Ike Quebec - Bossa Nova Soul Samba
Ike Quebec - Bossa Nova Soul Samba
Ike Quebec - Bossa Nova Soul Samba
Ike Quebec - Bossa Nova Soul Samba
Ike Quebec - Bossa Nova Soul Samba - Blue Note Tone Poet Vinyle - Vinyl Record - Audiophile
Ike Quebec - Bossa Nova Soul Samba
Ike Quebec - Bossa Nova Soul Samba
Ike Quebec - Bossa Nova Soul Samba
Ike Quebec - Bossa Nova Soul Samba
Ike Quebec - Bossa Nova Soul Samba - Blue Note Tone Poet Vinyle - Vinyl Record - Audiophile

Ike Quebec - Bossa Nova Soul Samba

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Ike Quebec – tenor saxophone [click here to see more vinyl featuring Ike Quebec]

Kenny Burrell – guitar

Wendell Marshall – bass

Willie Bobo – drums

Garvin Masseaux – chekere

Written by Ike Quebec, Kenny Burrell, plus Brazilian tunes and classical themes

 

 

1 LP, tip-on gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12’’

Stereo

Studio

Record Press : Record Technology Incorporated (RTI)

Label : Blue Note – Tone Poet

Original Label : Blue Note Records

Recorded on October 5, 1962, at Van Gelder Studios, Englewood Cliffs, New Jersey

Engineered by Rudy Van Gelder

Produced by Alfred Lion

Tone Poet reissue produced by Joe Harley

Mastered by Kevin Gray at Cohearent Audio

Originally released in 1962

Reissued in August 2026

 

Tracks:

Side A:

1. Loie

2. Lloro Tu Despedida

3. Goin' Home

4. Me 'n You

Side B:

1. Liebestraum

2. Shu Shu

3. Blue Samba

4. Favela

5. Linda Flor

 

 

Reviews:

“Ambitious, atonal, challenging -- all are accurate descriptions of Dimensions & Extensions, Sam Rivers' fourth album for Blue Note. Rivers remains grounded in hard bop structure, working with a sextet featuring Donald Byrd (trumpet), James Spaulding (alto saxophone, flute), Julian Priester (trombone), Cecil McBee (bass), and Steve Ellington (drums), but he explodes the boundaries of the form with difficult, dissonant compositions. With his unique, mercurial tone and edgy solos, he keeps pushing the sextet in different directions. It's intense, cerebral music, but since it has distinct themes and strong rhythms, the forays into free jazz, dissonant harmonies, and unpredictable tonal textures are actually quite accessible. Rivers simply burns on each track, whether playing tenor, soprano, or flute. Byrd doesn't display the wild imagination of Rivers, yet he keeps the pace with alternately languid and biting solos. Similarly, each of the remaining musicians makes a lasting impression with his individual time in the spotlight. With music as risky at this, it's forgivable that it occasionally meanders (especially on the slower numbers) but, overall, Dimensions & Extensions offers more proof that Sam Rivers was one of the early giants of the avant-garde.” AllMusic Review by Stephen Thomas Erlewine

 

Ratings:

AllMusic : 5 / 5 ; Discogs : 4.64 / 5

 

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