Frank Sinatra – Sinatra's Sinatra - Audiophile
Frank Sinatra – Sinatra's Sinatra - Audiophile
Frank Sinatra – Sinatra's Sinatra - Audiophile
Frank Sinatra – Sinatra's Sinatra - Audiophile

Frank Sinatra – Sinatra's Sinatra (UltraAnalog, Half-speed Mastering, Numéro 002963)

€199,00
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Rarity - Sealed

Frank Sinatra - Vocals [click here to see more Vinyl/SACD featuring Frank Sinatra]

Arranged and Conducted by Nelson Riddle

Written by Cole Porter (A1), David Mann (A2), Bob Hilliard (A2), Sammy Cahn (A3, B1, B3, B5), Jimmy Van Heusen (A3, A4, B1, B3, B5), Phil Silvers (A4), Cy Coleman (A5), Carolyn Leigh (A5, A6, B2), Johnny Richards (A6), Phil Springer (B2), Bennie Benjamin (B4), George David Weiss (B4), Frankie Carle (B4), Paul Mann (B6), Stephan Weiss (B6), Ruth Lowe (B6)

 



1 LP, gatefold cover

Limited  numbered edition (Number : 002963)

Original analog Master tape : YES

Heavy Press: 180g

Record color: Black

Speed: 33RPM

Size: 12"

Stereo

Studio

Record Press: RTI

Made in USA

Label: Mobile Fidelity Sound Lab

Original Label: Reprise Records

Recorded: April 29–30, 1963, November 22, 1961, January 21, 1963 – United Recording Studios, Hollywood

Produced by Sonny Burke

Mastered by Rob LoVerde

Photography by Ted Allan

Originally Released in 1963

Reissued in 2010

 

Tracks:

Side A:

  1. I've Got You Under My Skin
  2. In The Wee Small Hours Of The Morning
  3. The Second Time Around
  4. Nancy
  5. Witchcraft
  6. Young At Heart

Side B:

  1. All The Way
  2. How Little We Know
  3. Pocketful Of Miracles
  4. Oh, What It Seemed To Be
  5. Call Me Irresponsible
  6. Put Your Dreams Away

 

Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.  

 

Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

 

Ratings :

Discogs : 4,38 / 5 

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