<transcy>Daria Toffali - Caminhos Cruzados - Antonio Carlos Jobim Song Book (Edition japonaise)</transcy>
<transcy>Daria Toffali - Caminhos Cruzados - Antonio Carlos Jobim Song Book (Edition japonaise)</transcy>
<transcy>Daria Toffali - Caminhos Cruzados - Antonio Carlos Jobim Song Book (Edition japonaise)</transcy>
<transcy>Daria Toffali - Caminhos Cruzados - Antonio Carlos Jobim Song Book (Edition japonaise)</transcy>

Daria Toffali - Caminhos Cruzados - Antonio Carlos Jobim Song Book (Edition japonaise)

€69,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Massimo Farao', piano [click here to see more vinyl featuring Massimo Farao']

Daria Toffali, vocals

Nicola Barbon, bass

Roberto "Bobo" Facchinetti, drums

 

1 LP, standard sleeve

Limited edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Venus Hyper Magnum Sound Direct Mix Stereo

Studio

Record Press :  Japanese Pressing

Label :  Venus

Original Label : Venus

Recorded at Azzurra Studio in Pastrengo

Engineered by Paolo Lovat

Produced by Tetsuo Hara

Remastered by Tetsuo Hara 

Released in 2018

 

Tracks :

Side A:

  1. O Amor Em Paz
  2. Retrato Em Branco E Preto
  3. Caminohos Cruzados
  4. Dindi

Side B:

  1. Estrada Do Sol
  2. Favela
  3. Insensatez
  4. Luiza

 

Reviews :

Mesmerizing vocals by Italian singer Daria Toffali. Daria started her singing career with various Italian bands playing different kinds of music: jazz, funk and Brazilian music. Here she pays homage to Brazilian composer Antonio Carlos Jobim, backed by the Massimo Farao' Trio.

Antonio Carlos Jobim was a Brazilian composer, pianist, songwriter, arranger and singer. He was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists within Brazil and internationally. Jobim is widely regarded as one of the most important songwriters of the 20th century. Many of Jobim's songs are jazz standards. Jobim was an innovator in the use of sophisticated harmonic structures in popular song. Some of his melodic twists, like the melody insisting on the major seventh of the chord, became common use in jazz after him.

 

Ratings : 

Discogs 5/5

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