Miranda Lambert – Revolution (2LP, 45 tours, Vinyle violet et noir)
Prix habituel
€97,00
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Rarity - Sealed
Vocals - Miranda Lambert
Backing Vocals – Kim Keyes, Mike Wrucke, Natalie Hemby, Ashley Monroe (B1), Blake Shelton (B2), Buddy Miller (C2), Charles Kelley (C4), Chris Stapleton (C1), Randy Scruggs (D3)
Bass – Glenn Worf
Drums – Chad Cromwell, Fred Eltringham
Guitar – Jay Joyce, Jim Hoke, Mike Wrucke, Randy Scruggs, Richard Bennett
Steel Guitar – Greg Leisz, Russ Pahl
Organ [B-3 Organ] – Chuck Leavell, Mike Wrucke
Percussion – Eric Darken
Written by Miranda Lambert (A1 to B4, C4, D1-2, D4), Natalie Hemby (A1-2, B3, D4), Ashley Monroe (B1, D1), Blake Shelton (B1, C4, D2), Fred Eaglesmith (C1), Julie Miller (C2), Allen Shamblin (C3), Tom Douglas (C3), Charles Kelley (C4), Dave Haywood (C4), Travis Howard (D1), John Prine (D3), Jennifer Kennard (D4)
2LPs, standard sleeve
Limited edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : Mauve & Black Split
Speed : 45 RPM
Size : 12'’
Stereo
Studio
Record Press : GZ Media
Label : VMP - Vinyl Me Please Country series
Original Label : Sony / Columbia
Recorded in 2009 at Studio Blackbird Studios, Wrucke's House Studio, OmniSound Studios
Engineered by Mike Wrucke
Produced by Frank Liddell, Mike Wrucke
Mastered by Stephen Marcussen at Marcussen Mastering
Lacquer cut by Ryan Smith at Sterling Sound
Plated at Welcome to 1979
Photography by Randee St. Nicholas
Originally released in 2009
Reissued in 2022
Tracks:
Side A
- White Liar
- Only Prettier
- Dead Flowers
Side B
- Me And Your Cigarettes
- Maintain The Pain
- Airstream Song
- Makin' Plans
Side C
- Time To Get A Gun
- Somewhere Trouble Don't Go
- The House That Built Me
- Love Song
Side D
- Heart Like Mine
- Sin For A Sin
- That's The Way That The World Goes 'Round
- Virginia Bluebell
Review :
« Revolution is Miranda Lambert's first record to be delivered to great expectations, a reflection of the excellence of her first two and her increasing crossover to a wider, rock-oriented audience. Revolution was certainly made with that audience in mind, running a whopping 15 tracks -- a standard length in rock albums, not country -- and pumped up with growling, grinding guitars and thunderous rhythms, all the better to escalate her image as a rowdy spitfire. The gambit pays off almost too well, not quite obscuring the tender, gentle moments that prevent Lambert from being easily pigeonholed but pushing her Crazy Ex-Girlfriend persona to the verge of parody. What goes too far are not the songs but the sound, the relentless onslaught of overdriven guitars meant to convey an attitude Miranda captures better with her snarl. Lambert still slips easily into a rebel rocker persona, sneering "Only Prettier" with delicious contempt, but here she winds up as more winning when she modulates her delivery, adding sly humor to Fred Eaglesmith's "Time to Get a Gun" or easing into the easy-rolling "Airstream Song" and ballads that wind up as the highlights here. And these slower songs are highlights because they're not as insistent as the rowdy, swaggering rockers -- they flow as naturally as "Kerosene" did on Lambert's debut. Miranda can still pull off her tough-girl attitude -- she's turned into a pro, able to turn on her character at the drop of a dime -- but Revolution is somewhat weighed down by the perception that Lambert is nothing but a rocking rebel when she is, as the sum total of this strong but overly long album ultimately proves, so much more. » AllMusic Review by Stephen Thomas Erlewine
Ratings :
AllMusic : 3.5 / 5 ; Discogs : 4.42 / 5