{"product_id":"ry-cooder-chicken-skin-music-hybrid-sacd","title":"Ry Cooder - Chicken Skin Music (Hybrid SACD)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRy Cooder – bajo sexto, mandola, bottleneck guitar, French accordion, electric guitar, slack-key guitar, tiple, Hawaiian guitar, vocals \u003cspan style=\"color: #ff8000;\"\u003e\u003ca title=\"vinyl featuring Ry Cooder\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ry-cooder\" style=\"color: #ff8000;\"\u003e[click here to see more vinyl\/SACD featuring Ry Cooder]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeorge Bohanon – baritone horn and horn arrangement on \"I Got Mine\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOscar Brashear – cornet on \"I Got Mine\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRed Callender – upright bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChris Ethridge – bass guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJimmy Adams - vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTerry Evans – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCliff Givens – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaurence Fishburne - vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHugo Gonzales – bajo sexto on \"Good Night Irene\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMilt Holland – percussion, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAtta Isaacs – slack-key and acoustic guitar on \"Chloe\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFred Jackson Jr. – tenor saxophone on \"I Got Mine\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlaco Jiménez – accordion on \"He'll Have to Go\", \"Stand By Me\" and \"Goodnight Irene\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerman E. Johnson – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJim Keltner – drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobby King – vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHenry Ojeda – bass on \"Good Night Irene\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGabby Pahinui – steel guitar on \"Chloe\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Powell – trombone on \"I Got Mine\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePat Rizzo – alto saxophone on \"He'll Have to Go\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRuss Titelman – bajo sexto on \"Stand By Me\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrank Villarreal - alto saxophone on \"Good Night Irene\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIsaac Garcia - drums on \"Good Night Irene\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 Hybrid SACD, standard sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003c\/strong\u003e\u003cstrong\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eAnalogue Productions (Acoustic Sounds 40 Series) \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Reprise Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded at Warner Bros. Recording Studios, North Hollywood; \"Yellow Roses\" and \"Chloe\" recorded in Hawaii\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered by Lee Herschberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ry Cooder\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemastered by Shawn R. Britton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1976\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Bourgeois Blues\u003c\/li\u003e\n\u003cli\u003eI Got Mine\u003c\/li\u003e\n\u003cli\u003eAlways Lift Him Up\u003c\/li\u003e\n\u003cli\u003eHe'll Have To Go\u003c\/li\u003e\n\u003cli\u003eSmack Dab In The Middle\u003c\/li\u003e\n\u003cli\u003eStand By Me\u003c\/li\u003e\n\u003cli\u003eYellow Roses\u003c\/li\u003e\n\u003cli\u003eChloe\u003c\/li\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Ry Cooder has always believed in the \"mutuality in music,\" and this may be no more evident in his career than with his fifth album, Chicken Skin Music (a Hawaiian colloquialism, synonymous with goosebumps). Even more than usual, Cooder refuses to recognize borders -- geographical or musical -- presenting \"Stand By Me\" as a gospel song with a norteño arrangement, or giving the Jim Reeves country-pop classic, \"He'll Have to Go,\" a bolero rhythm, featuring the interplay of Flaco Jimenez's accordion and Pat Rizzo's alto sax. Elsewhere, he teams with a pair of Hawaiian greats -- steel guitarist and singer Gabby Pahinui and slack key guitar master Atta Isaacs -- on the Hank Snow hit \"Yellow Roses\" and the beautiful instrumental \"Chloe.\" If Cooder's approach to the music is stylistically diverse, his choice of material certainly follows suit. Bookended by a couple of Leadbelly compositions, Chicken Skin Music sports a collection of songs ranging from the aforementioned tracks to the charming old minstrel\/medicine show number \"I Got Mine\" and the syncopated R\u0026amp;B of \"Smack Dab in the Middle.\" Also included is Appalachian songwriter Blind Alfred Reed's \"Always Lift Him Up,\" complete with a Hawaiian gospel tune, \"Kanaka Wai Wai,\" woven into the instrumental section. As he explains in the album's liner notes, Cooder understands the connection between these seemingly disparate styles. This is not merely eclecticism for its own sake. Chicken Skin Music is probably Ry Cooder's most eccentric record since his first, but it's also one of his most entertaining.\" \u003cspan\u003eAllMusic Review by Brett Hartenbach\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4 \/ 5 , Discogs : 4,13 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":58897077043535,"sku":"CAPR 021 SA","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/RyCooder-ChickenSkinMusic.webp?v=1790505297","url":"https:\/\/www.audiosoundmusic.com\/products\/ry-cooder-chicken-skin-music-hybrid-sacd","provider":"AudioSoundMusic","version":"1.0","type":"link"}