e'Til My Back Ain't Got No Bone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweet Touch of Love\u003c\/li\u003e\n\u003cli\u003eBaby, I'm For Real\u003c\/li\u003e\n\u003cli\u003eYour Love Is So Doggone good\u003c\/li\u003e\n\u003cli\u003eScarred Knees\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Esther Phillips is one of the best – and, sadly, least remembered – Rhythm and Blues singers of the 20thCentury. Discovered by Johnny Otis, she was twice nominated for the Rock and Roll Hall of Fame, and received four Grammy nominations. This comeback record of 1972 accounted for one of those nominations. Like Philips, the CTI sister label Kudu is little remembered today. Kudu released 39 soul jazz albums in the 1970’s and seven of those were from Phillips\u003c\/p\u003e\n\u003cp\u003eJoined by an excellent backing band from the Creed Taylor CTI stable, Phillips turns in a sizzling performance of songs celebrating her scars from love and drugs. Phillips died at the age of 48 from her liver and kidney failure resulting from drug use, and some of the song lyrics here express the painful ravages of drugs. That tight jazz\/blues band, along with a dozen strings, and a half dozen backing singers, in absolutely no way interferes with her ability to pull the last ounce of meaning from a ballad. Recorded at Rudy Vabn Gelder’s studio, the excellent sound is enhanced by Ray Staff’s mastering and the whisper quiet vinyl surfaces.\u003c\/p\u003e\n\u003cp\u003eAnother winner from Pure Pleasure, and one that belongs in any R\u0026amp;B lover’s collection.” Dennis Davis, Hi-Fi+, April 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“One of Esther Phillips finest '70s releases, From a Whisper to a Scream is the first of seven albums the singer recorded for CTI offshoot Kudu. Arranged and conducted by Pee Wee Ellis, the December 1971 session also involved principal players such as bassist Gordon Edwards, drummer Bernard Purdie, percussionist Airto, guitarists Cornell Dupree and Eric Gale, keyboardist Richard Tee, and saxophonists Hank Crawford and David Liebman. Setting the tone for Phillips' Kudu era, Whisper offers a series of spacious, yet fully arranged ballads of burning heartache, along with a handful of relatively funky numbers that do nothing to compromise her talent, dishing out loads of classy grit. It's a definite point of departure from the likes of Esther Phillips Sings and And I Love Him, her field of contemporaries closer to Al Green and Aretha Franklin than before. She grabs onto \"Home Is Where the Hatred Is,\" Gil Scott-Heron's most harrowing rumination on drug dependency -- which, at that point, wasn't even a year old -- as if it were her very own, and it's all the more poignant given its parallels with her own life. (Its meaning was only compounded by her death in 1984.) Though there is absolutely nothing lacking in the album's more energetic moments, it's still the ballads that shine brightest, like the alternately fragile and explosive \"From a Whisper to a Scream\" (Allen Toussaint) and a staggering \"Baby, I'm for Real\" (Marvin and Anna Gordy, made popular by the Originals) so vulnerable yet commanding that it really should've closed the album.” AllMusic Review by Andy Kellman\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 ; Discogs : 4.5 \/ 5 , Hi-Fi+ : Music 9\/10, Recording 8\/10\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42375230882042,"sku":"KU05","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/esther-phillips-from-a-whisper-to-a-scream-audiosoundmusic-1.jpg?v=1719858089"},{"product_id":"george-benson-give-me-the-night","title":"George Benson - Give Me The Night","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals – George Benson - vocals (A1, A3, A4, B3-6), guitar (A1 to B1, B4-6) \u003ca title=\"Vinyl featuring George Benson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-benson\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring George Benson]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals - Patti Austin (A3, B3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Diva Gray (A1, A4, B4), Jim Gilstrap (A1, A4, B4), Jocelyn Allen (A1, A4, B4), Patti Austin (A1, A4, B2, B4, B6), Tom Bahler (tracks: A1, A4, B4, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerbie Hancock - Electric Piano (A4, B4), Keyboards [Fender Rhodes] (B3-4) \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/herbie-hancock\" title=\"vinyl featuring Herbie Hancock\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see more vinyl featuring Herbie Hancock]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuitar –  Lee Ritenour (A2, A4, B1, B4-5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Abraham Laboriel (A1, A3 to B1, B3-4), Louis Johnson (A1-2, B2, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums – Carlos Vega (B3, B5), John Robinson (A1 to B2, B4, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards – Greg Phillinganes (A1-3, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePercussion – Paulinho Da Costa (A1-2, A4, B1-4, B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaxophone, Flute – Kim Hutchcroft (A1-2, A4, B1-2, B5), Larry Williams (A1-2, A4, B1-2, B5) \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSynthesizer – Greg Phillinganes (A2-3), Herbie Hancock (B2-5), Michael Boddicker (A4, B1, B4), Richard Tee (B4-6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrumpet – Jerry Hey (A1-2, A4, B1-2, B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Brothers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded in 1980 at Cherokee Recording Studios, Hollywood \u0026amp; Kendun Recorders, Burbank, California\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u0026amp; Mixed by Bruce Swedien\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Quincy Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1980\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLove X Love\u003c\/li\u003e\n\u003cli\u003eOff Broadway\u003c\/li\u003e\n\u003cli\u003eMoody's Mood\u003c\/li\u003e\n\u003cli\u003eGive Me the Night\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhat's On Your Mind\u003c\/li\u003e\n\u003cli\u003eDinorah, Dinorah\u003c\/li\u003e\n\u003cli\u003eLove Dance\u003c\/li\u003e\n\u003cli\u003eStar of A Story (X)\u003c\/li\u003e\n\u003cli\u003eMidnight Love Affair\u003c\/li\u003e\n\u003cli\u003eTurn Out the Lamplight\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Growing up in Pittsburgh, Pennsylvania, George Benson quickly became a guitar prodigy. He was renowned for his rest-stroke picking technique, popularized by gypsy players, including Django Reinhardt. Benson’s musical ascent started as a sideman with Jack McDuff. There he developed his style of soulful jazz. He signed with Creed Taylor’s label CTI Records, and played on sessions with Freddie Hubbard and Stanley Turrentine. Additionally, he became a solo artist and drew attention for his Beatles tribute, The Other Side Of Abbey Road.