Max Roach - Percussion Bitter Sweet - AUDIOPHILE
Max Roach - Percussion Bitter Sweet - AUDIOPHILE
Max Roach - Percussion Bitter Sweet - AUDIOPHILE
Max Roach - Percussion Bitter Sweet - AUDIOPHILE
Max Roach - Percussion Bitter Sweet - AUDIOPHILE
Max Roach - Percussion Bitter Sweet - AUDIOPHILE
Max Roach - Percussion Bitter Sweet - AUDIOPHILE
Max Roach - Percussion Bitter Sweet - AUDIOPHILE

Max Roach - Percussion Bitter Sweet

€49,00
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Drums – Max Roach [click here to see more products featuring Max Roach]

Vocals – Abbey Lincoln (A1, B2)

Trumpet – Booker Little [click here to see more products featuring Booker Little]

Flute, Alto Saxophone, Bass Clarinet – Eric Dolphy [click here to see more vinyl featuring Eric Dolphy]

Piano – Mal Waldron [click here to see more vinyl featuring Mal Waldron]

Tenor Saxophone – Clifford Jordan [click here to see more vinyl featuring Clifford Jordan]

Bass – Art Davis

Congas – Carlos Valeler

Cowbell – Carlos "Totico" Eugenio

Trombone – Julian Priester

Written by M. Roach (all tracks), C. Bayen (B2)

 

 

1 LP, Gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : Black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Optimal

Label : Verve

Original Label : Impulse

Recorded on August 1, 3, 8–9, 1961 in New York City

Original session produced by Max Roach

Mastered by Ryan Smith

Reissue produced by Ken Druker

Lacquer cut at Sterling Sound by Ryan Smith

Photography by Bob Gomel

Liner Notes by Margo Guryan

Originally released in 1961

Reissued in December 2025

 

Tracks:

Side A

1. Garvey's Ghost

2. Mama

3. Tender Warriors

Side B

1. Praise For A Martyr

2. Mendacity

3. Man From South Africa

 

     

    Reviews:

    « A classic album, and one of the finest of drummer Max Roach's very productive career. The illustrious sidemen (trumpeter Booker Little; trombonist Julian Priester; Eric Dolphy on alto, bass clarinet, and flute; tenorman Clifford Jordan; pianist Mal Waldron, and bassist Art Davis, in addition to some guest percussionists) all have opportunities to make strong contributions. Dolphy's pleading alto solo on "Mendacity" is particularly memorable. Abbey Lincoln has two emotional and very effective vocals, but it is the overall sound of the ensembles and the political nature of the music that make this set (along with Roach's Freedom Now Suite) quite unique in jazz history. » AllMusic Review by Scott Yanow

     

     

    Ratings:

    AllMusic : 5 / 5 ; Discogs : 4.91 / 5

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