Loretta Lynn – Back to the Country (Blue and White Swirl) - Audiophile
Loretta Lynn – Back to the Country (Blue and White Swirl) - Audiophile
Loretta Lynn – Back to the Country (Blue and White Swirl) - Audiophile
Loretta Lynn – Back to the Country (Blue and White Swirl) - Audiophile
Loretta Lynn – Back to the Country (Blue and White Swirl) - Audiophile
Loretta Lynn – Back to the Country (Blue and White Swirl) - Audiophile

Loretta Lynn – Back to the Country (Vinyle avec marques bleues et blanches)

€95,00
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Rarity - Sealed

Vocals - Loretta Lynn

Backing Vocals – Millie Kirkham, The Jordanaires

Bass – Billy Linneman, Bob Moore

Drums – Buddy Harman

Electric Guitar, Bass Guitar – Harold Bradley

Fiddle – Johnny Gimble

Harmonica – Charlie McCoy

Lead Guitar – Grady Martin

Piano – Hargus "Pig" Robbins, Jerry Smith

Rhythm Guitar – Pete Wade, Ray Edenton

Steel Guitar – Hal Rugg

 

 

 

1LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g 

Record color : Blue and White Swirl 

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : GZ Media

Label : VMP- Vinyl Me Please Country series

Original Label : MCA Records

Recorded December 12, 1972–December 19, 1974 at Bradley's Barn Studio, Mount Juliet, Tennessee

Engineered by Bobby Bradley, Joe Mills, Vic Gabany

Produced by Owen Bradley

Mastered at Welcome To 1979

Lacquer cut by Ryan Smith at Sterling Sound

Liner Notes by Marissa R. Moss

Photography by Bud Gray

Originally released in 1975

Reissued in 2022

 

Tracks:

Side A:

  1. The Pill
  2. Will You Be There
  3. It's Time To Pay The Fiddler
  4. Paper Roses
  5. You Love Everybody But You
  6. Mad Mrs. Jesse Brown

Side B:

  1. Back To The Country
  2. The Hands of Yesterday
  3. I Can Help
  4. Another You
  5. Jimmy On My Mind

 

Review :

« It is a misleading album title from an artist who never left country except to market a fried chicken recipe. For one thing, it would have to be a country project to rope in the gang of session pickers here, the best of the best; names such as Charlie McCoy, Pete Wade, Grady Martin, Johnny Gimble, and the pope of the pedal steel, Hal Rugg. A bit of a tougher edge might have helped the song selection, though. It is as if the opening track, the notorious "The Pill," was considered so rowdy that they thought they had to tone it down after that. And though the choice of Tom T. Hall's "You Love Everybody But You" is commendable, some of the other material just seems a little light for Lynn. Production by the great Owen Bradley is creamy smooth. » AllMusic Review by Eugene Chadbourne

 

Ratings :

AllMusic : 2.5 / 5 ; Discogs : 4.14 / 5

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