{"product_id":"freddie-king-my-feeling-for-the-blues","title":"Freddie King – My Feeling For The Blues (Mono)","description":"\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eRarity - Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVocals, Lead Guitar – Freddie King\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass – Jerry Jemmott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Kenneth Rice\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePiano – George Stubbs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eRhythm Guitar – Cornell Dupree\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTenor Saxophone – Frank Wess, George Coleman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTenor Saxophone, Baritone Saxophone – Trevor Lawrence, Willie Bridges\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTrumpet – Ernie Royal, Martin Banks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eArranged by Donnie Hathaway (A1 to B3, B5-6), King Curtis (B4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by E. James (A1), Freddie King (A2, B6), Riley B. King (A3), Joe Josea (A3), T-Bone Walker (A4), Joe Thomas (A5), Willie Mabon (A5), Ray Charles (B1), Jimmy Witherspoon (B2), Matcher James Reed (B3), B. B. King (B4), Jules Taub (B4), Eddie \"Guitar Slim\" Jones (B5), Curtis Ousley (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP,  Standard sleeve\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited Edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : \u003cspan\u003eQuality Record Pressings\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : VMP - Vinyl Me Please, Classics series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Cotillion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded in 1979 at Atlantic Studios\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eEngineered by Jerome Gasper, Bill Arlt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by King Curtis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLacquer cut by Ryan Smith at Sterling Sound\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eOriginally released in 1970\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003eReissued in 2021\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eTracks :\u003c\/strong\u003e\u003cstrong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan face=\"Times New Roman\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eYonder Wall\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eStumble\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI Wonder Why\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eStormy Monday\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI Don't Know\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eWhat'd I Say\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAin't Nobody's Business What We Do\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eYou Don't Have To Go\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWoke Up This Morning\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThings I Used To Do\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMy Feeling For The Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cstrong\u003eReviews:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003e\"The mid to late Sixties was a strange and difficult time for many Blues men – most were without contracts, forgotten and under-appreciated - then the Blues boom happened (particularly in the UK) and many had their careers kick-started again. Freddie King was no exception.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eHis last album had been for Federal in 1964, but with a new lease of life on the mighty Atlantic label, he produced two much revered LPs in rapid succession. The first was “Freddie King Is A Blues Master” released in 1969 on SD 9004 and then this peach - “My Feeling For The Blues” on Cotillion SD 9016 released in early 1970.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eAce saxophonist KING CURTIS produced the record - with all arrangements by Atlantic’s newest soul protégé DONNY HATHAWAY (except “Woke Up This Morning” which was Arranged by King Curtis).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide 1 opens with the down and dirty “Yonder Wall” which not surprisingly for the date it was recorded name-checks men coming home from the Vietnam War. It’s followed by a cracking Freddie King instrumental called “The Stumble” – the kind of cool boppin’ blues tune that turns up on those hip compilations you read about. “I Wonder Why” and “Stormy Monday” (BB King and Jimmy Witherspoon covers) get the brassy treatment like “Yonder Wall” to great effect, while Side 1 ends with a wonderful take on Willie Mabon’s “I Don’t Know” with the bass really forward and funky in the mix.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eSide 2 opens with a version of Ray Charles’ “What’d I Say” that builds like the Atlantic original did, which is followed by one of my favourites, a fabulous soulful take on Jimmy Witherspoon’s standard “Ain’t Nobody’s Business What We Do” (lyrics above). It’s followed by a superb harmonica driven shuffle, a cover of Jimmy Reed’s “You Don’t Have To Go” which features Freddie giving it some funky blues – such a cool number. The pace is then expertly changed to another “…my baby is gone…” song, a cover of B.B. King’s “Woke Up This Morning” with punchy brass fills (you can hear Hathaway’s soulfulness in a lot of the arrangements).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eBorn in 1934, Freddie King suffered a heart attack at a concert in December 1976 and passed away two days later. Name-checked by hosts of luminaries like Eric Clapton and Peter Green, on hearing this totally forgotten peach of an album, it’s easy to see why this bluesman is remembered with such affection.” Sounds Good, Looks Good Review\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cbr\u003eRatings\u003c\/strong\u003e : \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan size=\"3\"\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan\u003eAllMusic : 3 \/ 5 ; Discogs : 4.69 \/ 5 \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57450236510543,"sku":"C054","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2026-04-12a18.45.34.png?v=1776012623","url":"https:\/\/www.audiosoundmusic.com\/fr\/products\/freddie-king-my-feeling-for-the-blues","provider":"AudioSoundMusic","version":"1.0","type":"link"}