\u003c\/p\u003e\n\u003cp\u003eHis career trajectory changed dramatically when he signed with Warner Brothers. The 1976 album, Breezin’, earned Benson his first Grammy awards including Best Pop Instrumental Performance and Record Of The Year (a sparkling rendition of Leon Russell’s “Masquerade”). His musical expansion was just beginning. And in 1980, Benson became a bona fide star on the Quincy Jones produced, Give Me The Night. With lavish production standards and all-star ensemble, the album hit Number 1 on both the Soul and Jazz Charts, and peaked at Number 3 on the Billboard Pop Album chart. Benson garnered three Grammys for Give Me The Night. To date, he has received ten.\u003c\/p\u003e\n\u003cp\u003ePure Pleasure Records has released a 180-gram re-mastering of Give Me The Night. The vinyl format defines the swirling textures of the sumptuous Quincy Jones production (similar to Michael Jackson’s Off The Wall). There are numerous players on every track. Side 1 opens with one of the album’s singles, “Love X Love”. Like many of the songs, it was written by Rod Temperton and reflects the fluid, rhythmic influence of the disco era. Layered instrumentals and vocals envelop Benson’s soulful voice. The backup vocals are arranged with a hint of gospel infection. Benson’s trademark guitar can be heard in this pop r\u0026amp;b confection. Shifting gears (but not that much) is an instrumental “Off Broadway”. Benson is joined by guitarist Lee Ritenour as the funk groove (with horn accents) continues with some jazzy chord changes. There are spirited guitar riffs and a dose of scat. Keeping his jazz roots intact, Benson takes on the James Moody\/Eddie Jefferson 1949 classic, “Moody’s Mood”. He pushes the boundaries of vocal phrasing with gauged ferocity and accelerated timing. Patti Austin excels on her part of the vocals. The last cut is the infectious title cut. This exemplifies the meticulous dynamics that elevates pop material. With a big sound, it complements Benson’s accessible vocals. The song has a strong chorus and bridge, with a flawless vocal\/percussion\/guitar tempo break. It easily stands the test of time.\u003c\/p\u003e\n\u003cp\u003eAs much as Jones’ multi-layered production enhanced Side 1, the chemistry is less effective on Side 2. All of the elements (Benson’s dulcet vocals, layered keyboards and backup singing) are present, but at times overwhelm the proceedings. Ballads like “What’s On Your Mind” and “Star Of A Story (X)” (despite a melodic string arrangement conducted by Marty Paich) are moving, though lacking in prominence. However, “Love Dance” (with pristine acoustic guitar by Ritenour) is a moody jazz ballad that works. Also, “Dinorah, Dinorah” benefits from a latin-infused arrangement with cinematic string flourishes and scat. Most of the intricate production on Give Me The Night works. The funky nuances on “Midnight Love Affair” are augmented by groove-filled bass, synthesizer and catchy vocal chorus hook. While it is clear that Benson’s voice is being showcased, his inimitable guitar lines are also present.\u003c\/p\u003e\n\u003cp\u003ePure Pleasure has done a superior job on this hi-res vinyl. All of the instrumental tonality is full of warmth and exactitude. Benson’s voice is gossamer-like. The complex musical landscape still has a state-of-the-art crispness. The high-gloss gatefold packaging and protected album sleeve are top-notch.” John Sunier, Audiophile Audition, February 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Is it really 35 years since this stunning, Quincy Jones-produced release first appeared? Virtuoso jazz guitarist, Benson forged a mainstream soul\/pop solo career with polished efforts like this, he post-rock era equivalent of the lounge balladry that, 25 years earlier, would have been Sinatra’s turf. The big difference, and the only aspect that dates it, is the use of a disco beat – de rigueur of the times. To remind those of you above a certain age and inform those of you below, this reached No l in the Soul and Jazz albums charts, and made No 3 in Billboard’s Pop Albums Charts, while the title track was a No l soul single\". Slick? Believe it.” Ken Kessler, HiFi News, May 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“This is the peak of George Benson's courtship of the mass market -- a superbly crafted and performed pop album with a large supporting cast -- and wouldn't you know that Quincy Jones, the master catalyst, is the producer. Q's regular team, including the prolific songwriter Rod Temperton and the brilliant engineer Bruce Swedien, is in control, and Benson's voice, caught beautifully in the rich, floating sound, had never before been put to such versatile use. On \"Moody's Mood,\" Benson really exercises his vocalese chops and proves that he is technically as fluid as just about any jazz vocalist, and he become a credible rival to Al Jarreau on the joyous title track. Benson's guitar now plays a subsidiary role -- only two of the ten tracks are instrumentals -- but Q has him play terrific fills behind the vocals and in the gaps, and the engineering gives his tone a variety of striking, new, full-sounding timbres. The instrumentals themselves are marvelous: \"Off Broadway\" is driving and danceable, and Ivan Lins' \"Dinorah, Dinorah\" grows increasingly seductive with each play. Benson should have worked with Jones from this point on, but this would be their only album together.” AllMusic Review by Richard S. Ginell\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 5 \/ 5 ; Discogs : 4.7 \/ 5 ; HiFi News : Sound Quality 89%\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42393330319610,"sku":"PPAN HS3453","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/george-benson-give-me-the-night-audiosoundmusic-1.jpg?v=1719858171"},{"product_id":"george-benson-in-flight","title":"George Benson ‎– In Flight","description":"\u003ch2\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge Benson - lead guitar \u0026amp; vocals \u003ca data-mce-fragment=\"1\" title=\"Vinyl featuring George Benson\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/george-benson\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring George Benson]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStanley Banks - bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJorge Dalto - clavinet \u0026amp; acoustic piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarvey Mason - drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRonnie Foster - electric piano, synthesizer (mini-moog)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRalph MacDonald - percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhil Upchurch - rhythm guitar and bass (B2-3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Brothers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u0026amp; mixed August-November 1976 at Capitol Studios, Hollywood by Al Schmitt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Tommy Lipuma\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in February 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2016\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNature Boy\u003c\/li\u003e\n\u003cli\u003eThe Wind and I (aka Hot Stuff)\u003c\/li\u003e\n\u003cli\u003eThe World Is A Ghetto\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGonna Love You More\u003c\/li\u003e\n\u003cli\u003eValdez In The Country\u003c\/li\u003e\n\u003cli\u003eEverything Must Change\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“If I had a soundtrack to my (rather embarrassing) 70s-era disco dancing days, then Mr Benson would feature heavily. Give Me The Night (produced by Quincy Jones), just one of several hits issue around this period, introduced this supreme jazz guitarist to the larger, more commercial stage.\u003c\/p\u003e\n\u003cp\u003eAnd he was just that, one of the best jazz guitarists that there has ever been with an impressive flexibility and adaptability that saw him succeed in straight ahead jazz, the smooth variety of the same, R\u0026amp;B and more. There has rarely been a jazz guitarist who could construct and delivery a guitar solo as Benson could while his rhythm guitar play was supreme.\u003c\/p\u003e\n\u003cp\u003eIt’s odd that it was not so much his guitar playing that broke him onto the wide stage but his voice. The Benson voice was smooth and easy and soulful which was immensely appealing to the general public at the time.\u003c\/p\u003e\n\u003cp\u003eDiscovered by John Hammond and appearing on albums from luminaries such as Miles Davis, it wasn’t until he passed through the A\u0026amp;M and CTi labels and landed on Warner Bros that he developed his new style in full with 1976’s Breezin’.\u003c\/p\u003e\n\u003cp\u003eThis rather funky album with orchestral insights appeared just a year later and featured Benson singing on four of the six included tracks giving a smooth soul performance on songs such as Nature Boy (Benson’s version has a smooth, swinging groove that resembles Stevie Wonder in its style of delivery) and The World Is a Ghetto (complex guitar constructions are to the fore complete with impassioned singing and Benson’s own signature scatting). The two instrumental tracks, including Valdez in the Country, showed the Benson brilliance on guitar.\u003c\/p\u003e\n\u003cp\u003eAn attractive album and an important step along the way to Benson becoming a fully fledged charting pop star.” The Audiophile Man, March 2017\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“In the wake of \"This Masquerade,\" the balance of power shifted for the first time toward George Benson's suddenly marketable voice; four of the six tracks on In Flight are vocals. By this time, Benson was tailoring his tenor toward soulful pitch-bending à la Stevie Wonder on tunes as diverse as \"Nature Boy\" and \"The World Is a Ghetto,\" and the unison scatting with the guitar that caught fire with the public on Masquerade is now pulled out whenever possible. Benson's backing band from Breezin', still set in its funk mode, is intact, and Claus Ogerman again contributes gentle orchestral cushions. The two instrumentals, particularly Donny Hathaway's \"Valdez in the Country,\" prove that Benson remained a brilliantly inventive melodist on guitar, in full possession of his powers. Yet there is every indication here that Benson was set upon becoming primarily a pop star.” AllMusic Review by Richard S. 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With her release of Changes , veteran singer Carmen Lundy proves that this premise does not apply to her, rising to that proverbial summit to enjoy the rarefied air of the chosen few.\u003c\/p\u003e\n\u003cp\u003eGraced and gifted with a smooth, effortless voice, Lundy has been highly heralded since her landmark 2005 record, Live at the Madrid (Afrasia). Though she has done other records since, she is back with a supple encore of original compositions and novel directions. She states that she approached these songs with the guitar in mind and, accordingly, brought in premier guitarist Oscar Castro-Neves for his expertise in dealing with subtle, nuanced rhythms. Though he lays back on much of the recording, on \"Sleeping Alone\" he begins with his soft guitar sketching a distant samba. Lundy delivers the swaying tempo as only she can. They combine for another guitar\/vocal duet on \"Where Love Surrounds Us,\" where the acoustic arrangement is sublime.\u003c\/p\u003e\n\u003cp\u003eThere is a definite retro feel to this production, which hails back to a period of authentic recording methods when musicians took their time in composing, arranging and rehearsing. Pianist Anthony Wonsey plays a vintage Fender Rhodes on \"So Beautiful\" and \"Too Late For Love,\" which features trumpet man Nolan Shaheed playing off of the vocals. The band is fully in tune under Lundy's spell and the result is stupendous.\u003c\/p\u003e\n\u003cp\u003eLundy attests that she is taking chances and making changes in her approach to songwriting and performing, and there is an underlying percussive element drifting throughout the selections. With a caressing style that blends intention with improvisation, Changes is that personal record she had within her. She has let it out for the world to hear.” James Nadal, All About Jazz, April 2012\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eDiscogs : 4.87 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42405247910138,"sku":"PPAN AFP13712","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/carmen-lundy-changes-audiosoundmusic-1.jpg?v=1719858228"},{"product_id":"randy-crawford-raw-silk","title":"Randy Crawford – Raw Silk","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRandy Crawford, vocals\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon Grusin, piano, electric piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreg Poree, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbraham