DARKSIDE – Psychic (2LPs, 45RPM) - Audiophile
DARKSIDE – Psychic (2LPs, 45RPM) - Audiophile
DARKSIDE – Psychic (2LPs, 45RPM) - Audiophile
DARKSIDE – Psychic (2LPs, 45RPM) - Audiophile

DARKSIDE – Psychic (2LP, 45 tours, Vinyle bleu)

€75,00
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RARITY - SEALED

Guitar, Bass, Acoustic Bass, Organ, Piano, Electric Piano, Synth, Clarinet, Drum Machine, Percussion, Electronics, Effects – Dave Harrington

Voice, Sequencer, Drum Programming, Synth, Electric Organ [Wurlitzer], Mellotron, Drum Machine, Percussion, Electronics, Effects – Nicolas Jaar

Percussion – Samer Ghadry (D1)

Written by DARKSIDE

 

 

2 LPs, Gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : Blue

Speed : 45 RPM 

Size : 12'’

Stereo

Studio

Record Press : GZ Media

Label :  Vinyl Me Please  - Essentials

Original Label : Matador

Recorded at The Barn, Garrison, NY ; Clown & Sunset Studios ; The Loft, Brooklyn, NY ;  Studio De La Reine, Paris

Produced by DARKSIDE

Mastered by Brian Gardner

Photography by Jed DeMoss

Originally released in October 2013

Reissued in 2021

 

Tracks:

Side A :

  1. Golden Arrow

Side B :

  1. Sitra
  2. Heart
  3. Paper Trails

Side C :

  1. The Only Shrine I've Seen

Side D :

  1. Freak, Go Home
  2. Greek Light
  3. Metatron

 

Review :

« Darkside is the work of electro-pop minimalist composer Nicolas Jaar and Brooklyn-based multi-instrumentalist Dave Harrington, which steeps Jaar's spacious solo work with brittle bursts of electronic distortion, watery drums, and slick neon guitar patterns. A self-titled EP in 2011 yielded three lengthy songs of the duo's wild combination of airy atmospheres and menacing fuzz, but debut full-length Psychic moves into more compositional territory, though it remains drifty and narcotic in ways similar to its predecessor. The album kicks off with 11-minute standout track "Golden Arrow," moving like a suite through an intro of dark, fuzzy ambience and wobbling stereo effects into a sleazy, submerged house beat and fragmented synth and string samples. Caught between the creeping underground thump of minimal avant-techno experimentalists like Pole or Gas and the sharp, clean lines of nocturnal pop acts like the Chromatics or James Blake, the song is an unlikely success in its deep contrasts. Space is a primary concern throughout Psychic, with plenty of ambient interludes and raw tape experiments serving as cushioning between pop moments like the oddly bluesy dirge of "Paper Trails" and the dubby shadows of album-closer "Metatron." Ultimately, it's the contrasts and the way they fit so well together that makes Psychic a success. The meeting of hurried noise, slick dubstep-styled R&B undertones, wonky blues, and grainy electronics seems destined for ugly clashing, but somehow the organization of sounds, stereo field space, and the amount of distance Jaar and Harrington put between the disparate elements themselves makes so much compositional sense that the album floats by like a strange, faraway dream. » AllMusic Review by Fred Thomas

 

 

Ratings :

AllMusic : 3.5 / 5 ; Discogs : 4.45 / 5

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