Big Boi – Sir Lucious Left Foot... The Son Of Chico Dusty (2LP, Vinyle violet)
Prix habituel
€115,00
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RARITY - Sealed
Vocals: Big Boi (all tracks), Joi (A3, D1), Sleepy Brown (A3), Vonnegutt (B1), Cutty (B2), Khujo Goodie (B4), T.I. (B4), Yelawolf (C1), Jamie Foxx (C2), Janelle Monáe (C3), George Clinton (C4), Sam Chris (C4, D3), Too Short (C4), B.o.B. (D1), Gucci Mane (D2)
Additional Vocals: Sleepy Brown (A1, D4), Debra Killings (A2, A3, B2, C2, C4, D4), Teedra Moses (A3), Big Rube (B1, B3), Chris Carmouche (B2, C2), Dax "Dirty Dr." Rudnak (C3), Henry Welch (C3), Pooh Bear (D1)
Bass Guitar: Wallace Khatib (A3), Debra Killings (D1, D4)
Guitar: Donny "Poppa Doc" Mathis (B2-4), David Whild (B4, C4, D1, D3), Craig Love (C2), Billy Odum (C4), Mike Patterson (D4)
Keyboards: Dave Robbins (A3), Kevin Kendricks (B4, C4, D2), William White (C3)
Additional Keyboards: Kevin Kendricks (A2, C3, D3)
Organ: Kevin Kendricks (B2)
Percussion: Omar Phillips (B4)
Horns: Hornz Unlimited (B3, D1, D3)
Talkbox: Bosko (B2)
Scratches: DJ Cutmaster Swiff (A2, C1, D4)
2LPs, Gatefold sleeve
Limited Edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : Purple
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : GZ Media
Label : Vinyl Me Please - Country Series
Original Label : Def Jam Recordings
Recorded 2007–10 at Stankonia Studio (Atlanta)
Executive producer – Antwan Andre Patton (Big Boi)
Mastered by Bernie Grundman, Joe Bazzo at Bernie Grundman Mastering, Los Angeles, CA
Lacquers cut by Ryan Smith at Sterling Sound
Art direction and graphic design by Alex Haldi for Bestest Asbestos
Cover and interior photography by Jonathan Mannion
Originally released in 2010
Reissued in 2020
Tracks:
Side A
- Feel Me (Intro)
- Daddy Fat Sax
- Turns Me On
Side B
- Follow Us
- Shutterbugg
- General Patton
- Tangerine
Side C
- You Ain't No DJ
- Hustle Blood
- Be Still
- Fo Yo Sorrows
Side D
- Night Night
- Shine Blockas
- The Train Pt. 2 (Sir Lucious Left Foot Saves The Day)
-
Back Up Plan
Review :
« Sir Lucious Left Foot…The Son of Chico Dusty was a few years in the making with a label change and all the attendant leaked tracks and snags. Big Boi's first proper solo album nonetheless sounds like it could have come together in a couple of drama-free (if somewhat frenzied) months. It’s one of the loosest, most varied, and entertaining albums of its time. Big Boi is in top form, rattling off agile, head-spinning, and frequently irreverent tongue twisters like “Witness the n*gga that spit that vicious pitbull attack shit when it comes to this rap shit” and “When she’s liquored up I’m leaving my fingerprints on her butt.” The variety of beats, most of which Big Boi co-produced, are even more mystifying, slathered in ideas yet robust in foundation. What’s most prominent in “Tangerine” is the knocking/snapping rhythm, but it enters with what could have developed into a grunge dirge and incorporates booming bass, a synthesizer vamp filtered through a large plastic tube, electro zaps, scorching guitar flameout, and some piano fit for a power ballad’s coda. It’s an eloquently crude strip-club anthem (of course). The superbly bombastic “General Patton” is a melee of triumphant horns, a blasting opera choir, and rallying rhymes like “Pick on somebody your own size and fuck around, get kilt/But not like the kilt above the knees/BB will plant you n*ggas like seeds, or fertilizer for the trees.” Anchored in whomping bass and rattlesnake hi-hats, the battle anthem is capped by Big Rube's fathoms-deep-toned recitation of the slayed’s last rites. Bullfrog electro that quotes the System and Soul II Soul, a victory lap aided by Harold Melvin & the Blue Notes, and loads of low-slung Southern funk -- not to mention what sounds like a warm, bittersweet spin on Diddy’s “Last Night” -- are also pulled off to equally excellent effect. Sir Lucious Left Foot lacks something as universally appealing and tidy as “The Way You Move,” but that is not a problem -- not when Big Boi casually conveys that he is as much an imaginative artist as his other half in OutKast." AllMusic Review by Andy Kellman
Ratings :
AllMusic : 4.5 / 5 ; Discogs : 4.49 / 5