Yusef Lateef – The Three Faces Of Yusef Lateef - AUDIOPHILE
Yusef Lateef – The Three Faces Of Yusef Lateef - AUDIOPHILE
Yusef Lateef – The Three Faces Of Yusef Lateef - AUDIOPHILE
Yusef Lateef – The Three Faces Of Yusef Lateef - AUDIOPHILE

Yusef Lateef – The Three Faces Of Yusef Lateef

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RARITY - SEALED

Yusef Lateef - tenor saxophone (A1, A3, B4), oboe (A2, B1), flute (A4, B2-3)

Hugh Lawson - piano, celeste

Ron Carter - cello (A1-2, A4, B3)

Herman Wright - bass

Lex Humphries - drums, timpani

Written by Yusef Lateef (A4, B1, B3), Antonín Dvořák (A1), William Arms Fisher (A1), Duke Ellington (A2), Mack David (A3), Abe Woodley (A4), Joe Zawinul (B3) , Sidney Clare (B4), Con Conrad (B4)



 

 

1 LP, Standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : Black

Speed : 33 RPM 

Size : 12'’

Stereo

Studio

Record Press : Record Technology Incorporated

Label :  Vinyl Me Please - Classics series

Original Label : Riverside

Recorded on May 9, 1960 in New York City

Engineered by Jack Higgins

Produced by Orrin Keepnews

Lacquer cut by Ryan Smith at Sterling Sound

Cover designed by Ken Deardoff

Liner Notes Ashawnta Jackson, Orrin Keepnews

Photography by Lawrence N. Shustak

Originally released in June 1960

Reissued in December 2022

 

 

Tracks:

Side A:

  1. Goin' Home
  2. I'm Just A Lucky So And So
  3. Quarantine
  4. From Within

Side B:

  1. Salt Water Blues
  2. Lateef Minor 7th
  3. Adoration
  4. Ma-He's Makin' Eyes At Me


 

Review :

“On The Three Faces of Yusef Lateef, Riverside seems eager to present Yusef Lateef, technical virtuoso, on a series of songs that step closer to jazz tradition than any of his work in the recent past. Largely absent are Lateef's experiments with Eastern modes, rhythms, and instrumentation, and in their place is a collection of largely upbeat, accessible songs, with a balanced mix of standards and originals. Much of the introspective, personal quality of his previous albums seems lost in the effort, but Lateef's playing still remains stellar, especially on oboe. That instrument, which is by nature soft and muted, is given enough power by Lateef to lead on several songs, most beautifully on "Salt Water Blues," where its naturally melancholy sound seems perfectly matched with the low, rounded tones of Lateef's rhythm section, especially Ron Carter's bowed cello. The quintet also shines on the following track, Joe Zawinul's "Lateef Minor 7th," where they provide a gentle counterpoint to Lateef's sweet flute line. Not quite as expansive or daring as much of Lateef's other recordings, The Three Faces of Yusef Lateef still documents a fine musician at work during the peak of his career.” AllMusic Review by Stacia Proefrock


Ratings :

AllMusic : 4.5 / 5 ; Discogs : 4.67 / 5

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