<tc>The Wes Montgomery Trio - A Dynamic New Sound: Guitar/Organ/Drums (2LP, 45 tours)</tc>

The Wes Montgomery Trio - A Dynamic New Sound: Guitar/Organ/Drums (2LP, 45 tours)

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Guitar – Wes Montgomery [click here to see more vinyl featuring Wes Montgomery]

Drums – Paul Parker

Organ – Melvin Rhyne

Written by Bernie Hanighen , Thelonious Monk, Cootie Williams (A1), Otto Harbach,  Jerome Kern (A2), Edward Redding (B1), Benny Golson (B2), Horace Silver (B3), Duke Ellington, Johnny Mercer, Billy Strayhorn (C1), Wes Montgomery (C2, D2), Burton Lane, Alan Jay Lerner (D1)

 


2 LPs, Old-style tip-on gatefold jacket by Stoughton Printing

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 45RPM

Size : 12”

Stereo

Studio

Record Press : Quality Record Pressings

Label : Analogue Productions

Original label : Riverside Records

Recorded in October 5–6, 1959 at Reeves Sound Studios, New York

Engineered by Jack Higgins

Produced by Orrin Keepnews

Mastered by Kevin Gray and Steve Hoffman at Acoustech Mastering

Liner Notes by Orrin Keepnews

Originally released in 1960

Reissued in 2026

 

 

Tracks:

Side A:

1. 'Round Midnight

2. Yesterdays

Side B:

1. The End Of A Love Affair

2. Whisper Not

3. Ecorah

Side C:

1. Satin Doll

2. Missile Blues

Side D:

1. Too Late Now

2. Jingles

         

        Reviews:

        “While even label executive Orrin Keepnews admits that The Wes Montgomery Trio may have fallen short of representing Montgomery's talent, he still felt that this debut captured a large portion of it. Recorded on October 5 and 6 in 1959, guitarist Montgomery is joined by organist Melvin Rhyne and drummer Paul Parker. Montgomery's style, block chords and octaves, is already firmly in place, and he delivers lovely solos on "'Round Midnight," "Whisper Not," and "Satin Doll." The choice of material, in fact, from classics like "Yesterdays" to originals like Montgomery's "Jingles," never falters. The only drawback is that the accompaniment, which though solid, doesn't seem to perfectly match his guitar style. One gets the impression that Montgomery's forceful, deliberate style would be better-served by beefier arrangements. Having said this, Montgomery's performance -- coming at the end of a decade represented by guitarists like Tal Farlow and Barney Kessel -- must have been a revolution in technique and execution. Suddenly, out of nowhere, a 36-year-old guitarist re-imagines the jazz guitar solo. There are two bonus tracks on The Wes Montgomery Trio: extra takes of "Satin Doll" and "Missile Blues." Although later Riverside recordings of Montgomery are more fully realized, fans will enjoy returning to the moment when he first burst upon the jazz scene.“ Allmusic review by Ronnie D. Lankford, Jr.

         

        Ratings :

        AllMusic : 4 / 5 ; Discogs : 4.47 / 5 ; DownBeat : 4 / 5 ; The Penguin Guide to Jazz Recordings : 3 / 4 ; The Rolling Stone Album Guide :  4 / 5

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