Les Arbuckle – No More No Les (Limited Edition)
Les Arbuckle – No More No Les (Limited Edition)
Les Arbuckle – No More No Les (Limited Edition)
Les Arbuckle – No More No Les (Limited Edition)

Les Arbuckle – No More No Les (SuperVinyl)

€79,00
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RARITY – Sealed

 

Tenor Saxophone : Les Arbuckle

Bass : Cecil McBee

Drums : John Ramsay

Piano : Kenny Barron

 

1 LP, standard sleeve

Super Vinyl Premium HP-180

Limited edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Label :  AudioQuest Music

Original Label : AudioQuest Music

Recorded by Roger Rhodes at Sear Sound, NYC, 

Engineered by Fred Kevorkian

Co Produced by John McNeil

Produced by Joe Harley

Mastered by Bernie Grundman

Originally released March 1993

 

Tracks:

Side A:

  1. For Now For Always - The Parent Trap
  2. Let Me Be Good To You - The Adventures of the Great Mouse Detective
  3. So This Is Love - Cinderella

Side B:

  1. Home Is Where The Heart Is - Tale Spin
  2. Love - Robin Hood
  3. Someday My Prince Will Come - Snow White and the Seven Dwarfs

Side C:

  1. If I Never Knew You - Pocahontas
  2. The Second Star To The Right - Peter Pan
  3. La La Ru - Lady and the Tramp

Side D:

  1. Once Upon A Dream - Sleeping Beauty
  2. Remember When - 101 Dalmatians
  3. When You Wish Upon A Star – Pinocchio

     

     

    Reviews:

    "It's unusual for someone to wait until he is in his forties to record his first date as a leader, but tenor saxophonist Les Arbuckle's postponed debut is worth the wait. This 1993 session finds the veteran educator accompanied by two very familiar names: pianist Kenny Barron (seemingly nearly everyone's first-call pianist during the 1990s) and bassist Cecil McBee, along with drummer John Ramsay, a friend when both were teaching at Berklee during the 1970s. While post-bop dominates the CD, there are variations. The mournful dirge-like opening duet with McBee's arco bass in "Prelude and Groove" segues into the street-parade-like funk of the main body of the piece, while the brisk treatment of Mal Waldron's great ballad "Soul Eyes" blends hard bop with a Latin-flavored rhythm. Other highlights include his hard-blowing interpretation of Cole Porter's "It's Alright With Me" and the leader's loping late-night blues "Emily's Hot Bath." AllMusic Review by Ken Dryden

     

    Ratings :

    Discogs : 5 / 5

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