<transcy>Gene Ammons - The Soulful Moods Of Gene Ammons (200g)</transcy>
<transcy>Gene Ammons - The Soulful Moods Of Gene Ammons (200g)</transcy>
<transcy>Gene Ammons - The Soulful Moods Of Gene Ammons (200g)</transcy>
<transcy>Gene Ammons - The Soulful Moods Of Gene Ammons (200g)</transcy>

Gene Ammons - The Soulful Moods Of Gene Ammons (200g)

La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
Temps moyen d'expédition : 2 à 4 jours ouvrés. L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.

Gene Ammons, tenor saxophone [click here to see more vinyl featuring Gene Ammons]

Patti Bown, piano

George Duvivier, bass  [click here to see more vinyl featuring George Duvivier]

Ed Shaughnessy, drums



1 LP, standard sleeve

Original analog Master tape : YES

Record color : black

Speed : 33RPM

Size : 12”



Record Press :  Quality Record Pressings

Label :  Analogue Productions 

Original Label :  Moodsville

Recorded on April 14, 1962 at Rudy Van Gelder Studio by Rudy Van Gelder

Remastered by Kevin Gray

Originally released in 1963

Reissued in 2022


Tracks :

Side A:

  1. Two Different Worlds
  2. But Beautiful
  3. Skylark
  4. Three Little Words

Side B:

  1. The Street Of Dreams
  2. You'd Be So Nice To Come Home To
  3. Under A Blanket of Blue
  4. I'm Glad There's You


Reviews :

"A companion to Gene Ammons' other release on Moodsville, 1961's Nice 'n Cool, 1963's Soulful Moods of Gene Ammons picks a slightly less familiar batch of ballads (Hoagy Carmichael's "Skylark," for example, or Jimmy Van Heusen's "But Beautiful") but performs them in the same soloist-plus-trio format, with pianist Patti Bown, bassist George Duvivier, and future Tonight Show stalwart Ed Shaughnessy taking on accompanist duties. It's a solid album throughout, with all four players performing well, but there's a certain spark missing in comparison with Nice 'n Cool. In particular, Bown -- who recorded with Ammons many times in the late '50s and '60s -- sounds a little off on this session. Her fills are uncharacteristically distracting, and particularly in tandem with the minimalistic style of Duvivier and Shaughnessy (who on some tracks, particularly the lissome "Under a Blanket of Blue," is playing so softly that he's barely audible), it sounds like she's overplaying. Ammons himself is typically excellent: few tenors in the '60s had his way with a ballad." AllMusic Review by Stewart Mason


AllMusic 3,5/5  ,  Discogs 4.87 / 5

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