{"product_id":"the-doobie-brothers-stampede-edition-japanese","title":"The Doobie Brothers - Stampede (Japanese edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRarity - Sealed\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Doobie Brothers \u003c\/strong\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.audiosoundmusic.com\/collections\/the-doobie-brothers\" title=\"vinyl featurig The Doobie Brothers\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e[click here to see more vinyl featuring the Doobie Brothers]\u003c\/span\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTom Johnston, guitars, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePatrick Simmons, guitars, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJeff \"Skunk\" Baxter, guitar, steel guitar\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTiran Porter, bass, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Hartman, drums\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeith Knudsen, drums, vocals\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRy Cooder – bottleneck guitar on \"Rainy Day Crossroad Blues\" \u003cspan style=\"color: #ff8000;\"\u003e\u003ca style=\"color: #ff8000;\" href=\"https:\/\/www.audiosoundmusic.com\/collections\/ry-cooder\" title=\"vinyl featuring Ry Cooder\"\u003e[click here to see more vinyl featuring Ry Cooder]\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBill Payne – piano on \"Sweet Maxine\", \"Neal's Fandango\", \"Texas Lullaby\", \"Take Me in Your Arms\", \"I Cheat the Hangman\" and \"Double Dealin' Four Flusher\", organ on \"Music Man\" and \"I Been Workin' on You\", electric piano on \"Double Dealin' Four Flusher\", other keyboards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKarl Himmel – drums and percussion on \"I Been Workin' on You\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBobbye Hall Porter – congas on \"Take Me in Your Arms\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVictor Feldman – marimba, percussion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConte Candoli, Pete Candoli – trumpets on \"I Cheat the Hangman\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarry Bluestone – concertmaster on \"Rainy Day Crossroad Blues\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaria Muldaur – backing vocals on \"I Cheat the Hangman\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSherlie Matthews, Venetta Fields and Jessica Smith – backing vocals on \"Take Me in Your Arms\" and \"I Been Workin' on You\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNick DeCaro – string arrangements on \"Texas Lullaby\", \"I Cheat the Hangman\" and \"Rainy Day Crossroad Blues\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaul Riser – string and horn arrangements on \"Take Me in Your Arms\", horn arrangements on \"Sweet Maxine\" and \"Double Dealin' Four Flusher\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurtis Mayfield – string and horn arrangements on \"Music Man\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRichard Tufo – orchestration on \"Music Man\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 LP, Gatefold jacket\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal analog Master tape : YES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy Press : 180g\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord color : black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeed : 33RPM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize : 12”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStudio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord press : unspecified (Japan)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWarner Bros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Label : Warner Bros\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecorded \u003c\/strong\u003e\u003cstrong\u003eSeptember 9 - October 6, 1974 at \u003c\/strong\u003e\u003cstrong\u003eWarner Bros. Studios, North Hollywood, CA, Burbank Studios, Burbank, CA, Curlom Studios, Chicago, IL and The Record Plant, Sausalito, CA. \"I Been Workin' on You\" recorded at Creative Workshop, Nashville, TN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered \u0026amp; mixed by Donn Landee, Travis Turk (B5)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduced by Ted Templeman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginally released in 1975\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReissued in 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A :\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSweet Maxine\u003c\/li\u003e\n\u003cli\u003eNeal's Fandango\u003c\/li\u003e\n\u003cli\u003eTexas Lullaby\u003c\/li\u003e\n\u003cli\u003eMusic Man\u003c\/li\u003e\n\u003cli\u003eSlack Key Soquel Rag\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B :\u003c\/p\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003eTake Me In Your Arms\u003c\/li\u003e\n\u003cli\u003eI Cheat The Hangman\u003c\/li\u003e\n\u003cli\u003ePrecis\u003c\/li\u003e\n\u003cli\u003eRainy Day Crossroad Blues\u003c\/li\u003e\n\u003cli\u003eI Been Workin' On You\u003c\/li\u003e\n\u003cli\u003eDouble Dealin' Four Flusher\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003e\"Talk about greatness -- the Doobie Brothers, with Jeff \"Skunk\" Baxter added to their lineup, delivered their best album to date helped by a fairly big hit, though \"Take Me in Your Arms\" never did anything close to its predecessors despite some chords and modulations that recalled \"Black Water\" ever so slightly. Stampede's virtue was its musicianship, which, in addition to new member Baxter, was also showcased in the guises of some impressive guests. The Doobie Brothers' rootsiest album to date, Stampede was virtuoso soulful countrified rock of a gritty nature, crossing over into blues as well as reaching back to a raw, traditional rock \u0026amp; roll sound that wouldn't have sounded too out of place 20 years earlier. That was the opener, the searing \"Sweet Maxine,\" which just might've made a good single with an edit or two to bring it down to three and a half minutes; the record gets better with the bouncing \"Neal's Fandango,\" which is highlighted by lyrical as well as instrumental acrobatics on the verses and a delicious guitar and piano break. \"Texas Lullaby\" is one of the prettiest pieces of country rock (though it's a little more \"Western rock\") to come out of the genre since the Byrds and the Beau Brummels had treaded into it eight years earlier, and gets a magnificently soulful performance from Tom Johnston. And speaking of soul, Curtis Mayfield is the arranger on Johnston's hard-driving \"Music Man.\" The group strips down to its acoustic basics for \"Slat Key Soquel Rag,\" which could have been an outtake from the group's self-titled debut album; Maria Muldaur is the guest vocalist on \"I Cheat the Hangman,\" representing Patrick Simmons' songwriting at its most ethereal. Baxter's \"Précis\" was the group's nod to classical and Spanish guitar technique, and \"Rainy Day Crossroad Blues\" provides guest artist Ry Cooder with a gorgeous canvas on which to paint his slide guitar licks. And the album lands with its feet firmly in 1970s-style roots rock on \"I've Been Workin' on You\" and \"Double Dealin' Four Flusher.\"\" \u003cspan\u003eAllMusic Review by Bruce Eder\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRatings\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cp\u003eAllMusic : 4,5 \/ 5 , Discogs : 4,43 \/ 5\u003c\/p\u003e","brand":"AudioSoundMusic","offers":[{"title":"Default Title","offer_id":57643240325455,"sku":"P-10344W","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0575\/3811\/7783\/files\/The_Doobie_Brothers_-_Stampede.jpg?v=1778184190","url":"https:\/\/www.audiosoundmusic.com\/products\/the-doobie-brothers-stampede-edition-japanese","provider":"AudioSoundMusic","version":"1.0","type":"link"}