Laboriel, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJames Gadson, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeon Pendarvis, piano, electric piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Tropea, guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWill Lee, bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRick Marotta, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJoe Prcaro, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWilliam D Smith, clavinet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhyllis St. James, background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Pure Pleasure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Stephan Goldman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in March 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Stand Accused\u003c\/li\u003e\n\u003cli\u003eDeclaration Of Love\u003c\/li\u003e\n\u003cli\u003eSomeone To Believe In\u003c\/li\u003e\n\u003cli\u003eEndlessly\u003c\/li\u003e\n\u003cli\u003eLove Is Like A Newborn Child\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhere There Was Darkness\u003c\/li\u003e\n\u003cli\u003eNobody\u003c\/li\u003e\n\u003cli\u003eI Hope You'll Be Very Unhappy Without Me\u003c\/li\u003e\n\u003cli\u003eI Got Myself A Happy Song\u003c\/li\u003e\n\u003cli\u003eJust To Keep You Satisfied\u003c\/li\u003e\n\u003cli\u003eBlue Mood\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Veronica “Randy” Crawford hails from Macon, Georgia. An American jazz\/r \u0026amp; b singer, she achieved greater success in Europe than in the U.S. In the mid-seventies, it appeared that she would be a solid part of the American jazz scene, performing with George Benson and Cannonball Adderly. Crawford sang on Yes guitarist Steve Howe’s solo effort, Please Don’t Touch in 1978. The following year, her collaboration with The Crusaders on “Street Life” did respectably on U.S. Pop and R \u0026amp; B charts, but much better in England. Initially signed by Columbia, Crawford’s musical legacy and solo career were defined by her ten albums with Warner Brothers.  Although, there was some acknowledgment on the U.S. Jazz charts, a breakthrough never materialized. She continued to release solo albums, and has sung with Joe Sample, Bootsy Collins, Quincy Jones and Al Jarreau.\u003c\/p\u003e\n\u003cp\u003ePure Pleasure Records has re-mastered Crawford’s third Warner Bros. release Raw Silk (1979). The album consists of lush, studio arrangements that surround Crawford’s prominent voice. The opening track, “I Stand Accused” (previously recorded by Isaac Hayes with a patented “long version”) is unadulterated, heartfelt soul. With era-representative atmospheric electric piano (Don Grusin), the band performs hooks and modulations as Crawford wails about love. She can crank it up with the best of them. On “Declaration Of Love”, there is a subtle Allen Toussiant horn chart that complements the fluid sound. Regardless of studio polish, this is a voice that cannot be restrained. “Someone To Believe In” is a universal ballad of romantic yearning (“…someone to come home to after a weary day…”). There is a lyrical string accompaniment (Ian Freebairn-Smith), not at all unusual for this time period. Crawford is capable of turning up the heat at anytime. With funkiness and a clavinet groove (William D. Smith), “Endlessly” churns out hypnotic rhythms and Crawford responds with intensity. On a different, jazzy note, “Love Is Like A Newborn Child” starts with a piano\/voice duet. The vocals are belted out like a gospel show tune.\u003c\/p\u003e\n\u003cp\u003eCrawford utilizes a variety of songwriters on Raw Silk. Side2 begins with a soul\/pop cover of Ashford and Simpson’s “Where There Was Darkness”. Backup vocals (Phyllis St. James) and stings underscore the smooth tempos. A pleasant surprising choice is Bert Williams’ 1905 doleful “Nobody”. The arrangement is scaled back to capture the bluesy vocal phrasing. Bill LaBounty’s clever take on breaking up, “I Hope You’ll Be Very Unhappy Without Me” returns to the finger-snapping grooves and hooks that dominate the album. The vocals are still forceful. An original composition, “I Got Myself A Happy Song” is tougher (Toussaint horns) up tempo material that livens the band. But it’s the tender strains of the Marvin Gaye classic, “Just To Keep You Satisfied” that unites the powerful voice with the most textured (strings and woodwinds) acoustics. Crawford has an emotional, spiritual voice and the finale, “Blue Mood,” captures this. Her pure gospel vibrancy is on display. With a nimble piano intro (Leon Pendarvis), the flow of this number is exceptional. Additionally the band turns in a cohesive performance.\u003c\/p\u003e\n\u003cp\u003eAudiophile vinyl was a good choice for this version of Raw Silk. Crawford’s voice is powerful, but also has richness in subdued moments. The horns and strings are mixed seamlessly and never intrude on Crawford. The bass and drums are present, but ambient. Crawford is a force, but at times held back by the extensive production.” John Sunier, Audiophile Audition, April, 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Crawford has the pleasure of owning one of the most distinctive female singing voices of all time, a voice that shot to fame with the jazz outfit The Crusaders and the single ‘Street Life’, released in 1979. This solo effort, originally issued via Warner Bros, was issued in that same year and is one of her best, offering a perfect song selection. Her general performances are impeccable. She allows the song dominate, to flower and to stand on its own two feet. She never does what many jazz\/soul\/R\u0026amp;B vocalists do: kill it with vocal acrobatics. And she’s capable too and you know it. All that restraint makes her performance all the better.