Aaliyah – Aaliyah - Audiosoundmusic - Audiophile
Aaliyah – Aaliyah - Audiosoundmusic - Audiophile
Aaliyah – Aaliyah - Audiosoundmusic - Audiophile
Aaliyah – Aaliyah - Audiosoundmusic - Audiophile
Aaliyah – Aaliyah - Audiosoundmusic - Audiophile
Aaliyah – Aaliyah - Audiosoundmusic - Audiophile

Aaliyah – Aaliyah (2LP, Half-speed mastering, Vinyle rouge & or)

€97,00
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Les vinyles / CD dit "Rarissime" ne peuvent pas être échangés car ce sont des exemplaires uniques d'éditions épuisées.
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RARITY - SEALED 

Aaliyah – vocals

Timbaland (A1) - vocals

Static (A2) - vocals

Renzo Pryor – keyboards (B2)

The Black Orchestra – strings (B2)

Ron Blake – horn (C1)

Sean Cruse – guitar (D1)

Written by Static (A1 to B2, B4, C1, C4, D2, D4), S. Garrett (A1 to B2, B4, C1, C3-4, D2, D4), T. Mosley (A1, B1, B3, D4), E. Seats (A2-3, B4, C2, C4, D2), R. Stewart (A2-3, B4, C2, C4, D2), S. Anderson (B2, C1), M. Elliott (B3), Missy "Misdemeanor" Elliott (B3), B. Bush (C2), Digital Black From Playa (C2), J. Walker (C3, D3), D. Babbs (D1, D3), S. Anderson (D1), Tank (D1, D3)

 

 

2 LPs, Gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : Red & Gold Galaxy

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : GZ Media

Label : VMP - Vinyl Me Please, Essentials

Original Label : Blackground Records

Engineered by Jimmy Douglass (A1, B1, B3), Michael Conrader (A2, B2, C1-2), Acar Keys (A2-3, B4, C4, D2), Scott Wolfe (C3, D1, D3)

Mixed by Jimmy Douglass (A1, B1, B3, D4), Timbaland (A1, B1, D4), Ben Garrison (A2-3, B4, C1-2, C4), Bud'da (B2, C1, D1), Richard Segal-Huredia (B2, D1), Scott Wolfe (C3, D3), Dino "The Cut" Johnson (D2)

Executive-Producer – Aaliyah, Barry Hankerson, Jomo Hankerson

Mastered by Bernie Grundman at Bernie Grundman Mastering

Remastered by Barry Grint

Lacquer cut by The Wizzard (Barry Grint) at Alchemy Mastering

Photography by Albert Watson, Jeff Dunas

Originally released in 2001

Reissued in 2023

 

 

Tracks:

Side A

  1. We Need A Resolution
  2. Loose Rap
  3. Rock The Boat

Side B

  1. More Than A Woman
  2. Never No More
  3. I Care 4 U
  4. Extra Smooth

Side C

  1. Read Between The Lines
  2. U Got Nerve
  3. I Refuse
  4. It's Whatever

Side D

  1. I Can Be
  2. Those Were The Days
  3. What If
  4. Try Again

 

Awards:

At the 2002 American Music Awards, the *album won in the category of Favorite R&B/Soul Album.

For the album, Aaliyah was posthumously awarded an NAACP Image Award for Outstanding Female Artist

NPR's "The 150 Greatest Albums Made By Women" - Ranked number 77

Slant Magazine's list of the best albums from the 2000s – Ranked number 72

The Guardian ranked it number 28 on a list of the 100 best albums from the 21st century

Slant Magazine best album of 2001

 

 

Reviews :

« Aaliyah waited nearly five years to deliver her third album, but considering that she was essentially growing up -- it was the equivalent of spending time in college -- when she came back with an eponymous record in the summer of 2001, she came back strong. Aaliyah isn't just a statement of maturity and a stunning artistic leap forward, it's one of the strongest urban soul records of its time. Where such peers as Macy Gray and Jill Scott work too hard to establish their ties with classic soul, Aaliyah revels in the present, turning out a pan-cultural array of sounds, styles, and emotions. This sound is entirely unfamiliar -- part of the pleasure is how contemporary it sounds -- but she sounds just as comfortable within the sonicscapes of Timbaland as Missy Misdemeanor Elliott and, possibly, less self-conscious. Aaliyah never oversings, never oversells the songs -- this comes on easy and sultry, and there's a lot of substance here, in terms of the songwriting and the songs themselves. Urban albums rarely come any better than this, and there haven't been many records better than this in 2001, period. » AllMusic Review by Stephen Thomas Erlewine

 

Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

 

Ratings :

AllMusic : 5 / 5 , Discogs : 4.63 / 5

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