Mozart – Clarinet Concerto & Horn Concertos Nos. 1 & 3 - Gervase de Peyer, Barry Tuckwell, Peter Maag, London Symphony Orchestra
Prix habituel
€69,00
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Rarity - Sealed
Wolfgang Amadeus Mozart - Clarinet Concerto In A Major (K.622), Horn Concerto No. 1 In D Major (K.412), Horn Concerto No. 3 In E Flat Major (K.447)
Clarinet – Gervase De Peyer (A1-3)
Horn – Barry Tuckwell (B1-5)
Orchestra – London Symphony Orchestra
Conductor – Peter Maag
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : Pallas
Label : Speakers Corner
Original Label : Decca
Recorded at Cass Technical High School Auditorium, Detroit & Orchestra Hall, Detroit
Recorded 24-26th November 1959 at Kingsway Hall, London
Engineered by Kenneth Wilkinson
Produced by Ray Minshull
Originally released in 1960
Reissued in 1996
Tracks :
Side A:
- Clarinet Concerto In A Major (K.622) - 1st Mov.: Allegro
- Clarinet Concerto In A Major (K.622) - 2nd Mov.: Adagio
- Clarinet Concerto In A Major (K.622) - 3rd Mov.: Rondo - Allegro
Side B:
- Horn Concerto No. 1 In D Major (K.412) - 1st Mov.: Allegro
- Horn Concerto No. 1 In D Major (K.412) - 2nd Mov.: Allegro
- Horn Concerto No. 3 In E Flat Major (K.447) - 1st Mov.: Allegro
- Horn Concerto No. 3 In E Flat Major (K.447) - 2nd Mov.: Romanze - Larghetto
- Horn Concerto No. 3 In E Flat Major (K.447) - 3rd Mov.: Allegro
Reviews:
“In the late 50s, Decca was at the very top of their recording art, the summit which I judge pretty much any modern recording against. Add to that lofty status two of the most talented soloists of the past century, the LSO and Peter Maag with some of Mozart’s most famous and easily enjoyable concerti and you arrive at an all-star cast and performance.
You can’t do much better. Actually, I don’t know that I could name anybody who has done better. What else can I say?
This is one of the most Mozartean recordings I know of, full of finesse and refinement as well as pep and liveliness. Instrument tonal colors are spectacular in the orchestra as well as with the soloists. It has little dashes of color just pop up light bursting flowers all over the broad and deep soundstage. It is not demanding music at least for the listener—the soloists surely would I have a very different opinion—and it is played to be fully enjoyable. That’s what on this disc, bliss pure and simple. I could waste your time with lengthy comparisons to other versions I own but why? This is the one for posterity and Speakers Corner brings it back to us in absolutely pristine condition. The only thing you must ask yourself is how come you don’t have it in your collection yet. Really.” 6 Moons Review by Frederic Beudot
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