<tc>Eddie Henderson - So What (Edition japonaise)</tc>
<tc>Eddie Henderson - So What (Edition japonaise)</tc>
<tc>Eddie Henderson - So What (Edition japonaise)</tc>
<tc>Eddie Henderson - So What (Edition japonaise)</tc>
<tc>Eddie Henderson - So What (Edition japonaise)</tc>
<tc>Eddie Henderson - So What (Edition japonaise)</tc>
<tc>Eddie Henderson - So What (Edition japonaise)</tc>
<tc>Eddie Henderson - So What (Edition japonaise)</tc>
<tc>Eddie Henderson - So What (Edition japonaise)</tc>
<tc>Eddie Henderson - So What (Edition japonaise)</tc>

Eddie Henderson - So What (Edition japonaise)

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Trumpet, Flugelhorn – Eddie Henderson [click here to see more vinyl featuring Eddie Henderson]

Bass – Ed Howard

Piano – David Kikoski

Saxophone – Bob Berg

Drums – Billy Hart (A1, B1), Victor Lewis (A2-3, B2-3)

Written by Wayne Shorter (A1, B3), Ned Washington (N2), Willard Robinson (A3), Miles Davis (B1), Frank Churchill (B2)


 

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : unspecified

Label : Eighty-Eight's

Original Label : Eighty-Eight's

Recorded at Avatar Studio, New York City on March 13th & 14th, 2002

Recorded by David Baker

Produced by Yasohachi "88" Itoh

Mastered by Tohru Kotetsu at JVC Mastering Centre

Originally released in 2002

 

Tracks:

Side A:

  1. Prince Of Darkness
  2. On Green Dolphin Street
  3. Old Folks

Side B:

  1. So What
  2. Someday My Prince Will ComE
  3. Footprints

                                  

                                Reviews:

                                “Eddie Henderson's Columbia debut places him in the context of a classic series of modern compositions, from Wayne Shorter's modal masterpiece "Prince Of Darkness," and "Footprints," to his read of his mentor Miles Davis' "So What," and "All Blues," and, a pair of Monk numbers, as well "Round Midnight," and "Well, You Needn't." The band assembled for this date is more than up to the challenge. Drummers Billy Hart and Victor Lewis, pianist Dave Kikoski, bassist Ed Howard, and the inimitable Bob Berg on tenor, accompany Henderson's trumpet and flugelhorn with requisite heat and polish. Henderson's arrangements work better on the more adventurous tunes: on the Shorter and Miles cuts, Henderson's more aggressive and looser, allowing his band to stretch those tunes to the margins. His ultra-modernization of "On Green Dolphin Street," sounds like he's trying to update Miles' particular read of the composition, rather than just take a new look at it for its own merit. He does likewise with "Someday My Prince Will Come," and D.L. Hill's "Old Folks." He turns in stellar versions of the Monk tunes, with interesting and angular rhythmic turns in them along the changes. This is a solid date for Henderson, who doesn't record nearly often enough.” AllMusic Review by Thom Jurek


                                 

                                Ratings :

                                AllMusic : 4 / 5 ; Discogs : 4 / 5

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