{"product_id":"miranda-lambert-revolution","title":"Miranda Lambert – Revolution (2LP, 45RPM, Mauve \u0026 Black Split Vinyl)","description":"\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eRarity - Sealed\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eVocals - Miranda Lambert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBacking Vocals – Kim Keyes, Mike Wrucke, Natalie Hemby, \u003c\/strong\u003e\u003cstrong\u003eAshley Monroe (B1), Blake Shelton (B2), Buddy Miller (C2), Charles Kelley (C4), Chris Stapleton (C1), Randy Scruggs (D3)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eBass – Glenn Worf\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDrums – Chad Cromwell, Fred Eltringham\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eGuitar – Jay Joyce, Jim Hoke, Mike Wrucke, Randy Scruggs, Richard Bennett\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eSteel Guitar – Greg Leisz, Russ Pahl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOrgan [B-3 Organ] – Chuck Leavell, Mike Wrucke\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePercussion – Eric Darken\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eWritten by Miranda Lambert (A1 to B4, C4, D1-2, D4), Natalie Hemby (A1-2, B3, D4), Ashley Monroe (B1, D1), Blake Shelton (B1, C4, D2), Fred Eaglesmith (C1), Julie Miller (C2), Allen Shamblin (C3), Tom Douglas (C3), Charles Kelley (C4), Dave Haywood (C4), Travis Howard (D1), John Prine (D3), Jennifer Kennard (D4)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LPs, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eLimited edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : Mauve \u0026amp; Black Split\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 45 RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12'’\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Press : GZ Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : VMP - Vinyl Me Please Country series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Sony \/ Columbia\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eRecorded in 2009 at Studio\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eBlackbird Studios, Wrucke's House Studio, OmniSound Studios\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Mike Wrucke\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eProduced by Frank Liddell, Mike Wrucke\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eMastered by Stephen Marcussen at \u003c\/strong\u003e\u003cstrong\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\" lang=\"EN-GB\"\u003eMarcussen Mastering\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eLacquer cut by Ryan Smith at Sterling Sound\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003ePlated at Welcome to 1979\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003ePhotography by Randee St. Nicholas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eOriginally released in 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eSide A\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eWhite Liar\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eOnly Prettier\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eDead Flowers\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide B\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eMe And Your Cigarettes\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMaintain The Pain\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eAirstream Song\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eMakin' Plans\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide C\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eTime To Get A Gun\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSomewhere Trouble Don't Go\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThe House That Built Me\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eLove Song\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003eSide D\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"MsoNormal\"\u003eHeart Like Mine\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eSin For A Sin\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eThat's The Way That The World Goes 'Round\u003c\/li\u003e\n\u003cli class=\"MsoNormal\"\u003eVirginia Bluebell\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eReview\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e« Revolution is Miranda Lambert's first record to be delivered to great expectations, a reflection of the excellence of her first two and her increasing crossover to a wider, rock-oriented audience. Revolution was certainly made with that audience in mind, running a whopping 15 tracks -- a standard length in rock albums, not country -- and pumped up with growling, grinding guitars and thunderous rhythms, all the better to escalate her image as a rowdy spitfire. The gambit pays off almost too well, not quite obscuring the tender, gentle moments that prevent Lambert from being easily pigeonholed but pushing her Crazy Ex-Girlfriend persona to the verge of parody. What goes too far are not the songs but the sound, the relentless onslaught of overdriven guitars meant to convey an attitude Miranda captures better with her snarl. Lambert still slips easily into a rebel rocker persona, sneering \"Only Prettier\" with delicious contempt, but here she winds up as more winning when she modulates her delivery, adding sly humor to Fred Eaglesmith's \"Time to Get a Gun\" or easing into the easy-rolling \"Airstream Song\" and ballads that wind up as the highlights here. And these slower songs are highlights because they're not as insistent as the rowdy, swaggering rockers -- they flow as naturally as \"Kerosene\" did on Lambert's debut. Miranda can still pull off her tough-girl attitude -- she's turned into a pro, able to turn on her character at the drop of a dime -- but Revolution is somewhat weighed down by the perception that Lambert is nothing but a rocking rebel when she is, as the sum total of this strong but overly long album ultimately proves, so much more. » AllMusic Review by Stephen Thomas Erlewine\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 3.5 \/ 5 ; Discogs : 4.42 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57418358948175,"sku":"CW015","price":97.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/Captured_ecran2026-04-07a18.30.05.png?v=1775927153","url":"https:\/\/www.audiosoundmusic.com\/products\/miranda-lambert-revolution","provider":"AudioSoundMusic","version":"1.0","type":"link"}