Flea - Helen Burns
Prix habituel
€39,00
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
Temps moyen d'expédition : 2 à 4 jours ouvrés. L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.
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Flea - bass, piano, trumpet, double bass, synthesizers, drum machine, programming, organ, mellotron, melodica, percussion
Vocals – Patti Smith (B1)
Vocals - The Silverlake Conservatory Kids And Adults Choir (B3)
Drums – Chad Smith (B3), Jack Irons (A1, B3), Stella Mozgawa (A2, A3, B2)
Harmonica – Tree (B3)
Choir directed by S.J. Hasman
Written by Flea, Patti Smith (B1)
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33RPM
Size : 12”
Stereo
Studio
Record Press : unspecified
Label : ORG Music
Original Label : Not on Label (Flea Self Released)
Recorded in 2007 by Chris Warren
Mixed by Greg Fidelman (A1 to B1, B3), Ryan Hewitt (B2), Sara Killion (A1 to B1, B3)
Produced by Flea
Remastered by Bernie Grundman.
Originally released in 2012
Reissued in 2013
Tracks :
Side A:
1. 333
2. Pedestal of Infamy
3. A Little Bit of Sanity
Side B:
1. Helen Burns
2. 333 Revisited
3. Lovelovelove
Reviews :
"With a sorrowful title track that features Patti Smith singing alongside Flea on piano, Helen Burns is an unexpected departure for the usually raging slap-bass virtuoso and full-time Red Hot Chili Pepper. Recorded just after the Stadium Arcadium tour, the project started as a way for his touring keyboardist Chris Warren to learn the ins and outs of recording, but after Flea's music started taking shape, he decided to complete it and make it available as a free download through the Silverlake Conservatory of Music website. Like John Frusciante's solo outings, the music is artistic, daring, and a little far out, but decidedly better than one might expect. Jazz and electronic music play an influence, with "333" soaring through psychedelic territory like a Flying Lotus cut, and "Pedestal of Infamy" grooving along as nicely as a track by Broadcast. An underrated, technically accomplished musician, Flea's abilities are surprising on whatever instrument he chooses to play -- from keyboards, to trumpet, to percussion, to double bass -- but the real achievement is in the songwriting." AllMusic Review by Jason Lymangrover
Ratings :
AllMusic 3.5/5 , Discogs 4.35/5