Supertramp – Crime Of The Century
Supertramp – Crime Of The Century
Supertramp – Crime Of The Century
Supertramp – Crime Of The Century

Supertramp – Crime Of The Century

€359,00
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RARITY - UNSEALED (Mint conditions)

Supertramp :

  • Rick Davies – vocals, keyboards, harmonica
  • Roger Hodgson – vocals, guitar, pianos
  • John Anthony Helliwell – saxophones, clarinet, backing vocals
  • Dougie Thomson – bass guitar
  • Bob Siebenberg (credited as Bob C. Benberg) – drums, percussion

Backing vocals - Christine Helliwell, Scott Gorham, Vicky Siebenberg

Ken Scott – water gong  (B4)

String arrangements by Richard Hewson

Written by Rick Davies and Roger Hodgson

 

 

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : Pallas

Label : Speakers Corner

Original Label : A&M Records

Recorded in February–June 1974 in London at Trident Studio, Ramport Studio, Scorpio Sound

Engineered by John Jansen & Ken Scott

Produced by Ken Scott and Supertramp

Mastered by Geoff Sykes at A&M Studios

Cover design and photography  by  Paul Wakefield

Originally released in October 1974

Reissued in December 1999

 

 

Tracks:

Side A:

  1. School
  2. Bloody Well Right
  3. Hide In Your Shell
  4. Asylum

Side B:

  1. Dreamer
  2. Rudy
  3. If Everyone Was Listening
  4. Crime Of The Century

 

Awards:

In the 1987 edition of The World Critic Lists, CBC's Geoff Edwards ranked Crime of the Century the 10th greatest album of all time

Listed in the 2005 book 1001 Albums You Must Hear Before You Die

In 2015, it was chosen as the 27th greatest progressive rock album by Rolling Stone Magazine

 

 

Reviews:

“Supertramp came into their own on their third album, 1974's Crime of the Century, as their lineup gelled but, more importantly, so did their sound. The group still betrayed a heavy Pink Floyd influence, particularly in its expansive art rock arrangements graced by saxophones, but Supertramp isn't nearly as spooky as Floyd -- they're snarky collegiate elitists, an art rock variation on Steely Dan or perhaps a less difficult 10cc, filled with cutting jokes and allusions, best heard on "Bloody Well Right." This streak would later flourish on Breakfast in America, but it's present enough to give them their own character. Also present is a slight sentimental streak and a heavy fondness for pop, heard on "Dreamer," a soaring piece of art pop that became their first big hit. That and "Bloody Well Right" are the concise pop moments on the record; the rest of Crime of the Century is atmospheric like Dark Side of the Moon, but with a lighter feel and a Beatles bent. At times the album floats off into its own world, with an effect more tedious than hypnotic, but it's still a huge leap forward for the group and their most consistent album outside of that 1979 masterwork, Breakfast in America.” AllMusic Review by Stephen Thomas Erlewine

 

 

Ratings :

AllMusic : 4 / 5 ; Discogs : 4.35 / 5 

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