\u003c\/p\u003e\n\u003cp\u003eThis album has a slight analogue warmth. While there’s plenty of detail on offer, the upper mids are not open to the sky. That is, there’s no tremendous treble insight off the back of a struck cymbal while Crawford’s vocal delivery is rolled off a touch. None of this serves as negative criticism, as such. What we have here is an ‘authentic sound’ of a time and a place. In this case, the late seventies. There’s a golden glow around the entire production. That’s enhanced by the bass heavy electric piano and the forward nature of the bass guitar. Crawford’s album is here to reassure and comfort. In effect, this mastering tone helps the singer to give us a cuddle. There is tonal variation to excite the ear, though. Brass inserts add upper mid flare, for example and Crawford’s own voice has enough variation to keep you interested at all times.” Paul Rigby, hi-fi World , July 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; Discogs : 3.75 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42426489503994,"sku":"PPAN BSK3283","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/randy-crawford-raw-silk-audiosoundmusic-1.jpg?v=1719858284"},{"product_id":"ohio-players-honey-gold-vinyl","title":"Ohio Players - Honey (Gold Vinyl)","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eJames \"Diamond\" Williams – drums, timbales, congas, percussion, lead \u0026amp; background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Beck – piano, Hammond organ, Fender Rhodes piano, RMI electric piano, clavinet, ARP Odyssey, ARP string ensemble, percussion, lead \u0026amp; background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarvin \"Merv\" Pierce – trumpets, flugelhorn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarshall \"Rock\" Jones – electric bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeroy \"Sugarfoot\" Bonner – guitars, lead \u0026amp; background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRalph \"Pee Wee\" Middlebrooks – trumpets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClarence \"Satch\" Satchell – tenor saxophone, baritone saxophone, flute\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Gold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Mercury\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded and mixed February–June, 1975 at Paragon Recording Studios, Chicago\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded by Barry Mraz with tape operators Marty Linke, Steve Kusiciel, Rob Kingsland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Barry Mraz, Gilbert Kong \u0026amp; Tom Hanson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ohio Players\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTo be reissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHoney\u003c\/li\u003e\n\u003cli\u003eFopp\u003c\/li\u003e\n\u003cli\u003eLet's Love\u003c\/li\u003e\n\u003cli\u003eAin't Givin' Up No Ground\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweet Sticky Thing\u003c\/li\u003e\n\u003cli\u003eLove Rollercoaster\u003c\/li\u003e\n\u003cli\u003eAlone\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eThe album won a Grammy Award for Best Album Cover Art\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Honey may have had the most controversial LP cover of 1975. Its erotic cover, which depicted a nude model covered in honey, was protested by feminists when it was alleged that the model had become stuck to the floor during the photo shoot. Some retailers, in fact, refused to carry it. All the controversy certainly didn't hurt the album commercially. In 1975, the Ohio Players were one of R\u0026amp;B's most successful acts, and were inescapable for anyone who listened to R\u0026amp;B\/Soul radio at the time. The album kept the band's commercial momentum going thanks to such hard-driving funk as \"Love Rollercoaster\" (a song that was sampled to death by rappers in the '80s and '90s and covered by the Red Hot Chili Peppers in 1996), \"Fopp,\" and the playfully jazz-influenced hit \"Sweet Sticky Thing.\" While the Players' outstanding contributions to funk would continue to have an enormous impact long after the band's popularity faded, it's important to stress that only about half of Honey falls into the funk category. In fact, lead singer Sugarfoot's moving performance on the remorseful \"Alone\" makes one wish that the Players' ballads were discussed more often.” AllMusic Review by Alex Henderson\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4.13 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42433687617786,"sku":"AFRM 11038","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ohio-players-honey-gold-vinyl-audiosoundmusic-1.jpg?v=1719858283"},{"product_id":"ben-e-king-ben-e-kings-greatest-hits-translucent-blue-vinyl","title":"\u003ctranscy\u003eBen E. King - Ben E. King's Greatest Hits (vinyle bleu translucide)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBen E. King - vocals\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-e-king\" title=\"vinyl featuring Ben E. King\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-e-king\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeaturing\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBen E. King]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent Blue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : ATCO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 1961–1963\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Phil Iehle, Tom Dowd\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ahmet Ertegun, Jerry Wexler\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1964\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTo be reissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat's When It Hurts\u003c\/li\u003e\n\u003cli\u003eAuf Wiedersehen, My Dear\u003c\/li\u003e\n\u003cli\u003eAround The Corner\u003c\/li\u003e\n\u003cli\u003eYoung Boy Blues\u003c\/li\u003e\n\u003cli\u003eWhat Now My Love\u003c\/li\u003e\n\u003cli\u003eStand By Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAmor\u003c\/li\u003e\n\u003cli\u003eDon't Play That Song\u003c\/li\u003e\n\u003cli\u003eI (Who Have Nothing)\u003c\/li\u003e\n\u003cli\u003eHow Can I Forget\u003c\/li\u003e\n\u003cli\u003eI Could Have Danced All Night\u003c\/li\u003e\n\u003cli\u003eSpanish Harlem\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; Discogs : 4.21 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42433955692794,"sku":"AFRM 33166","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ben-e-king-ben-e-king-s-greatest-hits-translucent-blue-vinyl-audiosoundmusic-1.jpg?v=1719858294"},{"product_id":"ben-e-king-ben-e-kings-greatest-hits-translucent-red-vinyl","title":"\u003ctranscy\u003eBen E. King - Ben E. King's Greatest Hits (vinyle translucide rouge )\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPILATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBen E. King - vocals\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-e-king\" title=\"vinyl featuring Ben E. King\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/ben-e-king\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl\u003cspan\u003e \u003c\/span\u003efeaturing\u003cspan\u003e \u003c\/span\u003eBen E. King]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Translucent red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : ATCO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded 