Elvis Presley - His Hand In Mine (Vinyle avec marques blanches et argentées))
Prix habituel
€59,00
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
Temps moyen d'expédition : 2 à 4 jours ouvrés. L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.
Elvis Presley – vocals, acoustic guitar [click here to see more vinyl featuring Elvis Presley]
The Jordanaires – backing vocals
Millie Kirkham – backing vocals
Scotty Moore – electric guitar
Hank Garland – acoustic guitar
Floyd Cramer – piano
Bob Moore – double bass
D.J. Fontana, Buddy Harman – drums
Boots Randolph – saxophone
Charlie Hodge – harmony and backing vocals on “His Hand in Mine”, “I Believe in the Man in the Sky”, and “He Knows Just What I Need”
1 LP, gatefold including 24" x 24" poster insert
Original analog Master tape : YES
Heavy Press : 180g
Record color : white and silver swirl
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : RTI
Label : Friday Music
Original Label : RCA Victor
Recorded October 30 and 31, 1960
Produced by Steve Sholes
Originally released in 1960
Reissued in 2018
Tracks:
Side A :
- His Hand In Mine
- I’m Gonna Walk Dem Golden Stairs
- In My Father’s House (Are Many Mansions)
- Milky White Way
- Known Only To Him
- I Believe In The Man In The Sky
Side B:
- Joshua Fit The Battle
- He Knows Just What I Need
- Swing Down Sweet Chariot
- Mansion Over The Hilltop
- If We Never Meet Again
- Working On The Building
Reviews:
“From rock & roll firebrand to pop crooner to gospel believer, Elvis' career went in many directions that his earliest critics could hardly have believed. Was it heresy or conversion or commercialism that had caused Elvis the Pelvis to record a gospel EP in 1957, and then a full LP in 1960, just months after he returned from his Army stint? The answer was, of course, none of the above. What the critics didn't understand was that Elvis wasn't just a cultural phenomenon but a cultural chameleon, a vocalist who took in a range of influences -- from Big Mama Thornton to Dean Martin to the Statesmen -- without ever considering the possibility of a contradiction. The same teenager who couldn't stop listening to black R&B was also in attendance at each one of the monthly gospel singing meetings held in Memphis during the early '50s -- and the teenage Presley was well-known to Jake Hess and the Statesmen for his exuberance and innumerable questions about the technical side of gospel quartet singing. Several years after his first rock success, during a single late-night-and-early-morning session in October, 1960, Presley recorded the material for his first full gospel LP, His Hand in Mine. Combining the spiritual force and the physical release he'd experienced from the best gospel singing, Elvis revealed himself as an all-time-great gospel singer, someone who had energy to spare (hardly a surprise) but also immense reserves of control and precision (a rarer commodity among rock & roll singers). Most of the songs were standards from the Statesmen, Blackwood Brothers, and other classic quartets Elvis loved, and represent some of the best ballad singing of his career -- after all, it was recorded at the peak of his balladic powers, a time when "It's Now or Never" and "Fame and Fortune" had not yet given way to "Can't Help Falling in Love." He's fantastic serving as the lead voice in a group vocal -- years of advice from the best had paid off -- and he shows off his excellent high-tenor singing in a range of situations (tender on "Known Only to Him," playful on "I Believe in the Man in the Sky"). His Hand in Mine isn't just one of Elvis' best LPs, it's one of the best (and best-recorded) gospel sessions of all time.” AllMusic Review by John Bush
Ratings :
AllMusic : 4,5 / 5 , Discogs : 4,21 / 5