Rod Stewart – Atlantic Crossing (Edition japonaise, non-scellé)
Prix habituel
€95,00
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Non scellé
Ce vinyle / CD est en parfait état mais non scellé.
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Rarity - Unsealed mint
Rod Stewart - vocals [click here to see more vinyl featuring Rod Stewart]
Backing Vocals – Cindy and Bob Singers, The Clappers, The Pets
Bass – Bob Glaub, David Hood, Duck Dunn, Lee Sklar
Drums, Percussion – Al Jackson, Nigel Olsson, Roger Hawkins, Willie Correa
Guitar – Fred Thackett, Jesse Ed Davis, Jimmy Johnson, Pete Carr, Steve Cropper
Horns – The Memphis Horns
Keyboards – Albhy Galuten, Barry Beckett
Mandolin, Violin – Divid Lindley
Written by Rod Stewart (A1-3, A5, B4), Jesse Ed Davis (A2), Mentor Williams (A4), Steve Cropper (A5), Danny Whitten (B1), Barry Goldberg (B2), Gerry Goffin (B2), Holland-Dozier-Holland (B3), Gavin Sutherland (B5)
1 LP, Gatefold jacket
Limited edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : unspecified (Japan)
Label : Warner Bros Records
Original label : Warner Bros Records
Recorded April–June 1975 at A&R Studio (New York), Criteria Studio (Miami), Wally Heider's Studio 3 (Hollywood), Hi Recording & Muscle Shoals (Alabama)
Engineered by Gabby Garcia, Jerry Masters, Rich Blakin, Steve Melton, Willie Mitchell
Produced by Tom Dowd
Originally released in 1975
Tracks:
Side A - Fast Side:
- Three Time Loser
- Alright For An Hour
- All In The Name Of Rock 'N' Roll
- Drift Away
- Stone Cold Sober
Side B - Slow Side:
- I Don't Want To Talk About It
- It's Not The Spotlight
- This Old Heart Of Mine
- Still Love You
- Sailing
Reviews:
« Rod Stewart's sixth album was called Atlantic Crossing because the singer was literally crossing the Atlantic, making America his new home for reasons of the heart (he was fully enamored with actress Britt Ekland at the time) and the wallet (he was eager to escape Britain's restrictive tax rates). As it happens, 1975 was a perfect time for a new beginning for Stewart: the Faces were falling apart, his last LP, Smiler, wasn't roundly loved, and he had wrapped up his contract with Mercury and signed with Warner, so he completely rebooted, hiring legendary producer Tom Dowd to steer him through a slick, streamlined revamping of his signature sound. The first thing to be ditched were any traces of the ragged folkie who had popped up on all his first five solo albums, including on his career-making hit "Maggie May," a move that may partially have been due to Stewart's longtime writing partner Martin Quittenton deciding to sever ties with him. Without those ringing acoustic guitars, Dowd and Stewart ratcheted up the rock & roll, soul, and whiskey-soaked ballads, first taking a stab at recording the album with the MG's (outtakes of which popped up on Warner's 2009 double-disc Collector's Edition of the album), then expanding this core group with other studio pros who could easily settle into a smooth, polished groove. The results were splashy without being glitzy, soulful without being gritty, an impressive big-budget revamp of Stewart that benefited enormously from a clutch of great songs, both originals and covers. Tellingly, all the great originals arrive on the first side dubbed "The Fast Half," with Rod writing blistering, funny rockers about being laid up three times with VD ("Three Time Loser") and suffering through an unwanted sobriety ("Stone Cold Sober"), then easing back for a quick romance on the Jesse Ed Davis co-written "Alright for an Hour" -- all good indications that his heart was still at a party. But the "Slow Half" did reveal that Stewart had lost none of his fine, nuanced interpretive skills, as he tore into Danny Whitten's "I Don't Want to Talk About It," took his first stab at "This Old Heart of Mine," and kept "Sailing" from drifting away into sentimentality. When taken together, the two halves might have showcased a somewhat slicker Stewart, but he was still the same old Rod with a big, oversized heart and an irresistible bad boy smirk. He may have crossed the Atlantic, but he was none worse for the wear for his journey, at least not yet. » AllMusic Review by Stephen Thomas Erlewine
Ratings :
AllMusic : 4.5/ 5 ; Discogs : 4.31 / 5