1961–1963\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Phil Iehle, Tom Dowd\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ahmet Ertegun, Jerry Wexler\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1964\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in December 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThat's When It Hurts\u003c\/li\u003e\n\u003cli\u003eAuf Wiedersehen, My Dear\u003c\/li\u003e\n\u003cli\u003eAround The Corner\u003c\/li\u003e\n\u003cli\u003eYoung Boy Blues\u003c\/li\u003e\n\u003cli\u003eWhat Now My Love\u003c\/li\u003e\n\u003cli\u003eStand By Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAmor\u003c\/li\u003e\n\u003cli\u003eDon't Play That Song\u003c\/li\u003e\n\u003cli\u003eI (Who Have Nothing)\u003c\/li\u003e\n\u003cli\u003eHow Can I Forget\u003c\/li\u003e\n\u003cli\u003eI Could Have Danced All Night\u003c\/li\u003e\n\u003cli\u003eSpanish Harlem\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3 \/ 5 ; Discogs : 4.21 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42434021654778,"sku":"AFRM 33165","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ben-e-king-ben-e-king-s-greatest-hits-translucent-red-vinyl-audiosoundmusic-1.jpg?v=1719858294"},{"product_id":"chlara-in-a-different-light","title":"Chlara – In A Different Light","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLead Vocals, Backing Vocals – Chlara Magtultol \u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/chlara\" title=\"vinyl featuring Chlara\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/chlara\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Chlara]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking Vocals – Sandy De Vera (B2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Bass, Electric Bass – Danny O'Lannerghty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar – James Bertrand, Pat Bergeson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustic Guitar, Electric Guitar, Bass – John Morton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlto Saxophone – Jon Goforth\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Errol Silver\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrums, Percussion – Marcus Finnie, Ramon Gomez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePiano – Kevin Madill, Roland Fernandez\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViola – Will Martino\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eViolin – Francis Padilla\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged by Donald Marrow (A3, B3, B5), Music Mojo Productions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by William E. Steinberg (A1), Tom Kelly (A1), Don Felder (A2), Donald Hugh (A2), Henley (A2), Glenn Lewis Frey (A2), Lionel Richie (A3), James John Napier (A4), Jeff Lynne (A4), Samuel Frederick Smith (A4), Thomas Earl Petty (A4), William Edward Phillips (A4), Adele Laurie Blue Adkins (A5), Gregory Allen Kurstin (A5), Joshua Peter Kear (B1), Natalie Hemby (B1), Timothy Lee Mckenzie (B1), Lisa Loeb (B2), Christine McVie (B3), Daniel Jones (B4), Darren Stanley Hayes (B4), Norah Jones (B5), Caitlyn Elizabeth Smith (B6), Justin Michael Weaver (B6), Meghan Elizabeth Trainor (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited edition to 2,000 numbered copies\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003c\/strong\u003e\u003cstrong\u003eGermany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Evosound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Evosound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at CG Sounds by Nonie Martinez, Disk Eyes Productions by Tom Hall, Ocean Way Nashville by Jasper LeMaster \u0026amp; Bart Pursley, RJ Studios by Jonathan Catacutan, Studio Z by Jan Sanchez, Spryta Recording Studios by Dominic Benedicto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Donald Marrow (A3, B3, B5), Music Mojo Productions (A1, A2, A4, B1, B2, B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed by Music Mojo, Tom Hall\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Bastiaan Juijt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReleased in 2016 (first release)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003eSide A   \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTrue Colours\u003c\/li\u003e\n\u003cli\u003eHotel California\u003c\/li\u003e\n\u003cli\u003eStuck On You\u003c\/li\u003e\n\u003cli\u003eStay With Me\u003c\/li\u003e\n\u003cli\u003eHello\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B   \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJealous\u003c\/li\u003e\n\u003cli\u003eStay\u003c\/li\u003e\n\u003cli\u003eSongbird\u003c\/li\u003e\n\u003cli\u003eTruly Madly Deeply\u003c\/li\u003e\n\u003cli\u003eCome Away With Me\u003c\/li\u003e\n\u003cli\u003eLike I'm Gonna Lose You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDiscogs : 3.5 \/ 5\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42497984889082,"sku":"EVLP019","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/chlara-in-a-different-light-audiosoundmusic-1.jpg?v=1719858338"},{"product_id":"ohio-players-fire-red-vinyl","title":"\u003ctranscy\u003eOhio Players - Fire (Vinyle Rouge)\u003c\/transcy\u003e","description":"\u003ch2\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eORDER LIMITED TO ONE ITEM PER CUSTOMER\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eJames \"Diamond\" Williams – drums, chimes, percussion, lead \u0026amp; background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBilly Beck – piano, organ, Fender Rhodes piano, Clavinet, ARP, percussion, lead \u0026amp; background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarvin \"Merv\" Pierce – trumpet, flugelhorn, valve trombone \u0026amp; background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarshall \"Rock\" Jones – Fender bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLeroy \"Sugarfoot\" Bonner – guitar, percussion, lead \u0026amp; background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRalph \"Pee Wee\" Middlebrooks – trumpet, trombone \u0026amp; background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClarence \"Satch\" Satchell – baritone sax, tenor sax, soprano sax, flute, percussion, lead \u0026amp; background vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWritten by James Williams, Clarence Satchell, Leroy Bonner, Marshall Jones, Ralph Middlebrooks, Marvin Pierce, William Beck.