Beethoven - Piano Sonatas Nos. 8,14,23,31 - Elly Ney (2LP, Mono)
Beethoven - Piano Sonatas Nos. 8,14,23,31 - Elly Ney (2LP, Mono)
Beethoven - Piano Sonatas Nos. 8,14,23,31 - Elly Ney (2LP, Mono)
Beethoven - Piano Sonatas Nos. 8,14,23,31 - Elly Ney (2LP, Mono)

Beethoven - Piano Sonatas Nos. 8,14,23,31 - Elly Ney (2LP, Mono)

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Ludwig van Beethoven - Piano Sonatas N° 8,14,23,31

Elly Ney, piano

 

2 LPs, gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g Virgin Vinyl

Record color : black

Speed : 33 RPM

Size : 12'’

Mono

Live

Record Press : Pallas

Label : Analogphonic

Original Label : Deutsche Grammophon

Mastered by Rainer Maillard at Emil Berliner Studios in Berlin

Released in 2019

 

Tracks:

Side A : Klaviersonate Nr. 14 Cis-moll Op. 27 Nr. 2 (Mondschein-Sonate)

  1. Satz: Adagio Sostenuto
  2. Satz: Allegretto
  3. Satz: Presto Agitato

Side B : Klaviersonate Nr. 23 F-moll Op. 57 (Appassionata)

  1. Satz: Allegro Assai
  2. Satz: Andante Con Moto
  3. Satz: Allegro Ma Non Troppo

Side C : Klaviersonate Nr. 8 C-moll Op. 13 (Pathétique)

  1. Satz: Grave-Allegro Di Molto E Con Brio
  2. Satz: Andante Cantabile
  3. Satz: Rondo-Allegro

Side D : Klaviersonate Nr. 31 As-dur Op. 110

  1. Satz: Moderato Cantabile, Molto Expressivo
  2. Satz: Allegro Molto
  3. Satz: Adagio, Ma Non Troppo-Fuga. Adagio Ma Non Troppo

 

Awards :

TAS Super LP List! Special Merit: Classical

 

Reviews:

“There is, as far as I know, nothing in the violin literature quite comparable to these incredibly imaginative, relentlessly intense pictorial essays by Heinrich Franz Biber (1666-1704), that still only half-known Salzburg Kapellmeister who plunged with an almost Joycean intellect into the task of delineating the Mysteries of the Rosary in musical outline... Any way you look at it, these sonatas are an experience; one is apt to forget, over a long period of time, just how remarkable - even exhausting - they are. The Melkus performance, a bit more assertive and tending towards brisker tempos, also offers a strong temptation to the buyer. For the con-tinuo part it employs the six instruments listed above. in varying combinations, and in certain sonatas it seems to me that the handling of continuo is more successful - that is, more aggressively set forth - in the new set. Melkus is tremendously skilled and forthright, and his work is exciting. These qualities are evident too in his playing of the solo Passacaglia, a relatively simple example of the form which nonetheless manages to hold you fast. Sound is superb-spacious and clean." High Fidelity

 

Ratings :

Discogs : 5 / 5

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