Alanis Morissette - Supposed Former Infatuation Junkie (2LP, MOFI) - Audiophile

Alanis Morissette - Supposed Former Infatuation Junkie (2LP)

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Alanis Morissette – vocals, flute, harmonica, piano

Bass – Chris Chaney

Drums, Percussion – Gary Novak

Guitar – Joel Shearer, Nick Lashley

Organ, Chamberlin – Benmont Tench

Written by Alanis Morissette & Glen Ballard

 

2 LPs, gatefold cover

Limited to 3,000 numbered copies

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio 

Record Press : Fidelity Record Pressing 

Label : MOFI

Original Label : Reprise

Recorded at Royaltone Studios

Recorded by Scott Campbell & Glen Ballard

Engineered by Roger Sommers

Mixed by Chris Fogel

Produced by Glen Ballard

Mastered by Krieg Wunderlich

Design by Stefan G. Bucher

Originally released in 1998

Reissued in 2025

 

 

Tracks:

Side A:

  1. Front Row
  2. Baba
  3. Thank U
  4. Are You Still Mad

Side B:

  1. Sympathetic Character
  2. That I Would Be Good
  3. The Couch
  4. Can’t Not

Side C:

  1. UR
  2. I Was Hoping
  3. One
  4. Would Not Come

Side D:

  1. Unsent
  2. So Pure
  3. Joining You
  4. Heart Of The House
  5. Your Congratulations

 

 

Reviews:

“While it's not a repudiation of her blockbuster, Supposed Former Infatuation Junkie is a clear step forward, teeming with ambition and filled with new musical ideas and different sonic textures. Alanis Morissette's voice still sears, but she has more control over her singing, rarely reaching the piercing heights that occasionally made Jagged Little Pill jarring. Also, she has clearly spent some time crafting her lyrics; not only do they never sound like straight diary entries, she no longer is trying to fit too many syllables into a phrase. These two differences are subtle -- the brooding, Eastern-styled music that dominates Supposed is not. There are numerous extensions of the vague hip-hop and pop fusions that made "Hand in Pocket" and "All I Really Want" huge hits ("Front Row," "UR," "Thank U," "So Pure"), but much of the album is devoted to moody ballads and mid-tempo pop, where the textured production functions as a backdrop for Morissette's cryptically introspective lyrics. Far from being alienating, this approach works surprisingly well -- not only do the pop tunes sound catchier, but the ballads, with their winding melodies and dark colors, sound strong and brave. If anything, the record is more coherent album than its predecessor, and even if it isn't as accessible or as compulsively listenable, it's a richer record. That said, it won't win any new fans -- for all of her success, Morissette is a weird acquired taste, due to her idiosyncratic vocals and doggedly convoluted confessionals -- but it certainly confirms that she doesn't quite sound like anyone else, either.” AllMusic Review by Stephen Thomas Erlewine

 

 

Ratings :

AllMusic : 4 / 5 ; Discogs : 3,91 / 5

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