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLimited Anniversary edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : red\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : unspecified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Friday Music\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Mercury\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Paragon Recording Studios, Chicago\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Barry Mraz, Lee Hulko\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMixed at Paragon Recording Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMastered by Joe Reagoso\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ohio Players\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1974\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFire\u003c\/li\u003e\n\u003cli\u003eTogether\u003c\/li\u003e\n\u003cli\u003eRunnin' From The Devil\u003c\/li\u003e\n\u003cli\u003eI Want To Be Free\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSmoke\u003c\/li\u003e\n\u003cli\u003eIt's All Over\u003c\/li\u003e\n\u003cli\u003eWhat The Hell\u003c\/li\u003e\n\u003cli\u003eTogether \/ Feelings (Reprise)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“After greatly increasing their visibility with Skin Tight, the Ohio Players became even more visible with Fire -- an unpredictable masterpiece that boasted such explosive horn-driven funk jewels as \"Smoke\" and the wildly addictive title song. The Players were always best known for their hard-edged funk, but in fact, there was much more to their legacy. \"I Want to Be Free,\" the almost innocent \"Together,\" and the remorseful \"It's All Over\" demonstrate that their ballads and slower material could be first-rate soul treasures. The influence of gospel imagery and the black church experience had asserted itself on Skin Tight's \"Is Anybody Gonna Be Saved,\" and does so once again on the intense \"What the Hell\" and the hit \"Runnin' From the Devil.\" Without question, Fire was one of the Ohio Players' greatest triumphs -- both commercially and artistically.” AllMusic Review by Alex Henderson\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4.5 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42530218606842,"sku":"FRM-11013","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/ohio-players-fire-red-vinyl-audiosoundmusic-1.jpg?v=1719858447"},{"product_id":"diana-ross-an-evening-with-diana-ross-2lp","title":"Diana Ross - An Evening With Diana Ross (2LP)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiana Ross - vocals \u003ca title=\"vinyl featuring Diana Ross\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/diana-ross\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e[click here to see vinyl featuring Diana Ross]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGregg Wright - keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarty Harris - piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGene Pello - drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLouis Spears - bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerry Steinholtz - conga drum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Colins - guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Jones Girls - backing vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHayward Coleman - Mime\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon McLeod - Mime\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStewart Fischer - Mime\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranged and conducter by Gil Askey\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 LP, gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Motown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Guy Costa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Maarten de Boer at Emil Berliner Studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003col\u003e\n\u003cli\u003e\"Overture\" - 2:35\u003c\/li\u003e\n\u003cli\u003e\"Here I Am\" (Burt Bacharach, Hal David) - 1:02\u003c\/li\u003e\n\u003cli\u003e\"I Wouldn't Change A Thing\" (Johnny Bristol) - 1:50\u003c\/li\u003e\n\u003cli\u003e\"The Lady Is a Tramp\" (Lorenz Hart, Richard Rodgers) - 2:00\u003c\/li\u003e\n\u003cli\u003e\"Touch Me in the Morning\" (Michael Masser, Ron Miller) - 2:54\u003c\/li\u003e\n\u003cli\u003e\"Smile\"\/\"Send In the Clowns\" (Charlie Chaplin, Geoffrey Parsons, John Turner)\/(Stephen Sondheim) - 4:30\u003c\/li\u003e\n\u003cli\u003e\"Love Hangover\" (Marilyn McLeod, Pam Sawyer) - 4:49\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e1. \"Girls\" (John Phillips) - 1:20\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eThe Point\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e2. \"Everybody's Got 'Em\" (Harry Nilsson) - 1:05\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e3. \"Me and My Arrow\" (Nilsson) - 1:17\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e4. \"Lifeline\" (Nilsson) - 3:01\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e5. \"Everybody's Got 'Em\" (Reprise) (Nilsson) - 1:07\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e6. The Working Girls (Billie Holiday, Josephine Baker, Ethel Waters, Bessie Smith)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e7. \"Lady Sings The Blues\" (Holiday, Herbie Nichols) - 1:00\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e8. \"T'Ain't Nobody's Bizness If I Do\" (Grainger, Prince, Williams) - 1:02\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e9. \"I Cried For You\" (Arnheim, Freed, Lyman) - 0:53\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e10. \"Aux Iles Hawaii\" (Bastia) - 1:00\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e11. \"Stormy Weather\" (Harold Arlen, Ted Koehler) - 1:50\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e12. \"Jump in the Pot (And Let's Get Hot)\" (Instrumental) - 0:23\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e13. \"I Need a Little Sugar in My Bowl\" (Brymn, Smalls, Williams) - 2:13\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e14. \"My Man\" (Jacques Charles, Channing Pollack, Albert Willemetz, Maurice Yvain) - 2:18\u003c\/div\u003e\n\u003cp\u003eSide C\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e1. The Motown Story - 4:52\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\"Motown Overture\"\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e2. \"Money (That's What I Want)\" (Janie Bradford, Berry Gordy)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e3. \"Please Mr. Postman\" (Robert Bateman, Georgia Dobbins, William Garrett, 4 Freddie Gorman, Brian Holland)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e5. \"I Want You Back\" (The Corporation)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e6. \"Fingertips\" (Clarence Paul, Henry