The Lost Boys - Bande originale du film (Vinyle translucide rouge)
Prix habituel
€59,00
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Temps moyen d'expédition : 2 à 4 jours ouvrés. L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.
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COMPILATION
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : Translucent Red
Speed : 33RPM
Size : 12”
Stereo
Studio
Record Press : Rainbo Records
Label : Friday Music
Original Label : Atlantic
Produced by Gary LeMel, Richard Steinberg
Remastered by Joe Reagoso
Originally released in 1987
Reissued in 2021
Tracks:
Side A :
- Good Times - performed by INXS and Jimmy Barnes
- Lost In The Shadows (The Lost Boys) - performed by Lou Gramm
- Don't Let The Sun Go Down On Me - performed by Roger Daltrey
- Laying Down The Law - performed by INXS and Jimmy Barnes
Side B :
- People Are Strange - performed by Echo & The Bunnymen
- Cry Little Sister (Theme From The Lost Boys) - performed by Gerard McMann
- Power Play - performed by Eddie And The Tide
- I Still Believe - performed by Tim Cappello
- Beauty Has Her Way - performed by Mummy Calls
- To The Shock Of Miss Louise - performed by Thomas Newman
Reviews :
"Joel Schumacher's 1987 film The Lost Boys capitalized on a temporary lull in horror movies in the late '80s and created a heavily music-video-influenced vampire homage with enough campy humor, heavy metal costumes, and hunky stars to put a fresh spin on the genre. An amusing piece of eye candy spiked by a few creepy moments, the movie, in typical '80s style, relies heavily on the soundtrack to bolster its emotional core. The soundtrack, like the film, works great on the surface -- but don't go much deeper. A mix of covers and bombastic '80s pop originals, the songs work best when they concentrate on the horror factor. Echo & the Bunnymen turn in an excellent cover of the Doors' "People Are Strange" that has a bouncier, more melodic touch than the original. Jimmy Barnes and INXS' "Good Times" is an energetic rocker used to personify the party-hardy SoCal atmosphere of the film. The strongest song is the movie's theme, "Cry Little Sister," a goth-influenced midtempo ballad. Singer Gerald McMann's pained phrasing and creepy lyrics, and a chilling chorus sung by what sounds like disembodied children, exemplify the best parts of the movie and the soundtrack." AllMusic Review by Theresa E. LaVeck
Ratings :
AllMusic : 3 / 5 , Discogs : 4,12 / 5