Jimmy Smith - Prayer Meetin'
Jimmy Smith - Prayer Meetin'
Jimmy Smith - Prayer Meetin'
Jimmy Smith - Prayer Meetin'
<transcy>7% de remise</transcy>
Jimmy Smith - Prayer Meetin'
Jimmy Smith - Prayer Meetin'
Jimmy Smith - Prayer Meetin'
Jimmy Smith - Prayer Meetin'

Jimmy Smith - Prayer Meetin'

€55,00
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Jimmy Smith – organ [click here to see more vinyl featuring Jimmy Smith]

Stanley Turrentine – tenor saxophone [click here to see more vinyl featuring Stanley Turrentine]

Quentin Warren – guitar

Donald Bailey – drums

 

1 LP, gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press :  RTI

Label :  Blue Note Tone Poet

Original Label :  Blue Note

Recorded at Van Gelder Studio, Hackensack, New Jersey on February 8, 1963

Engineered by Rudy Van Gelder

Produced by Joe Harley

Remastered by Kevin Gray at Cohearent Audio

Originally released in 1964

Reissued in 2020

 

Tracks :

Side A :

  1. Prayer Meetin'
  2. I Almost Lost My Mind
  3. Stone Cold Dead In The Market

              

Side B :

  1. When The Saints Go Marching In
  2. Red Top
  3. Picnickin'

 

Awards:

TAS Super LP List! Special Merit: Informal

 

Reviews :

« Playing piano-style single-note lines on his Hammond B-3 organ, Jimmy Smith revolutionized the use of the instrument in a jazz combo setting in the mid-'50s and early '60s, and arguably his best albums for Blue Note during this period were the ones he did with tenor sax player Stanley Turrentine. Recorded on February 8, 1963, at Van Gelder Studio in New Jersey, and featuring Quentin Warren on guitar and Donald Bailey on drums in addition to Smith and Turrentine, Prayer Meetin' is a delight from start to finish. Forming a perfect closure to Smith's trio of albums with Turrentine (Midnight Special and Back at the Chicken Shack were both released in 1960), Prayer Meetin' was the last of four albums Smith recorded in a week to finish off his Blue Note contract before leaving for Verve. The blues roots are obvious here, and the Smith-penned title track might even be called jazz-gospel, but the single most striking cut is a version of Ivory Joe Hunter's "I Almost Lost My Mind," with both Smith and Turrentine building wonderful solos, suggesting new pathways for organ and sax as complementary instruments. » AllMusic Review by Steve Leggett

 

Ratings :

AllMusic 4.5/5 , Discogs 4.43 / 5

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