Cosby)\u003c\/div\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eThe Supremes - 6:28\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e7. \"You Keep Me Hanging On\" (Holland-Dozier-Holland)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e8. \"Baby Love\" (Holland-Dozier-Holland)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e9. \"Someday We'll Be Together\" (Johnny Bristol, Jackey Beavers, Harvey Fuqua)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e10. \"Stop! In the Name of Love\" (Holland-Dozier-Holland)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e11. \"You Can't Hurry Love\" (Holland-Dozier-Holland)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e12. \"Reflections\" (Holland-Dozier-Holland)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e13. \"My World Is Empty Without You\" (Holland-Dozier-Holland)\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e14. \"I Hear a Symphony\" (Holland-Dozier-Holland)\u003c\/div\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eReach Out\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e15. \"Reach Out and Touch (Somebody's Hand)\" (Nickolas Ashford, Valerie Simpson) - 2:49\u003c\/p\u003e\n\u003cp\u003eSide D\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eOne Giant Step\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e1. \"The Music in the Mirror\" (Hamlisch, Kleban) - 3:35\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e2. \"What I Did for Love\" (Hamlisch, Kleban) - 2:17\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e3. \"Improvisations\" - 1:19\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e4. \"Dance: Ten; Looks: Three\" (Hamlisch, Kleban) - 2:59\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e5. \"Theme From Mahogany (Do You Know Where You're Going To)\" (Gerald Goffin, Michael Masser) - 1:15\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 60px;\"\u003e6. \"Ain't No Mountain High Enough\" (Ashford, Simpson) - 4:05\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“Recorded live at the Ahmanson Theatre in Los Angeles, An Evening With Diana Ross is, in some ways, a definitive Diana Ross album. It may have been recorded in California, but it feels like a Vegas revue, as Diana sings standards, showtunes, forgotten favorites and hits, even telling the Story of Motown and the Supremes in song. It's not necessarily a subtle show, but it is terrifically entertaining, especially if it is viewed as spectacle. More than any other record, this showcases Diana the Diva, and for that alone, it's essential listening.” AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42534844989690,"sku":"M7-877R2","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/diana-ross-an-evening-with-diana-ross-2lp-audiosoundmusic-1.jpg?v=1719858478"},{"product_id":"diana-ross-the-supremes-join-the-temptations","title":"Diana Ross \u0026 The Supremes Join The Temptations","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003eThe Supremes : \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eMary Wilson\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCindy Birdsong\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDiana Ross \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/diana-ross\" title=\"vinyl featuring Diana Ross\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/diana-ross\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring Diana Ross]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Temptations \u003ca data-mce-fragment=\"1\" title=\"vinyl featuring The Temptation\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-temptations\" data-mce-href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-temptations\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\" data-mce-style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring The Temptation]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eOtis Williams\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMelvin Franklin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eEddie Kendricks\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePaul Williams\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDavid Ruffin\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eDennis Edwards\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : Pallas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Motown\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded May 3, 1968 – September 13, 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Frank Wilson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1968\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2010\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTry It Baby\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003cli\u003eAin't No Mountain High Enough\u003c\/li\u003e\n\u003cli\u003eI'm Gonna Make You Love Me\u003c\/li\u003e\n\u003cli\u003eThis Guy's In Love With You\u003c\/li\u003e\n\u003cli\u003eFunky Broadway\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'll Try Something New\u003c\/li\u003e\n\u003cli\u003eA Place In The Sun\u003c\/li\u003e\n\u003cli\u003eSweet Inspiraton\u003c\/li\u003e\n\u003cli\u003eThen\u003c\/li\u003e\n\u003cli\u003eThe Imposible Dream\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e“What more could you want, two great groups, 11 great songs, and classic Motown productions. Contains the super groups' big hit \"I'm Gonna Make You Love Me\" and the equally effervescent \"I'll Try Something New.\" But the goodies don't stop there: Check \"Try It Baby,\" a remake of Marvin Gaye's hit, done this time with bass Melvin Franklin groaning lead lines to Diana Ross' soprano; Diana and Dennis Edwards recreate Marvin and Tammi on a rousing version of \"Ain't No Mountain High Enough\"; smooth tenor-singing Otis Williams does a silky rendition of \"This Guy's in Love With You\"; and Paul Williams is forever Paul as the prominent voice on \"Then,\" an old Four Tops album cut. Originally released in 1969, this is a CD every Temptations, Diana Ross \u0026amp; the Supremes, and Motown fan should have.” AllMusic Review by Andrew Hamilton\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":42535093141754,"sku":"06007 5303831","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/products\/diana-ross-and-the-supremes-join-the-temptations-audiosoundmusic-1.jpg?v=1719858501"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/collections\/vinyl_6fa2cb88-64db-4ded-8d1e-9c8f33a59d0e.jpg?v=1719821192","url":"https:\/\/www.audiosoundmusic.com\/fr\/collections\/soul.oembed?page=6","provider":"AudioSoundMusic","version":"1.0","type":"link"}