Mozart, New Philharmonia, Giulini – Symphony No. 40 / No. 41 “Jupiter” - Audiophile
Mozart, New Philharmonia, Giulini – Symphony No. 40 / No. 41 “Jupiter” - Audiophile
Mozart, New Philharmonia, Giulini – Symphony No. 40 / No. 41 “Jupiter” - Audiophile
Mozart, New Philharmonia, Giulini – Symphony No. 40 / No. 41 “Jupiter” - Audiophile

Mozart - Symphony No. 40 & 41 “Jupiter” - Carlo Maria Giulini, New Philharmonia

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Wolfgang Amadeus Mozart - Symphony No. 40 & 41 “Jupiter”

Orchestra – New Philharmonia Orchestra

Conductor – Carlo Maria Giulini

 

1LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g 

Record color : Black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Pallas

Label : Speakers Corner

Original Label : Decca

Recorded October / November 1965 at Kingsway Hall, London

Produced by Ray Minshull

Originally released in 1965

Reissued in 1998

 

 

Tracks :

Side A : Symphony No. 40 G Minor, K. 550    

  1. Molto Allegro
  2. Andante         
  3. Menuetto: Allegretto
  4. Allegro Assai  

Side B : Symphony No. 41 C Major K. 551 “Jupiter” 

  1. Allegro Vivace
  2. Andante Cantabile    
  3. Menuetto: Allegretto
  4. Molto Allegro

 

Reviews:

Like all the works he composed during his extremely productive years in Vienna, Mozarts last two symphonies are remarkable for their ambitious and demanding individuality, despite the fact that they were written in the amazingly short space of only six weeks. Any inference to the dire circumstances in which the composer was living at the time might possibly be detected in the grave character of Symphony No. 40 in G minor. The so-called Jupiter-Symphony, however, which owes its name to the Roman god, brims over with an endless joy of life. The powerful final movement with its combination of fugal technique, rondo and sonata form is quite rightly regarded as a unique compositional achievement in the classical era.

The Mozart specialist Carlo Maria Giulini, who only enters the recording studio when he is quite totally sure of a thing, has set down a performance here which does without orchestral fireworks and concentrates on a seemingly endless flow of melody. The orchestral playing is light, airy and unpretentious, the strings as soft as silk-what more could Mozart have wished for.

 

 

Ratings :

Discogs : 4.52 / 5

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