Brahms - Sonatas for cello and piano- Mstislav Rostropovich & Ruldof Serkin (Digital Recording)
Brahms - Sonatas for cello and piano- Mstislav Rostropovich & Ruldof Serkin (Digital Recording)
Out of stock
Brahms - Sonatas for cello and piano- Mstislav Rostropovich & Ruldof Serkin (Digital Recording)
Brahms - Sonatas for cello and piano- Mstislav Rostropovich & Ruldof Serkin (Digital Recording)

Brahms - Sonatas for cello and piano- Mstislav Rostropovich & Ruldof Serkin (Digital Recording)

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Johannes Brahms - Sonate Für Klavier Und Violincello e-Moll Op. 38 & Sonate Für Klavier Und Violincello F-Dur Op. 99

Mstislav Rostropovich (cello),

Ruldof Serkin (piano)

 

1LP, gatefold sleeve

Original analog Master tape : NO (Digital Recording Original Master Tape)

Heavy Press : 180g Virgin vinyl

Record color : Black

Speed : 33RPM

Size : 12'’

Stereo

Studio

Record Press : Pallas (Germany)

Label : Analogphonic

Original label : Deutsche Grammophon

Recorded July 1 & 2, 1982 in Washington DC.

Recorded by Cord Garben

Engineered by Wolfgang Mitlehner

Mastered by Daniel Krieger

Produced by Hanno Rinke

Originally released in 1983

Reissued in 2015

 

Tracks :

Side A : Sonate Für Klavier Und Violincello e-Moll Op. 38

  1. Allegro Non Troppo
  2. Allegretto Quasi Menuetto
  3. Allegro

Side B : Sonate Für Klavier Und Violincello F-Dur Op. 99

  1. Allegro Vivace
  2. Adagio Affettuoso
  3. Allegro Passionato
  4. Allegro Molto

 

Reviews:

“Our younger generation of cello soloists seems to favour a tone production which balances a refined upper range with a middle and lower register that’s strong and well focused, rather than expansively rich and resonant. Readers will not need to be told that Rostropovich’s solo image is definitely not of this ilk: his musical personality is in every sense larger than life and in this magnificent coupling of the cello sonatas, in partnership with Rudolf Serkin, the very forward balance of the recording exaggerates this impression in the most vivid way. By comparison the piano image – to the right of and behind the cello – is more reticent in timbre and seldom matches Rostropovich’s rich flood of sound, which isn’t, of course, to suggest that Serkin fails to project the music, merely that the microphone placing makes Rostropovich very much the dominating artist. This passionately warm-hearted and ripely Brahmsian music-making almost overwhelms the listener in its sheer impact. But with playing of this calibre, with both artists wonderfully attuned to each other’s responses, every nuance tells and Brahms’s bold melodic lines soar out from the speakers to capture the imagination, and provide an enthralling musical experience in each and every work.” The Gramophone Magazine

Ratings:

Discogs : 4.68 / 5

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