<tc>Marlena Shaw – Live In Tokyo (Edition japonaise)</tc>
<tc>Marlena Shaw – Live In Tokyo (Edition japonaise)</tc>
<tc>Marlena Shaw – Live In Tokyo (Edition japonaise)</tc>
<tc>Marlena Shaw – Live In Tokyo (Edition japonaise)</tc>
<tc>Marlena Shaw – Live In Tokyo (Edition japonaise)</tc>
<tc>Marlena Shaw – Live In Tokyo (Edition japonaise)</tc>

Marlena Shaw – Live In Tokyo (Edition japonaise)

€79,00
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Marlena Shaw – Vocals

Bass – Jeff Chambers

Drums – Ron Otis

Piano – Clarence McDonald

Tenor Saxophone – Rickey Woodard

Lyrics by Marlena Shaw (A1), Artie Kane (A2), Carol Connors (A2), Eugene McDaniels (A3), Bernie Hanighen (B1), Stanley Adams (B2), Maria Grever (B2), Bernard Ighner (B3)

Music written by Marlena Shaw (A1), Artie Kane (A2), Carol Connors (A2), Eugene McDaniels (A3), Cootie Williams (B1), Thelonious Monk (B1), Maria Grever (B2), Bernard Ighner (B3)


 

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Live

Record Press : unspecified

Label : Eighty-Eight's

Original Label : Eighty-Eight's

Recorded live at B Flat, Tokyo on June 28, 2002

Recorded by Shoshihiro Suzuki

Mixed by Takashi Sasaki

Produced by Yasohachi "88" Itoh

Mastered by Tohru Kotestu

Originally released in 2002

 

Tracks:

Side A:

  1. Ooh Wee - Baby You're The One For Me
  2. Don't Ask To Stay Until Tomorrow
  3. Feel Like Makin' Love

Side B:

  1. 'Round Midnight
  2. What A Difference A Day Mad
  3. Loving You Was LIke A Party

                                  

                                Reviews:

                                “There are vocalists who can sing well, and swing too; and then there are seasoned professionals who master any material, making each song sound like a fresh thought and an intimate conversation. Marlena Shaw, who began with Count Basie and still works steadily and internationally all through the year, has each of these elements, plus a stage presence that manages to be both electrifying and endearing. This live release, recorded at Tokyo's B Flat club in June 2002, and reissued about a year later by 441 Records, supplies a taste of Shaw's warm, easy rapport with her audience, and their delighted response. What is fully documented is her splendid voice and range, and her relaxed, personal delivery of the material. Here it moves from her own, finger-snapping "Ooh Wee -- You're the One for Me," to a slow-burning rendition of "What a Difference a Day Makes." Shaw recalls her Basie days with "Until I Met You," aka "Corner Pocket," and heats up both "Round Midnight" and "Feel Like Makin' Love," which was a hit for Roberta Flack in a more subdued version. Whether interpreting jazz classics or pop tunes, Shaw puts her signature on each track, inviting the listener in with her direct, earthy approach, and her unique lyrical improvisations that enhance the meaning of each song.” AllMusic Review by Judith Schlesinger


                                 

                                Ratings :

                                AllMusic : 4 / 5 ; Discogs : 4.6 / 5

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