{"product_id":"keith-whitley-dont-close-your-eyes","title":"\u003ctc\u003eKeith Whitley – Don't Close Your Eyes (Vinyle marbre lavande)\u003c\/tc\u003e","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRarity - Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals : Keith Whitley\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocal Harmony: Allen Frizzell\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBackground Vocals : Curtis Young, Dennis Wilson, Emmylou Harris, Garth Fundis, Vern Gosdin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar (Acoustic): Billy Sanford, Mac McAnally, Red Lane\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar (Rhythm): Brent Rowan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar (Bass): Dave Pomeroy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eGuitar (Steel): Paul Franklin, Sonny Garrish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass: Larry Paxton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums: Eddie Bayers, Jerry Kroon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePiano: Matt Rollings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSynthesizer: Mike Lawler\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eKeyboards: Mitch Humphries\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFiddle: Rob Hajacos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by Gary Talley (A1), Kim Morrison (A1), Curly Putman (A2), Don Cook (A2), Keith Whitley (A2), Bill Caswell (A3), Verlon Thompson (A3), Bob McDill (A4), Sanger D. Shafer (A5, B3), Warren Robb (A5), Roger D. Ferris (A6), Ron Hellard (B2), Sonny Curtis (B2), Lefty Frizzell (B3), Don Schlitz (B4), Paul Overstreet (B4), Johnny Neel (B6), Lonnie Wilson (B6)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1LP, Standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Lavender Marble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : VMP- Vinyl Me Please Country series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : RCA\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eRecorded in 1987 at Music City Music Hall and Sound Emporium (Nashville, Tennessee)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Garth Fundis (A1-5, B2-6), Keith Whitley (A1-5, B2-6), Blake Mevis (A6, B1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastered by Ryan Smith at Sterling Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 1988\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2023\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eFlying Colors\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eIt's All Coming Back To Me Now\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLucky Dog\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDon't Close Your Eyes\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe Birmingham Turnaround\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSome Old Side Road\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eSide B:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eWould These Arms Be In Your Way\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI'm No Stranger To The Rain\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eI Never Go Around Mirrors\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eWhen You Say Nothing At All\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eA Day In The Life Of A Fool\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eHonky Tonk Heart\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eReview\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« Don't You Close Your Eyes was more successful than Keith Whitley's two previous albums and it's easy to see why. Though the record still suffered from a handful of mediocre songs and a slightly soft production, the overall album was leaner and more direct than Whitley's earlier solo work, showcasing his talent for heartfelt honky tonk singing and his skill for crafting excellent barroom ballads. \"Don't Close Your Eyes,\" \"When You Say Nothing At All,\" and \"I'm No Stranger to the Rain\" were the hits, but there's a wealth of excellent material here, including a haunting version of Lefty Frizzell's \"I Never Go Around Mirrors.\" The sheer strength of the best numbers make the handful of weaker songs perfectly excusable. After all, country in the late '80s rarely got better than Don't You Close Your Eyes at its best. » AllMusic Review by Thom Owens\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4.5 \/ 5 ; Discogs : 4.63 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57406940807503,"sku":"CW027","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2026-04-05a18.18.10.png?v=1775496619","url":"https:\/\/www.audiosoundmusic.com\/fr\/products\/keith-whitley-dont-close-your-eyes","provider":"AudioSoundMusic","version":"1.0","type":"link"}