<transcy>Johnny Winter</transcy>
<transcy>Johnny Winter</transcy>
<transcy>Johnny Winter</transcy>
<transcy>Johnny Winter</transcy>

Johnny Winter

TVA, Expédition et politique de retour
La TVA est incluse dans le prix pour les pays de l'Union Européenne. La TVA est ajustée sur la base du pays de destination au moment du paiement. Les frais d'expédition (s'il y en a) sont ajoutés au moment du paiement. L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations (voir les conditions générales de vente). Il n'y a pas de politique de retour pour les pays hors Union Européenne.

Johnny Winter - guitar, harmonica, vocal

Edgar Winter (p, as); Albert Wynn Butler (ts); Karl Garin (tp); Norman Ray (bs); Walter 'Shakey' Horton (hca); Willie Dixon, Tommy Shannon (b); 'Uncle' John Turner (dr, perc)

Writen by Johnny Winter (A1, A3, B1), Joe Josea (A2), B.B. King (A2), R. King (A2), James Gordon (A4), Sonny Boy Williamson I (B2), Robert Johnson (B3), Henry Glover (B4), Lightnin' Hopkins (B5), Stan Lewis (B5)

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’



Record Press : Pallas

Label : Speakers Corner

Original Label : Columbia

Recording: 1969

Production: Johnny Winter

Originally released in 1969

Reissued in 2011

Tracks : 

Side A :

  1. I'm Yours And I'm Hers
  2. Be Careful With A Fool
  3. Dallas
  4. Mean Mistreater

Side B :

  1. Leland Mississippi Blues
  2. Good Morning Little School Girl
  3. When You Got A Good Friend
  4. I'll Drown In My Own Tears
  5. Back Door Friend

Reviews :

« Winter's debut album for Columbia was also arguably his bluesiest and best. Straight out of Texas with a hot trio, Winter made blues-rock music for the angels, tearing up a cheap Fender guitar with total abandon on tracks like "I'm Yours and I'm Hers," "Leland Mississippi Blues," and perhaps the slow blues moment to die for on this set, B.B. King's "Be Careful with a Fool." Winter's playing and vocals have yet to become mannered or clichéd on this session, and if you've ever wondered what the fuss is all about, here's the best place to check out his true legacy. » AllMusic Review by Cub Koda

When an international weekly magazine calls a musician the »white pope of black art«, then it sounds suspiciously like charitableness towards a blues musician in his prime, whose good years are in the past. As if! In the case of Johnny Winter, the reviews of his 2011 tour were just as glowing as in his early years, when Rolling Stone magazine described the gaunt Mississippi bard as »a cross-eyed albino with long fleecy hair playing some of the gutsiest fluid blues guitar you have ever heard«. Intentional or not: Winter was able to win for himself some of the 'rocker' laurels that were reserved for the young Eric Clapton and Jimi Hendrix. But Winter let everyone know that he was only interested in the blues, gutsy, evoking Howlin’ Wolf’s and Muddy Waters’ growling groove, yet nimble-fingered enough on the strings to conjure up astoundingly sleek garlands of sound that fit precisely into each bar of music.

Winter remains pretty cool when people attempt to identify personal afflictions in his music: »When I play blues, I feel good« he stated recently to a journalist. That the same goes for over 40 years ago is substantiated by both sides of this debut album.



Allmusic : 4.5 / 5 ,   Discogs  4,13 / 5  , Rate Your Music  3,76 / 5

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