The Beach Boys - Summer Days (Mono, 200g)
Prix habituel
€65,00
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
Temps moyen d'expédition : 2 à 4 jours ouvrés. L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.
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Lead Vocals : Al Jardine (A3, A6), Brian Wilson (B2, B3), Mike Love (A1, A2, A4, B1)
Performed by The Beach Boys : Brian Wilson (vocals, bass guitar, keyboards), Mike Love (vocals, percussion, saxophone, Electro-Theremin), Al Jardine (vocals, rhythm guitar, bass guitar), Bruce Johnston (vocals, keyboards, bass guitar), Dennis Wilson (vocals, drums, keyboards).
Arranged by Brian Wilson
Written by Brian Wilson (A1, A2, A4 to B6), Mike Love (B6)
1 LP, Stoughton tip-on jackets
Original analog Master tape : YES
Heavy Press : 200g
Record color : black
Speed : 33 RPM
Size : 12'’
Mono
Studio
Record Press : Quality Record Pressings
Label : Analogue Productions
Original Label : Capitol
Recorded on February 24 – June 4, 1965 at Western, Gold Star, and Columbia, Hollywood
Produced by Brian Wilson
Mixed by Mark Linett
Remastered by Kevin Gray at Cohearent Audio
Originally released in 1965
Reissued in 2015
Tracks :
Side A :
The Girl From New York City
2. Amusement Parks U.S.A.
3. Then I Kissed Her
4. Salt Lake City
5. Girl Don't Tell Me
6. Help Me, Rhonda
2. Amusement Parks U.S.A.
3. Then I Kissed Her
4. Salt Lake City
5. Girl Don't Tell Me
6. Help Me, Rhonda
Side B :
1. California Girls
2. Let Him Run Wild
3. You're So Good To Me
4. Summer Means New Love
5. I'm Bugged At My Ol' Man
6. And Your Dream Comes True
2. Let Him Run Wild
3. You're So Good To Me
4. Summer Means New Love
5. I'm Bugged At My Ol' Man
6. And Your Dream Comes True
Reviews :
« Summer Days (And Summer Nights!!) was a bit of a regression from the success of Today!, lapsing back into that distressing division between first-rate cuts and lightweight also-rans that characterized their pre-1965 albums. The difference is that the very best tracks were operating on a more sophisticated level than the 1962-1964 classics. "Help Me, Rhonda" was a number one single and would be their last Top 40 exercise in sheer fun for a while. More impressive was "California Girls," with its symphonic arrangement, glorious harmonies, and archetypal statement of Californian lifestyle. Subpar efforts like "Amusement Park U.S.A." and "Salt Lake City," throwbacks to the empty-headed summer filler of previous days, will disappoint. The answer song, "The Girl from New York City," and the cover, "Then I Kissed Her," are well done but don't break new ground. Yet a couple of cuts are among their most essential LP-only efforts. "Let Him Run Wild" is a soulful ballad with a great Brian Wilson falsetto vocal. "Girl Don't Tell Me," with its gorgeous melody, fine lead vocal debut from Carl Wilson, and subtle depiction of romantic rejection and disappointment, may be the best obscure pre-Pet Sounds Beach Boys track. » AllMusic Review by Richie Unterberger
"The most astonishing change in Today! and Summer Days are the balanced, lush stereo mixes, available on vinyl for the first time in these reissues from Analogue Productions. Pressed by AP's own Quality Record Pressings, the mixes are nothing short of a brilliant rejuvenation that all fans of this most American of 1960s pop bands will find entirely essential. They aren't merely different, or even just better — they're terrific. ... New colors and dimensions in the music abound. Wilson's grand arrangements are hugely well served by these breakthrough stereo mixes." Robert Baird, Stereophile, Recordings of the Month, March 2016
"What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition
A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
Summer Days (And Summer Nights!!) was released in stereo for the first time in 2012. These stereo mixes were created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes.
The exception is "Help Me Rhonda," which is a computer-generated stereo mix by Derry Fitzgerald. A remix in stereo for that track isn't possible because many overdubs were added as the song was mixed for the original mono single. The stereo mixes for "Today!", "Summer Days (And Summer Nights!!)," "Beach Boys' Party!" and "Smiley Smile" were produced and mixed by Mark Linett, and co-produced by Alan Boyd.
Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.
The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.
"Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist.
All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were done by Mark Linett on behalf of the Beach Boys.
Summer Days features another Wilson world-beater production, "California Girls," and the band's second No. 1 single, "Help Me, Rhonda." Ever pressured by commercial concerns, Wilson and the band created what was in essence the true follow-up to the All Summer Long album. Still, there's a level of musical sophistication to tracks such as "Salt Lake City," the Phil Spector tribute "Then I Kissed Her," "Summer Means New Love" and "Let Him Run Wild."
Ratings :
AllMusic : 4 / 5 , Discogs : 4.06 / 5