Alanis Morissette - Jagged Little Pill (2LP, 45 RPM, Box, 1STEP, SuperVinyl) - Audiophile

Alanis Morissette - Jagged Little Pill (2LP, 45 tours, Coffret, 1STEP, SuperVinyl)

€195,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Vocals, Harmonica – Alanis Morissette

Art Direction, Design – Tom Recchion

Bass – Flea, Lance Morrison

Drums – Matt Laug, Rob Ladd

Guitar – Basil Fung, Dave Navarro, Glen Ballard, Joel Shearer, Michael Landau

Keyboards – Glen Ballard

Organ – Benmont Tench, Michael Thompson

Written by Alanis Morissett, Glen Ballard

 

 

2LPs, Box set

Limited to 4,000 numbered copies

Original analog Master tape : YES

UD1S (UltraDisc One-Step)

Heavy Press : 180g SuperVinyl

Record color : black

Speed : 45 RPM

Size : 12'’

Stereo

Studio

Record Press : FIDELITY RECORD PRESSING

Label : MOFI

Original Label : Asylum Records

Recorded 1994–1995 at Westlake studio, Los Angeles, California &  Signet Sound West Studio, Hollywood, California

Recorded by Christopher Fogel, Glen Ballard, Ted Blaisdell 

Mixed by Christopher Fogel, Francis Buckley, Glen Ballard, Jimmy Boyelle

Produced by Glen Ballard

Photography by John Patrick Salisbury

Art Direction, Design by Tom Recchion

Originally released in 1981

Reissued in 2025

 

 

Tracks:

Side A:

  1. All I Really Want
  2. You Oughta Know
  3. Perfect

Side B:

  1. Hand in My Pocket
  2. Right Through You
  3. Forgiven

Side C:

  1. You Learn
  2. Head over Feet
  3. Mary Jane

Side D:

  1. Ironic
  2. Not the Doctor
  3. Wake Up

 

Reviews:

« It's remarkable that Alanis Morissette's Jagged Little Pill struck a sympathetic chord with millions of listeners, because it's so doggedly, determinedly insular. This, after all, plays like an emotional purging, prompted by a bitter relationship -- and, according to all the lyrical hints, that's likely a record executive who took advantage of a young Alanis. She never disguises her outright rage and disgust, whether it's the vengeful wrath of "You Oughta Know" or asking him "you scan the credits for your name and wonder why it's not there." This is such insider information that it's hard to believe that millions of listeners not just bought it, but embraced it, turning Alanis Morisette into a mid-'90s phenomenon. Perhaps it was the individuality that made it appealing, since its specificity lent it genuineness -- and, even if this is clearly an attempt to embrace the "women in rock" movement in alterna-rock, Morissette's intentions are genuine. Often, it seems like Glen Ballard's pop inclinations fight against Alanis' exorcisms, as her bitter diary entries are given a pop gloss that gives them entry to the pop charts. What's all the more remarkable is that Alanis isn't a particularly good singer, stretching the limits of pitch and credibility with her octave-skipping caterwauling. At its core, this is the work of an ambitious but sophomoric 19-year-old, once burned by love, but still willing to open her heart a second time. All of this adds up to a record that's surprisingly effective, an utterly fascinating exploration of a young woman's psyche. As slick as the music is, the lyrics are unvarnished and Morissette unflinchingly explores emotions so common, most people would be ashamed to articulate them. This doesn't make Jagged Little Pill great, but it does make it a fascinating record, a phenomenon that's intensely personal. » AllMusic Review by Stephen Thomas Erlewine

 

 

UltraDisc One-Step : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.

 

 

Ratings :

AllMusic : 4.5 / 5 ; Discogs : 4.43 / 5

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