King Crimson - In The Court Of The Crimson King
King Crimson - In The Court Of The Crimson King
King Crimson - In The Court Of The Crimson King
King Crimson - In The Court Of The Crimson King
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King Crimson - In The Court Of The Crimson King
King Crimson - In The Court Of The Crimson King
King Crimson - In The Court Of The Crimson King
King Crimson - In The Court Of The Crimson King

King Crimson - In The Court Of The Crimson King

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Robert Fripp, guitar

Ian McDonald, reeds, woodwind, vibes, keyboards, mellotron, vocals

Greg Lake, bass guitar, lead vocals

Michael Giles, drums, percussion, vocals

Peter Sinfield, words, illumination

 

1 LP,  Gatefold jacket, booklet

Limited to 2,000 copies

Original analog Master tape : YES

Heavy Press : 200g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : the Vinyl Factory (UK)

Label : Panegyric

Original Label : Island Records

Engineers : Robin Thompson & Tony Page

Produced by King Crimson

Remixed by Steven Wilson and Robert Fripp

Cut by Jason Mitchell at Loud Mastering

Originally released in 1969

Reissued in 2015



Tracks :

Side A :
  1. 21st Century Schizoid Man
  2. I Talk To The Wind
  3. Epitaph
Side B :

1. Moonchild
2. The Court Of The Crimson King


Awards:

1000 Recordings you must hear before you die - Ranked 168

Stereophile Records To Die For - 2007


Reviews :

« The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good -- it took King Crimson nearly four years to come up with a record as strong or concise. Ian McDonald's Mellotron is the dominant instrument, along with his saxes and Fripp's guitar, making this a somewhat different-sounding record from everything else they ever did. And even though that Mellotron sound is muted and toned down compared to their concert work of the era (e.g., Epitaph), it is still fierce and overpowering, on an album highlighted by strong songwriting (most of it filled with dark and doom-laden visions), the strongest singing of Greg Lake's entire career, and Fripp's guitar playing that strangely mixed elegant classical, Hendrix-like rock explosions, and jazz noodling. Lineup changes commenced immediately upon the album's release, and Fripp would ultimately be the only survivor on later King Crimson records. » AllMusic Review by Bruce Eder



Ratings

AllMusic : 5 / 5 , Discogs : 4.54 / 5 

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