<transcy>Grover Washington Jr. - Winelight (Vinyle doré)</transcy>
<transcy>Grover Washington Jr. - Winelight (Vinyle doré)</transcy>
<transcy>Grover Washington Jr. - Winelight (Vinyle doré)</transcy>
<transcy>Grover Washington Jr. - Winelight (Vinyle doré)</transcy>
<transcy>Grover Washington Jr. - Winelight (Vinyle doré)</transcy>
<transcy>Grover Washington Jr. - Winelight (Vinyle doré)</transcy>

Grover Washington Jr. - Winelight (Vinyle doré)

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Grover Washington Jr. – alto saxophone, soprano saxophone, tenor saxophone

Richard Tee – Fender Rhodes (A1, A3, B2, B3)

Ray Chew – clavinet (A1)

Paul Griffin – clavinet (A1), Fender Rhodes (A2, B1)

Ed Walsh – Oberheim 8-Voice (A1-3, B1, B3)

Bill Eaton – Oberheim 8-Voice (B2), arrangements and conductor

Eric Gale – guitars

Marcus Miller – bass

Steve Gadd – drums

Ralph MacDonald – congas, percussion, Syndrums

Robert Greenidge – steel drums

Hilda Harris, Yvonne Lewis, & Ullanda McCullough – backing vocals

Bill Withers – lead vocals (B2)

 

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : Gold

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : unspecified

Label : Friday Music

Original Label : Elektra

Recorded June & July 1980 at Rosebud Recording Studio, New York City

Engineered & mixed by Richard Alderson

Produced by Grover Washington, Jr., Ralph MacDonald

Remastered by Joe Reagoso

Originally released in 1980

Reissued in 2021

 

Tracks:

Side A :

  1. Winelight
  2. Let It Flow ("For Dr. J")
  3. In The Name Of Love

 

Side B :

  1. Take Me There
  2. Just The Two Of Us
  3. Make Me A Memory (Sad Samba)

 

Awards:

Grammy Award for Best Jazz Fusion Performance in 1982

 

Reviews :

"Grover Washington, Jr., has long been one of the leaders in what could be called rhythm & jazz, essentially R&B-influenced jazz. Winelight is one of his finest albums, and not primarily because of the Bill Withers hit "Just the Two of Us." It is the five instrumentals that find Washington (on soprano, alto, and tenor) really stretching out. If he had been only interested in sales, Washington's solos could have been half as long and he would have stuck closely to the melody. Instead he really pushes himself on some of these selections, particularly the title cut. A memorable set of high-quality and danceable soul-jazz." AllMusic Review by Scott Yanow

 

Ratings :

AllMusic : 4,5 / 5 , Discogs : 4,25 / 5

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