Stravinsky, Chicago Symphony Orchestra, Sir Georg Solti – Le Sacre Du Printemps - Audiophile
Stravinsky, Chicago Symphony Orchestra, Sir Georg Solti – Le Sacre Du Printemps - Audiophile
Stravinsky, Chicago Symphony Orchestra, Sir Georg Solti – Le Sacre Du Printemps - Audiophile
Stravinsky, Chicago Symphony Orchestra, Sir Georg Solti – Le Sacre Du Printemps - Audiophile

Stravinsky – Le Sacre Du Printemps - Sir Georg Solti, Chicago Symphony Orchestra

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Igor Stravinsky – Le Sacre Du Printemps

Orchestra – Chicago Symphony Orchestra

Conductor - Georg Solti

 

 

1LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g 

Record color : Black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Pallas

Label : Speakers Corner

Original Label : Decca

Recorded May 14th, 1974 in the Medinah Temple, Chicago, USA

Engineered by James Lock, Kenneth Wilkinson

Produced by Ray Minshull

Illustration by Nicholas Roerich

Originally released in 1974

Reissued in 2002

 

 

Tracks :

Side A : First Part - L'Adoration De La Terre    

Side B : Second Part - Le Sacrifice

 

 

Reviews:

To be sure: no other 20th-century ballet music has ever created such a commotion as this ancient rite of spring: it began with a turmoil which developed into a full-scale brawl at the premiere performance in the concert hall, was sung hymns of praise and suffered devastating reviews by critics who tore the work apart, and led up to the musico-philosophical libel written in the Fifties by that self-acclaimed 'chief enemy' of Stravinsky, W. A. Adorno.

This thrilling, epoch-making masterpiece remains fascinating to this very day thanks to its bloodcurdling rhythms, its secretive, intertwined melodies, and the boiling, seething, and lashing of the titanic instrumental forces. And Sir Georg Solti and his phenomenal orchestra certainly ensure that all this is brought over to the listener. The notes of the lyrical passages simply fly out of the loudspeakers with the lightness and airyness to which one is accustomed with DECCA recordings from this era. But one can still be astounded by this audiophile work of art: such a gentle, voluminous, lashing and pounding sound-storm is only normally heard live in the concert hall. And precisely because this recording sounds so marvellous, it tops the vinyl charts in the American specialist magazine The Absolute Sound.

 

Ratings :

Discogs : 4.83 / 5

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