<transcy>Debussy, Brahms, Bartok - Sonates pour violon et piano - Julie Steinberg & David Abel (200g)</transcy>
<transcy>Debussy, Brahms, Bartok - Sonates pour violon et piano - Julie Steinberg & David Abel (200g)</transcy>
<transcy>Debussy, Brahms, Bartok - Sonates pour violon et piano - Julie Steinberg & David Abel (200g)</transcy>
<transcy>Debussy, Brahms, Bartok - Sonates pour violon et piano - Julie Steinberg & David Abel (200g)</transcy>

Debussy, Brahms, Bartok - Sonates pour violon et piano - Julie Steinberg & David Abel (200g)

€54,17
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Johannes Brahms - Sonata No. 1 in G Major, Op. 78

Claude Debussy - Sonata for Violin and Piano

Bela Viktor Janos Bartok - Rumanian Folk Dances

Piano – David Abel

Violin – Julie Steinberg

 

1 LP,  standard sleeve

Original analog Master tape : YES

Heavy Press : 200g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Quality Record Pressings

Label : Analogue Productions

Original Label : Wilson Audiophile

Recorded at Mills College Concert Hall

Remastered by Kevin Gray at Cohearent Audio

Originally released in 1987

Reissued in 2016



Tracks :

Side A : Brahms - Sonata No. 1 
    1. Vivace ma non troppo
    2. Adagio
    3. Allegro molto moderato
Side B : 
  1. Debussy - Sonata for Violin and Piano - Allegro vivo
  2. Debussy - Sonata for Violin and Piano - Intermede (fantastique et Leger)
  3. Debussy - Sonata for Violin and Piano - Finale
  4. Bartok - Rumanian Folk Dances

    Awards :

    TAS Super LP List! 



    Reviews
    :

    "This is perhaps the most exquisitely natural recording ever made. All in all, this Wilson record is a triumph of the analog recording art." — International Audio Review

    David Abel, violin. Julie Steinberg, piano. Perhaps the most transcendent of David Wilson's brilliant recordings, this remarkable album of solo violin accompanied by piano comes as close to putting the two performers in the listening room as any ever made, writes The Absolute Sound, of Sonatas for Violin & Piano.

    Recorded on Wilson's Ultramaster Recorder, built by John Curl, and using a spaced pair of Schoeps microphones driving vaccum tube electronics, the recording has a close perspective that heightens transparency and engagement as well as wonderfully capturing the beautiful tonality of Abel's Guarnerius violin and Steinberg's Hamburg Steinway without exaggering their size.

    "The duo performs these works as if they are one." — The Absolute Sound, July/August 2013



    Ratings

    Discogs : 4.63 / 5  

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